Uncategorized
A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
—
The post A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory appeared first on Jewish Telegraphic Agency.
Uncategorized
Christiane Amanpour exits CNN with a legacy shaped by the debate over Israel
(JTA) — Christiane Amanpour, CNN’s chief international anchor, is leaving the network after 43 years, closing a chapter in a career that made her one of television journalism’s most celebrated war correspondents — and one of its most controversial figures among Jewish and pro-Israel viewers.
For many viewers, Amanpour’s legacy is that of a fearless correspondent who brought the human costs of war into American living rooms, from the first Gulf War to Bosnia, Rwanda and Ukraine.
But her coverage of Israel and the Palestinians has long drawn sharp criticism from some Jewish viewers, who accused her of giving insufficient weight to Israeli security concerns, mischaracterizing events and disproportionately presenting Israeli religious nationalism in an especially unflattering light.
Amanpour, 68, announced Monday that she will wind down her daily CNN International program early next year, conclude its weekly successor in May and leave the network in June 2027. Her PBS program, “Amanpour & Company,” will end at the close of this year. However, she will continue her podcast, “The Ex Files,” with her ex-husband, Jamie Rubin, a former State Department official.
Amanpour did not give a specific reason for her departure, which comes as CNN enters a new era under Paramount Skydance ownership.
“Always be truthful, not neutral,” Amanpour wrote in her farewell message, summing up a philosophy that has animated her reporting — and helped make her a polarizing figure.
Amanpour’s admirers would argue that the same qualities that make her coverage uncomfortable for some Jewish viewers — skepticism toward official accounts, attention to civilian suffering and willingness to challenge powerful governments — are essential to journalism.
When the National Press Foundation honored her in 2025 with its Sol Taishoff Award for Excellence in Broadcast Journalism, its judges called her “a gold standard for international broadcast journalism” and praised her tough questioning of world leaders. The Committee to Protect Journalists, which honored her in 2016, likewise celebrated her commitment to press freedom.
Amanpour, who was raised in Iran and England by her Iranian Muslim father and British Roman Catholic mother, joined CNN in 1983 as a desk assistant and rose through the ranks to become one of its most prominent correspondents. Her reporting from the Bosnian war in the 1990s helped establish her reputation for confronting officials and challenging the language governments use to justify military action.
Some of the sharpest criticism of her work came in 2007, when Amanpour hosted “God’s Jewish Warriors,” the opening installment of a three-part CNN documentary series examining the role of religion in politics and conflict.
Andrea Levin, president of the Committee for Accuracy in Middle East Reporting and Analysis, or CAMERA, condemned the program as a biased portrayal of Jewish religious life and Israeli settlers. A 2010 Jewish Telegraphic Agency commentary revisited the controversy, with Ron Kampeas noting that “the only explicitly religious people she interviewed were ultranationalist settlers,” and that Amanpour ignored religious Jews who opposed the settlements.
Kampeas also said the program’s treatment of the pro-Israel lobby in Washington exaggerated the power of groups like AIPAC and downplayed the shared strategic and moral imperatives that drove the U.S.-Israel alliance.
“God’s Jewish Warriors” became Exhibit A in the case against Amanpour’s work. Legitimate criticism of Israeli policy, her detractors asserted, was framed in a way that left Jewish viewers feeling that Jewish religious identity, political advocacy or national aspirations were inherently suspect.
Reporting from Lebanon during the 2006 war between Israel and Hezbollah, Amanpour was part of a CNN team whose work rekindled a longstanding debate over how journalists should cover conflicts in which a state military fights an armed group embedded in civilian areas.
Even as Amanpour at times acknowledged the difficulty of covering such “asymmetrical warfare,” Israeli officials and supporters argued at the time that images of destruction and civilian suffering in Lebanon obscured Hezbollah’s role in initiating and sustaining the conflict. Those objections anticipated similar complaints, aimed at CNN and other outlets, over coverage of Israel’s devastating war in Gaza after the Hamas attacks of Oct. 7, 2023.
Critics have continued to document what they see as a pattern. CAMERA has maintained a collection of complaints about Amanpour’s reporting, while HonestReporting, another pro-Israel media-monitoring organization, has accused her of repeated anti-Israel distortions.
Although both organizations have a clear advocacy perspective, they often provide specific examples of errors, and often extract corrections.
One example came in April 2023, when Amanpour described the killing of Israeli Lucy Dee and her daughters Maia and Rina in a Hamas-linked West Bank terrorist attack as a “shootout.” The women were driving on a highway when Palestinian gunmen opened fire on their vehicle. Amanpour subsequently apologized on air for her inaccurate characterization.
In 2024, Amanpour also drew criticism for a social media post about Marwan Barghouti, the imprisoned Palestinian political leader convicted by an Israeli court of involvement in deadly attacks. “To many Israelis, he’s a terrorist. To many Palestinians, he’s their Mandela,” she wrote.
The comparison accurately captured Barghouti’s sharply different reputations among Israelis and Palestinians, but critics argued that it risked reducing the gravity of the attacks for which he was convicted.
Complaints about CNN’s Gaza coverage gained a striking new dimension in February 2024, when Amanpour reportedly joined CNN colleagues in accusing the network of a pro-Israel bias in its coverage of the Israel-Hamas war.
According to reporting by The Intercept and The Guardian, journalists at an internal CNN meeting raised concerns that the network’s editorial procedures were favoring official Israeli narratives and making it harder to convey Palestinian perspectives. CNN’s process required coverage of the conflict to pass through its Jerusalem bureau; Amanpour was heard on tape saying that the process led to “changing copy, double standards, and all the rest.”
At the same time, some pro-Israel viewers saw CNN and Amanpour as too willing to accept Palestinian claims and too quick to foreground Gaza’s devastation.
In response to the reports, CNN defended its coverage of the conflict. “We remain absolutely committed to reporting all sides of this immensely challenging, complex and emotive story,” it said in a statement. “We absolutely reject the notion that any of our journalists treat Israeli officials differently to other officials.”
Amanpour again apologized on air in October 2025 for having said that surviving Israeli hostages released from Hamas captivity were “probably being treated better than the average Gazan, because they are the pawns and the chips that Hamas had.” Following backlash from political figures and organizations, Amanpour retracted the statement, calling her remarks “insensitive and wrong.”
Last month, in a rare long-form interview about her career with the podcaster Sam Fragoso, Amanpour discussed CNN’s coverage of the Gaza war. In the immediate aftermath of the Oct. 7 attacks, she said, the network was “practically wall to wall with horrendous stories from the victims in Israel. I mean, just horrendous.”
But as Israel’s military response ground on, “the story flipped,” she said. “As the destruction of Gaza took place and the bodies piled up, most particularly the women and the children, the tone of the coverage reflected the reality.” At the February 2024 meeting with CNN executives, she said, her colleagues expressed frustration that the network took too long to cover the Palestinian side.
In the same interview, Amanpour also walked back an apology she made in 2020 — not about CNN’s Mideast coverage, but for a commentary on the 82nd anniversary of the Kristallnacht attacks. In that segment, she juxtaposed the Nazis’ anti-Jewish pogrom with what she called President Donald Trump’s “attacks on history, facts, knowledge and truth.” After Jewish groups, including the American Jewish Committee, complained that she had “instrumentalized” the Holocaust with a faulty comparison, Amanpour said on air that she regretted any pain her statement may have caused.
Speaking last month with Fragoso, Amanpour said that she stands by her assertion that Kristallnacht demonstrated how quickly “democratic values can slowly slip away.” She also suggested that her employers had bowed to outside pressure and instructed her to apologize.
“There were people, you know, in various communities in regard of this,” she said, referring to her critics, “who decided that I need to be slapped around and pull[ed] down a peg. But I think that’s just because some people are afraid of the truth.”
Amanpour’s departure comes at a moment of uncertainty about CNN’s future under its new corporate owner. Paramount Skydance’s $110 billion merger with Warner Bros. Discovery, CNN’s parent company, has raised concerns among journalists about political influence and editorial independence, particularly given new owner David Ellison’s ties to Trump and the changes he has overseen at CBS News.
Amanpour herself expressed concern in May about what she called an “ideological realignment” at CBS News under its new leadership. “So clearly, obviously, I’m concerned,” she said, speaking at an investigative journalism conference in London. “I would like to think that we would have the very basic, which is editorial independence. I’m hoping for that. I know many of us at CNN are incredibly — including leadership — are very, very committed to that, clearly.”
For some Jewish and pro-Israel observers, however, the same changes have raised hopes that CNN’s coverage of Israel might become more favorable. Bari Weiss, who became CBS News editor in chief after Paramount acquired her strongly pro-Israel publication, The Free Press, has long argued that mainstream news organizations have mishandled Israel and antisemitism.
Amanpour didn’t mention the merger in her announcement. But she noted how her background shaped her perspective.
“Because of my upbringing — I’m half-Iranian and half-British — I’ve had the great privilege of being able to see the world from two very distinct perspectives,” she said. “I’ve always spoken out about the need to bridge gaps. I know we can live in a world that’s not 100% tribalized.”
This article originally appeared on JTA.org.
The post Christiane Amanpour exits CNN with a legacy shaped by the debate over Israel appeared first on The Forward.
Uncategorized
Former Edmonton journalist admits to vandalizing monuments of Ukrainian Nazi collaborators
(JTA) —
EDMONTON, Canada – Duncan Kinney, a former journalist with the left-wing website Progress Report, pleaded guilty to criminal mischief on Monday, four years after he was arrested for vandalizing monuments to Ukrainian Nazi collaborators in Edmonton, Alberta.
Monday’s guilty plea was an anticlimactic not-quite-end to a case that appeared to be run-of-the-mill vandalism but was so culturally charged that it drew the attention of everyone from the Premier of Alberta to Friends of the Simon Wiesenthal Center in Toronto.
In 2021, Kinney broke the news story that someone had spray-painted “Actual Nazi” on a bust erected to honor WWII military commander and Nazi collaborator Roman Shukhevych and then painted “Nazi Monument” and “14th Waffen SS” on a memorial to the SS Galizien, a Ukrainian military unit that was part of the Nazi Party’s military wing.
According to court documents, Kinney was caught on a security camera spray-painting the Shukhevych monument shortly after midnight on Aug. 10, 2021, and caught again eight hours later photographing his handiwork. He then sent an email to the staff of the Ukrainian Youth Unity Complex, where the monument was located, explaining that Progress Report had received photos of the defaced monument. The brief email concluded with “Do you have any statement or information on this matter? Was Roman Shukhevych a Nazi or Nazi collaborator? Our deadline is 3:15 pm. Thank you.”
Kinney initially pleaded not guilty to one count each of criminal mischief and mischief relating to a war memorial. He suggested he’d been targeted because he was critical of the Edmonton Police Service and alleged that they were trying to silence him.
He is due to be sentenced Jan. 25, 2027, at which time the crown prosecutor is expected to drop the more serious charge of defacing a war memorial, which carries a sentence of up to 10 years in prison.
Neither Kinney nor his defense attorney, Tom Engel, would comment after the court appearance. However, the board of Progress Report issued a statement decrying its former employee’s actions, calling committing a crime and reporting that somebody else did it “a cardinal breach of journalistic ethics and not acceptable behavior within any media organization. Mr. Kinney has always maintained his innocence in this matter and we trusted him; today’s news was an unpleasant surprise for us.”
Ultimately, the case exposed deep divisions in the Ukrainian diaspora about the role that Ukraine played in the Holocaust.
Shukhevych was a leader in both the Organization of Ukrainian Nationalists (OUN) and its armed force, the Ukrainian Insurgent Army (UPA). He was also an officer in a Third Reich auxiliary battalion. During World War II, he commanded troops that murdered Jews, Polish civilians, other national minorities, communists and his countrymen from Ukraine. And he helped marshal the fight for Ukrainian independence from the Soviets.
The monument to the SS Galizien is located at St. Michael’s Cemetery, less than two miles from the complex housing the Shukhevych bust. Among the unit’s members was Yaroslav Hunka, who, at age 98, received two standing ovations for his service in WWII and fighting for Ukrainian independence when he appeared in the House of Commons alongside visiting Ukrainian President Volodymyr Zelensky in September 2023.
Nobody in Parliament, it seemed, was aware of Hunka’s Nazi past. When the news became public, the incident became a national embarrassment. At least temporarily, the country was forced to examine how it dealt with WWII war criminals.
In Edmonton, however, the blunder appeared to have no impact on Kinney’s case. For his alleged vandalism to the SS Galizien monument, he had been charged not with simple mischief, but with vandalizing a war monument.
“We do not consider a statue honoring a Nazi to be a war monument,” says Jaime Kirzner-Roberts, senior director of policy and advocacy at the Friends of Simon Wiesenthal Center in Toronto. “When we talk about veterans’ monuments, we are talking about Canada’s veterans. We are not talking about Nazi veterans.”
Kirzner-Roberts’ organization, B’nai Brith Canada and the Jewish Federation of Edmonton, as well as local politicians and academics, have been asking for years for the monuments to be removed.
“I think that in the case of the Shukhevych monument, you shouldn’t put up monuments to people responsible for mass murder,” says John-Paul Himka, a University of Alberta professor emeritus of history, whose 2021 book “Ukrainian Nationalists and the Holocaust” examines the role that the OUN and UPA had in destroying Ukraine’s Jewish population during WWII.
“As for the Waffen-SS memorial, Austria has also been trying to get rid of their Waffen-SS memorials and it’s an issue around the world, really, how much you want to put up memorials to SS men or to people who collaborated with the Nazi state.”
Less than six months after the Hunka debacle in Parliament, the monument to the SS Galizien at the St. Volodymyr Ukrainian Cemetery in Oakville, Ontario, was permanently removed. Himka doesn’t see anything like that happening in Edmonton, a city with the largest population of people with Ukrainian descent in a country with one of the largest populations of people with Ukrainian descent outside of Ukraine.
“The diaspora community doesn’t want to hear about this,” he says. “They don’t want to confront the history, and nobody is telling them otherwise really.”
The courtroom, though, did host one such confrontation. At the conclusion of Kinney’s appearance, two women who appeared to be in their 40s and who had spent the half-hour proceedings knitting, engaged in a conversation with two men who appeared to be at least twice their age and were sitting across the aisle.
The discussion started innocently enough, with inquiries as to what brought each of them to the courtroom. When the women said that Shukhevych was a Nazi who had killed thousands of innocent people, the temperature heated up.
When the women insisted, the men all but rolled their eyes. “That’s Russian propaganda,” they scoffed, then got up and marched together out of the courtroom.
The post Former Edmonton journalist admits to vandalizing monuments of Ukrainian Nazi collaborators appeared first on The Forward.
Uncategorized
Mike Rogers says his opponent is ‘anti-Jew.’ Do Michigan’s Jews believe him?
(JTA) —
WHITE LAKE, Mich. – Former U.S. Rep. Mike Rogers did not have to go very far back in time to find a new example of how, in his view, his opponent is a danger to the Jewish community. Twelve hours would do.
Rogers recalled an interview that had aired the previous night on ABC. “He basically said that Israel now is just not an ally — matter of fact may be the enemy — of the United States of America,” the Republican nominee for U.S. Senate in Michigan told the Jewish Telegraphic Agency on Tuesday morning.
The “he” in question was, of course, Abdul El-Sayed, the former county health director and polarizing Democratic nominee for the state’s open Senate seat. The night before, El-Sayed had told ABC that Israel was “not actually our friend.” He also recently told MS NOW that “the government of Israel has done nothing but use us.”
Rogers, by contrast, told JTA that Israel is “the best ally we have in the Middle East. They have Western values baked into their political system.” He proudly noted that far-right commentator Tucker Carlson has attacked him for his pro-Israel views.
Remarks like the ones El-Sayed recently made, Rogers continued, clarify his view of his opponent: “There’s so much evidence. It’s pretty hard to say that this guy is anything but anti-Jew.”
For Rogers and the Republican Party writ large, El-Sayed’s hardline criticism of Israel has thrown them an unexpected gift in a tough race that could help determine who controls the Senate after the November midterms.
That opportunity runs through Michigan’s Jewish community. At a recent rally in the state, Vice President JD Vance echoed that criticism, accusing El-Sayed of being “obsessed” with Israel.
“He’s 10 times more interested in what’s happening in Palestine than in Port Huron,” Vance, whose own views on Israel have concerned many conservative Jews, told the crowd. “He’s way more interested in what’s happening in Gaza than he is in what’s happening in Grand Rapids.”
Another recent Trump administration event, held at a Michigan synagogue, mostly discussed antisemitism. Neither Senate candidate’s name was mentioned from the stage. But Jews who attended the event told JTA they were scared of the prospect of a Senator El-Sayed. “I pray he does not get in,” one attendee, Sharon Matlen, said.
Rogers, a former congressman who lost the 2024 Senate race to Elissa Slotkin, a Jewish Democrat, by fewer than 20,000 votes, hopes to convince enough of the state’s estimated 100,000 Jewish adults and other traditionally Democratic blocs to vote for him in the election in two weeks’ time. He’s confident of his chances.
“I think the alternative is so bad, and they looked at us and said, ‘He’s not that bad,’” the candidate said. “And trust me, I think that’s a good place for us to be.”
Rogers positions himself as a common-sense Republican, one whose chief concerns are improving child literacy, rebuilding manufacturing jobs and lowering utility rates. Drawing on his military background, he insists he doesn’t have a problem with the fact that El-Sayed is Muslim: “I wore the uniform of the United States so you can pray any way you want.”
Local rabbi Asher Lopatin, who briefly went on leave from his role directing Jewish communal relations in Ann Arbor to stump for Rogers, has called him “a caring, sensitive man.”
Rogers is also trying to make inroads with Black communities, as well as other ethnic and faith-based groups. At a Tim Hortons in this tony Detroit suburb, an Iraqi Christian couple came out from behind the counter to take selfies and profess their support.
But among his potential new voters, it’s the Jewish community Rogers has made the most overt appeals to. His outreach has included meeting with various Jewish clergy and community leaders and hosting a meet-and-greet Sunday night in a heavily Orthodox Jewish neighborhood, catered by a kosher BBQ joint. And he and Texas Sen. Ted Cruz will be appearing together in Detroit next week for an event spearheaded by the Republican Jewish Coalition titled, “Who Will Keep Us Safe?”
Hundreds of Jews, including several prominent community leaders and lifelong Democrats, have already signed a pledge to vote for Rogers. El-Sayed’s association with left-wing streamer Hasan Piker and linking of the spring attack on Temple Israel to Israel’s war in Lebanon have troubled some Jewish voters.
(L-r) Michigan Jewish Democratic activist Alicia Chandler, Illinois congressional candidate Daniel Biss and former Michigan Rep. Andy Levin make a progressive Jewish case for Senate candidate Abdul El-Sayed to a small audience of conflicted Jews in Detroit, Michigan, Oct. 19, 2026. (Andrew Lapin/JTA)
But others, even those deeply worried about El-Sayed and his movement, still can’t bring themselves to support the current Republican platform. A new progressive canvassing campaign is targeting Jews in the Detroit suburbs to persuade them not to vote for the GOP candidate.
“We’ve been doing a lot of listening to people’s concerns and anxieties,” said Amanda Berger, a progressive Jewish activist from California who is leading Seed the Vote’s Jewish canvassing efforts for El-Sayed in Michigan.
But the volunteers’ goals, Berger told JTA, are then “to pivot to the question of, what will it mean to you, or what will it mean to the Jewish community, or what will it mean to your neighbors, if Mike Rogers is elected and Trump is unchecked for another two years.”
Elaine Driker, a prominent Detroit Jewish community leader, was no fan of El-Sayed. Yet after seeing so many of her peers sign the pro-Rogers letter, Driker signed a Jewish letter pledging to vote for El-Sayed.
She then went a step further, hosting Daniel Biss, a progressive Jewish congressional candidate from Illinois, and 50 Jews at her house Monday night for a dialogue about El-Sayed. One in attendance, Susan Ruttenberg, admitted that though she had already cast her vote for the Democrat, “I’m uncomfortable with him.”
Biss holds Israeli citizenship and told the group he believes “that the Jewish people have a legitimate claim to the land where the state of Israel has been established.” He conceded, “Some of the ways that Abdul has spoken about antisemitism have landed imperfectly with some people.”
Yet Biss insisted, “I think he’s shown a willingness to learn and grow.” He also warned the crowd against what he called “the political narrowness of the organized Jewish community.”
It was one of several such small-room Jewish conversations about the race that have taken place in recent weeks. Others have featured New York congressional candidate Brad Lander and Vermont U.S. Rep. Becca Balint. Michigan state Sen. Mallory McMorrow, who dropped out of the Senate primary that El-Sayed eventually won, will speak at another.
The events are intended “to breathe some air into the possibility that Abdul is not scary, that he is not antisemitic,” said Stacie Chaiken, an organizer with Michigan Jews for Democracy, which is also putting on the meet-and-greets. The coalition’s open letter of Jews pledging to vote for El-Sayed has topped 950 signatures to date.
To win over more Jews, Rogers will make his case by acknowledging what other Jews have told him is a deep fear for where the country is headed.
“They’re afraid for what kind of America their children will live in,” Rogers told JTA of the Jews he’s spoken to on the campaign trail. El-Sayed is building a “movement,” the Republican said, arguing that such a movement bodes poorly for Jews: “You have to remember, if elected to the Senate, this is just the beginning for them.”
Democrat US Senate candidate for Michigan Abdul El-Sayed speaks during a midterm campaign rally in Flint, Michigan on October 18, 2026. El-Sayed is competing against Republican candidate Mike Rodgers for Michigan’s US Senate seat in the upcoming midterm elections. (Jeff Kowalsky / AFP via Getty Images)
Rogers repeatedly brought up his opponent’s “ideology” and “extremism.” He sought to link El-Sayed to the Muslim Brotherhood, echoing a growing GOP line of attack. Republicans have cited resurfaced tweets by El-Sayed’s half-sister describing their mother’s activism in the movement in the early 1970s.
El-Sayed has disavowed the group and accused questioners of invoking Islamophobic tropes.
Rogers also said he doubted the sincerity of El-Sayed’s August apology to the Jewish community for his “hurt people hurt people” remarks regarding the March attack on Temple Israel — a similar sentiment other Michigan Jews have shared with JTA.
“That’s not an apology,” he said. “That says, ‘I’m sorry I said it then. Maybe I should have said it later.’ I don’t buy that.”
The Rogers campaign is additionally arguing that El-Sayed’s rhetoric has activated a deeper antisemitic contingent on the left. A Rogers campaign staffer, who is Jewish, posted to X Tuesday morning that El-Sayed is “a raging antisemite who is responsible for the hate and vitriol Michigan Jews face daily,” with a link to his ABC interview. That staffer, Abby Ronson, told JTA that she received death threats because of the tweet after progressive commentator Mehdi Hasan went after her.
El-Sayed has strongly rejected any allegation that he is antisemitic, saying he loves Judaism and that “AIPAC and Israel are not the same as Judaism and the Jewish people.” Some of the state’s top Jewish Democrats, including Slotkin and state Attorney General Dana Nessel, have endorsed him; others, including congressional candidate Jeremy Moss, have not.
But Rogers also hopes to tell more of Michigan’s Jews who he is — beyond simply not being El-Sayed. There’s someone else, he said, who he’s not: the deeply unpopular Republican president.
“I’m not Trump. And I don’t plan to be Trump when I get to Washington,” Rogers said. He listed issues he has broken with Trump on, including the joint U.S.-Israeli war in Iran, which Rogers formerly supported but now wants wrapped up: “I argue we met our objectives. Don’t hang out there very long.”
If such a view puts him at odds with Israeli leadership, he said, they will politely hash it out. “Every once in a while, we’re going to disagree with our allies. I don’t see this as a problem.”
Still, when it comes to issues of concern to Jewish voters, Rogers said he’s more aligned with Trump than not. He “absolutely” approves of the president’s campaign against campus antisemitism, which has drawn criticism and legal action for pulling billions of dollars in funding from various universities in order to pressure them to sign settlements.
If the government wanted to do the same to the University of Michigan, the state’s top research school that has been embroiled in a stream of antisemitism controversies of its own, Rogers — who donned Michigan gear for a TV ad running in the state — would support it.
“I wish there were a better way, but nothing else is working,” he told JTA. “Hell, their professors are talking in ways that would be shocking about an ally to the United States, and they’re buying into this ‘oppressor versus oppressed.’ It’s the craziest thing I’ve ever seen. The whole thing is anti-American. We’re going to get it fixed.”
Rogers dismissed as “a made-up story” reports that his allies had asked the pro-Israel lobbying group AIPAC not to advertise publicly on his behalf, reportedly because they fearedfearing its involvement could hurt his campaign.
“What I’ve always said is, if anybody wants to help defeat the most extreme candidate from his Democratic Socialists of America ties to his very, I think, hateful, angry, riddled contempt for Israel and Jews, welcome,” Rogers said. “I’ll take anybody that wants to help.” El-Sayed is not a DSA member, but he has spoken at the organization’s events and received campaign support from its members.
Recently, an AIPAC-linked super PAC, the United Democracy Project, spent about $95,000 against El-Sayed, according to federal elections filings. That expenditure took the form of mailers targeting the Jewish community.
Rogers insists his fight against El-Sayed is bigger than the candidates. Voters, he said, are concerned with what the Democratic Party’s treatment of Jews says about the coalition’s direction in general.
“I can’t tell you how many people tell me that they’re so disappointed in their party,” he said. “And if you can bring yourself to diminish one set of people or one ethnic group of people in Michigan, what stops you there? I argue, nothing.”
Yet many of the Michigan Jews trying to convince their neighbors to vote for El-Sayed are making the same argument — in a different order — about Republicans. The GOP’s demonizing of certain immigrant groups and LGBTQ people, progressive Jews argue, could lead back to antisemitism.
“A society that abandons pluralism in an effort to attack someone other than the Jews is surely going to be coming for the Jews pretty soon,” Biss told the assembled crowd on Monday.
Rogers rejected the premise that Republicans are doing the same thing. “I don’t equate them at all,” he said. “It may be a legitimate concern. But if you have somebody that wants to eliminate, you know, ‘from the river to the sea,’ last I checked, that’s just about every Jew that lives in Israel. There’s no more clear, brighter line than that.”
On his way out the door to speak at the Detroit Economic Club, Rogers was asked if he had any last message for American Jews.
“Keep the faith,” he said, before driving away.
The post Mike Rogers says his opponent is ‘anti-Jew.’ Do Michigan’s Jews believe him? appeared first on The Forward.
