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A German museum curator is personally returning art looted by the Nazis to the descendants of Holocaust victims
(JTA) — For descendants of Jews persecuted by the Nazis, reclaiming art that was allegedly looted from their families can involve years-long court battles or negotiations with European officials.
But one museum curator in Germany, Matthias Weniger, is devoting his energy to restituting stolen art at his institution. Weniger is making it his personal business to return 111 silver objects at the Bavarian National Museum in Munich to the descendants of the Jewish families who owned the pieces before the Holocaust.
The pieces include ritual objects such as kiddush cups and Shabbat candlesticks that wound up in Nazi hands as the result of a 1939 law ordering Jews to surrender their precious metals and stones, often in exchange for just a fraction of their price. The law was one of a series of acts designed to strip Jews of their political and civil rights before the Nazi campaign of mass extermination began.
Most of the confiscated silver went to pawn shops, and much of it was ultimately melted down and used to aid the Nazi war effort. Some of the items that were not melted were returned to Holocaust survivors in the decades after the war, but only if they came forward to retrieve their stolen possessions.
“These silver objects handed in at the pawn shops are often the only material things that remain from an existence wiped out in the Holocaust,” Weniger told the Associated Press on Tuesday. “Therefore it’s really important to try to find the families and give back the objects to them.”
So far, Weniger has managed to return about 50 objects to relatives of their original owners, and he expects that he will be able to return the rest by the end of the year. His campaign comes amid attempts to speed up the process of restitution in Europe and the United States. The Netherlands recently decided to return multiple artworks to Jewish families, and a 2022 law in New York state compels museums to identify art in their possession that was looted during the Nazi era.
Weniger makes an effort to personally deliver the pieces to their owners’ descendants. Last week, he returned 19 silver pieces to families in Israel, including a goblet that was likely used as a kiddush cup, to Hila Gutmann, 53, and her father Benjamin Gutmann, 86, who reside near Tel Aviv.
The original owners of the cup were Bavarian cattle dealer Salomon Gutmann and his wife, Karolina, who were Benjamin Guttman’s grandparents. They were murdered by the Nazis in the Treblinka extermination camp. Their son Max, Benjamin’s father, survived because he fled to British Mandatory Palestine.
“It was a mixed feeling for us to get back the cup,” Hila Gutmann told the AP. “Because you understand it’s the only thing that’s left of them.”
Weniger is able to identify the objects’ provenance due to yellow stickers that the pawn shops affixed to the bottom of each piece in 1939. Those stickers have numbers that correspond to documents naming the original owners. Weniger also looks into the genealogies of the owners’ descendants, using databases, obituaries, phone books, LinkedIn, Facebook, Instagram and email addresses.
Last July, Weniger returned a partially gilded 300-year-old silver baptismal cup that had been stolen from a Jewish woman named Hermine Bernheimer in 1939. Bernheimer died in the Theresienstadt concentration camp in 1943. After her cup was returned to her descendants, they donated it to the Jewish Museum in Göppingen, the city in Germany where Bernheimer was born.
Weniger provides families with his genealogical research as well as the restituted silver. Along with the cup, relatives of Hermine Bernheimer from around the world learned of each other’s existence for the first time.
“Hermine was my great-aunt,” Naomi Karp, a lawyer in Washington, D.C., told The New York Times. “After I was told that the cup had been found, I learned I had about 30 relatives in the United States, Australia and Germany. I also learned that the cup was a baptismal cup. I have no idea how a Jewish family got a baptismal cup, but maybe it was a gift to them.”
Most of the descendants of the owners, Weniger said, live in the United States and Israel, but the museum is also in the process of returning silver pieces to France, the United Kingdom, Australia and Mexico.
“He’s really dedicated to it,” Hila Gutmann said of Weniger’s work to return the silver. “He treats these little objects with so much care — like they are holy.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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