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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.
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Germany’s Main Mosque Network Under Fire Over Speakers Accused of Antisemitic Incitement
Pro-Palestinian demonstrators during a protest against Israel to mark the 77th anniversary of the “Nakba” or catastrophe, in Berlin, Germany, May 15, 2025. Photo: REUTERS/Axel Schmidt
Germany’s main mosque association is facing growing controversy over speakers scheduled for its Cultural Days, a public program of community events, as experts warn of antisemitic incitement on a public stage and call for the event to be canceled.
Organized by the Turkish-Islamic Union for Religious Affairs (DITIB) in Hamburg, a city in northern Germany, the event is being advertised as a family-friendly gathering.
However, political figures, Jewish community representatives, and experts have sharply condemned the event, warning it risks providing a platform for antisemitic rhetoric and raising serious concerns over its tone and messaging.
Under mounting political pressure, DITIB was forced to remove four of the six speakers from the program, citing their hateful rhetoric and the promotion of antisemitic narratives.
“Those who act within our communities must not be associated with positions that express antisemitism, glorify violence, show hostility toward individuals, or incite hatred,” the association wrote in a statement.
Yet the controversy continues, as the event still advertises two remaining speakers who have drawn sustained criticism.
According to German author Eren Güvercin, a vocal critic of political Islam in the country, the two remaining speakers — Furkan Tiraşçı and Mahmut Sağır — have also been accused on social media of posting antisemitic content and glorifying terrorist organizations, raising questions over why they should be allowed to participate.
In several posts, Tiraşçı has repeatedly downplayed or justified the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, and referred to deceased Hamas leader Ismail Haniyeh as a “martyr.”
“He was a good Muslim, a good mujahid, a good family man. My condolences to the Muslim community. Every martyrdom is a new beginning on the path to victory,” Tiraşçı wrote in a post on X at the time of Haniyeh’s death.
He has also repeatedly shared antisemitic caricatures, including depictions of Israeli Prime Minister Benjamin Netanyahu with vampire fangs and blood, labeled “killer,” as well as photomontages comparing Netanyahu to Adolf Hitler or placing him in Nazi-era imagery.
As for the second guest, Sağır has been accused of glorifying Hamas leaders and describing the Israeli population as a “cursed community” that has “drowned the world in blood for centuries” — remarks that echo decades-old antisemitic tropes. The quote appears to refer directly to Jews, as the modern state of Israel was only established in 1948.
According to Güvercin, Sağır “shares content that goes far beyond legitimate criticism and delves deeply into hateful ideologies.”
#DITIB–#Bergedorf feiert vom 14. – 17. Mai auf dem Frascatiplatz ihr 40-jähriges Bestehen.
Nachdem ich öffentlich darauf hingewiesen habe, dass vier namhafte Referenten, die aus der Türkei für dieses Fest eingeflogen werden sollten, immer wieder mit antisemitischen Aussagen und… pic.twitter.com/9Kc517ztxY— Eren Güvercin (@erenguevercin) May 4, 2026
In an Instagram post following Haniyeh’s death, Sağır wrote: “May the Lord receive him into His mercy, may his place be in paradise and his rank be elevated. The fate of those who thrive on cruelty is bleak and will be so. If not today, then tomorrow God will bring about the means to exact this reckoning. We believe it, and we bear witness.”
In the past, DITIB has faced multiple controversies, with some members making antisemitic remarks and spreading hateful messages.
Last year, the German government urged DITIB to publicly break with Turkish President Recep Tayyip Erdogan’s antisemitic and anti-Israel rhetoric, citing the association’s close ties to him.
According to local reports, German authorities told religious leaders to formally break with Erdogan’s hateful statements or risk losing government support and cooperation.
For years, the German government has supported DITIB in training imams, as well as helping to foster community programs and religious initiatives.
Most of these religious leaders are trained abroad — especially in Turkey — and brought to local mosques by large Muslim organizations on multi‑year contracts, shaping the religious education and messaging that reaches the community.
Now, German lawmakers and the country’s Jewish community are calling for a mandatory certification process for all imams amid a surging wave of antisemitism, including multiple cases of religious leaders promoting anti-Jewish violence.
In 2023, the German government signed an agreement with the Turkish government’s Directorate of Religious Affairs (Diyanet) and DITIB for a new imam training program.
By sending imams from Turkey and paying their salaries, the Diyanet oversees DITIB and its hundreds of communities across Germany, shaping the ideological direction of more than 900 mosques and influencing the training of their imams.
However, a new program has brought an end to this practice of sending imams directly from Turkey. Instead, Turkish students are trained in Germany in cooperation with the German Islam Conference (IKD).
With this new agreement, imams live permanently in German communities and have no formal ties to the Turkish government. Still, experts doubt that this alone will curb the Diyanet’s political influence.
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National Education Association Accused of Antisemitism in Bombshell Civil Rights Complaint
National Education Association (NEA) President Becky Pringle speaks during a “May Day” rally in Washington, DC on May 1, 2026. Several protests took place in the city centering on progressive causes including workers’ rights, immigrant rights, and climate change. Photo by Bryan Dozier via Reuters Connect
The largest teachers union in the US has been accused of proliferating antisemitism across its interstate network of chapters, offices, and K-12 schools in a new disturbing civil rights complaint filed with the US Equal Employment Opportunity Commission (EEOC) on Monday.
The National Education Association (NEA) blocks Jews from promotions, mentorship opportunities, and participation in social justice initiatives, the Louis D. Brandeis Center for Human Rights Under Law alleges in the action. The advocacy group further argues that antisemitic discrimination at the NEA is more than an invisible, bureaucratic force which disappears Jews from prominent roles. According to the Brandeis Center, anti-Zionist NEA officials want to be seen and recognized as a legitimate force in the union, and to that end have led in-person mobs against Jewish delegates attending union conferences; “physically intimidated” them; and even once took the step of excising Jews from its guidance on teaching students about the Holocaust.
During an annual conference held in 2025, the NEA ordered security to remove metal detectors from the entrance amid threats against the lives of Jewish delegates, according to the complaint. In many cases, the union allegedly ignores complaints of antisemitism which reach high-level officials through reporting channels the NEA itself composed. Virtually no one accused of having abused Jewish NEA members has been punished, let alone subject to a formal investigation, the Brandeis Center says.
The complaint adds that the NEA in 2025 also took the widely derided step of proclaiming that Holocaust commemoration must decentralize Hitler’s program to exterminate European Jews and “recognize the more than 12 million victims of the Holocaust from different faiths, ethnicities, races, political beliefs, genders, and gender identification, abilities/disabilities, and other targeted characteristics.”
Historically, such a move has been taken to minimize Jewish suffering and the role that antisemitism played in Nazi ideology and World War II.
“The NEA’s conduct is both completely illegal and morally unjustifiable. All educators, regardless of their ethnicity, deserve a safe workplace and support from the people whose job it is to protect them. In this case, the hostile, antisemitic environment propagated by the NEA is not confined to the union; it touches every school and every classroom in which an NEA member works,” Brandeis Center chairman and founder Kenneth Marcus said in a statement. “This is exactly the type of discrimination against which Title VII was designed to protect.”
Title VI of the Civil Rights Act prohibits discrimination based on race, color, or national origin in any program or activity receiving federal funding.
“Fighting to protect our NEA members from bigotry, we’re also fighting to protect our children from an environment that allows discrimination and antisemitic tropes,” Marcus added. “Unions are supposed to protect their members’ rights. The NEA is actually violating them.”
What the union promotes within its ranks inexorably appears in K-12 classrooms, the Brandeis Center says, pointing to a surge in antisemitic incidents in K-12 schools, a slew of which have been brought before civil courts and federal agencies. Just this month, another Jewish advocacy group, The Deborah Project, sued the San Leandro Unified School District (SLUSD) in California for standing down while a Jewish high school student was abused at its “Social Justice Academy” program. In another case, a teacher filmed her students saying that “the Jews” are “the people who took over, basically just stole the Palestinians’ land.”
Worker’s’ advocacy groups maintain that unions have played a role in promoting the “new antisemitism” which masks its antisemitic viewpoints with appeals to anti-Zionism, human rights, and other liberal values to squeeze anti-Jewish hatred through the Overton window.
In New York City, the federal government is investigating reports that members of the United Federation of Teachers (UFT) are procuring students for membership in anti-Zionist study groups teaching that Israelis are “genocidal white supremacists” and that Hamas terrorists are “martyrs.” The initiative there is funded by a nonprofit titled “Rethinking Schools,” which itself has been a recipient of exorbitant financial gifts from the NEA.
“The historical record shows that, whatever their shortcomings, previous generations of teacher-union leaders stood up to antisemitism in K-12 schools on behalf of their Jewish members and promoted strong US support for Israel in the face of existential attacks on that country,” union antisemitism expert Paul Zimmerman wrote in a damning report on the subject published in September. “Now, antisemitic activists grossly dishonor that legacy by weaponizing teacher unions to spread antisemitism, intimidate Jewish teachers, and recast the classroom as a battlefield against the West.”
Meanwhile, students at Columbia University recently escalated their fight against a graduate workers union dominated by anti-Israel advocates by filing a federal complaint with the National Labor Relations Board (NLRB).
The students allege that the bosses who run Student Workers of Columbia (SWC), an affiliate of United Auto Workers (UAW), devote more energy and resources to pursuing “radical policy proposals” than improving occupational conditions. In collective bargaining negotiations, it allegedly pressures the university to adopt the boycott, divestment, and sanctions (BDS) movement against Israel and to enact other measures, such as ending its partnership with the New York City Police Department (NYPD) and closing a dual-degree program with Tel Aviv University.
“All of this adds up to a union that is out of control, and I note that they don’t have an agenda against the mullahs in Iran, against the dictator who runs Turkey, against the Chinese communists who oppress their citizens or the North Koreans. But they have an agenda against Israel, the one democracy in the Middle East,” Glenn Taubman, staff attorney for the National Right to Work Foundation (NRTW), told The Algemeiner during an interview.
Follow Dion J. Pierre @DionJPierre.
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Reform Judaism helped craft the Voting Rights Act. Its evisceration gives Jews a new mission
Last week, the Supreme Court further gutted what is left of the Voting Rights Act of 1965. The Court’s ruling was terrible for the country, and particularly for communities of color whose votes will be diminished by this decision. But the ruling touched another, very personal nerve because the Voting Rights Act was partially drafted in my office, the Religious Action Center of Reform Judaism.
The RAC is a longtime hub of civil rights activity. From the earliest days after our 1962 dedication, Reform movement staff with the RAC worked alongside the staff of other civil rights and public interest organizations, including the Leadership Conference on Civil Rights. The era’s social justice luminaries, our movement’s leaders among them, would gather around our conference table to discuss, debate and craft policies to address racial injustices — including legislation that became the Civil Rights Act of 1964 and Voting Rights Act of 1965.
Many American Jews have no idea of our community’s connection to the law’s origins, rooted in a Jewish commitment to working across lines of difference and in an understanding that our safety is in solidarity with other marginalized communities who experience bigotry. But as Jews, we all know that we can only flourish in a true democracy in which every voice is heard, because every vote counts equally.
For decades, section two of the Voting Rights Act helped ensure that voters of color had a fair opportunity to participate in the political process. By narrowing how states can use race data to draw electoral maps, the Court’s ruling will dilute the voices of communities of color, and further weaken a law often called the “crown jewel” of the Civil Rights Movement — one that was the product of a moral struggle in which people of many faiths, including Jews, risked their lives.
Rabbi Dick Hirsch, the founder of the RAC marched with Dr. Martin Luther King Jr. in Selma because he understood that American Jewish safety is tied to the health of American democracy. During Freedom Summer, Andrew Goodman and Michael Schwerner — two white, Jewish men — were murdered alongside James Chaney, a non-Jewish Black man, while registering voters in Mississippi. Goodman and Schwerner did not see voting rights as someone else’s issue, but understood fighting for them to be a Jewish obligation.
That understanding is rooted in Jewish tradition. The Talmud teaches that “a ruler is not to be appointed unless the community is first consulted.” The VRA, which was reauthorized repeatedly over the decades by bipartisan majorities in Congress, was a crucial step to ensuring that communities of color were fairly consulted on the issues that affect their lives.
For decades after Reconstruction, Black representation in Congress was negligible and at times effectively nonexistent. That began to change only after the VRA became law. Today, there are more than 60 Black members of Congress, the highest number in American history. That progress was not inevitable. It was the direct result of legal protections that ensured fair access to the ballot.
By making it easier for states to defend discriminatory maps under claims of partisanship, the Court has weakened one of the most important tools to ensure fair representation. The result will be fewer fair Congressional maps — an effort well underway, in the wake of the decision, in states like Tennessee — less representative institutions, and a political system that reflects fewer voices.
Some will argue that this is simply the normal push and pull of constitutional interpretation, but history suggests otherwise. When democratic norms weaken, minority communities are among the first to feel the consequences.
For American Jews, this progression is not theoretical. Our security and prosperity, in this country as others, have depended not only on physical protection, but also on good laws, functional institutions and a system of checks and balances that uphold equal rights and reject discrimination.
George Washington recognized this in his 1790 letter to the Jewish community of Newport, Rhode Island, in which he promised that the United States would give “to bigotry no sanction, to persecution no assistance.”
In recent years, we have seen how fragile those protections can be.
Antisemitism has risen sharply, often alongside forces that divide Americans along racial, ethnic, and political lines. Efforts to weaken voting rights, undermine trust in elections and concentrate power do not occur in isolation. They are part of a broader pattern that threatens the pluralistic democracy on which Jewish life in the U.S. depends.
When the Court took a major piece out of the VRA in 2013’s Shelby v. Holder decision, Justice Ruth Bader Ginsburg famously warned in her stinging dissent that the Court’s decision was “like throwing away your umbrella in a rainstorm because you are not getting wet.” Today, the rain has not stopped. If anything, it is falling harder.
We must persevere through this storm. The path forward will not be easy, but it is clear.
In legislatures, we must push for stronger protections, among them state-level voting rights acts and renewed federal legislation. In the courts, advocates must continue to challenge discriminatory practices wherever possible. And at the ballot box, citizens must exercise their right to vote with renewed urgency.
For the Jewish community, this is a moment to organize. Through initiatives such as the Reform Movement’s 2026 Every Voice, Every Vote campaign, Reform Jews and our allies are working to expand access to the ballot and defend the democratic system that has allowed our community to thrive. This is how we put our values into practice.
Democracy requires participation, vigilance and a willingness to defend the rights of others. It demands that we act against all wrongdoings, not only when our own rights are directly threatened.
For Jews, that responsibility is part of our tradition and our history. As Rabbi Hirsch famously observed at the RAC’s dedication, “our forefathers did not rest with the issuance of general pronouncements from the detached heights of Mt. Sinai. They descended into the valley of reality.”
The Supreme Court decision is not just another technical shift in election law. It is a setback for American democracy, and for those of us who understand that democracy is not just a system of government but a moral commitment.
The question is whether we will meet this moment.
Democracy will not defend itself.
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