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A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory

(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.

As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.

“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.

“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.

That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.

“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”

In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.

This interview was lightly edited for length and clarity. 

Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.

Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.

What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.

“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.

It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.

In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.

There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.

People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?

Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.

I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.

It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?

I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.

The official artwork for Farber’s podcast. (Courtesy)

Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?

I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.

Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?

I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.

In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?

The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.

In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.


The post A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory appeared first on Jewish Telegraphic Agency.

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Tucker Carlson on Israeli TV: US, Israel Are ‘Not Democracies,’ Israel ‘Most Violent Country in the World’

Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect

Far-right podcaster Tucker Carlson came under fire after appearing on prime-time Israeli television and accusing both Israel and the US of betraying democracy, calling Israel “probably the most violent country in the world” and saying Prime Minister Benjamin Netanyahu had dragged President Donald Trump into the war with Iran.

In an interview with Channel 13 anchor and senior political analyst Udi Segal aired on Tuesday night, Carlson also repeated his claim that Israel’s actions in Gaza amounted to “genocide,” while saying the wording mattered less than what he described as the killing of civilians. The country had “definitely lost its morality,” he said. 

When Segal pushed back, Carlson responded, “Israel has murdered all these children, thousands of children in Gaza. But the real criminal is me because I describe that as genocide. OK, it’s not genocide. It’s killing innocents. It’s wrong. You can call it genocide or ethnic cleansing. You can call it a crime, a sin, an atrocity. I don’t really care.”

Israel treats “Arabs like animals or sub-humans,” he added, not mentioning that Arabs, who comprise about 20 percent of Israel’s population, hold full political and civil rights and regularly serve at the highest levels of the government.

“That is not an attack on Jews,” Carlson continued. “Israel does not represent all Jews, despite its claims. It does not. That is factually incorrect, and you know it.”

The vast majority of Jews globally support Israel’s right to exist, with polls consistently showing that roughly 70% to 90% of Jewish adults feel an emotional attachment to the country and believe it has a right to exist as a Jewish state. A recent Washington Post survey found that 76% of American Jews believe Israel’s existence is vital for Jewish survival.

Carlson said he believed both the US and Israel were failing their own citizens.

“I would like a democracy in the United States like I’d like one in Israel. Israel is not a democracy; the United States apparently is not a democracy either. Our government keeps doing things that people don’t want, so that’s not democracy; it’s the opposite of democracy.”

“Of course, Israel is not a democracy in any sense. There are millions of people who live under Israeli control who cannot vote,” he told Segal. “These places which Israel has controlled since 1967 have people living in them who have no control over the government that controls their lives, which is true, it’s not a democracy.”

Israel “is probably the most violent country in the world,” he said.

When Segal said Israel was acting in self-defense, Carlson responded that “no country has boasted more about killing its political opponents than Israel.”

“Israel makes a public relations campaign out of boasting about killing its opponents.”

Carlson also accused Trump of yielding to Netanyahu over Iran.

“Why did Trump let a nation of 9 million people drag a nation of 350 million people into a war that would change its future, and that is bad for the United States?”

“It’s wrong that I’m paying for Israel’s actions,” he said. “There’s no reason the United States should be sending any money at all to Israel and particularly not to its military.”

The Israeli prime minister pushed the US president, he said, “who turned out to be far weaker than I understood, into a war that hurts the United States.”

The White House issued a statement to Israel’s Channel 13 on Wednesday saying Carlson “is a low-IQ person who spreads fake news for cheap publicity.”

“Long before he was elected, President Trump has been consistent in his belief that Iran can never be allowed to possess a nuclear weapon,” the statement said. “Israel has always been a great ally to the United States, especially through Operations Midnight Hammer and Epic Fury that obliterated Iran’s nuclear facilities and destroyed their defense industrial base. President Trump took bold, decisive action to protect the American people — something presidents have talked about for 47 years, but only this president has had the courage to address.”

Carlson’s appearance came after a lightning trip to Israel in February for an interview with US Ambassador Mike Huckabee, part of an escalating feud in which Carlson has increasingly singled out evangelical Christian Zionists as a political target. The visit drew further criticism after Carlson used it to amplify a series of conspiracy claims, saying he was mistreated by Israeli authorities, while never actually leaving Ben-Gurion International Airport.

Commentators on social media pointed out that Carlson’s posting “Greetings from Israel” from an airport logistics zone, then flying out, does not amount to visiting the country in any ordinary sense.

Carlson’s brief trip to Israel contrasts with his interview of Russian President Vladimir Putin in 2024, when he spent multiple days in Russia praising the country on video and infamously marveling at the use of locks on shopping carts — a common feature in Europe.

The podcaster’s visit to Israel also differed from his trip to Doha in December, when he interviewed Qatari Prime Minister Mohammed bin Abdulrahman bin Jassim Al Thani and revealed his plans to purchase a home in the country. Qatar has been a long-time backer of the Muslim Brotherhood, including its Palestinian offshoot Hamas, an internationally designated terrorist group.

Carlson has ramped up his anti-Israel content over the last year, according to a study released in December by the Jewish People Policy Institute (JPPI), which tracked the prominent far-right podcaster’s disproportionate emphasis on attacking the Jewish state in 2025.

In September, for example, the podcaster appeared to blame the Jewish people for the crucifixion of Jesus and suggested Israel was behind the assassination of American conservative activist Charlie Kirk.

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Slain Security Guard of California Mosque Engaged Gunmen in Shootout, Hailed as Hero

A man places a candle on the ground as he pays his respects in front of the Islamic Center of San Diego after the vigil in a park, the day after a fatal shooting incident, in San Diego, California, US, May 19, 2026. Photo: REUTERS/Daniel Cole

The security guard slain at the Islamic Center of San Diego was hailed on Tuesday as a fallen hero who sacrificed his life to keep 140 school children inside the mosque safe by engaging two gunmen in a shootout that deterred the teenage suspects and helped thwart their attack.

Authorities also disclosed that the 17- and 18-year-old assailants, who took their own lives shortly after Monday’s shooting, were believed to have met online and were apparently “radicalized” in hate-related ideology on the internet.

Late on Tuesday, CNN reported that it had obtained and reviewed graphic video purported to be footage of the mosque shooting recorded and livestreamed by the two suspects, including a final clip that appears to show one of the gunmen shooting his companion and then himself.

A day after the gun violence, police, FBI, and other officials held a news conference focused on the three victims, all men affiliated with the mosque, who were slain in the attack and credited with putting themselves in harm’s way to save others.

The security guard, Amin Abdullah, 51, also known to friends as Brian Climax, immediately recognized the two youths as a threat and opened fire on them as they ran past him outside the mosque, according to San Diego Police Chief Scott Wahl. The suspects then paused to return fire, Wahl said.

Abdullah wound up fatally shot in the parking lot, along with two other men who distracted the suspects after they stormed into the building, drawing their attention through a window, thus luring the two teens back outside, Wahl said.

TWO MEN LURED GUNMEN OUTSIDE

The two other victims, mosque elder Mansour Kaziha, 78, and Uber driver Nadir Awad, 57, a neighbor whose wife worked as a teacher at the school there, were cornered and shot to death in the parking lot by the gunmen when they re-emerged.

In the midst of the confrontation, it was Abdullah who transmitted the radio call that activated a security lockdown, which Wahl said also prevented further bloodshed there.

The gunfight and the security alert gave others in the building time to take shelter behind locked doors, Wahl said, while Kaziha and Awad coaxed the suspects out of the building. Kaziha also was the first person to call 911 emergency before he was shot, police said.

Minutes before officers from around California‘s second-most-populous city converged on the mosque, the two suspects fled by car. They were found dead in their vehicle a short time later several blocks away, apparently from self-inflicted gunshot wounds, police said.

Wahl singled out Abdullah for special praise of his “heroic action,” adding that at first, “I had no idea how heroic those actions were.”

“His actions, without a doubt, delayed, distracted, and ultimately deterred those two individuals from gaining access to the greater areas of the mosque where as many as 140 kids were within 15 feet of these suspects,” Wahl said.

Taha Hassane, the imam and director of the Islamic Center, called all three of the victims “our martyrs and our heroes.”

Addressing a separate news conference at a local park, the security guard‘s daughter, Hawaa Abdullah, offered prayers and paid a tearful tribute to her father as a man who doted on his family and was so dedicated to his job that he would not break for meals when he was on duty.

She called on people of all faiths to honor him by coming together and being kind. “He stood against any form of hate,” she said.

PURPORTED LIVESTREAMED VIDEO OF SHOOTING

Police and FBI have said that they are investigating the attack as a hate crime but have declined to offer details about a possible motive.

“What I can say is [the suspects] definitely had a broad hatred towards a lot of folks,” FBI special agent Mark Remily told reporters.

Although authorities have not officially named the two suspects, the gunmen have been identified as Caleb Vasquez, 18, and Cain Clark, 17, a Department of Justice official told Reuters.

Remily said one of the gunmen left behind a manifesto, but he declined to characterize it in detail.

CNN reported that a 75-page manifesto from the gunmen citing racist, Islamophobic and antisemitic ideology, as well as “incel” culture, was under scrutiny by investigators.

The cable network said it had obtained a copy of the document from the Institute for Strategic Dialogue, which studies extremism, along with a video the two gunmen appeared to have recorded during their attack and posted to the internet in real time.

Summarizing the video in writing according to an AI-generated description of the footage, CNN said White supremacist symbols were visible on the two attackers’ guns and clothing as they are seen moving through the Islamic Center, with one firing a rifle before they walk back outside, fire a pistol, and then appear to stand over someone lying in a pool of blood.

CNN said it geolocated the final moment of the video to the neighborhood where police found two teens dead from gunshot wounds inside the getaway car. The footage ends with the driver stopping the vehicle, then appearing to shoot his passenger before shooting himself, according to the network.

A copy of a video that appears to match CNN’s written summary began circulating online on Tuesday.

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Israel Takes Step Toward Snap Election as Knesset Votes to Dissolve

Israeli politicians react following a vote to dissolve the Knesset, Israel’s parliament, before the end of its term, at the Knesset, in Jerusalem, May 20, 2026. Photo: REUTERS/Ronen Zvulun

Israel moved closer on Wednesday to a snap election after lawmakers gave an initial nod to dissolve parliament, with opinion polls showing Prime Minister Benjamin Netanyahu would lose the first national vote since the 2023 Hamas attacks.

Lawmakers voted almost unanimously for an early ballot in a preliminary reading of a bill to disband the 120-seat Knesset. If it receives final approval, a process that could take weeks, Israel could hold an election several weeks ahead of an Oct. 27 deadline.

Netanyahu’s own coalition submitted the bill to dissolve parliament after an ultra-Orthodox faction traditionally close to the Israeli leader accused him of failing to deliver on a promise to pass a law exempting their community from mandatory military service.

NETANYAHU BEHIND IN POLLS

Some 110 members of parliament voted in favor of the bill to dissolve, with no opponents or abstentions. It now heads to committee where an election date is agreed, before going back to the Knesset for final approval.

The vote comes at a pivotal time for Netanyahu, Israel‘s longest-serving prime minister who leads the most right-wing government in his country’s history.

Israel has been at war with Hamas in Gaza, Hezbollah in ​Lebanon, and Iran, fronts that remain volatile and could have an impact on the election.

Netanyahu still faces a long-running corruption trial. Israel‘s President Isaac Herzog is mediating talks to broker a plea deal in the case, which could see the 76-year-old Netanyahu retiring from politics as part of the deal.

Netanyahu’s health could ​also be an issue. He recently disclosed that he was successfully treated for prostate cancer and in 2023 he was fitted with a pacemaker.

Since the Oct. 7, 2023, Hamas attacks on Israel, polls have consistently shown Netanyahu’s governing coalition falling far short of a parliamentary majority.

However, there is also a chance that opposition parties will fail to form a coalition, leaving Netanyahu at the head of an interim government until the political stalemate is broken.

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