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A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film
(JTA) — The film producer Daniel Dreifuss has only one surviving photo of a distant relative: his grandfather’s cousin, who fought for Germany in World War I and died in combat two days before the war’s end.
He has a few more photos of his grandfather, who also wore the German uniform in WWI — only to be rounded up by the Nazis two decades later during Kristallnacht and thrown into a concentration camp, as even the Jews who had fought for their country were not safe from its campaign of race extermination.
Dreifuss, who was raised in Brazil after his surviving ancestors fled the war to Uruguay, held up these weathered black-and-white photos to his Zoom camera as he spoke to the Jewish Telegraphic Agency from his home in Los Angeles. One shows his grandfather’s cousin in his military uniform, the other shows his grandparents posing together, between the wars.
“Twenty years later, your country, that you just gave your health for and your cousin for and your family for, sends you to a camp,” he said. “It’s a lot of trauma to have to go through in one lifetime.”
These family stories echoed through Dreifuss’ mind when he first read the script for a proposed modern take on “All Quiet on the Western Front,” the classic 1928 novel about the German army’s hellish experiences during World War I. Nearly a century later, author Erich Maria Remarque’s descriptions of trench warfare and of the utter lack of heroism, valor or patriotism felt by its soldier protagonists resonated with Dreifuss.
“I said, ‘I know these people,’” he recalled. “Not because they are some distant relatives that I’ve heard of, but because I am the grandson of one of those kids who were in the film.”
Dreifuss’ parents met at a Jewish youth group in Rio de Janeiro in the 1960s. “My father was my mother’s madrich,” he recalled, using the Hebrew word for a youth group counselor. After they were later married, they moved to Israel partially to avoid Brazil’s military dictatorship and became left-wing political activists. They left Israel just before the Yom Kippur War and relocated to Scotland, where Dreifuss was born, before returning to Brazil to raise him.
Dreifuss had his bar mitzvah in the city of Belo Horizonte before later moving to Rio, which has a much larger Jewish community. “My family was never at all religious, but culturally Jewish,” he said, recalling Passover celebrations and gefilte fish recipes. He did not have many Jewish friends growing up, but his Brazilian friends were interested in Judaism and would attend his family’s Jewish events.
Daniel Dreifuss, a producer of Netflix’s “All Quiet on the Western Front,” holds up a photo of his grandfather Max Dreifuss from 1919, recovering from his German military service in WWI. Max was sent to a concentration camp once the Nazis took power. (Courtesy of Daniel Dreifuss)
This global upbringing is reflected in Dreifuss’ interest in international film. It took a decade for him to mount his remake of “All Quiet,” which was eventually set up with a German production company and released by Netflix this past fall amid another endless military conflict in Europe. No one, he said, wanted to fund a resolutely anti-war film that refused to glorify its combatants, a film that was “never a hero’s journey, not the story of someone who came, you know, beat 1,000 people with their bare hands, triumphs and looks down on top of a hill at the end with some sweeping score.”
But that journey has been validated by the film’s impressive Oscar total, which surprised industry observers. At the nomination ceremony last month, “All Quiet” received nine total nods, the second most of any film this year, including for best picture — which the novel’s original 1930 Hollywood adaptation, directed by Jewish filmmaker Lewis Milestone, won. (This year’s Academy Awards will be held March 12.)
Considering the Nazis had once led a campaign of book burning against the source material and terrorized German movie theaters that showed the original movie adaptation, accusing it of being a “Judenfilm,” Dreifuss sees the new film’s success as a historical victory, too. “I love that my name will be associated with a story that was deemed degenerate by that regime,” he said.
When he was first presented with an early draft of the new “All Quiet” script, in 2013, Dreifuss was coming off of the success of another international historical film he had produced. “No,” a 1980s-set Chilean political drama, starred Gael Garcia Bernal as an ad executive tasked with convincing his country to vote the dictator Augusto Pinochet out of office. The film netted Chile’s first-ever Oscar nomination for international feature film, although Dreifuss himself is not Chilean.
In researching “No,” Dreifuss said, the film’s team had trouble finding Chileans who would admit to having cast their real-life vote in Pinochet’s favor — even though 40% of the population did so. “We couldn’t find one single person who supported him,” he recalled. “At some point, years later, no one wanted to say, ‘I supported it, I voted, I was on that side.’” He saw a parallel to the history of geopolitics in the run-up to WWII, when many Western countries — including his family’s adopted homeland of Brazil — were initially sympathetic to the Nazis.
When Hollywood studios turned down the proposed remake of “All Quiet,” forcing Dreifuss to turn to European financing, he saw an opportunity to mount the first-ever German adaptation of the property, which would allow the film to open up a “historical perspective” on how the aftermath of WWI led to the rise of the Nazis and the Holocaust.
German filmmaker Edward Berger, who also helmed several episodes of the espionage miniseries “Deutschland 83,” stepped into the director’s chair, and he also has a co-writing credit. German star Daniel Brühl, who has played many historical villains to the Jewish people in films ranging from “7 Days in Entebbe” to “The Zookeeper’s Wife,” took a key supporting role as the lead negotiator for the armistice agreements — the sole figure in the movie trying to find a peaceful resolution for his country. (The historical figure Brühl portrays, Matthias Erzberger, was vilified as a traitor by the German right and assassinated in 1921 by antisemitic nationalist radicals who were precursors to the Nazis.)
Though there are no explicitly Jewish characters in the film, Dreifuss believes it still speaks to the fate that would soon await Europe’s Jews.
“We know what followed in the decade in Germany,” he said. “So we could bring that to the film in subtle ways.”
He pointed to the armistice plotline that foreshadows how the Treaty of Versailles left Germany in a deeply disadvantaged position, creating an opportunity for Hitler’s brand of national populism. There are also scenes in which thoughtless German generals, driven by nationalistic fervor and wounded pride, send entire squadrons to their deaths mere minutes before the armistice is set to take effect. In one sequence, the film’s lead, the soldier Paul (Felix Kammerer), steals a goose from a French farming family of non-combatants and says: “It’s a hatred of the other, of not understanding, of being raised to have an enemy.”
Dreifuss is dipping into a different chapter of world Jewish history with his next project: a Showtime miniseries produced with the co-creators of the Israeli Netflix series “Fauda” that explores CIA operations in the Middle East and is partially set during the Lebanon War in which Israel had a heavy, and oft-criticized, military presence. The series will air this summer.
He has also been pitched a host of WWI and WWII-related projects in the wake of the success of “All Quiet.” But, he joked, “I would love for people to not only think of me as the war guy, or as the dictator guy.”
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The post A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film appeared first on Jewish Telegraphic Agency.
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One university canceled Hasan Piker. Another has him going to the chapel tonight.
University of Washington canceled him. University of Texas offered limited seating. On Thursday, Cornell University will open the doors of its historic chapel to host Hasan Piker, a controversial left-wing pundit with a history of antisemitic comments.
Three universities, three different receptions for the far-left Twitch streamer who has attracted millions of fans with his raw rhetoric that has veered, on more than one occasion, into antisemitism. Most recently, Piker warned American Jews who “keep putting this idea out there that they are singularly invested in Israel,” that someone could eventually “take action against” them.
Universities seem torn about whether – and how – to host him. Jewish campus groups are divided too. Jewish Voice for Peace invited Piker to Cornell, along with other student groups, while Cornellians for Israel opposed his appearance.
A statement released by leaders of Hillel at Cornell University emphasized their commitment to the campus as a place for disagreement, pluralism and debate, but put Piker in a different category.
“Mr. Piker’s views… go against our values as Americans and Jews, and his hateful, antisemitic rhetoric is repulsive,” the statement said.
That outrage has not discouraged campus groups including College Democrats, democratic socialists and pro-Palestinian organizations from booking the rising influencer, who has campaigned with a number of progressive Democratic candidates leading up to the midterm election. They say Piker, 35, is the voice their generation needs to hear to get out the vote.
“This is a guy that has a modern media presence,” one student told the Yale Daily News when Piker appeared there in April. “He reaches to our demographic exactly, people that are our age.”
But Piker, who told students that empathy was the core philosophical underpinnings of his political beliefs, has laughed at the suggestion that campus antisemitism is on the rise. In one livestream, he called a Jewish man a “bloodthirsty, violent pig dog,” accusing him of wanting to execute every Palestinian in the street. In another, discussing efforts to compel ultra-Orthodox Jews to serve in the Israel Defense Forces, he described them as “inbred.”
At Northwestern University, where he appeared in March, a student asked Piker how to talk about the Middle East conflict with his Zionist friends without ending the friendship.
“I think you shouldn’t give up on your friends and try to have normal conversations with them about how they probably don’t care about Israel as much as they think they do,” Piker responded, according to The Daily Northwestern, “because if they did, they’d probably live there.”
In his remarks at Yale, Piker called the wars that have cemented America’s imperial roots “an endless series of butcheries, each more perverse and more tragic than the last.”
“What was the point of defeating the Nazis if we went on to dominate so much of the globe as violently as we have?”
‘Heckler’s veto’
Ryan Ansloan, senior program counsel in the policy reform department of the Foundation for Individual Rights and Expression (FIRE), says those comments are not enough to bar Piker from speaking on campus.
Ansloan warns against canceling or preventing events based on what is known as a “heckler’s veto,” or the possibility that a percentage of the campus community is not going to like it.
“Ultimately it sends a bad message to the campus community that if you complain enough or threaten to disrupt an event you don’t like, you can get your way and prevent that event from even taking place,” he told the Forward. “That has implications that go beyond that single event and can have a chilling effect. As long as that student body remains on campus, that incident is going to stick in their minds.”
Conservatives have long championed free speech on campus, often accusing activists on the left of wielding safety concerns to disinvite alt-right speakers to campuses. Think British far-right provocateur Milo Yiannopoulos and his tour a decade ago; or Ann Coulter, who was harassed off the stage coincidentally at Cornell, her alma mater.
But since the murder of conservative activist Charlie Kirk at Utah Valley University last year, safety has been raised by activists on both sides of the political aisle, Ansloan said. According to FIRE’s Campus Deplatforming Database, many objections are tied to speakers on the Israeli-Palestinian conflict.
For example, after opposition from the right, the University of Southern Maine in February revoked seven invitations and canceled a one-day conference titled “The Consequence of Palestine.”
Around that same time, the Catholic University of America rejected a request from the campus chapter of the Students Supporting Israel (SSI) to host U.S. Rep. Randy Fine, a Jewish congressman from Florida, who has drawn public condemnation for his anti-Muslim rhetoric, and Dany Tirza, a retired IDF colonel and security fence architect to speak on the West Bank barrier.
With Piker, outrage has paled to the demand. At Cornell, tickets for Piker’s appearance in the 600-seat university chapel were claimed within hours of their release. Piker also will be live streaming the event on his Twitch channel.
At the University of Texas, University Democrats planned to host the Sept. 30 event in a 466-seat auditorium, but 2,500 people signed up. Despite suggestions from campus police to find a larger venue, the university has not been willing to provide one with more space.
“This has the potential to be the largest political event in Austin since like 2018,” the group’s president Adit Raha told a local TV station, adding that he hasn’t ruled out shifting the event off campus.
“This event will be happening no matter what. We’re not going to cancel the event.”
But even Democratic politicians in Texas are concerned.
“Free speech allows difficult and controversial views, but it does not require anyone to stay silent when someone has a history of hateful comments about Jewish Americans, 9/11 and Hamas terrorism,” U.S. Rep. Henry Cuellar (D-Texas) wrote on X. “Jewish students at UT should not be made to feel targeted or unsafe on their own campus.”
Cancellation was the solution at the University of Washington for an upcoming talk in January 2027. While the university insisted in a statement that it’s “dedicated to the free exchange of ideas, including on controversial topics and involving provocative speakers,” it reviewed the process by which the Piker lecture was planned and determined it along with six other events “did not meet the necessary level of rigor for University-hosted events in the Speaker Series.”
A university spokesman clarified that those seven invitations, including Piker’s, did not undergo the committee review. No effort has been made to reschedule Piker and submit the invitation for review.
The statement continued: “Going forward, procedures will be updated to ensure the standards we have for University-hosted events like the Speaker Series are met, particularly so that we can help elevate the level of dialogue on divisive topics during a polarized time in our country.”
The post One university canceled Hasan Piker. Another has him going to the chapel tonight. appeared first on The Forward.
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Hundreds rally at United Nations to urge world leaders to address antisemitism
(JTA) — Hundreds of members of New York’s Jewish community competed against stand-still traffic, security details and dozens of black SUVs Wednesday night to reach Dag Hammarskjöld Plaza near the United Nations.
Their plea? For world leaders at the global body’s annual General Assembly to take antisemitic violence seriously.
“This week world leaders are gathered in our city, right down the street at the United Nations, to discuss global challenges,” Eric Goldstein, CEO of the UJA-Federation of New York, said in his opening remarks. “But we know that they are not addressing the rampant proliferation of antisemitism across the world.”
Organized by UJA and the Jewish Community Relations Council of New York, the evening rally featured a number of interfaith speakers, as well as survivors of various antisemitic hate crimes around the world from Nova to Bondi Beach.
Devorah Halberstam, whose son Ari was murdered on the Brooklyn Bridge in 1994 in a terror attack, gave an impassioned speech, imploring world leaders to “tell your people: Take this message back to your countries. Antisemitism must stop. Not tomorrow. Not when it becomes politically expedient. Right now.”
A number of speakers Wednesday night criticized New York City Mayor Zohran Mamdani, questioning whether he could truly be a mayor to New York City’s Jews who fundamentally disagree with him on Israel. Others, like Anti-Defamation League CEO Jonathan Greenblatt called out a more general “deliberate passivity in the face of antisemitism,” likening it to complicity.
Also speaking Wednesday was George Zamot, a UPS driver who intervened in July’s stabbing attack on the Upper West Side, in which a Jewish man and an Asian man were injured.
While some speakers focused on the dangers of antisemitism, a few addressed moments of community that resulted from such terrible events.
In a display of unity, Nova music festival survivor Shalev Biton gave remarks while also translating the remarks of Younes Alkarnawi, the Bedouin man who saved his life.
The rally’s audience dwindled as the evening wore on, and a small group of counterprotestors from the anti-Zionist group Neturei Karta became increasingly loud.
The demonstration follows recent public gatherings addressing antisemitism in New York City, including a contentious prayer vigil held by two Orthodox Jewish day schools outside the mayor’s home of Gracie Mansion last week.
It also marks a pivot toward more community advocacy within the scope of UJA’s work. (70 Faces Media, the parent company of the Jewish Telegraphic Agency and New York Jewish Week, receives UJA funding.)
In an interview earlier this week with eJewishPhilanthropy, UJA’s executive vice president for community strategy and external relations Hindy Poupko called the Wednesday evening rally “an attempt to ensure that our narrative doesn’t get drowned out during this U.N. week.”
This article originally appeared on JTA.org.
The post Hundreds rally at United Nations to urge world leaders to address antisemitism appeared first on The Forward.
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How Russian and Austrian politics gave rise to modern Yiddish literature
פֿון װאַנען האָט זיך גענומען די מאָדערנע ליטעראַטור אױף ייִדיש און העברעיִש? ביז הײַנט האָט מען געהאַלטן, אַז זי איז געװען אַ פּועל־יוצא פֿון דער השׂכּלה־אידעאָלאָגיע, װאָסער ציל איז געװען צו דערציִען די ייִדישע מאַסן אינעם גײַסט פֿון דער אײראָפּעיִשער אױפֿקלערונג־קולטור.
עופֿר דינעס (קאָלאַמביע־אוניװערסיטעט) האַלט, אַז אַ װיכטיקע ראָלע אין דער אַנטוויקלונג פֿון דער מאָדערנער ליטעראַטור בײַ ייִדן האָט געשפּילט די נײַע קאָלאָניאַלע פּאָליטיק פֿון די רוסישע און עסטרײַכישע אימפּעריעס נאָך די צעטײלונגען פֿון פּױלן סוף־18טן יאָרהונדערט.
אונטער דער אַלטער פּױלישער מאַכט האָבן ייִדישע יחידים ניט געהאַט קײן דירעקטן שײכות צו דער מלוכה. די קהילות האָבן זיך געפֿירט לױט זײערע אײגענע תּקנות און מנהגים, און זײער קאָלעקטיװער פֿאָרשטײער פֿאַר דער מלוכה איז געװען דער װעד ארבע ארצות (די פֿאַרװאַלטונג פֿון פֿיר לענדער).
די נײַע אימפּעריאַלע מלוכות האָבן אָפּגעשאַפֿן דעם דאָזיקן רעזשים און גענומען אײַנפֿירן אַלגעמײנע געזעץ־געבונג פֿאַר אַלע אונטערטאַנער זײערע, ייִדן בתוכם. דינעסעס בוך באַשרײַבט ווי אַזוי די משׂכּילים האָבן גענומען אױף זיך די אױפֿגאַבע צו דערקלערן די דאָזיקע פּאָליטיק פֿאַר די ייִדישע מאַסן דורך זײערע ליטעראַרישע װערק.
דאָס קעפּל פֿון דינערס בוך לאָזט זיך ניט גענױ איבערזעצן אױף ייִדיש. דאָס ענגלישע װאָרט fiction האָט צװײ פֿאַרשײדענע באַטײַטן: בעלעטריסטיק און פֿיקציע, און זײ בײדע באַלאַנגען צו דעם מײן פֿונעם קעפּל: “די בעלעטריסטיק/פֿיקציע פֿון דער מלוכה“.
דורך זײערע בעלעטריסטישע װערק, האַלט דינעס, האָבן די משׂכּילישע מחברים געשאַפֿן אַן אידעאַליזירטן אימאַזש, אַ „פֿיקציע“, פֿון דער גוטװיליקער מלוכישער מאַכט, װאָס זאָרגט זיך װעגן דעם װױלזײַן פֿון אַלע אירע אונטערטאַנער.
די דאָזיקע פּאָזיציע האָט פֿאָרמולירט ישׂראל אַקסענפֿעלד (1787־1866) אין „דאָס שטערנטיכל“, דעם ערשטן ייִדישן ראָמאַן: „דאָס פּױלישע ביטערע אָנגעבלאָזענע גדלות, די פּױלישע גאװה איז בײַם רוס ניטאָ. אַ רוס, אַז ער קען זיך מיט אַ ייִדן און האָט מיט אים עטלעכע מאָל צו טאָן, רופֿט ער אים ׳בראַט׳’ [ברודער]. אַפֿילו דער פֿאַקטאָר [קאָמיסיאָנער], אַז ער [דער ייִד] דינט אים געטרײַ, האָט ער אים ליב.“
דינעסעס העלדן זײַנען פֿאַרשײדענע פֿיגורן. אײניקע זײַנען באַרימט, װי דער „זײדע“ פֿון דער ייִדישער ליטעראַטור, שלום־יעקבֿ אַבראַמאָװיטש (מענדעלע מוכר ספֿרים); דער גאַליציאַנער משׂכּיל יוסף פּערל און רבי נחמן פֿון בראַצלעװ.
אַנדערע זײַנען שוין כּמעט פֿאַרגעסן געװאָרן, װי דער העברעיִשער דיכטער משה אלחנן — דער מחבר פֿון צװײ העברעיִשע לױבגעזאַנגען. אײן שיר איז געװען געװידמעט דעם פּױלישן קעניג און דער צװײטער — דעם רוסישן צאַר. אַ צווייטער בײַשפּיל איז דער עסטרײַכישער באַאַמטער יאָהאַן עדואַרד זאַק, דער פֿאַרפֿאַסער פֿון אַ סאַטירישן ראָמאַן, װאָס מאַכט חוזק פֿון די גאַליציאַנער חסידים.
עס איז גוט באַקאַנט, אַז די משׂכּילים, בפֿרט דער טאַרנעפּאָלער סוחר יוסף פּערל, האָבן אין זײערע סאַטירישע חיבורים אױסגעלאַכט די חסידים..
אָבער מיט דער צײַט האָט פּערל דערזען, אַז דאָס איז ניט גענוג פֿאַר באַקעמפֿן די השפּעה פֿון חסידות. ער האָט זיך גענומען מסרן זײ צו די עסטרײַכישע אינסטאַנצן דורך זײַנע ליטעראַרישע װערק. װײַזט אױס, אַז די עסטרײַכישע פּאָליצײ האָט געהאַט מומחים, װאָס האָבן געקענט לײענען ייִדיש און העברעיִש.
להיפּוך צו די משׂכּילים, זײַנען די חסידים ניט געװען אײַנשטימיק אין זײער באַצי צו דער רוסישער אימפּעריע. דער גרעסטער אָנהענגער פֿון רוסלאַנד איז געװען דער גרינדער פֿונעם חב״ד, ר׳ שניאור זלמן פֿון ליאַדי. ער האָט געהאַלטן, אַז די קאָנסערװאַטיװע רוסישע פּאָליטיק העלפֿט באַשיצן ייִדישקײט קעגן די נײַע מערבֿדיקע אידעען.
ר׳ נחמן פֿון בראַצלעװ האָט געהאַט אַן אַנדער דעה. כּסדר האַלט מען זײַנע סיפּורי־מעשׂיות פֿאַר מיסטישע אַלעגאָריעס. אַ סך פֿון זײ דערצײלן װעגן אַ מלך און זײַן מלוכה. אַלעגאָריש טײַטשט מען דאָס אױס װי דער רבונו של עולם און די באַשאַפֿענע װעלט זײַנע.
אָבער דינעס לײענט די דאָזיקע מעשׂיות דורך אַ היסטאָרישן פּאָליטישן שפּאַקטיװ. ער האַלט, אַז צו מאָל איז דער מלך טאַקע פּשוט אַ קעניג און זײַן קעניגרײַך איז אַן עכטע מלוכה.
ר׳ נחמנס קריטיק פֿון דער נײַער אימפּעריאַלער פּאָליטיק איז ספּעציעל בולט אין דער „מעשׂה ממלך שגזר שמד“ („מעשׂה װעגן אַ קעניג װאָס האָט באַפֿוילן שמד“), װאָס מאָלט אױס אַ דעספּאָטישן מאָנאַרך.
דורך זײַנע אַלעגאָריעס האָט ר׳ נחמן געפּרוּװט דערקלערן זײַנע חסידים, אַז די נײַע רוסישע בעלי־בתּים זײַנען אױסן מװתּר צו זײַן די אױטאָנאָמיע, װאָס די ייִדישע קהילות האָבן גענאָסן אונטער דער פּױלישער מאַכט.
ר׳ נחמנס כּװנה, האַלט דינעס, איז געװען צו באַשיצן ייִדן פֿון דער נײַער מאַכט. צוליב דעם האָט ער ספּעציעל אױסגעקליבן די שטאָט בראַצלעװ (בראַסלעװ) אין פּאָדאָליע פֿאַר זײַן רעזידענץ, װײַל דאָס איז געװען אַן אַדמיניסטראַטיװער קרײַז־צענטער.
ר׳ נחמן האָט געהאָפֿט, אַז בראַצלעװ װעט זײַן „די פֿאַבריק פֿון ייִדישקײט“, און אַזױ אַרום „װעט די גאַנצע װעלט ווערן בראַסלאַװער חסידים“. די דאָזיקע װערטער האָט פֿאַרשריבן זײַן געטרײַער תּלמיד ר׳ נתן שטײנהאַרץ.
דינעס איז אַ געניטער דערצײלער. אױף די זײַטן פֿון זײַן בוך טרעפֿן זיך פּױלישע פּריצים, רוסישע מיליטער־לײַט, עסטרײַכישע פּאָליצײ און כּל־מיני ייִדן: משׂכּילים, חסידים, משומדים. ער אַנטפּלעקט פֿאַרכאַפּנדיקע פּרטים און אומשטאַנדן, װאָס לאָזן אױף ס׳נײַ אױסטײַטשן ליטעראַרישע טעקסטן.
סוף־18טן און אָנהײב־19טן יאָרהונדערט איז געװען אַ שטורעמדיקע תּקופֿה איבער גאַנץ אײראָפּע. די צעטײלונגען פֿון פּױלן און דערנאָך די מלחמות קעגן נאַפּאָלעאָנישן פֿראַנקרײַך האָבן שטאַרק געענדערט די פּאָליטישע מאַפּע פֿון מיטל־ און מזרח־אײראָפּע.
די דאָזיקע דראַמאַטישע געשעענישן האָבן פֿאַרטיפֿט דעם שפּאַלט אינעם פּױלישן ייִדנטום. די העכערע שיכטן, פֿאַרמעגלעכע שטאָטישע בעלי־בתּים, האָבן לרובֿ געשטיצט די נײַע פּאָליטיק און געצױגן נוצן פֿון דער לעגאַלער אָרדענונג אין רוסלאַנד און עסטרײַך.
אָבער די אָרעמע שטעטלדיקע מאַסן, בפֿרט חסידים, האָבן חושד געווען, אַז די נײַע מאַכט מאַכט וועט זיך אַרײַנמישן אין זײער עסקים כּדי אָפּצוציִען ייִדן פֿון ייִדישקײט.
בײדע צדדים האָבן גענומען פֿאַרשפּרײטן זײערע אידעען דורך ליטעראַרישע טעקסטן אין פֿאַרשײדענע זשאַנערס, אַזעלכע װי מעשׂיות, לידער, ראָמאַנען און סאַטירישע פּאַמפֿלעטן. און פֿון אָט די דאָזיקע װיכּוחים איז אױסגעװאַקסן די מאָדערנע צװײ־שפּראַכיקע ייִדישע ליטעראַטור.
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