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A fake reality show trailer shines light on the real issue of child marriage
(JTA) — A three-minute trailer teases a new reality show called “Unseen Housewives,” and features women describing their experiences as child brides in forced marriages.
“I was groomed by a pedophile at age 14 and married by age 16,” one of four young women in the trailer tells the camera.
“I turned into a housewife at 14 but no one seemed to care when it happened,” says another.
There is no such reality show, although the trailer, making the rounds on social media, is describing a real issue. The video was produced for Unchained At Last, a nonprofit that’s been battling forced and child marriages for the past 12 years.
Founded by a woman who left what she calls an abusive forced marriage in a haredi Orthodox community in Brooklyn, Unchained At Last hopes the video will draw attention to its efforts to outlaw marriage for children under the age of 18, regardless of their background.
“We’re trying to solve a problem that most people don’t even know exists,” said Fraidy Reiss, Unchained At Last’s founder and executive director. “Most Americans have no idea that child marriage is legal in the U.S. Child marriage is a nightmarish legal trap.”
Unchained At Last has led a campaign that has outlawed child marriage in seven states, including New Jersey and New York. Legislation prohibiting marriage until the age of 18 is currently pending in 11 states: Maine, Vermont, Connecticut, South Carolina, Illinois, Kansas, Texas, California, New Mexico, Washington and Hawaii. The organization is particularly optimistic about the chances for passage in Vermont and Connecticut. Reiss said the group expects similar legislation to be introduced in Michigan this week.
The idea for the video came from Bruno Guimaraes, the creative director at Area 23, a Manhattan ad agency that specializes in health care campaigns, said Reiss. Guimaraes’ wife, the psychiatrist Morgan Fallor, interviewed survivors of child marriage and prepared their stories for the project.
Guimaraes’s colleague, Jihane Ghostine, produced the “Unseen Housewives” video.
“I just wanted to shed light on this topic,” Ghostine said. “I come originally from Lebanon where it’s actually legal to marry at a very young age. I think through our art and our crafts, we are maybe able to change the world in some kind of way. And this is what pushed me to do this.”
Ghostine said Gustavo Lemme, the director for the trailer, came from Sao Paulo, Brazil to helm the video. The actresses who appeared in the trailer worked at a discounted rate because they support the cause, she said.
The lines in the video are based on the real-life stories of women who were married when they were legally considered children. The trailer was shot in Tampa, Florida.
Reiss, married at 19, left her marriage after 12 years and went on to attend Rutgers University. In 2011, after working as a reporter at the Asbury Park Press and as a private investigator at Kroll, the global investigations company, she founded Unchained At Last. Initially it helped both Jewish and non-Jewish women leave arranged and forced marriages and seek custody of their children in civil court. Reis now describes herself as “a devout atheist.”
The organization has since begun pushing for legislation prohibiting marriage for children — which is legal in 43 states with parental consent or judicial approval. Opponents say child marriage is related to sexual exploitation, increased poverty, a higher risk of health complications and lower educational attainment.
Although the issue crosses various social and religious lines, Reiss has sometimes found herself facing off against Orthodox Jewish communities like the one she left and where, she said, friends were already married in high school. In 2018, the haredi Orthodox advocacy group Agudath Israel of America called the New Jersey legislation too strict, saying it wanted to see an exemption made for older teenagers who want to wed. The bill stalled under Gov. Chris Christie, a Republican, and was signed into law by his Democratic successor, Phil Murphy.
Reiss hopes the “Unseen Housewives” trailer will go viral on social media. She plans to screen it during her spring travels to promote Unchained At Last’s legislative agenda.
The group plans to continue with its “chain-in” events, in which women wearing wedding dresses appear in street protests with chains on their wrists and their mouths taped shut. More than 100 wedding gowns, some dating back to the 1940s, have been donated for the demonstrations.
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The post A fake reality show trailer shines light on the real issue of child marriage appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”