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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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The Gaza International Stabilization Force Can Be the IDF
A Red Cross vehicle, escorted by a van driven by a Hamas terrorist, moves in an area within the so-called “yellow line” to which Israeli troops withdrew under the ceasefire, as Hamas says it continues to search for the bodies of deceased hostages seized during the Oct. 7, 2023, attack on Israel, in Gaza City, Nov. 12, 2025. Photo: REUTERS/Dawoud Abu Alk
On December 29, Israeli Prime Minister Benjamin Netanyahu will meet with US President Donald Trump to weigh options for implementing Phase 2 of the Gaza ceasefire plan, which was endorsed by UN Security Council Resolution 2803.
The most urgent task in Phase 2 is addressed by the resolution at Section 7. The provision urges the many interested parties — called Member States — to organize an International Stabilization Force (ISF) that will disarm Hamas and demilitarize Gaza.
It won’t be easy. Most Member States are unwilling or reluctant to commit troops to the ISF. Others suggest the ISF should be a mere monitoring group similar to the UN peacekeepers in Lebanon. However, those “blue helmets” did nothing to disarm the Lebanese-based Hezbollah terrorist group, or to demilitarize its zone of operations.
The only fighting force with the demonstrated motivation and ability to execute the mandated mission of disarmament and demilitarization is the Israeli Defense Forces (IDF). The IDF nearly defeated Hamas in October, but stopped at Hamas’ last stronghold when the ceasefire deal was signed.
Section 7 does not mention whether the ISF may be composed of just a single state. The authors expected a multinational ISF, perhaps because they believed the involvement of a few Muslim states would act as a buffer against perceived IDF aggression. On the other hand, the text of Section 7 may be reasonably interpreted to permit a delegation of the ISF’s entire workload to the IDF.
To begin with, Section 7 requires the ISF to “use all necessary measures” to achieve the military objectives of Phase 2. Member States may comply with this clause by empowering the IDF to disarm Hamas and demilitarize Gaza. The wording does not require the use of force to be conducted by a minimum number of Member States.
Next, Section 7 compels the ISF to work “in close cooperation” with Egypt and Israel. Assembling the ISF from the ranks of Israel’s own army would help cement such cross-border cooperation.
The section also instructs the ISF to “train and support vetted Palestinian police forces.” No military unit is more fit for that function than the IDF, based on its decades of interactions with the Palestinian police.
A related operational factor supports the concept of an ISF staffed by IDF troops. The IDF maintains crucial contacts with anti-Hamas militias in Gaza. Those resistance fighters know the complex urban terrain, and they command respect among area civilians. Including them in the ISF mission would be a strong force multiplier.
In an IDF-as-ISF model, the funding mechanism of Section 7 would remain unchanged. Member states and other donors would simply direct their “voluntary contributions” to Israel instead of some other ISF incarnation. A Member State that refuses to contribute funding could be excluded from the multinational Board of Peace, which the UN resolution envisions as Gaza’s transitional government.
Section 7 states that when Gaza reaches the point of “control and stability,” the IDF must withdraw to a designated “security perimeter presence” in the enclave. Some may fear that awarding the ISF function to the IDF would incentivize Israel to occupy all of Gaza, and potentially extend sovereignty to the domain, with no admission of control or stability. However, Section 7 already stipulates that the withdrawal milestone must be determined jointly by a diverse group of decision-makers, including not only the IDF but the US, Egypt, Qatar, and Turkey.
Finally, giving the ISF role to the IDF would help ensure the Phase 2 goals are met “without delay,” as demanded by the resolution at Section 1. Hamas has already caused weeks of delay by dragging out the hostage return process required by the first phase of the ceasefire plan. The procrastination enabled Hamas to consolidate its power. For example, the terror group recruited more fighters, converted al-Nasser Hospital into a prison to torture dissidents, and wrangled more funding from its terrorist patron, Iran. Consequently, it will now take more time to disarm the group and demilitarize the enclave. Waiting even longer to attain the unrealistic dream of a multi-state ISF would cause even more delay. The setback would not only embolden Hamas but prolong the suffering of Gaza’s war-torn civilian population.
It’s likely that many UN member states would reject this plan, because it’s not what they believed they signed onto. But so far, none of them has put forth a better or more realistic alternative. Moderate states don’t want to send troops, and extremist states like Turkey (which supports Hamas) cannot be allowed to.
No amount of UN resolutions will help Gaza recover from the Hamas-initiated war until Hamas is defanged and its terrorist stronghold is demolished. That dirty work may not be popular, but it must be done. Otherwise, Hamas will continue to exploit Gaza as a launching pad for its ruinous attacks.
Joel M. Margolis is the Legal Commentator, American Association of Jewish Lawyers and Jurists, US Affiliate of the International Association of Jewish Lawyers and Jurists. His 2001 book, “The Israeli-Palestinian Legal War,” analyzed the major legal issues in the Israeli-Palestinian conflict. Previously he worked as a telecommunications lawyer in both the public and private sectors.
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A Gazan Warehouse of Baby Formula Exposes Hamas Was Withholding Food From Children
The New York Times building in New York City. Photo: Wikimedia Commons
Throughout the summer of 2025, doctors in Gaza repeatedly warned that babies were going hungry due to a shortage of infant formula. These claims were amplified across global media and social platforms, often delivered in dramatic appeals for urgent international intervention. Over time, the narrative became one of the most prominent humanitarian storylines of the season.
The New York Times wrote that “Parents in Gaza Are Running Out of Ways to Feed Their Children,” and The Guardian urged action as babies were “at risk of death from lack of formula.”
Perhaps most widely known were the stories of malnourished children in Gaza whose gaunt images dominated front pages around the world. Families of these young children pleaded for international intervention, saying they had “no formula, no supplements, no vitamins” to feed their babies.
Although some of these children were later reported to have had pre-existing medical conditions that contributed to their malnourishment, much of the media continued to advance a narrative suggesting that Israel was deliberately targeting children by restricting adequate humanitarian aid to Gaza.
Israel, however, consistently maintained that there was a steady supply of infant formula entering Gaza. At the height of the media frenzy over alleged starvation, Israeli records showed that more than 1,400 tons of baby formula, including specialized formulations for infants with medical needs, had been delivered into the Strip.
So where was all the formula?
In Hamas-controlled warehouses.
This week, anti-Hamas activists exposed a storage facility operated by the Hamas-run Gaza Ministry of Health stocked with large quantities of baby formula and nutritional supplements intended for children — supplies that had never reached the families featured in international headlines.
This is the terror organization Israel has been fighting for the past two years, and precisely why its removal from power in Gaza remains a central condition of any lasting ceasefire.
Hamas’ campaign is not driven solely by hostility toward Israel, but by a calculated willingness to endanger its own civilians to advance its goal of dismantling the Jewish State. That strategy has included obstructing or diverting humanitarian aid when it suited its aims — even when the victims were children.
By placing Gazan lives in harm’s way and exploiting their suffering, Hamas weaponized heartbreaking images to sway global opinion against Israel. In the process, it manipulated media narratives while evading responsibility for the humanitarian consequences of its own actions. Tragically, it did so with considerable success.
The same outlets that aggressively promoted the claim that Israel was withholding aid and deliberately starving children by blocking access to infant formula have since gone conspicuously silent. A story that once dominated front pages around the world has virtually disappeared now that evidence has emerged showing that Israel was not the perpetrator.
Hamas manipulated the media — and it worked. By laundering terrorist propaganda through headlines, imagery, and selective outrage, then declining to correct the record once that narrative unraveled, major outlets exposed how vulnerable they are to manipulation when facts complicate preferred storylines.
Hamas has been the agitator all along, recklessly endangering both Palestinian and Israeli lives. It is time the media confront that reality and their role in falsely accusing Israel of starving innocent Palestinians.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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An Emerging Crisis: Fighting Antisemitism in the Mental Health Professions
The personal belongings of festival-goers are seen at the site of an attack on the Nova Festival by Hamas terrorists from Gaza, near Israel’s border with the Gaza Strip, in southern Israel, Oct. 12, 2023. Photo: REUTERS/Ronen Zvulun
In a mental health professional network, an article was posted about how Jews faced discrimination in the profession.
There were over 250 comments in less than 8 hours, mostly attacking Jews and/or Zionists.
In an announcement for a training session being led by one of us, there were over 500 explicitly antisemitic comments in an hour on Reddit.
An article published about the impact of antisemitism on the mental health of Jews in America received hundreds of political comments about the Israel-Hamas war, rather than any discussion of clinical implications
An Orthodox Jewish psychologist organized a series of speakers, and one invited professional demanded that all attendees sign a declaration condemning the current Israeli government.
And, at the annual meeting of the American Psychological Association (APA), professional listserv postings urged attendees to wear keffiyehs and read a “land and genocide statement” before their presentations. Some presentations included Hamas propaganda.
These examples are not indicative of legitimate academic rhetoric — they are evidence of the field’s growing animus towards Jews.
Two factors help explain how mental health professionals feel comfortable discriminating against Jewish colleagues.
The first is the rapid embrace of a widely endorsed but empirically unsupported treatment model, decolonial therapy (DT). DT emphasizes the role of historical oppression on the development and perpetuation of intergenerational trauma. It explicitly blends clinical work with activism, urging clinicians and clients to engage politically in and out of therapy.
The activism in DT frames Zionism as oppression and psychopathology. For example, one of the leading proponents of DT has tied Zionism to genocidal intent, misogynoir, and fascism. Another prominent figure has referred to Zionism as psychosis and defended the murder of two Israeli Embassy employees in May.
Instead of condemnation from members of the profession, these practitioners have been celebrated by the leaders of the DT movement, hold leadership positions, and receive speaking invitations.
Left-wing identitarianism has also led to the explosion of antisemitism in the mental health professions. Unlike the purity demands of white European identity that are the basis of right-wing identitarianism, left-wing identitarianism demands strict ideological purity. This includes framing Jews as oppressors and Zionism as a form of mental illness and oppression.
This framework justifies aggression against Jews while also valorizing violence and terrorism committed by Hamas. These patterns within the mental health field prompted a sitting Democratic congressman to condemn the APA. It was also the impetus for a complaint filed with the Department of Education’s Office of Civil Rights during the Biden administration against an anti-Zionist DT leader who characterized Zionism as psychosis.
Mental health professionals who are anti-Zionist, including Jewish members of the profession, are embraced as ethical scholars and professionals, damaging collegiality and harming the profession. But when a professional defends the right for Israel to exist, regardless of their view of the current Israeli government, they are met with condemnation and scorn.
Left-wing identitarianism in the mental health professions extends to the demand that practitioners accept DT. While DT lacks empirical support, it is presented as if it were settled psychological science, to be applied to all individuals from historically marginalized backgrounds, while identifying specific other groups deemed responsible for these intergenerational woes.
This guiding philosophy commits rhetorical, interpersonal, political, and in some cases physical violence against Jewish members of the profession. It contributes to traumatic invalidation, wherein a Jewish client’s grief or fear is mocked, minimized, or made contingent on denouncing aspects of their identity. It is associated with avoidance, hypervigilance, shame, and ruptured help-seeking. As clinicians, we would never tell a survivor, “You’re safe here — as long as you recant a core part of who you are.”
We must not say it to Jews either. Whatever one’s politics, professional codes are clear: avoid discrimination and harm, be accurate in teaching, and avoid false or deceptive statements
The new identitarianism poses a serious public health risk. Clients have been rejected by professionals simply for being Jewish or expressing distress over the war between Israel and Hamas.
This risk extends beyond Jewish clinicians and clients. Fusing treatment with politics creates a profound public health crisis, as more clients will receive care that is based on activism and invalid conceptualizations of mental illness. Given the influence mental health professionals have on the public, this movement actively contributes to the rise of left-wing antisemitism
This is not a plea to shield Israeli policy from critique, nor erase Palestinian trauma. Patients and trainees deserve freedom from ideological coercion and discrimination because of their Jewish and/or Zionist identity. Good care is rigorous and grounded: validate distress, explore meaning, and apply tested tools. Keep the hour centered on patient goals, not clinician activism. We can hold multiple truths: Palestinian suffering, Israeli suffering, diaspora Jewish fear — without coercing political statements from patients, trainees, or colleagues.
We recommend professional reforms at every level. Mental health associations must require continuing education (CE) providers to disclose when the content is advocacy versus evidence-based clinical training. Safeguards must be instituted for reporting discrimination based on Jewish/Zionist identity, with clear remedies.
Antisemitism literacy must be adopted at every level of professional education. Assessment of traumatic invalidation needs to be incorporated into intake procedures when identity-related stressors are evident. When teaching emerging and untested methods (such as DT), clear disclaimers about the available evidence must be made explicit. And regulatory bodies need reform to swiftly and transparently address claims of retaliation against trainees and colleagues for Jewish/Zionist identity, and enforce anti-discrimination policies.
Our field knows how to hold complexity. We can grieve for Palestinians and Israelis, critique policies, and still protect patients, trainees, and colleagues from ideological coercion. Jewish clinicians and clients deserve the same ethical care we promise everyone else. Let’s replace purity tests with professional standards, and return the therapy room to what it’s for: healing.
Dean McKay is a Professor of Psychology at Fordham University and Miri Bar-Halpern is a Lecturer at Harvard Medical School.