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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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‘Don’t give up on us now’: Israel peace summit convenes thousands to aim for elusive progress
TEL AVIV, ISRAEL — On Thursday’s bright, sun-drenched morning during a rare pause in the multi-front war Israel has been locked into for nearly three years, in between the protests, funerals and steady drumbeat of violence and trauma, something decidedly more hopeful was taking place.
In one of the city’s largest conference centers, thousands gathered for the third annual People’s Peace Summit under the banner “It must be. It can be. It will be.” The event was organized by the It’s Time coalition, a partnership of more than 80 grassroots peacebuilding and shared society organizations.
Young activists in T-shirts representing their various causes stood alongside older attendees, some in kippot, others in hijabs. Diplomats in business attire moved through the crowd, as did the handful of Israeli politicians still publicly associated with the peace camp – familiar faces in a political landscape where their ranks have thinned considerably. Outside the main arena, Hebrew mingled with Arabic and English as participants strolled through art installations and an organizational fair showcasing the work of It’s Time’s partners.
While previous events took place at the height of war — while hostages remained in captivity and Gaza endured devastating destruction — this year’s summit unfolded during a fragile lull in fighting, the tenuous ceasefires with Hamas, Hezbollah, and the Islamic Revolutionary Guard Corps allowing, however briefly, for conversations to move beyond issues of immediate survival. Speakers tackled settler violence in the West Bank, looming elections, the immense challenge of rebuilding Gaza and the broader question of how to move Israel and Palestine beyond its default state of perpetual conflict. Inside the packed sessions, the tone was equal parts practical, sober and hopeful.
After a quick coffee break, the thousands of participants came together for an evening of stirring speeches and raucous musical performances. When Israeli pop icon Dana International took the stage with a familiar anthem of peace, the crowd rose to its feet, wrapping their arms around one another and belting out the words.
Despite the joyous atmosphere, the event — and the coalition behind it — is not immune from criticism. Some critiques appear to have been internalized: this year’s programming leaned more heavily into policy, strategy and the hard realities of war than previous gatherings. Other issues remain unresolved. Palestinian participation, while present, was still markedly limited, which organizers attribute largely to government-imposed restrictions on movement rather than a lack of interest. Still, the question of whether a civil society movement like this can translate hope and optimism into concrete political change remains to be seen.
That tension between aspiration and reality extends well beyond Israel. In the United States, support for Israel, particularly among younger American Jews, is waning. A 2024 Pew survey found that fewer than half of American Jews under 30 say they feel “very attached” to Israel, while a JFNA poll released in February 2026, found that just 37% of all American Jews identify as Zionists. Both numbers represent a sharp decline from older generations.
For Shira Ben Sasson, Israel director of the New Israel Fund, it is precisely the peace camp which could hold the answer to this growing disillusionment. If the state itself no longer reflects the values that once anchored many American Jews’ connection to Israel, she suggests, perhaps their more natural partner is the small but determined coalition of Israelis working to change it.
“I appreciate how difficult it is to be a Jew who cares about Israel right now,” she told the Forward as the conference, which New Israel Fund helped support and coordinate, got underway. “People are struggling with what they are seeing — the way Israel is conducting itself. Its policies. They are watching the value set that once connected them so strongly to the Jewish state disappear.”
Her response is one of both reassurance and redirection.
“Thank you for continuing to care,” she said. “But remember — the Israeli government is not your partner. We are. Pro-democracy civil society is your partner. Those of us who are fighting for equality here, for the rights of non-Israeli Jews and the rights of non-Jewish Israelis are your partners. This is where those shared values still live.”
If that message feels unfamiliar to those in the diaspora, Ben Sasson suggests the reason ultimately comes down to lack of exposure.
“We, the Israeli peace camp, need to be in many more places than we are right now,” she said. “We must get the word out that while we might not be the majority here, we are not only growing in number, we are expanding our diversity as well.”
She pointed to the rising number of Orthodox Jews, like herself, who have joined the movement as one example.
Ben Sasson also emphasized that, as with any strong partnership, the relationship must move in both directions. Israeli peace activists, she said, must make themselves more visible to American Jews. But American Jews also need to be willing to open their eyes.
“The mainstream Jewish community has to challenge itself,” she said. “They have to be able to voice their concern for Israeli democracy, for the violence in the occupied territories. And they have to be willing to engage in an honest discussion about peace.”
She is less worried about reaching individuals whose support for Israel may be wavering — many of whom, she believes, will connect with the movement’s vision — than she is about the institutions that have long shaped American Jewish engagement with Israel. Those institutions, she said, have been slow to open themselves to this kind of messaging.
“I think there’s fear,” Ben Sasson explained. “The word ‘peace’ has come to sound political. And once something is labeled political, these legacy institutions don’t want to touch it.”
But that avoidance, she warned, comes at a cost.
“They cannot afford to just stick with the same old stale perception of Israel,” she argued. “If you aren’t willing to talk about the real-life issues that Israelis are facing, you simply won’t be relevant anymore — particularly for the young people in your community.”
“Do not be afraid of controversy,” she added. “Do not be afraid to invite an Arab and a Jew to your event, where there may be disagreement. That’s okay. Struggling and wrestling is a core part of our identity.”
While Ben Sasson contends there is a critical mass of people who are hungry for an alternative way to relate to Israel, the question of feasibility remains; the same question that follows the peace movement inside Israel: Does its growing visibility reflect real political momentum, or is it simply too late to reverse course?
To those who are ready to walk away altogether, Ben Sasson points out that Israel stands to lose not only their support, but also the values and organizing traditions American Jews have long brought to the relationship.
“You’ve helped us achieve so many things in Israel for decades,” she said. “You helped us get a state. And now we need a different kind of support. The Jewish values that you offer — the concept of tikkun olam, which is not at the heart of Israeli Judaism but is at the heart of American Judaism — this is the support you can offer us right now.”
Her final plea was simple.
“Do not give up on Israel,” Ben Sasson said. “There have been so many times when things felt insurmountable and you did not give up on us. Don’t give up on us now.”
The post ‘Don’t give up on us now’: Israel peace summit convenes thousands to aim for elusive progress appeared first on The Forward.
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A GOP lawmaker tried to put a Holocaust denier on New Hampshire’s Holocaust education board
(JTA) — A Republican state lawmaker in New Hampshire partnered with a notorious German Holocaust denier in an effort to insert Holocaust denial into the state’s public education guidelines.
Rep. Matt Sabourin dit Choinière successfully pushed the New Hampshire Commission on Holocaust and Genocide Education to hear testimony from Germar Rudolf, a German chemist who has previously been deported from the United States and served prison time in his home country for propagating Holocaust denial.
Two other Holocaust deniers also testified before the state House as a result of Sabourin dit Choinière’s efforts, including a man who grew up Jewish who has led protests outside a Michigan synagogue weekly for more than two decades.
Sabourin dit Choinière’s antics were first reported Wednesday by NPR. But the push actually took place in public view, during a livestreamed meeting of the state House’s Executive Departments and Administration Committee in January.
During the meeting, Sabourin dit Choinière testified that he had visited Dachau and seen a gas chamber, then learned that no one was ever gassed at Dachau. (The Dachau historic site says the chamber’s lack of use “remains unexplained.” More than 40,000 people died at Dachau.)
“This was the first doubt in my mind that over time led towards a revisionist thinking about the Holocaust,” Sabourin dit Choinière said before explaining that he was relieved to have discovered the “Committee for Open Debate on the Holocaust,” a group that produced a 54-volume set of books that he offered to the committee.
“Holocaust historical revision revisionism as a science does not deny that Jews were persecuted or deprived of their civil rights or deported or herded into ghettos. It does not deny that many were killed, but it does seek to learn why, how and when they died. And it seeks to separate the truth from the fiction,” he said.
“This is vitally important knowledge for the Holocaust and Genocide Education Commission’s curriculum development,” he continued. “If we are going to have Holocaust and Genocide Education taught in New Hampshire public schools, which I think it should be, it needs to be accurate and reliable.”
The Committee for Open Debate on the Holocaust is run by Rudolf, whose publications have claimed that Zyklon B was never used in the Auschwitz gas chambers, defended notorious Holocaust denier David Irving and cast doubt on photographic evidence of concentration camps.
Few people attended the public meeting, which mostly focused on the state retirement system. Among those in attendance were three men who testified: Rudolf and two members of his group.
“I have under my belt 35 years of research, organizing research, conducting and publishing research, of forensic and archival nature on the Holocaust question,” Rudolf said during his testimony.
The other two men both came in from Michigan: Henry Herskovitz, an Ann Arbor man who for decades has led weekly protests outside a synagogue’s Shabbat services that have incorporated Holocaust denial; and David Skrbina, a former professor at the University of Michigan-Dearborn who has published numerous Holocaust-denial books under a pseudonym.
“As a historical event of great importance, we must examine all sides of this topic with an open mind,” Skrbina told the committee. “Exaggerations, lies, gross errors, and physical impossibilities must be identified and rooted out if we are to learn from this event and to do justice to its many victims.”
During the meeting, the testimony elicited little pushback. One state lawmaker indicated sympathy to the Holocaust deniers’ testimony.
“I’ve been there. I’ve seen all of that. I’ve felt it when I walked around. And I think it’s a travesty that we’re trying to hide the truth about what’s happened in the past, and I want to thank you all for bringing this to the committee today, and I think all students everywhere should know what happened,” GOP state Rep. Susan DeRoy told the panel following Rudolf and Herskovitz’s testimony. “So my question would be, why do they want to cover this up?” (The chair shot down the line of questioning, saying, “It’s not an appropriate question.” DeRoy did not immediately reply to a request for comment.)
Sabourin dit Choinière also introduced an amendment that would have added a member of Rudolf’s extremist group to the commission, which oversees Holocaust education that is required in New Hampshire schools and is preparing to update curriculum materials.
The amendment failed. But the fact that it was made and entertained at all was deeply concerning to New Hampshire state representative Loren Selig, a Jewish Democrat and Holocaust commission member.
“Shocked would be an understatement,” Selig told NPR about the moment her colleague introduced it. “I could barely speak.”
Another member of the commission, Rabbi Jon Spira-Savett, told JTA that the incident was “horrifying.”
“Any time anything like this gets a public airing, that’s not good,” Spira-Savett, who leads Temple Beth Abraham in Nashua, said of the legislator’s flirtation with Holocaust denial. “The idea that somehow Holocaust education ought to include hearing the perspective of deniers — we are so, so far beyond that, and it’s terrifying we might actually have to make the case for that here in our state or anywhere.”
The commission was formed with a 2020 state law to set guidelines for the state on teaching the Holocaust, and includes lawmakers from both parties. Sabourin dit Choinière does not serve on it. Though commissioners are dedicated to the task, Spira-Savett said, “it isn’t a state where there’s a tremendous amount of resources to enforce the teaching.”
Unrelated to his Holocaust denial, Rudolf also has a criminal record, having been convicted in Pennsylvania, where he lives, of indecent exposure after being arrested for public nudity at a playground.
Sabourin dit Choinière’s antics come as the Republican Party grapples with internal tensions over antisemitism, as party leaders have grown divided by figures such as Tucker Carlson, Candace Owens and Nick Fuentes who have minimized the Holocaust or amplified deniers. Texas Sen. Ted Cruz lamented the rise of antisemitism in the party to the Republican Jewish Coalition conference earlier this year, while Vice President JD Vance has said he does not want to draw lines that would exclude such voices from the party.
A Republican candidate for state office rejected Sabourin dit Choinière’s endorsement of him following NPR’s reporting. The conservative group Americans For Prosperity, which has endorsed Sabourin dit Choinière in the past, condemned antisemitism in a statement to NPR.
Prior to NPR’s report, Sabourin dit Choinière’s Holocaust commission moves attracted little public attention. A New Hampshire progressive group in January called on House Speaker Sherman Packard to strip Sabourin dit Choinière of his committee assignments, which according to the House website he has retained.
“Promoting Holocaust denial and antisemitic conspiracy theories is incompatible with public service,” a co-founder of the Kent Street Coalition wrote in an open letter published in a nonprofit news site. “Rep. Sabourin dit Choinière should be removed from his committee assignments as a matter of principle and accountability.”
Holocaust education commissions have been the sites of controversy in other states. The South Carolina equivalent last year faced internal division over its chair’s decision to muzzle a local rabbi’s speech tying the Holocaust to modern U.S. policies. Texas’s own commission recently advised on a controversial proposed statewide required reading list, and Texas’s governor also recently appointed a Christian pro-Israel activist to the commission.
Sabourin dit Choinière isn’t the only member of New Hampshire’s state house to have made antisemitic comments related to the Holocaust this year. Another Republican, state Rep. Travis Corcoran, faced disciplinary hearings this week after tweeting a “final solution” joke aimed at a Jewish Democratic colleague.
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NH lawmaker reprimanded for ‘final solution’ joke aimed at Jewish colleague
(JTA) — A Republican state legislator in New Hampshire faced a disciplinary hearing this week for having tweeted a “final solution” reference at a Jewish Democratic colleague.
Last month, GOP state Rep. Travis Corcoran wrote on social media, “We need a final solution for theater kids in politics,” in response to state Rep. Jessica Grill’s bid to form a bipartisan “karaoke caucus.”
Corcoran is now facing a possible sanction or expulsion for his comment, which invoked the Nazi “final solution” to murder all Jews. His comments came as the Republican Party has faced internal divisions over the rise of antisemitism within its ranks, with white-nationalist figures and conspiracy theorists including Nick Fuentes and Candace Owens gaining a toehold in some corners of the party.
This week Corcoran defended his comments to the legislature, saying he was joking and did not know his colleague was Jewish. He called disciplinary procedures against him a “kangaroo court.”
“A joke is now being treated as though it were an act of malice, and sarcasm is being recast as hate speech. This is absurd,” Corcoran told colleagues during his testimony. On social media, he later wrote, “Apologies are a humiliation ritual that the left forces on people to demonstrate their power over you. Say whatever you want about me, but I’m never going to cower so that cucks will like me.” He used a common slang term for “cuckold,” a husband who has been cheated on.
A self-described libertarian, prolific social media user and self-published science-fiction author, Corcoran has developed a reputation in his state for coarse, frequently offensive commentary. He has urged his followers to “all say or type” the N-word “in a public place,” has said “crime is predominantly caused by African Americans” and, prior to his 2022 election, reportedly defended the 2011 attempted assassination of then-U.S. Rep. Gabby Giffords as “morally legitimate” on his blog.
Grill, the Jewish state lawmaker to whom Corcoran had directed his comment, called for Corcoran to be expelled from the state House, saying he had rejected requests to mediate the matter privately. Corcoran left the hearing before Grill spoke.
“As a Jewish lawmaker, the use of this phrase ‘final solution’ is especially disturbing,” she said during the hearing. “It’s not a poorly worded joke; it is targeted language with a specific historical meaning. And more importantly, it was delivered at a time when both antisemitism and political violence are, unfortunately, on the rise on all sides of the ideological spectrum.”
Grill continued, “An antisemitic threat does not serve the public interest or advance free speech and debate.”
Among the other voices calling for disciplinary action against Corcoran were current and former Jewish state lawmakers in New Hampshire, including Jeffrey Salloway, a former Democratic lawmaker in the state house and longtime lay leader in the Conservative movement of Judaism. Many non-Jewish commenters also gave testimony supporting Grill.
One Republican, state Rep. Matt Drew, defended Corcoran on free-speech grounds but did not say whether he believed the comment was antisemitic.
Corcoran was not the only New Hampshire Republican state lawmaker to face controversy this year over Holocaust-related comments. A colleague, state Rep. Matt Sabourin dit Choinière, invited Holocaust deniers to testify to the state’s Holocaust education committee in January while attempting to push an amendment to incorporate Holocaust denial into the state’s public education guidelines.
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