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A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
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Planned auction of a Holocaust-era Torah fragment sparked outcry, then intervention
(JTA) — A Torah scroll fragment believed to have been used as parcel paper by Nazi SS soldiers is expected to be donated to a US Holocaust remembrance organization after a Norwegian auction house listed it for sale last week, sparking an outcry.
A spokesperson for Israel’s Foreign Ministry told JTA that Foreign Minister Gideon Sa’ar had directed the ministry and Israel’s embassy in Norway to intervene to prevent the sale of “a sacred manuscript looted by the Nazis.”
“Thanks to the embassy’s efforts, the auction was canceled and the parchment will be donated to a Holocaust remembrance organization in the United States,” the spokesperson said.
The Torah fragment is expected to go to Remember Us The Holocaust (RUTH), a San Diego Holocaust remembrance organization working to establish a permanent museum. In a statement sent to JTA, RUTH said it had worked over 48 hours to “secure the fragment for preservation” and Holocaust education.
The organization also enlisted Adolfo Roitman, the former curator of the Dead Sea Scrolls and head of the Shrine of the Book at the Israel Museum in Jerusalem, to advise on its “appropriate treatment and respectful exhibition,” the statement said.
Moisés Salinas Fleitman, RUTH’s executive director, told JTA that the donation had been confirmed by email last Tuesday but had not yet been finalized. He said there was “no expert confirmation as of yet of the provenance of the scroll,” and that the consignor had told RUTH the parchment was “found on a public market in Poland” over three decades ago. RUTH had not yet inspected the fragment or any evidence supporting that account, he added.
Salinas Fleitman said his understanding was that the fragment had been withdrawn from the auction, but RUTH could not confirm what had happened amid conflicting news reports. The organization also declined to identify the person in possession of the fragment, citing its policy of protecting anonymous donors. RUTH’s procedures for verifying authenticity and legitimate provenance take time, the organization said, adding that the organization would not accept the fragment unless both could be established.
The controversy began when the fragment was put up for auction Oct.18 by Oslo-based Valkyrie Historical Auctions, an online auction house specializing in Third Reich memorabilia.
The handwritten calfskin parchment, estimated to fetch between $1,500 and $2,000, was advertised as a “sad and powerful symbol” of the destruction of European Jewish life.
Valkyrie identifies its president as Norbert Podlesny, a historian and author of a trilogy on the Holocaust. The auction house says its items are examined by experts and carry a lifetime guarantee of authenticity. Neither Valkyrie nor Podlesny responded to repeated inquiries from JTA.
The auction house’s original listing explicitly described it as having been plundered by SS soldiers during the Holocaust, an account its representative subsequently disputed in comments to a Norwegian newspaper. The parchment was also described as having been used to wrap a package sent to Germany.
The Valkyrie website recorded a winning bid of $8,500 on the Torah fragment, more than four times the upper estimate for the parchment.
Video footage of the live auction reviewed by JTA shows bidding on the fragment proceeding, with offers rising incrementally. The footage does not establish who placed the bids or whether a transaction was ultimately completed.
Conflicting accounts have left it unclear whether the fragment was formally withdrawn, purchased by the auction house itself or simply withheld from the winning bidder.
Other lots in the same auction included a death certificate for a Polish prisoner at Dachau, a book from the scientific library at Auschwitz, and a dress bearing a yellow Star of David marked “JUIF.”
The controversy went public after the Foreign Ministry condemned the planned sale in a post on X headed “A Nazi celebration in Oslo.”
The ministry also criticized Norway’s proposal to end dedicated funding for school trips to former Nazi concentration camps, with the funding instead transferred to general local government allocations.
“Auctions of sacred texts looted by the Nazis: IN. Visits to extermination camps: OUT,” the ministry wrote.
Gideon Taylor, president of the World Jewish Restitution Organization (WJRO), said that the auction house had taken steps to remove the fragment from public sale but added that those measures “in no way” resolved the issue.
“There are many unanswered questions,” Taylor told JTA.
He urged Valkyrie to identify the seller, explain how the fragment had been acquired, disclose what provenance information accompanied it and undertake further research into its history. He also questioned why the auction house had agreed to sell the parchment despite its original description as Nazi-looted property.
“There is a profound contradiction in recognizing an object as a symbol of the Holocaust while treating it as something to be bought and sold,” he said.
He said the case exposed a “lack of historical awareness” of how the systematic plunder of Jewish property, both private and communal, formed part of the Nazis’ campaign to annihilate European Jewry.
“This is not simply an antique or a historical curiosity. It is a sacred Jewish object that represents a community’s religious life and the devastating destruction of that life during the Holocaust,” he added.
WJRO has called on the Norwegian government to launch an investigation into the auction house’s handling of the fragment, Taylor said, adding that similar questions had arisen concerning other objects previously sold by it.
Taylor also called for “a coordinated international effort” to tackle the trade in sacred Jewish objects looted during the Holocaust and still held by private collectors.
“This is not about private collections, this is about the memory of the Jewish people,” he said.
Norway is among 35 countries that have endorsed the 2024 Best Practices for the Washington Conference Principles on Nazi-Confiscated Art. The nonbinding guidelines cover Holocaust-looted religious and communal property, including sacred scrolls, manuscripts and synagogue objects, and recommend returning objects determined to have belonged to Jewish communities to successor communities or institutions. They do not automatically require restitution of an item offered through a private auction.
The dispute follows other controversies over the sale and ownership of Holocaust-era artifacts. Last November, a German auction house canceled a planned sale of more than 600 concentration camp-related objects, including prisoners’ correspondence, identification documents and a yellow Star of David, following protests from Holocaust survivors and Jewish organizations.
Earlier this year, Poland returned 91 Jewish religious objects to Greece, decades after they were seized by the Nazis from synagogues in Thessaloniki. WJRO helped coordinate their restitution following years of research and negotiations.
This article originally appeared on JTA.org.
The post Planned auction of a Holocaust-era Torah fragment sparked outcry, then intervention appeared first on The Forward.
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People accusing El-Sayed of Muslim Brotherhood ties will accuse Jews of dual loyalty too
Abdul El-Sayed, Democratic candidate for Senate in Michigan, has said that he has no ties to, and disavows, the Muslim Brotherhood. It does not matter how many times he is asked about this, or how many times he answers, because there will be those who insist that it is a real concern. Their position relies not on reality, but on a deep-rooted idea Jews should recognize: that people who are “other” hold dual loyalties, and that those dual loyalties are a danger to America.
El-Sayed has had ample reason and opportunity to assert his distance from the group, as he has been asked about it over and over again. (The connection to the Muslim Brotherhood specifically seems to be a tweet from El-Sayed’s half-sister saying their mother was once involved with the organization.) He was asked at a town hall earlier this month to disavow the Muslim Brotherhood; he was asked about the Muslim Brotherhood earlier this month on Meet the Press; he was asked about it by Fox News; and he was accused without evidence by his opponent, Republican Mike Rogers, of being “bought” by the Muslim Brotherhood and of being a national security risk in their debate last week. Other Democrats were also asked to weigh in: CNN, for example, asked Sen. Chris Murphy if Democrats were “concerned about this with El-Sayed.”
American Jews should object to this cynical, baseless fearmongering because it is wrong and destructive in and of itself to charge that a person who is Muslim is a threat to national security. American Jews should also recognize it for what it is: a charge of dual loyalty, and one they should speak up against if they do not want similar charges leveled against Jewish politicians. This is true even if they disagree with El-Sayed or do not want to see him win in next week’s midterm elections.
For American Jews, dual loyalty is an old and familiar antisemitic trope. It’s a suspicion and accusation that has followed us around the globe and across decades and says that we can never really be loyal to the country or society in which we find ourselves because we are secretly loyal only to each other or, more recently, to Israel.
American Jews — understandably, given the history of this trope — are attuned to politics that smack of dual loyalty. For example, Pennsylvania Governor Josh Shapiro wrote in his book that, when he was being vetted as a potential running mate for Kamala Harris in the 2024 presidential election, he was asked if he had ever been an Israeli agent and felt that that was inappropriate. In fact, being asked about loyalty to other countries is a regular occurrence in obtaining a security clearance.
Nevertheless, Shapiro’s alertness to it speaks to the sensitivity American Jews, and particularly politicians, feel around being accused of dual loyalty, especially as Israel becomes a “litmus test” in Democratic party politics. For example, was congressional candidate Scott Weiner chased from a rally for trans rights solely because he had declined to say that Israel committed a genocide in Gaza (before he said they did days later), or was it because he’s Jewish?
And this past weekend, a RebellionPac ad in which a couple can’t buy eggs because, they say, the United States sends money to Israel, concludes with “Mike Rogers is for they/them” — cutting to photos of Israeli politicians — “Abdul El-Sayed is for you,” suggesting that being supportive of Israel is at odds with being supportive of Michigan, which some Jews feel creates a permission structure for antisemitism and suspicion toward Jews.
U.S. President Donald Trump, meanwhile, once again put forth his specific version of the dual loyalty trope, in which to be a true American Jew is to vote for him because he supports Israel, by saying American Jews should be “ashamed of themselves” if they voted for El-Sayed.
It is not enough for American Jews to be against dual loyalty when it is leveled against us. We just need to be against it. Because if you do not want it to be acceptable to cast aspersions regarding a candidate’s race, religion, or ethnicity, and if you do not want there to be different, special, higher bars that candidates need to meet because of their culture or where they pray, then you need to be against that for anyone. Otherwise, you’re accepting it for everyone.
I am not equating Israel with the Muslim Brotherhood, nor am I defending the Muslim Brotherhood. What I am saying is this: If you are offended by the idea that Jews need to prove that we are not first and foremost loyal to Israel, or by the notion that Jews should be punished for perceived connections to Israel, then you should also be offended by what politicians and pundits are demanding of El-Sayed. You should do this not only because not doing so is hypocritical (though we, as a nation, seem long past the point of hypocrisy mattering), but because the more comfortable we are having charges of dual loyalty in our politics, the more comfortable we are having charges of dual loyalty in our politics for everyone, including Jewish candidates.
I made a similar point last week on X (formerly Twitter) and was promptly accused of hating myself and Jews, loving the Muslim Brotherhood, and having my priorities wrong. In one response to my post, which read, “You don’t get a more tolerant, accepting, pluralistic, liberal country by accusing people of another religion of inherently hating and being disloyal to it and you, it is simply not going to work,” someone wrote, “I don’t want a more tolerant society you stupid twat, I want my kids to be safe at Jewish day school and I don’t want 24/7 security at shul.”
What I found most fascinating about this person’s reply was the idea that Jewish institutions could be safe in the United States, where we are a small minority, without ours being a tolerant society. That struck me as almost as fanciful as thinking that we could allow charges of dual loyalty for Muslim candidates and then turn around and ask that Jewish candidates not have to face dual loyalty accusations or special extra litmus tests.
Much as a society in which antisemitic conspiracy theories are allowed to flourish is ultimately a more conspiratorial, paranoid, and less trusting place for everyone, a polity where candidates are regularly charged with dual loyalty or disloyalty on the basis of their religion or ethnicity is just that — a political discourse where charges of dual loyalty are leveled against ethnic and religious minorities. We don’t get to choose against whom dual loyalty cards are played. We only get to choose whether we think it’s acceptable to play them at all.
The post People accusing El-Sayed of Muslim Brotherhood ties will accuse Jews of dual loyalty too appeared first on The Forward.
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Eight years after Tree of Life shooting, a Jewish burial society’s ranks have nearly doubled
After preparing five victims of the Tree of Life synagogue massacre for burial, members of Pittsburgh’s New Community Chevra Kadisha stood in a circle and held hands.
They had gathered like this before, taking a moment after their work to process what they had done. This time, they were caring for people murdered in their own community.
Volunteers from outside Pittsburgh had come to help. David Zimmer, a longtime member, remembered one visitor bringing a custom from another chevra kadisha.
“He passed around a piece of chocolate,” Zimmer recalled, “so that there should be something sweet.”
Eight years later, NCCK has nearly doubled in size. Before the attack, it had about 38 members, according to records reviewed by Patricia Cluss, one of its founders. Within four months, 11 people had joined. Today, it has 70.
The growth has brought more volunteers into some of the least visible work in Jewish communal life. A chevra kadisha, traditionally translated as a “holy society,” washes and prepares the dead for burial, dresses them in plain white shrouds and helps ensure they are treated with dignity. The work is considered a chesed shel emet, or true kindness, because the dead cannot repay those who care for them.
For NCCK, the aftermath of the attack also revealed another dimension of that care: The people accustomed to supporting others through loss needed support themselves.
Caring for their own
Pittsburgh’s NCCK was founded in 2004 to encourage greater participation in the Jewish tradition of caring for the dead. An Orthodox chevra kadisha already existed, and NCCK’s founders hoped to involve more Jews in the practice, regardless of their level of religious observance.
Cluss was among them. She had encountered an article about Reform Jews reviving Jewish burial practices that had fallen away in some communities. Until then, she had never heard of a chevra kadisha.
“I gotta do that,” she remembered thinking.
Deane Root joined early, too, drawn by an idea: What if Pittsburgh had a chevra kadisha open to anyone in the Jewish community? Root remembered a small group gathering, often in a member’s living room, to figure out the logistics of working with funeral homes and training volunteers.
Then came Oct. 27, 2018.
Root and his wife, Rabbi Doris Dyen, were approaching the Tree of Life synagogue building that Saturday morning when they heard a series of loud noises. They pulled into the parking lot and saw shattered glass.
Two NCCK members had been inside the synagogue, and the dead and wounded included people its members knew. At the Jewish Community Center of Greater Pittsburgh after the shooting, where families and friends gathered and waited for news, Root recalled that “not everybody knew for sure” what had happened to their loved ones.
When the victims were released for burial, NCCK began the work for which it had trained. Members also kept shmira, remaining with the dead and reciting Psalms until burial.
Allen Baum, who coordinates the NCCK men’s members, remembered that by the end, nearly every man in the group had participated in shifts. After the final tahara, the ritual preparation of a body for Jewish burial, they stood in a large circle, joined by women from NCCK as well.
Later, members gathered in a home, bringing food, reading poems and speaking about the people they had lost.Root was carrying the trauma of what he experienced that morning. He described a “video playing in my head constantly.”
Being together helped. “Let the community carry some of that burden,” Root remembered, “rather than keeping it all inside our own emotions and our own minds.”
A growing circle
Following the attack, younger Jews contacted NCCK after reading about its work. Some described joining as something they felt they needed to do as Jews. Others spoke of it as a form of social action.
Elana Glick, who joined NCCK around 2014 after her grandfather died, remembered that the group sometimes struggled to find enough volunteers before the massacre. Afterward, she said, the work became more public, even as members sought to preserve the privacy of the rituals.
At its annual dinner, Glick has watched the group grow. There have been “more and more tables added year after year because of people who have found this and wanted to be a part of this work,” she said.
“Being part of the chevra is one of the ways I feel most attached to my Judaism,” Glick said.
Sarit Wishnevski, executive director of Kavod v’Nichum, a national organization supporting chevrot kadisha and Jewish burial practices, has watched the movement become increasingly multigenerational. At the organization’s November 2025 gathering in Ojai, California, participants ranged from their 20s to their 80s, with one in their 90s.
The Jewish phrase l’dor v’dor is usually understood as passing something “from generation to generation.” Wishnevski suggested it can also mean practicing a tradition with generations alongside one another.
NCCK has also become a resource for other communities. Wishnevski called it a “really strong model,” citing materials its members have shared and their help with questions ranging from starting a group to making the work more inclusive of gender diversity.
The possibility of mass-casualty events has prompted other questions, too. “How will we be prepared?” Wishnevski said. “How will we show up if God forbid this happens here?”
Kavod v’Nichum is developing an emergency preparedness pilot effort. Wishnevski said the goal is not for a chevra kadisha to respond “in a silo,” but to build relationships with first responders, government agencies and other Jewish organizations.
Earlier this month, three NCCK members traveled to Chicago to teach other volunteers about something none would ever want to need: developing tahara liturgy for young children.
But most of the chevra kadisha’s work remains unseen, and the calls come without warning. “The only predictable thing is the unpredictability,” Baum said.
One summer, the men’s group went 11 weeks without a tahara. More recently, Cluss said, the women’s group performed 11 in two weeks. Sometimes volunteers arrive at a funeral home for one person and are asked whether they can stay for another. In recent years, NCCK has performed roughly 90 taharot annually.
For Cluss, the work had long been meaningful. After Tree of Life, she struggled to explain how that meaning had changed. Her daughter noticed something she hadn’t.
“Mom, do you ever notice when you’re talking about the chevra you always put your hand on your heart?”
Cluss hadn’t noticed.
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