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A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
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New York Times hires Atlantic’s Yair Rosenberg to cover Jewish American life
(JTA) — The New York Times has hired Atlantic staff writer Yair Rosenberg to launch a national beat covering Jewish American life, bringing a widely known journalist on antisemitism and Jewish affairs to a newspaper whose coverage of Israel and the Jewish community has been under unusually intense scrutiny since the Oct. 7, 2023, Hamas attack.
The appointment, announced Monday by National Editor Nestor Ramos, creates a dedicated beat focused on American Jews at a moment when questions of antisemitism, Israel, religious identity and political polarization have moved to the center of public debate.
It is the first time that the newspaper, published in the city with the world’s largest Jewish population, has a beat dedicated to Jews.
“Over the course of 15 years chronicling Jewish life in America and abroad, Yair has taken on the biggest, thorniest stories on the beat,” Ramos wrote in a memo to staff. “Now, Yair will bring that boundless energy and deep expertise to a new religion beat on National focused on Jewish American life, chronicling a period of extraordinary tension but also possibility and reinvention.”
The move brings Rosenberg to a publication that he has occasionally criticized for its coverage of Jewish affairs, but without echoing some critics’ charges of institutional bias.
For the past five years Rosenberg has written The Atlantic’s “Deep Shtetl” newsletter, blending coverage of antisemitism, American politics and Jewish culture with essays on history, religion and popular culture. Before joining The Atlantic in 2021, he spent nearly a decade at Tablet, a magazine of Jewish affairs.
Over the years, Rosenberg has broken or advanced reporting on online extremism and antisemitism while also becoming known for explaining Jewish issues to a broad audience. His work has ranged from investigations into antisemitic disinformation networks to historical features. He has written about antisemitism on the far left and on the Republican right.
During the 2016 presidential campaign, an Anti-Defamation League study found Rosenberg was among the Jewish journalists most frequently targeted with antisemitic abuse on Twitter. Rosenberg became known for responding publicly to trolls and for developing technological tools — including an “Impostor Buster” bot — designed to expose white supremacists posing online as minorities in order to inflame social tensions. The effort drew widespread attention before Twitter eventually suspended the tool.
He later described those experiences in a New York Times guest essay titled “Confessions of a Digital Nazi Hunter,” and has remained a frequent public speaker on combating online hate while preserving free expression.
Ramos’s announcement emphasized that Rosenberg’s beat would extend beyond antisemitism.
“Yair knows better than most that these fraught moments are not all that define Jewish life today—not even close,” Ramos wrote, citing stories on Hanukkah traditions, Jewish representation in popular culture and other facets of American Jewish life.
The Times, through a spokesman, declined to comment beyond Monday’s announcement. Rosenberg did not respond to a request for an interview by press time.
The hire comes as The New York Times continues to navigate a complicated relationship with many Jewish readers.
For decades the newspaper has occupied an outsized place in American Jewish public life, employing prominent Jewish reporters and editors while producing influential coverage of religion, Israel and antisemitism. Yet the newspaper has also faced sustained criticism from parts of the Jewish community over its Israel coverage, criticism that intensified after Oct. 7 and the subsequent war in Gaza.
Media watchdog organizations, some Jewish communal leaders and a number of current and former journalists have accused the Times of factual errors, headline framing and insufficient skepticism toward claims made by Hamas officials in some early coverage of the conflict.
A May 2026 column by Nicholas Kristof, alleging systemic sexual violence by Israeli authorities against Palestinian detainees, was widely criticized for amplifying unverified claims and platforming biased sources. The Times stood by Kristof’s column in an editorial note.
Defenders of the Times argue that accusations of institutional anti-Israel bias often conflate disagreement over editorial judgments with evidence of systemic prejudice.
At Tablet and The Atlantic, Rosenberg occasionally criticized aspects of the Times’ reporting on both Israel and antisemitism. In a 2018 Tablet article he criticized The New York Times Book Review for offering a platform for the novelist Alice Walker to recommend a book by the English author David Icke that was heavily saturated in antisemitic conspiracy theories.
The next year he called out the Times for a profile of former CIA officer and would-be congressional candidate Valerie Plame that failed to mention her history of tweets sharing antisemitic theories. He has also regretted that the Times in 1937 dropped its subscription to the Jewish Telegraphic Agency syndication service because of the perception at the time that JTA’s coverage of Nazi Europe was alarmist.
Unlike some Jewish media watchdog groups, however, Rosenberg has not argued that the Times is institutionally or inherently biased against Israel or Jews. Against that backdrop, Rosenberg’s hiring is likely to be watched closely by Jewish readers across the political spectrum.
According to Ramos, Rosenberg will begin work July 20 and will be based in New York while traveling nationally for the beat.
The post New York Times hires Atlantic’s Yair Rosenberg to cover Jewish American life appeared first on The Forward.
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Canadian Museum for Human Rights opens ‘Nakba’ exhibit amid pushback from Jewish leaders
(JTA) — After weeks of backlash from Jewish groups and leaders, the Canadian Museum for Human Rights this weekend opened its exhibit on the Nakba, the narrative of Palestinian defeat and displacement upon Israel’s founding.
The Winnipeg, Manitoba, exhibit is called “Palestine Uprooted: Nakba Past and Present” and features photography, poetry and everyday objects that document the experience of Palestinian-Canadians impacted by the Nakba. Palestinians use the term, meaning “catastrophe,” to describe their mass displacement upon Israel’s establishment.
The exhibit has drawn fierce condemnation from some Jewish groups, including the Centre for Israel and Jewish Affairs.
“Materials that are one-sided and driven by a political agenda can contribute to discrimination, bullying and even assault targeting Jewish students,” the group wrote in a post on X last week. “The federal government must hold the CMHR’s leadership accountable for this egregious mishandling.”
The museum’s only Jewish board member, Mark Berlin, was upset enough by the exhibit to resign.
“Because the museum chooses to proceed with this exhibit in its present form despite repeated concerns raised by myself and members of the mainstream Jewish community and others seeking a more balanced and historically complete presentation, I can no longer, in good conscience continue to serve as a Trustee,” Berlin wrote in a resignation letter dated June 22.
In the letter, Berlin argues that the exhibit omits the context that “hundreds of thousands of Jews from Arab lands” were also displaced during the 1948 Arab-Israeli war.
“A story detached from the surrounding factual details is not the truth, it is just a story,” Berlin continued. “The museum has a statutory and moral obligation to tell the full truth, not to sacrifice it at the altar of politics.”
The museum has vigorously defended the exhibit. In a statement to the Jewish Telegraphic Agency, Isha Khan, the CEO of the museum, said that “focusing in this one exhibit on the human violations faced by of Palestinian Canadians does not negate the human rights violations faced by Jewish people.”
“Sharing the stories of one community in no way minimizes the experiences of another,” Khan continued.
Khan added that the exhibit had drawn “both criticism and support from Jewish Canadians.”
Several progressive Jewish groups in Canada, including Independent Jewish Voices, the Jewish Faculty Network, and United Jewish Peoples’ Order, defended the exhibit in a joint statement Thursday, writing that it was the “result of dedication, persistence, care and advocacy, especially from the Palestinian Canadian community.”
“We are proud to celebrate a Canadian institution that has remained steadfast in the face of unfounded criticism and pressure and chose to move forward with integrity,” the statement continued. “We hope this historic opening, and the ongoing inclusion of the exhibition in the Museum, encourages learning, reflection and action.”
The dispute over the exhibit comes as Jews in Canada have faced a spate of antisemitic attacks in recent months, including in March, when shots were fired at three Toronto-area synagogues. In 2025, there were 6,800 antisemitic incidents in Canada, marking a 9% rise from 2024, according to B’nai Brith’s annual audit of antisemitic incidents.
The post Canadian Museum for Human Rights opens ‘Nakba’ exhibit amid pushback from Jewish leaders appeared first on The Forward.
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Jewish, LGBTQ and progressive groups denounce Pride harassment of Jewish politician Scott Wiener
(JTA) — A growing number of Jewish, Democratic and LGBTQ figures are condemning the harassment of Jewish congressional candidate Scott Wiener by anti-Zionists at the San Francisco Trans March on Friday.
Wiener’s political opponent, meanwhile, did not condemn the incident directly when asked, instead disavowing “threats of violence and hate speech” more generally.
Wiener had been filmed at the march while several activists, including the man filming him, surrounded him and yelled at him about Gaza and Israel; he ultimately left the scene. The incident followed another at which Wiener was accused of supporting genocide while at a sports bar, and preceded a filmed anti-Zionist harassment of another local Jewish LGBTQ politician at a San Francisco Pride march.
The incidents have retriggered discourse about Jewish inclusion in LGBTQ and other left-wing spaces as anti-Zionist activists become more numerous and strident.
Assigned Media, a popular trans news outlet, denounced the Trans March harassment of Wiener led by local activist Dimitry Yakoushkin as “left antisemitism.”
“We need to reckon with the fact that Yakoushkin was able to incite an outpouring of rage against a Jewish man by mentioning Gaza,” the author, Evan Urquhart, wrote on Monday. “The only explanation for that is antisemitism. Enough attendees at the Trans Pride March were open to seeing a Jewish man as a proxy for Israel that Yakoushkin was able to whip them into a frenzy for his own purposes.”
Donations have also poured into Wiener’s campaign following the incident, with his campaign telling the San Francisco Standard that he received his highest single-day donation numbers afterward. Yet the harassment has raised questions about the viability of Jewish candidates like Wiener, who has said Israel committed genocide in Gaza while still seeking to maintaining a liberal Zionist identity.
Wiener, who is gay and is running for the seat being vacated by former U.S. House Speaker Nancy Pelosi, wrote in a lengthy statement that he had been chased out of the annual Trans March event while on his way to a Pride Shabbat. It was, he said, the first time he had been unable to participate in the event since it launched 22 years ago.
“They were so physically and verbally aggressive that it was impossible for me to safely remain in the park,” Wiener said in his statement, noting the protesters had “made statements about my ‘Israeli handlers,’ among many other inaccurate, extreme, and vile statements.”
The California Senate’s Democratic statehouse caucus condemned the harassment as “unacceptable,” calling Wiener “a fearless champion for the LGBTQ+ community even when it was not politically popular.” The caucus did not mention Israel or antisemitism in its statement.
“We are saddened and appalled that Senator Scott Wiener experienced antisemitic invectives, harassment, and physical intimidation while attempting to join the Trans March,” Jaimie Krass, president of the LGBTQ Jewish organization Keshet, said in a statement to the Jewish Telegraphic Agency.
San Francisco’s Jewish mayor Daniel Lurie, the local Jewish Community Relations Council, and The Nexus Project, a national antisemitism watchdog group that is more forgiving of anti-Zionist critiques than the Anti-Defamation League, all called Wiener’s harassment antisemitic.
At a Pride breakfast Sunday morning hosted by a historic San Francisco LGBTQ Democratic group, other local and national leaders expressed support for Wiener.
“Hate has no place in our community,” Imani Rupert-Gordon, president of the National Center for LGBTQ Rights, told Wiener at the breakfast, according to the Bay Area Reporter, a local LGBTQ news site. “Scott, you were treated horribly.”
San Francisco Board of Supervisors president Rafael Mandelson, who is gay and Jewish, said that what happened to Wiener “happens to gay Jewish electeds far too often. It is about Jew hatred. It is wrong.” Wiener himself did not mention either of his harassment incidents in his speech at the breakfast, according to the Reporter.
A spokesperson for Wiener did not respond to a JTA request for further comment. A request for comment to the Trans March was also unreturned; the march has released a statement on a separate incident, in which several participants were arrested following an altercation with police.
The targeting of Wiener was especially notable given that he has been celebrated locally for years as a lawmaker with a strong record on trans rights — something acknowledged by Yakoushkin, who in a video he filmed and posted, yells, “I think your policy on the genocide in Gaza is terrible,” as others yell expletives at the state senator.
“It’s sad because while he’s written some good legislation for queers, hes [sic] ultimately a genocidal-supporting center right shill,” Yakoushkin wrote on social media in a post accompanying his video of himself harassing Wiener. On Instagram, Yakoushkin called Wiener a “Yimby zionist,” using a shorthand for activists who push for more housing.
A JTA request to Yakoushkin for comment was not returned. A life coach, Yakoushkin told one critic on X, “i[f] he was great on Gaza I’d still roast his ass.”
Wiener had said during his primary campaign earlier in the month, in which he came in first, that he believed Israel had committed genocide in Gaza — a shift that came after pressure from the left and one that cost him a leadership role in the statehouse’s Jewish caucus and led to backlash from the Bay Area Jewish community.
Local anti-Zionist activists have continued to target him. The Trans March incident was the second such harassment Wiener faced in the past week. Days earlier, a local artist filmed himself confronting the candidate at a sports bar, shouting, “Wiener, you gotta get the f-ck up out my hood, bro,” and “It’s free Palestine here, you already know what it is — we against the genocide.”
The artist, Jesus “Frisco Lens” Coba, did not return a JTA request for comment. In his statement, Wiener said that Coba had in 2023 “stalked me on a plane and in an airport, shouting at me about my ‘tainted bloodline.’”
San Francisco Supervisor Connie Chan, who is running against Wiener in the November congressional runoff, did not directly address Wiener’s harassment in a statement she sent after JTA requested comment.
“As an elected leader, and a candidate running for office, I have experienced the rough and tumble of San Francisco politics including folks who disagree with us publicly and sometimes vehemently,” she said. “And I accept and understand this responsibility. And as someone who has been a target of hate and threats of violence, I stand firm against threats of violence and hate speech. There is no place for hate and violence in our City.”
Chan had also attended the Trans March and was feted there, including by some of the activists who harassed Wiener on camera. Asked by JTA if the harassment of Wiener was antisemitic, a Chan spokesperson responded, “In this moment, what matters is how State Senator Scott Wiener felt and feels about the interactions. We must stand in solidarity against hate whenever someone tells us they are experiencing hate.”
Democratic Rep. Ro Khanna, who represents a different Bay Area district, called the harassment of Wiener “simply wrong.” In the same statement, he promoted legislation to end the sale of military weapons to Israel.
“There is no place for harrasment [sic] or physical violence in our democracy,” Khanna, among the House’s fiercest Israel critics, wrote on X. “Let’s focus on passing @RepThomasMassie amendment to zero aid to Israel. Hold elected officials accountable. But do so in the spirit of building a politics of conviction and dignity, not insult and aggression.” A representative for Khanna did not return a JTA request for further comment.
Also over the weekend, an anti-Zionist activist filmed themselves harassing Manny Yekutiel, a local Jewish restaurateur running for San Francisco’s board of supervisors, while Yekutiel marched in a Pride event. The activist criticized Yekutiel, who is also queer, over having hosted Hen Mazzig, an LGBTQ pro-Israel activist, at his restaurant, because Mazzig served in the Israel Defense Forces.
Yekutiel’s campaign did not return a JTA request for comment; Yekutiel’s restaurant, Manny’s, has been targeted multiple times by anti-Zionists in the past.
“The person that you’re talking about, he was Israeli. I didn’t know that he was an IDF soldier,” he told the activist who confronted him in video from the march. The activist responded, “Well, maybe having Israelis at the cafe isn’t a good idea because it’s an apartheid state committing a genocide.”
Some local politicians jointly condemned the harassment of both Wiener and Yekutiel, linking their identities as Jews.
“The harassment campaign against Jewish candidates @Scott_Wiener + Manny Yekutiel is gross and unacceptable,” Trevor Chandler, a member of the San Francisco Democratic County Central Committee, wrote on X. Chandler added that the local Democratic group “condemns antisemitism.”
The day after Wiener’s harassment, two different groups of LGBTQ Jews had contrasting receptions at a New York Pride march.
One, Jewish Queer Youth, experienced a largely peaceful march; a second, fronted by Zioness, a more explicitly Zionist group, faced harassment. Another prominent Pride event, the NYC Dyke March, was staged on Saturday without many of its longtime Jewish participants, the Forward reported, after organizers stated for the second year in a row that anti-Zionism was a core value of the event; many Jewish former Dyke March organizers split away to form their own group.
Some Jewish LGBTQ leaders say the majority of such spaces remain welcoming. Krass, the Keshet president, said in her statement to JTA that “nearly every instance” of the “nearly 100 Pride events Keshet has organized this year” were “met almost entirely with celebration.”
In a newsletter on Monday, Krass told Keshet’s followers that she was “appalled” by some of the reactions to Wiener’s harassment.
“Some people are refusing to acknowledge that antisemitism played any role. Others are using this incident as an opportunity to project false, harmful generalizations onto the entire trans community,” Krass wrote. “I have even seen fellow Jews call for the Jewish community to abandon the LGBTQ+ community and our shared fight for equality. This is not the way.”
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