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A fake reality show trailer shines light on the real issue of child marriage
(JTA) — A three-minute trailer teases a new reality show called “Unseen Housewives,” and features women describing their experiences as child brides in forced marriages.
“I was groomed by a pedophile at age 14 and married by age 16,” one of four young women in the trailer tells the camera.
“I turned into a housewife at 14 but no one seemed to care when it happened,” says another.
There is no such reality show, although the trailer, making the rounds on social media, is describing a real issue. The video was produced for Unchained At Last, a nonprofit that’s been battling forced and child marriages for the past 12 years.
Founded by a woman who left what she calls an abusive forced marriage in a haredi Orthodox community in Brooklyn, Unchained At Last hopes the video will draw attention to its efforts to outlaw marriage for children under the age of 18, regardless of their background.
“We’re trying to solve a problem that most people don’t even know exists,” said Fraidy Reiss, Unchained At Last’s founder and executive director. “Most Americans have no idea that child marriage is legal in the U.S. Child marriage is a nightmarish legal trap.”
Unchained At Last has led a campaign that has outlawed child marriage in seven states, including New Jersey and New York. Legislation prohibiting marriage until the age of 18 is currently pending in 11 states: Maine, Vermont, Connecticut, South Carolina, Illinois, Kansas, Texas, California, New Mexico, Washington and Hawaii. The organization is particularly optimistic about the chances for passage in Vermont and Connecticut. Reiss said the group expects similar legislation to be introduced in Michigan this week.
The idea for the video came from Bruno Guimaraes, the creative director at Area 23, a Manhattan ad agency that specializes in health care campaigns, said Reiss. Guimaraes’ wife, the psychiatrist Morgan Fallor, interviewed survivors of child marriage and prepared their stories for the project.
Guimaraes’s colleague, Jihane Ghostine, produced the “Unseen Housewives” video.
“I just wanted to shed light on this topic,” Ghostine said. “I come originally from Lebanon where it’s actually legal to marry at a very young age. I think through our art and our crafts, we are maybe able to change the world in some kind of way. And this is what pushed me to do this.”
Ghostine said Gustavo Lemme, the director for the trailer, came from Sao Paulo, Brazil to helm the video. The actresses who appeared in the trailer worked at a discounted rate because they support the cause, she said.
The lines in the video are based on the real-life stories of women who were married when they were legally considered children. The trailer was shot in Tampa, Florida.
Reiss, married at 19, left her marriage after 12 years and went on to attend Rutgers University. In 2011, after working as a reporter at the Asbury Park Press and as a private investigator at Kroll, the global investigations company, she founded Unchained At Last. Initially it helped both Jewish and non-Jewish women leave arranged and forced marriages and seek custody of their children in civil court. Reis now describes herself as “a devout atheist.”
The organization has since begun pushing for legislation prohibiting marriage for children — which is legal in 43 states with parental consent or judicial approval. Opponents say child marriage is related to sexual exploitation, increased poverty, a higher risk of health complications and lower educational attainment.
Although the issue crosses various social and religious lines, Reiss has sometimes found herself facing off against Orthodox Jewish communities like the one she left and where, she said, friends were already married in high school. In 2018, the haredi Orthodox advocacy group Agudath Israel of America called the New Jersey legislation too strict, saying it wanted to see an exemption made for older teenagers who want to wed. The bill stalled under Gov. Chris Christie, a Republican, and was signed into law by his Democratic successor, Phil Murphy.
Reiss hopes the “Unseen Housewives” trailer will go viral on social media. She plans to screen it during her spring travels to promote Unchained At Last’s legislative agenda.
The group plans to continue with its “chain-in” events, in which women wearing wedding dresses appear in street protests with chains on their wrists and their mouths taped shut. More than 100 wedding gowns, some dating back to the 1940s, have been donated for the demonstrations.
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The post A fake reality show trailer shines light on the real issue of child marriage appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
