Uncategorized
A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
—
The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.
Uncategorized
Vance meets with Temple Israel rabbi on Michigan visit
(JTA) — Vice President JD Vance recently met with representatives of Temple Israel in Michigan to offer “his support in the wake of the attack on our community,” clergy from the synagogue told the Jewish Telegraphic Agency.
Vance’s Monday meeting with representatives of the suburban Detroit synagogue that had been attacked by a terrorist in March came as the vice president has upped his outreach to Jewish voters ahead of a likely 2028 presidential run. He also invited a rabbi and security guard to a rally Monday in the Detroit suburb of Sterling Heights, where he called them out from the podium and said he was “honored” to have them attend.
The Reform synagogue’s clergy later offered more details about his outreach, telling JTA that he had met with one rabbi, as well as with a security officer who had stopped the assailant from harming anyone at the preschool that was in session.
The meeting was held at Vance’s request, Rabbi Jen Lader told JTA, and the vice president did not visit the synagogue itself.
“This was an important opportunity to ask for the Vice President’s support in the fight against antisemitism, and for additional security funding through the Jewish American Security Act,” Lader wrote in an email to JTA, referring to a bipartisan bill introduced in the U.S. House this summer to increase federal funds for both Jewish organizations and synagogue security.
Lader continued, “We’ve made the same requests to elected officials on both sides of the political aisle.”
Later that day the vice president traveled to Las Vegas, where he met in a closed-door session with members of the Republican Jewish Coalition, who have been riled by his close relationship with podcaster Tucker Carlson and other points of contention.
Vance sought to draw a contrast with Abdul El-Sayed, Michigan’s Democratic U.S. Senate candidate, who spent the weekend offering apologies for his earlier comments about the temple attack, when he appeared to describe the attack as a response to Israel’s incursion in Lebanon.
Some Michigan Jewish leaders are publicly mobilizing against El-Sayed, a harsh critic of Israel: As of press time, more than 400 Jews in the state, including some who hold prominent community positions, have signed a petition pledging to vote for the GOP candidate, former U.S. Rep. Mike Rogers, in the Senate race.
A representative for Vance did not respond to a request for comment on the vice president’s Temple Israel meeting or for his views on the Jewish American Security Act.
At the RJC meeting, where he also received a standing ovation but did not address his Carlson ties, attendees told JTA that Vance highlighted his outreach to Temple Israel.
The nation’s largest Reform synagogue, Temple Israel was attacked in March by a man who had recently lost family in an Israeli strike on a Hezbollah position in Lebanon. In two statements following the attack, El-Sayed initially condemned it outright. He then changed his wording to include what he now says was “context” about Israel’s war in Lebanon, including the phrase, “Hurt people hurt people.”
Speaking with the state Democratic Party’s Jewish caucus at the party convention on Saturday, El-Sayed apologized for those remarks, saying, “I made a mistake.” He also attended the caucus’s “Summer Simcha” fundraiser the next day, where he repeated his apology and asked for forgiveness. He told JTA the “context” he’d sought to include in his initial remarks was related to “violence in all its forms, in all circumstances.”
Temple Israel clergy have declined to comment to JTA on El-Sayed’s two apologies for his past comments. Lader had penned an op-ed in The Free Press criticizing his response.
Vance’s Michigan visit also included a rally in Sterling Heights, where he discussed the synagogue attack and called it “a terrible, antisemitic terrorist attack.”
“It could have been so much worse, ladies and gentlemen,” Vance told the crowd, who had given the Temple Israel personnel a standing ovation. “That guy showed up at that synagogue, at that school with a desire to kill a lot of children, and he killed precisely zero children because of the brave security guards who did their job and did it very well.”
Vance also called El-Sayed, a progressive and a Muslim, “very, very evil” from the podium.
“Abdul El-Sayed made an apology for the very people who would perpetrate violence against hundreds of innocent American school children,” Vance told the crowd. “You’ve got to ask yourself, if he’s willing to empathize, not with the children who almost had their lives destroyed at the most innocent and what should be the safest place in the world, their school, what is he going to do when he goes to Washington, D.C. when the cameras aren’t on?”
Vance added, “What I see is a man who has sympathy and compassion for people who share his religion, but have nothing for people who don’t. A person who will apologize for a murderer so long as he looks the right way, but will not understand the plight of an innocent child if that person has the wrong faith.”
The Jewish voters petition, titled “Michigan Jews Against Extremism,” was spearheaded prior to El-Sayed’s apologies but has picked up more signatures in their aftermath.
The petition’s language states that “many” of the signatories “have been fiercely supportive of Democratic candidates and principles,” but that all of them “declare our intent to vote for Mike Rogers for US Senate in 2026.”
“If El-Sayed were to win the general election in this important swing state, we fear the far-left and anti-Jewish elements in the Democratic Party would become dominant, including in the imminent 2028 presidential race,” the petition says. “We cannot allow him to become the Democratic standard-bearer or Michigan’s senator.”
The petition specifies that their vote for Rogers “does not require that we agree with him on every issue or that we support President Trump.”
Benji Rosenzweig, a real-estate agent and music podcaster based in West Bloomfield, was one of the letter’s signers.
“I’ve watched Abdul El-Sayed, for the last number of months, surround himself with people who cheer for the destruction of our families and the annihilation of our community,” Rosenzweig told JTA. He signed the petition before El-Sayed’s apologies but wasn’t swayed by them: “What he said was, ‘I’m sorry that you were hurt.’ That’s not an apology.”
Rosenzweig describes himself as a “centrist” who holds “liberal values,” and who would have voted for El-Sayed’s primary opponent, U.S. Rep. Haley Stevens, in the general November election if she had won the nomination. He recently met Rogers at an event, he said, and told him that “I will be holding him accountable to the liberal values that I still value.”
As of press time, the petition’s signatories include Brian Hermelin, current president of the Jewish Federation of Metropolitan Detroit; Mark Davidoff, CEO of the Michigan Israel Business Accelerator; Rabbi Eli Mayerfeld, CEO of the Zekelman Holocaust Center in Farmington Hills; Amy Newman, CEO of Jewish Family Service of Metro Detroit; and David Victor, past president of the pro-Israel American Israel Public Affairs Committee.
The petition included their names but not their titles, suggesting they were signing as individuals and not as representatives of their organizations. The list also includes the names of several people who had previously told JTA they would commit to fundraising for Rogers if El-Sayed won the Democratic primary.
Local rabbi Asher Lopatin, currently on leave from his role as community relations director for the Ann Arbor Jewish federation, has stumped for Rogers but told JTA he does not have a formal role with the campaign. In the Forward this week, Lopatin again urged the state’s Jewish Democrats to back Rogers over El-Sayed.
“To show the Democrats that such candidates should never be nominated, we must show them that such candidates can never win,” the rabbi wrote on Monday.
The El-Sayed campaign did not return a request for comment from JTA about the petition.
For the approximately 100,000 Jews in Michigan, the question of whether to vote for El-Sayed has proven hugely divisive. At the same Sunday event that hosted the candidate, state Attorney General Dana Nessel, who is Jewish and has publicly sparred with El-Sayed over his rhetoric, implored the crowd to “place the needs of the world above even our own self-interest and, yes, even our own survival” — suggesting that Jewish voters should put their own feelings of personal safety aside in order to elect a Democrat.
Nessel’s comment, coming one day after she sat out a state Democratic convention over what she said was fear of antisemitic harassment, has sparked some backlash outside of Michigan. Ron Halber, CEO of the Jewish Community Relations Council of Greater Washington, called the attorney general “an absolute embarrassment.”
Mark Goldfeder, who runs the litigation group National Jewish Advocacy Center, wrote on the social network X, “Jewish voters can care deeply about democracy, climate, health care and the welfare of their neighbors while still treating Jewish safety as entirely nonnegotiable.”
Rosenzweig said he had once been an admirer of Nessel but that he was “really sad” over what he interpreted as her suggestion that voting for Abdul “may put Jewish people in danger, but do it anyways.”
“If Abdul wins she gets to say, ‘Well, Jews are endangered,’” he said. “It’s just such a crazy place to put people in.”
This article originally appeared on JTA.org.
The post Vance meets with Temple Israel rabbi on Michigan visit appeared first on The Forward.
Uncategorized
Spain’s prime minister blames Israel, Russia for disinformation around Ceuta border crisis
(JTA) — MADRID — Spanish Prime Minister Pedro Sánchez said on Monday that Israel and Russia spread disinformation about Spain’s migration policy after a rush of migrants arrived in Ceuta, a Spanish exclave in North Africa.
Over 72,000 migrants crossed into Ceuta between July 30 and July 31, with at least 100 people dying in the attempt, according to local authorities. Sánchez, along with Morocco’s Interior Ministry, have blamed the surge on human trafficking networks that exploited misinterpretations of a change in Spain’s border policy.
In Sánchez’s first interview since the border crisis, he also said that Israel and Russia organized internet campaigns to undermine Spain’s government during the chaotic aftermath. Online theories proliferated widely after the Ceuta crossings, including some that said Israel orchestrated the crisis.
“After July 30th and 31st, there was an expansion of these hoaxes and this disinformation by social networks associated with both Russia and Israel, and with an international far-right movement that always uses migration, not only to attack Spain, but also to attack Europe and divide it,” Sánchez said in an interview with the Spanish radio network Cadena SER.
Sánchez said research from the European Union’s European External Action Service showed that Israel and Russia were behind disinformation campaigns, without giving further details on the evidence. The EEAS did not immediately respond to the Jewish Telegraphic Agency’s request for comment.
He added that it was “evident” that Israel and Russia were motivated by Spain’s political positions “regarding the genocide in Gaza and Putin’s invasion of Ukraine.”
Sánchez is among Europe’s most vocal critics of Israel’s conduct in Gaza and Iran.
Israeli Foreign Minister Gideon Sa’ar said Monday that Sánchez was “lying shamelessly,” adding that the statements “will not distract from Sánchez’s disgraceful failure to manage his country’s affairs.”
Kremlin spokesperson Dmitry Peskov also told the Russian state broadcaster RBC that Russia had no involvement in the migrant crisis or disinformation campaigns.
Spanish-Israeli diplomatic ties, first established in 1986, have deteriorated since the start of the Gaza war in 2023, with Madrid since recognizing Palestine as a state and banning ships carrying arms to Israel from docking in its ports. By 2026, both countries had recalled their ambassadors.
This article originally appeared on JTA.org.
The post Spain’s prime minister blames Israel, Russia for disinformation around Ceuta border crisis appeared first on The Forward.
Uncategorized
What would a far-right win in Germany’s east mean for Jews?
(JTA) — Germany’s far right is heading to a historic win in the eastern federal state of Saxony-Anhalt, with plans of overhauling society to foster national pride and reject the country’s “guilt complex” over the Holocaust.
The Alternative for Germany (AfD) party is predicted to win an election on Sept. 6. It seeks an absolute majority, which would allow it to govern alone and make AfD politician Ulrich Siegmund the state premier. A victory would deliver the first far-right government of a German state since World War II.
The AfD is polling at over 40% days before the election, about 20 points ahead of the center-right Christian Democratic Union (CDU), which has led the region since 2002. Its victory would overcome a barrier of mainstream parties that have refused to work with the AfD and blocked it from federal and state governments since its founding in 2013.
The AfD has proposed a sweeping nationalist agenda that includes expanding deportations and moving refugees into group shelters, dropping support for public broadcasters, defunding “anti-German art” and teaching children less about the Nazi past.
Lars Rensmann, a political science professor at the University of Passau in Bavaria, wrote a report on antisemitism in the AfD for the American Jewish Committee. He said that the party does not rely on overtly antisemitic rhetoric; instead, AfD leaders reference coded antisemitic stereotypes of “globalist, cosmopolitan elites and shadowy financial powers.”
These powers, alongside migrants, are painted as part of a hostile external force that could destroy Germany’s national identity.
“On the official level, [the AfD] only occasionally mobilizes open antisemitism,” said Rennsmann. “Yet it does, on various levels, use antisemitic tropes, antisemitic ideas, antisemitism as part of a larger worldview.”
The AfD has officially distanced itself from neo-Nazi groups and rejects allegations of extremism. Nonetheless, party leaders have repeatedly used Nazi slogans that are banned in Germany, such as “Alles für Deutschland,” or “Everything for Germany.” Björn Höcke, the AfD chairman in Saxony-Anhalt’s bordering state of Thuringia, has advocated for “a large-scale remigration project” to expel immigrants and prevent “our impending Volkstod,” or “death of the people,” using a term that played a major role in Nazi propaganda.
The Saxony-Anhalt branch of the AfD has also focused its platform on moving past Germany’s “guilt complex” over the Holocaust. The party’s manifesto says that the country’s culture of commemorating Nazi crimes has “led to a situation where national pride is generally considered disreputable, the defense of one’s own interests is perceived as indecent, and politicians avoid any positive reference to our rich history before 1933.”
Höcke has also called Berlin’s Holocaust Memorial a “monument of shame.”
The AfD’s normalization of Nazi language and downplaying of Nazi history have pushed it outside the family of other right-wing populist parties in Europe, according to Rensmann. Established far-right movements such as France’s National Rally and Italy’s Fratelli d’Italia have refused to ally with the AfD in the European Parliament, deeming it too extreme.
The party’s branch in Saxony-Anhalt is also classified by Germany’s domestic intelligence agency as a confirmed right-wing extremist group, a designation the AfD strongly rejects. The government cited anti-constitutional positions in the party that it said violated the principles of human dignity, democracy and the rule of law. The national AfD is being monitored for “suspected” extremism.
If the party comes to power in Saxony-Anhalt, its nationalist views of history could have immediate effects on the state’s education system. Hans-Thomas Tillschneider, the AfD politician who has spearheaded a new state curriculum, told Deutschlandradio that he plans to emphasize pre-20th century German history with a formula that he called “More Bismarck, less Hitler,” referring to the 19th-century chancellor who realized the country as a unified nation-state.
Rensmann, the professor, noted that education is primarily controlled by state governments in Germany.
“They have ample opportunity to set curricular guidelines, and they will do that — I’m very sure they will implement this as soon as possible,” he said. “They will also draw potential civil servants to the state with an extremist neo-Nazi background, who were rejected as teachers in other states, and then they will have a good chance to join and become lifetime civil servants.”
The AfD has also promised a “patriotic cultural policy.” In that vein, the party has proposed that artists and cultural organizations sign a declaration pledging their “commitment to German national culture” and promising not to “disparage Germany and its culture” if they seek state funding, which many heavily rely on.
The party’s manifesto pushes for “German thinking” over “modern thinking,” specifically attacking the “identitylessness” of the Bauhaus art school, the Saxony-Anhalt institution at the forefront of an iconic avant-garde movement. The school was forced to close by the Nazis, who called it “un-German.”
Remko Leemhuis, the director of the AJC Berlin Lawrence and Lee Ramer Institute for German-Jewish Relations, said this cultural policy could threaten funding for museums dedicated to the Holocaust. Saxony-Anhalt is home to several Holocaust memorial sites, including the Lichtenburg concentration camp, the Langenstein-Zwieberge subcamp of the Buchenwald concentration camp and Roter Ochse, which was used by the Nazis as a prison and execution site. The memorials receive both federal and state funding.
“The AfD will immediately — or as soon as they can — cut the funding or reduce it to a level where a lot of these memorial sites are no longer able to operate in a way that they used to be,” said Leemhuis.
The party has not explicitly said that it will sever funding from Holocaust memorials. But it has proposed abolishing the State Agency for Civic Education, which finances a large portion of school trips to these sites.
Leemhuis added that the AfD could transform the priorities of Saxony-Anhalt’s domestic security agency.
“This means the AfD has political power to direct security services where to look, where not to look,” he said. “Given the track record of this party, and especially this party group in that state, it will be very clear that there won’t be much of a focus on right-wing extremists.”
The AfD has defended itself against antisemitism accusations by saying that it supports Israel, specifically invoking Israel as a model of “the fight against Muslim immigration,” said Rensmann. At the same time, members of the party have accused Israel of deporting African immigrants to Germany and suggested that Israel has financially exploited Germany to pay for the Holocaust.
The Saxony-Anhalt branch of the AfD did not respond to a request for comment by press time.
An AfD victory in Saxony-Anhalt could portend wider-scale momentum, as CDU Chancellor Friedrich Merz struggles with plunging popularity amid a sluggish economy. The AfD won 20.8% of the vote in last year’s national election, the best post-World War II showing by a far-right movement, becoming Germany’s largest opposition party.
Rensmann said that if the AfD sets the agenda it promised in Saxony-Anhalt, it will also immediately send a national message.
“If there is an AfD government, this will be a kind of model for others in the rest of Germany who are antisemitic or rejecting Holocaust memory,” said Rensmann. “They will see this as a model to aspire to.”
This article originally appeared on JTA.org.
The post What would a far-right win in Germany’s east mean for Jews? appeared first on The Forward.
