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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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U.S. ambassador calls settlers who sieged Palestinian homes in Qusra ‘terrorists’
(JTA) — TEL AVIV – The West Bank settlement movement’s leadership joined with one of its most prominent defenders, U.S. Ambassador Mike Huckabee, in condemning an Israeli settler outpost set up in a Palestinian family’s yard.
Huckabee’s remarks are a signal of the degree to which a group of radicals is rattling Israeli politics and the U.S.-Israel relationship.
Israelis affiliated with the West Bank’s Tel Talpiot outpost, which is illegal under Israeli law, set up temporary structures at the entrances to Palestinian homes on the outskirts of the village of Qusra on Sunday.
Earlier this week, cables connecting the homes to the electricity grid and to solar panels were cut, and water pipes were damaged, leaving the Palestinian families unable to leave or bring in food. Israeli activists in the area who monitor settler attacks on Palestinians confirmed the account to the Jewish Telegraphic Agency.
Huckabee wrote on X on Thursday that Israeli forces had gone to Qusra at the U.S. Embassy’s request and described the people who set up the outpost as “Israeli terrorists.” He posted that “the IDF & Israel Police have gone at our request to remove the Israeli terrorists doing this.”
The language was a departure for the ambassador, who told Israel’s Channel 14 last September that the United States “respects Israel as a sovereign state and will not tell Israel what to do” regarding sovereignty in the West Bank. Huckabee has also consistently described the territory by its biblical names Judea and Samaria. He routinely takes to social media to dismantle what he says are lies depicting Israelis as unfairly treating Palestinians.
He has condemned settler violence before, but has rarely done so in language as blunt as what he used on Thursday. In July 2025, he visited the Christian village of Taybeh in the West Bank after an arson attack at its fifth-century church and called it an “act of terror and crime.”
The actions of Israeli settler extremists have been a major concern to Democrats in the U.S. Congress in recent months, adding fodder to their calls to condition aid to Israel on its behavior. Israeli Prime Minister Benjamin Netanyahu insists the reports are overblown, and that Palestinian violence is much more serious. President Donald Trump, who has often supported Netanyahu, has called on the prime minister to crack down on the violence, seeing it as an impediment to his hopes for a broader Middle East peace. Huckabee’s intervention suggests that the Trump administration is increasingly concerned about ending the violence.
Yisrael Ganz, who chairs the Yesha Council and governs the Binyamin Regional Council, condemned the outpost.
“The events in Qusra are serious and do not reflect our values or our way of conducting ourselves,” Ganz said. “There is no place for individuals to take matters into their own hands and establish an outpost in someone’s backyard, even when dealing with an illegal home or an attempt to seize control of the land. There is no justification whatsoever for violence against uninvolved civilians or security forces.”
He added that some were “exploiting these events as part of a campaign against the Jewish communities,” but that this “must not obscure the simple truth: What happened in Qusra was wrong and is unacceptable to us.”
Huckabee amplified Ganz’s statement later on Thursday, writing on X, “’Settlers’ are not the problem in Judea/Samaria. ‘Unsettlers’ are,” he wrote, describing them as “very small minority who do great damage to Palestinian families & to Israel.”
The village is located in Area B, territory that is under the civil jurisdiction of the Palestinian Authority and security control of the Israeli military and where Israeli settlement is not permitted. The Israel Defense Forces called such takeovers illegal and reprehensible on Tuesday. Overnight Wednesday, Israeli security forces said they demolished the structures at Qusra and detained one Israeli.
Marmar Odeh, a village representative, told JTA that the Israeli military remained inside Qusra, and footage circulating on social media showed Israeli soldiers stationed inside the homes of evacuated residents.
“I won’t be going anywhere. I am staying in my house and on my land,” Odeh said. “I may not be scared, but the children are all the time.”
In a voice memo recorded on August 12 and obtained by JTA, Aisha Abu Rida, a Qusra resident, spoke from inside one of the besieged homes.
“We are surrounded by settlers, but we are steadfast,” she said. “Despite the water and electricity being cut off, we will remain steadfast … and stay in our homes.”
By Thursday, the structures were gone, but settlers remained on the hillsides above the homes, Odeh said, an account supported by footage he provided to JTA. Soldiers had left most of the homes they had entered, residents said Friday, but were informed the military operation could last until Sunday.
One of the affected homes belongs to Loui Ridi, a Toledo, Ohio, business owner who was born in Qusra and has followed the standoff through security cameras installed at the property. JTA attempted to reach Ridi through several channels and was unsuccessful.
Asked whether the State Department shared Huckabee’s characterization and whether the Embassy had requested the Israeli operation, a State Department spokesperson did not directly reply. “We are in regular dialogue with partners about improving stability and security in the West Bank,” the spokesperson said. “We condemn criminal violence by any party in the West Bank. A stable West Bank keeps Israel secure and is in line with this administration’s goal to achieve peace in the region.”
In a statement to JTA, the Israeli military said soldiers had been deployed in Qusra since Thursday morning “to protect the residents and maintain security in the area” and that they had been instructed that “the Qusra residents will remain in their homes.”
It added that troops would not operate inside the Palestinian family’s home near the site “where the tent that was evacuated and dismantled had been erected” and said Civil Administration liaison officers were in contact with Qusra’s local leadership and “working to avoid disruption to the daily lives of the residents in the area.”
Footage circulating earlier in the week appeared to show Israeli soldiers praying alongside the settlers at the outpost. The military said that the incident is under review and that soldiers found to have taken part in illegal activity would be disciplined.
The designation of Area B is the source of the ambiguity, according to Hanan Greenwood, head of the spokesperson and public diplomacy unit at the Binyamin Regional Council.
The council’s jurisdiction covers the settlements themselves, Greenwood said, not Area B land, meaning Qusra sits inside the council’s footprint but outside its authority. Its residents fall under Palestinian Authority civil jurisdiction and pay the council no arnona, the Israeli municipal tax.
“Geographically, Qusra is very much in our area,” Greenwood said. “But in real life, it’s not that we could go there, and it’s not that the residents of Qusra pay us.”
He described the result as a governance vacuum. “It’s ours, it isn’t ours,” he said. “It’s a whole mess, and the reason is that there’s no sovereignty.”
Israeli rights groups reject that framing, arguing that the military has the authority to remove outposts and does not use it.
The Israeli rights group B’Tselem said the events reflect a broader pattern.
“What is happening in Qusra is not an isolated incident,” said Yuli Novak, the organization’s executive director. “Settler militias, backed by the Israeli military, are expanding their attacks into Palestinian villages and towns, seizing land, attacking homes and forcing families out. Israel’s ethnic cleansing of the West Bank is accelerating and expanding in plain sight.”
This article originally appeared on JTA.org.
The post U.S. ambassador calls settlers who sieged Palestinian homes in Qusra ‘terrorists’ appeared first on The Forward.
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Some young Jews are pulling back from Jewish life over Israel discourse, study finds
(JTA) — Nearly four in 10 Jewish young adults say events affecting Jews in recent years have led them to pull back from Jewish spaces or become more selective about where they participate, with disagreements over how Israel and the Palestinians are discussed as a leading reason, according to a new survey.
The survey, which was conducted by Sense Worldwide and commissioned by the Jim Joseph Foundation, found that 39% of respondents have engaged less, engaged more selectively or disengaged entirely from Jewish spaces due to “events affecting Jewish people in the last few years.”
Among those nearly 40% of respondents, 42% of them said that it was because their “views don’t align with how Israel/Palestine is discussed, and I don’t feel there’s room for nuance,” and 40% said they engaged less because they did not want to “experience biased, one-sided messaging.” Forty-eight percent said it was because “conversations often feel hostile, toxic, or unproductive.”
And among all respondents, when asked what would make Jewish experiences more appealing to them, 30% said that they would be attracted to experiences that were more cultural and less religious, and 26% said “spaces where non-Zionist and anti-Zionist views can be expressed without being labelled antisemitic.”
At the same time, the study found that young Jews have hardly abandoned Jewish life. Three-quarters of Jewish young adults in the United States say they regularly do something Jewish, though most are finding their connections outside of synagogues and traditional Jewish institutions, according to the study.
A small group of participants, 4%, also offered an explanation of the lasting impact that Jewish experiences had had on them. The study found that the clearest negative theme among those respondents was disillusionment around Israel and Zionism and the way it was presented in Jewish education or community spaces.
“A negative legacy I have been reflecting on is what I now understand to be a biased education/perspective on Israel,” one respondent wrote.
The study surveyed 2,071 Jewish adults aged 22 to 40 from December 2025 through April 2026. Respondents were sampled from panels created by NORC and GenLabs, and the margin of error was +/- 3.4%.
The survey found that 75% of Jewish young adults say they regularly do something Jewish in their lives, with 45% saying their only form of participation was informally, often at home with family or friends.
Just 30% said they regularly participate formally in Jewish life, including through institutions or organizations.
That divide was also reflected in where respondents said they most often feel a sense of Jewish connection. Fifty-five percent cited family and 44% cited Jewish friends, compared with 19% who cited Jewish community organizations or groups.
Sixteen percent said they found connection through social or political causes connected to Jewish identity, and 13% said they felt most connected through experiences related to Israel.
“The research gives us a much fuller and accurate understanding of where, how, and why Jewish young adults seek out and experience Jewish life,” said Stacie Cherner, the director of research and learning at the Jim Joseph Foundation, in a statement. “Now, importantly, we can begin to translate these insights to action.”
Another study of Jewish engagement across generations by the Jewish Federations of North America in March found that 40% of Jewish American adults describe themselves as engaged with their local Jewish community, while 60% were unengaged.
When asked how often they take part in “anything that feels Jewish,” 20% of respondents said very often or often, while 24% said sometimes, 33% said rarely and 22% said never, the new survey found. Those without earlier Jewish experiences were much less likely to participate at all.
Among those who rarely or never participate in Jewish life, 52% said it was because they “don’t feel a strong connection to Jewish life,” while 38% said it “feels too religious” and 36% said it “doesn’t feel relevant to my life right now,” the survey found.
Among the 11% who have engaged more with Jewish spaces in recent years, the most common reason was wanting to feel a stronger sense of solidarity with the Jewish community, cited by 71%.
And of that 11%, 61% said they wanted to “be around people who understand what I’m feeling,” and 54% said Jewish spaces felt safer or more supportive than other spaces. Eight percent said they sought spaces where non-Zionist and anti-Zionist views can be expressed without being labelled antisemitic.
This article originally appeared on JTA.org.
The post Some young Jews are pulling back from Jewish life over Israel discourse, study finds appeared first on The Forward.
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There’s a new Judaism in town — or maybe it’s very, very old
In a townhouse in Greenpoint, Brooklyn, a gathering for Tu B’Av was underway. There was chanting and breathwork, singing and ceremony. Several Brooklyn-based Jewish communities, including Temple of the Stranger and Lab/Shul, had come together for the experience.
These vibes are usually associated with Eastern traditions, paganism or indigenous American practices; most Westerners who want that form of spirituality go looking for it at Buddhist meditation centers or ayahuasca retreats, forms of engagement more often associated with the 1960s or ’70s counterculture movement than with a synagogue.
But a group of rabbis, leaders and spiritual seekers believe drum circles, chanting, meditation and mysticism are, in fact, just as core to Judaism as any rabbinic text — a sort of lost magic that has impeded vibrant, direct spiritual experience.
“I get this sense that my family believed God is dead, God died 2000 years ago when the Temple burned. Everything could only be archaeology,” said Rav Jericho Vincent, who grew up Haredi and now leads Temple of the Stranger, a Brooklyn based Ivri community. “I don’t accept God’s death.”
Instead, Vincent wants to teach a Judaism that is more alive, and more connected to the divine — one that can offer wisdom to Jews and non-Jews alike. To that end, at the Tu B’Av event, Becca Goldstein, a 34-year-old cultural entrepreneur and spiritual practitioner who is helping to build the new movement, announced a new name for what they were doing to those gathered for the ceremony: Ivri.
For some of the attendees, this was a word they’d already been using to describe their spiritual identity, and the announcement was met with celebrations. For others, it was confusing. Ivri is one the oldest words in the Torah for the ancestors of the Jewish people; it’s the Hebrew word for Hebrew. Weren’t they already Ivri?
Defining the term is complicated, not least because the burgeoning movement is more of a loose web of teachers and spiritual seekers than a clearly defined organization with official values or tenets; every single person I spoke to for this story used the word “mycelial” to describe it. (A mycelium is the underground network of thread-like connections between mushrooms.)
“There’s been something happening, certainly in American Judaism for a while now,” said Vincent, who has a book on Ivri Judaism coming out next year. “This mycelial network of a different way of doing and being Jewish that’s embodied and mystical.”
Because of this diffuse nature, it can be hard to pinpoint exactly what Ivri is; there are commonalities — a desire to cultivate a more spiritual and mystical Judaism, an emphasis on the feminine aspect of the divine, a tendency toward participatory rituals, and a strong sense that they are reaching back to ancient or lost Jewish practices. But there’s no central structure meting out decisions or defined set of tenets, and each group operates independently.
There is Vincent, and their Brooklyn-based community, Temple of the Stranger, and Amichai Lau-Lavie and Shira Kline of fellow Brooklyn-based Lab/Shul; their organizations lean into queerness and often incorporate theater into their services. There is Rabbi Zvika Klein in Berkeley, the spiritual leader of the congregation Chochmat HaLev in Berkeley, and Adena Phillips, founder of a group called Kimu that serves “Jewish spiritual seekers” — both also lead Shabbat at the Burning Man festival as part of a camp called “Milk and Honey.” There is Rabbi Jill Hammer, who co-founded the Kohenet Institute, which ordained Jewish priestesses from 2005 until it closed in 2024 due to leadership changes and the pandemic; she now leads Beit Kohenet, an organization offering classes and retreats on Jewish witchcraft and the divine feminine. There is Shefa, an organization that cultivates psychedelic use and exploration for Jews.
But whatever the throughline is, it’s magnetic, powerful and popular.
Chochmat HaLev’s membership has tripled in the past three years, regularly maxing out their sanctuary’s 300 person capacity on Friday nights. Their yearlong intensive Jewish learning course, “Go Deeper,” planned for 30 participants, had to cap its first cohort at 90.
The Big Jewish Gathering, a sort of coming-out event for the Ivri movement in Brooklyn, organized by Goldstein, sold out with a waiting list of well over 100 people. The Burning Man Shabbat draws at least a thousand festivalgoers each year to pray in the dust. Vincent has nearly 20,000 followers on Instagram.
Yet Ivri offerings are also controversial. The rituals are so unrecognizable to what people expect Judaism to be that several people I spoke to wondered whether the Ivri movement was really Jewish at all — or whether they wanted to be.
“It’s a totally post-halachic model,” said Shaul Magid, professor of modern Jewish studies at the Harvard Divinity School. (He attended, spoke at and wrote about the Big Jewish Gathering.) “If you write something about this, people will be scratching their heads like, ‘This is crazy.’”
Roots and branches
At the Big Jewish Gathering in January, dozens of Jewish thought leaders and groups came together for a weekend event in Brooklyn. Though the event didn’t advertise the term Ivri, in practice, it was a kind of coming out party for the movement.
The event had some more familiar forms of engagement, such as panel discussions. But there was also drumming and breathwork. Hammer led “Heelooleem,” a vineyard ritual based on biblical descriptions of ancient Jewish celebrations; participants sang and danced as they stomped grapes in a wooden basin.
These rituals may sound New Age-y, but Ivri practitioners argue they are in fact callbacks to Jewish practice that was lost.
“We can read about the libations in the temple. They’re like, ‘OK, why don’t we just do them — if they’re so powerful and so important, then why don’t we just do them?’” said Magid by way of example.
It’s clear that Jewish practice has changed over time. Women’s rituals and folk rituals were rarely recorded, meaning they were lost over the years. Centuries of persecution forced Jews to gather more quietly. And, after the Temple’s destruction, rabbis had to form a new tradition that could survive without being anchored to a particular land; in creating a new, portable religion, they shaped Jews into the people of the book.
Those in the Ivri movement feel that something important was lost in that process, including the wisdom of women, an ecstatic joy in prayer and Judaism’s connection to the earth. And, to critics who believe they are departing too far from tradition, they say that Judaism has always changed; they’re simply participating in that custom.
“When I hear those kinds of questions, I imagine them being asked of the rabbis who were forming what became rabbinic Judaism. How can you not have animal slaughter? How can you not have priests?” said Vincent. “I imagine the rabbis must have gotten that pushback, because they remade Judaism more than anything.”
The Ivri movement doesn’t want to get rid of existing wisdom — “I’m always trying to balance like, give me that quote from Rabbi Akiva, and also give me the wisdom of the mothers and aunties,” said Vincent. But they do want to add to it.
That said, many of the teachers I spoke to voiced a deep suspicion of preserving what was done purely for the sake of preservation, a tendency toward nostalgia-driven practice that they believe has reified.
“Too many people say, ‘I come to prayer services not because the prayer services are meaningful in any way but because it reminds me of the prayer services of my youth — even though I was bored out of my mind as a kid, and remain bored out of my mind,’” Krieger said. “I’m saying no, spiritual practice should be meaningful! It’s not just preserving tradition for the sake of preserving tradition.”
Hammer voiced a similar stance. “Ultimately rituals survived to support people. They exist to help people live in meaningful ways. And what can happen if you hold the rituals too tightly is that they become a kind of museum, like we’re going to do this thing to remember what our ancestors did,” she said. “And we forget what that was meant to do. We forget that the ritual was meant to transform.”
Making the old new again
Some of the boldness these leaders feel in designing rituals that are so different from what most Jews might expect may spring from the fact that many of them grew up more religious than the average American Jew. Krieger grew up Orthodox, as did Adena Phillips, who leads the Burning Man Shabbat with him. Goldstein went to a Conservative day school and an Orthodox synagogue. Vincent grew up Haredi.
Each felt unsatisfied with the Judaism they were raised with — restrictions around gender norms and limitations, a culture of social conservatism. And they felt the Judaism they were given was too cerebral, focused on studying texts instead of practicing them.
As Goldstein put it, “My experience is that it’s very hard to have a direct experience of the divine from your mind.”
Yet they also didn’t feel as though established progressive movements, like Reform Judaism, had the depth they were seeking.
“Their way of being progressive is watering down Judaism and making it as thin and vanilla as possible,” said Krieger. “There’s this myth that if you want to make Judaism accessible to people, lower the bar of what you’re asking of them.”
But, he pointed out, plenty of Jews and non-Jews alike are seeking a demanding spiritual practice, turning to rigorous practices like meditation or yoga that require specific diets and strict observance but also offer a deep experience of the divine. The issue isn’t that kashrut or Shabbat are too difficult; the issue, Krieger said, is that these people aren’t finding the transcendent experiences they crave in Judaism. But they want to.
“The folks I think of as being involved in this movement are folks who really don’t want the weak tea Judaism, the bagels and lox Judaism, or summoning in Native American teachers because we don’t have our own wisdom,” said Vincent. Instead, those drawn to the Ivri movement want to find that kind of spirituality within Judaism, without having to be an outsider appropriating or visiting another practice.
This has emboldened Ivri thinkers to look to the past, mining from folk tales, Kabbalah and biblical descriptions of celebrations to find what they seek within Judaism. On Shavuot, Krieger led a grief ritual based on the Shalosh Regalim, part of ancient Temple pilgrimage rituals in which pilgrims circled those grieving and ostracized. It was deeply based on real practices, but innovated to fit the modern moment; participants chanted the words to an ancient mourning song, stopping to share their stories and embrace. For Rosh Hashanah last year, Vincent designed a ceremony around the story of the binding of Isaac in which participants put Abraham on trial to interface with the tale’s traumatic themes.
And Magid pointed out that however woo-woo these rituals — often full of theater, witchiness and connection to the spirit world — might seem, they could arguably be seen as part of a Hasidic ultra-Orthodox tradition. To most people, an image of the black-hatted Orthodox Jew symbolizes the most Jewish kind of Jew, the most religious form of practice. But, the professor pointed out, the Judaism practiced in Hasidic sects is full of spirits and magic.
“If you grow up in a modern Orthodox world or a Conservative world, it’s very different. It doesn’t have that very aesthetic, mythical flavor to it,” he said. “The ultra-Orthodox world is a very magical world — all of these mythic stories about demons floating around.”
But Vincent, for their part, rejects a framework of comparison; they don’t want to cede an automatic legitimacy to the Judaism of the Haredi world.
“There is this pandemic of a spiritual inferiority complex. Even rabbis will tell me: ‘I don’t know enough, I’m not a good Jew,’” said Vincent. “We’re letting it be defined by ultra-Orthodoxy. Those of us who have seen the wizard behind the curtain understand that actually ultra-Orthodoxy is a post-Holocaust version of Judaism. We understand the ways in which it is different than the Judaism of a hundred years ago.”
The birth of a name
The Ivri movement is far from the first to try to build a new, more spiritual, more embodied, more radically open practice of Judaism. Many of the hallmarks of what the Ivri teachers point to in their spiritual practice might be familiar from both the Renewal movement, the Kohenet movement and even the neo-Hasidut of Martin Buber or Abraham Joshua Heschel.
Indeed, many of the Jewish communities and teachers in the greater Ivri movement identify, or previously identified at least loosely, with Renewal Judaism; Krieger and Vincent were both ordained through ALEPH and Vincent has studied with Hammer, of Beit Kohenet. So why the need for a new name?
To Hammer, the difference between Ivri and what came before is a cultural one. Zalman Schachter-Shalomi, the founder of the Renewal movement, died over a decade ago and his work grew out of 1960s counterculture. The Kohenet movement, too, was born decades ago now. Ivri feels like the product of a new generation.
“I also identify as a Kohenet, and I also identify as part of the Jewish Renewal movement. It’s not that Ivri would define me as a person or practitioner, but I’m finding it helpful,” she said. “Maybe if you think of a movement more as pieces of music that go together, but one comes after the other.”
Goldstein, who organized the Big Jewish Gathering, said meeting the cultural moment is a big focus of the movement — and one that draws funders.
“My bubbie’s voice comes to mind, she always says: ‘Why does your generation think so much and ask so many questions? Why can’t you just be and live and let live?’” she said. “We’re forced to right now because of identity. The Jewish identity signifiers that held up in our parents generation and grandparents generation aren’t working right now.”
Hammer echoed the sentiment, saying that many American Jews are too focused on “replicating the spiritual practice exactly,” becoming so rigid about both identity and prayer that they have forgotten that religion is supposed to be a living vehicle to create meaning and transformation.
Goldstein wants to find a Judaism that can speak not only to Jews, but show the rest of the world that Judaism has more to offer than the highly politicized identity that dominates today, an identity which is breaking down as Jews debate what their relationship to Israel, to the Holocaust and to persecution really should be. She believes the growing Ivri movement — which she is working to find funding and create new events and avenues to develop — can offer Jews a new way to relate to their Judaism that they feel joyous and proud to participate in.
Showcasing Jewish practices that have a spiritual appeal, and speak to today’s concerns — like climate change, a non-dual understanding of gender and a need for meaning — could make Judaism more accessible and appealing to Jews and non-Jews alike. (Most Ivri spaces welcome non-Jews to participate.) And it could give Jews a new way to relate to their Jewish identity, one that isn’t rooted in a Judaism these teachers see as rooted in a closely-held trauma that is doing damage.
Of course, the emerging school of Ivri Judaism won’t speak to everyone; however well-grounded in ancient traditions and practices it may be to stomp on grapes or chant in a circle, it just feels too woo-woo for some.
“Ideally we want people to follow a practice because it is transformative, and we can only find out what’s transformative if we experiment,” Hammer said. Even the changes that don’t end up sticking or stay on the fringes, she believes, get shape Judaism over time.
Of course, every Ivri leader acknowledged, not everyone wants to experiment. But that’s fine — there are already plenty of people who do. Their biggest problem is finding a space to fit them all in one room.
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