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A fake reality show trailer shines light on the real issue of child marriage
(JTA) — A three-minute trailer teases a new reality show called “Unseen Housewives,” and features women describing their experiences as child brides in forced marriages.
“I was groomed by a pedophile at age 14 and married by age 16,” one of four young women in the trailer tells the camera.
“I turned into a housewife at 14 but no one seemed to care when it happened,” says another.
There is no such reality show, although the trailer, making the rounds on social media, is describing a real issue. The video was produced for Unchained At Last, a nonprofit that’s been battling forced and child marriages for the past 12 years.
Founded by a woman who left what she calls an abusive forced marriage in a haredi Orthodox community in Brooklyn, Unchained At Last hopes the video will draw attention to its efforts to outlaw marriage for children under the age of 18, regardless of their background.
“We’re trying to solve a problem that most people don’t even know exists,” said Fraidy Reiss, Unchained At Last’s founder and executive director. “Most Americans have no idea that child marriage is legal in the U.S. Child marriage is a nightmarish legal trap.”
Unchained At Last has led a campaign that has outlawed child marriage in seven states, including New Jersey and New York. Legislation prohibiting marriage until the age of 18 is currently pending in 11 states: Maine, Vermont, Connecticut, South Carolina, Illinois, Kansas, Texas, California, New Mexico, Washington and Hawaii. The organization is particularly optimistic about the chances for passage in Vermont and Connecticut. Reiss said the group expects similar legislation to be introduced in Michigan this week.
The idea for the video came from Bruno Guimaraes, the creative director at Area 23, a Manhattan ad agency that specializes in health care campaigns, said Reiss. Guimaraes’ wife, the psychiatrist Morgan Fallor, interviewed survivors of child marriage and prepared their stories for the project.
Guimaraes’s colleague, Jihane Ghostine, produced the “Unseen Housewives” video.
“I just wanted to shed light on this topic,” Ghostine said. “I come originally from Lebanon where it’s actually legal to marry at a very young age. I think through our art and our crafts, we are maybe able to change the world in some kind of way. And this is what pushed me to do this.”
Ghostine said Gustavo Lemme, the director for the trailer, came from Sao Paulo, Brazil to helm the video. The actresses who appeared in the trailer worked at a discounted rate because they support the cause, she said.
The lines in the video are based on the real-life stories of women who were married when they were legally considered children. The trailer was shot in Tampa, Florida.
Reiss, married at 19, left her marriage after 12 years and went on to attend Rutgers University. In 2011, after working as a reporter at the Asbury Park Press and as a private investigator at Kroll, the global investigations company, she founded Unchained At Last. Initially it helped both Jewish and non-Jewish women leave arranged and forced marriages and seek custody of their children in civil court. Reis now describes herself as “a devout atheist.”
The organization has since begun pushing for legislation prohibiting marriage for children — which is legal in 43 states with parental consent or judicial approval. Opponents say child marriage is related to sexual exploitation, increased poverty, a higher risk of health complications and lower educational attainment.
Although the issue crosses various social and religious lines, Reiss has sometimes found herself facing off against Orthodox Jewish communities like the one she left and where, she said, friends were already married in high school. In 2018, the haredi Orthodox advocacy group Agudath Israel of America called the New Jersey legislation too strict, saying it wanted to see an exemption made for older teenagers who want to wed. The bill stalled under Gov. Chris Christie, a Republican, and was signed into law by his Democratic successor, Phil Murphy.
Reiss hopes the “Unseen Housewives” trailer will go viral on social media. She plans to screen it during her spring travels to promote Unchained At Last’s legislative agenda.
The group plans to continue with its “chain-in” events, in which women wearing wedding dresses appear in street protests with chains on their wrists and their mouths taped shut. More than 100 wedding gowns, some dating back to the 1940s, have been donated for the demonstrations.
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The post A fake reality show trailer shines light on the real issue of child marriage appeared first on Jewish Telegraphic Agency.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey
(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.
The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.
“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”
The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.
“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”
Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.
The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.
The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.
Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.
Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”
Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”
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