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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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Israel Targets Hezbollah Fighters Disguised as Paramedics as Terror Group Continues to Exploit Civilian Sites
Israeli soldiers walk next to military vehicles on the Israeli side of the Israel-Lebanon border, amid escalation between Hezbollah and Israel, and amid the US-Israeli conflict with Iran, in northern Israel, March 16, 2026. Photo: REUTERS/Avi Ohayon
Israel on Sunday night intercepted a Hezbollah operation in southern Lebanon, targeting a terrorist cell disguised as paramedics who tried to transport weapons in an ambulance toward Israeli forces.
The Israeli strike further exposed the Iran-backed Lebanese terrorist group’s use of civilians and even medical vehicles as cover for attacks.
According to Israeli intelligence, Hezbollah has fired thousands of drones and rockets toward the Jewish state since joining the war in support of Iran earlier this month, brazenly using ambulances and medical facilities as cover and embedding their weapons and operation hubs in various civilian sites.
“This incident is another example of Hezbollah’s cynical and systematic use of medical infrastructure for military purposes,” the Israel Defense Forces (IDF) said in a statement.
Last week, Israel discovered a tunnel used by Hezbollah in a church in southern Lebanon, where the terrorist group has spent years building infrastructure to attack the Jewish state.
Hezbollah tunnel at a church in southern Lebanon https://t.co/5mTGP7uSvz
— Matthew Levitt (@Levitt_Matt) March 27, 2026
Under international law, deliberately using medical teams and ambulances to conceal military activity constitutes a serious violation, as battlefield protections for medical personnel apply only when they act strictly within their humanitarian role.
As the conflict in Lebanon continues to escalate, Israeli officials have repeatedly warned that once ambulances and medical teams become part of Hezbollah’s weapons transport network, they lose their protected status and become legitimate military targets.
On Monday, the IDF destroyed more than 100 high-rise towers in southern Lebanon serving as Hezbollah’s command, control, and attack-planning centers against Israeli citizens – in what officials described as the terrorist group’s “cynical exploitation of Lebanese citizens,” embedding military infrastructure amid civilian areas.
PHOTOS: Israeli soldiers discover Hezbollah weapons cache—including RPGs, mortars, hand grenades, launchers, land mines, explosive bricks, and rifles—in southern Lebanon school. (IDF) pic.twitter.com/2HIpFtPLTQ
— Avi Mayer אבי מאיר (@AviMayer) March 27, 2026
With a ground maneuver underway to expand a defensive zone in southern Lebanon, the IDF says it has eliminated over 850 Hezbollah terrorists so far, while continuing to dismantle the group’s command and weapons infrastructure.
Last week, Israeli forces ordered the evacuation of the southern Lebanese city of Tyre, after identifying Hezbollah operatives launching heavy rocket fire from residential neighborhoods, issuing the order ahead of airstrikes to safeguard civilians from the escalating attacks.
“Hezbollah, which has dragged you into this war in service of Iran’s agenda, is deliberately operating within your neighborhoods, putting your safety at grave risk and bringing destruction to your homes and communities,” the military’s Arabic spokesperson, Col. (res.) Avichay Adraee wrote in a post on X, appealing to Lebanese citizens.
For years, Hezbollah has embedded command posts, weapons depots, snipers, and troops within Shiite villages, situating them in the heart of civilian centers near schools, hospitals, mosques, and main roads to turn entire communities into battlefields.
“We found them hiding weapons in a children’s school. We found them building a tunnel in the complex of a church in al-Kiam,” IDF International Spokesperson Lt. Col. Nadav Shoshani said during a briefing to journalists.
In recent weeks, Israel has intensified strikes targeting Hezbollah, particularly south of the Litani River, where the group’s operatives have historically been most active against the Jewish state.
Israel has long demanded that Hezbollah be barred from carrying out activities south of the Litani, located roughly 15 miles from the Israeli border.
The IDF is now moving into Lebanon to establish what officials described as a “forward defensive line,” targeting Hezbollah infrastructure and destroying buildings that were being used as operational “terrorist outposts.”
As reports surfaced of potential ceasefire talks between Lebanese and Israeli officials, Hezbollah Secretary General Naim Qassem warned Wednesday that negotiating under fire amounts to imposed surrender, adding that his fighters are prepared to continue operations “without limits.”
In just the first month of the conflict, Israeli officials report that Hezbollah has carried out more than 900 coordinated attacks, marking a sharp increase in cross-border activity and a broader expansion of its operations across the region.
So far, Israel has demolished five bridges in the Litani River area and taken effective control of three others, aiming to dominate the area from the air and prevent residents from returning south of the river until the threat of Hezbollah is removed.
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DNC to Consider Resolution Condemning AIPAC
Crews prepare the stage at the annual AIPAC Policy Conference in Washington, DC, March 6, 2018. Photo: Reuters / Brian Snyder
A newly introduced resolution within the Democratic National Committee (DNC) is putting the party’s relationship with pro-Israel lobbying money under renewed scrutiny, exposing a deepening divide between its progressive base and establishment leadership.
The measure, which is nonbinding, calls on Democrats across the US to reject or distance themselves from funding tied to the American Israel Public Affairs Committee (AIPAC), the premier pro-Israel lobbying group, and its affiliated political entities. While largely symbolic, the resolution would compel party officials and candidates to publicly take a position on whether to accept such financial support.
Allison Minnerly, a DNC member from Florida who sponsored the resolution, argues that the committee needs to take a more aggressive stance in fighting on behalf of Palestinians.
“At a time when Democratic voters might really not have felt represented or seen when it came to Gaza or seeing their party support Palestinian rights or stand against military conflict, this could be one step toward bringing those voters back into the party,” she told The Intercept.
Minnerly also presented a resolution last August which called for an arms embargo against Israel. That measure failed.
The new resolution comes as AIPAC and allied super PACs have become increasingly influential in Democratic primaries, spending millions to back candidates aligned with their positions. Critics within the party argue that this influx of money, including donations from Republican-aligned contributors, risks distorting Democratic contests and elevating outside influence.
The resolution condemns AIPAC for its purported attempts to influence Democratic politics surrounding the Israeli-Palestinian conflict and undermining efforts to fortify “Palestinian rights” in Israel. The resolution accuses AIPAC of pouring over $100 million into Democratic competitions in an attempt to shift overall results.
The resolution raises general concerns about the role of nonprofit and political groups that can obscure the origins of campaign funding, intensifying calls for greater transparency.
Progressive Democrats and grassroots activists are driving the push for the resolution, framing it as part of a broader effort to limit the influence of big money in politics. Many argue that AIPAC’s policy positions, particularly in the context of the Gaza conflict, are increasingly out of step with Democratic voters. The resolution specifically accuses AIPAC of influencing Democratic candidates to adopt positions on the Israel-Hamas conflict that are not adequately reflective of “the views of their constituents.”
Supporters say the resolution is less about enforcement and more about signaling, drawing a clear line on the type of financial backing the party should accept.
Party leaders and more moderate Democrats have approached discourse regarding the Israel-Hamas war cautiously. Centrist Democrats and those in heavily Jewish districts have balanced their support for Israel’s right to self-defense with concern over the humanitarian toll in Gaza. In progressive districts, however, anti-Israel positions have emerged as a litmus test in primaries, with candidates being grilled on whether they will vote to cease arms transfers to the Jewish state or whether they consider the military conflict in Gaza a “genocide.”
Despite the pressure campaign to dislodge the Democratic party from Israel, many moderate liberals point to AIPAC’s long-standing support for Democratic candidates and warn that rejecting its backing could put candidates at a disadvantage in competitive races. Others emphasize the importance of maintaining relationships with pro-Israel constituencies, suggesting that a sweeping break could carry political risks. However, others have accused AIPAC of bankrolling Republican and pro-Trump candidates to the expense of Democrats.
AIPAC contends that it supports pro-Israel candidates regardless of political affiliation, arguing the American-Israeli relationship is bipartisan and advances US interests. Further, other lobbying groups which support foreign countries, such as the National Iranian American Council (NIAC), donate funds and support to American candidates with little controversy.
The fight over the resolution reflects a larger transformation within the Democratic Party, as shifting voter attitudes and growing skepticism of large-scale political spending reshape internal dynamics. Polling suggests that the Democratic party has largely shifted against Israel, especially among younger voters. Ambitious Democratic hopefuls are reassessing their messaging and position on Israel, with progressive liberals aggressively condemning the country for committing a so-called “genocide” in Gaza.
As the DNC considers the measure, the outcome could serve as a signal of where the party stands in an evolving political landscape.
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Catholic University of America Under Fire for Requiring ‘Opposing Viewpoint’ for Combating Antisemitism Event
A general view of the Catholic University of America (CUA) campus in Washington, DC. Photo: Graeme Sloan/Sipa USA via Reuters Connect
The Catholic University of America (CUA) is being criticized for denying the Students Supporting Israel campus organization approval to host events on combating antisemitism and defending Israeli security unless it agrees to feature “opposing viewpoints.”
The episode began earlier this month when Students Supporting Israel (SSI), a national organization that has faced opposition from CUA before, publicly complained that the university refused to sanction both an event in which US Rep. Randy Fine (R-FL) would discuss “ending campus antisemitism” and another featuring an Israel Defense Forces (IDF) soldier with experience in resisting jihadist terrorism along Israel’s security fence with the West Bank.
According to university policy, civil dialogue on the contemporary issues can’t be held unless it includes “speakers representing both sides.” While the policy purports to promote intellectual exchange, critics say it has the effect of compelling speech or censoring it altogether by imposing conditions on free speech to which no group could agree without undermining its mission.
In SSI’s case, the group has said that CUA’s policy demands the participation of anti-Israel, even antisemitic voices who would leverage a speaking engagement to utter dehumanizing opinions about Jews or propaganda confected by the Hamas terrorist organization and other groups which seek to destroy the world’s only Jewish state.
The case has now become the cause of the Foundation for Individual Right and Expression (FIRE), a group which has at times disagreed with the pro-Israel community’s outlook on free speech issues.
“While CUA is a private university and therefore not bound by the First Amendment, it is legally and morally bound to adhere to the institutional commitments it has voluntarily made to protect students’ freedom of speech,” FIRE said on March 18 in a blistering demand letter to the university. “Forcing student organizations ‘to host or accommodate another speaker’s message,’ even in the service of providing a greater range of views, inevitable ‘alters the expressive content’ of the event. Having made these free speech commitments, it is no more appropriate for CUA to require Students Supporting Israel to host speakers who oppose Israel than it would be for the federal or state government to force CUA to couple its institutional pro-Catholic messages with anti-Catholic viewpoints.”
This is not the first time that the Catholic University of America has allegedly trampled on the rights of pro-Israel advocates.
In October, it allegedly used bureaucratic obstruction to suppress Jewish grieving and commemoration of the children, women, and men whom Hamas-led Palestinian terrorists murdered during the Oct. 7, 2023, massacre in southern Israel by canceling a memorial display that was approved in August.
According to the school’s SSI chapter, university officials cited an arcane policy which proscribes flying the flag of any foreign nation, except for that of the Vatican, on campus. However, SSI maintains that it was selectively applied to it with malice, citing that anti-Israel organizations have flown the Palestinian flag on campus numerous times, with and without official permission, as have many other organizations.
At the time, The Algemeiner requested photographic evidence of SSI’s claims of selective enforcement, to which the group responded by sending several pictures showing dozens of foreign flags flying on the campus, including those representing the nations of Brazil, France, and Ukraine. The group added that after canceling SSI’s memorial for the second anniversary of the Oct. 7 atrocities, university staff marched toward the event spaces and dismantled everything SSI had set up and topped off the act by stuffing Israeli flags into a plastic bag, which was left on a random office chair as an afterthought.
On Monday, SSI president Felipe Avila told The Algemeiner that CUA has a pattern of squelching pro-Israel speech.
“These event details are not isolated incidents; they represent a systemic pattern of discrimination we have faced since our founding,” Avila said. “From the dismantling of our Oct. 7 memorial to the unequal enforcement of event guidelines today, administrators consistently place insurmountable hurdles in front of our students. We should not be forced to platform competing viewpoints as a condition of discussing our own community’s safety and security.”
Citing the Second Vatican Council’s rejection of antisemitism in the Catholic Church, he added, “Students Supporting Israel will continue to vigorously defend our right to speak out against antisemitism, in the very spirit of the Church’s own teaching in Nostra Aetate.”
Follow Dion J. Pierre @DionJPierre.