Uncategorized
A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
—
The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.
Uncategorized
Isaac Accords, Wave of IRGC Terror Designations Signal Deepening Israel–Latin America Ties
Argentina’s President Javier Milei receives Presidential Medal of Honor from Israel’s President Isaac Herzog in Jerusalem, April 20, 2026. Photo: REUTERS/Amir Cohen
As Israel deepens its diplomatic outreach across Latin America, a quiet but notable convergence is taking shape, with regional governments tightening security cooperation and increasingly aligning efforts to counter Iranian-linked terrorism and illicit networks operating across the hemisphere.
During a state visit to Israel on Sunday, Argentine President Javier Milei and Israeli Prime Minister Benjamin Netanyahu formally signed the Isaac Accords, a new framework aimed at deepening ties between Israel and Latin American governments while jointly addressing antisemitism and terrorism.
According to Toby Dershowitz, senior adviser at the Foundation for Defense of Democracies (FDD), a Washington, DC–based think tank, this initiative builds on rising regional momentum for closer cooperation with the Jewish state and sets in place a framework for intelligence-sharing and coordinated law enforcement efforts aimed at countering Iranian proxy networks operating across the hemisphere.
Latin America has long been regarded as a hub for Iran-backed Hezbollah’s illicit drug trafficking and other criminal activities, which have been used to finance its broader terrorist operations worldwide.
“While just formally signed in recent days, there is already momentum behind some of the Isaac Accords’ goals,” Dershowitz told The Algemeiner. “Several countries have taken steps – including terrorism designations – to counter the Islamic Republic’s threat.”
“The Western Hemisphere has been plagued by Iran-backed terrorism for decades and countries are increasingly leveraging support from allies in the region to address the threat,” she continued.
Modeled after the Abraham Accords — a series of historic, US-brokered normalization agreements between Israel and several Arab countries — this new initiative aims to strengthen political, economic, and cultural cooperation between the Jewish state and Latin American governments.
During the signing ceremony, Milei described the launch of the accords as “a historic moment for our nations,” saying they are intended to advance peace through efforts to strengthen long-term regional stability, security, and economic prosperity.
The Isaac Accords “will not only strengthen the relationship between Argentina and Israel, united by shared values, but also mark a step toward a freer and more prosperous hemisphere,” the Argentine leader said.
According to a joint statement between the two leaders, the new initiative will focus on technology, security, and economic development, with an emphasis on deepening cooperation in innovation, commerce, and cultural exchange.
It will also seek to encourage partner countries to relocate their embassies to Jerusalem, formally designate Hamas and Hezbollah as terrorist organizations, and shift longstanding voting patterns on Israel at the United Nations.
Dershowitz explained that the push to formally designate Iran’s Islamic Revolutionary Guard Corps (IRGC) and its proxy groups as terrorist organizations — an approach already adopted by several Latin American countries — is central to strengthening states’ ability to investigate and prosecute terrorism networks.
She also noted that such designations facilitate cooperation with global financial intelligence units, expanding the legal tools available to track and disrupt illicit financing.
“Iran has a concerning footprint in Latin America. Some countries in the region face major Hezbollah-linked drug trafficking challenges and, as a result, exposure to illicit financial flows,” Dershowitz said. “It is no doubt part of the calculus that led to these designations.”
Since the start of the war in Gaza, and even more so amid the broader confrontation with Iran, Latin American countries have increasingly sought to align their domestic legislation with international sanctions frameworks targeting Hezbollah, Hamas, and the IRGC — all of which are designated by the United States, the United Kingdom, and the European Union.
Ecuador, Costa Rica, and Paraguay are among some of the countries that have designated Hamas, Hezbollah, and the IRGC as terrorist organizations.
More recently, Costa Rica and Trinidad and Tobago have also followed suit, proscribing all three Iranian and Iran-backed entities.
Once a formal designation is in place, authorities can immediately freeze a wide range of assets belonging to designated entities without the need for a prior criminal conviction.
The designation also makes it a criminal offense to provide such entities with material support — such as funding, transportation, housing, or false documentation — while giving authorities additional tools to track and map a group’s logistical and financial networks.
Last month, Argentina also designated the IRGC as a terrorist organization, after previously designating the Palestinian group Hamas in 2024 and the Lebanese group Hezbollah in 2019.
After Iran accused Buenos Aires of “siding with the aggressors” and violating international law with its latest designation, the Argentine government declared Iranian chargé d’affaires Mohsen Tehrani “persona non grata” and gave him 48 hours to leave the country.
Uncategorized
Steeped in history, Pensacola Jews celebrate the 150th anniversary of Florida’s oldest synagogue
(JTA) — PENSACOLA, Florida — Mention the Jewish exodus to Florida, and people immediately think Miami Beach, Boca Raton or Aventura.
But it was here in Pensacola — along the Gulf Coast’s fabled “Redneck Riviera” — that German-speaking Jewish pioneers first put down roots in the Sunshine State. In 1876, when Pensacola’s Temple Beth El was founded, Florida had 200,000 inhabitants, just 2,000 of them Jews.
Today, Florida is home to 24.3 million people and a Jewish population exceeded only by New York and California. Most of the state’s 762,000 Jews reside in three South Florida counties — eclipsing much older congregations in Tallahassee, Jacksonville and Pensacola that thrived long before the advent of air-conditioning and interstate highways.
Pensacola is home to only about 1,800 Jewish adults, according to the American Jewish Population Project — a number that has remained constant for a century. Yet locals in this laid-back resort in Florida’s Panhandle, more than 600 miles northwest from the bustling Jewish communities of South Florida, say it is ripe for a Jewish renaissance.
“I’d like to make the case that this is also Florida, even though we’re only 10 miles from Alabama,” said Rabbi Joel Fleekop, 47, spiritual leader of Beth El since 2012. “The cost of living here is very low, we have no traffic or congestion, and there are plenty of good jobs.”
Pensacola also has three synagogues: a Chabad, an Orthodox-style congregation and Beth El, which this month is marking the 150th anniversary of its founding with a weekend of prayers, local art, Israeli music and dancing.
Beth El’s celebration began on Friday with a Shabbat service led jointly by Fleekop and Cantor Richard Cohen, former director of the Hebrew Union College’s School of Sacred Music and a and Pensacola native.
In a sermon, Fleekop told the story of the children’s book “Bone Button Borscht,” in which a wandering man helps the people of an impoverished town to create soup from their own meager ingredients that somehow taste far better together than separately.
“For 150 years, this temple — our temple, Temple Beth El — has thrived because similar to the people making soup in the story, its members have contributed and done what they could to nourish and enhance and better our community,” he said. “Our founding families like the man who set up the pot provided the vision that this little corner of the world could have a thriving Jewish community. Others provided the resources to build the sacred spaces our congregation has called home and to keep on the lights and, this being Florida, the air conditioning also on.”
Summarizing the wide range of contributions that members have made over the decades, Fleekop also noted changes that Temple Beth El experienced over the last 150 years: the number of stars on the American flag grew, the the Israeli flag was created, the amount of Hebrew in the service increased; and congregants are wearing “fewer neckties and fewer fancy hats” but more kippahs and tallits than they once did.
“Inevitably each generation had its own taste and so added their own ingredients, the spiritual equivalent of maybe some okra, or zaatar, or even some sriracha,” he said to laughs. “At 150 years, our congregation is no doubt very different from what was imagined at its inception. … The soup that is our temple has gone from a Bavarian borscht to a Gulf seafood gumbo to a gluten-free, Asian fusion matzoh ball soup. But in many ways, in the most essential ways, we are still the same congregation.”
The following evening, a gala dinner featured dancing and a live band. And on Sunday morning, congregants toured Pensacola’s Jewish cemetery, where the oldest tombstone dates from 1874 and many inscriptions are in Hebrew and German as well as English.
Among those buried in the cemetery is Florida’s first Jewish mayor, Adolph Greenhut, who served from 1913 to 1916 — two decades after his stint as Beth El’s president. Beth El also takes great pride in having been home to the nation’s first de facto female rabbi, Paula Ackerman, in the 1960s.
“There were really very few Jews in South Florida until the 1940s. People can’t believe there was a thriving Jewish community here at the turn of the century,” said Bill Zimmern, 74, a native Pensacolan like his mother and grandmother whose wife, Beverly, was once mayor of suburban Gulf Breeze.
That community was born after the Civil War, when Jews settled in Milton — a northwest Florida lumber hub — bringing their skills from heavily wooded areas of Bavaria and southern Germany. They began relocating to Pensacola in the 1870s as the city developed.
Zimmern added that nearby Naval Air Station Pensacola, home to the Blue Angels, has long welcomed Jews to the area, and that many Jewish men and women in uniform who were once stationed there eventually settled in Pensacola and joined the congregation.
Beth El’s first home was a wooden structure on Chase Street in downtown Pensacola, but it burned down in 1901 and all records of the shul’s first 25 years of existence disappeared in that fire. It was later rebuilt near what is today the on-ramp for Interstate 110, but closed in 1931 when its members inaugurated the current synagogue on nearby Palafox Street, and the previous structure became a roller-skating rink.
Soon after Beth El’s founding, Yiddish-speaking Jews from Eastern Europe — mainly traders and merchants — settled in the area, and they were not especially happy with its Reform services. So in 1899, they parted ways and established B’nai Israel as an Orthodox synagogue.
In 1923, congregants bought a house and converted it into a house of worship; by 1953, they had finally raised enough money to construct the building it currently occupies, according to Yehoshua Mizrachi, B’nai Israel’s rabbi.
At the time, it also chose to affiliate with the Conservative movement, then the largest denomination in the United States. It remained part of the movement until about a decade ago, separating after the Conservative movement opted to ordain gay rabbis and sanction same-sex marriages.
“I am the 19th rabbi to hold this pulpit, and all but three or four of them were Orthodox,” said Mizrachi, 62. Originally from Lakewood, New Jersey, he said B’nai Israel’s membership consists of 60 to 70 families, compared to 185 families at Beth El.
“This congregation is independent, so they dropped their affiliation 10 years ago. When they hired me, I told them not to expect me to do anything to compromise my personal integrity as a Jew,” Mizrachi said.
Even so, the rabbi added, “we are not an Orthodox congregation. We have mixed seating and women are called to the Torah. In all other aspects, this shul operates according to the standards of halacha,” or Jewish law.
Rabbi Mendel Danow runs the Pensacola Chabad Jewish Center along with his Israeli-born wife, Nechama, from a 120-year-old house less than a mile from B’nai Israel. Between 500 and 600 people are on his mailing list, he said.
“A lot of Jews here are unaffiliated. They don’t have that natural connection,” said Danow, 30. The best way of drawing them in is by inviting them to Friday night services and Shabbat dinner; anywhere from 20 to 80 people usually show up, he said. “It’s laid back. Davening [prayer] is shorter, dinner is longer. It’s been a very important part of our community.”
Danow is clear-eyed about the challenges of living an observant Jewish life in Pensacola.
“There’s no kosher restaurant within a 400-mile radius. The closest is in Jacksonville or Atlanta,” he said. “Obviously we’re not the first destination for an Orthodox Jew looking to move to Florida.”
But he’s trying to make things easier. His Chabad recently opened Pensa-Kosher — a mini-market for the handful of locals who strictly observe Jewish dietary laws. He and his wife, who have six children together, run a Hebrew school with close to 20 students, as well as a preschool with 10 children. And they are trying to support the few Jewish students at the nearest university.
“When we moved here, one of the first things we noticed was a lack of Jewish life on campus, so we started a Chabad student club at the University of West Florida,” Danow said.
With Pensacola enjoying a relatively low cost of living and ranking high when it comes to job growth, beach quality and even the density of Waffle House restaurants, the city is growing — and Chabad is bursting out of its current home. Early next year, it will relocate to a larger complex two blocks down the street. Among other things, the new facility will include a synagogue, Hebrew school and Pensacola’s first full-service mikvah.
Danow said any antisemitism in the city is dwarfed by support for Israel and Jews.
“Three years ago, a gang of four teenagers threw a brick through our window, and ‘Heil Hitler’ was spray-painted on the brick,” he recalled. “But after Oct. 7, people began dropping off flowers and giving donations. There was such a sense of sharing in our pain. People would stop me on the street to say, ‘We’re praying for Israel.’”
Mizrachi shared similar experiences. “There’s a church on every street corner. People are very pro-Israel here,” he said. “Strangers stop me in the supermarket and tell me they love Israel. It happens all the time.”
The front lawn of Zimmern’s best friend, Charles Kahn, 74, a retired federal judge, boasts two signs: “Go Gators” — a reference to his alma mater, the University of Florida — and “We Stand With Israel.”
“Right after Oct. 7, I got that sign,” Kahn said while sipping coffee as he sat on his porch overlooking the Gulf of Mexico. “My neighbor on one side is a retired Navy captain. He asked for one also, and my other neighbor on the other side asked for one too — and then the people across the street, then two houses down. We ended up with five of them just on this street.”
Kahn is a past president of Beth El, as is his wife Janet. Their Reform synagogue is by far the largest Jewish house of worship in the city.
“We’re a full-function, mainstream Reform synagogue. We follow Reform rules, and our house of worship is a place where people who disagree on politics can still be friends,” said Fleekop, a Philadelphia native who grew up in Reno, Nevada, and moved to Pensacola 13 years ago. His wife, Andrea, runs the temple’s School for Jewish Living, which has 55 children enrolled.
“We welcome the LGBTQ community. Some gay and lesbian Jews who were rejected elsewhere have found themselves here at Beth El,” he said. “We also have a lot of Jews by choice.”
One of them is Nichole Friedland, 51, a Pensacola-born nurse who was raised Catholic but converted to Judaism 16 years ago — on Easter Sunday no less — under Fleekop’s guidance. She’s now the vice-president of Beth El and treasurer of the Pensacola Jewish Federation.
“Most of our congregants are either interfaith or have converted to Judaism,” said Friedland, who with her husband is raising a blended family of eight kids. “I wanted my children to have a good foundational religion, and Judaism made the most sense to me. It was, and is, the correct choice.”
The federation, based inside Beth El, is entirely volunteer-run and rarely publicizes events or occasions — a sharp contrast to the vibe in the Jewish metropolises of South Florida.
But Mizrachi sees potential for Pensacola in some of the same forces that are luring Jews to Boca and Aventure — including unhappiness among New Yorkers with the city’s new mayor, Zohran Mamdani.
“After Mamdani’s win, a lot of people are thinking of moving to Florida,” Mizrachi said. “But instead of going to Dade or Broward, they should consider Pensacola. There is Jewish life here.”
The post Steeped in history, Pensacola Jews celebrate the 150th anniversary of Florida’s oldest synagogue appeared first on The Forward.
Uncategorized
Michigan Democrats Nominate Lawyer Who Praised Hezbollah for Top University Post
A sign at the University of Michigan, Ann Arbor. Photo: Ken Lund.
The Michigan Democratic Party nominated attorney attorney Amir Makled over incumbent Jewish Regent Jordan Acker on Sunday, drawing fresh scrutiny towards Makled’s defense of international terrorist organizations and anti-Israel posture.
Makled, a Dearborn-based civil rights attorney who has been outspoken in support of divestment from Israel, won the party’s nomination for one of two regent seats up for election this year, defeating Acker, who had become a frequent target of pro-Palestinian activists over his opposition to Boycott, Divestment and Sanctions (BDS) efforts on campus.
The contest has drawn national attention because of the unusually broad authority held by University of Michigan regents, who are elected statewide and oversee the university’s finances, investments, executive leadership and major institutional policy decisions. The eight-member board plays a central role in decisions ranging from presidential oversight to responses to campus protest movements and demands for divestment.
For months, anti-Israel student activists and progressive organizers had pressed for changes to the board, arguing the university should divest from companies tied to Israel amid the war in Gaza. Acker, one of the board’s most vocal opponents of divestment, became a particular focus of that pressure campaign. In December 2024, pro-Hamas activists targeted Acker’s home with violent demonstrations, breaking his windows and spray-painting his car “Divest Free Palestine.” The vandals also spray-painted an inverted red triangle on Acker’s car, a symbol used to indicate support for the Hamas terrorist group.
Makled, who represented a student arrested during the university’s 2024 anti-Israel encampment protests, had argued publicly that the university should reconsider its investment policies regarding Israel. His nomination, however, also drew scrutiny after resurfaced and later-deleted social media posts in which he appeared to praise Hezbollah and shared antisemitic content. The Michigan chapter of the Service Employees International Union reportedly withdrew its endorsement following the controversy.
An investigation by The Detroit News revealed that Makled was found to have deleted social media posts praising leaders of the Hezbollah terrorist organization. One of the posts referred to slain Hezbollah leader Hasan Nasrallah as a “martyr.” He also reposted antisemitic messages from far-right commentator Candace Owens which referred to Israelis as “demons” who “lie, cheat, murder and blackmail.”
Supporters of Acker have argued the outcome reflects a broader deterioration in support for Israel and tolerance of antisemitism within Democratic politics, particularly among younger and more progressive voters. Some also noted that Paul Brown, Acker’s non-Jewish running mate who had similarly opposed divestment efforts, was renominated while Acker was not, making the result especially symbolic for many Jewish Democrats.
The race underscores how university governance battles have become a new front in national political fights over Israel. While university divestment decisions are often constrained by legal and fiduciary obligations, regents can shape investment policy, institutional messaging and the university’s overall posture toward such campaigns.
With eight regents serving staggered terms and only two seats on the ballot this cycle, a single election does not determine the university’s investment policy outright. But activists on both sides increasingly view these races as critical long-term contests over whether public universities will resist or embrace institutional divestment from Israel.
As the general election approaches, the regent race is likely to remain a closely watched test of how far the Democratic Party’s internal debate over Israel is reshaping not only national politics, but the leadership of major American universities. Recent polls indicate that Democratic constituents have rapidly shifted away from supporting Israel
