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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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When Jews face violence, we’re told to move to Israel. Does that really make us stronger?
My grandfather, Reuven Helman, was born in Palestine in 1927. He fought for Israel’s independence in 1948, and competed in the international Maccabiah Olympics. He and my grandmother, Leah, raised their children, including my mother, in the town of Kfar Chabad outside Tel Aviv. I have visited Israel many times. I studied at a rabbinical school in Jerusalem. Zionism is a deeply meaningful part of my story.
But I was born in the United States, live in the United States, and will always claim it as home. Which is why I’m so dismayed to see ardent Zionists insisting that all Jews belong in Israel — unconsciously echoing a call that’s becoming increasingly popular among antisemites, too.
Antisemites intend the statement that Jews belong in Israel as a threat. Zionists intend it as a calling. Either way, they deny the central truth that Jews built lives across a dispersed world, and that dispersal helped us survive.
Influencers like tech marketer and Israel advocate Hillel Fuld have repeatedly urged American Jews to migrate to Israel, arguing that there are “millions of people around the world who want to see a Holocaust 2.0,” making security in the diaspora precarious. After the recent Bondi Beach massacre in Sydney, Israeli Foreign Minister Gideon Sa’ar said that Jews in Western countries should immigrate to Israel.
But Judaism did not endure because we concentrated in one place. We endured because our identity, values, and Torah are portable. Because we dispersed, no single empire could target every Jew at once. No single campaign could end us. Diaspora didn’t just happen to us. It preserved us.
After the Holocaust, some survivors rebuilt in Israel, but many others chose instead to make new lives in the U.S., and in other democratic countries that opened their doors. Their choice reflected the reality that Jews need multiple safe havens — one of the lessons of the Shoah itself. (Think of the many Jewish Holocaust refugees rejected by every country to which they turned, in desperation, for aid.) As a people, we thrive when we are members of societies that protect minorities.
Antisemites would have our American society, instead, treat minorities as permanent outsiders. After his recent friendly interview with the right-wing podcaster Tucker Carlson, the white nationalist Nick Fuentes said Jews who don’t accept his “America First” vision should “get the f*** out of America and go to Israel.” His message: You don’t belong here.
What’s the reason for this odd alignment in rhetoric? Why would some impassioned advocates for Israel and open antagonists of Jews appear, when it comes to this one point, to agree?
The reality is, of course, that they don’t.
The Zionist voices in this equation are telling Jews to retreat, rather than work toward helping their countries — whether the U.S., Australia, or any of the other nations to experience contemporary upswings in antisemitism — to restore values of pluralism and equality. And the antisemitic voices are saying, simply, that they want fewer Jews in their countries.
I refuse to accept either proposal. I cannot speak for all diaspora Jews. But I don’t want to retreat. Instead, I want my country, the U.S., to enforce its own ideals and protect minorities, because that is what a free country does.
The Torah warns that Jews may be scattered “among the nations,” yet it insists that even “in the land of their enemies” God will not cast the Israelites away. Jeremiah tells Jews exiled to Babylon not to flee, but rather to build homes, plant, raise families and “seek the peace of the city,” because our welfare intertwines with its welfare. Joseph sustains his family and feeds nations from inside Egypt, and Esther saves Jews inside Persia.
These many biblical endorsements of a diasporic Jewry don’t deny the Jewish connection to the land of Israel. Instead, they refute the idea that the only answer to antisemitism is for Jews to disappear when it crops up.
We survive by carrying Torah into the world, speaking truth where we stand, and spreading light precisely where darkness tries to push us out. And the surest way to do that is to build Jewish traditions sturdy enough to outlast any moment and thrive in any place. The late Rabbi Jonathan Sachs said it best: “To defend a country, you need an army. But to defend a civilisation, you need schools.”
After all, while Israel offers Jews dignity and sovereignty, it does not function as a simple refuge from antisemitism. Palestinian terrorists murdered my cousin, Meir Tamari, two years ago, leaving his wife a widow and his two small children fatherless. Just this weekend, two Jews in Israel were murdered in a car ramming terrorist attack. In our current reality, Jews face real danger in Israel precisely because it sits at the center of conflict and terror. That isn’t an argument against Israel, but it shows that moving there does not automatically solve Jewish vulnerability.
So I hold two commitments at once. I support Israel’s right to exist and defend itself. I also support Jews returning to their ancestral homeland so long as that choice is driven by meaning and longing. But I reject the idea that Jews should leave the U.S. in fear of growing antisemitism at home. Our country needs Jews who stay visible, who speak truth and who bring light into public life, and above all, Jews who teach their children that belonging is not something you beg for. It is something you live.
The post When Jews face violence, we’re told to move to Israel. Does that really make us stronger? appeared first on The Forward.
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18 notable Jews who died in 2025
(JTA) — Jews around the world were already reeling after nearly two years of war and death in Gaza and the grim confirmation that many hostages hadn’t survived the Oct. 7 attacks or two years of captivity. Then came news of the shootings in Sydney, Australia, where 15 people were gunned down at a celebration of Hanukkah.
Despite its grief, the Jewish world also took time to celebrate the lives lived by a constellation of figures who made lasting contributions to film, architecture, politics and Jewish scholarship and letters.
In chronological order, here are obituaries of 18 notable Jews who died in 2025.
Marion Wiesel
Marion Wiesel (born Mary Renate Erster), a Holocaust survivor and humanitarian, married the writer and human rights activist Elie Wiesel in 1969, and was the translator of many of his award winning and influential books on the Holocaust, including the final edition of “Night.” Following Wiesel’s 1986 Nobel Prize win, the couple founded the Beit Tzipora Centers in Israel, an educational program for Ethiopian-Israeli youth, which Marion Wiesel went on to lead for a number of years. “In the alignment of stars that helped make Wiesel the international icon he became, his marriage to Marion was among the most significant,” wrote Joseph Berger in his 2023 biography “Elie Wiesel: Confronting the Silence.” She died on Feb. 2 at 94.
Jacqueline van Maarsen
In 1942, Anne Frank immortalized her friendship with Jacqueline van Maarsen, writing that she “is now my best friend.” While the pair were forced apart during the war, never to be reunited, van Maarsen went on to write multiple books about Frank, including 2008’s “My Name is Anne, She Said, Anne Frank.” In 1986, van Maarsen also began lecturing on the Holocaust and antisemitism at schools. “In her books and during school visits, Jacqueline spoke not only about her friendship with Anne but also about the dangers of anti-Semitism and racism, and where they can lead,” the Anne Frank House said of van Maarsen. She died on Feb. 13 at age 96.
Leonard Lauder
Leonard Lauder built his Jewish family’s business, The Estée Lauder Companies, into a cosmetics empire, serving as its president from 1972 to 1995 and as CEO from 1982 through 1999. But beyond his entrepreneurial prowess, Lauder also was a major patron of the arts, at one point donating a collection of paintings to the Metropolitan Museum of Art in New York valued at more than $1 billion. “The number of lives he touched and positively impacted across all his endeavors is immeasurable,” his younger brother, Ronald, said. “His passion and generosity have inspired us all, and there are no words to express how much he will be missed.” He died on June 14 at 92.
David Schaecter
After losing 105 relatives during the Holocaust, David Schaecter went on to spend his life pushing for restitution, Holocaust education and vigilance against antisemitism. In 1989, Schaecter founded the Holocaust Memorial in Miami Beach and in 2000 created the Holocaust Survivors’ Foundation USA, which often took a more aggressive stance than other Jewish organizations in pursuing restitution of goods looted during the Holocaust. “I am here to remind everyone that there are still thousands of survivors alive today who are in desperate need, and who cannot be forgotten,” Schaecter told the Senate Special Committee on Aging on April 30. He died on Sept. 4 at 96.
Ruth Posner
After Ruth Posner escaped the Warsaw Ghetto along with her aunt as a child, she went on to flee to the United Kingdom at 16 where she began an illustrious career as an actress and dancer. She was a founding member of the London Contemporary Dance Company and worked for the Royal Shakespeare Company, and also starred in films including “Leon the Pig Farmer” and “Love Hurts.” In 2022, she was awarded a British Empire Medal for her commitment to Holocaust education. She died on Sept. 21 at 96.
Aron Bell
Aron Bell was only 11 or 12 when he and his older brothers formed the famed Bielski partisans, a group that saved more than 1,200 Jews from the Nazis during the Holocaust. The brothers’ tale of defiance also inspired several adaptations of their story, including the books “The Bielski Brothers” by Peter Duffy and “Defiance: The Bielski Partisans” by Nechama Tec, which was later made into the 2008 film “Defiance” with actor George MacKay portraying Bell. “If you were in the company of those three brothers, you felt like you had a whole army behind you, you were fearless,” said Bell in his 1996 testimony to the USC Shoah Foundation. He died on Sept. 22 at 98 at his home in Palm Beach, Florida.
Katherine Janus Kahn
Katherine Janus Kahn’s vibrant watercolor illustrations in Jewish children’s books helped shape the imaginations of generations of Jewish children. Beginning with her paper-cut illustrations for “The Family Haggadah,” which became a bestseller when it was published in 1987, Janus Kahn later went on to illustrate more than 50 books for Kar-Ben, a publishing house for Jewish children’s books. Among her work for Kar-Ben was the “Sammy Spider” franchise, which includes more than two dozen books about Jewish holidays, prayers and practices. ““We are profoundly grateful for her legacy, and for the countless stories and memories she leaves behind,” said Kar-Ben. She died on Oct. 6 at age 83.
Rabbi Moshe Hauer
Rabbi Moshe Hauer, the executive vice president of the Orthodox Union since 2020, was widely respected across denominations and was considered an exemplar of Modern Orthodoxy’s historical blend of religious and secular expertise. In 2023, he testified about antisemitism on college campuses at a hearing of the House Committee on Education and the Workforce, which prompted several investigations. “Rabbi Hauer was a true talmid chacham, a master teacher and communicator, the voice of Torah to the Orthodox community and the voice of Orthodoxy to the world,” the Orthodox Union said after his death. He died on Oct. 14 at 60.
Susan Stamberg
When Susan Stamberg first got behind the microphone at the newly minted National Public Radio in 1972, some board members feared she was “too New York” for Midwest audiences. But Stamberg nevertheless became one of the station’s “founding mothers,” helping to craft its intimate, often humorous and consistently eclectic voice. Stamberg was the co-anchor of “All Things Considered” for 14 years, before pivoting to cultural stories. “I think all of that is very Jewish, the telling of stories, but also the seeking of opinions and also being open to the range of opinions that are out there,” Stamberg told the Jewish Women’s Archive in 2011. She died on Oct. 16 at 87.
Tova Ben-Dov
Tova Ben-Dov devoted six decades of her life to the Women’s International Zionist Organization, serving as the president of World WIZO from 2012 to 2016. She also served as the vice president of the World Jewish Congress, a member of the executive committee of the Jewish Agency for Israel and a member of the International Council of Women according to JNS.“For 60 years, Tova devoted her heart and soul to WIZO—a lifetime of love, leadership and giving to women, children and families in Israel,” said World WIZO chairperson Anita Friedman. She died on Oct. 17 at 88 in Tel Aviv.
Arthur Waskow
Rabbi Arthur Waskow first became one of the most notable progressive rabbinic voices in 1969 when he created the “Freedom Seder,” a version of the Passover Haggadah that blended contemporary liberation struggles with the ancient passover story. Throughout his career, Waskow authored more than two dozen books that offered a Jewish perspective on civil rights, economic injustice, nuclear arms control and climate change. He was arrested more than two dozen times at protests. He died on Oct. 20 at 92.
Mark Mellman
At the height of his illustrious career as a pollster and political consultant, Mark Mellman was the go-to pollster for Democrats as well as a wide variety of firms and interests, including the NBA’s Washington Wizards, United Airlines and both Pepsi and Coca-Cola. In 2019, he founded the Democratic Majority for Israel, a group he said was formed to “strengthen the pro-Israel tradition of the Democratic Party, fight for Democratic values and work within the progressive movement to advance policies that ensure a strong U.S.-Israel relationship.” He died on Nov. 21 at 70.
Carrie Soloway
Carrie Soloway, a Jewish psychiatrist in Chicago, came out as a transgender woman at 70-years-old, a milestone that formed the basis for her children’s hit Amazon TV series “Transparent.” After the show’s 2014 premiere, Soloway visited the White House under then-President Barack Obama and became friends with trans elected officials, while “Transparent” blazed a path for modern LGBTQ Jews exploring their identity. “She loved the show and us and the character, but sometimes she wasn’t in the mood to be everyone’s favorite trailblazer,” her son, Joey, said after her death. She died on Nov. 21 at the age of 88.
Tom Stoppard
Tom Stoppard was in his 80s and had already won four Tony Awards during his prolific career as a playwright and screenwriter when he finished “Leopoldstadt,” which portrayed a Jewish family dealing with rising antisemitism in Vienna, and a young writer, much like him, who only earned of his Jewish forebears as an adult. His final work won the Tony for best play after it opened on Broadway in 2022. Stoppard’s other era-defining plays include “Rosencrantz and Guildenstern are Dead” (1968), “Travesties” (1974), “The Real Thing” (1986) and “The Coast of Utopia” (2007). “I just live my life and let the Jewishness take care of itself,” Stoppard told the New York Times Magazine in 2022. He died Nov. 29 at 88.
Frank Gehry
Frank Gehry, born Ephraim Owen Goldberg, was one of the most influential talents in the history of modernist architecture. Among his most acclaimed works, which feature his signature sculptural style, are the Bilbao Guggenheim, the Walt Disney Concert Hall in Los Angeles, the Louis Vuitton Foundation in Paris, DZ Bank Building in Berlin and oversized fish sculptures he said were inspired by the carp his grandmother would turn into gefilte fish. In 1989, Gehry won the prestigious Pritzker Prize, considered one of the top awards in the field of architecture, and in 1999 won the Gold Medal from the American Institute of Architects. While Gehry identified as an atheist throughout his adult life, he told the Jewish Journal that “there’s a curiosity built into the [Jewish] culture” that influenced his career. He died on Dec. 5 at 96.
Rabbi Eliezer Diamond
Rabbi Eliezer Diamond taught at the Jewish Theological Seminary for over three decades, where he also published several texts on the Talmud and left an indelible mark on generations of rabbis and Jewish scholars. In 2003, he published “Holy Men and Hunger Artists: Fasting and Asceticism in Rabbinic Culture.” “Wherever I am, God is there too. I hope that I will return home soon,” wrote Diamond in his last post on Facebook, where he detailed his long struggle with cancer. He died on Dec. 11 at 73.
Rob Reiner
Rob Reiner, a beloved Jewish film director, actor and liberal activist, left his mark on modern American comedy and drama with his generation-defining classics from the 1980s and 1990s, including “When Harry Met Sally…,” “The Princess Bride,” “Stand By Me,” “A Few Good Men” and “This Is Spinal Tap.” The son of legendary Jewish comedian Carl Reiner, he also starred in the ’70s sitcom “All in the Family” and became a prominent Democratic Party activist later in life. Reiner, 78, and his wife, Michele Singer Reiner, 70, were found dead in their California home on Dec. 14. The couple’s son, Nick, has been charged in connection to their killing. Days after his death, Reiner gave a pre-recorded address at a virtual Holocaust survivor event where he told attendees, “If ever we needed to be resilient, it’s now.”
Norman Podhoretz
Norman Podhoretz was 30 when he was appointed to run the American Jewish Committee’s thought journal Commentary. Over his career, he charted a path from Jewish liberal to pro-Israel neoconservative, serving as the godfather to a movement that long dominated late- and post-Cold War conservative politics. He made waves in 2016 for endorsing Donald Trump in his first run for president. “He was a man of great wit and a man of deep wisdom and he lived an astonishing and uniquely American life,” his son, John Podhoretz, wrote in a remembrance for the magazine announcing his father’s death. “And he bound himself fast to his people, his heritage, and his history.” He died on Dec. 16 at 95.
As the year concludes, the New York Jewish Week also remembers 13 Jewish New Yorkers who died in 2025. Among them are people who left an indelible mark on New York City, including rabbis, musicians, writers, activists and a supercentenarian.
Peter Yarrow
As one-third of the American folk band Peter, Paul and Mary, the Jewish musician and progressive activist Peter Yarrow was one of the writers of the group’s hit song “Puff the Magic Dragon” and their Hanukkah hit “Light One Candle,” which Yarrow said he wrote to express his opposition to Israel’s 1982 war in Lebanon. The band performed “Light One Candle” in Jerusalem in 1983 to a positive response.
Rose Girone
A rare supercentenarian, Rose Girone was thought to be the world’s oldest living Holocaust survivor, turning 113 years old in January. As a young mother during the Holocaust, Girone was able to rescue her husband from the Buchenwald concentration camp, and the small family of three sought refuge in Shanghai, where they survived the war and Girone built a business selling her handmade clothing. In New York, she taught knitting and also ran a knitting shop in Forest Hills. She later divorced and remarried. Even after she closed her shop, she continued knitting until the end of her life.
Michelle Trachtenberg
Michelle Trachtenberg was a child and teen star known for her roles in “Harriet the Spy,” “Buffy the Vampire Slayer,” “17 Again,” “Ice Princess,” and “Gossip Girl.” Born in New York City and raised in Brooklyn, Trachtenberg was the daughter of Jewish immigrants: Her mother was from the former Soviet Union, and her father was from Germany. In 2022 and 2023, she reprised her “Gossip Girl” role in the series reboot.
Trachtenberg died Feb. 26 at age 39 from complications related to diabetes.
Max Frankel
The former executive editor of The New York Times fled the Nazis as a child, starting at the paper at just 19 years old as a Columbia University campus correspondent. In his 40-plus-year career at The Times, he wrote the memo that convinced the paper’s lawyers that it should cover the Pentagon Papers — the leaked documents that revealed how the government deceived the public about the scope of the U.S. war in Vietnam. He won the Pulitzer Prize in 1973 for his coverage of President Richard Nixon’s visit to China. In 2001, after his retirement, Frankel published an article in The New York Times acknowledging that before and after World War II, the publication had a policy of “reluctance to highlight the systematic slaughter of Jews.”
Frankel died on March 23 at age 94.
Ted Comet
A Jewish communal leader and longtime Upper West Sider, Comet founded New York’s Celebrate Israel Parade (originally the Salute to Israel Parade). In the 1960s, he helped organize some of the first large demonstrations in support of Soviet Jewry. He was also a founder of the annual Israel Folk Dance Festival. Following his wife Shoshana’s death in 2012, he conducted tours of the tapestries she made telling the story of the trauma she endured as a teenager fleeing Belgium during World War II and in the years beyond.
Comet died at age 100 on March 19.
Helena Weinstock Weinrauch
Helena Weinstock Weinrauch survived a 500-mile death march to Bergen-Belsen and eventually found her way to New York. After her husband of 56 years, Joe Weinrauch, died in 2006, she discovered, at 88, the solace and joy of ballroom dancing. Her story of survival and resilience was the subject of a 2015 documentary, “Fascination: Helena’s Story.”
Weinrauch died at her home on the Upper West Side on May 25, one week shy of her 101st birthday.
Tom Lehrer
The New York-born mathematician and satirist Tom Lehrer enrolled at Harvard University at just 15 years old. Though his post-college music career was relatively brief, he gained a cult following for musical parodies like “Poisoning Pigeons in the Park” and “The Vatican Rag.” Lehrer described his family’s relationship to Judaism as “more to do with the delicatessen than the synagogue.” But his iconic song “(I’m Spending) Hanukkah in Santa Monica” became what he called “a sort of answer to ‘White Christmas.’”
Lehrer died Jul. 25 at the age of 97.
Wesley LePatner
One of the highest-ranking women at Blackstone and a mother of two young children, Wesley LePatner was an alumna of Yale University, a board member for UJA-Federation of New York and an active member of various Jewish communities in New York and Massachusetts. On July 29, a gunman opened fire at her office building, 345 Park Ave., killing three people including LePatner. “She was the most loving wife, mother, daughter, sister and relative, who enriched our lives in every way imaginable,” her family said in a statement.
LePatner died Jul. 29 at the age of 43.
Julia Hyman
Julia Hyman was also a victim of the shooting at 345 Park Ave. A Manhattan native, Cornell graduate and an associate at Rudin Management, Julia Hyman was a fan of the United States women’s soccer team and Jewish singer-songwriter Gracie Abrams, her friends and family recalled at a memorial service in July.
Hyman died July 29 at the age of 27.
Saul Zabar
The son of the immigrant Jewish founders of the iconic Upper West Side grocery store and delicatessen Zabar’s, Saul Zabar served as the president and principal owner of the “food emporium” for more than seven decades. Zabar was known for his hands-on approach, often working behind the fish counter — the gem of his family’s market. Zabar’s is known for serving traditional Ashkenazi foods like bagels, babka, deli meats, fish salads, pickles and rugelach. On an average week, Zabar’s sells 2,000 pounds of smoked fish and 8,000 pounds of coffee each week to about 40,000 customers, according to The New York Times.
Rabbi Alvin Kass
The longest-serving NYPD chaplain, Rabbi Alvin Kass served New York’s police for 60 years. His career included managing the NYPD’s 9/11 response, and in the days following the terror attack, hosting Rosh Hashanah services at LaGuardia Airport for first responders. He attended the funerals of every NYPD officer who was killed on 9/11, including two who were Jewish. Kass was the third Jewish chaplain to work for the NYPD. In 1981, he attempted to disarm a Jewish hostage-taker by bribing him with a pastrami sandwich from Carnegie Deli.
Mayer Moskowitz
The early life of Rabbi Mayer Moskowitz, longtime educator at the Upper East Side’s Ramaz School and Camp Massad in the Poconos, was forever altered by the Holocaust.
Born in Czernowitz in what was then Romania and today Ukraine, Moskowitz watched the Gestapo shoot and kill his father, a 30-year-old Hasidic rabbi, in their synagogue. In the following years, he would be deported to a ghetto, separated from his mother and sister, escape the ghetto, make a life for himself in Israel, and learn his mother and sister had both survived the war, leaving his new life in Israel behind to join his mother in New York City, where he became a prominent teacher of thousands of students, including Israeli president Isaac Herzog. Moskowitz recounted his life story in his autobiography, “A Memoir of Sanctity.”
Moskowitz died Nov. 11 at 98 years old.
Helen Nash
Starting with “Kosher Cuisine” in 1984, philanthropist Helen Nash wrote cookbooks that proved that kosher cooking “could be as varied, elegant and exciting as one wished to make it,” as she put it. A refugee from Poland, she married Jack Nash, a pioneer in hedge funds, and together they supported numerous Jewish organizations in New York City, including UJA-Federation of New York, Mount Sinai Medical Center, the Israel Museum, Shaare Zedek Medical Center and Yeshiva University.
Nash died on Dec. 8 at the age of 89.
The post 18 notable Jews who died in 2025 appeared first on The Forward.
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Rep. Randy Fine’s incendiary comments on Muslims alarm many Jews — without denting his standing on the pro-Israel right
(JTA) — In his brief time in the House, freshman Jewish Congressman Randy Fine has built a reputation for combative outbursts — particularly about Muslims.
But the Florida Republican ignited a new round of controversy earlier this month with a series of disparaging remarks about Palestinians and what he called “mainstream Muslims” that his critics —on the left and right — say are not just provocative but amount to “genocidal.”
“I don’t know how you make peace with those who seek your destruction. I think you destroy them first,” Fine said during a Dec. 10 hearing with the House Committee on Foreign Affairs, after remarking, “There has to be a reformation, really, of Islam.”
He doubled down on similar rhetoric aimed at “mainstream Muslims” and “mainstream Islam” in the week that followed, and has intensified his stance following the Hanukkah terror attack in Australia by avowed ISIS supporters.
“It’s time for a Muslim travel ban, radical deportations of all mainstream Muslim legal and illegal immigrants, and citizenship revocations wherever possible,” he declared in a statement posted to social media. “Mainstream Muslims have declared war on us. The least we can do is kick them the hell out of America.”
Fine’s remarks — which have also included putting blame on Minnesota Rep. Ilhan Omar “and her fellow Somalis” for a public assistance fraud scheme carried out largely by Somali defendants — go far beyond what other Jewish pro-Israel elected officials have said publicly. They have been widely condemned, including by other Jews.
“As a part of the Jewish community, I know that I must speak out,” Noam Shelef, of the progressive group New Jewish Narrative, said in a statement. “Rep Fine, who wears a kippah, will be seen as a face of the American Jewish community. His hate is not who we are.”
Yet at a moment when the global Jewish community is reeling from the aftermath of the Australia attack, Fine’s support among the conservative pro-Israel Jews he seeks to cultivate has not been dented in any obvious way.
The Republican Jewish Coalition remains in Fine’s corner, and pro-Israel lobbying giant AIPAC has endorsed him heading into a contested primary for his reelection. Since his initial comments about Muslims, he has spoken at a conference hosted by the Jerusalem Post, attended Attorney General Pam Bondi’s Hanukkah party and spoke at a Hanukkah gathering for Young Jewish Conservatives. Some of his fans tell JTA they think his comments about Muslims are on the mark.
“It certainly isn’t the words that I myself would use to describe the situation,” Matt Brodsky, a Jewish GOP strategist who worked with Trump’s first-term Middle East diplomatic team and has worked on political campaigns for Muslim Republicans, told the Jewish Telegraphic Agency.
But, Brodsky said, “He could very well be making a point that the Muslims who would stand with Jews or stand with Israel tend to be the exception, not the rule. And I don’t know that I would argue differently.” Brodsky added that, in the grief of the Australia attacks, he doesn’t want “to be splitting hairs over what a Jew says.”
The Trump administration also seems to agree with Fine’s assessment on restricting Muslims from entering the country. On Dec. 16, the federal government added the Palestinian Authority, as well as new Muslim-majority countries including Syria, to its travel ban.
Republican Sen. Tommy Tuberville, of Alabama, also recently called for a Muslim ban, leading to condemnation from Chuck Schumer, the Jewish Democratic Senate minority leader. (On Dec. 14, Vickie Paladino, a Republican member of the New York City Council, made similar remarks claiming that expelling Muslims would aid the fight against antisemitism, and expounded on her views in the Queens Jewish Link.)
Reached for comment, Fine pointed to his social media statements but also seemed to soften his stance.
“Not all Muslims are or support terrorism,” Fine wrote to JTA. He added that he was “grateful” for “Muslims like” Ahmed el-Ahmed — the bystander in Australia who was shot while disarming one of the gunmen, and has been praised by Jewish groups for his heroism.
Such people, Fine added, “just want to live in peace [and] prosperity with the rest of us.”
Fine, who was elected in an April special election in a deep-red district with few Jews that he himself still had not moved into months after his victory, has made his Jewish identity an unmissable component of his politics. He wears a kippah on the House floor, is an unwavering Israel supporter and has called out members of his own party who he believes have crossed the line into antisemitism. On social media, where he’s adopted the “Hebrew Hammer” moniker, he shows off new MAGA-themed yarmulkes he added to his collection.
Part and parcel with that persona are Fine’s views on Muslims and Palestinians, which some even in his party consider extreme. As the right in general is wrestling with a larger problem of antisemitic influence and the erosion of a once-assured consensus in support for Israel, Fine’s bellicose rhetoric has made enemies on his side of the aisle — even as he, like many other conservatives, has claimed to be following in the footsteps of Charlie Kirk, the slain founder of Turning Point USA.
In July, amid reports that Israel was withholding humanitarian aid to Gaza, Fine simultaneously called such reports “a lie” and also declared, “Release the hostages. Until then, starve away.” The American Jewish Committee and other groups decried his remarks. An undaunted Fine repeated the phrase “starve away,” along with variations like “#KeepOnStarving,” several times in the waning months of the Israel-Gaza war — even as backlash to his remarks grew on the right.
“A Jewish U.S. representative calling for the continued starvation of innocent people and children is disgraceful,” Rep. Marjorie Taylor Greene, the far-right Georgia Republican and recent Trump critic who will be leaving the House in January, tweeted after Fine’s July remarks about Gaza.
Lauren Witzke, a QAnon activist and former Republican Senate candidate in Delaware who attended Turning Point USA’s recent AmericaFest gathering, has repeatedly slung personal insults at Fine. She has promised to “personally fundraise for the candidate who primaries this genocidal freak who gets off watching little toddlers and infants being blown to pieces.” (Aaron Baker, a challenger who also ran against Fine in April, took Witzke up on the offer even as he has made his own support for Israel part of his campaign platform.)
Tucker Carlson, himself a lead driver of antisemitic conspiracy theories on the right and an emergent critic of Israel, has also lambasted Fine over the congressman’s calls, in May, for Gaza to be nuked. During his address at AmericaFest, the recent gathering hosted by right-wing group Turning Point USA at which antisemitism was a hot topic, Carlson more generally criticized Republicans who he said were “attacking millions of Americans because they’re Muslims. It’s disgusting. And I’m a Christian.”
At the time of his “starve away” remarks, Fine had not yet been endorsed by AIPAC for reelection. One of his non-Jewish primary opponents, Palm Coast City Council member Charles Gambaro, harshly criticized Fine’s Gaza remarks and declared that Gambaro, too, would seek AIPAC’s endorsement.
Since then, AIPAC has endorsed Fine.
“The pro-Israel community supports Rep. Fine because of his work to strengthen America’s partnership with Israel,” an AIPAC spokesperson told JTA earlier this month.
Another Jewish institution continuing to back Fine: the Republican Jewish Coalition.
Following his “destroy them first” remarks, the Jewish Democratic Council of America said Fine “is blatantly engaging in hate speech.” The RJC’s X account, in turn, blasted its Democratic counterpart for condemning Fine.
“You are total clowns,” the RJC declared in a tweet directed at the JDCA.
The RJC continued: “Maybe start with holding Hakeem Jeffries accountable for campaigning with and endorsing antisemite Mayor-elect of NYC, Zohran Mamdani.”
The larger digital ecosystem of hard-line supporters of Israel has also regularly championed Fine. “Congressman Randy Fine is speaking truth to power — and it matters,” Betar USA, a pro-Israel group that has also demanded “blood in Gaza” and whose members have protested outside mosques, tweeted Dec. 17, a day after Fine tweeted, “We either wake up or Mainstream Muslims will conquer the West for good.”
“At a time when too many politicians stay silent or hide behind cowardly talking points, Randy Fine stands unapologetically for America, for Israel, and for moral clarity,” the Betar post continued. “He says what others are afraid to say — and he doesn’t back down.”
Gabe Groisman, a Jewish podcaster and former mayor of Bal Harbour, Florida, has also approvingly featured Fine on his podcast.
Not all Jewish conservatives agree with Fine’s bluster.
“On the one hand, I’m glad there is somebody who’s giving voice to a more robust pro-Jewish, pro-Israel point of view,” one Jewish nonprofit professional who ran for office as a Republican told JTA after Fine’s “starve away” remarks this summer. “On the other hand, I wish it was someone other than Randy Fine.”
Without questioning Fine’s pro-Israel bonafides, the former candidate — who asked to remain anonymous, citing ongoing involvement in Jewish organizations — believed the politician was failing to meet the moment.
“Those of us who are publicly, overtly Zionist, and especially those who seek public office based on their Zionism, I think have an obligation to be thoughtful about how they present themselves,” the Republican said, comparing Fine’s outbursts unfavorably to those of far-right Israeli ministers Itamar Ben-Gvir and Bezalel Smotrich. “They say things which are then used against Israel in the international press.”
For Brodsky, though, Fine is a necessary truth-teller at a time when vocal Israel critics such as Omar get what he believes is a free pass for their own extreme remarks.
“I personally don’t like getting into games where we deal with shoving a microphone in exclusively Republican faces in order to justify anything a Republican said, but we don’t do that for Ilhan Omar,” he said. Brodsky had worked on the 2024 campaign of a Muslim Republican challenger to Omar until he was fired over tweets in which he stated that Israel should “carpet bomb” an area of Lebanon where Irish peacekeepers were stationed.
Fine is still embracing his role as a heel of sorts. When Omar called for his expulsion earlier this month over his “destroy them first” comments, he had a simple retort: “Go for it.”
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