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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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Netanyahu to confront Mamdani’s call to arrest him in U.N. address this week
(JTA) — Prime Minister Benjamin Netanyahu on Tuesday accused New York Mayor Zohran Mamdani of supporting Hamas and inciting violence against Jews, setting up a showdown between the Israeli leader and one of the most prominent American pro-Palestinian politicians ahead of Netanyahu’s visit to the city.
Netanyahu said he would respond to Mamdani’s criticism of him and Israel during his speech at the United Nations General Assembly on Thursday, when he will visit New York for the first time since Mamdani took office.
Mamdani on Monday renewed his demand for the arrest of Netanyahu, who he called “a war criminal and an architect of a horrific genocide of the Palestinian people” in an interview with CNN’s Christiane Amanpour. He acknowledged that he did not have the authority to carry out a warrant for Netanyahu issued by the International Criminal Court, but said the warrant should still be “honored” to protect “accountability” to international laws.
“If the International Criminal Court deems someone worthy of an arrest because of a violation of those laws, then who are we to say that anyone should be above that?” said Mamdani.
Netanyahu responded in a video statement, “Shame on you for supporting the Hamas terrorist monsters who butchered our people. Shame on you for inciting riots against New York Jews.” A number of prominent New York Jewish figures have asked Mamdani to tamp down his rhetoric about Israel, linking it to rising violent attacks on Jews. Mamdani has said that he is mayor for all New Yorkers, including Jews, and denounces antisemitism.
“I’m coming to the U.N., I’m going to tell the truth about our heroic soldiers, and I’m going to tell the truth about you,” added Netanyahu.
Mamdani pledged during his mayoral campaign last year that he would seek to arrest Netanyahu if he visited, but admitted in July that the city could not legally do so.
The ICC issued its warrant for Netanyahu in 2024, accusing him of war crimes and crimes against humanity in Gaza. The United States and Israel are not signatories of the treaty that created the ICC in 2002 and do not recognize its jurisdiction.
Netanyahu has prominently featured Mamdani in campaign ads as he currently seeks reelection in Israel, framing the mayor as both a pro-terror extremist and a leader reminiscent of Nazi Germany.
Netanyahu is set for one of his shortest trips to the United States, where he is not slated to meet with President Donald Trump, according to The Jerusalem Post. He is currently scheduled to leave New York on the same day he arrives. Protests are expected both outside the United Nations and inside during Netanyahu’s speech, which last year saw representatives from dozens of countries walk out.
Meanwhile, Mamdani had his third meeting with Trump on Monday, continuing a rapport between the two populist leaders on opposite ends of the political spectrum. Despite their stark differences on issues including immigration enforcement, Trump praised Mamdani during a press conference on the lawn of Gracie Mansion.
“I want him to be a great mayor, and he’s certainly got potential,” Trump told reporters before shaking Mamdani’s hand and patting his arm.
This article originally appeared on JTA.org.
The post Netanyahu to confront Mamdani’s call to arrest him in U.N. address this week appeared first on The Forward.
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Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue
Voters may react differently to a Jewish politician who publicly practices their faith than to one who simply identifies as Jewish, a new poll found. The distinction could matter for Pennsylvania Gov. Josh Shapiro, a possible 2028 presidential candidate who has made his Jewish faith central to his public life and service.
The Politico poll of 2,002 U.S. adults showed that Democratic voters were less likely to vote for a candidate who regularly attends synagogue than for a candidate not practicing a religion or attending services once a year. Among Republicans, however, a candidate who regularly attends synagogue performed better than one who attends only once a year.
The survey, conducted online in partnership with the London-based polling firm Public First between August 8 and 14, asked respondents to choose between hypothetical candidates with different characteristics, including political ideology, age, race, profession, sexual orientation and religious practice. The sample has a reported margin of error of plus or minus 2.2%.
The poll offers a window into how religious observance may shape the way voters view a Jewish candidate. In an earlier poll conducted by the same firm in May, among 2,038 voters, candidates were identified simply by religion rather than how often or where they worshipped. Being identified as Jewish hurt a hypothetical candidate among voters in both parties compared with being identified as Christian.
The findings could be particularly relevant to Shapiro, the popular Pennsylvania governor running for reelection this fall. He maintains a traditional Conservative Jewish lifestyle, keeps kosher and is a longtime member of Beth Sholom Congregation in Elkins Park, outside Philadelphia. In his recent memoir, Where We Keep the Light, Shapiro detailed experiences shaped by and tied closely to his Jewish identity, including his vetting as a vice presidential candidate in 2024.
Shapiro has been viewed as a potential first Jewish president since his gubernatorial campaign in 2022 and is one of three prominent Jewish Democrats — along with Illinois Gov. J.B. Pritzker and former Chicago Mayor Rahm Emanuel — mentioned as possible 2028 presidential candidates.
Religious identity, particularly Christianity, has become more central in Republican politics since President Trump returned to the White House in 2025. Trump and his Cabinet have made religious faith a prominent part of his administration’s agenda. He created a White House Faith Office to work with religious organizations and established a Justice Department task force focused specifically on what the administration calls anti-Christian bias. At the same time, an increasingly vocal faction on the far right has made Christian nationalism and antisemitism central to its politics.
The Politico poll does not explain why Republican voters responded differently to Jewish candidates based on how often they attended synagogue. But the gap aligns with the broader split in positions among conservatives who have warmly embraced visibly religious and politically conservative Jews, while criticizing liberal or less observant Jews over their politics and commitment to Judaism.
Trump has repeatedly drawn that distinction himself. During the 2024 election, for example, he said that Jewish Americans who vote for Democrats “hate their religion.”
The post Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue appeared first on The Forward.
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Nazi imagery nothing new for crypto casino behind Orlando fight with swastika flags and Hitler salutes
(JTA) — Nazi salutes. A swastika flag. Fights in the stands. They were all part of the scene at a recent combat sports event in Orlando that pitted an Israeli Jew against an avowed racist with SS bolts tattooed on his chest – and ended with the latter mocking his defeated foe as “a short little f–king Jew prick.”
The condemnation that followed the Aug. 29 event was aimed in a number of directions: at Paul Miller, the fighter who performed the Hitler salute after his win; at the attendees who returned the salute and displayed the Nazi flag; and at the Kia Center, the city-owned arena best known as the home of the NBA’s Orlando Magic, which hosted the fight night.
Politicians were shocked by the display and wrote statements condemning the event — but the Nazi symbols were nothing new for Duel, the online cryptocurrency casino behind the promotion.
Founded last year and billing itself as “the first casino that gives a f–k,” Duel has used Nazi symbols and racist language in its gambling programming. And its owner, Ossi Ketola, a Finnish high-stakes poker player, is himself a self-described First Amendment absolutist with his own history of racially charged comments. He celebrated his free speech devotion just one week after the Orlando event, in a social media post featuring a photo of himself with Donald Trump Jr.
One of Duel’s blackjack dealers, Nelli Levonyan, has worn a Nazi outfit with a swastika armband on multiple occasions while dealing cards on the blackjack stream. In a skit from the blackjack table that circulated online, a man, dressed up as an Orthodox Jew and holding an Israeli flag, attacked Levonyan by throwing coins at her. Levonyan’s character then sprayed something at the Jewish man — “Gassing!” he yelled — and said, “Go away from me, you dirty kike.”
In another blackjack stream, the dealer imitated one of the two San Diego mosque shooters, who killed five people in May. Levonyan has sung the lyrics to “Heil Hitler,” the Ye (formerly Kanye West) song, during a stream. She has also appeared alongside Miller while hosting the card game.
Earlier this month, Ketola joined a neo-fascist rally in Helsinki staged by the far-right party Sinimusta Liike, or the Blue-and-Black Movement. Ketola, who was dressed in a Spongebob costume, livestreamed the rally and posted the footage with the title “Saving white Finland.” Speaking about immigrants, he said that people “need to be educated about how the genes work, and how these people realistically cannot be integrated here.”
He then attended an anti-fascist rally held elsewhere in Helsinki simultaneously, prompting left-wing demonstrators to chase him and his video crew back to their car. Ketola could be heard off-camera yelling “Sieg heil” as they drove away.
“What f–king violent pussies. Imagine what f–ing leftists,” Ketola said after taking off the Spongebob costume. “You see? These right-wing people, white people, the most friendly people. I just walked there, we didn’t say anything, we didn’t do anything — we go to these leftists and they try to f–ing attack us. F–ing dumb stupid f–ing n–ers.”
The following night, Ketola attended the dinner with Trump and about a dozen others in Tallinn, Estonia, hosted by Studioworks, a company that develops software for online casino sites. Ketola posted a photo of himself and the U.S. president’s son on Instagram, and wrote that he discussed “Duel, the state of the world and current political climate with him and his staff.”
“The political situations in our respective countries have become increasingly similar, with a rising tide of violence and radical leftism in both America and Finland,” Ketola wrote. “As a firm 1st amendment absolutist and an individual with many values that coincide with Republicans and Donald Trump himself, this was a great chance to align on many things important to both.”
Neither the Trump Organization, Miller, Ketola nor Levonyan responded to requests for comment.
Duel was founded last summer and has featured some prominent personalities on its streams, including boxing great Mike Tyson — who told Levonyan, “You dumb b–h, you like Hitler” — and the “looksmaxxing” influencer Braden Peters, who is known as Clavicular.
The fight night that it organized and promoted in Orlando was its first foray into combat sports, and made for the company’s biggest splash yet. It also caught the attention of at least one watchdog and a local lawmaker.
“Right after the event there was a lot of criticism put on the venue, which didn’t have much responsibility in this, and not enough eyes on the people who actually made it happen,” Mark Pitcavage, senior fellow at the Anti-Defamation League’s Center on Extremism, told the Jewish Telegraphic Agency. (The city had said that, as an operator of public venues, it “cannot deny access because we disagree with the political ideology, opinion or perspective, regardless of the message.”)
State Rep. Anna Eskamani called for the Florida Athletic Commission to revoke Duel Arena’s license. The commission’s members were appointed by Florida Gov. Ron DeSantis, who has not commented on the event. The governor’s office did not respond to multiple requests for comment from JTA.
DeSantis’ immediate predecessor and fellow Republican, U.S. Senator Rick Scott, posted that the event was “utterly disturbing” and that “Antisemitism has NO PLACE in Florida.”
Pitcavage said that combat sports are “a draw for far-right extremists and white supremacists” who often view themselves as “white warriors.” He noted, however, that they make up a small portion of the participants and fans.
“It’s not at all surprising that some of them will get into various types of what they would consider manly, or warrior-like athletics,” he said.
Duel’s involvement in the Orlando event put the intersection of online gambling sites and far-right ideologies on his radar. “It’s something we’re starting to look into,” Pitcavage said. He noted that Duel is registered and licensed offshore on the autonomous island of Anjouan, making it more difficult to investigate.
Eskamani, who is running for mayor of Orlando, told JTA that Duel should not be allowed to operate in Florida, citing reasons that she says would beat the city’s First Amendment defense.
“These offshore cryptocurrency — I mean, there are so many red flags in how this entity is operating that from a purely financial security position for a public venue, I would not want to accept a reservation,” Eskamani said.
Duel set and promoted the matchups on the fight card, which included the kickboxing match between Miller, who goes by the moniker “Gypsy Crusader,” and his fellow influencer Ben “King” Azoulay.
Miller, who has made numerous appearances on Duel’s casino games streams, has been known to use racial slurs and denigrate minority groups in his online content. He was convicted in 2021 of felony weapons charges, and sentenced to 41 months in federal prison. He had posted about initiating a race-based civil war.
During a livestreamed conversation with Adin Ross, a Jewish streamer who has interviewed or maintained friendly relationships with controversial figures including Nick Fuentes and Andrew Tate, Miller said there are no exceptions in his feelings toward Jews.
“I respect you for having an opinion that is different from the Jews,” Miller told Ross. “But that doesn’t mean that I would not laugh if I see you in a gas chamber.”
Clips from the Orlando event showed Miller performing the Nazi salute twice after his victory — something he has done after winning previous fights — prompting a number of attendees to do the same. One fan brought a Nazi Germany flag and waved it in his seat.
“He’s not a tough guy, he’s not an alpha male. He’s a short little f–ing Jew prick,” Miller declared about his opponent Azoulay in his post-fight interview, eliciting some cheers from the crowd.
U.S. Rep. Randy Fine, the Jewish Republican firebrand whose district includes Palm Coast and Daytona Beach, posted a video of the Nazi flag being unfurled and wrote, “This is not a joke and it is not edgy. The guy who did this is old enough to know exactly what that symbol means and to know that it’s not funny. We will make an example out of him.”
Asked what he meant by making an example of the attendee, Fine told JTA, “We put the video out so he would be recognized and be held publicly accountable. Most folks are unwilling to associate with Nazis.”
Cheering Miller on ringside was Jake Shields, a former mixed martial artist-turned far-right influencer who has espoused conspiracy theories about Jews and Israel. Shields wore a shirt reading “FCK ISRL.” Myron Gaines, a prominent streamer who has spread similar conspiracy theories and performed Nazi salutes, was in the stands, and told Miller before the fight, “You fight for the goyim,” according to clips shared on social media.
Pitcavage said he has been tracking a trend of the far-right getting involved in combat sports since the late 1990s, as mixed martial arts and UFC became a more mainstream phenomenon and amateur gyms became widespread and increasingly accessible.
The ADL has flagged that in recent years “active clubs,” or “localized white supremacist crews” that gather for fight training, have become more common. The ADL writes that these groups “see themselves as fighters training for an ongoing war against a system that they claim is deliberately plotting against the white race.”
As news outlets covered backlash to the Orlando fight night, Duel issued its own statement saying it was horrified “to learn that a group of viewers were displaying symbols of hate at our event.” The company criticized the city’s “shocking remarks that the ‘First Amendment’ applies and that ‘free speech’ is permitted at their arena,” and pledged to “work with local activist groups to push back on this and ensure that this kind of hate does not fester ever again.”
The statement appeared to be an example of Duel trolling with deadpan, buttoned-up language. Before the fight, Ketola had similarly released a promotional video that appeared to be condemning Miller’s views. “Paul Miller is a Nazi. Being a Nazi is bad,” Ketola narrated, over footage of him shaking his head. “We cannot support this. The only reason we are allowing him to fight is to ensure the good guys get to add another victory to their record.”
Then, after Miller’s win, Duel’s Instagram account left a comment that told a different story.
“The good guys won,” Duel wrote.
This article originally appeared on JTA.org.
The post Nazi imagery nothing new for crypto casino behind Orlando fight with swastika flags and Hitler salutes appeared first on The Forward.
