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A new version of the famous Holocaust diary is being called ‘Anne Frank pornography’ and getting banned from schools

(JTA) – Among the many books that conservative parents have recently asked their children’s schools to remove is a lushly illustrated version of the most famous Holocaust diary.

The graphic adaptation of Anne Frank’s diary, published in English in 2018, has found itself at the center of a growing number of controversies involving book removals from school libraries. A small number of passionate activists have pushed for the book to be removed from schools in Florida and Texas, calling it “pornography” and even “antisemitic.” Sometimes, they’ve succeeded.

The movement to police children’s literature — particularly graphic novels — on the basis of race, sex and gender has encompassed thousands of different titles, and it has grown to become a potent political force with potential reverberations for the 2024 presidential race. The official who has played one of the biggest roles in enabling parents to challenge school library books, Florida Gov. Ron DeSantis, is now running for president.

To defenders of the illustrated book — including the foundation created in Frank’s memory, historians and Jewish groups — the inclusion of Anne Frank’s diary among the list of banned books is a sign that the movement is bigoted and misguided.

Proponents of removing the book from schools say the graphic adaptation is essentially an obscene version that distorts Frank’s legacy and aids in “grooming” children. Even some Jewish parents and at least one Jewish lawmaker have objected to the book’s presence in schools.

“I read the diary of Anne Frank many times as a kid. I don’t remember any of that stuff that they put in that graphic novel,” Florida Rep. Randy Fine told the Jewish Telegraphic Agency.

Calling the adaptation an “Anne Frank pornography book,” Fine continued, “And frankly that graphic novel is antisemitic. To sexualize the diary of Anne Frank in that sort of inappropriate way, it is antisemitic.”

Here is what you need to know about the book, the criticism it’s facing and the context that has made it a flashpoint in a deepening culture war.

What is ‘Anne Frank’s Diary: The Graphic Adaptation’?

Published in 2018, “Anne Frank’s Diary: The Graphic Adaptation” is a new, abridged version of Frank’s famous diary presented in comic-book format. The project was authorized by the Anne Frank Fonds, the Switzerland-based foundation started by Anne’s father Otto Frank, which controls the copyright to the diary Otto rescued after he survived the Holocaust. Anne herself perished in the Bergen-Belsen concentration camp after hiding out for most of the war with her family in an Amsterdam annex. 

The Oscar-nominated Israeli filmmaker Ari Folman, together with illustrator David Polonsky, put the new book together. It was intended as a companion piece to the 2021 animated film “Where Is Anne Frank,” which Folman directed. 

While the film tells the fanciful story of Anne’s imaginary friend Kitty coming to life and wandering through modern-day Amsterdam, the book is a straightforward, though heavily truncated, rendition of Anne’s original diary. All of the entries it reproduces are taken from her original text, and dialogue between the characters in the annex is based on Anne’s own recollections of their conversations. Some of its supporters resist the label “graphic novel,” which they say implies the story is fictional.

The new book, the foundation says, is not meant to replace Frank’s original diary, first published in Dutch in 1947 as “The Secret Annex” and in English in 1952 as “The Diary of a Young Girl.” That book, along with subsequent editions that restored some passages edited out of the first publication, continues to be published and widely read in dozens of languages. 

Why and how is the book being challenged?

A handful of parent activists, the largest “parents’ rights” group in the country and at least one Republican state lawmaker — Fine — have specifically gone after “Anne Frank’s Diary: The Graphic Adaptation” as part of their larger campaign against what they say is obscene and pornographic content in schools. After a few isolated incidents of parental opposition to the book over the last year, their efforts have gained steam in recent months.

Organized by members of “parents’ rights” groups such as Moms for Liberty and No Left Turn in Education, parents nationwide have brought challenges against thousands of books in school libraries, the vast majority of which deal with topics of race, gender and sexuality. This movement began as parents organized to oppose COVID-19 mask mandates in public schools, and picked up steam in the aftermath of the 2020 racial justice protests following George Floyd’s murder, as well as recent political controversies involving LGBTQ-focused issues such as medical procedures for trans children.

The groups operate under the presumption that their children’s educators and librarians might be trying to sneak leftist viewpoints (including what they call “critical race theory” and “gender ideology”) into the classroom, or even that they are “grooming” their children. 

Increasingly, such parents have trained this focus on books, and have become particularly sensitive to any literary depictions of sex and/or LGBTQ identity — particularly in graphic or comic-book format. Some of the most-banned books in schools across the country are graphic novels and memoirs with LGBTQ themes, including “Gender Queer” and “Fun Home.”

“People are just so uncomfortable with the idea of seeing anything represented visually,” said Kasey Meehan, director of the Freedom to Read program at the literary free-speech activist group PEN America. “Time and time again, when graphic novels are taken, an image is pulled out of context or an image is held up and declared as porn.”

Florida has emerged as a frontier for this movement under the leadership of DeSantis, who is a Republican. Under new laws he championed, educators can face felony charges for making obscene material accessible to students; the state also has a new law, dubbed “Don’t Say Gay” by its critics, that prohibits any classroom instruction on sexual identity or orientation in elementary and middle school, and limits it in high school. 

Why are parents complaining specifically about the graphic adaptation?

Critics of the book say they are objecting to the small handful of passages in which Anne describes sexual matters. In one, she discusses a time she asked a female friend if they could show each other their breasts, but was rebuffed. (“If only I had a girlfriend,” she muses.) In another, she describes clinical details of her own vagina.

These passages are Anne’s own writing, and were part of her actual diary. Folman and Polonsky reproduce them in the book and show a full-page illustration showing her wandering through a garden of female nude statues in the Greco-Roman tradition. 

This illustration, which is presented as coming from Anne’s imagination, has garnered the most intense blowback from parents. In Facebook groups devoted to book challenges, some members have shared screenshots of the page as evidence of the adaptation’s obscene qualities, questioning why any parent would want their child to read it. 

Some people challenging the book have offered other explanations. Tiffany Justice, a co-founder of Moms For Liberty whose Florida district has removed the book, told JTA that she was troubled by the fact that the adaptation only replicates a small percentage of the original diary, while leaving out what she believed to be crucial context: the original epilogue that shifted from Anne’s first-person narration to a larger study of the victims of the Holocaust. (An afterword does appear in the graphic adaptation.) 

Inveighing against current child literacy levels she said are woefully low, Justice was also infuriated by the idea that Frank’s diary needed an illustrated version to begin with.

“Anne wrote the diary when she was 13,” she said. “So the diary is written at a level where children of that age can completely understand it.”

What has happened when parents have challenged the book?

The book first grabbed headlines in August 2022, when administrators at Keller ISD, a public school district in the Dallas-Fort Worth area of Texas, ordered staff to remove it (along with a selection of other books) from their shelves. The book had been challenged by a single parent the previous year, and the school’s new board, backed by right-wing special interest groups, had ordered its review policy for classroom materials to be completely overhauled. Any books that had ever been challenged in the district were to be removed from circulation until the matter had been resolved. Following public outcry, the book was returned to Keller’s shelves a week later. 

A second Texas school district, Katy ISD outside Houston, had also placed the book under review during the 2021-22 school year, ultimately determining it was only appropriate for high school students.

The book soon landed on the radar of parent activists in Florida. One Florida school district, Indian River County Schools on the state’s Atlantic coast, ruled in April that the book was “not age-appropriate” at any level of instruction, including high school. A parent there had challenged it, claiming that the book “minimizes the Holocaust.” 

After a review, the district agreed with the parent, telling JTA it had determined the book to be “a fictional novel,” “not the real diary of Anne Frank,” and filled with “inappropriate content.” The district superintendent issued a statement backing the ruling, citing Florida’s statewide Holocaust education mandate as a reason why the school should not make the book available to students.

The national leadership of Moms For Liberty issued a statement siding with the district — and emphasizing that Anne Frank’s diary is not itself objectionable.

“There are multiple versions of Anne Frank’s diary of varying age appropriateness available to students,” the statement said. “Only this ONE version was removed.” 

Justice, the Moms for Liberty cofounder, is a former board member for Indian River County Schools and still lives in the area. She told JTA she does not like the book either and said its removal was a sign of the system working as it should: School administrators took a parent’s challenge seriously and came to a decision. 

“If the superintendent and the school board wanted it there, it would be there,” she said. “If the Holocaust education group in the county had wanted it there — these are Jewish people — had wanted it there, it would be there.”

Another Florida school district, Clay County Public Schools outside Jacksonville, has kept the book restricted from student access for some five months and counting, following a single parental complaint earlier this year. That parent, Bruce Friedman, is Jewish, and has become a leading voice of the broader book challenge movement. He challenged the graphic adaptation along with hundreds of other books in his district that he deemed to be inappropriate for students. “As far as I’m concerned, it’s grooming,” he told JTA about the adaptation.

Facing a backlog of book challenges, Clay County in April altered its challenge policy to make it harder for parents like Friedman to file blanket requests to remove many books at once for broadly defined reasons. But notably, the district retained the pending challenge to “Anne Frank’s Diary: The Graphic Adaptation” even after its policy change. A final decision on the book is still pending.

How are the book’s supporters responding to the criticism?

Activists opposed to the book banning movement and experts on the diary’s publication history say critics of the Anne Frank adaptation are wrong even about  the most basic facts of their objections.

First, while the visual format of the graphic adaptation (which incorporates some surreal imagery) arguably lies somewhere between fact and artistic interpretation, and its rendition of the diary is severely abridged, the book did not invent the passages these parents find objectionable, as some have alleged. Those came, word for word, from Frank herself. Both passages were fully restored to her English-language diary beginning with versions published in the 1980s, largely without incident.

A crucial part of the argument against the graphic adaptation is the idea that both of these passages were excised from the initial English-language edition of the diary. Both Friedman and Fine have told JTA they have no recollection of having read the passages with sexual content in their own childhood memories of the diary. 

They almost certainly did, said Ruth Franklin, a book critic and author who is writing a book about Frank and her diary to be published next year by Yale University Press. According to Franklin’s research, the very first English-language edition of the diary did indeed include one of the two passages the parents are now objecting to: the part where Anne discusses her attraction to another girl. 

Franklin said that, contrary to popular belief, Otto Frank was the one who pushed for the passage to be included in the diary’s first English-language edition after it was excised from the Dutch original. Otto is often portrayed as having been responsible for removing the passage so as to sanitize Anne’s language for a general audience.

Contemporary parents who insist they did not read the passage as children, she said, are “misremembering.”

“If they were to actually go to the library and open up the edition that has been in print since 1952, they would be unhappily surprised to find what’s there,” Franklin said. “It seems inconsistent to me to go after the graphic adaptation and not the diary itself.”

At least one parent has objected to the unabridged text-based version of the diary before. In 2013, a Michigan mom challenged an unabridged edition of the diary, citing the same passages that today’s parents are objecting to in the graphic adaptation. She argued that the unabridged diary was “inappropriate for the middle school,” and tried to push her daughter’s district to swap out the “definitive” edition of the diary for the original version that excised one of the objectionable passages. The parent’s objection made national news, was the subject of much condemnation and was ultimately rejected by the district.

Conditions in schools have changed in the last decade, with parents in multiple states newly empowered to challenge books in their children’s schools. The movement has caught up not only the graphic version of Anne Frank’s diary but a growing number of other titles with Jewish and Holocaust themes.

Meehan of PEN America suggested that the parents who objected to Anne exploring her sexuality were doing so because of the passages’ latent LGBTQ themes, meaning that the text had become an example of “intersectionality,” or representing more than one marginalized group. Some of the book’s opponents, including Justice, have separately attacked the idea of intersectionality.

“When there are multiple themes represented in a book,” Meehan said, “then that book becomes even more a focus of efforts to remove it.”

For the Anne Frank Fonds, the Swiss group that controls the diary and authorized the adaptation, the situation is clear-cut. From across the Atlantic, the group issued a statement responding to challenges of the diary in all its forms: “We consider the book of a 12-year-old girl to be appropriate reading for her peers.”


The post A new version of the famous Holocaust diary is being called ‘Anne Frank pornography’ and getting banned from schools appeared first on Jewish Telegraphic Agency.

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Cori Bush promised to bury AIPAC. Her rematch with Wesley Bell in Missouri tests that.

(JTA) — Missouri primary voters will travel back two years when they head to the polls on Tuesday. There they’ll confront a rematch of two candidates whose previous face-off was largely defined by an influx of AIPAC cash that helped oust one of Israel’s most ardent critics in Congress.

In 2024, AIPAC “demonstrated its clout,” in the words of The New York Times, with a massive contribution that knocked out incumbent U.S. Rep. Cori Bush in favor of challenger Wesley Bell. In her concession speech, she promised revenge.

On Tuesday, Bush is seeking to make good on the pledge. But while she is competing against the same candidate, the political landscape around them has changed dramatically.

Since Bush’s loss in the district representing the St. Louis metropolitan region, AIPAC has become a bogeyman in the Democratic Party and Israel a major campaign issue. Other anti-Zionist members of the Democratic Socialists of America have been racking up victories in blue districts across the country throughout the 2026 primary season.

The changing winds might have given Bell incentive to shift to the left instead of leaving himself vulnerable to a challenger whose background and political stances are otherwise similar. But Bell has held firm in his support for Israel, enjoying the backing of mainstream Democrats and a continued financial infusion from the American Israel Public Affairs Committee to the tune of more than $1 million this cycle.

As a result, Tuesday’s rematch is one of the most striking tests of whether AIPAC still has traction in Democratic strongholds or whether Bush and other DSA candidates have subdued the once-powerful lobby.

“The war is a lot different today than it was two years ago,” Braxton Payne, a St. Louis-based Democratic strategist, told JTA, referring to the Israel-Gaza conflict that unfolded following Hamas’s attack on Oct. 7, 2023, and the ensuing war. “Sentiment inside the Democratic Party, even among the establishment, has changed.”

In the past few years, the AIPAC has faced growing hostilities from ultra-left-wing politicians, who have denounced Israel’s treatment of the Palestinians in Gaza and the West Bank, particularly in the aftermath of Oct. 7.

“AIPAC is now a household name in Democratic politics,” Payne noted.

But heading into Tuesday’s primaries, it wasn’t clear that the anti-AIPAC activism had moved the needle for St. Louis voters. While the polymarket prediction platform has given Bell a 66% chance of winning, compared to Bush’s 34%, there’s a dearth of nonpartisan polling. Bush’s campaign commissioned one of the few publicly available survey results, an April HIT Strategies poll that declared the candidates “statistically tied,” with Bell in the lead at 44% and Bush at 40%.

On paper, the two candidates have much in common. Born in Missouri in the mid-1970s, Bell and Bush are both Black progressive Democrats who entered politics following the 2014 police shooting of Michael Brown in the city of Ferguson.

After protests for police reforms surged across the area  for about a year, Bell won a seat on the city council and worked on enacting such changes. In a 2018 race for St. Louis County prosecutor, he defeated Bob McCulloch, a 27-year incumbent who had come under national scrutiny for failing to prosecute the officer who had killed Brown. Bell is now serving his first term in Congress.

Bush, meanwhile, first became engaged in politics as a participant in the Ferguson protests. Though she lost Democratic primaries for the U.S. Senate and House in 2016 and 2018, success in 2020 led her to serve Missouri’s 1st Congressional District for two terms. But in 2024, Bush fell short, losing in the primaries to Bell by more than 5 percentage points.

The candidates agree on most of their political platforms, both of which prioritize issues like reproductive freedom, gun violence prevention and the dismantling of Immigration and Customs Enforcement, as well as reducing the costs of housing, utilities, healthcare and prescriptions. But they diverge when it comes to the Middle East, with Bush’s campaign promising to “stand for justice in Palestine.”

Like other DSA candidates in New York, Colorado, Wisconsin and Michigan, Bush’s campaign accuses Israel of carrying out a genocide in Gaza with the backing of “U.S. weapons and U.S. dollars.”

Following her loss to Bell in 2024, Bush threatened to tear down AIPAC’s “kingdom” after it spent nearly $9 million on her takedown, in one of the most expensive House races in U.S. history. Federal Election Commission records show that of that total, AIPAC invested about $3.4 million in support of Bell and about $5.2 million in opposition of Bush, through the lobby’s super PAC, the United Democracy Project.

“People are beginning to understand that — much like the crypto industry, AI, Big Oil, and Big Pharma — AIPAC has become yet another way for MAGA-donors to divide the Democratic base by meddling in primaries,” Bush told JTA in a written statement.

“In St. Louis and across the country, people know that our fight against antisemitism means fighting against the far-right’s effort to divide us,” Bush added.

Throughout her current rematch against Bell, Bush has gone after her opponent for his ties to AIPAC.

“Wesley Bell is a former Republican campaign manager who is bought and paid for by AIPAC,” Bush posted last month on X. Bush was referring to a 2006 period when Bell served as campaign manager for a conservative, which he has maintained was no more than a favor for a friend.

“We’re going back to DC, and we’ll do it with no corporate cash or AIPAC funded-trips,” Bush added, referencing Bell’s trip to Israel with the lobby group last year.

Yet compared to 2024, AIPAC has spent much less on the current race. Through its UDP super PAC, the lobby has invested in the neighborhood of $3 million in the rematch, with the vast majority spent opposing Bush, according to FEC data. Overall in this race, the candidates themselves have also raised fewer funds than they did two years ago, according to the FEC. Bell has secured $3.6 million and Bush $1.3 million, as opposed to $5.4 million and $4.2 million, respectively, in 2024.

Deryn Sousa, spokesperson for AIPAC, told JTA in a written statement that his group was proud to support Bell’s campaign.

“Bell is a principled fighter for the people of St. Louis, while Cori Bush spent her time in Congress missing votes and demonizing a key democratic ally,” Sousa added.

Bell did not respond to a request for comment from JTA.

However, on the campaign trail, Bell said he was “proud to stand with our Jewish brothers and sisters, and support Israel, particularly in a time that has been very tumultuous,” in a March video posted by AIPAC.

“When we see what has happened in the last few years, I think it’s even more apropos to stand with our friends and one of our greatest allies,” he continued. “Oftentimes, what gets lost is yes, we support Israel, but Israel also supports us.”

And in Congress, Bell voted last month against an amendment that aimed to cut military aid to Israel. He has also previously co-sponsored a bill to increase defense partnerships with Israel, while also voting in favor of legislation that would have sanctioned the International Criminal Court for seeking to arrest U.S. allies, including Israeli officials.

David Cohen, executive director of the Jewish Community Relations Council of St. Louis, which does not endorse candidates, said the recent Iran war transformed “a national conversation about the Middle East into something more common.”

“The sheer number of conversations on this topic compared to the last race look different,” Cohen said. “The confluence of conspiracy theorists from the left and the right have blown out of proportion since the war started.”

Within these national conversations, which he described as “catchy” talking points and “black and white” discussions about AIPAC and Israel, Cohen warned that certain campaigns are “playing that dangerous game of demonizing Jews.”

Cohen said he believes that Bush’s campaign decided to focus on Israel because “they thought it would get her traction,” as opposed to focusing on the “many issues that people in Missouri care about.” Payne echoed Cohen’s sentiments, stressing that he “wouldn’t consider the Israeli-Hamas conflict as the top issue” at the ballot box amid higher-priority concerns like the “insane” cost of living. He noted that Bush’s “central campaign issue is AIPAC money,” a message that “motivates her base” but might not sway the everyday voter.

Jewish leaders and activists in the state have followed the race closely. Rabbi Ze’ev Smason, president of the Coalition for Jewish Values – Missouri, told JTA in an email that his organization also doesn’t endorse candidates. But the difference between Bell and Bush, he said, was obvious to his regional chapter of a national Orthodox rabbinic group.

While Bell “supports Israel’s right to self-determination” and to exist as a Jewish nation, Bush has “established an adversarial relationship with Israel abroad, as well as with the overwhelming majority of her Missouri constituents,” according to Smason.

“At home in her district, Cori Bush was a ‘no-show’ for her Jewish constituents,” Smason stated. “She regularly refused requests for interviews from the local Jewish press, and was shockingly absent from the dedication ceremony of the Holocaust Museum and Learning Center, with no explanation.”

Cohen, whose JCRC branch serves 36 Jewish groups from “liberal to Conservative to Orthodox,” said that “almost none of them believe what Cori Bush believes about Israel.” Jews made up 4.1% of the population in the district as of 2024, according to the Berman Jewish DataBank.

On the other hand, Michael Berg, a volunteer for St. Louis Jewish Voice for Peace, which is not a JCRC member, is among a minority of organized Jewish voices who oppose Bell due in large part to the candidate’s support for Israel. It was upsetting, Berg said, that Bell was “perfectly willing to take $15 million from the interests of a foreign government that’s committing a genocide.”

For Berg, the Israel-Gaza conflict is by no means a fringe concern. He praised Bush for her “unwavering advocacy” for a Gaza ceasefire and support for “multi-ethnic democracy,” as well as her refusal to accept corporate funds, her commitment to fighting climate change and her history of standing up for the interests of St. Louis’s people.

Bush has also earned the support of a second local Jewish group, Progressive Jews of St. Louis, who described her as “a champion for our St. Louis community and a brave leader in the fight for justice and peace for all people, regardless of where they call home.”

Out-of-state Jewish groups have also been vocal about their stances on this race, with the vast majority backing Bell, but some groups, like the IfNotNow movement, advocating for Bush. The Washington, D.C.-based IfNotNow, which calls for “a thriving future for all Israelis and Palestinians,” praised Bush for leading “the call for a ceasefire in Congress.”

In contrast, Jacob Spiegel, communications director of the Washington-based Jewish Democratic Council of America, recounted his organization’s grassroots action in favor of Bell. A network of volunteers, he explained in an email, is working to “elect the candidate we believe aligns with our Jewish values.”

Nonetheless, Berg maintained that even if Bell wins this race, the future “of the Democratic Party is only going in one direction,” which he said is the “direction of Democratic socialism.”

“The United States is increasingly becoming an anti-Zionist country,” Berg said. “The people understand they do not want the United States to continue to fund and support an ethno-national state in the Middle East that oppresses half of its people.”

Regardless of who is victorious, Payne predicted that the outcome would give “fodder” to the triumphant side. Payne, who noted his position as a non-Jewish “outsider,” said he believes that a fear of antisemitism will be motivating many Jewish voters as they head to the polls.

“To be frank, I think it’s a fear that it’s not ill-placed or unfounded,” he added.

This article originally appeared on JTA.org.

The post Cori Bush promised to bury AIPAC. Her rematch with Wesley Bell in Missouri tests that. appeared first on The Forward.

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The Met’s plan to honor designer John Galliano puts Jewish ideas of repentance to the test

(JTA) — Before the Metropolitan Museum of Art announced that it would honor fashion designer John Galliano with a major Costume Institute exhibition next spring, the museum convened at least two unusual meetings: a face-to-face with Galliano and a number of prominent rabbis, and a larger meeting with Vogue editor-in-chief Anna Wintour, museum officials and several prominent Jewish leaders.

The unusual collision of fashion and Judaism, first reported in The New York Times, reflected the challenge facing the Met as it prepares to celebrate one of fashion’s most influential designers who was also the perpetrator of one of its most notorious scandals. Fifteen years after Galliano was fired as chief designer of Dior for praising Hitler and hurling antisemitic abuse at patrons in a Paris café, the fashion exhibition has become a test of what Judaism means by teshuvah — repentance — and whether genuine accountability can coexist with public redemption.

The Met’s announcement also comes at a time when many Jews see a spike in antisemitism, ostensibly ignited by Israel’s war in Gaza but fanned by anti-Israel rhetoric that is often indistinguishable from antisemitism.

Accordingly, the debate over Galliano’s return to fashion — he recently signed a multi-year deal with the fashion brand Zara — touches on questions that Jewish tradition has wrestled with for centuries: how to repent, and when to forgive.

Jewish thinkers, from the medieval sage Maimonides to the 21st century thinker Rabbi Jonathan Sacks, have emphasized that teshuvah is not a simple apology or a request for forgiveness. It is a demanding process of acknowledgment, repair and transformation. And crucially, they argue, forgiveness is not something the person who caused harm is entitled to receive on demand.

Galliano has been a touchstone in debates like these since 2011, when a video, which  that surfaced online, showed the designer, in a lengthy rant, praising Hitler and telling onlookers that they would have been killed by Nazis. Earlier that same year, a Jewish woman and an Asian man accused him of directing slurs at them during an altercation at the same café. A French court later found Galliano guilty of making public insults based on race, religion or ethnicity in the cafe incident and levied a suspended fine.

Dior fired him. His reputation appeared destroyed.

But Galliano’s story did not end there.

After entering treatment for substance abuse, Galliano began a long process of rehabilitation. He released a statement of regret, met with Jewish leaders and spoke publicly about confronting his own ignorance and prejudice. In 2013, the Anti-Defamation League said it believed he had demonstrated “true contrition” and that people could change when they accepted responsibility and worked to understand the harm they had caused.

The late Abraham Foxman, then the national director of the ADL and perhaps the last Jewish leader who could unilaterally grant an accused antisemite absolution, met with Galliano. He arranged for the designer to study with a rabbi and visit Auschwitz, and felt Galliano’s amends were sufficient to even asked retailers to again stock his designs.

“Mr. Galliano has worked arduously in changing his worldview and dedicated a significant amount of time to researching, reading, and learning about the evils of anti-Semitism and bigotry,” Foxman, who died in May, said at the time.

Jonathan Greenblatt, chief executive of the ADL, echoed Foxman’s approval in an email to The New York Times last week that he subsequently posted to X: “We believe John Galliano has genuinely worked through the issues that led to his antisemitic outburst years ago in Paris, and we have long since accepted his apology,” Greenblatt wrote. “His efforts to repair the damage his words caused and to learn from that incident should be applauded.”

Two of the rabbis who attended the May meeting (a third wasn’t named by participants or reporting on the meeting) also accepted the sincerity of Galliano’s contrition, even as they bluntly described to the exhibit organizers the climate in which the exhibit would be appearing.

In an interview with JTA, Rabbi Rick Jacobs, president of the Union for Reform Judaism, said he also met separately with Galliano in the spring. He came away feeling assured that the designer was “an incredible positive model of a guy who did the work to really earn back his position.”

The 2011 “Inspiration Dior” exhibition at the Pushkin State Museum of Fine Arts in Moscow featured John Galliano’s extravagant 18th-century French court-inspired designs. (Shakko/Wikimedia Commons)

Jacobs said meeting with Galliano reinforced what he considered a persuasive endorsement by Foxman.

“I was compelled by John Galliano and how he addressed his story. He wasn’t sugarcoating it. He wasn’t mouthing something that he was prepped to share,” said Jacobs. “I felt he was really honest and contrite.”

At the same time, Jacobs made clear to the Met team that the exhibit would be a missed opportunity if it didn’t forthrightly acknowledge the harm Galliano had caused.

Like Jacobs, Rabbi Joshua Davidson of the Reform Congregation Emanu-El in New York also said at the May meeting that many Jews may reasonably find the tribute painful, given it comes amid a rise in antisemitic incidents and renewed anxiety about Jewish safety. Like Jacobs, he also suggested that they include not just Galliano’s accomplishments but his failings.

“You have the opportunity to use this as a chance to teach about the dangers of antisemitism, the way it metastasizes, and what can be done to fight it,” Davidson told JTA, characterizing his charge to the organizers. “This is a challenging moment to do this sort of exhibition. I think we all acknowledged that, therefore, it places a greater responsibility upon the shoulders of the museum to do what it can to use this in order to push back against antisemitism.”

The Met appeared to hear that message, and says it intends to make Galliano’s transgressions part of the exhibition rather than gloss over them.

“It will directly address the rupture caused by his antisemitic, racist, and anti-Asian conduct in 2010 and 2011, which resulted in his dismissal from Christian Dior and his eponymous label and his conviction by a Paris court for public insults based on race, religion, ethnicity, or origin,” Andrew Bolton, the Costume Institute’s curator in charge, said in announcing the exhibition. “It will also consider his subsequent treatment for substance addiction and his later public acknowledgment of his actions.”

Not everyone, however, is persuaded that Galliano’s rehabilitation — or the Met’s framing of it — satisfies the demands of teshuvah.

Hen Mazzig, the pro-Israel writer and activist, argued that the museum’s decision reflects a wider culture that has become inured to antisemitism and dismissive of the concerns of the Jewish community. Noting that the Met abandoned plans to honor Galliano in 2024, Mazzig wrote on Substack this weekend that objections from Jewish donors and allies were “a cost the Met was unwilling to pay” at the time. Two years later, he continued, the museum appears to have concluded that the “cost had fallen to roughly zero. That is a market read on how much anyone cares when Jews object.”

Scarlett Johansson

Scarlett Johansson at the Metropolitan Museum of Art gala in New York City, May 7, 2018. The extravaganza is the kick-off event for each year’s annual Costume Institute exhibit. (Noam Galai/Getty Images for New York Magazine)

Rabbi Danya Ruttenberg, author of the 2022 book “On Repentance and Repair,” was unconvinced that Galliano has demonstrated the kind of transformation Jewish tradition demands.

She recalled finding Galliano’s original public apology — in which he said he accepted that the accusations had “greatly shocked and upset people” and that “anti-Semitism and racism have no part in our society” — lacking.

“It didn’t appear very sincere or heartfelt or engaged with what he really had done,” she told JTA.

In Jewish tradition, Ruttenberg said, repentance is a multistage process that includes an apology to the harmed party, a sincere and forthright confession and a demonstration in words and deeds that the transgressor has changed for the better.

“The work of teshuvah is the work of humility and the work of care and the work of relationship,” she said. “That’s not what I’m seeing here.”

She also worries that powerful public figures — from President Donald Trump to the comedian Louis C.K. — increasingly earn public absolution in ways unavailable to the average person.

“Our society is delighted to give free passes to people who will give them access to wealth and power,” she said.

Jacobs and Davidson, having spent time with Galliano and being respectful of Foxman’s judgment, said they found the designer to be sincere, and that his example provides a lesson for the Jewish community in how it handles repentance.

“I don’t think you have as many stories of people who were the absolute embodiment of antisemitic behavior and views, who really worked through and took accountability,” said Jacobs. “For the Jewish community, I think it’s an underscoring that there’s not only power to teshuvah, but actually it can really bring someone back from a really dramatic fall from grace.”

Davidson concurred. “I think all of us present [at the meeting] also recognize the value that Judaism places on teshuvah, and when you do the work, that’s pretty significant,” he said.

The fashion world, meanwhile, has already welcomed Galliano back to the literal and metaphorical front row. Wintour, perhaps the most influential figure in fashion, has been one of his strongest champions.

The annual Costume Institute exhibit opens with the Met Gala, a lavish red carpet extravaganza that is one of the highest-profile events in fashion and pop culture. In his statement, Bolton, the curator, said that the show will demonstrate how as a designer for Givenchy and Dior, Galliano “has remapped the world through fashion and how his conduct, its consequences, and changing cultural values have reshaped our understanding of his work.”

Ultimately, Davidson said, there are more important things for the Jewish community to be debating than the rehabilitation of a fashion star.

“I’m certainly immersed in the fight against antisemitism and appreciate the importance of pushing back against it and just the dangers of this moment,” he said. “I think we have bigger issues than what, however bad it was, John Galliano did a decade and a half ago.”

This article originally appeared on JTA.org.

The post The Met’s plan to honor designer John Galliano puts Jewish ideas of repentance to the test appeared first on The Forward.

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Spike in number of Israelis leaving country may be harmful to security and economy, new study warns

(JTA) — Israelis are exiting the country in high numbers, a trend that could harm the state’s future security and economy, according to a new demography study published Tuesday by Tel Aviv University.

It showed that 268,509 Israelis left the country for a period of at least three consecutive months from 2023 to 2025, part of a spike that began after 2020 during the COVID pandemic.

“Even in 2025, the number of Israelis who left the country for a significant period of time is very worrying,” particularly coming on top of the number from the two prior years,  said Itai Ater, one of the authors.

These numbers do not yet pose a risk, he explained. But he added that there is a “growing concern” that “immigration from Israel will increase in a way that will endanger security and the Israeli economy.”

In 2020, only 38,764 Israelis left for a three month period or more, the lowest such number since the start of the study in 2009, when 65,014 Israelis were absent for three consecutive months or more.

The numbers spiked rapidly from 2020, rising to 53,559 in 2021, then up to 66,966 the next year.

The leap was more dramatic in 2023, the year that saw pro-democracy protests sweep the country followed by the Oct. 7 attack on southern Israel and wars with Hamas in Gaza and Hezbollah in Lebanon.

That year, 86,509 Israelis were absent for three consecutive months or more, a 29.1% [[increase?]] from 2022, with the numbers then beginning to level off, rising to 91,499 in 2024 and then dropping slightly to 90,922 in 2025.

Data collected on those out of the country for 12 consecutive months was similar to the data for the three month periods, albeit with lower numbers. There was the same low drop in 2020 down to 24,400, followed by a rise to 32,036 in 2021, with an additional increase to 35,698 in 2022. The numbers spiked to 49,925 in 2023 and remained high, with 49,677 absent for at least a year in 2024.

The 2025 data won’t be available until 2027, but those conducting the study, professors Ater and Nittai Bergman, along with doctoral student Doron Zamir, said they believe it will remain high.

The researchers explained that the issue of Israeli emigration to countries abroad has long occupied the public discourse in Israel, with specific concern regarding the resulting “brain drain.”

Emigration is an issue for many countries, the researchers acknowledged, but said its impact is felt more keenly in Israel, which lacks abundant natural resources and depends heavily on human intellectual capital to field critical industries such as high tech and health.

This article originally appeared on JTA.org.

The post Spike in number of Israelis leaving country may be harmful to security and economy, new study warns appeared first on The Forward.

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