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A new portrait collection showcases 90 Holocaust survivors who lived long and full lives

(JTA) — Werner Reich had his opening line ready when he sat down for B.A. Van Sise to take his portrait.

“Before I could say anything, he said, ‘Everybody comes to me and they want me to talk about the Holocaust. What am I supposed to say? I went to Auschwitz. It was lousy,’” Van Sise said, recalling that Reich’s comment felt like a joke, not a lament.

But instead of dwelling on the horrors of the Nazi concentration camp, the two men spoke about magic, a refuge for Reich as a Jewish teenager trying to survive. The resulting portrait shows a man in his 90s wearing retro glasses, a cloud of smoke floating a few inches above his open palm, in a picture vibrating with life and with enchantment.

Van Sise’s portrait of Reich is the first in “Invited to Life: Finding Hope After the Holocaust,” his new portrait collection of 90 Holocaust survivors. The accompanying text acknowledges Reich’s experience at Auschwitz, but it focuses more on Reich’s life after the war and his long career in magic — striking a balance that Van Sise says is core to his project.

“This is not something that people are inclined to talk about because it’s not always bombastic. It’s not the part that you sell movie tickets to,” Van Sise said. “You can make, and people have, a hundred movies about Jewish people being imprisoned, tortured, and enslaved. Why doesn’t anybody talk about them thriving afterwards?”

Holocaust survivor and hiking enthusiast Sam Silberberg poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

Van Sise is far from the first photographer to capture the faces of survivors in the decades following the end of the Second World War. Famed portrait photographers Martin Schoeller and Mark Seliger, both known for their iconic celebrity portraiture — Schoeller for his uniform, stylized close-ups and Seliger as a magazine photographer who also recently photographed Jerry Seinfeld in a fashion shoot — have also set their cameras in front of Holocaust survivors. Countless other photographers have done the same. But what Van Sise says is sometimes missing from survivor photography is a focus on the postwar lives, many of them joyous, that the subjects have experienced over the last 70-plus years.

“I suspect that one person might see these folks and see victims,” Van Sise said. “And I see them as survivors.”

Holocaust survivor and Park East Synagogue Rabbi Arthur Schneier poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

“Invited to Life” was inspired by a 2015 photo assignment Van Sise took on for the Village Voice. Motivated by the anti-immigrant, anti-refugee rhetoric of then-candidate for president Donald Trump, he realized that a particularly cohesive cohort of refugees to come to the United States had arrived more than 75 years ago, at the end of the Second World War, and a photographic retrospective on their lives in America could be a valuable project. He reached out to the Museum of Jewish Heritage in New York to be put in touch with a dozen survivors for the story. He ended up taking more than 30 portraits. When the alternative newsweekly ceased publication in 2017 (it was revived in 2021) before he could publish the photos, the museum invited Van Sise to turn the portraits into a solo exhibition, in what became the museum’s first-ever public art installation.

Then the pandemic arrived, and like many photographers whose everyday work required travel, Van Sise was out of a job.

“It had never been a marquee project for me,” said Van Sise, who is Jewish but has no familial connection to the Holocaust. “I kept coming back and thinking about them, and about the fact that these people had been through the worst there ever was, the worst that ever has been, the worst there ever might even be.”

Holocaust survivor and painter Fred Terna poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

Van Sise spent the better part of 2020 driving around the United States, getting COVID swabs every three days so he could safely photograph 140 elderly survivors, 90 of whom ended up in the book. (He was insistent with his publisher that the final number of portraits in the book be a multiple of 18, the Jewish numerical symbol for “life”.)

The photos are all in black and white, but beyond that, they are as diverse as Sise’s subjects. Some incorporate backgrounds, some are solo portraits; some are serious, some are silly; some include children, grandchildren, husbands, wives, props; some are in profile, and some are shot straight on. The subjects are Nobel Prize-winning chemists and homemakers; pilots and psychologists; haberdashers and teachers; famed rabbis and partisans-turned-conmen.

All of them, Sise says, were photographed with a sense of generosity.

“A person who wants to be critical of me — which is fair — might say that I’m overly charitable,” Van Sise says of his own work, acknowledging that no photographer can avoid bias completely while behind the camera. (It didn’t help that many of the survivors he photographed were eager to feed him cookies, as he frequently recalls.)

In the nearly three years since Van Sise began photographing the subjects of his book, the reality of working with more than 100 elderly people set in. Several of the survivors, including Holocaust educator René Slotkin, Budapest-born legal secretary Kathy Griesz and Reich died before they got the chance to hold a copy of the book in their hands, much to Van Sise’s dismay.

“As a writer, you carry them with you,” he said. “So for me, there were a few where I got pretty rattled.”

Holocaust survivor and educator René Slotkin poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

The photographs reflect acknowledgment by all involved that the survivors in the pictures are all nearing the ends of their lives. Many of his subjects chose to include their children, grandchildren, or great-grandchildren in their portraits, and the photographer was intentional in closing the book with a portrait of Irving Roth, a longtime Holocaust educator, with his 3-year-old great-granddaughter Addie sitting on his lap. In the text, Roth remarks on the origins of his Hebrew name, Shmuel Meir, which came from his great-grandfather and imagines what life will be like for Addie when she turns 103, and what she will remember of him.

Roth passed away in February 2021 at age 91.

“Those stories don’t end in 1945,” Van Sise said. “These people have lived for, now, 77 years since and have done plenty with that time. And that’s worth exploring, because that’s the part they have control over.”

Reflecting on different styles of Holocaust survivor portraiture at a discussion at the Museum of Jewish Heritage, the original home of Van Sise’s portraits, German photographer Martin Schoeller remarked on his own preference for images of older faces.

Holocaust survivor and educator Irving Roth and great-granddaughter Addie pose together for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

“They have more life in them. You see the wrinkles and you feel that there’s more to discover in the face, in an old face. So they almost feel like they’re telling the story of the suffering of the Holocaust more visually, because they’re older faces,” Schoeller said.

“But then, it’s been 75 years since the end of the war,” he added. “So these people have lived 75 years; so to say, ‘Now I see the horror in this old man’s face’ feels a little bit — I don’t know if that’s really true. I leave it up to the people looking at the pictures.”


The post A new portrait collection showcases 90 Holocaust survivors who lived long and full lives appeared first on Jewish Telegraphic Agency.

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The cheesy way to do teshuvah

To Europeans, cheese culture in the United States is not quite ripe.

The Kraft company, for good and for ill, has defined American cheese in high-gloss orange. But if you’ve been to a grocery store or farmer’s market in recent decades, guided by tatted-up slicers ready to educate you on musky bouquets and runny rinds, you know this is only part of the picture.

Sara Joe Wolansky’s The Big Cheese follows Adam Moskowitz, a third-generation cheese importer as he coaches Team U.S.A. to compete at the Mondial du Fromage in France — the Olympics of cheesemongers. He’s the one in the cow suit, leading a group chant of barnyard noises he calls a “mooditation.” You might mistake his bootcamp in Queens as a joke, but he’s not kidding.

“For me this is redemption,” he says.

Moskowitz, equal parts Tevye the dairyman, George S. Patton and the Beastie Boys, credits cheese with saving his life. At first he was resistant to enter the family trade, begun by his immigrant grandfather, Ben, who started in the business as a kid with a pushcart in Washington Market in Tribeca and became one of the first Americans to import now familiar cheeses from abroad. Adam’s father, Joseph, expanded the market, debuting Jarlsberg and Boursin in our supermarkets.

An ambitious workaholic, Adam forged his own path, earning his first million dollars as a salesman at Yahoo! in the 1990s, and losing it almost immediately when the dot-com bubble burst. When his flirtation with a rap career fell flat (you’ll see why), he joined the world of cheese at the family firm, Larkin Cold Storage, and brought the party there, founding the Cheesemonger Invitational, a booze-soaked celebration he emceed, between bumps of coke in the bathroom.

The invitational Moskowitz founded in 2011 helped inspire the Mondial, a competition that pits the world’s best cheesemongers against one another in blind taste tests, oral presentations pitching a specific cheese and statue displays. By 2023, no American had ever placed in the competition. A newly sober Moskowitz was determined to crumble that Roquefort ceiling.

In Moskowitz’s journey is a tale of Tillamook teshuvah. He is indebted to the cheese community for letting him make amends. Throughout, he reflects on his behavior as an addict, leading to some heavy moments in an otherwise frothy endeavor.

The documentary is also focused on two competing cheesemongers, Sam Rollins and Courtney Johnson, who Moskowitz and a panel of experts picked to challenge the snooty Europeans. It’s a compelling look at a slice of an industry whose experts get shorter shrift than their oenological counterparts. (A monger is a cheese sommelier, make no mistake.)

I won’t spoil the ending, except to say events cooperated with the film’s feel-good vibe, though you may end up wishing Wolansky stayed on a bit longer for the following year’s competition, which saw a major win for the underdogs.

The film may just bring out the patriot in you, as you root for American soft (cheese) power to prevail. It could just be the perfect thing to watch this coming Shavuot.

Sara Joe Wolansky’s The Big Cheese makes its world premiere at DOC NYC. In person and online dates can be found here.

The post The cheesy way to do teshuvah appeared first on The Forward.

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Netanyahu, Touting Push Toward Greater Self-Reliance, Denies Report Israel Seeking 20-Year US Military Aid Deal

US President Donald Trump greets Israeli Prime Minister Benjamin Netanyahu at the White House in Washington, DC, US, Sept. 29, 2025. Photo: REUTERS/Kevin Lamarque

Israel Prime Minister Benjamin Netanyahu has denied reports that his country is seeking a new 20-year military aid deal with the US, insisting that the Jewish state is working to wean itself off American assistance. 

“I don’t know what they’re talking about. My direction is the exact opposite,” Netanyahu said on “The Erin Molan Show” on Thursday when asked by the Australian journalist about a new Axios report saying Israel was pursuing the security agreement.

According to Axios, the deal under discussion would include “America First” provisions to win the Trump administration’s support. The current 10-year memorandum of understanding between the two countries — the third such agreement signed — expires in 2028. It includes around $3.8 billion of annual military aid to Israel, which spends nearly all the assistance in the US to purchase American-made weapons and equipment.

The report comes amid growing criticism in the US among progressives and, increasingly, some conservatives over American military support for Israel, especially among younger Americans.

“Now, I want to make our arms industry independent, totally as independent as possible,” Netanyahu said on Thursday. “I think that it is time to ensure that Israel is independent.”

Netanyahu added that US defense aid to Israel is a “tiny fraction” of what Washington spends in the Middle East.

“We have a very strong economy, a very strong arms industry, and even though we get what we get, which we appreciate, 80 percent of that is spent in the US and produces jobs in the US,” he continued, saying he wants to see “an even more independent Israeli defense industry.”

The Israeli premier went on to stress that his country has never asked a single American solider to fight for Israel.

“Israel does not ask others to fight for us,” he said. “Israel is the one American ally in the world that says, ‘We don’t need boots on the ground, we don’t need American servicemen fighting on the ground for Israel or around Israel. We’re fine.’ We fight our own battles, but in doing so, we serve important American interests, like preventing countries that chant ‘Death to America’ from having nuclear bombs to throw at America.”

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South African President Says ‘Boycotts Never Really Work’ Despite BDS Support

South Africa’s President Cyril Ramaphosa attends the 20th East Asia Summit (EAS), as part of the 47th ASEAN Summit in Kuala Lumpur, Malaysia, Oct. 27, 2025. Photo: REUTERS/Hasnoor Hussain

South African President Cyril Ramaphosa insisted that “boycott politics doesn’t work” following the Trump administration’s announced absence from a summit in his country later this month — despite his ruling party’s ongoing support for the boycott, divestment, and sanctions (BDS) movement against Israel.

On Wednesday, Ramaphosa urged US President Donald Trump to reconsider his decision to boycott the G20 Leaders’ Summit, scheduled for Nov. 22-23 in Johannesburg, northeastern South Africa.

Ramaphosa criticized Washington for “giving up the very important role that they should be playing as the biggest economy in the world” in its decision to skip the summit — the first to be held in Africa.

“It is unfortunate that the United States has decided not to attend the G20. All I can say in my experience in politics is that boycotts never really work. They have a very contradictory effect,” the South African leader told reporters outside parliament in Cape Town.

Trump, who has previously accused the South African government of human rights abuses against white minorities — including land seizures and killings — called the decision to host the G20 summit in the country a “total disgrace.”

“No US government official will attend [the summit] as long as these human rights abuses continue,” he wrote in a post on Truth Social. 

However, the South African government has strongly rejected any claims of genocide, saying such accusations are “widely discredited and unsupported by reliable evidence.”

Ramaphosa reaffirmed that the summit will proceed as scheduled, regardless of Washington’s absence.

“The G20 will go on. All other heads of state will be here, and in the end, we will take fundamental decisions. And their absence is their loss,” he said.

“The US needs to think again whether boycott politics actually works, because in my experience, it doesn’t work. It’s better to be inside the tent rather than being outside the tent,” he continued. 

Despite such claims, Ramaphosa’s ruling African National Congress (ANC) party has officially endorsed the BDS campaign against Israel for years.

The BDS movement seeks to isolate the Jewish state internationally as a step toward its eventual elimination. Leaders of the campaign have repeatedly stated their goal is to destroy the world’s only Jewish state.

In 2012, the ANC announced its full backing of the BDS movement, urging “all South Africans to support the programs and campaigns of the Palestinian civil society which seek to put pressure on Israel to engage with the Palestinian people to reach a just solution.”

Following Ramaphosa’s comments this week, it remains unclear why he continues to back anti-Israel boycotts if he believes they don’t work.

Since the start of the war in Gaza, the South African government has been one of Israel’s fiercest critics, actively confronting the Jewish state on the international stage.

Beyond its open hostility toward Israel, South Africa has actively supported Hamas, hosting officials from the Palestinian terrorist group and expressing solidarity with their “cause.”

In one instance, Ramaphosa led a crowd at an election rally in a chant of “From the river to the sea, Palestine shall be free” — a popular slogan among anti-Israel activists that has been widely interpreted as a genocidal call for the destruction of the Jewish state, which is located between the Jordan River and the Mediterranean Sea.

Since December 2023, South Africa has also been pursuing its case before the International Court of Justice accusing Israel of committing “state-led genocide” in its defensive war against Hamas in Gaza.

Israeli leaders have condemned the case as an “obscene exploitation” of the Genocide Convention, noting that the Jewish state is targeting terrorists who use civilians as human shields in its military campaign.

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