Uncategorized
A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
—
The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.
Uncategorized
A retired judge needed four Torahs rescued from Indiana. So he called his rabbi. And his dentist.
Early on a Sunday morning in July a dentist pointed his black Toyota Sequoia south out of the Chicago suburbs, a rented box trailer swaying behind the hitch. In Champaign, Illinois, a rabbi who had spent the night at his mother’s house pulled onto the highway heading east. Their rendezvous: a century-old synagogue in Terre Haute, Indiana. Their mission: get the Torahs out.
Before the day was over, the operation would involve four Torah scrolls, a pair of towering brass menorahs, more than 100 boxes of books, one electric piano and — because even sacred missions deserve a victory lap — a round of golf.
The orders came from Arizona, where a 79-year-old retired judge, recovering from surgery, was running the operation by phone.
That would be Jerry Orbach, who splits his time between Scottsdale and Chicago and has made a second career of rescuing the remnants of shuls from across America. The walls of his Illinois shul, Northbrook Community Synagogue — where he serves as executive vice president — glow with stained glass he has salvaged from seven shuttered congregations across the Midwest.
So when Michael Brown, executive director of the Indiana Jewish Historical Society, called to say that the United Hebrew Congregation in Terre Haute had sold its building — and needed homes for nearly everything inside — Orbach knew exactly what to do, even if he couldn’t do it himself.
“We can’t get rid of Torahs,” he said. “We have to preserve them.”
He couldn’t make the trip. But he had a crew.
The crew
The whole operation was an in-house affair: all four men belong to Northbrook Community Synagogue. Orbach’s regulars are Dr. Michael Farr, 49, a dentist, and Farr’s best friend Jordan Ripstein, the shul’s gabbai and a violin maker who studied theoretical physics in college. The two have history. They once drove through the night to Kingston, New York, to rescue stained glass from a closing synagogue, smoking cigars and talking about life and music the whole way.
Last September, they hauled back 14 crates from the shuttered Beth Achim synagogue in Southfield, Michigan — towering 13-foot stained glass panels that now wait in the Northbrook basement for their next home.
But Ripstein was out of town. So Orbach turned to his bullpen and pulled out a rabbi.
Aaron Braun, 43, has led Northbrook Community Synagogue since it was founded in 2012 as a merger of three congregations — which makes him, in a sense, a professional preserver of shuls that might otherwise have disappeared. He is also long accustomed to his congregant’s obsession. “Everybody goes along with my meshugas,” Orbach said, using the Yiddish word for craziness. “I’m an old man, so they indulge me.”
Braun didn’t need convincing. “The chance to give Torahs a new home and see them brought back to life and used is one of the holiest endeavors we can pursue,” he said.
The extraction
The congregation they came to help is the oldest in Indiana still in continuous operation. This year, the United Hebrew Congregation celebrated 175 years in Terre Haute — a city whose Jewish community peaked at more than 1,000 people in the late 1940s, when Jewish families owned some 45 local businesses, including three of the four downtown department stores.
Today, the city’s Jewish population is estimated at just under 100. The Reform congregation, down to 45 member families, sold its building in mid-July. “We had to sell in order to continue operating,” said Scott Skillman, its immediate past president. The new owners have said they plan to use the building, known for its cavernous sanctuary and sweeping stained glass windows, as a wedding venue.
It is a familiar story across the state. Wendy Soltz, a Ball State University historian who led the Indiana Synagogue Mapping Project, has documented 66 purpose-built synagogues in Indiana dating back to 1865. Twenty-four have already been demolished.
The Terre Haute building held what the congregation couldn’t take to its smaller new locale. Nearly all of it was in the basement, down seven steps from a side door: four steps, a 90-degree turn, then three more. Farr worked a two-wheel dolly up and down that turn for more than two hours, stacking some 150 boxes of books in the trailer alongside two podiums and a pair of cast-brass menorahs, each more than six feet tall and about 150 pounds.
“We were a pretty sweaty mess,” Braun said.
When the crew opened the ark they found the four scrolls bare. In the tumult of moving out, the mantles had come off; someone had fashioned ropes of felt around them instead. “Not even gartelekh,” Braun said, referring to the sashes that traditionally bind a Torah.
The scrolls, the crew decided, would not ride in the trailer with the boxes. Braun laid them down across the back seat of his SUV and covered them with tallitot, the prayer shawls tucked around them so they couldn’t shift — “even, God forbid, in an accident,” he said. A Torah is the rare object Jews treat like a person: You stand when it passes. You kiss it as it goes by. If one is dropped, the whole congregation fasts. Braun drove north with four of them sleeping in his back seat.
Braun, examining what he could, was impressed by their condition: the calligraphy of at least three of the four looked to be in fairly good shape. The fourth scroll is a mystery: written in a slanted, old-fashioned hand, its lines ragged. “It’s not even full justified,” he said. “It’s wild.”
The getaway
The trailer was full. The Torahs were secure. And one more passenger had joined the convoy: a Yamaha Clavinova electric piano the Terre Haute congregation no longer needed, destined for Braun’s mother’s house in Champaign.
Which is how the getaway came to include a detour. The two men dropped off the piano, then headed to the golf course where Braun grew up playing and got in 18 holes.
“Dr. Farr played some of the best golf I’ve ever seen him play,” the rabbi said.
Farr, a beginner, doesn’t dispute it. “I had a good round. I definitely played better than I normally play,” he said. “Probably by virtue of the fact that we saved four Torahs that day.”
At some point a crop duster buzzed low over their cars — “a not unusual reality of downstate Illinois,” Braun said. Nobody flinched. It had been that kind of day.
Farr rolled back into the Northbrook parking lot around 10 p.m., where the synagogue’s president, Ben Resnick, was waiting in the dark to help unload. The boxes went into the social hall, stacked against the wall. The next morning, Farr was back at his dental practice — “the yank and pull,” as he calls it.
The social hall, though, is only a way station. The items aren’t necessarily staying at Northbrook; the congregation is a holding ground while Orbach hunts for their next home. He plans to call Nik Jakobs, the Jewish farmer building a synagogue in a two-acre cornfield in rural Illinois, about two hours west, to see if he wants any of the pieces for his sanctuary. He also will contact the Jewish Community Legacy Project, an Atlanta-based nonprofit that helps find homes for sacred objects from downsizing and closing congregations.
The sorting has already begun. Brown hopes any documents or photographs in the boxes will go to the Indiana Jewish Historical Society’s archives. A scribe is coming to examine the four scrolls and determine what repairs they need before they can be read from again.
Brown, who set the whole thing in motion with a phone call, sees it as “one of the few small happy threads from a sad story of Jewish decline in the crossroads of America.” He calls Orbach “an unsung Midwestern Jewish hero.”
Back in Terre Haute, the congregation is still holding services every Friday night, in space rented from a Unitarian church — a sanctuary with no crosses and, as it happens, a few Stars of David. “It’s not a closing,” Skillman said. “It’s just a shrinking of our footprint.”
And in Northbrook, four Torahs rest in the social hall. Orbach turns 80 in September. His crew is waiting for the next call.
The post A retired judge needed four Torahs rescued from Indiana. So he called his rabbi. And his dentist. appeared first on The Forward.
Uncategorized
Conservative rabbis just told interfaith couples they don’t count — again
Acting improv students learn a fundamental tool called “Yes. . . And.” As you step into a scene, you take what you are given, you don’t ignore it, you don’t try to change it. YES, this is what I have to work with. Then comes the AND: here’s how I build on it.
The guidance issued last week from the Conservative movement’s Rabbinical Assembly’s Committee on Jewish Law and Standards giving guidance on supporting interfaith families got as far as “Yes,” but dropped the ball on “And.”
The committee’s statement, known as an Omnibus Teshuvah, recommended measures that opened the doors for interfaith families to be included in many life-cycle, religious and communal events — but declined to endorse a measure called for by many families: permitting Conservative rabbis to marry a Jew to someone who is not Jewish.
Let’s start with the “Yes!” The Conservative movement has definitively acknowledged and accepted the reality that many Jewish families are interfaith families. While this has been so for decades, the stated position since 1989 sent them a harsh and strongly disapproving message: “The Conservative movement has been committed to discouraging both the idea and the act of intermarriage.”
The Rabbinical Assembly emphasized its commitment to Jewish law, but included a statement that tolerance might “‘encourage others who are so inclined to intermarry’ without consequence.”
Those consequences were in effect tocut the interfaith couple and family out of Jewish communal life, creating bitterness, pain, and family rupture on the one side, and effectively ensuring that Judaism was diminished on the other.
In fact, one of the anecdotes I often share about why I chose to work with interfaith families and support their decisions is the time that I witnessed a Bat Mitzvah — who was raised in a Jewish home, kept kosher, had respect for Shabbat, and had attended Hebrew School her whole life — stood alone at the Bimah, because her only surviving parent had never converted to Judaism. Instead of being the proud and joyous moment it should have been, she was isolated from her father, the man who had raised her Jewishly and brought her to this milestone. My heart broke for both of them, and my shame of being even partially complicit moved me to examine and change my perspective. In the fullness of time, the RA has realized that creating tsuris at a time of joy is unacceptable. The new guidance explicitly says that that father can stand on the bimah. Mazel tov..
Deserving of equal praise, if not more, is the decision to allow grieving families with Jewish connections avenues to Jewish practices in mourning that provide comfort, strength and faith. This too is progress: A family death is not a time to wag one’s finger and metaphorically tell the mourner that they have to sleep in the bed that they made.
And representing the other end of the life cycle, a rabbi may now congratulate an interfaith family for the birth of a child. Being able to celebrate the advent of a baby into the household should always have been an open avenue of clergy communication, and that it is now is nothing but a positive change.
This turnaround is no small feat and deserves its recognition. The Rabbinical Assembly has identified and addressed many of the strictures and attitudes that previously diminished the enjoyment of a joyous event or added pain for a grief-stricken individual. An interfaith family is no longer subject to “consequences,” to use a term as stated in the 1989 decision — mostly.
All the life-cycle events that interfaith families have struggled with are at long last within the welcome embrace of the Conservative movement, save one: The wedding itself. The fig leaf in the forms of a misheberach (a blessing) by the rabbi either before or after the wedding and the blessing of the home the couple is creating does nothing but call attention to the movement’s disparagement of the creation of interfaith families. The movement is in effect saying: “We are repulsed by your decision to marry outside the strictures of our interpretation of Judaism, but we will not exact revenge upon you for doing so.” Small comfort.
Here is where the “and” can still come in — and where the Conservative movement itself has paved the way for it to happen.
The religious law prohibition against interfaith marriages derives from a verse in Deuteronomy 7:3 “You shall not intermarry with them: do not give your daughters to their sons or take their daughters for your sons.”
This biblical statement has evolved from meaning marriage with the seven nations proscribed in the Torah to general intermarriage.
However, as recently as the 19th century, the renowned scholar Rabbi Samson Raphael Hirsch noted that the prohibition was based on the presumption that the resulting family would be estranged from the Jewish community. That presumption was based on a self-fulfilling prophecy that an interfaith family would be shunned, and therefore not engage with their community.
The committee of the Rabbinical Assembly fulfills this prophecy as it concludes the new guidance with this hurtful assertion: “The role of Conservative/Masorti clergy on the wedding day remains limited, but that specific day is only one small aspect of the establishment and growth of a family.” Relegating a wedding to be a small aspect to the ‘establishment and growth of a family’ is patently untrue, as evidenced by the great importance society at large, and Jewish society in particular place on this event.
The RA, by sticking with the prohibition against interfaith marriage, is perpetuating the very estrangement that Rav Hirsch posits is the entire motivation for opposing interfaith marriage. Nevertheless, that very foundation, the estrangement from the community, is no longer a barrier unless we want it to be. The Omnibus Teshuvah maps out how an interfaith family can be welcomed into the community and how they can engage in almost every other Jewish life cycle event and communal engagement.
Why then, does the RA persist in condemning the act of interfaith marriage?
The movement itself already has the religious law tools they can use to find a way forward. The arguments the RA used to pave the way for LGTBQ individuals, couples and families to be integrated into Jewish society are equally valid here. The first principle they used was that of Dor dor V’doroshav, that every generation is obligated to interpret the Torah in their terms — in effect, that the accumulated knowledge and experience of Judaism over time has bearing on rabbinical decisions. In terms of interfaith marriage, the accumulated knowledge and experience is demonstrating that interfaith families retain a Jewish identity and desire to remain a part of the community. Intentional interfaith families show dedication and great consideration to incorporating Judaism into their lives, and that this is not a new phenomenon.
In a decision two decades ago embracing LGBTQ Jews, Rabbi Elliot Dorff and colleagues leaned on the concept of human dignity, kavod ha briot, quoting the Talmudic stricture: “So great is human dignity that it supersedes a negative commandment of the Torah.” They point out that living in humiliation violates this idea.
Perhaps most powerfully, we read that homosexual marriage is “understood to be a profound desire by gay and lesbian Jews to sanctify their lives and establish faithful families guided by the light of Torah.” Should that “profound desire” within an interfaith marriage not carry equal weight?
Today, by continuing to deny legitimacy to an interfaith marriage, the RA relegates the couple to a lesser status, belittling them for following their emotional guidance, and denying them their full humanity.
The RA has issued some remarkable guidance in this Omnibus Responsum. YES! The many parents and grandparents who will receive with gratitude the congratulations on the birth of their children, the families who will be allowed to be united at the bimah at a B’Mitzvah, the mourners who will find strength and comfort from clergy during their time of grief — they will all be positively affected by the new permissions and guidance. These are concessions, but important ones.
In spite of the limits of this guidance I hold out hope for the “AND” that is to come. Not just the recognition that interfaith marriages happen, but the inherent truth that they can be a joyful part of the Jewish experience and a positive force in their community.
The post Conservative rabbis just told interfaith couples they don’t count — again appeared first on The Forward.
Uncategorized
Justice Department pledges action on antisemitic hate crimes in New York as it recognizes Ari Halberstam murder as civil rights case
More than 30 years after Ari Halberstam was killed in one of New York’s deadliest antisemitic attacks, the U.S. Justice Department has formally acknowledged that if his murder had happened today, it would be investigated as a federal hate crime and civil rights violation.
At the same time, the Justice Department also pledged that it would be devoting resources to investigating and prosecuting hate crimes across New York as antisemitic attacks continue to climb in New York City.
NYPD statistics released this week show that in the first seven months of 2026, anti-Jewish incidents rose 8.5%, and 57% of the reported hate crimes in the city involved Jewish victims. In addition, anti-Jewish incidents increased 53% in July compared with the same month last year.
Halberstam was 16 when he was murdered in 1994 when Rashid Baz, a Lebanese-born cab driver, opened fire on a van carrying Lubavitcher yeshiva students across the Brooklyn Bridge. Baz was convicted of murder and sentenced to 141 years in prison, where he died in 2023.
Because the attack was not immediately recognized as an act of terrorism and later rejected as part of a conspiracy, Ari’s mother, Devorah Halberstam, for decades fought to have her son’s killing recognized as an antisemitic hate crime and a federal civil rights matter.
“There is no question that if the murder of your son, Ari Halberstam, had occurred today, we would investigate it and seek to prosecute it as a federal hate crime,” wrote former U.S. Attorney Jay Clayton in a letter dated July 23, one of his final acts before becoming director of national intelligence on Monday. The acknowledgment came weeks after Clayton met with Devorah Halberstam, who co-founded the Jewish Children’s Museum in Brooklyn. It expands on remarks Clayton delivered in June at an NYU Law School conference on combating hate crimes. “I have discussed these matters with my successor, Jamie McDonald, and we are fully aligned,” Clayton wrote.
A spokesperson for the U.S. Attorney’s Office did not immediately respond to questions about what specific steps the office is taking under McDonald’s leadership to address the recent increase in antisemitic hate crimes across the city.
Halberstam, who is credited with helping draft New York state’s first anti-terrorism laws and has spent decades facilitating the training of law enforcement officers on combating terrorism and hate crimes, said the letter gives her hope that the federal government remains committed to confronting antisemitic violence.
“With hatred on the rise nationally and internationally, I am deeply concerned about the safety of Jewish New Yorkers,” she said in a statement. “I will continue to fight to ensure that no other mother has to bury her child because of hatred, as I did.”
Earlier this year, Halberstam hosted Mayor Zohran Mamdani at the Jewish Children’s Museum in Brooklyn. Since taking office, Mamdani has come under scrutiny from Jewish leaders over his handling of antisemitism and anti-Israel protests. Some Israeli officials have accused the mayor of fueling antisemitism through his sharp criticism of Israel.
In a statement on Monday, Mamdani called the rise in antisemitic hate crimes “unacceptable” and pointed to an 800% increase in funding for the city’s Office for the Prevention of Hate Crimes. “The work to uproot antisemitism out of this city is one that will continue,” Mamdani said, “ until we see hate crimes come to an end in the city.”
JTA contributed to this report
The post Justice Department pledges action on antisemitic hate crimes in New York as it recognizes Ari Halberstam murder as civil rights case appeared first on The Forward.
