Uncategorized
A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
—
The post A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory appeared first on Jewish Telegraphic Agency.
Uncategorized
Iran Vows to Keep Strait of Hormuz Closed in New Leader’s First Statement
Iran’s new supreme leader, Mojtaba Khamenei, the second son of late Iran’s Supreme Leader Ayatollah Ali Khamenei, attends a meeting in Tehran, Iran, July 18, 2016. Photo: Amir Kholousi/ISNA/WANA (West Asia News Agency) via REUTERS
Iran will fight on and keep the Strait of Hormuz shut as leverage against the United States and Israel, new Supreme Leader Mojtaba Khamenei said on Thursday in the first comments attributed to him since he succeeded his slain father.
Khamenei did not appear in person, and the remarks were read out by a state television presenter. No images have been released of him since an Israeli strike at the start of the war that killed much of his family, including his father and wife.
Thursday’s statement struck a defiant tone, with Khamenei calling on Iran‘s neighbors to shut US bases on their territory and warning that Iran would continue to target them.
“I assure everyone that we will not neglect avenging the blood of your martyrs,” said the hardline cleric who is close to Iran‘s top military force.
“The popular demand is to continue our effective defense and make the enemy regret it. The lever of blocking the Strait of Hormuz must continue to be used,” he added, referring to the shipping route through which a fifth of global oil normally passes along Iran‘s coast.
State television offered no explanation for why the message was read out rather than delivered in person. Iranian officials have said Khamenei was lightly wounded in the initial Feb. 28 airstrikes, but the extent of his injuries is unclear.
The prospect that one of the most severe disruptions ever to hit global energy supplies could drag on sent oil prices surging back above $100 a barrel, after falling back earlier in the week on hopes of a swift end to the conflict.
TANKERS ABLAZE IN IRAQI PORT
Shortly after the address was read out, the Revolutionary Guards announced they would keep the strait shut in line with his orders.
Two tankers were ablaze in an Iraqi port on Thursday after a hit by suspected Iranian explosive-laden boats, a clear sign of defiance toward US President Donald Trump, who said on Wednesday the United States had already won the war.
Images verified by Reuters as filmed from the Iraqi port of Basra showed ships engulfed in massive orange fireballs that lit up the night sky. At least one crew member was killed.
Hours earlier, three other ships were struck in the Gulf. Iran‘s Revolutionary Guards claimed responsibility for at least one attack – on a Thai bulk carrier that was set ablaze – saying it had disobeyed their orders. Another container vessel reported being struck by an unknown projectile near the United Arab Emirates.
In another front of the unpredictable war, Israeli airstrikes hit a building in central Beirut on Thursday, sending thick smoke above the Lebanese capital.
Israel also ordered residents out of another swathe of southern Lebanon, intensifying its offensive against the Iran-backed Hezbollah group after it fired its biggest volley of rockets into Israel since the start of the war.
So far the war has killed more than 2,000 people, including almost 700 in Lebanon.
AS DRONES FLY, TRUMP SAYS US WILL BENEFIT
Undermining US and Israeli claims to have knocked out much of Iran‘s stock of long-range weapons, more drones were reported on Thursday flying into Kuwait, Iraq, the UAE, Bahrain, and Oman.
Iran has said it will not let oil back through Hormuz until US and Israeli attacks cease, but Trump played down the surge in energy prices, saying Washington would ultimately benefit.
“The United States is the largest Oil Producer in the World, by far, so when oil prices go up, we make a lot of money,” he wrote on social media, adding that “of far greater interest and importance to me, as President, is stopping an evil Empire, Iran, from having Nuclear Weapons.”
The US is a net oil exporter but also the world’s biggest oil consumer, burning roughly twice as much as the European Union. Economists say sustained high prices would drive broad inflation.
In separate comments, Trump said the Iranian men’s national soccer team was welcome to participate in the 2026 World Cup, which the US is co-hosting, but added that it was not appropriate that they be there “for their own life and safety.”
‘SECURITY FORCES ARE EVERYWHERE’
Inside Iran, residents said security forces were increasing their presence on the streets to demonstrate continued control.
“Security forces are everywhere, more than before. People are afraid to come out, but supermarkets are open,” teacher Majan, 35, said by phone from Tehran.
Three sources told Reuters that US intelligence indicated that Iran‘s leadership remained largely intact and not at risk of imminent collapse.
Israel and the United States have called on Iranians to rise up and topple their clerical rulers. Many Iranians want change and some openly celebrated the elder supreme leader’s death on the war’s first day, after his forces had killed thousands of anti‑government protesters in January. But there has been no sign of organized dissent while the country is under attack.
TEHRAN SEEKS PROLONGED ECONOMIC SHOCK
Khamenei’s remarks reinforce Iran‘s message that its strategy now is to impose a prolonged economic shock to force Trump to back off. A spokesperson for Iran‘s military command said on Wednesday that the world should prepare for oil prices of $200 a barrel.
US Energy Secretary Chris Wright said on Thursday he did not expect that to happen, but did not totally rule it out. “I would say unlikely, but we are focused on the military operation and solving a problem,” Wright told CNN.
Thursday’s oil price surge came despite the announcement the previous day that developed countries would release 400 million barrels of oil from their strategic reserves, nearly half from the United States.
That is by far the biggest-ever coordinated intervention in oil markets. But releasing the reserves will take months, and account for just three weeks of supply from the blockaded strait.
“The only way to see oil prices trade lower on a sustained basis is by getting oil flowing through the Strait of Hormuz,” ING analysts said.
Uncategorized
Israel Strikes Beirut, Prepares to Expand Lebanon Operations After Hezbollah Fires Volley of Rockets
Smoke rises after an Israeli strike on Beirut’s southern suburbs, Lebanon, March 11, 2026, following an escalation between Hezbollah and Israel amid the US-Israeli conflict with Iran. Photo: REUTERS/Raghed Waked
Israeli airstrikes hit a building in the heart of Beirut on Thursday and Israel ordered residents out of another swathe of southern Lebanon, intensifying its offensive against the Iran-backed Hezbollah terrorist group.
The airstrike at around 5:30 pm (1530 GMT) hit a building in the Bachoura neighborhood, around 1 km (mile) from the Lebanese government’s Grand Serail headquarters in downtown Beirut.
Before the strike, the Israeli military issued a warning telling residents they were near a Hezbollah facility against which it intended to action.
Israel launched an air and ground offensive last week against Hezbollah, which started the conflict when it launched attacks at Israel on March 2 that it said aimed to avenge the killing of Iran’s supreme leader at the start of the US-Israeli war on Iran.
Hezbollah has fired rockets and drones at Israel every day since, including its largest barrage late on Wednesday that triggered heavy Israeli strikes on Beirut‘s southern suburbs.
In the Wednesday night launches, Hezbollah said it had launched dozens of rockets into northern Israel as part of a “series of operations,” indicating there could be more to come. Lebanese security sources told Reuters more than 100 rockets were launched.
A senior Israeli defense official said Iran and Hezbollah had launched a joint missile attack, describing it as the first coordinated action against Israel since the war began.
Israel’s ambulance service said two people had been lightly wounded by the rockets.
The Israeli strikes on Beirut‘s southern suburbs began almost immediately after Hezbollah’s attack, sending half a dozen consecutive booms reverberating across the city. The Israeli military said it struck 10 Hezbollah structures within 30 minutes, including a headquarters of its elite Radwan unit.
Beirut‘s skyline was covered in thick smoke, Reuters footage showed. In one of the bombed locations, flickering orange flames were visible late into the night.
Israel’s military has repeatedly ordered residents of the southern suburbs to leave over the last week, prompting a displacement crisis as government shelters struggle to cope.
On Wednesday night, after strikes began, the Israeli military said it would “soon act with overwhelming force” against Hezbollah and that residents should leave immediately.
Israel has pounded Lebanon’s south and east and the capital’s southern suburbs, killing more than 600 people, according to Lebanese authorities. It has also ordered mass evacuations in those same areas, pushing more than 800,000 people out of their homes.
Israeli Defense Minister Israel Katz said the military had been instructed to expand its operations in Lebanon.
“We promised quiet and security to the communities of the north, and that is exactly what we will deliver,” he said at a meeting with senior military officials.
The Israeli military says it has struck hundreds of Hezbollah targets since March 2, launching daily airstrikes in the south, Beirut‘s southern suburbs, and the eastern Bekaa Valley.
Israel’s military ordered reinforcements to the area bordering Lebanon including its elite Golani Brigade and has also sent soldiers into southern Lebanon, establishing new positions there.
Reuters reported on Tuesday that Hezbollah fighters were braced for the possibility of a full-scale Israeli invasion of the south.
Lebanon said last year it aims to establish a state monopoly on arms and its cabinet last week outlawed Hezbollah’s military activities.
But Israel’s ambassador to the United Nations Danny Danon said on Wednesday that Beirut needed to take direct action.
“If Hezbollah is being dismantled, what are the evidence? What are the operations against the launch sites? Where are the seizures of their weapons? Where is your military?” Danon said.
Uncategorized
Bombing Can Weaken Iranian Regime, but Only Popular Uprising Can Overthrow It, Dissidents Say
Members of the police stand guard on a street, with a large billboard featuring Iran’s late Supreme Leader Ayatollah Ali Khamenei in the background, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 12, 2026. Photo: REUTERS/Alaa Al-Marjani
A senior official from a Paris-based Iranian opposition group said on Thursday that the US-Israeli war on Iran would not topple the clerical leadership, arguing that only a popular uprising backed by internal resistance could do so.
Almost two weeks of bombing have killed around 2,000 people in Iran including supreme leader Ayatollah Ali Khamenei, and damaged much of its military and security apparatus.
Iran has responded in kind, throwing global energy markets and transport into chaos and spreading the conflict across the Middle East, while the Islamic Revolutionary Guard Corps has tightened its grip on power and threatened to crush any unrest.
“The 12-day war in June, and the current war, now in its 12th day, proved that bombings cannot overthrow the regime,” Mohammad Mohaddesin, head of foreign policy at the National Council of Resistance of Iran (NCRI), told a news conference.
“Even if you have 50,000 armed soldiers on the ground, you need the support of Iranian people. You need a popular uprising. The combination of this 50,000 or 20,000 or any other number with a popular uprising, then you have this power to overthrow the regime.”
Mohaddesin said he did not consider a deployment of US ground troops realistic.
The NCRI, also known by its Farsi name Mujahideen-e-Khalq, was listed as a terrorist organization by the United States until 2012.
It is banned in Iran, and it is unclear how much support it has there. However, along with its bitter rival, the monarchists backing Reza Pahlavi, exiled son of the toppled shah, it is one of the few opposition groups able to rally supporters.
Mohaddesin acknowledged that his group alone could not bring down the system. But he said mass protests, like those that raged in January until they were bloodily quashed, would resume once bombing stopped, and could eventually shift the balance.
“I cannot say how many months or a year, but … this is the track of overthrowing the regime,” he said.
Israeli officials have said that one of their objectives is to weaken the security apparatus so that Iran‘s people can take control of their own destiny.