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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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Georgia’s Jewish senator called his newly minted GOP opponent an antisemite. Why?
(JTA) — After Rep. Mike Collins won a hard-fought Republican runoff election in Georgia Tuesday for the party’s Senate nomination in November, his opponent wasted no time going on the offensive.
“Donald Trump’s handpicked candidate Mike Collins is a notorious bigot, antisemite, and extremist,” Democratic Sen. Jon Ossoff posted on social media on Tuesday night.
Ossoff, who is Jewish, did not elaborate on the antisemitism allegation in the post, which continued with other attack lines against Collins. But Collins and some of his senior staff members have faced well-documented past allegations of antisemitism in a state that’s home to an estimated 100,000-plus Jewish adults.
“Whether he’s socializing with a known Nazi, speaking in antisemitic dog whistles, or doubling down after targeting a Jewish reporter, Mike Collins’ record of bigotry and antisemitism speaks for itself,” Valeria Rivadeneira-Crandell, a spokesperson for Ossoff’s campaign, told the Jewish Telegraphic Agency in a statement.
The Collins campaign did not return a request for comment for this article.
The Ossoff campaign provided links to multiple incidents. In one instance in 2024, Collins came under hot water after replying favorably to a tweet from an antisemitic account that appeared to reference a Washington Post reporter’s Jewish background. “Was never any doubt,” Collins, who has said he runs his own X account, wrote at the time.
Following backlash, including from some Georgia state lawmakers, Collins doubled down, writing, “I guess pointing out that a Washington Post journo excusing crime because she believes USA is on ‘stolen land’ makes her a garbage human is anti-Semitic? Y’all just see stuff that ain’t there.”
Collins, a Trump-endorsed MAGA loyalist with a trollish social media streak in a closely watched swing state, won his runoff with more than 55% of the vote, according to Associated Press tallies. His win came the same night as Trump’s preferred pick for governor of Georgia lost his own GOP primary runoff.
Collins has leaned heavily into nativist proposals and language, including sponsoring a bill to end birthright citizenship. He also approvingly shared a 2024 video of a University of Mississippi fraternity mocking a Black pro-Palestinian protester with monkey noises.
Collins also defended the New York Young Republicans shortly after that organization’s antisemitic group texts were leaked to the press. “I don’t care about some group chat,” Collins tweeted in October, accompanied by a picture of Laken Riley, the Georgia nursing student whose 2024 murder by an undocumented immigrant spurred a GOP-led push for harsher penalties on migrants.
Collins went on to attend a New York Young Republicans gala that also honored far-right German politician Markus Frohnmaier and featured appearances from several antisemitic figures, including the livestreamer Sneako.
The congressman has also come under scrutiny for some of his current and former staffers’ behavior.
Last month a report in Slate, citing leaked text messages, found that Collins’ chief of staff Kip Talley had participated in a group chat with white supremacist influencers Nick Fuentes and Richard Spencer. Talley wrote in December chats that his goal was to “try and use the levers of the legislative branch” to help Holocaust denier and right-wing activist Charles C. Johnson, who was then incarcerated on contempt of court charges related to falsely presenting himself as an FBI informant.
Talley told his chat mates that he was “reaching out to my people at FBI and DOJ” and “trying to get him out,” referring to Johnson. At the time, Talley was Collins’ deputy chief of staff. He was promoted to chief of staff in January. Johnson was released from prison in February.
Talley, who remains in his role with Collins, told Slate he had “acted solely in my personal capacity after hearing concerns that an acquaintance I have known for years was being mistreated in custody and denied basic medical care.” He added that he “did not act at the direction of Rep. Collins, use official resources, or coordinate with anyone else in the group chat.”
Collins also formerly employed William Paul, who last month made a series of antisemitic comments to Jewish GOP Rep. Mike Lawler. Paul, son of Sen. Rand Paul, had been Collins’ digital director in early 2025 but had not been on the congressman’s staff for nearly a year at the time of his altercation with Lawler.
Amid such comments and associations, Collins has also maintained a resolutely pro-Israel stance within a MAGA movement that is quickly fracturing over Israel. He spoke at a memorial event in his home state marking the one-year anniversary of the Oct. 7, 2023, Hamas attack, vowing to “make sure that Israel has the resources to defend themselves,” and he has continued to refer to Israel as “our ally.” Prior to the 2024 election, he tweeted, “I bet money Iran wouldn’t be attacking Israel if Trump was president.”
Ossoff, too, has positioned himself as an Israel supporter, but he has recently voted against some weapons sales to the country. That has upset many Georgia Jewish organizations, who in 2024 penned an open letter — signed by several synagogues, Jewish schools, the local Anti-Defamation League and other groups — opposing the senator’s vote against arms sales.
The post Georgia’s Jewish senator called his newly minted GOP opponent an antisemite. Why? appeared first on The Forward.
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Alex Bores’ supporters disagree on Israel. They agree on him.
(New York Jewish Week) — Alex Bores, who’s running to succeed Rep. Jerry Nadler in Congress, is threading a very delicate needle.
On the one hand, Bores, a two-term New York State Assembly member from the Upper East Side, has garnered support from a number of Jewish leaders and political moderates who tout his support for Israel. He marches annually in the city’s Israel Day Parade and has resisted growing calls for Democratic politicians to support conditioning military aid to Israel.
At the same time, he’s being backed by a number of the left-wing groups and individuals calling for those very conditions.
Those two camps seldom coexist on a single candidate’s list of endorsements, especially as Israel has become a major wedge issue this midterm election cycle. But Bores, who has put a promise to regulate artificial intelligence at the center of his campaign for New York’s 12th Congressional District, has managed to maintain the coalition.
“You could make a sitcom,” said Cameron Kasky, a former candidate in the race who’s now backing Bores, referring to what he called the “Boalition.” “If you put 12 Alex Bores endorsers in a mansion together and showed up with a reality TV crew, you could make the most must-watch television in the entire world.”
Scroll through the “Endorsements” page on Bores’ campaign website and you’ll find Chi Osse, the democratic socialist City Council member who’s called for divesting city pension funds from Israel bonds, just a couple rows down from Carolyn Maloney, the former Upper East Side representative who was a staunch supporter of Israel in Congress.
Progressive groups such as Bernie Sanders’ Our Revolution and PSC-CUNY, the City University of New York’s staff-faculty union, are backing the same candidate who drew the support of ActJew, which supports more centrist candidates and calls itself “a response to a political and social landscape that normalizes antisemitic and anti-Israel activity and rhetoric.” (ActJew endorsed both Bores and Micah Lasher in the race.)
Bores’ endorsers include some of Mayor Zohran Mamdani’s political allies, such as failed City Council candidate Lindsey Boylan, and vocal critics of the mayor including Fabien Levy, a Jewish spokesperson for Mamdani’s predecessor, Eric Adams.
“I can’t imagine the Bores campaign hasn’t occasionally looked at each other and been like, ‘What is happening right now?’” Kasky said.
So how is Bores pulling it off?
For progressive groups, the answer lies, at least in part, in Bores’ work on AI.
“He put forward the country’s strongest regulation of the AI industry to protect Americans from those who want no rules and only care about unfettered power and profit,” wrote Our Revolution’s executive director, Joseph Geevarghese, in an endorsement announcement. Geevarghese was referring to the RAISE Act, a state law that Bores introduced to impart transparency and safety regulations on AI models.
As an elected official, Bores is no political outsider, though the 35-year-old’s background in the tech industry differentiates him from fellow frontrunner Lasher, who’s spent decades working for politicians such as Nadler, Gov. Kathy Hochul and Mike Bloomberg, the former mayor.
Bores’ resume includes a nearly five-year stint at the tech company Palantir, starting as a data scientist in 2014 and working his way up to become the U.S. government lead. That gig has complicated how some progressives see Bores, given Palantir’s work with ICE, the Immigration and Customs Enforcement agency that Bores himself has called to abolish. He has repeatedly said that he quit Palantir over its contract with ICE back in 2019, and that he chose “principle over my career and millions of dollars.”
Pundits such as center-left commentator Matthew Yglesias — who has also joined the Bores coalition — say there is a “unique value” to him winning because of his promise to enforce AI regulations and the message that it would send to the anti-regulation PACs that have been spending against him. Yglesias added that Lasher, too, would be “an above-average House member.”
But in a race with little daylight between the two frontrunners — particularly regarding the U.S.-Israel relationship — Bores’ AI focus is setting him apart. And rather than sit out the race due to differences on Israel, a number of progressive groups are backing him anyways.
“I think progressives see something in Alex that is a testament to a resolve he’s going to bring,” said Kasky, who has advocated for policies such as an arms embargo on Israel. “And I think that that is enough for progressive groups to cede ground on the issue of Israel-Palestine, and frankly the issue of Israel and the Middle East region as a whole, which is getting increasingly severe.”
The makeup of the district itself plays a role as well: As one of the country’s most heavily Jewish districts, NY-12 is seen as less hospitable than other deep-blue districts for a “Squad”-type insurgent candidate. John F. Kennedy’s grandson Jack Schlossberg is the only major candidate who calls for conditioning aid and blocking weapons sales to Israel, but he has dropped in recent polls as he’s faced questions over his lack of experience.
Bores, Lasher and Schlossberg are all listed as “primary approved” candidates by J Street, the liberal pro-Israel organization.
Bores has confirmed that Our Revolution asked him about Israel and gave him its endorsement despite not being aligned on the issue. During a candidate forum in May, he said that “we need to make it acceptable for there to be people in progressive spaces that still believe in the right of Israel to exist and to defend itself.”
Michael Miller, who was CEO of the Jewish Community Relations Council of New York for 36 years, is endorsing Bores and wrote in a Facebook post that Bores is a “steadfast supporter of Israel as a Jewish and democratic state.”
In an interview, Miller — whom Bores named in a recent Temple Emanu-El forum as a Jewish American that he admires — said he felt assured that Bores’ support from groups such as Our Revolution had mostly to do with his AI work.
“The fact that he’s receiving support from a coalition that includes decidedly left-wing supporters doesn’t trouble me for as long as the issues of central concern to me — antisemitism and support for Israel — are those issues where he has given his support, and with which he has identified,” Miller said.
Miller added that he believes Bores’ Jewish family — his wife, Darya (who recently appeared in a campaign ad), and son, Charlie, are both Jewish — plays a “large role in how he thinks about matters of concern to the Jewish community.”
A number of Jewish celebrities in the district have embraced Bores. The Oscar-winning songwriter Benj Pasek and Jewish cookbook author Jake Cohen posted photos on social media showing them at a Bores event in a private home that included a conversation with journalist Laurie Segall about AI.
On the same day, Miller and more than 20 other local Jewish leaders and elected officials signed a letter endorsing Bores. The letter emphasized his record of combating antisemitism, pointing to measures such as securing funds for Holocaust survivor programs, funding security for synagogues and Jewish institutions, and organizing trips for students to Jewish museums.
But for some Jewish groups, Bores’ support from left-wing groups critical of Israel has given them pause.
Moshe Spern, a board member of the group ActJew, called on Bores to drop his PSC-CUNY endorsement back in March, saying the union is “consistently calling for divestments from Israel” and has “downplayed and ignored Jewish students/faculty experiences since 10/7.” PSC-CUNY revoked a pro-BDS resolution against Israel in February 2025, after its initial passage sparked backlash, including from Hochul and CUNY itself. Spern told JTA he pushed for the group to rescind its endorsement, but was outvoted.
Bores replied to Spern’s tweet, writing that “every major candidate pursued” PSC-CUNY’s endorsement, and that his endorsement interview focused on funding public education and regulating AI. Bores added that he has “spoken out against antisemitic incidents on campuses (including CUNY specifically) and will continue to do so.”
Meanwhile, some progressive groups have refrained from endorsing Bores because of his pro-Israel politics.
“It’s pretty much a non-starter for us to endorse someone who wouldn’t sign on to the Block the Bombs,” said Sophie Ellman-Golan, director of communications of Jews for Racial and Economic Justice, referring to the Block the Bombs to Israel Act that would prohibit certain weapons sales to the country. She added that Bores also voted for a statewide “buffer zone” bill meant to curb protests outside houses of worship, which Lasher introduced, and which JFREJ has vehemently opposed throughout the year.
According to the latest polling data, despite Bores’ greater support from the left, there’s been little difference in the number of voters who are responding to each candidate.
“You go into any Jewish WhatsApp chat — I see this as an Upper East Side resident myself — and there’s no consensus,” said Michael Harris, ActJew’s CEO. “The consensus is Bores or Lasher.”
The post Alex Bores’ supporters disagree on Israel. They agree on him. appeared first on The Forward.
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Organizers of London Israeli real estate fair apologize after West Bank properties surface despite denials
(JTA) — Organizers of the Great Israeli Real Estate Event held in London on Sunday have apologized amid revelations that the event showcased offerings in the West Bank, contradicting their assurances that it would not.
The owner of a real estate agency that had a booth at the event, meanwhile, told the Jewish Telegraphic Agency that she had obscured the name of a city in the West Bank from a poster but also passed “two flyers under the table” to attendees who expressed interest in properties in contested areas of Jerusalem.
Ahead of the event, the organizers along with the synagogue that hosted the event and the Board of Deputies of British Jews publicly rejected claims by pro-Palestinian activists that properties beyond Israel’s internationally recognized borders would be promoted.
They had faced sharp pressure over the claims from dozens of British lawmakers and the mayor of London, Sadiq Khan, and had to find a new space after the venue that was initially set to host the event pulled out abruptly.
Following a protest outside the synagogue where the event took place, the Board of Deputies’ acting president, Adam Cohen, said the event organizers had “publicly refuted claims that it was marketing real estate over the Green Line” separating Israel from the West Bank and alleged that the claims were being used to justify antisemitism.
The “false pretenses seem to be little more than an excuse to harass and intimidate members of the Jewish community,” he said.
The Board of Deputies declined to comment on the subsequent revelations that West Bank properties were advertised at the event.
But the organizers, who have staged similar events in the United States, issued a statement to the U.K.’s Jewish News that both apologized for mentions of East Jerusalem settlements in a brochure distributed at the event and rejected the idea that British Jews should face constraints in where they are offered property.
“We would like to re-emphasise that the venue made it clear to us that we were not in any way to promote the sale of Israeli real estate over the Green Line, and all participating vendors agreed to abide by that requirement,” the statement said. “At the same time, we believe it is outrageous that in this day and age, anyone would seek to deny British Jews the right to purchase property anywhere in the world, whether in Paris, New York, or Israel.”
The statement also described social media claims that “stolen Palestinian land” was being sold at the event. “These allegations are simply untrue. No one at the event promoted or spoke about properties in the ‘disputed territories’, such as Givat Zeev or Kfar Eldad,” two East Jerusalem settlements, the statement continued. “Their mention in the event brochure was made in error for which we apologise.”
The revelations came after attendees photographed flyers promoting West Bank settlements and posted them on social media.
The Guardian reported that it had obtained brochures from the event advertising properties not just in Givat Ze’ev and Kfar Eldad but also in Ma’ale Adumim and Teneh Omarim in the West Bank and Ramat Eshkol and Givat Hamatos in East Jerusalem.
Guy Zilberman, a member of the pro-Palestinian group Jewish Anti-Zionist Action, posted a video showing footage from inside the event where he received brochures from companies selling homes in several of those locations. He said a salesman “directly offered us properties in ‘Judea and Samaria,’” the Israeli term for the West Bank.
The footage showed Zilberman then revealing himself in a conference room and denouncing the event while exhorting attendees in Hebrew not to steal, before being removed by security.
REVEALED: Jewish activists @JAZA_UK have shown us material from inside an Israeli property event in London yesterday, which shows that illegal settlements on Palestinian land were on sale in the UK.
Activists gained access to the event, spoke to numerous developers about the… pic.twitter.com/WsJ1hC1GlZ
— Declassified UK (@declassifiedUK) June 16, 2026
An unnamed member of Jewish Anti-Zionist Action told Sky News, “I visited Tivuch Shelly’s stall and was given a leaflet advertising properties in Ma’ale Adumim, which is an illegal West Bank settlement.”
The locations cited highlight the complexity of Israel’s geography — and the pressures facing those trying to sell property in the region.
The U.K. considers expansions of Israeli settlements as a violation of international law, posing potential legal challenges to efforts to sell homes there. The United States does not consider the settlements illegal, making real estate events there less vulnerable to legal scrutiny even as they have drawn fierce protests.
Settlements that are part of the municipality of Jerusalem, such as Ramat Eshkol and Givat Hamatos, pose another wrinkle. While Israel recognizes that the West Bank is disputed territory, it does not consider any part of Jerusalem as such. East Jerusalem was incorporated into the State in1980, and under Israeli law both West and East Jerusalem form the state’s complete and undivided capital.
Ma’ale Adumim, meanwhile, is a city of approximately 40,000 that is located in the West Bank and has long been seen as likely to remain under Israeli control if a Palestinian state is created through negotiations in the future.
Tivuch Shelly’s owner and founder, Shelly Levine, told JTA in a phone interview that her company never actively promoted properties in Ma’ale Adumim at the event. She said the words “Ma’ale Adumim” were covered up with tape on their booth.
But she said they gave out “two flyers under the table” with Ma’ale Adumim properties because the company had received emails in advance of the event from people who said they were specifically looking for properties in that area. She said she did not recall the names of the people but said she had handed over the brochures “in a bag and we told them they were not allowed to take them out or look at them in this building because we are not selling Ma’ale Adumim at this event.”
Levine said she now believes those emails were “a setup” to trick her into sharing incriminating material that could be handed to the media.
Unless people went to Tivuch Shelly’s website, Levine said, “Nobody would know that we advertise in Ma’ale Adumim. We did not break our word to the event organizers; we posted no brochures, put nothing out on our tables.”
Even before the revelations, the lead-up to the event had been fraught for weeks, with the original venue pulling out of hosting less than 48 hours before Edgware Synagogue agreed to host it. And while the venue remained secret until less than 24 hours before the event, almost 1,000 demonstrators showed up outside the synagogue — from both the pro-Palestinian and pro-Israel camps.
Despite police being deployed to the scene to keep the groups separate, 14 people were arrested, including seven pro-Israel and six pro-Palestinian supporters, for offenses including ncluding violent disorder, assault and public-order offenses.
More than 100 members of parliament and peers wrote to Foreign Secretary Yvette Cooper ahead of the event, calling on her to halt the event because selling properties in the West Bank is a violation of international law.
On Tuesday, Cooper told members of Parliament that the government had asked a national regulator to look into complaints connected to both the advertising of the event and promotional material.
“We have asked the authority to urgently look into the matter and reassure us that, if there is any evidence of the advertising or promotion of property in illegal settlements at that event or any others, it will uphold the law, regulations and guidance that apply,” Cooper said in response to a question from a local lawmaker about why the government had allowed the Great Israeli Real Estate Event to go on.
“It is extremely important that those standards are met in the UK, and that is exactly why we have raised the matter so seriously with the Advertising Standards Authority,” she continued.
That was not enough for Zack Polanski, the anti-Zionist Jewish leader of the Green Party, who sent a letter later on Tuesday to Khan demanding action, including from London’s police force.
“This needs to be escalated to the Metropolitan Police Service immediately,” Polanski wrote. “Anything less fails to reflect the seriousness of the situation.”
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