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A Jewish reporter goes inside Rikers for a new book on a notorious jail
(New York Jewish Week) — Reuven Blau, son of a Holocaust survivor, suggests his father may have inspired him to strive for change within New York City’s notorious Rikers Island jail.
“There’s this subconscious drive to change things, or to help people in a way that you don’t understand,” said Blau. “Inside Rikers, you realize how difficult it is, and how terrible the circumstances are for everyone involved.”
A reporter for The City who studied at a yeshiva in Brooklyn, Blau is the co-author, with Graham Rayman, of “Rikers: An Oral History,” a new book on a jail that makes frequent headlines for the violence and despair trapped within its walls. The book seeks to humanize the people inside the jail — both inmates and the people who work there — and tell their stories.
Its aim, Blau told the New York Jewish Week, is to amplify the voices of “people who are rarely seen as people,” he said.
The jail complex, which opened in 1932, has long been criticized for its harsh conditions, which include horror stories of inmates caged in tiny showers, sleeping on excrement-smeared floors, suicides, beatings and more. Many have called for its closure since the 1970s. As of Dec. 14, 19 people died at Rikers in 2022 — the highest death rate since 2013.
Rikers Island, the jail complex located in the East River that has been open since 1932, is the site of a constant stream of violent news and headlines over the past few decades. (The City/Ben Fractenberg)
The reporters spent close to three years interviewing about 130 people, with most of the conversations taking place over the phone or in person with people already out of jail. They also made several trips to the jail complex.
One of the people they spoke with was Rabbi Gabriel Kretzmer Seed, a Jewish chaplain on Rikers. Seed spoke about singing Shabbat songs with an inmate who suddenly got up and punched him.
“He was a pretty strong person, but I only ended up with a bloody lip. He might have been mumbling something, but I don’t remember what he said specifically. I was quite shocked. Everything happened so quickly,” Seed said. “I was totally in shock because I had known him for a while and he was the last person I thought would hurt me.”
Seed then remarked that he was able to work with mental health staff and ultimately managed to have a good relationship with the inmate after the incident.
“It was such a revealing story, how there are people who are there to help others,” Blau said. “And they become aware of how people are misplaced there.”
Prior to joining The City, Blau had worked at the New York Daily News and the New York Post. Despite his deep reporting experience, Blau, 43, noted that it’s been “the weirdest thing” to become the “voice” of Rikers. “I’m this whole yeshiva guy,” Blau said. “I’d never been to jail. It wasn’t an issue I was familiar with at all in any way.”
Blau, who grew up in Denver and went to a yeshiva high school in Chicago, said that he remains observant. “Big cholent fan,” said Blau, who lives in New Jersey with his wife, Sara, who had a baby girl in May. “My favorite part of the culture is the social service network that exists in many communities.”
He fell into reporting after majoring in English at Brooklyn College. Before working for the tabloids, Blau wrote for The Chief, a newspaper dedicated to labor and local politics, where he covered the union that represents New York’s corrections officers, among other things.
In 2011, he landed a scoop with the Post about a “jailhouse bar mitzvah” which revealed that correction officers and supervisors attended a lavish Jewish coming-of-age cermony behind bars at a downtown Manhattan jail whose costs were carried by taxpayers.
“I always had some foot in the jail coverage,” Blau said of his time working in the news industry.
His co-writer, Rayman, covers criminal justice for the Daily News. Rayman told the New York Jewish Week that he doesn’t think people can read the book and “come away with a feeling that anything other than that particular jail system is deeply flawed and in need of major changes.”
The city is required by law to close Rikers Island by 2027, yet many are casting doubt over whether that will be possible.
“I really hope that there’s not a journalist behind me in 20 or 30 years that is writing about the same issues, because I think that means the coverage we’ve been doing hasn’t made an effect,” Blau said. “I look at it through that lens. I try to come up with ways that are going to change things for the better in a real meaningful way.”
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Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel
(JTA) — The Senate late Wednesday rejected a measure that would have required President Donald Trump to get congressional approval to continue fighting against Iran.
The measure was initiated by Democrats, who have raised questions about the process by which Trump initiated the war alongside Israel on Saturday. The War Powers Act requires U.S. presidents to seek congressional approval for wars in advance or shortly after their start unless there is an imminent threat to the United States. Trump and his administration officials have given mixed signals about whether a threat was considered direct and imminent.
The vote took place along largely partisan lines, with two exceptions. Rand Paul, the Republican from Kentucky, who tends to oppose international intervention, backed the measure. John Fetterman, the pro-Israel Democrat from Pennsylvania, voted no.
The House is expected to vote on a similar measure today. The House also has a slim Republican majority.
The votes come as multiple polls have shown that a majority of Americans, about 60%, oppose U.S. participation in the war.
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Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late
In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot.
Korngold, a wunderkind and Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of A Midsummer Night’s Dream. Until then Korngold, a piano prodigy who began writing music at age 7 and had his first hit with a ballet he wrote at 11, had mostly composed for concert halls and opera houses. His ensuing career in Hollywood transformed film music by treating motion pictures as if they were “operas without singing.”
Korngold’s work on the swashbuckler Captain Blood, The Adventures of Robin Hood and later King’s Row (whose fanfare John Williams lifted for Star Wars) created a template for symphonic scores. But by the late 1940s, chafing under the Hollywood system, he set to work writing an original operetta, The Silent Serenade, that he hoped would premiere on Broadway.
The show collapsed. It’s never had a full staging in the United States or even in English.
As chronicled by the Korngold Society, the composer went through a litany of librettists to refine this tale of a love triangle and its improbable political fallout. After passing through a number of hands in English, Korngold returned it to Raoul Auernheimer, Theodor Herzl’s nephew and the original writer of the story on which the operetta was based, to translate it back to German. Korngold disagreed with the excessive demands of the producers, the Schubert Brothers, and left the project, leading the Broadway impresarios to fruitlessly search for a new composer.
Korngold, who with Reinhardt had previous success on Broadway with arrangements of other composers’ work, decided to resume a career in Europe with the piece. After delays owing to his health — a 1947 heart attack — a German version debuted on radio in 1951 and was followed by a staging in Dortmund in 1954. It bombed.
“We’re not exactly sure who it was for,” said Cris Frisco, music director at the Mannes School of Music at the New School, who is conducting the U.S. debut of The Silent Serenade at Mannes Opera. “It seems like it was given to the wrong public.”
That Germans in the post-war weren’t attuned to the piece’s sensibilities speaks poignantly to Korngold’s journey, which began at the center of Austrian high culture, orbiting names like Mahler and Artur Schnabel. “We thought of ourselves as Viennese,”said Korngold, the son of a music critic father. “Hitler made us Jewish.”
His exile in Hollywood realigned his sonic universe. As much as he changed film music, it — and America — left an impression on him.
“It is obviously influenced by Hollywood. It’s obviously coming out of those ’30s and ’40s musicals,” said director Emma Griffin, Mannes Opera’s managing artistic director. “It is a piece that is living between film and theater and opera and musical theater and operetta. It’s so emblematic of Korngold’s life, of how many different pieces of the 20th century he influenced, and this particular show is a crazy quilt of all of those influences.”
The plot of the show is, in Griffin’s words “daffy,” focusing on a Neapolitan actress, her would-be dress designer lover and her fiancé, the prime minister. Singing shopgirls, a tabloid journalist and a media circus round out the cast who perform tuneful numbers imbued with an MGM je ne sais quoi, while remaining rooted in Korngold’s post-romantic, classical mode. While Korngold’s symphonic stylings beefed up adventure films, the orchestration here is sparer, hinting at the Broadway pit for which the piece was devised.
The Mannes staging is part of a resurgence of interest in Korngold in the classical world, following decades of dismissal for his contributions to Hollywood.
It’s ironic that Korngold, who died at the age of 60 in 1957, had in Silent Serenade a profound professional frustration, given how buoyant and frothy the work is.
“It’s heartbreaking to think that he did not fully perceive the massive impact of his artistry,” said Griffin. Though he lived through hard times, Griffin says, his music has been a balm for the performers.
“The students have talked about it several times,” Griffin said, “how happy they are to be working on something where the source is joy.”
Mannes Opera’s production of The Silent Serenade debuts March 13 and 14 with an on-demand recording to follow. Tickets and information can be found here.
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Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps
(JTA) — TEL AVIV — Smartphones have become as essential as shelters for Israelis riding out Iran’s missile attacks, with internet traffic up 25% since the war began on Saturday. From the screaming alerts of the military’s official app that, as one comedian put it, sound like a “baby dragon giving birth,” to bomb-shelter Tinder to multiple apps that tell you when it’s safe to shower, the startup nation is trying to digitize the panic into something more manageable.
At the serious end of the wartime app stack is Home Front Command, the Israeli army’s app available in Hebrew, Arabic, Russian and English. It uses GPS to figure out where you are and only pings you when your area is at risk, with separate alerts for rockets, missiles and terror incidents. In this war, Iran’s long-range fire has come with an extra layer of notice, a warning-before-the-warning that can buy people a few more minutes. The shorter-range threats from Hezbollah, which joined the fray on Tuesday, do not come with that same courtesy.
Bomb Shelter Locator turns shelter-seeking into a map exercise, listing around 20,000 official sites, offering offline city maps and walking routes, and estimating the time it will take to reach the nearest protected space.
For anyone who cannot sprint, Purple Vest tries to close the gap. People with disabilities or older residents can register in advance and request help during alerts, with volunteers using the app to locate them and assist with shelter access or urgent supplies.
For others, shelters are turning into accidental social spaces where people can meet-cute on a mattress. The Hooked app, originally built for speed-dating at events, now doubles as a bomb-shelter icebreaker. Shelter-goers post a QR code at the entrance, and singles who scan it can see who else in the same bunker has the same relationship status. US Ambassador Mike Huckabee — who has not been single since high school — shared it on X alongside the caption: “Someday they will tell their kids ‘we met on a dating app in a shelter while dodging ballastic [sic] missiles.’”
But for some, even showering has become its own risk calculation. Martine Berkowitz was one of many who vented after her attempts to scrub up were interrupted by missiles no less than five times on the second day of the war.
For software developer Ben Greenberg, a father of teenagers, Berkowitz’s complaint was familiar, so he built an app called Best Shower Time that spits out a percentage risk score on whether a shower is likely to be interrupted by an alert.
Posts about it spread on social media and what began as a tool for his family is now drawing about 5,000 visitors a day. Greenberg, a California native who immigrated to Israel from New York in 2018, insists it’s “not a joke app.”
“Sirens are just the ultimate example of lack of control in one’s life,” he said, describing the app as a way to “restore some level of control and predictability … in a time when that feels most vulnerable and most taken away from us.”
The app uses real-time alert data from the Home Front Command, and the score is based on four inputs: how long it has been since the last alert, the average gap between alerts over a six-hour window, whether the frequency is trending up or down, and the total alert count over the past 24 hours. Those are weighted into a single score that appears when you open the app.
Users can then set their own parameters, including how long a shower typically takes and how much buffer time they want afterward to dry off and reach shelter.
And for those who have a penchant for extended bathroom breaks, Greenberg added a separate option that relies on the same logic.
It’s not the only app homing on issues of basic cleanliness to emerge this week. Another app, Can I Shower Now?, has developed a following of its own.
Berkowitz said she was “grateful” for apps to help her navigate the question of whether to jump in the shower. After checking and seeing a 13% chance of a missile alert on Wednesday afternoon, she decided to risk it.
“I took a full 20-minute hot shower and washed my hair. It was lovely. And the next warning only came when I was finished and getting dressed,” she said.
Greenberg is piloting a new app, called Best Walking Time, based on the same principle and prompted by his wife, who regularly walks around the neighborhood during work calls but has been afraid to stray from home lest a missile head their way.
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