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A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
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The post A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory appeared first on Jewish Telegraphic Agency.
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Haley Stevens takes aim at Netanyahu in Michigan Senate debate, as opponent Abdul El-Sayed calls Israel a ‘rogue state’
(JTA) — Viewers of Michigan’s Democratic Senate primary debate on Tuesday night could be forgiven for at times forgetting that one candidate comes with the heavy backing of pro-Israel donors.
“The prime minister of Israel has failed,” Rep. Haley Stevens said when asked about Iran, saying that both Israel’s Prime Minister Benjamin Netanyahu and U.S. President Donald Trump had failed to achieve “long-term peace.”
Later, Stevens added that she supported “aid into Gaza” and reiterated that she believed Netanyahu has been bad for American Jews.
“It is very clear that Mr. Netanyahu has not made us safer, has not brought us closer to peace, and he is a danger to Jews in America and around the world,” she said.
The lines represented sharp criticism of Israel’s leadership for a candidate who, according to federal campaign records, has received more than $10 million in support from donors affiliated with AIPAC, the pro-Israel lobby that her progressive opponent, Abdul El-Sayed, has excoriated on the campaign trail and during Tuesday’s debate. Regarded as one of Congress’ more reliable pro-Israel Democrats, Stevens made the comments as Democratic voters have largely shed their sympathies for Israel.
El-Sayed, meanwhile, said during the debate that the United States’ foreign policy “has been handed to us” by Israel and AIPAC and called Israel a “rogue state.”
The former Wayne County health director, whose grassroots campaign has gained momentum as it has increasingly centered anti-Israel rhetoric, did not hold back in his criticism.
Citing “the impact of AIPAC in our politics” as the reason for the joint U.S.-Israeli war on Iran, El-Sayed asserted that the lobbyist’s goals were “to annex Lebanon or to do genocide in Gaza.” He added that Israel was committing “human rights abuses, genocide and apartheid” and called for the United States to “stop funding the Israeli military unilateral blank checks.”
He also tied voters’ economic woes to Israel. “Ask yourself why it is that we are paying $5 gas, why it is that we can’t get out of this quagmire,” he said. “It’s because for too long, our foreign policy has been handed to us by the likes of the state of Israel and AIPAC, who has made sure that both Democrats and Republicans are doing their bidding.”
He further claimed there was no difference between his Democratic opponent and the presumptive Republican nominee, former congressman Mike Rogers, on Israel.
“If Congresswoman Stevens makes it, or if Mike Rogers wins, either way, Israel will win,” El-Sayed said. “AIPAC is perfectly fine with either of my two opponents because they know they will have a comfortable, reliable vote in the U.S. Senate.”
Stevens, who noted that she supports a two-state solution, rejected the line of attack. “No one owns my vote and no one owns my policies,” she said. “Anyone who’s contributing to my Senate campaign is doing so because of my proven record of fighting for Michigan.”
El-Sayed also suggested that Stevens’ sparring with Netanyahu, who is deeply unpopular with American voters, was ingenuine. Earlier in the day, Netanyahu told CNN that he believed Stevens’ previous comments accusing him of making American Jews less safe represented her “probably trying to excuse antisemitism.”
Sayed said he wasn’t convinced the remark was authentic. “I don’t think Benjamin Netanyahu is attacking her to actually attack her,” he said at the debate. “I think he’s attacking her to try and steer away the stink of how staunchly she stands for their policy.”
El-Sayed also attacked Stevens over a June 2025 vote she made in the House to “thank” Immigrations and Customs Enforcement officers. The appreciation was embedded in a resolution condemning the firebombing of a peaceful march for Israeli hostages in Boulder, Colorado. Stevens accused Republicans of having “put in a cynical point” about thanking ICE and El-Sayed of falling into a trap laid by the GOP.
Israel has grown increasingly central ahead of the Michigan primary, set for Aug. 4, in a crucial battleground state with large populations of both Jewish and Arab/Muslim voters. A third candidate who sought to tread a middle ground between Stevens and El-Sayed suspended her campaign earlier this week, ratcheting up anxiety among American Jews around the race.
Stevens’ bid for the Senate comes four years after she ousted Andy Levin, a Jewish progressive congressman who expressed criticism of Israel, in a race that drew more than $4 million in AIPAC-affiliated spending. In the years since, she has remained in a dwindling minority of House Democrats who have voted against all measures that would block or condition military aid to Israel.
El-Sayed’s bid comes as other anti-Israel progressives have prevailed in congressional primaries, shifting campaign discourse about Israel to the left. In an interview with CNN also published Tuesday, El-Sayed took aim at the very idea of a Jewish state.
“Every definition of a Jewish state ends up in some articulation of illiberal values, every single one,” he told CNN. Asked if support for Israel could ever be about more than money, he responded, “Not if you’re a Democrat and you believe in human rights.”
Other Michigan races are also turning into referendums on the Democratic stance on Israel. El-Sayed has cross-endorsed two left-wing congressional candidates, state Rep. Donavan McKinney and activist William Lawrence, who have both said Israel committed genocide in Gaza. Stevens, meanwhile, has endorsed pro-Israel Jewish state Sen. Jeremy Moss for her House seat.
Further down the ballot in Michigan, Democratic activist Abbas Alawieh, a key architect of the 2024 “Uncommitted” movement designed to pressure national Democrats on Gaza, on Tuesday picked up the endorsement of Michigan Gov. Gretchen Whitmer in his bid for a state senate seat on the party ticket. Alawieh has also met with former Vice President Kamala Harris, who lost Michigan to Donald Trump in the general election after the state’s large Arab and Muslim population expressed strong dissatisfaction with her stance on Israel.
This article originally appeared on JTA.org.
The post Haley Stevens takes aim at Netanyahu in Michigan Senate debate, as opponent Abdul El-Sayed calls Israel a ‘rogue state’ appeared first on The Forward.
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Trump says Iran ceasefire ‘over’ as Hegseth cancels Israel visit amid rising tensions
(JTA) — President Donald Trump said Wednesday that the ceasefire with Iran was “over” after the U.S. military pounded sites in Iran and the Islamic regime struck dozens of American military facilities in the region.
“I think it’s over. I don’t want to deal with them anymore,” Trump told reporters in Ankara, Turkey, where he is attending the NATO summit. “They’re scum. You know what scum is? They’re scum. They’re sick people. They’re led by sick people, and they’re vicious, violent people. And if they had a nuclear weapon, they’d use it. As far as I’m concerned, it’s over.”
At the same time, the president did not appear to rule out further negotiations with Iran, adding, “I’ll speak to our negotiators. They want to negotiate.”
Trump’s comments came hours after the military’s U.S. Central Command announced Tuesday evening that it had launched a “series of powerful strikes against Iran” in retaliation for Iran hitting commercial vessels in the Strait of Hormuz.
Following the U.S. strikes, Iran targeted dozens of U.S. military sites in Bahrain and Kuwait, according to the Iranian Fars news outlet.
“In the initial response to the US aggression, the naval and aerospace forces of the Islamic Revolution Guard Corps, in a joint missile and drone operation, struck 85 locations of important US military facilities,” the Islamic Revolution Guard Corps said in a statement Wednesday.
The exchange of fire further imperiled the shaky ceasefire between the United States and Iran, as well as negotiations with Iran that were supposed to resume after the dayslong funeral for Iranian Supreme Leader Ayatollah Ali Khamenei ended Thursday.
Following Trump’s announcement, the price of oil jumped to its highest level in weeks.
Meanwhile, Defense Secretary Pete Hegseth cancelled a planned visit to Israel Wednesday to meet with Israeli Prime Minister Benjamin Netanyahu, according to media reports.
The U.S. and Iran signed a Memorandum of Understanding last month to provide a 60-day framework for the sides to reach a deal on Iran’s nuclear program and other sticking points.
Following Tuesday’s U.S. strikes, Iran’s parliamentary Speaker Mohammad Bagher Ghalibaf accused the United States of violating the Memorandum of Understanding, including “Continued Zionist aggression on [Lebanon]” in a post on X.
“The era of bullying and extortion is over. It leads nowhere. We don’t fold,” Ghalibaf wrote.
During Trump’s meeting with Turkish President Recep Tayyip Erdogan Tuesday, the president also signalled that he would likely restore the country’s ability to purchase F-35 fighter jets, a move that Israeli Prime Minister Benjamin Netanyahu has staunchly opposed.
“Turkey has been in many ways much more loyal than other countries that we think would be loyal,” Trump said when asked if he is going to sell the jets to Turkey, according to Axios. “So it is something we definitely would consider.”
Hegseth’s scrapped meeting with Netanyahu was widely expected to touch upon the idea of U.S. selling the advanced stealth plane to Turkey.
This article originally appeared on JTA.org.
The post Trump says Iran ceasefire ‘over’ as Hegseth cancels Israel visit amid rising tensions appeared first on The Forward.
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Can the Trinity be kosher?
„אַ ייִדישער שילוש‟ (A Jewish Trinity) — אַזוי הייסט דאָס נײַע בוך פֿון אַלאַן בריל, דער ראָש פֿון ייִדיש־קריסטלעכע שטודיעס אינעם סעטאָן־האָל־אוניווערסיטעט (ניו־דזשערזי) און אַ באַקאַנטער פֿאָרשער פֿון ייִדישקייט און צווישן־רעליגיעזע ענינים. ברילס פֿאַרגלײַך־אַנאַליז איז אַ וויכטיקער שטאַפּל אין ייִדיש־קריסטלעכע באַציִונגען, וואָס קען העלפֿן ייִדן און קריסטן בעסער פֿאַרשטיין איינער דעם צווייטן.
בײַ אַ סך ייִדן איז די קריסטלעכע דאָגמע וועגן דער געטלעכער דרײַ־פּערזענלעכקייט אַזוי פֿרעמד, אַז זיי ווייסן נישט אַפֿילו, אַז אין דער פּאָלעמישער ייִדישער ליטעראַטור איז פֿאַר איר פֿאַראַן אַ ספּעציעלער טערמין — שילוש. דאָס וואָרט ווערט אָבער אין ערגעץ נישט דערמאָנט אינעם בוך און ס׳איז דאָ אַ גוטע סיבה דערפֿאַר. בריל באַנוצט זיך מיט דער באַקאַנטער קריסטלעכער טערמינאָלאָגיע און מײַדט דווקא אויס די אַלטע מיטל־עלטערלעכע דיספּוטן צווישן ייִדן און קריסטן. זײַן צוועק איז אַ קאָנסטרוקטיווע פֿאַרגלײַך־שטודיע, נישט קיין פּאָלעמיק. ער פֿאַרגלײַכט די ייִדישע און קריסטלעכע רעליגיע און ווײַזט אָן, אַז אַפֿילו אַזעלכע קאָנצעפּציעס, ווי די קריסטלעכע אמונה אין דרײַ געטלעכע פּערזאָנען, זענען לאַוו־דווקא פֿרעמד פֿאַר ייִדן; עס ווענדט זיך, ווי מע טײַטשט זיי אָפּ.
אין זײַן בוך פֿאָקוסירט בריל אויף דער מאָדערנער קאַטוילישער טעאָלאָגיע. אָפֿט מאָל ציטירט ער דעם דײַטשישן יעזויִט־גלח און פּראָמינענטן טעאָלאָג קאַרל ראַנער, ווי אויך אַ ריי אַנדערע: ייִרגען מאָלטמאַן, וואַלטער קאַספּער און האַנס קינג.
דאָס בוך איז אײַנגעטיילט אין זעקס קאַפּיטלען וועגן דעם שילוש; אינקאַרנאַציע (דער גלויבן, אַז גאָט האָט זיך פֿאַרקערפּערט אין יעזוסן); אָדם־הראשונס חטא; עולם־הבא; משיח, און דעם ברית צווישן גאָט און מענטשן (Covenant).
אין דער הקדמה דערקלערט בריל זײַן אייגענע פּאָזיציע. ער גלייבט נישט, אַז די אונטערשיידן צווישן וועלט־רעליגיעס קאָן מען פּשוט באַשרײַבן ווי „אָט דאָ גלייבן מיר צוזאַמען אין דער זעלבער זאַך, אָבער יענער גלויבן אײַערע איז אונדז פֿרעמד‟. עס זענען פֿאַראַן אַלערליי וואַריאַנטן פֿון ייִדישער און קריסטלעכער טעאָלאָגיע. אין געוויסע אַספּעקטן איז דער חילוק צווישן דעם רמב״מס און אַ חסידישן מקובלס צוגאַנג צו ייִדישקייט גרעסער, ווי צווישן ייִדן און קריסטן.
ס׳איז אינטערעסאַנט, אַז צו אַזאַ טעמע איז בריל צוגעקומען נאָכן וווינען עטלעכע יאָר אין אינדיע, וווּ ער האָט זיך באַקענט מיט הונדויִזם און אַנטדעקט פֿאַר זיך, אַז די אינדישע הויפּט־רעליגיע איז אויך נישט אַזוי ווײַט פֿון ייִדישקייט, ווי עס טראַכטן אַ סך מענטשן. בריל דערציילט וועגן דעם אין זײַן בוך „אַ רבֿ אויפֿן טײַך גאַנג‟. און אַז מע רעדט שוין פֿון הינדויִזם, מעג מען צוקומען צו אַן אַנדער, מער באַקאַנטער רעגיליע, וועלכע האָט במשך פֿון דורות אַרויסגערופֿן בײַ ייִדן ממש אַן אַלערגיע – קריסטלעכקייט.
ווי אַ מאָדערן־אָרטאָדאָקסישער רבֿ, ווענדט זיך בריל זעלטן צו קבלה און חסידות, וווּ מע קען געפֿינען אַ סך מער כּמו־קריסטלעכע פּאַראַלעלן. לייענט, למשל, שאול מגידס בוך „חסידות אינקאַרנירט‟ (Hasidism Incarnate), דערמאָנט אין דער ביבליאָגראַפֿיע פֿון ברילס בוך. בריל שטעלט דעם טראָפּ אויף דעם מין ייִדישקייט, וועלכן ער באַטראַכט ווי דעם ראַציאָנעל־געשטימטן הויפּטשטראָם. ער ווענדט זיך יאָ צו מיסטישע שיטות, אָבער נישט צו אָפֿט. פּונקט אַזוי באַציט ער זיך צום הײַנטצײַטיקן קאַטויליציזם, שילדערנדיק אַזעלכע דעות, וואָס קלינגען מער מאָדערן און ראַציאָנעל, וואָס טײַטשן אָפּ דעם שילוש בלויז ווי פֿאַרשיידענע אַספּעקטן פֿון איין גאָט, און גאָטס פֿאַרקערפּערונג אין יעזוסן מער סימבאָליש, נישט אין גאַנצן בוכשטעבלעך.
על־פּי קבלה אַנטפּלעקט זיך דער אייבערשטער צו דער וועלט און צו דער מענטש דורך צען ספֿירות — פֿאַרשיידענע פּערזענלעכע אַספּעקטן, וועלכע מע קען פֿאַרגלײַכן מיטן קריסטלעכן שילוש. בריל באַמערקט אָבער אַ ספּעציפֿישן חילוק: די ספֿירות באַציִען זיך איינע צו דער צווייטער לויט אַ שטרענגער היעראַרכיע, און בײַ די קריסטן זענען „דער טאַטע, דער זון און דער רוח־הקודש‟ אַבסאָלוט גלײַך. די פּראַוואָסלאַוונע קריסטן, פֿאַרקערט, באַטראַכטן גאָט דעם טאַטן ווי אַ מלך איבער זײַן זון און דעם הייליקן גײַסט ווי זײַן עמאַנאַציע. בריל האָט מיר דערקלערט, אַז אין דער פּראַוואָסלאַוונער טראַדיציע האָט ער זיך נישט געגריבלט. ער באַשרײַבט נאָך אַזעלכע וואַריאַציעס פֿון קריסטלעכער טעאָלאָגיע, וואָס זענען גוט באַקאַנט דעם ברייטן אַמעריקאַנער עולם.
בדרך־כּלל איז בריל גערעכט, אַז די ספֿירות ווערן אָפֿט באַטראַכט ווי אַ שטרענגע היעראַרכיע. כ׳מוז אָבער צוגעבן פֿון זיך, אַז אין אַ ריי באַקאַנטע חסידישע ספֿרים ווערט זייער סדר רעלאַטיוו אָדער דווקא איבערגעקערט. בפֿרט איז דאָס בולט בײַ חב״ד. די ליובאַוויטשער רביים באַטאָנען כּסדר, אַז מלכות — די לעצטע ספֿירה, באַטראַכט ווי אַ ווײַבלעכע און אָפֿט אינעטניפֿיצירט מיט דער שכינה, איז אין איר שורש די העכסטע. מע קען זאָגן, אַז ס׳איז „העכער‟ צו באַטראַכטן דעם באַשעפֿער ווײַבלעך, ווי אַ געטין. מעג דאָס קלינגען אומטראַדיציאָנעל, נאָר אין געוויסע גאַנץ כּשרע קבלה־קוואַלן געפֿינען מיר סימנים פֿון אַזאַ צוגאַנג. פֿון ברילס שטאַנדפּונד – צו האַלטן זיך נישט צו ווײַט פֿונעם הויפּטשטראָם – איז גאַנץ פֿאַרשטענדלעך אַזעלכע ענינים נישט צו דערמאָנען.
אינעם קאַפּיטל „אינקאַרנאַציע‟ דערמאָנט בריל נאָר אַ ביסל, אַז פֿאַר די חסידים איז אַן אמתער צדיק אַ געטלעכע אַנטפּלעקונג, און פֿאַרגלײַכט עס מיט דער „פֿאַרגעטלעכונג‟ פֿון קריסטלעכע הייליקע דורכן רוח־קודש, נישט מיט דעם, ווי די קריסטן קוקן אויף יעזוסן. אויב מע פֿאַרגלײַכן די פּראַוואָסלאַוונע טעאָלאָגיע מיט געוויסע חשובֿע חסידישע ספֿרים, ווערט אָבער דער חילוק נישט אַזוי קלאָר. צום בײַשפּיל, שטייט געשריבן אין שײַכות צו משה רבינו אינעם ספֿר „זרע קודש‟ פֿונעם ראָפּשיצער רבין (פּרשת „ואתחנן‟), אַז אַן אמתער צדיק איז גאָט — ממש מיט אַזעלכע ווערטער. דעם דאָזיקן ספֿר האַלטן די סאַטמאַרער חסידים ווי איינעם פֿון די כּשרסטע און הייליקסטע.
ווידער, פֿון ברילס שטאַנדפּונקט איז דווקא ריכטיק אַזעלכע ראַדיקאַלע דעות נישט צו דערמאָנען. אַפֿילו אין די חסידישע קרײַזן קאָנען זיי שאָקירן אַ פּשוטן ייִד. אַזוי באַציִען זיך אַ סך חסידים צום „זרע קודש‟: דער ספֿר איז טאַקע אַ הייליקער, נאָר גיי פֿאַרשטיי, וואָס דער ראָפּשיצער רבי האָט באמת געמיינט! פֿון דעסט וועגן, אויב עמעצער וואָלט פֿאַרגליכן דעם ראַדיקאַלן „צדיקיזם‟ מיט פּראַוואָסלאַוונע קריסטלעכע געדאַנקען, וואָלט זיך באַקומען גאָר אַן אַנדער בילד מיט נאָך מער פּאַראַלעלן צווישן די רעליגיעס.
די לייענער פֿון מײַנע אַרטיקלען ווייסן, אַז איך האָב ליב אַרויסצוגראָבן, אַמאָל פֿון זעלטענע און ווייניק באַקאַנטע ספֿרים, דווקא ראַדיקאַלע, אומגעוויינטלעכע און יוצא־דופֿנדיקע דעות. ווען איך האָב געלייענט ברילס בוך, האָב איך כּסדר געטראַכט: פֿאַרוואָס גייט נישט דער מחבר נאָך ווײַטער? דאָס איז אָבער אַ מעלה פֿאַר די, וואָס האָבן ליב אַ מאָדערנעם ראַציאָנעלן צוגאַנג. בריל האַלט זיך בײַם מאָדערן־אָרטאָדאָקסישן דרך און שטיצט אַן ענלעכן מין קריסטלעכקייט. פֿאַר מיר, אַ ליבהאָבער פֿון מיסטישע און שאַמאַנישע זאַכן, איז זײַן בוך געוואָרן אַ גוטער באַלערנדיקער אַרײַנפֿיר אין דער וועלט פֿון הײַנטצײַטיקע קאַטויליקער, וואָס קלינגען טאַקע ווי קריסטלעכע „מאָדערנע אָרטאָדאָקסן‟.
דאָס בוך ענדיקט זיך מיט אַ דערמאָנונג פֿונעם פּראָמינענטן רבֿ יונתן סאַקס ז״ל, וועלכער האָט באַטאָנט, אַז „די וועלט ווערט גרעסער צוליב די אונטערשיידן‟ און דערבײַ אָפּגעשאַצט די קריסטלעכע רעליגיע, ווי אויך די רעליגיעזע פֿאַרשיידנאַרטיקייט בכלל. בריל איז מסכּים, אָבער שליסט זײַן פֿאָרשונג מיט די ווערטער: „די צוויי רעליגיעס בלײַבן באַזונדערע אומאָפּהענגיקע בריתן מיטן באַשעפֿער‟.
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