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A new mural in Nolita celebrates a Holocaust rescuer

(New York Jewish Week) — In the heavily trafficked neighborhood of Nolita, a larger-than-life mural has popped up on the corner of Spring St. and Elizabeth St. Bright orange and pink paint spell out the words “Saved 3,000 Jewish Lives” next to a black and white portrait of Holocaust rescuer Tibor Baranski.

The mural, an art piece designed to combat hate and spark conversation, is the brainchild of “Artists 4 Israel,” a non-profit organization that aims to “prevent the spread of antisemitic and anti-Israel bigotry by helping to heal communities that have been affected by hate through art,” according to its CEO and co-founder Craig Dershowitz.

“Our rallying cry is art over hate,” Dershowitz said. Baranski’s portrait, painted by Fernando “SKI” Romero, a renowned graffiti artist based in Queens, is part of the organization’s “Righteous Among the Nations Global Mural Project.” It aims to establish a network of murals painted in cities around the world that feature other “Righteous Among the Nations” members who helped save Jews during the Holocaust.

“His story was beautiful and it really touched me,” Romero, who is Dominican, said of Baranski, who collaborated with Artists 4 Israel on deciding whom to feature in the New York mural. “The want to paint something came very easily with something so selfless.”

The Baranski mural in Nolita is the third installment of the mural project; eventually there will be 10 murals around the world, said Dershowitz. Each subject is given a mural in their home state or country where they aided Jews: In Portugal, a mural of Aristides de Sousa Mendes, a diplomat who helped arrange passports for Jews has become a popular tour bus stop. In Greece, a mural of Mayor Loukas Karrer and Archbishop Dimitrios Chrysostomos led to national media coverage.

Though Baranski was Hungarian, he lived in Buffalo, New York for nearly six decades and felt at home in New York, which is why the Artists 4 Israel chose him for the mural in Manhattan.

In 1944, Baranski was 22 and studying to become a Catholic priest in Slovakia when the Russian Army invaded and he was forced to return to Budapest, where he grew up.

He never returned to the seminary, and abandoned his dream of becoming a priest. Instead, he dedicated the next years of his life to orchestrating the escape of more than 3,000 Hungarian Jews from the Holocaust.

After arriving in Budapest, Baranski headed to the Vatican embassy residence of the Papal Nuncio Angelo Rotta, where a long line of people were requesting help. The Vatican embassies in Switzerland, Sweden, Spain and Portugal were some of the only places where Jews and other refugees were able to secure letters of protection and necessary documents to leave their countries.

Carol Romeo, who said her family survived the Holocaust, pauses to touch the mural of Holocaust rescuer Tibor Baranski created by Fernando “SKI” Romero, a Dominican-American artist born and raised in Queens. “I never knew he existed,” she said of Baranski. “And he lived here in New York. Everyone should know his story.” (CAM and Artists4Israel)

Pretending to be a priest, Baranski managed to arrange a meeting with Rotta, where he secured documents for a Jewish family he knew. As the story goes, Rotta soon recruited Baranski to help organize protection letters, baptismal certificates and immigration certificates for Jews trying to escape Hungary. He also helped coordinate food and housing for the escapees. Over the next two months, Baranski saved 3,000 Jewish lives, according to official records — though his sons have said he believes the number was closer to 15,000.

After the war, Baranski was imprisoned by the Soviet army for five years for his anti-communist beliefs. He became a freedom fighter during the Hungarian Revolution of 1956 before moving to Rome to start a refugee camp with his wife Katalin.

Eventually the couple moved to Canada and then settled in Buffalo, where they were active members of the community and raised their three children, Tibor Jr., Kati and Peter.

Baranski, who died in 2019, was recognized by Yad Vashem as a Righteous Among the Nations in 1979, and was appointed by President Jimmy Carter to the U.S. Holocaust Memorial Council.

In an obituary in the New York Jewish Week, writer and close friend of Baranski’s Steve Lipman recalls an anecdote Baranski often repeated: “’Why do you, a Christian, help Jews?’ Uncle Tibor told me the Nazis asked him. ‘You are either silly or an idiot,’ he would answer. ‘It is because I am a Christian that I help the Jews.’”

For Dershowitz, who is based in Los Angeles, one of the goals of the murals — and his organization at large — is fighting antisemitism through education about Israel and the Holocaust. By making the art public and accessible, Dershowitz hopes people of all backgrounds will enjoy the art, and learn from it.

“These murals are very much for everyone to enjoy,” he said. “For the most part, they’re not geared towards the Jewish community as much as they’re geared towards a younger demographic, regardless of their religion or cultural heritage.”

Since its foundation in 2009, Artists 4 Israel’s principal mission has been to bring diverse groups of graffiti, street and mural artists to Israel to create projects that “benefit people in a direct, on-the-ground way,” such as painting murals in hospitals, bomb shelters and army bases. The organization has worked with more than 5,000 professional and amateur artists from 32 countries around the world, according to its website.

“When [the artists] come back [from Israel], they’re able to talk about the country and they’re able to speak about the Jewish people and be a window into the reality of Israel in the Middle East to their millions of followers,” Dershowitz explained.

In 2020, when COVID-19 arrived and international travel halted, the organization switched gears and started bringing their advocacy to cities around the world with the “Righteous Among the Nations” project.

For the artist Romero, the work has been especially gratifying. The 44 year-old artist has been involved with Artists 4 Israel since its inception and has visited Israel three times, painting murals for battered women’s shelters, community shelters and army bases.

“I’m creating art with purpose, which is beautiful. I’m also creating a dialogue. There’s a conversation,” Romero said. “This is one of those murals that touches home and it makes you really feel good. It is art that just separates itself from a lot of the noise out there.”

Painted over the course of two days, the mural will remain on the downtown corner for the next nine months.

At the unveiling party last month, which included a performance by singer Neshama Carlebach and blessings led by Rabbi Menachem Creditor, Baranski’s son Tibor Jr. retold his father’s story and emphasized the strong Catholic faith that guided him.

“Tibor Baranski was the merger of intellect and faith,” said his son, who drove from Buffalo for the event. “My father’s deeply held belief in God was uncompromising. It was the core driver in his saving thousands of innocent Jewish lives in 1944 in Nazi-occupied Hungary.”

“I will quote my father since his words captured the essence of our Catholic faith and what this mural that Fernando painted commemorating him represents: ‘Love each other, love each other sincerely. God is love. Love destroys hatred,’” he added.


The post A new mural in Nolita celebrates a Holocaust rescuer appeared first on Jewish Telegraphic Agency.

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I’m an Iranian Student at Yale: Here Is the Problem With the University’s Discourse

Yale University Law School in New Haven, Conn. Photo: Juan Paulo Gutierrez/Flickr.

On April 7, the Yale MacMillan Center hosted a panel titled, “The War on Iran: A Roundtable Discussion.” The speakers repeatedly made false claims about Iran’s modern history and politics. When these claims were challenged by Iranians in the audience, they were met with dismissal and mockery.

This panel epitomizes a larger problem with how Iran is discussed at Yale. Our academic culture has allowed perceived expertise to shield weak and morally suspect arguments, while the voices of Iranians are only tolerated if they reinforce an established narrative.

Laura Robson, Elihu Professor of Global Affairs and History, started by saying she was “not an Iran expert.” She then described Iran’s 1953 government change as the United States collaborating with the British government to remove the democratically elected Prime Minister, “Mustafa” Mossadegh, in favor of the return of an autocratic monarchy.

This is inaccurate, not only because Robson actually meant “Mohammad” Mossadegh, but also because he was never democratically elected. When confronted, the professor claimed that descriptions of anybody, even beyond Iran, as democratically elected need to come with asterisks, morally equivocating dictators with other democratically elected leaders. She continued by saying there’s no question that the regime that the US replaced him with [Pahlavi 1953-1979] was more repressive than the one that came before it.

While criticisms regarding treatment of political prisoners apply to both the Pahlavi and Mossadegh periods, Robson omitted the fact that under Pahlavi, women gained the right to vote, run for office, and divorce. The legal marriage age was raised from 13 to 18. The first public gay wedding in the Middle East was held in Tehran, and the couple was congratulated by the Empress.

Arash Azizi, a fellow at the Yale Program for the Study of Antisemitism, said that former Iranian Foreign Minister Zarif speaks on behalf of the Iranian people, when the mass protests that occurred earlier this year — in which tens of thousands of people were killed — show that the regime clearly lacks popular support. This is something universally acknowledged by even those who oppose the current war.

The controversial US Special Envoy for Iran, Robert Malley, claimed that sanctions and war “have not done one iota” to weaken the Iranian regime or reduce its violence, and returned to the same conclusion he has defended for years: that blind faith in endless negotiation remains the only path forward regardless of past failures.

Contrary to this claim, the sanctions have significantly weakened the regime economically and constrained its terror proxies, and their conduct during this war shows how untrustworthy incessant negotiation attempts have been.

When an Iranian who had lost friends in the Ukrainian PS752 plane shot down and covered up by Zarif’s government asked the panel how they sleep at night knowing they support figures like Zarif, the panelists laughed and joked about using melatonin. The Iranian student’s emotional testimony was deemed uncivil by panel moderator Travis Zadeh, Chair of the Council on Middle East Studies, but the mockery that followed was treated as acceptable.

This is the problem with Iran discourse at Yale, and beyond Yale. Treating academic credentials as a pass to ignore views that don’t fit the pre-established political ideology of “experts” is not merely due to ignorance and disconnect from reality. It is a deliberate decision to launder these fundamental misunderstandings as facts in classrooms where future political leaders sit.

Iranian voices are already silenced through repression, Internet shutdowns, and executions. What little space that remains for Iran discussion is then hijacked by academics who avoid any resolution by framing everything about the region as “too complicated,” treat the region as a monolith, and present the regime’s terrorists as authentic Iranian voices.

Foreigners are told that any intervention is wrong, because Iranians must decide their own future. But when Iranians speak, they are silenced here and silenced in Iran by the very same policies that these foreign experts and discussion panels present as the best solution for Iran.

To make any progress towards peace, that choice must be reconsidered.

The Yale Daily News initially signaled interest in publishing this piece, but declined to move forward after heavy editorial pushback by at least one staff member.

Hadi Mahdeyan is an Iranian international student at Yale University, and a fellow at the Committee for Accuracy in Middle East Reporting and Analysis (CAMERA). Opinions expressed are those of the author and do not necessarily reflect those of CAMERA.

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Group of Writers, Artists Urges Others to Boycott New York City’s Historic 92NY for Its Support of Israel

The 92nd Street Y (now known as 92Y) on New York’s Upper East Side. Photo: Ajay Suresh via Wikimedia Commons.

A group of anti-Israel artists and writers has launched an initiative urging creatives to boycott the New York institution 92NY, formally known as the 92nd Street Y, because the historic nonprofit community center has hosted cultural and political figures who support Israel.

The collective, called 92NO, wrote on its website that the 92NY “stage and venue is tainted by [its] actions throughout the genocide.”

In a statement explaining the group’s formation, members said their frustration with the 92NY started in October 2023, when it canceled a scheduled talk with Pulitzer Prize-winning novelist Viet ُThanh Nguyen that was organized by 92NY’s Unterberg Poetry Center. The event was called off after the author signed an open letter that criticized Israel and called for an immediate ceasefire in the Gaza Strip and an arms embargo on the Jewish state.

The same open letter accused Israel of “ethnic cleansing,” “genocide,” and the “occupation of Palestine.” It condemned “the deliberate killing of civilians,” without denouncing by name the Hamas terrorist organization, which led a deadly assault in southern Israel on Oct. 7, 2023, which started the conflict in Gaza. The letter was published shortly after the start of the Israel-Hamas war.

The cancellation of Nguyen’s event resulted in several writers withdrawing their own scheduled appearances from the 92NY and resignations from staff members. The 92NY venue paused events as part of its literary series “given recent staff resignations.” Seth Pensky, CEO of the 92NY, defended the decision at the time in an interview with New York Magazine and refuted accusations of “censorship.”

Nguyen has previously expressed support for the boycott, divestment, and sanctions (BDS) movement against Israel, and in 2024, he joined over 1,000 prominent authors in vowing to boycott Israeli cultural institutions, including publishers.

In its statement, 92NO noted that after the Nguyen event was canceled, 92NY organized “a series of public events boosting cultural and political support for Israel” that featured figures such as former Israeli Prime Minister Yair Lapid, journalist Bari Weiss, former US special envoy for monitoring and combating antisemitism Deborah Lipstadt, actress Debra Messing, and “various Israeli military, cultural, and academic figures.” The protest group accused 92NY of expressing a “clear bias and support for Israel’s ongoing assault on Gaza.”

“Throughout 2025 and into 2026, 92NY has continued to platform aggressively pro-Israel public figures,” the coalition stated, before listing featured speakers including journalist Bret Stephens, US Rep. Ritchie Torres, novelist Dara Horn, Israeli activist Hen Mazzig – whom the group labeled as an “Israeli propagandist” — Israeli journalists Ronen Bergman and Nadav Eyal, Bernard-Henri Lévy, New York Police Commissioner Jessica Tisch, former White House National Security Adviser Jake Sullivan, and Palantir CEO Alex Karp.

The group specifically accused Sullivan of having “outright complicity in the Gaza genocide,” and claimed he is “one of the chief architects and cheerleaders for Israel’s assault on Gaza.” 92NY also called Karp a “tech world Zionist Bond villain” and criticized Horn for “repeated genocide and apartheid denial.” They claimed Torres is “funding Israel’s genocide in Gaza” because he supports the US providing military aid to the longtime ally and took issue with his “obsessive pro-Israel posting on social media.”

“Nearly three dozen scheduled artists have withdrawn from events at 92NY,” 92NO said in conclusion. “Local activists gather regularly in front of the building to picket against the pro-war, pro-genocide speakers platformed on the 92NY stage. In April 2026, 92NO officially launched, calling on artists to refuse to allow their names and works to be used to launder the reputation of 92NY.”

92NY did not immediately respond to The Algemeiner‘s request for comment about 92NO.

On the 92NY.org Policy Page, the center has a section titled “Regarding Israel.”

“We reaffirm that, as we curate our programming going forward, we will continue to welcome a broad range of viewpoints to our platform, including welcoming people who are critical of Israel, as long as they have not and do not actively call for the destruction of the State of Israel or question its legitimacy,” the policy states. The institution also notes on its website that it will “work to avoid giving platform to hate speech of any kind, including misogyny, transphobia, homophobia, racism, Islamophobia, and, of course, antisemitism.”

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Deni Avdija Makes History as First Israeli to Win NBA Playoff Game — on Israel’s Independence Day

Apr 14, 2026; Phoenix, Arizona, USA; Portland Trail Blazers forward Deni Avdija (8) fouls Phoenix Suns forward Dillon Brooks (3) in the second half during the play-in rounds of the 2026 NBA Playoffs at Mortgage Matchup Center. Photo: Mark J. Rebilas-Imagn Images via Reuters

Deni Avdija became the first Israeli to win an NBA Playoff game when his team, the Portland Trail Blazers, defeated the San Antonio Spurs 106-103 in a Game 2 matchup on Tuesday night, which marked the team’s first playoff win since 2021.

Under interim head coach Tiago Splitter, the 6-foot-8 forward made his playoff debut on Sunday against the Spurs and became just the second player in NBA history to record 30+ points, 10+ rebounds and 5+ assists in their first playoff game. He followed in the footsteps of NBA legend LeBron James, who did the same in 2006, according to the Trail Blazers. Avdija, 25, is also the first player from the Blazers to achieve those numbers in a playoff game in the history of the franchise.

The Blazers lost 98-111 loss on Sunday against the Spurs before redeeming themselves on Tuesday with a victory.

Avdija finished with 14 points, four rebounds, three assists, and one block over the span of 30 minutes in Tuesday’s Game 2 win over the Spurs in the first round of the playoffs. The Tel Aviv native finished the game as Portland’s third-leading scorer.

The Blazers will host the Spurs for Game 3 on Friday.

Before the start of the game on Israel’s Independence Day, which began on Tuesday night, Avdija was asked by Israel’s Sport 5 what he would bring from the Jewish state to the NBA. He replied, “The food, the sea, and the people.”

It was announced on Sunday that Avdija is one of three finalists for the NBA’s Most Improved Player award. He is up against Nickeil Alexander-Walker of the Atlanta Hawks and Jalen Duren of the Detroit Pistons. The winner of the award will be announced on Friday.

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