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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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The 7 political stories Jews will be watching in 2026
This year brought sweeping change in national politics, in the U.S.-Israel relationship and in New York, the city with the largest Jewish population.
At the Forward, we closely tracked the transition to President Trump’s second term and profiled his cabinet selections and controversial nominees and appointees who trafficked in antisemitism or had ties to white nationalists and expressed admiration for Nazis. We covered the president’s crackdown on the pro-Palestinian campus protests that defined 2024 and the weaponization of antisemitism that led to multimillion dollar settlements with Ivy League universities, including Columbia and Cornell.
We provided exclusive, on-the-ground reporting on the battle for the Jewish vote in the competitive New York City mayoral race. We conducted the first Jewish-media interview with Zohran Mamdani as his campaign began gaining traction, even while he was still polling a distant second in the Democratic primary. We also had inside access to the outgoing Eric Adams administration and its effort to counter rising antisemitism, and had the only local reporter accompanying Adams on his farewell trip to Israel.
Here are the seven political stories we’ll be watching most closely in 2026 that will shape American politics and the Jewish community in the U.S. and abroad.
Zohran Mamdani’s New York City
Mamdani will be sworn into office at midnight on Jan. 1, 2026 as the city’s first Muslim mayor. The swearing-in will be followed by an inauguration ceremony that day at a yet-undisclosed location.
He will immediately face a series of tests on the promises and priorities that carried him through the historic campaign at a moment when the city’s Jewish community remains divided over his stance on Israel. Mamdani’s mixed response to the protest outside the Park East Synagogue, which featured anti-Israel and antisemitic slogans last month, is likely to come under fresh scrutiny as his term begins. Mamdani has remained mum on whether he’d support new legislation that would create a buffer zone outside houses of worship to protect congregants from targeted protests.
Mamdani will also have to decide whether to rescind a recent executive order by Adams barring city agencies from participating in Boycott, Divestment and Sanctions efforts. He will also determine the fate of the recently-created mayor’s office to combat antisemitism, which has pursued a measure adopting the controversial International Holocaust Remembrance Alliance definition of antisemitism, which considers most forms of anti-Zionism as antisemitic. And he will need to decide whether to continue the New York City–Israel Economic Council, an initiative to strengthen economic ties with the Jewish state.
He will file top City Hall and government positions, including the potential appointments of his senior Jewish advisers.
Last month, Mamdani announced he’ll reappoint Jessica Tisch, the Jewish NYC police commissioner, as head of the police department he promised to reform.
The battle for the Jewish vote in the governor’s race
Mamdani’s first months in office and his legislative agenda will also shape the New York governor’s race.
Gov. Kathy Hochul, running for reelection for another full term, endorsed Mamdani in the general election after remaining neutral during the primary. She has signaled reservations about several key Mamdani priorities, like universal free buses, which will need the state’s approval, and has also distanced herself from Mamdani on Israel.
Hochul’s embrace of Mamdani could bolster her standing in the Democratic primary, where she faces a left-wing challenge from her lieutenant governor, Antonio Delgado, who is married to a Jewish woman.
But it could also complicate her outreach to Jewish voters in the general election. Bruce Blakeman, the first Jewish executive of Nassau County on Long Island, and Rep. Elise Stefanik, an upstate congresswoman who has made the fight against antisemitism on college campuses central to her congressional brand, are competing in a GOP primary to challenge Hochul. In 2022, former Rep. Lee Zeldin came within five percentage points of winning the governor’s race, powered by strong Jewish support.
Who will win Jerry Nadler’s seat?
After serving 17 terms in Congress, Rep. Jerry Nadler, co-chair of the Congressional Jewish Caucus, is set to retire to pave the way for generational change, a race that will be closely watched locally and across the nation.
The Manhattan district has one of the largest Jewish electorates in the nation. Jews in the 12th Congressional District account for about 30% of the vote in the Democratic primary. Nadler has, in recent years, campaigned on the need to preserve New York City’s Jewish representation in Congress.
The Jewish candidates vying for the seat include Micah Lasher, Jack Schlossberg, and Cameron Kasky. Assemblymember Alex Bores, whose wife, Darya Moldavskaya, is Jewish, and Councilmember Erik Bottcher are also considered viable candidates. Lasher, a protege of Nadler, has the longtime Jewish congressman’s support. Schlossberg, the grandson of former President John F. Kennedy, has made funding for security measures at synagogues and Jewish institutions a central pillar of his campaign.
Other New York congressional races
There are a few other House races in New York where pro-Israel incumbents are facing challenges from the left. Those primary contests are a crucial test of whether support for Israel and an alliance with the American Israel Public Affairs Committee has become a political liability.
Rep. Dan Goldman, the Jewish congressman representing the north of Brooklyn and the Lower Manhattan district since 2023, is being challenged in the primary by Brad Lander, the outgoing city comptroller and former mayoral candidate, who has the backing of Mamdani and other progressive firebrands. For his campaign, Lander hired Morris Katz, a Jewish strategist and ad maker who was behind Mamdani’s successful working-class appeal and inspiring TV commercials. Katz produced Lander’s Mr. Rogers-themed launch video.
Lander, who is also Jewish, has become more vocal about Palestinian rights in recent years. He supported Ben & Jerry’s decision to end sales in the occupied West Bank in 2021 and has regularly attended a weekly rally against the Israeli government’s handling of the war in Gaza. Recently, he acknowledged that he divested from Israel Bonds in 2023, ending the city’s decades-long practice of investing millions in Israeli government debt securities. In his candidacy announcement, Lander slammed Goldman’s support for the war in Gaza and accused him of “doing AIPAC’s bidding,” though the incumbent had early on called for humanitarian pauses and criticized Israeli Prime Minister Benjamin Netanyahu’s leadership.
Rep. Ritchie Torres, a three-term pro-Israel progressive from the Bronx, is facing three primary challengers, a crowded field that could ultimately make it easier for him to win reelection. Michael Blake, a former state legislator who ran for mayor in the Democratic primary and later endorsed Mamdani, is making attacks on AIPAC central to his campaign, and Dalourny Nemorin, an organizer for the Democratic Socialists of America’s local chapter, is testing the momentum behind newcomer and socialist candidates. Assemblywoman Amanda Septimo, who joined an AIPAC-sponsored trip to Israel in 2016 and visited Israel again following the Oct. 7, 2023 Hamas attacks, also announced her candidacy. Septimo is considered a member of Mamdani’s inner circle.
Rep. Michael Lawler, a Republican who has been a strong pro-Israel voice since his election in 2022, is expected to face the winner of an eight-person Democratic primary in a tough election cycle for Republicans. Lawler has the support of the growing Hasidic population in Rockland County. The leading candidates in the Democratic primary are Rockland County Legislator Beth Davidson, who is Jewish, and Army veteran Cait Conley.
Michigan Senate race a test for Democrats’ positions on Israel
The Michigan Senate race is shaping up to be one of the clearest tests of the Democratic coalition and of how the party navigates Israel.
The leading candidates in the Democratic primary are Abdul El-Sayed, an Egyptian-American who is seeking to channel the energy of the 2024 Uncommitted movement and build on Mamdani’s surprise success in New York, and Rep. Haley Stevens, a pro-Israel Democrat who defeated progressive Jewish Rep. Andy Levin in 2022 with significant help from AIPAC.
The outcome of the contest will offer an early read on whether the left’s anti-establishment momentum can break through in a battleground state, and how much pro-Israel groups retain their influence in Democratic primaries.
The Jewish governors running for reelection
Pennsylvania Gov. Josh Shapiro and Illinois Gov. JB Pritzker are widely expected to win reelection. Their margins, messages and national profile will position both as major figures in the early mix for the 2028 presidential race. Each is navigating the same balancing act that will challenge Democrats with national ambitions: trying to appeal to a base that is growing more critical of Israel while still keeping the trust of Jewish voters and pro-Israel allies.
Shapiro, who was viewed as a potential first Jewish president in 2024, remains on the narrow path he has carved out for himself. He highlights his Jewish identity, support for Israel and bipartisan appeal in all of his public appearances.
Pritzker, who governs a state with one of the largest Palestinian-American populations in the country, has become one of the most prominent voices of resistance to President Donald Trump. He has repeatedly invoked Nazi Germany in criticizing the administration’s policies and endorsed a Senate push to block U.S. arms sales to Israel to pressure Prime Minister Benjamin Netanyahu on the Israeli-Palestinian conflict.
Israeli elections
Israeli Prime Minister Benjamin Netanyahu will continue to be in the headlines in America. He is expected to spend New Year’s Eve in the United States after yet another meeting with Trump at the Mar-a-Lago resort — the sixth meeting this year — underscoring the unusually close alignment between the two leaders.
Netanyahu is better known to Americans than most world leaders. He is now Israel’s longest-tenured prime minister, having served for more than 18 years as the country’s leader. He grew up in Philadelphia in the early 1960s, attended college and graduate school in Boston, served as Israel’s ambassador to the U.N. in the mid-1980s, and has delivered four speeches to a joint session of Congress.
Following three tumultuous years, Israeli voters are poised to head back to the ballot box sometime in 2026 — depending on how long the coalition government holds onto power amid legislative challenges — for what will effectively be another referendum on Netanyahu’s leadership. A January 2024 poll found that only 15% of Israelis, including 36% of those who had previously voted for his Likud Party, wanted to see Netanyahu stay on as prime minister following the failure to protect Israel on Oct. 7.
But the landscape has shifted dramatically since then.
All living hostages have been freed, and the remains of all those held by Hamas — but for one — have been returned. Hamas and Hezbollah leaders have been killed, and Iran’s nuclear program was set back after the 12-day war earlier this year, and the conflict in Gaza ended on terms jointly shaped by Washington and Jerusalem. Netanyahu, receiving the political backing from Trump, has also requested a pre-conviction pardon from Israeli President Isaac Herzog. Meanwhile, the opposition remains fractured among several would-be successors, complicating a unified challenge to Netanyahu’s rule.
A majority of American Jews hold an unfavorable view of Netanyahu and senior pro-Israel Democrats have called for a leadership change in Israel.
Netanyahu is also expected to visit New York City, at the latest next September when he comes to address the annual United Nations General Assembly, which will test Mamdani’s pledge to order his arrest if he visits Manhattan.
The post The 7 political stories Jews will be watching in 2026 appeared first on The Forward.
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How Eastern Europe’s Jews celebrated a merry ‘nitl’ Christmas
(JTA) — Call me a softie, but I love a traditional Christmas Eve. If you don’t find me eating Chinese food and watching a movie, I might be catching Gotham Comedy Club’s “A Very Jewish Christmas!” show or comedian Joel Chasnoff’s “Christmas for the Jews.” Or I may just stay home, light a fire and listen to “Oy to the World: A Klezmer Christmas” by The Klezmonauts.
If none of that is your idea of traditional, you might want to get a copy of Jordan Chad’s new book, “Christmas in the Yiddish Tradition.”
A multidisciplinary researcher affiliated with the University of Toronto’s Centre for Jewish Studies, Chad offers up the “untold story” of how Yiddish-speaking Jews “celebrated” Christmas — not as the birth of the baby Jesus, heaven forbid. On what they called “Nitl-nacht,” or just plain “Nitl,” Jews cut loose with games and drink and a vacation from Torah studies in ways that ran parallel with what their Christian neighbors were up to.
And if that sounds like a provocation, Chad agrees.
“When I use the term ‘Jews celebrated Christmas,’ what’s really important to understand is that Christmas wasn’t interpreted as a Christian holiday by the Jews,” he said.
The idea of Jews enjoying Christmas Eve also runs counter to the stories Jews told after they left their Yiddish roots behind and encountered the New World. There, memories were shaped and distorted, and nitl was remembered as a night of fear and superstition. The lore holds that Jews stayed inside, locked their doors, avoided Torah study and huddled against the threat of antisemitic violence.
But Chad, 31, a translator with a background in theoretical physics (which makes him a Yiddishist physicist, which is very fun to say), suspected there was more to the story of Jews and Christmas. That hunch led him deep into Yiddish memoirs and folklore.
What he found startled him. Again and again, memoirists writing about 19th- and early 20th-century Eastern Europe wrote of their favorite “holiday”: nitl, commonly understood as a contraction of a Yiddish term meaning “not learning.”
Chad says that the version of Christmas as a season of foreboding is less remembrance than reinvention. Contemporary Yiddish accounts suggest that the holiday was more benign and even playful.
The key, he argues, is that for Jews and Christians alike, Dec. 24 was not so much a specifically Christian observance as a midwinter festival layered with supernatural anxiety, drinking, feasting and folk rituals. Easter was the central Christian holiday — and the actual season when Christians attacked Jews. By contrast, Christmas fell in the darkest season of the year and was marked with topsy-turvy behavior rife with pagan hand-me-downs, including the Christmas tree. Celebrants would suspend ordinary routines, play cards, tell ghost stories and stay awake to ward off malevolent spirits.
“Christians were doing this, and so were Jews,” Chad said. “It was common European folk culture.”
Only later, in part as a reaction to the revelry and their own encounter with the New World, did church leaders put the Christ back in Christmas, emphasizing the birth of Jesus. “In Europe, nobody was going to forget about Christianity,” Chad explained. “But in the New World, Jesus’s birth really needed to be the part of Christmas that Christians promoted.”
Once Christmas became more explicitly Christian, Jews distanced themselves. In the process, they retrofitted their own memories.
The ominous folklore about Christmas that was also part of Jewish tradition — for example, that Jesus might visit Jewish homes on Christmas eve to poison their drink with blood — was newly emphasized by Jews, turning a night of fun into a warning about assimilation. Stories about the dangers of Christmas — even when exaggerated — helped reinforce a sense of Jewish distinctiveness in a Christian-majority culture.
“Jewish immigrants weren’t going to tell their children, ‘When we were kids, we had a blast on Christmas Eve,’” Chad said. Instead, they leaned on reinterpretations that cast nitl as a defensive measure — a night too dangerous to study Torah, a holiday marked only by negation.
Chad consistently argues that Yiddish-speaking Jews were not cut off from the wider Christian culture, even if they had different religious structures, calendars and social and material status.
“I’d call it common European folk culture,” he said. “There were enormous differences between Jews and Christians — but when it came to fear of midwinter demons, the love of drinking, or the topsy-turvy atmosphere of Christmas Eve, the folklore overlaps are undeniable.”
Chad also draws a direct line between the “Yiddish” Christmas and the various ways Jews to continue to mark the Yuletide season. In many Hasidic communities, nitl is still a night when Torah study is suspended. If these Orthodox Jews aren’t playing cards or chess, they might be catching up on chores. Meanwhile, those Jewish events on Christmas Eve have become a growth industry, from singles-only “Matzo Balls” to Jewish cabarets to Christmas classics sung in Yiddish.
And then there’s Chinese food and a movie. Chad suggests that only in the late 20th century did Jews begin to reclaim Christmas as a kind of unofficial holiday of their own. By the 1980s, eating at Chinese restaurants — traditionally among the few places open — became a way to distinguish the day without crossing into Christian ritual. (As Darlene Love sang on “Saturday Night Live”: “They can finally see ‘King Kong’ without waiting in line / They can eat in Chinatown and drink their sweet-ass wine.”) What once was avoidance evolved into a playful counter-tradition, a way to be present in the surrounding culture without being absorbed by it.
If the book has a deeper message, it is that Jews have always negotiated Christmas, just in different registers. Sometimes the day has been used to draw lines; sometimes to soften them. It is all part of the ongoing Jewish effort to live distinctly within a world shaped by someone else’s holiday.
What emerges in “Christmas in the Yiddish Tradition” is not a sentimental argument for reviving a lost holiday, nor a polemic against drawing firm boundaries between Us and Them. It’s a reminder that Jewish life in Eastern Europe was far richer, weirder and more porous than memory often allows.
“I hope people understand that Jews didn’t think they were celebrating a Christian holiday,” Chad said. “They were celebrating a midwinter holiday they considered their own.”
He paused, then added with a laugh: “And they had a pretty good time doing it.”
The post How Eastern Europe’s Jews celebrated a merry ‘nitl’ Christmas appeared first on The Forward.
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Hanukkah shooting leaves at least 10 dead at Australia’s most popular beach
A Hanukkah celebration at Sydney’s Bondi Beach turned deadly on Sunday with reports of at least 10 dead, including a Chabad rabbi, amid rising antisemitism in Australia.
One suspect was killed at the scene and the other was arrested, in what local police are calling a “terror incident.”
“This is an attack on the Jewish community that deeply that pains us,” said Robert Gregory, the chief executive of the Australian Jewish Association.
Rabbi Eli Schlanger, who worked with Chabad of Bondi, was killed in the shooting, Chabad’s media director told The New York Times.
“This is a targeted attack on Jewish Australians on the first day of Hanukkah, which should be a day of joy,” said Australian Prime Minister Anthony Albanese. “An attack on Jewish Australians is an attack on every Australian.”
Earlier this month, a group of Jewish leaders from Argentina, Australia, Canada, France, Germany, the United Kingdom and the United States met in Sydney to coordinate responses to rising antisemitism there and internationally.
In recent months, two synagogues have been attacked in Melbourne.
The post Hanukkah shooting leaves at least 10 dead at Australia’s most popular beach appeared first on The Forward.