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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.
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Western Countries Crack Down on Hamas Terror Threat in Europe
A flag is flown during a protest in support of Palestinians in Gaza, amid the ongoing conflict between Israel and Hamas, outside the European Parliament, in Strasbourg, France, Nov. 27, 2024. Photo: REUTERS/Yves Herman
Western authorities are intensifying efforts to curb Hamas’s terror threat in Europe, arresting suspected operatives in Germany and imposing US sanctions on key Hamas-linked figures and organizations.
On Friday, German authorities arrested a 36-year-old man, identified as Mohammad S., at Berlin Brandenburg Airport, who is suspected of belonging to a terrorist cell that plotted attacks on Israeli and Jewish targets across the country
According to local media, he is the fourth member of a cell – three of whose members were arrested last year – with links to Hamas, and he is accused of supplying the Palestinian terrorist group with weapons.
The German federal prosecutor’s office ordered the arrest of Mohammad S. upon his return from Lebanon, after investigators found that he acquired 300 rounds of ammunition in August 2025 in preparation for potential Hamas attacks on Israeli and Jewish institutions in Germany and across Europe.
Last year, local police arrested Lebanese-born Borhan El-K, a suspected Hamas operative, after he crossed into Germany from the Czech Republic — part of an ongoing probe into the Islamist group’s network and operations across the continent.
German authorities confirmed the suspect had obtained an automatic rifle, eight Glock pistols, and more than 600 rounds of ammunition in the country before handing the weapons to Wael FM, another suspected member of the terrorist group, in Berlin.
Local law enforcement also arrested Lebanese-born Wael FM, along with two other German citizens, Adeb Al G and Ahmad I, who prosecutors say are foreign operatives for Hamas.
As part of an internationally coordinated investigation into a global terrorist network linked to the Islamist group, German authorities uncovered evidence that it had smuggled weapons into the country for potential attacks in Europe.
The United States is also stepping up efforts to counter the threat of Hamas-linked terrorism in Europe, including imposing renewed sanctions on the group and its operatives.
Last week, the US Treasury’s Office of Foreign Assets Control (OFAC) designated UK-based pro-Palestinian activist Zaher Birawi, an alleged senior Hamas member, as a supporter of a Hamas-linked group, freezing his US assets and barring Americans from doing business with him.
The US government also sanctioned Birawi’s organization, the Popular Conference for Palestinians Abroad (PCPA), identifying him as one of its founding members and a senior official.
According to the Treasury Department, the PCPA “does not only work with, and in support of, Hamas — it operates at Hamas’s behest.”
Birawi also runs the Palestinian Forum in Britain (PFB) and holds leadership positions in the Hamas-affiliated European Palestinians Conference (EPC), organizing anti-Israel protests, flotillas, and campaigns.
Birawi drew international attention in 2025 as a key organizer of the Gaza-bound aid flotilla.
Israel, which designated Birawi as a key Hamas operative in Europe in 2013, uncovered documents last year in Gaza revealing the terrorist group’s direct role in organizing and funding the flotilla.
Among those documents was a detailed list of PCPA activists involved in the flotilla, identifying Birawi as the head of the PCPA’s Hamas sector in Britain.
According to a 2024 report on Hamas civilian fronts in the UK and Europe, Birawi was identified as “one of the most prominent Hamas- and Muslim Brotherhood-affiliated operatives in the UK.”
The OFAC also sanctioned six Gaza-based charitable organizations — Waed Society, Al-Nur, Qawafil, Al-Falah, Merciful Hands, and Al-Salameh — for supporting Hamas’s military wing.
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Iran’s Rising Death Toll Ramps Up Pressure on Trump to Respond
Protesters gathered on Jan. 24, 2026, at Joachimsthaler Platz in western Berlin, Germany, to rally in support of anti-regime demonstrations in Iran, calling for US military intervention. Photo: Michael Kuenne/PRESSCOV via ZUMA Press Wire via Reuters Connect
More than 30,000 people may have been killed by Iranian security forces during a brutal crackdown on widespread anti-government protests earlier this month, according to new estimates that far exceed earlier death tolls.
The new figures have intensified pressure on the international community to respond to the Iranian regime’s shocking scale of violence, especially amid a US military buildup in the region following President Donald Trump’s repeated warnings to Iran and calls to help the protesters.
Two senior Iranian Ministry of Health officials told TIME that the scale of the killings and executions has overwhelmed the state’s capacity to dispose of the dead, as anti-regime protests erupted across more than 400 cities and towns, with over 4,000 clashes reported nationwide. According to the officials, as many as 30,000 people could have been killed in the streets of Iran on Jan. 8 and 9 alone.
The Iranian regime has reported an official death toll of 3,117. But new evidence suggests the true number is far higher, raising fears among activists and world leaders of crimes against humanity.
The US-based Human Rights Activists News Agency (HRANA), which tracks deaths by name and location, has confirmed 5,937 deaths, including 214 security personnel. Nearly 20,000 potential deaths are still under investigation, and tens of thousands of additional Iranians have been arrested amid the crackdown.
According to Dr. Amir Parasta, a German-Iranian physician, the latest figures do not include protest-related deaths recorded at military hospitals or in regions the investigation never reached, suggesting the toll is likely to keep rising.
More than 30,000 fatalities have been registered so far. With the support of my dedicated colleagues in Iran, we have been able to submit verified figures on deaths, injuries, and executions to the United Nations and to governments, and we will continue to update these data.
— Prof. Dr. Amir-Mobarez Parasta (@ProfParasta) January 25, 2026
Aligned with the Ministry of Health’s new figures, Iran International reported that security forces killed over 36,500 Iranians during the Jan. 8–9 nationwide crackdown, marking the deadliest two-day protest massacre in modern history. Thew news outlet cited newly obtained classified documents, field reports, and accounts from medical staff, witnesses, and victims’ families.
Iran International also noted the prevalence of extrajudicial execution of a number of detainees.
“Images released from morgues leave little doubt that some wounded citizens were shot in the head while hospitalized and undergoing medical treatment. It is evident that, had these individuals sustained fatal head wounds on the streets, there would have been no reason to admit them to hospital or begin treatment in the first place,” the outlet reported. “The images also show that in some cases, medical tubes and patient-monitoring equipment remained attached to the bodies. In other cases, cardiac monitoring electrodes are visible on the chest, suggesting these individuals were under medical care before being shot in the head. A number of doctors and nurses have also told Iran International that so-called ‘finishing shots’ were fired at wounded patients.”
Some families of protesters who were killed have reportedly been told they must pay up to $20,000 to bury their loved ones, while others were forced to sign papers falsely claiming their relatives had served in the security forces instead of participating in the protests.
According to Mahmood Amiry-Moghaddam, director of Norway-based Iran Human Rights, the Islamist regime is using this technique to conflate the number of security forces killed and downplay the death toll among protesters.
“One reason for this practice is that the regime seeks to avoid international pressure for killing protesters,” Amiry-Moghaddam said. “Another motive is to prepare the ground for future executions of protesters.”
Iranian judicial officials have previously dismissed US President Donald Trump’s claims about halting execution sentences for protesters as “useless and baseless nonsense,” warning that the government’s response to the unrest will be “decisive, deterrent, and swift.”
With Iranian authorities now maintaining an internet blackout for nearly three weeks, the actual number of casualties remains difficult to verify. Activists fear the internet shutdown is being used to conceal the full extent of the crackdown on anti-regime protests.
Iranian officials told The New York Times that Supreme Leader Ayatollah Ali Khamenei ordered security forces to suppress protesters “by any means necessary,” with explicit instructions to “shoot to kill and show no mercy.”
The latest figures, double previous estimates, come as the United States and the broader international community face growing pressure to act against the regime’s ongoing violence. For its part, the Iranian government has warned that any attack will be treated “as an all-out war.”
As regional tensions mount over the regime’s brutal crackdown on anti-government protests, Washington has increased its military presence in the region, moving a range of assets into the area — including the USS Abraham Lincoln and its strike group.
On Sunday, the US Air Force said it was set to begin a multi-day readiness exercise across the Middle East “to demonstrate the ability to deploy, disperse, and sustain combat airpower” in the region.
The UK Ministry of Defense announced last week it had also deployed Typhoon fighter jets to Qatar “in a defensive capacity.”
In the last few weeks, Trump has repeatedly warned that he may take “decisive” military action against Iran if the regime continues killing protesters.
“We’re watching Iran,” Trump said on his way back from the World Economic Forum in Davos. “I’d rather not see anything happen but we’re watching them very closely.”
With pressure mounting for Iran at home and abroad, experts say it remains unclear how Tehran will respond — whether by escalating militarily beyond its borders or by offering limited concessions to ease sanctions and mend ties with the West.
The nationwide protests, which began with a shopkeepers’ strike in Tehran on Dec. 28, initially reflected public anger over the soaring cost of living, a deepening economic crisis, and the rial — Iran’s currency — plummeting to record lows amid renewed economic sanctions, with annual inflation near 40 percent.
However, the demonstrations quickly swelled into a broader anti-government movement calling for the fall of Khamenei and Iranian President Masoud Pezeshkian and even a broader collapse of the country’s Islamist, authoritarian system.
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Jewish Cemetery Desecrated in Barcelona, More Than 20 Graves Vandalized
Photo of vandalized tombstones in Barcelona via Federation of Jewish Community of Barcelona (CJB).
Vandals on Sunday targeted the Jewish cemetery in Barcelona, desecrating more than 20 graves and smashing tombstones.
The crime comes amid a sharp rise in antisemitic incidents and anti-Israel sentiment across Spain, whose Jewish community has expressed alarm over the increasingly hostile environment.
“We have seen how, at demonstrations, online and on the street, hate speech against Jews became routine. Then signs appeared across the city. Later, posters were hung on public buildings with slogans,” the Jewish Community of Barcelona said in a statement. “After that, a map was published marking Jewish targets, including a school. And now, the desecration of graves. This is not random. This is an escalation. From slogans to marking. From marking to threats. And from threats to action.”
The statement referred to an online platform mapping Jewish-owned businesses, schools, and Israeli-linked companies in Catalonia, a region in northeastern Spain.
A spokesperson for the Catalan police told Agence France Presse that “we are aware of the [cemetery] incident and have opened an investigation,”
The European Jewish Congress (EJC) condemned the vandalism on X.
“What we are seeing is not isolated. It is part of a wider escalation that begins with words, continues with targeting and intimidation and ends in acts like this,” the EJC said. “When hate is normalized in public discourse, the step to physical action becomes smaller.”
Israel’s Foreign Ministry also released a statement with photos of the crime, saying, “We condemn the vandalism of the Jewish cemetery in Barcelona. This despicable act is a result of the anti-Israel campaign by the Sánchez government. We stand with Spain’s Jewish community. Antisemitism must never be normalized and must be firmly rejected in all societies.”
In September, Lorenzo Rodríguez, mayor of Castrillo Mota de Judíos in northern Spain, warned that Spanish Prime Minister Pedro Sánchez had fueled antisemitic sentiment.
“The government is fostering antisemitism that will prove deeply damaging for Spain,” Rodríguez said. “Sánchez’s moves are less about serious foreign policy and more about deflecting attention from his trials and failures in governance.”
Rodríguez described his view that Spain “isn’t leading anything — it’s merely whitewashing Hamas and other terrorist groups.”
Sánchez had told members of his Socialist Workers’ Party that month that Israel should not be allowed to participate in international sports and that the Jewish state “cannot continue to use any international platform to whitewash its image.”
Spain’s Culture Minister Ernest Urtasun has expressed similar calls for boycotting Israel, saying, “We have to make sure that Israel does not take part in the next Eurovision,” referring to the international song contest.
Madrid has been one of the West’s fiercest critics of Israel’s defensive military campaign in Gaza following Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel.
“What [Israeli] Prime Minister [Benjamin] Netanyahu presented in October 2023 as a military operation in response to the horrific terrorist attacks has ended up becoming a new wave of illegal occupations and an unjustifiable attack against the Palestinian civilian population – an attack that the UN special rapporteur and the majority of experts already describe as a genocide,” Sánchez said in a televised speech last year.
The diplomatic tension between the two nations reached a boiling point in September, when Madrid recalled its ambassador.
The American Jewish Committee (AJC) describes Barcelona as notable for its anti-Israel sentiment, characterizing its position as an “outlier status.”
The AJC wrote in May 2023 that in February of that year, “Barcelona Mayor Ada Colau announced that Spain’s second-largest city would sever ties with its twin city Tel Aviv. The move answered the demands of anti-Israel activists who in January had petitioned the city council to condemn Israel.”
The Anti-Defamation League’s Global 100 report names Spain as one of the most antisemitic countries in Europe (ranked 15 out of 18 in the region), with 26 percent of adults — 10.4 million people — expressing belief in six or more bigoted tropes against Jews.
The Spanish Jewish community recently filed complaints over an online platform that targeted Jewish establishments.
First reported by the local Jewish outlet Enfoque Judío, the interactive map — known as Barcelonaz — was launched by an unidentified group claiming to be “journalists, professors, and students” on the French-hosted mapping platform GoGoCarto.
As a publicly accessible and collaboratively created online platform, the map marked over 150 schools, Jewish-owned businesses — including kosher food shops — and Israeli-linked as well as Spanish and international companies operating in Israel, labeling them as “Zionist.”
Jewish leaders in Spain strongly denounced the BarcelonaZ initiative, warning that it fostered further discrimination and hatred against the community amid an increasingly hostile environment in which Jews and Israelis continue to be targeted.
Amid the backlash, GoGoCarto announced it had removed the BarcelonaZ project from its website after local groups denounced the initiative as blatantly antisemitic and dangerous.