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A Minnesota synagogue built an ice rink — and is inaugurating it with a klezmer skate
(JTA) — A forecasted low of -16 degrees in the Twin Cities on Thursday has the stage set perfectly for two frozen Jewish firsts — a Klezmer on Ice festival and a synagogue-run skating rink.
Such is life in Minnesota, where bone-chilling temperatures are no match for Jewish festivities.
“It kind of shows us the Minnesota-style of thinking about the winter where just because it’s freezing cold outside, you don’t have to stop doing everything,” said Marcus Rubenstein, rabbi at Temple of Aaron in St. Paul.
“I used to be a rabbi in New York. They said you couldn’t schedule any big events in the winter because no one would come in case it snowed,” Rubenstein said. “But [here] sometimes it will snow 6, 7 inches and be -5, -10 degrees, and you’ll have everybody come out. I mean people in their 80s, 90s to little kids. And they just put on their coats and go out and have fun.”
Rabbi Marcus Rubenstein of Temple of Aaron test drives his synagogue’s new ice rink. (Courtesy of Marcus Rubenstein)
Temple of Aaron, a Conservative congregation of about 700 families, is inviting families to bundle up and have fun on what Rubenstein believes is the first-ever skating rink on a synagogue property. The rink, which can accommodate about 30 people at a time, was built and is being maintained by “Ice Captains” — synagogue members who clear it of snow and shovel off any extra ice that forms.
On Thursday, skaters at the rink heard the kickoff performance of the klezmer festival, featuring Jewbalaya, a hybrid klezmer and New Orleans jazz band in which Rubenstein plays the trumpet.
But the music will be piped in from inside the synagogue — a concession, Rubenstein and others associated with the festival said, to the cold.
Last week, musicians promoting Klezmer on Ice with a pre-festival performance alongside Lake Harriett, the (usually frozen-over) body of water at the heart of Minneapolis, ran into some technical challenges. Anticipating frigid temperatures, the musicians planned to play from a lakeside booth decorated like a boom box as part of a pop-art initiative called Art Shanty. But there was a wrinkle.
“We were supposed to have a sousaphone player who by the time they got their heavy big brass instrument into the box, the valves were frozen so they couldn’t play,” said Josh Rosard, an organizer of Klezmer on Ice. The performance went on without the sousaphone.
It’s not just brass instruments that are vulnerable to cold snaps. Strings and woodwinds can quickly go out of tune in the cold, as metal contracts and wood begins to warp. Clarinets and violins, staples of the Eastern European Jewish music genre, just can’t take it.
That’s why most of the Klezmer on Ice events will take place indoors — including but not only at Temple of Aaron. On the schedule for the weekend-long festival are local and national performers Sarina Partridge, Tzipporah Johnson, Izzy Buckner, the Klezmommies and the band Midwood. There will also be a cabaret variety show; klezmer-infused Shabbat services; and a luminary Havdalah ceremony.
Rosard said he saw the event as a breakout moment for the Twin Cities’ klezmer scene and, given the strong track record of longstanding klezmer festivals at spawning new acts, an opportunity.
“I’m really excited for what players in the community are going to take out of the workshops in particular and excited to see what may come out of it in the future,” said Rosard, who grew up casually playing the accordion but got more seriously involved in the klezmer world during the pandemic. He met his Klezmer on Ice co-organizer, Jewish musician and folklorist Sarah Larsson, with whom he attended KlezCanada and the Portland Klezmer Festival.
Still, he acknowledged, “It’s a little bit tongue in cheek to do something like this in the middle of February in Minnesota.”
Rubenstein said his congregants are up for it. Temple of Aaron’s new ice rink will be open not only during the klezmer festival’s opening night but for skating sessions most Saturdays after Shabbat morning services and Hebrew school classes finish.
The sun sets ahead of the Klezmer on Ice Festival’s opening night, which features a free skate session at Temple of Aaron’s ice rink. (Courtesy of Marcus Rubenstein)
If the activity isn’t exactly standard after-synagogue fare, it’s perfectly permitted under the Conservative movement’s interpretation of Jewish law. The movement, of which Temple of Aaron is a part, permits non-competitive ice skating on Shabbat, so long as no Shabbat rules are violated (such as driving to or from a rink or paying to rent skates), and the skating takes place within the boundaries of an eruv, or Jewish legal enclosure inside which certain objects can be carried on Shabbat.
Rubenstein said he was thinking about the activity in different terms — as it relates to making Temple of Aaron a centerpiece of a St. Paul Shabbat.
“The kids are ice skating anyway,” he added. “So why not ice skate at shul and come do it together with their Jewish friends, and build community that way?”
Temperatures are supposed to rise over the course of the weekend, but the high on Friday should be in the low single-digits. So for the klezmer performance that is supposed to take place at Lake Harriet, Rosard says, a plan is in place to avoid last weekend’s snafus.
“We’ll have the sousaphone player drive up as close as possible, then run-slash-briskly walk straight into the performance shelter,” he said. “We didn’t quite have the urgency last time.”
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‘The Yiddish Teacher’ (Poem)
One thing about the late Forverts staff writer and critic Miriam Hoffman — she cooked a heavenly eggplant in tomato sauce.
And why do I know this about one of our writers? Hoffman, a veritable lexicon-caldron of Yiddish sayings and terms she’d archived from her own mother’s distinct poylish dialect, was many things: A distinguished long-term professor of Yiddish at Columbia University; a theater critic turned playwright who turned the New York Public Theatre’s founding director Joseph Papp into a serious supporter of Yiddish culture; a child survivor of Siberian exile, and so much more.
As she encountered immigrant American life in da Bronx, the tiny dynamo that was Hoffman delighted in becoming American, freely advising everyone on the best consumer goods this country had to offer. A country that was a home and refuge to her, her parents, her husband and so many in her vast circle of Yiddishist friends, students, fellow writers, educators and chosen family. And then, once upon a time, she welcomed me into her Florida home for an overnight stay, so that I could record her jaw-dropping tales of how she and her beloved mameloshn Yiddish both survived the khurbn, the Holocaust. And talk into the video camera she did.
But first, there was lunch.
Rest in all your ferocious deliciousness, Miriam Hoffman, and thank you. For the eggplant, the advice on the best toothpaste, the stories — and for doing everything, everything, everything possible, to transmit your Yiddish to another generation.
The Yiddish Teacher
The Yiddish teacher bending saying:
In my book you’ll learn
the alefbeys through pictograms like so:
The gimel is a camel
The beys a house
You see?
The Yiddish teacher has an archive
in her bedroom closet
The folding doors open revealing:
shoeboxes filled with
stories and
poems and
songs she
wrote as a child
in the displaced persons camp
on paper donated to Jewish refugees
The Yiddish teacher was once
seated in back
of a transport truck
with all the other refugees
Trying to go over the Swiss Alps
to Mandate Palestine
The Yiddish teacher was born
in a Siberian prison camp
“people were starving, sure,
but there was sex”
The Yiddish teacher was the only
woman writer on staff
at the Forverts Yiddish newspaper
The Yiddish teacher remembers
the first time her family ate
Chef-Boy-Ar-Dee spaghetti and
meatballs
from a can
in the Bronx
We go shopping together
The Yiddish teacher loves Rao’s tomato sauce
“it’s the best”
The Yiddish teacher recommends
“Mavis Toothpaste”
It’s the best
The Yiddish teacher loves to
go fly fishing
The Yiddish teacher is short and slim
and round
I think
if I cup my hands together
I can
carry her around always
— Chana Pollack
The post ‘The Yiddish Teacher’ (Poem) appeared first on The Forward.
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Christopher Nolan’s ‘Odyssey’ is a Talmud-quoting, Tisha B’Av epic
“Before there were Jews… there was ‘The Odyssey,’” a theater manager infamously posted on a marquee in Portland, Oregon.
While the mythic, Bronze Age events recounted in the blockbuster film likely never transpired, Homer’s epic poem is by any measure younger than the Jewish people. And Christopher Nolan’s Odyssey, now a proxy for a pitched battle over the essence of Western civilization, could not exist as it is without the Jews. Indeed, whether it knows it or not, it is telling a foundational story of our history.
Much of the criticism surrounding the film, which managed to agitate classicists from its first set photos of Matt Damon in a crested Grecian helmet (not a period-accurate Mycenaean boar-tusk ensemble) and bigots of all stripes with its casting of a trans man and people of color, has shifted since its release just before Tisha B’Av, taking aim at the film’s ideas and how they may clash with those of antiquity’s.
“Did you Christianize The Odyssey?” podcaster Zhong Shu asked Nolan in a now-viral interview.
Nolan explained that he was drawn to the ancient ethic of “xenia,” called “Zeus’ Law” in the film. In the Greek conception, this means welcoming guests because you never know if they may be a God. In Nolan’s blockbuster it’s described as treating others how you would be treated. When the law is breached, society as we know it comes undone, leading to our hero’s atonement and qualms that seem at odds with his traditional characterization.
While Nolan’s understanding mirrors the Christian Golden Rule, which itself is antedated by statements in the Torah and by Hillel, his vision of civilizational ruin when it is trespassed is more central to Judaism. Odysseus laments that, by creating the Trojan horse, and exploiting the code of hospitality to launch a massacre, he has broken something.
“To burn the walls of Troy is to burn the world entire,” Damon’s Odysseus tells Anne Hathaway’s Penelope. This is more or less a paraphrase from Talmudic wisdom: “To destroy one life is to destroy the world entire,” and its more recognizable corollary, “to save one life is to save the world entire.”
The Hebrew Bible is rife with examples of hospitality in extremis. In Sodom, Lot offers his daughters to a mob of rapists rather than have them violate his heavenly guests. The result: a destroyed city and a wife reduced to a table condiment. (Just before, Abraham fed these visitors, plus another angel of God.)
But watching the film Tuesday, I was reminded of another story. Remember when I mentioned Tisha B’Av, the holiday marking the destruction of Judaism’s ancient capital?
Our tradition teaches that the second temple fell because a man holding a banquet in Jerusalem kicked out his enemy, a fellow by the name of Bar Kamtza. Humiliated by his host, Bar Kamtza plots his revenge. He goes to Caesar and tells him the Jews are conspiring against his rule. To prove it, Bar Kamtza, like the wily Odysseus, concocts a ruse, suggesting the Romans send a sacrifice to the rabbis and see if they offer it.
They don’t, as Bar Kamtza blemishes the animal, making it unfit for offering.
In The Odyssey, the famous gift horse is presented as a tribute to Athena. Its blemish is the fighting force it hides inside, ready to sack the city.
The upshot of the rejected temple sacrifice was the razing of Jerusalem at the hands of the Romans. The temple is desecrated, in much the way the temple of Athena is in the film.
Christian theology doesn’t argue quite so forcefully that the violation of the Golden Rule augurs a civilizational collapse. Quite the contrary today, where xenophobia and whispers of Great Replacement — akin to the trade-wind rumors of sea peoples in Nolan’s film — have taken root in the Evangelical right. (Ezra Klein, and really anyone attuned to commentary as subtle as IMAX subwoofers, picked up on this tension.)
Jewish history tells us we fare poorly in places where the stranger isn’t welcome.
In a departure from the text, Nolan ends Odysseus’ wandering with his voluntary exile. He sails west, predicting a benighted age to come, where his exploits will be sung as men lose the ability to write.
Our story ends on a similarly bleak, yet hopeful note.
When Jerusalem fell, Rabban Yohanan ben Zakkai devised his own deception, sneaking past the city walls in a casket (before he was let out, zealots wanted to stab the bier, recalling the Trojans’ stabbing of the horse).
But before Yohanan can make his escape he’s intercepted by the general Vespasian, who he mistakenly refers to as the emperor. Vespasian offers a correction, but almost instantly a messenger confirms this designation, telling him Caesar died and named him his successor. Regarding Yohanan’s mistake as prophecy, he offers him a request.
Jerusalem had fallen, self-determination was unrealistic, and so Yohannan asks for the city of Yavneh and its sages. From there our modern history began, literacy thrived and a dark age was subdued.
The Temple and Troy have yet to be rebuilt, but their legends live on.
The post Christopher Nolan’s ‘Odyssey’ is a Talmud-quoting, Tisha B’Av epic appeared first on The Forward.
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Antisemitic incidents in Britain rose 21% in first half of 2026, remaining near record levels
(JTA) — Britain’s antisemitism watchdog says it received reports of nearly 2,000 incidents in the first half of 2026 — the second-most its recorded ever for the time period, following only the first half of 2024.
The new figures released Wednesday by the Community Security Trust represent a 21% increase in reported incidents over the same time period last year, which followed a surge in the early months of the war in Gaza that started when Israel attacked Hamas on Oct. 7, 2023.
Watchdogs in multiple countries have recorded surging antisemitism since and say the numbers portend an unsettling new normal when it comes to Jewish safety and security.
The increase in antisemitic incidents from January to June in Britain was driven, the CST found, by both violent attacks and a sharp rise in online abuse. While the largest category of incidents recorded was abusive behavior, which accounted for more than four-fifths of all reported incidents, the group also recorded a record number of assaults for any January-to-June period, while incidents affecting synagogues, schools and other Jewish institutions also reached new highs.
The CST has tracked, reported on and published antisemitic incidents since 1984.
Among the incidents highlighted in the report were the April stabbing of two visibly Jewish men in London’s heavily Orthodox Golders Green neighborhood, which British authorities treated as a terrorist attack, and a series of arson attacks targeting synagogues and Jewish organizations, including the destruction of ambulances belonging to the volunteer Jewish emergency service Hatzolah.
The report also cited suspected hostile activity linked to Iranian intelligence targeting Britain’s Jewish community. CST said the U.S-Israel war with Iran coincided with another spike in antisemitic incidents.
“These attacks are directed against British Jews but they are also attacks on Britain and our society,” CST’s chief executive, Mark Gardner, said in a statement, adding that the incidents should “concern everyone who cares about Britain and the threats against it, whether state-directed from Iran, or internally driven by Islamist, far Right, far Left, or other ideological extremes.”
The findings come as the British government has expanded funding for security at Jewish institutions following a series of violent attacks over the past year. Following the release of the report, Policing Minister Sarah Jones said, “Antisemitism goes against our country’s values and I will do everything in my power to protect our Jewish communities.”
CST compiles its statistics from incidents reported directly to it as well as cases recorded by police and other agencies. CST reviews each report before including it in its database. It says it does not include reports of anti-Israel rhetoric or activity that do not also include “explicit anti-Jewish language, targeting, or motivation.”
This article originally appeared on JTA.org.
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