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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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Trump may be making a classic error in seeking peace with Iran
An assumption has shaped Western thinking about Iran for decades: that the Islamic Republic has similar goals to those of the West, and can therefore be incentivized to integrate into a more stable regional order.
Vice President JD Vance gave that assumption its latest expression when he said a potential new peace agreement between Iran and the United States could “fundamentally transform the Middle East for the next 50 years” — if Iran complies with the deal.
Perhaps he’s right, and Iran is in fact committed, this time, to never again pursuing the creation of nuclear weapons. But the Islamic Republic’s own rhetoric provides serious reasons for skepticism on that front.
Since 1979, the regime has presented itself as the standard-bearer of a revolutionary project. It is not merely a government. It is the self-appointed guardian of a worldview.
That worldview is often expressed through the concept of muqawama, which translates roughly to “resistance.” The term refers to far more than military opposition. It describes a political, religious and civilizational struggle against what the regime views as Western domination, American influence, Israeli sovereignty, and the regional order that emerged during the 20th century.
Ideologies shape behavior. A regime organized around economic growth behaves one way. A regime organized around the concept of revolutionary struggle behaves differently.
Western powers too often forget this truth when it comes to Iran, assuming that its leaders seek prosperity, stability, security and international acceptance. We assume that economic incentives and diplomatic agreements will eventually outweigh ideological commitments.
It is important to distinguish here between the regime and the people it governs. Iran is home to an ancient civilization, a sophisticated culture, and millions of citizens whose aspirations often appear very different from those of their rulers. For nearly half a century, many Iranians have lived under a system they neither created nor freely chose. Waves of protests and dissent have repeatedly suggested that large numbers of Iranians seek a different future — one characterized less by revolutionary struggle and more by ordinary human aspirations like freedom, dignity and connection to the wider world.
Viewed through the lens of muqawama, Iran’s nuclear program, ballistic missile program, proxy armies and regional interventions cease to look like products of separate policies. They become parts of a coherent strategy, manifestations of the same underlying vision: the transformation of the existing regional order.
The obvious question, then, is whether that vision has changed. And if it hasn’t, what does Iranian compliance with this new deal actually mean?
After all, one can honor the terms of an agreement while remaining fully committed to objectives that lie beyond the agreement’s reach. Iran has done so plenty of times in the recent past.
In 2018, Israeli intelligence agents removed a vast archive of nuclear documents from a secret warehouse near Tehran. The archive contained detailed records of weapons-related research and planning, suggesting that the regime viewed this knowledge as valuable, worth preserving and potentially applicable in the future.
Over the years, inspectors evaluating Iran’s nuclear capabilities have repeatedly encountered inconsistencies between Iran’s declarations about its efforts and the evidence before them. Each episode, by itself, may be explainable. Taken together, they paint a picture of a regime that has consistently viewed transparency as something to be managed rather than embraced.
Fordow, the infamous nuclear enrichment facility buried beneath a mountain, was designed by people expecting confrontation. Facilities intended to withstand intensive military attacks — as Fordow has — reveal something about the assumptions of those who build them.
Western policymakers often view negotiations as a path toward resolution. Iran tends, in contrast, to treat them as a strategic opportunity. Every round of talks creates opportunities to reposition and advance. Every agreement creates new debates about interpretation and enforcement that the regime can turn to its advantage.
It may be less useful to think in terms of bad faith than in terms of incentives. The issue is understanding the ambitions of the regime as it understands them. And there are reasons to doubt whether U.S. negotiators hammering out the details of this agreement understand those ambitions correctly.
This raises grave concerns for Israel, which is not a party to the new ceasefire. The nuclear issue is primary, but the ballistic missile program and satellite armies of Hamas, Hezbollah and the Houthis are all pressing problems for the Jewish state. A deal that fails to engage with all parts of that picture will leave Israel in danger.
The United States can afford strategic patience. It sits behind two oceans, far from Iran. Israel cannot. A nation smaller than New Jersey has little margin for catastrophic error. If American assumptions prove mistaken, American policy can be revised. If Israeli assumptions prove mistaken, the consequences are potentially fatal.
This is why many Israelis have expressed outrage at this ceasefire. They’re wondering: If the ideology remains intact; if the missile programs remain intact; if Hezbollah remains intact; if the regime’s revolutionary ambitions remain intact, what exactly has been resolved?
Near-term tension reduction has repeatedly served as a substitute for resolving the underlying threat from Iran’s radical regime. Sanctions relief following the 2015 nuclear deal brokered by then-President Barack Obama eased pressure on the regime while leaving its governing vision untouched. The underlying problem remained.
Muqawama is not merely resistance to particular policies. It is resistance as an organizing principle. Any agreement that ignores that reality risks confusing tactical restraint with strategic change.
The post Trump may be making a classic error in seeking peace with Iran appeared first on The Forward.
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Trump-backed Oklahoma congressional candidate supports Israel — and says the Antichrist will be Jewish
(JTA) — A pro-Israel pastor who inveighs against “sharia law” and wants Jews to accept Jesus is the favored candidate in a crowded congressional primary in Oklahoma on Tuesday.
Jackson Lahmeyer, the founder of Pastors for Trump and a political activist from the Tulsa area, secured the president’s endorsement ahead of Tuesday’s primary for the state’s solidly Republican 1st District House seat. Other big GOP endorsements soon followed, including House Speaker Mike Johnson and House Majority Leader Steve Scalise, helping to pull Lahmeyer away from the other nine candidates vying for the nomination.
Much of Lahmeyer’s national profile has been defined by his regular invocations of “sharia law,” traditional Muslim doctrine often used as a right-wing shock tactic. One of his campaign platforms is “Ensuring That Sharia Law Never Takes Root In Our Nation.”
On Sunday, Lahmeyer also responded to allegations published by the Daily Mail that he had cheated on his wife, writing in a post on X that “this matter was already dealt with privately between me and my wife, Kendra, through counsel and prayer with God and spiritual advisors.”
Oklahoma’s 1st Congressional District is home to a thriving Jewish community — one that has recently urged Jews from Canada to take up residence — as well as multiple large Jewish organizations including Schusterman Family Philanthropies.
Multiple representatives of the Jewish Federation of Tulsa declined to comment on Lahmeyer’s candidacy. But it’s clear that if elected, he will bring to Congress some specific ideas about Jews.
“The Antichrist will be a political leader of Jewish descent,” he told a livestream of his church on Oct. 8, 2024, a day after the one-year anniversary of Hamas’ attack on Israel. “That is how the Jews will worship him.”
During his sermon, Lahmeyer based the claim on his reading of biblical prophecy, arguing that the Antichrist will “speak great blasphemy” and will “have no regard for the gods of his fathers.”
Lahmeyer’s preaching about the Jewish Antichrist has also sparked concern among some Jewish voters.
“Jackson, I am appalled at this post. I’m Jewish. I supported you[r] run for office at every turn. I have children and grandchildren. Antisemitism is at an all time high. I’m scared for them. This is abhorrent,” one X user wrote in response to a February 2023 post on X by Lahmeyer claiming the Antichrist will be “Jewish” and a “homosexual.”
Lahmeyer pushed back on the response, replying to the user that “This is not anti-Semitic AT ALL. The Christ is Jewish. Scripture indicates that the Antichrist will also be Jewish.”
Despite those apocalyptic beliefs, Lahmeyer has repeatedly framed support for Israel as a key tenet of his faith, reflecting a Christian Zionist worldview that sees Jewish return to Israel as a fulfillment of biblical prophecy.
“I stand with the Jewish people because God almighty stands with the Jewish people,” Lahmeyer said in an Oct. 9, 2025 post dismissing claims he had been paid by the Israeli government to post pro-Israel content. “So those of you who are out there saying I’m getting $7,000 a post, I wish that were true, but you’re an idiot and you’re wrong.”
Matthew Taylor, a scholar at the Institute for Islamic, Christian, & Jewish Studies, told the Jewish Telegraphic Agency that Lahmeyer’s statements about Jews and Israel reflect a typical strain of Christian Zionism.
“He’s pro-Israel in this very particular sense of he has a strong attachment to a theological conception of Israel,” Taylor said. “When it comes to questions about the Antichrist and whether the Antichrist is Jewish or not, that’s all pretty standard speculation within modern evangelicalism.”
Those views, once largely confined to Lahmeyer’s reach as a storefront pastor, have followed him into a larger political arena as he has transformed from a fringe activist into a political contender with presidential backing.
“It is my Great Honor to endorse MAGA Warrior, Jackson Lahmeyer, who is running to represent the fantastic people of Oklahoma’s 1st Congressional District, and has been with me from the very beginning of our Movement to, MAKE AMERICA GREAT AGAIN!,” Trump wrote in a post on Truth Social Monday reaffirming his endorsement of Lahmeyer.
Trump praised Lahmeyer’s role in founding “Pastors for Trump,” which he launched in 2022 to organize evangelical pastors around getting Trump reelected. The same year, Lahmeyer lost his Republican primary bid to unseat Oklahoma Sen. James Lankford, whom he called a “coward” for not backing Trump’s attempts to overturn the 2020 presidential election.
Lahmeyer, who did not return a Jewish Telegraphic Agency request for an interview, is a member of the White House Faith Office and Trump’s National Faith Advisory Board.
He has been cultivating relationships with the Trumps for years. In addition to backing the president’s election claims, Lahmeyer has hosted the president’s sons, Eric and Donald Jr., as well as FBI Director Kash Patel at his church and on podcast episodes.
Lahmeyer’s rise coincides with a growing movement of conservative Christians and right-wing influencers who have been increasingly critical of Israel and the U.S.-Israel alliance.
During an event marking the second anniversary of Oct. 7 titled “The Case for Israel,” Lahmeyer addressed the growing prominence of anti-Israel figures on the Christian right, including Tucker Carlson and Candace Owens.
“Both Candace Owens and Tucker Carlson, they’re Roman Catholics, so to them the church has replaced the Jewish people, the state of Israel, and that is why they can make these claims,” Lahmeyer said.
But Lahmeyer has stopped short of condemning Carlson’s rhetoric, despite criticism from Trump and evangelical members of his administration including U.S. Ambassador to Israel Mike Huckabee.
“Some very influential leaders, all of whom I like — Tucker Carlson, Candace Owens, Marjorie Taylor Greene — have taken a very controversial stance in regards to the nation of Israel,” Lahmeyer told NPR in November.
Taylor said the fallout over Israel within the MAGA coalition between Christian antisemites, such as Carlson and Owens, and Christian philosemites, such as Huckabee, placed Lahmeyer in a precarious position as he seeks office.
White evangelicals show widespread support for Israel, with 72% reporting a positive opinion of the Jewish state according to an April 2025 poll by the Pew Research Center, but among Republicans under 50, positive sentiments about Israel have dropped in recent years, falling from 63% reporting a positive view in 2022 to 48% in 2025.
“A lot of young evangelicals are moving away from Zionism, and becoming less sympathetic with the state of Israel, both theologically and just in terms of world events, and the war in Gaza,” Taylor said. “So I think it’s a very complicated place that he’s in, trying to kind of run as a politician in this moment where MAGA is fracturing over some of the things he could be very publicly identified with.”
This article originally appeared on JTA.org.
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UK appeals court upholds ban on Palestine Action as a terrorist organization
(JTA) — A British appeals court ruled Monday that the government acted lawfully in banning a prominent pro-Palestinian group as a terrorist organization.
Jewish groups welcomed the decision to maintain the ban on Palestine Action, which has staged multiple destructive attacks on military installations and weapons manufacturers in Britain.
The government banned Palestine Action in July 2025 after some of its members broke into an air force base and damaged two military aircraft as part of a protest against the U.K.’s relationship to Israel during the war in Gaza. The ruling meant that anyone displaying support for the group has been subject to arrest and imprisonment.
The British High Court declared the ban unlawful in February, concluding that the ban interfered with Palestine Action members’ rights to speech and assembly. Now, a five-judge U.K. Court of Appeal panel has ruled that the group’s activities met the legal standards for terrorism and the government’s decision to ban the group was justified and proportionate.
Sue Carr, England’s chief justice, said in a statement broadcast from the court that while many Palestine Action activities and affiliates were non-violent, the group’s materials and impact showed that violence was integral to its activities.
“It is not, as it claims, a direct action civil disobedience protest group like the suffragettes operating transparently in the open,” Carr said. “It is a covert organization operating with secret cells to avoid the detection and prosecution of those using violence to destroy the property of third parties.”
British Jewish groups applauded the decision. “The Court’s decision confirms the seriousness of Palestine Action’s activities,” Board of Deputies of British Jews Acting President Adrian Cohen said in an email to the Jewish Telegraphic Agency.
Cohen noted that Palestine Action’s targets have included Jewish communal institutions and Jewish-owned businesses. He added, “At a time of record levels of antisemitism, division, and communal tensions, all those in public life should be clear: no cause justifies criminality, violence or the glorification of those who carry it out.”
The ruling comes days after four Palestine Action-affiliated activists were sentenced to lengthy prison terms in connection with an August 2024 break-in at the headquarters of Elbit Systems UK, the British outpost of an Israeli weapons company. The activists had previously been acquitted on some charges but were prosecuted again on others and convicted, including one on charges of striking a police officer with a sledgehammer..
More than 100 people were arrested on Friday after Palestine Action’s supporters rallied outside the sentencing. They joined more than 3,000 people who British media report have been arrested for showing support for Palestine Action since its ban. Other supporters include the writer Sally Rooney, who last year pledged proceeds from the BBC productions of her books to the group despite potential legal penalties.
The group is vowing to appeal its ban yet again. “We will not stop fighting for the ban to be lifted, the end of the use of terror legislation against us, and crucially, for a free Palestine,” co-founder Huda Ammori posted on X on Monday. “I will appeal to the Supreme Court and take it up to the European Court of Human Rights, if needs be.”
The ruling comes as Prime Minister Keir Starmer seeks new powers to ban state-backed groups, such as the Iranian Revolutionary Guard Corps, as terrorist organizations. (British law currently reserves such bans for non-state actors.) The Campaign Against Antisemitism, a British advocacy group, said the ruling about Palestine Action “underscores the Home Secretary’s power to proscribe terrorist networks” and called for the IRGC and other groups to be banned.
This article originally appeared on JTA.org.
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