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A new documentary challenges stereotypes about Orthodox Jewish women — and their wigs

Many among the secular, including me, grew up believing the sheitel, the ritual wig worn by married Orthodox and Hasidic women, was not intended to be attractive. Quite the contrary: Its purpose was largely to make sure the women were undesirable and thus of no interest to men on the street, or worse, in the synagogue.

Yet even this admittedly reductive spin was awash in assumptions about men’s sexuality, the patriarchal dynamic between men and women in general and within marriage in particular.

Sheitel: Beauty in the Hidden, an insightful documentary, takes a deep dive into this complex topic. It explores the unexpectedly wide-ranging cultural, religious and deeply personal significance of hair covering among Orthodox and Hasidic women — from Miami to Jerusalem; from New York to Los Angeles; from Toronto and Montreal to, of all places, Halifax, Nova Scotia, director Lynda Medjuck-Suissa’s home base. (Her first film, Camp Kadimah—The Story of Our Lives, examined the history and ongoing impact of a well-known Canadian Jewish summer day camp.)

In Sheitel, her sophomore effort, she reveals how wigs, scarves and other hair coverings serve not only as symbols of faith and tradition, but also political identity and female empowerment. The movie confronts widespread misconceptions and stereotypes — including my own parochial thoughts on the subject — and also offers a rare look into the global wig industry.

The opening sets the historical tone with shots of the cobble-stoned, winding and congested streets of ancient Jerusalem, filled with many large families headed by sheitel-sporting women, and men in long black coats and payos, or curled sidelocks.  Later, we’re in Borough Park, Brooklyn with its store fronts boasting signs in Yiddish. But modernity is present too, including scenes in the uber-contemporary, slick high-rises of Miami with its bustling ultra-religious communities.

This vivid documentary interweaves segments of women being fitted for wigs and interviews featuring dozens of Jewish wives. Some are sitting alongside their husbands, who offer their opinions as well. The stores and salons presented are lined with wigs in various shades and styles and textures. Women are seated on salon stools as hair dressers color, and highlight and trim the wigs they’ve purchased, an arduous, detailed and time- consuming process.

Some women are having a fine time as they consider the fashion possibilities and are fussed over. Others, especially the brides to be, are apprehensive.  Nobody claims that wearing these head coverings is comfortable. But all are committed to the practice.

Donning an uncomfortable wig reflects a higher calling than creature comforts, one woman explained.

On the flip side, the wigs don’t require much work once they’ve been fitted, though periodically they need to be brought in for shampoos and touch-ups. The women are encouraged to have more than one wig, and one woman slyly noted that she has so many wigs and accompanying personas that her husband thinks he’s married to many, many women.

A sheitel being fitted at a salon in Miami. Photo by Lynda Medjuck-Suissa

What emerges right off the bat, and is reiterated throughout, is that today sheitels are designed to be attractive, although there is an aesthetic range, mostly depending on cost, from the least expensive to the most pricey. (The wigs start around $1,500 and go over $10,000.) The craftsmanship involved, but even more important the materials used — synthetic hairs, fully natural strands or a mix — determine the expense and appearance.

The particular kind of head covering a woman wears depends on the traditions of her religious community — some wear only wigs, others sports wigs and hats, and still others don hair-covering head scarves. But equally important, and in some cases more so, it’s the woman’s individual tastes that define the look. Every woman interviewed maintained their sense of autonomy and agency. They are not subjugated by anyone. They choose to wear the sheitel

The women interviewed include, among many others, influencers, podcasters, businesswomen, a champion marathon runner and New York State Supreme Court Justice Ruchie Freier, whom I profiled in 2018. Wife and mother of six, she was the first Hasidic woman judge in America, if not the world. Everyone interviewed in the film, representing a cross-section of Jewish Orthodoxy, is highly articulate.

Judge Freier stressed that the sheitel is part of a much larger picture that celebrates modesty, arguing that modesty does not exclude beauty. “But it’s a way for women to not use their bodies to affect the world,” she says.

The subtext is the assumption that a man cannot see a woman’s uncovered head because he’d be so aroused he’d be unable to control his sexual impulses and not able to focus on important things like prayer.

But not all of the women shared this idea. Sarah Guigue, a New Jersey-based influencer whose Instagram followers tops 60,000, said that she, herself, found that thought “toxic” and could not accept it.

“I believe the Torah is divine and that idea is not divine,” Guigue said. Her own signature wig, matching her cheerful outspoken style, is long, straight hair crowned by a large, brimmed hat.

(The film does not address, and I wish it did, the question of why unmarried women are not required to cover their heads, though their hair is often tied back as an expression of modesty.)

A sheitel being fitted and styled. Photo by Lynda Medjuck-Suissa

Contrary to my initial assumptions, a thematic motif in Sheitel is that beauty and godliness are interconnected: that God wants you to be the best you can be, and that includes physical attractiveness. Nothing in the Torah, the Rabbis concurred, says that a woman, even a married woman, shouldn’t be attractive.

(In fact, there’s nothing in the Torah that dictates that a married woman must cover her head, though it’s arguably a gray area; more than one of the women cited a section in the Talmud that references an unholy woman, possibly an adulteress, removing her wig — implying, by contrast, that a holy woman wears one.)

Indeed, far from feeling unattractive, several women talked about feeling a heightened sexuality while wearing the sheitel, feeling a thrill inherent in that which is hidden. The sheitel represents a woman’s bond with God and her husband. When she removes her wig in the bedroom and exposes her real live hair — while the wig, by contrast, is dead hair — it is a manifestation of intimacy with her husband that she shares with nobody else.

One interviewee likened the devout married Jewish woman to a thermos bottle: “Cool on the outside, hot on the inside.”

The women also talked about a mystical, not easily articulated, connection to God they feel when they wear their sheitels. Some noted that to don a sheitel is to perform a mitzvah that, in turn, will generate blessings for themselves and their families. They are sanctified.

One American-born secular woman, who had lived the life of a party gal, said she was overwhelmed with a sense of peace when she transitioned to Orthodoxy and became what is known as a Baalat Teshuva. She said she had never felt such a strong sense of identity, community and belonging as when she sported a sheitel.

Choosing to be an outlier, part of an insular world symbolized by, among other things, covering one’s head, is also a political statement that is tied in with survival, one woman implied. “It’s a way to make sure we don’t disappear,” she said.

Women wearing sheitels walking on the street. Photo by Lynda Medjuck-Suissa

The informative film also touches on the evolution of the sheitel.

Emma Tarlo, an emeritus professor of anthropology at Goldsmiths, University of London, talked about the significance of hair coverings throughout history and across cultural divides, which she explored in her latest book, Entanglements: The Secret Lives of Hair.

“In Europe during the Middle Ages Christian women covered their hair,” she said in Sheitel. “But it wasn’t until the 16th and 17th centuries that women started covering their hair with wigs. Wigs were worn by royalty, and so they were associated with high status and high fashion. Jewish women wanted to participate in it and the Rabbis didn’t like it. They felt it was too gentile, to which the Jewish women said: ‘But we’re covering our hair.’ So right from the outset, there has been a conflict between religion and fashion.”

Later, at the turn of the 20th century as Jewish immigrants flocked to America, the sheitel was increasingly viewed as a symbol of old world poverty and superstition. Many women tossed theirs overboard to celebrate their new found liberation and assimilation into a new land. (See Joan Micklin Silver’s wonderful 1975 narrative film, Hester Street.)

In the 60s and 70s the sheitel enjoyed a renewed cachet thanks in part to the burgeoning wig industry that found a large fashionista market, among both Jews and gentiles. Enter the iconic Lubavitcher rebbe, Menacham Mendel Schneerson, who took advantage of the trend to promote sheitels, a tenet he was adamant about.

Perhaps the most lovely, yet oddly unsettling, anecdote about the power of a sheitel came from Amanda Spiro, a once-secular Jewish woman from Montreal, who started wearing a wig while undergoing chemotherapy for cancer.

She “grew fascinated by the Haredi women who chose to wear it, finding beauty from within,” she said.

It was a transforming realization. After Spiro completed her treatment, she removed her wig as her own hair grew back, knowing she “wanted the experience of taking it off and then putting it back on as a true Jewish woman.”

And she did. Now she is Orthodox, married and a mother of three children, as well as 10 years cancer-free.

“I never thought I could have children,” Spiro said.

Is it a divinely sanctioned miracle? Is there a connection between the trajectory of her life and her donning the sheitel? It’s a feel-good coda. I’d like to believe it.

The film Sheitel will be at the Manhattan JCC on the UWS  on May 11. For more listings check out the website.

The post A new documentary challenges stereotypes about Orthodox Jewish women — and their wigs appeared first on The Forward.

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Synagogue attacks were part of massive ISIS-inspired plot last week, FBI says

(JTA) — A 21-year-old man from Valencia, Pennsylvania, suggested poisoning food in synagogues as part of a mass attack in support of the Islamic State group last week, according to the FBI.

The suspect, Jonathan Kramer, said in an online forum using the pseudonym “Hamza Al Rashid” that “i wish to inject ricin or cyanide into places such as grocery stores inside water/food with a syringe, or going to food events, preferably synagogues and putting the chemicals in their food and drink…,” according to a sworn FBI affidavit.

The prospective poisoning was part of a broader plot of mass violence that included “repeated attempts to encourage and coordinate violence through encrypted platforms, such as advising others on attack methods, discussing chemical poisons, arson, vehicle attacks, drone delivery explosives and firearm based assaults,” FBI Special Agent in Charge Richard Evanchec said at a press conference last week.

The Jewish Federation of Greater Pittsburgh said in a security update on Friday that no synagogue had been specified by the FBI. , “We are in close contact with our law enforcement partners and federal prosecutors, and if we learn of anything concerning, we will share that immediately,” the organization noted.

Assistant Attorney General for National Security John Eisenberg announced last Tuesday that Kramer was “preparing for a mass shooting that could have taken many lives, having already secured a rifle and approximately 190 rounds of ammunition for what he called his ‘mission.”

Efforts to reach Kramer’s public defender Jake Morrison were unsuccessful.

FBI agents arrested Kramer in a hotel parking lot in Cranberry, Pennsylvania, the Justice Department said. They seized a semiautomatic rifle, five rifle magazines, a rifle bipod and scope, a total of 190 rounds of rifle ammunition and about 30 knives following a search of him, his house and his hotel room.

Kramer was charged with receiving a firearm and ammunition believing they would be used to commit terrorism. He appeared in court last Wednesday to waive a preliminary hearing, according to CBS News. A court date has not been set for Kramer’s next proceedings, the network reported.

Kramer had been on the FBI’s radar since 2023, when he was charged by Pennsylvania state authorities “for his role in a plot to commit a mass casualty incident” and sent to a juvenile detention facility, FBI special agent Gregory Battaglia said in a sworn affidavit.

Nearly eight years ago, 11 worshippers were killed at Pittsburgh’s Tree of Life synagogue in the deadliest antisemitic attack in U.S. history.

This article originally appeared on JTA.org.

The post Synagogue attacks were part of massive ISIS-inspired plot last week, FBI says appeared first on The Forward.

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Proposed U.S. $24.3 billion sale of F-35 fighter jets to Saudi Arabia advances

(JTA) — The State Department has approved a possible $24.3 billion sale of 48 F-35 fighter jets to Saudi Arabia — a move that would make the kingdom the second Middle Eastern country after Israel to have the world’s most powerful combat aircraft.

“This proposed sale will support the foreign policy and national security objectives of the United States by improving the security of a major non-NATO ally,” the department said in a statement.

Israel wants the sale attached to a normalization deal with Saudi Arabia, but that doesn’t appear to be on the horizon. However, there is a small chance that Congress could keep the sale from happening.

When President Donald Trump first confirmed that he was considering the sale last November, Israeli officials told Axios that while they don’t oppose the sale itself, they wanted it “to be subject to Saudi normalization with Israel.”

Although Israeli Prime Minister Benjamin Netanyahu reportedly brushed off the deal’s significance last fall, a security source at the time warned on CNN that the possibility of Saudi Arabia acquiring “the same capabilities” as Israel was “very concerning.”

The prime minister was more vocal in his opposition to a July announcement from Trump that he was weighing selling the advanced jets to Turkey as well, telling CNN that Turkish President Recep Tayyip Erdogan is “not exactly a model ally of the United States.”

Israel has already purchased 50 F-35 jets, in two procurement rounds that occurred in 2016 and in 2017, according to the Israeli Defense Ministry. However, local media reports indicate that two of the 50 have yet to arrive, meaning that just 48 are on the ground – the same number of planes that the State Department has approved for Saudi Arabia’s potential purchase.

Israel would have many more F-35s than Saudi Arabia for the time being, because its Defense Ministry announced in 2024 that it would be procuring 25 more of the planes, slated to begin arriving in 2028. Earlier this year, the Defense Ministry revealed that it would be procuring yet another squadron of the jets, although the quantity remained unclear.

Congressional approval is not assured; wariness of the Saudi regime, stemming in part from the state-sanctioned 2018 murder of a U.S.-based journalist in Turkey, crosses party lines.

The U.S. Arms Export Control Act requires the executive branch of the government to notify Congress regarding major defense equipment sales to most countries. Congress can then deem a country ineligible to participate in a sale through a joint resolution. The president can then veto the resolution, which Congress would need a two-thirds supermajority to override.

Additionally, U.S. law requires the president to ensure that Israel maintains “a qualitative military edge over military threats” when considering arms sales to other Middle Eastern countries. Israel, per the law, must be able “to counter and defeat any credible conventional military threat” from both other nations and “non-state actors.”

“The proposed sale of this equipment and support will not alter the military balance in the region,” the State Department said on Thursday. It called Saudi Arabia “a force for political stability and economic progress in the Gulf region,” adding that the sale would help “deter current and future threats by strengthening its homeland defense.”

The department maintained that not only would the sale improve Saudi Arabia’s defense capabilities, but it would also boost “interoperability” with both U.S. forces and other players from NATO and the region.

As for the potential deal’s logistics, Saudi Arabia has requested 48 of Lockheed Martin’s F-35 Lightning II Joint Strike Fighter Jets, as well as 49 Pratt & Whitney engines, according to the State Department.

The kingdom is also seeking to acquire other non-major defense equipment, such as cryptographic devices, precision navigation, secure communications, simple key loaders and support for electronic warfare databases, maintenance and personnel training.

Producing and delivering these planes can take many years.

Meanwhile, just a day before Trump’s announcement, The New York Times surfaced intelligence concerns that China could acquire F-35 technology by spying on Saudi Arabia or through its partnerships with the kingdom.

U.S. House Rep. Raja Krishnamoorthi, a Democrat from Illinois, warned in a statement on X that “Beijing has spent decades stealing American intellectual property” and that this deal could “help them do it.”

“Our own intelligence community is warning that it could put the crown jewels of American military technology within reach of the Chinese Communist Party,” Krishnamoorthi added.

The Biden administration reportedly ended a past F-35 deal with the United Arab Emirates — secured by the first Trump administration — due to similar concerns about the country’s connections to China, as well as to Russia.

This article originally appeared on JTA.org.

The post Proposed U.S. $24.3 billion sale of F-35 fighter jets to Saudi Arabia advances appeared first on The Forward.

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After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’

(JTA) — The lieutenant governor of Texas says his recent call for the state’s public schools to remove “over 2,000 titles” of “dirty, filthy and vulgar books” was not meant to include books about the Holocaust.

Dan Patrick’s statement, provided exclusively to the Jewish Telegraphic Agency on Friday, comes after a month of confusion following a press conference in which he and a conservative Christian activist threatened schools with potential loss of state funding if they did not comply with his directive to purge their libraries.

“I believe Texas students must learn about the Holocaust, and that includes reading books such as ‘Night’ by Elie Wiesel, ‘The Diary of Anne Frank,’ and other books about the Holocaust,” Patrick told JTA, singling out two books on the removal list he had promoted – one of which, “Night,” that he previously explicitly called for removal from middle schools.

Patrick added that his initiative was “focused on age-inappropriate, sexually explicit books in public school libraries across Texas.” At his earlier press conference, he had directed viewers to an online list compiled by an activist group that features several books about the Holocaust and Jewish identity.

Patrick’s threats have teeth. In Texas, lieutenant governors are more powerful than in many other states, playing central roles in shaping the budget and determining the legislative agenda.

Patrick also appeared to walk back some of the harsher proclamations from his Aug. 19 press conference, at which the Republican had stated, “We’re coming for the books.”

“As the law states, local communities have the right to make their own decisions about their public school libraries,” he told JTA Friday.

The lieutenant governor, who is up for reelection this fall, appeared at the conference with Bonnie Wallace, the head of the activist group Recover America, and told viewers to “go to RecoverAmerica.com.” That group has circulated a list of more than 2,100 “Harmful Books in Libraries.” Its list, which it describes as “books with harmful, sexually explicit, and vulgar content,” includes more than a dozen titles of particular import to Jewish readers.

Recover America’s flagged books include both volumes of Art Spiegelman’s “Maus,” a comic-book adaptation of Frank’s diary and Bernard Malamud’s novel of a blood libel “The Fixer” — all books that have been removed from school districts in Texas and other states in the past amid broader conservative-led library culture wars. In some cases those books were restored to the districts following public outcry, but spurred deeper dialogue about the state of Holocaust education and antisemitism awareness in public schools.

Patrick’s latest push would go much further than a handful of districts, affecting the more than 5.5 million students in public schools across the state.

The author and Holocaust survivor Elie Wiesel in his office in 1980, surrounded by books and papers
Political activist and writer Elie Wiesel on November 3, 1980 in New York, New York. (Santi Visalli/Getty Images)

One book of particular contention on Recover America’s list was “Night,” Elie Wiesel’s bestselling memoir of surviving Auschwitz and Buchenwald, which has been taught in schools for decades. After a Houston Chronicle story noted the book’s inclusion on the Recover America “harmful” list, Patrick initially doubled down on “Night,” saying that it was not appropriate for middle schools owing to its “violence.”

“If ‘Night,’ by Elie Wiesel, were made into a movie, it would likely be rated R,” Patrick wrote on the social network X on Aug. 26. “‘Night,’ which includes depictions of graphic violence and the machine-gunning of babies, should not be available to sixth graders in middle-school libraries. High school is more age-appropriate.”

His tweet appeared to contradict the state’s own K-12 required reading list, passed this summer, which mandates that “Night” be taught in the eighth grade beginning in 2030.

Now, in response to questions from JTA, the lieutenant governor said he would defer to the Texas State Board of Education on the appropriate grade to teach “Night.”

“The State Board of Education decides the appropriate grade level for books and will determine whether ‘Night,’ by Elie Wiesel, is at the appropriate grade level,” Patrick told JTA in his statement.

He continued to insist that books in schools should be held to “FCC standards,” referring to the Federal Communications Commission, an agency that governs broadcasting content and does not regulate publishing.

The head of the Texas Holocaust, Genocide and Antisemitism Advisory Commission, a governor-appointed panel which advised the state on the inclusion of “Night” and other Holocaust texts on its required reading list, did not return a JTA request for comment.

In a statement, the Texas Educational Authority, which drafted the required-reading list, told JTA, “When Texas students learn about the Holocaust, they will be exposed to the horrors of the Holocaust. That is why the SBOE placed the book in 8th Grade to ensure age appropriateness for students.”

Maria Cuomo Cole, Kim A. Snyder, winners of the Exceptional Merit In Documentary Filmmaking for “The Librarians”, Jimmy Kimmel, winner of the Outstanding Host For A Game Show award for “Who Wants To Be A Millionaire”, and Lois Vossen, Becky Calzada, Amanda Jones and Janique L. Robillard, winners of the Exceptional Merit In Documentary Filmmaking for “The Librarians”, poses in the Winner’s Walk during the 78th Emmy Awards Night 1 at Peacock Theater on September 05, 2026 in Los Angeles, California. Participants hold up books including “Night” and “Anne Frank’s Diary: The Graphic Adaptation.” (Amy Sussman/Getty Images)

At the Emmys this week, when “The Librarians,” a documentary about librarians facing book removal threats, won an award, retired Texas librarian Carolyn Foote joined the producers on the stage and held up a copy of “Night” in protest.

“I felt like it was very symbolic to bring ‘Night,’” Foote, a subject of the film and a co-founder of the librarian activist group FReadom Fighters, told JTA. “Having read it, I just know the importance of not forgetting our past. And that’s part of Elie Wiesel’s whole legacy, is remembrance, and so it just felt very important for me to carry that book, coming from Texas.” Another librarian onstage for the win held up “Anne Frank’s Diary: The Graphic Adaptation.”

Elisha Wiesel, Elie’s son and chair of the Elie Wiesel Foundation, told JTA that “Texas deserves credit for recognizing that Holocaust education belongs in the eighth-grade curriculum.” Yet, the younger Wiesel suggested, Patrick’s concerns about the book’s violence were misplaced.

“‘Night’ contains violence because the Holocaust was violent; its purpose is not to shock young people, but to help them understand where hatred and indifference can lead,” he wrote in an email. “With context and guidance, students should not be shielded from this history. They should be equipped to confront it.”

Despite having directed viewers to Recover America’s book list during his press conference, Patrick’s new statement to JTA said, “I do not have a book list.” He pointed instead to a law passed in the state legislature in 2025 regulating school books that he said districts were required to follow.

Yet some districts in the state have removed every book on Recover America’s list from their own libraries out of fear of losing funding, Foote told JTA. While the list nominally contains a ratings system, many of the books do not have a rating.

A book cover
“Anne Frank’s Diary: The Graphic Adaptation” (Courtesy Anne Frank Fonds)

Besides “Night,” “Maus,” “Anne Frank’s Diary” and “The Fixer,” other books about Judaism and the Holocaust on Recover America’s list of “Harmful Books” include:

  • “Annexed,” a young-adult novel about Peter van Pels, who hid in the Amsterdam annex with Anne Frank
  • “The Berlin Boxing Club,” a young-adult historical novel based on German boxer Max Schmeling, who helped young Jews during Hitler’s rise to power
  • “Black, White and Jewish,” a memoir by Rebecca Walker, the mixed-race Jewish daughter of author Alice Walker
  • “Caste: The Origins of our Discontents,” a nonfiction book analyzing the “caste systems” of Nazi Germany. “Caste” had been included on an earlier, Wallace-spearheaded list of books for removal from a Texas public library in a case that the U.S. Supreme Court declined to hear in 2025, allowing the removals to proceed.
  • “Kasher in the Rye,” a memoir by Jewish comedian Moshe Kasher
  • “Pride: the story of Harvey Milk and the Rainbow Flag,” a children’s picture-book biography of the pioneering Jewish LGBTQ legislator
  • “Sophie’s Choice,” the bestselling Holocaust novel for adults
  • “The Violin Maker’s Daughter,” a historical novel about a Jewish family of musicians during the Holocaust
  • “White Bird,” a young-reader graphic novel about a Jewish girl in Nazi-occupied France

In response to JTA sharing a list of the above books, Patrick’s statement mentioned only “Night” and Anne Frank by name. The Recover America list is largely made up of romance and fantasy novels, many with an LGBTQ element, while also including classics such as “The Glass Menagerie” and “Cat’s Cradle” and some picture books for children.

Recover America did not immediately return a JTA request for comment Friday on Patrick’s new statement. Wallace, the group’s leader who has also appeared on Patrick’s podcast, previously told the Houston Chronicle that she had “thought long and hard” about including “Night” on her list.

She ultimately did so, she said, because “an eighth-grade student is 13 years old. Do they need to read about soldiers massacring, throwing up babies, and killing them with machine guns?”

She added, “It’s not to say this doesn’t happen in life. And the Holocaust was maybe the worst tragedy in the history of the world.”

For Cameron Samuels, a Jewish alum of Texas public schools and founder of the activist group Students Engaged in Advancing Texas, such efforts do not help Jewish students.

“Non-Jewish people are deciding for us what’s best, and making this public policy,” Samuels said. “We can’t readily access these books and stories. And that makes students feel alone. It also means that our classroom peers are not learning authentic Jewish narratives.”

This article originally appeared on JTA.org.

The post After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’ appeared first on The Forward.

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