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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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Cameron Kasky, Jewish Parkland shooting survivor, is running for Congress on platform to ‘stop funding genocide’
(JTA) — Cameron Kasky, the 25-year-old Jewish activist and school shooting survivor, has entered the race to represent one of the United States’ most Jewish congressional districts — on a platform that includes stopping Israel’s “genocide” in Gaza.
“We need leaders who aren’t going to coddle their billionaire donors, who won’t support a genocide and who aren’t going to settle for flaccid incrementalism,” Kasky said in the launch video posted on Tuesday for his campaign to represent New York City’s 12th Congressional District.
The video’s caption includes the three main points of his campaign: “Medicare for all. Stop funding genocide. Abolish ICE.”
While Kasky’s anti-Trump positions are likely to go over well with the district’s largely liberal populace, his stance that Israel is committing a genocide — and the apparent centrality of that stance to his campaign — could be an issue for constituents. The district includes the Upper West and East Sides of Manhattan, where many voters sided with the pro-Israel Andrew Cuomo over Zohran Mamdani in the city’s recent mayoral election, as well as Midtown Manhattan.
Kasky’s messaging may, however, speak more to young voters in the district. A New York Times/Siena poll from September found that 66% of New York City voters ages 18 to 29 found that Mamdani, an anti-Zionist, “best addressed the Israeli-Palestinian conflict” among the mayoral candidates.
A democratic socialist, Kasky was a vocal supporter of Mamdani throughout the mayoral election — and an aggressive critic of fellow Democrats who objected to the mayoral candidate’s anti-Israel stances.
“‘Vote blue no matter who unless it’s a Muslim who criticizes Israel’s extremist far right nationalist government’ is not ‘vote blue no matter who,’” he wrote in one tweet.
In another, he wrote that Democrats who refused to endorse him after the primary should “go get a consulting gig and stop disrespecting your own voter base.”
Kasky had teased entering the crowded race for months, ever since Rep. Jerry Nadler, Congress’ most senior Jewish member, announced he would not be running for reelection.
In that time, Kasky has also weighed in on the viability of Micah Lasher, the Jewish state Assembly member and former Nadler aide who launched his own campaign for the seat earlier in the fall.
Lasher is unable to “fight fascism” because of his “genocide denial and free speech attacks on students,” Kasky wrote, with a screenshot of a Lasher tweet from Oct. 28, 2023, that criticized what Lasher called the “awful use of the word ‘genocide’ by some westerners to describe Israel’s actions.” (As the war in Gaza neared its two-year mark this summer, a poll found that half of Americans believed Israel had committed genocide, a claim that Israel and the United States both reject.)
Kasky also reposted a poll according to which Brad Lander, Mamdani’s most prominent Jewish ally, would beat the moderate congressman Dan Goldman, who is Jewish and withheld an endorsement due to “some of the rhetoric coming from Mamdani.”
“Needless to say, I am looking forward to working with Brad Lander,” Kasky wrote.
Kasky is the co-host of the “For You Podcast” with Tim Miller, which attempts to “break down the politics of the TikTok generation,” for The Bulwark, a center-right, anti-Trump media company.
One of Kasky’s podcast guests over the summer is now his opponent: Jack Schlossberg.
Schlossberg, who is the grandson of President John F. Kennedy and has said he is “at least 100% half Jewish,” announced his own candidacy for the 12th Congressional District last week.
Kasky remarked on their podcast that many women in his life have crushes on Schlossberg — and Schlossberg replied that the two men have a similar appeal.
“I always say, when you go unhinged politics Jew, it’s hard to go back,” Kasky said.
Kasky was thrust into the national spotlight as a survivor of the Marjory Stoneman Douglas High School shooting in Parkland, Florida, in 2018. Together with other survivors, he led a march in Washington and spurred a national movement that is seen as crucial to the 2022 passage of the most significant federal gun control legislation in decades.
Kasky, a junior at the time of the shooting, is credited with having selecting the name and hashtag #NeverAgain — which has long been linked to Holocaust commemoration — for the student-led gun control campaign. (Another co-founder of Never Again MSD is David Hogg, who recently stepped down as the youngest-ever vice chair of the Democratic National Committee.)
Before the shooting, Kasky said he played Motel in a school production of “Fiddler on the Roof.” The quality of his performance was proof, he joked, that he was not a paid actor in the protests, as some conspiracy theorists accused.
Kasky attended Hebrew school growing up, which he referenced when speaking on MSNBC about the “No Kings” protests against Trump.
“This kind of reminded me of my education growing up — when you go to Hebrew school, you learn about fascism a little bit younger than the other kids,” he said. “And you find yourself asking, in the face of authoritarianism, in the face of seeing a genocide happen before the entire world, what would I do? How would I react?”
He moved to New York City to attend Columbia University, where he later dropped out, and lives in the 12th Congressional District that’s been described as a “crown jewel” of New York politics.
Now, Kasky is running on a progressive agenda that emphasizes fighting Trump and stopping U.S. military aid for Israel, referring to the country’s actions in Gaza in no uncertain terms as a “genocide” — a response which he says has been informed in part by his Jewish identity.
“I am always surprised when people ask me why I focus so much on Palestine,” he wrote. “Beyond my Jewish identity making me strongly opposed to genocide, I’m a school shooting survivor-turned-activist. I started my adult life demanding an end to American-made weapons slaughtering children.”
The post Cameron Kasky, Jewish Parkland shooting survivor, is running for Congress on platform to ‘stop funding genocide’ appeared first on The Forward.
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Democrats urge Senate to oppose Trump’s pick for antisemitism envoy ahead of confirmation hearing
(JTA) — On the eve of a long-delayed Senate confirmation hearing for President Donald Trump’s pick for antisemitism envoy, a group of House Democrats is urging senators to reject the nomination of Yehuda Kaploun, arguing that he lacks the judgment and moral authority the post requires.
In a letter obtained by the Jewish Telegraphic Agency and sent Tuesday to Sen. Jim Risch, the Idaho Republican who chairs the Senate Foreign Relations Committee, and Sen. Jeanne Shaheen, its top Democrat, the lawmakers call Kaploun’s nomination “partisan and controversial” and say his “comments and actions demonstrate a clear unfitness for this post.”
A total of 18 House Democrats signed the letter, including several Jewish lawmakers such as Jerrold Nadler, Jamie Raskin, Jan Schakowsky, Becca Balint and Steve Cohen.
The intervention is atypical: House members almost never publicly oppose sub-cabinet nominees, a category generally considered routine Senate business.
The committee is scheduled to hold a hearing on Kaploun’s nomination on Wednesday morning.
Trump tapped Kaploun in April to serve as the State Department’s Special Envoy to Monitor and Combat Antisemitism, an ambassador-level role focused on antisemitism abroad. The Senate did not move for months to schedule a hearing, leaving the position vacant even as administration officials warned about a spike in antisemitism.
Kaploun, a Hasidic rabbi, Miami-based businessman and longtime political operative close to Trump, would be the first Hasidic Jew to serve in the role if confirmed. In a May profile, JTA detailed how he rose from a Brooklyn yeshiva student and community activist affiliated with the Chabad movement to a prominent figure in Republican politics and a visible surrogate in Trump’s 2024 campaign.
The Democratic letter focuses first on Kaploun’s rhetoric about Trump’s political opponents. It cites a comment in which Kaploun said that after the Hamas attacks of Oct. 7, “Democrats refuse to even recognize the butchers of women and kidnappers of children as terrorists,” calling the statement “absurd, insulting, and malicious.” The lawmakers argue that the remark maligns Democratic members of the Foreign Relations Committee who condemned the attacks and raises questions about his ability to work across party lines.
In addition, the Democrats point to an event Kaploun organized during the 2024 campaign at which Trump said that if he were to lose the election, “the Jewish people would have a lot to do with a loss,” and spoke of a “Democrat curse” on Jews who vote for the party. The letter describes those remarks as antisemitic scapegoating and says Kaploun’s failure to publicly condemn them — or what the letter calls the administration’s hiring of “antisemites and Christian Nationalists” — should be a central topic of Wednesday’s hearing.
The lawmakers also cite JTA’s earlier reporting on dueling lawsuits in Miami-Dade County involving Kaploun and another member of his synagogue, which alleged threats and an extramarital affair. Court records show that judges issued restraining orders on both sides and that the case was settled in April, days before Trump announced the nomination. Kaploun has denied having an affair and has said, through an attorney, that he was drawn into a marital dispute that has now been resolved.
The letter closes by turning Kaploun’s own past standard for nominees back on him, quoting a 1993 submission he made to the Senate, in which he argued that nominees must be judged on “honor,” “fidelity to principle” and respect for civil rights. “By his own standards, Mr. Kaploun fails,” the lawmakers write, urging senators to vote no.
Their intervention comes as a broad coalition of Jewish organizations has pressed the Senate to move quickly to confirm an antisemitism envoy and a parallel ambassador-at-large for international religious freedom. In an August letter led by the Jewish Federations of North America, groups from across the Jewish communal spectrum urged Senate leaders to “swiftly” fill both roles, warning that “we dare not delay in filling these critical positions.”
Kaploun has previously said he is refraining from interviews until after his confirmation process, but he has publicly argued for the importance of rising above partisanship. In a May op-ed published by JTA and co-authored with the previous two antisemitism envoys, Elan Carr and Deborah Lipstadt, Kaploun wrote that “the fight against this terrible scourge… must be bipartisan and non-political.”
The post Democrats urge Senate to oppose Trump’s pick for antisemitism envoy ahead of confirmation hearing appeared first on The Forward.
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Maduro Accuses Zionists of Trying to Deliver Venezuela to ‘Devils’ as US Threatens Terror Designation
Venezuelan President Nicolas Maduro speaks during a march amid the disputed presidential election, in Caracas, Venezuela, Aug. 3, 2024. Photo: REUTERS/Maxwell Briceno
Venezuelan President Nicolás Maduro accused Zionists of trying to hand his country over to “devils,” as the United States ramped up military pressure and opposition leaders continued to voice support for action against his regime.
“There are those who want to hand this country over to the devils – you know who, right? The far-right Zionists want to hand this country over to the devils,” Maduro said on Saturday during a speech to local pro-government grassroots organizations.
“Who will prevail? The people of [King] David, the people of God, the people of [Simón] Bolívar, or the imperialist demons?” he continued. “We are the people of David against the Goliaths that we have already defeated in history. If God wills it, we will face them.”
| Nicolás Maduro: “Algunos quieren entregar este país a los demonios; ya saben quiénes son: la facción sionista de ultraderecha”.
pic.twitter.com/i7IJ5W0kOs— Alerta News 24 (@AlertaNews24) November 16, 2025
The Venezuelan leader has a long history of blaming the Jewish state and Jewish communities for the country’s problems, even as opposition leaders continue to publicly voice support for Israel and denounce his regime.
Last year, Maduro blamed “international Zionism” for the large-scale anti-government protests that erupted across the country following the presidential elections, in which he claimed victory amid widespread claims of fraud.
He also called the Argentinian government “Nazi and Zionist” earlier this year, amid an ongoing dispute over the arrest of an Argentine military officer in Venezuela.
Maduro broke diplomatic relations with Argentina after President Javier Milei refused to recognize his reelection in July.
During his Saturday speech, the Venezuelan leader insisted that the country is a Christian nation and questioned why Americans would want to kill Christians, as he urged Washington to refrain from military escalation amid a US buildup in the Caribbean and strikes on alleged drug trafficking vessels.
“I place at the forefront of this battle our Lord Jesus Christ, to whom our homeland has been entrusted, the only king between heaven and Earth, Jesus of Nazareth, the young child and Palestinian martyr, Jesus of Nazareth,” Maduro said.
“I place Jesus of Nazareth as commander-in-chief of the battle for peace and the sovereignty of the Venezuelan people,” he continued.
He also tried to appeal to the American people, urging them to say “no” to war and “yes” to peace.
Maduro’s latest remarks came just before the Trump administration on Sunday announced the decision to designate the Cartel de los Soles, which the Trump administration has accused Maduro of leading, as a foreign terrorist organization. The designation could open the door to strikes on Maduro’s assets and infrastructure inside Venezuela.
“Based in Venezuela, the Cartel de los Soles is headed by Nicolás Maduro and other high-ranking individuals of the illegitimate Maduro regime who have corrupted Venezuela’s military, intelligence, legislature, and judiciary,” the US State Department said in a statement, noting the designation will take effect next week, on Nov. 24.
“Neither Maduro nor his cronies represent Venezuela’s legitimate government. Cartel de los Soles by and with other designated [foreign terrorist organizations] including Tren de Aragua and the Sinaloa Cartel are responsible for terrorist violence throughout our hemisphere as well as for trafficking drugs into the United States and Europe,” the statement continued. “The United States will continue using all available tools to protect our national security interests and deny funding and resources to narco-terrorists.”
Congress has seven days to review the decision after being notified, and “in the absence of congressional action to block the designation,” it will take effect, according to the State Department.
US President Donald Trump said on Sunday that, while he doesn’t believe the administration needs congressional authorization for potential military strikes inside Venezuela, he would like to keep lawmakers informed.
“We like to keep Congress involved. I mean, we’re stopping drug dealers and drugs from coming into our country,” he said. “We don’t have to get their approval. But I think letting them know is good.”
In recent weeks, Trump has ordered at least 21 strikes on boats believed to be carrying narcotics and has built up thousands of troops in the region.
Last month, US Defense Secretary Pete Hegseth announced the creation of a new counter-narcotics Joint Task Force, saying it was established “to crush the cartels, stop the poison, and keep America safe.”