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A Jewish reporter goes inside Rikers for a new book on a notorious jail
(New York Jewish Week) — Reuven Blau, son of a Holocaust survivor, suggests his father may have inspired him to strive for change within New York City’s notorious Rikers Island jail.
“There’s this subconscious drive to change things, or to help people in a way that you don’t understand,” said Blau. “Inside Rikers, you realize how difficult it is, and how terrible the circumstances are for everyone involved.”
A reporter for The City who studied at a yeshiva in Brooklyn, Blau is the co-author, with Graham Rayman, of “Rikers: An Oral History,” a new book on a jail that makes frequent headlines for the violence and despair trapped within its walls. The book seeks to humanize the people inside the jail — both inmates and the people who work there — and tell their stories.
Its aim, Blau told the New York Jewish Week, is to amplify the voices of “people who are rarely seen as people,” he said.
The jail complex, which opened in 1932, has long been criticized for its harsh conditions, which include horror stories of inmates caged in tiny showers, sleeping on excrement-smeared floors, suicides, beatings and more. Many have called for its closure since the 1970s. As of Dec. 14, 19 people died at Rikers in 2022 — the highest death rate since 2013.
Rikers Island, the jail complex located in the East River that has been open since 1932, is the site of a constant stream of violent news and headlines over the past few decades. (The City/Ben Fractenberg)
The reporters spent close to three years interviewing about 130 people, with most of the conversations taking place over the phone or in person with people already out of jail. They also made several trips to the jail complex.
One of the people they spoke with was Rabbi Gabriel Kretzmer Seed, a Jewish chaplain on Rikers. Seed spoke about singing Shabbat songs with an inmate who suddenly got up and punched him.
“He was a pretty strong person, but I only ended up with a bloody lip. He might have been mumbling something, but I don’t remember what he said specifically. I was quite shocked. Everything happened so quickly,” Seed said. “I was totally in shock because I had known him for a while and he was the last person I thought would hurt me.”
Seed then remarked that he was able to work with mental health staff and ultimately managed to have a good relationship with the inmate after the incident.
“It was such a revealing story, how there are people who are there to help others,” Blau said. “And they become aware of how people are misplaced there.”
Prior to joining The City, Blau had worked at the New York Daily News and the New York Post. Despite his deep reporting experience, Blau, 43, noted that it’s been “the weirdest thing” to become the “voice” of Rikers. “I’m this whole yeshiva guy,” Blau said. “I’d never been to jail. It wasn’t an issue I was familiar with at all in any way.”
Blau, who grew up in Denver and went to a yeshiva high school in Chicago, said that he remains observant. “Big cholent fan,” said Blau, who lives in New Jersey with his wife, Sara, who had a baby girl in May. “My favorite part of the culture is the social service network that exists in many communities.”
He fell into reporting after majoring in English at Brooklyn College. Before working for the tabloids, Blau wrote for The Chief, a newspaper dedicated to labor and local politics, where he covered the union that represents New York’s corrections officers, among other things.
In 2011, he landed a scoop with the Post about a “jailhouse bar mitzvah” which revealed that correction officers and supervisors attended a lavish Jewish coming-of-age cermony behind bars at a downtown Manhattan jail whose costs were carried by taxpayers.
“I always had some foot in the jail coverage,” Blau said of his time working in the news industry.
His co-writer, Rayman, covers criminal justice for the Daily News. Rayman told the New York Jewish Week that he doesn’t think people can read the book and “come away with a feeling that anything other than that particular jail system is deeply flawed and in need of major changes.”
The city is required by law to close Rikers Island by 2027, yet many are casting doubt over whether that will be possible.
“I really hope that there’s not a journalist behind me in 20 or 30 years that is writing about the same issues, because I think that means the coverage we’ve been doing hasn’t made an effect,” Blau said. “I look at it through that lens. I try to come up with ways that are going to change things for the better in a real meaningful way.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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