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A Queens synagogue is moving, and the fate of its storied ark is in limbo
(New York Jewish Week) — Crafted of bronze and gold-leaf plaster, and topped by a bejeweled crown, the astonishing 26-foot-tall ark of the Forest Hills Jewish Center fills its cavernous sanctuary with an imposing presence.
When Temma Kingsley joined the congregation as a newlywed in 1965, she was taken aback by its style.
“I thought it was really quite fancy, overdone,” she recalled recently, comparing it to the traditional wooden ark in the modest Philadelphia synagogue where she grew up. “But I’ve since learned what it’s all about, and I’ve become attached to it.”
The ark, which houses the synagogue’s Torah scrolls, is the work of artist Arthur Szyk (1894-1951), a Polish-born artist who rose to fame in the United States with vivid, technicolor drawings on the covers of influential magazines, in the pages of high-profile newspapers and in fine galleries and museums around the world. When the synagogue dedicated its minimalist post-war building on Queens Boulevard in 1949, Szyk’s opulently designed ark stood out as entirely different.
Now, with the impending sale of the Forest Hills Jewish Center building, Kingsley is concerned about the ark’s future. So too are current synagogue leaders, as well as art historians and museum curators, who are scurrying to find it a new home. Meanwhile, the ark’s fate remains in question.
The Conservative synagogue announced last year it was selling its building and would look for a new home in the same area in Queens. In August, an investment partnership led by Joseph Yushuvayev and Uri Mermelstein of Top Rock Holdings announced it was in contract to buy the building and develop the site.
Fully acknowledging the value and importance of the Szyk ark, the congregation is seeking to find it a new home. At least one art dealer has expressed interest in acquiring the ark, but this route has been rejected as it would not come with any guarantee of where it might eventually land.
Arthur Szyk was known for his vivid Jewish art, including “David and Saul” (1921), left, and his political cartoons and illustrations, including “Madness” (1941). (The Magnes Collection of Jewish Art and Life, University of California, Berkeley)
“What if the buyer decides to disassemble the ark and use its beautiful bronze doors as the entrance to their home?” Deborah Gregor, executive director of the Forest Hills Jewish Center, asked rhetorically, her voice tightening.
Taking into consideration this theoretical scenario, the board has agreed to prioritize keeping the ark intact to honor its legacy. Several museums have been contacted. Thus far none have come forward.
Simona Di Nepi, the Charles and Lynn Schusterman Curator of Judaica at the Boston Museum of Fine Arts, traveled to Forest Hills last month to see the ark and “fell in love.”
“I see it as a tour de force of Jewish art,” she said — a unique and spectacular “show-stopper.”
On her recommendation, the Boston Museum of Fine Arts explored the possibility of acquiring it, but the height ultimately presented logistical challenges that could not be overcome. Di Nepi has now turned her attention to several large synagogues with the hopes of finding one that might adopt it.
“I can’t bear the thought of what will happen if it does not find a home,” she said.
Born in Poland, trained in Paris and influenced by the brief time he spent at Bezalel Art School in British Mandate Palestine, Szyk was known for his vivid Jewish art, biting political cartoons and his portraits of American heroes and European figureheads. In 1941, The Times Literary Supplement wrote that his illuminated Passover haggadah was “worthy to be placed among the most beautiful books that the hand of man has produced.” Reprinted many times in the decades since, it remains a staple in Jewish homes today.
While Szyk’s oeuvre is described by critics as “exquisite,” “masterful” and “marvels of technical skill,” the artist did not view his own creations as ends unto themselves. Instead, he used his work to influence politics and world opinion. Irvin Ungar, editor of the 2017 study “Arthur Szyk: Soldier in Art,” wrote that Szyk employed pen and paintbrush as tools to wage war against the Nazis, attack racism, promote Zionism and preserve freedom.
His work caught the attention of two leading rabbis of his day: Abba Hillel Silver in Cleveland and Ben Zion Bokser in Queens. Both led growing congregations that would reach well over 1,000 family members. Separately, the two commissioned Szyk to create significant objects for their respective synagogues.
The baroque form of Szyk’s ark at the Forest Hills Jewish Center, left, is reminiscent of the arks of Eastern European synagogues that were destroyed in the war; Szyk’s stained glass “Warrior Windows” at Cleveland’s Reform Temple Tifereth Israel feature the biblical figures Gideon, Samson and Judah Maccabee. (Courtesy of Irvin Ungar)
Szyk’s stained glass “Warrior Windows” were dedicated in Cleveland’s Reform Temple Tifereth Israel on the last day of Hanukkah in 1947. Commissioned to honor congregants who fought in World War II, the 15 windows include the names of fallen soldiers and showcase the biblical figures Judah Maccabee, Samson and Gideon, resplendent in sumptuous battle dress.
In a letter to Silver, Szyk explained that he would have ordinarily charged $15,000 for the project (the equivalent of $200,000 today). But because Szyk aligned so closely with the rabbi’s ideological mission — Silver was a leading proponent of Zionism — he viewed the job as “a personal favor,” and agreed to a much lower sum of $4,500.
Bokser, a social justice activist whose edition of the Jewish prayer book was a staple of Conservative synagogues for decades, was also drawn to Szyk’s bold, innovative style for the sanctuary of his congregation’s sleek new building on Queens Boulevard. Art historian and Cleveland State University Distinguished Professor Samantha Baskind calls it “sui generis”: Like Szyk’s illuminated manuscripts, the ark’s design packs in a dizzying array of abstract ornaments woven together with Jewish emblems. Scrolls, flowers, acorns and leaves are interspersed with holiday symbols, lions of Judah and representations of the Israelite tribes.
Its baroque form is reminiscent of the arks of Eastern European synagogues that were destroyed in the war. But Szyk was neither mournful nor nostalgic. Forward looking and hopeful, his ark doors are flanked by birds that can be read as either eagles or doves. With their wings spread wide, the figures stretch toward the biblical and Talmudic passages that border the work, invoking God’s judgment and heralding freedom.
Ungar assesses the ark as “an American and a Jewish icon” and a “culmination of [Szyk’s] prayers” as expressed through his art. Gregor refers to it as the artist’s “ark de triomph,” quite literally: “It is Szyk’s own statement of triumph, celebratory and grand,” she said.
The Forest Hills Jewish Center has been a fixture on Queens Boulevard since the late 1940s. (New York Jewish Week)
Ironically, its grandeur is precisely the source of its uncertain future.
When the Jewish Center’s current building was dedicated in 1949 in the presence of 5,000 guests, its scale was meant to accommodate a growing membership. Its main sanctuary held 1,200 seats, and its religious school would eventually accommodate some 900 students. Now the hulking space has become too large and costly for its 300-400 member families to maintain. The congregation has not yet announced relocation plans. But their hope for the future is an intimate space with a cozy aesthetic, where the monumental scale of the Szyk ark will likely not fit in.
Art historian Samantha Baskind has been preoccupied with the issue. “A logical solution would be to unite it with Szyk’s Warrior Windows” in Cleveland’s Temple Tifereth Israel,” she said. “Bringing the works into conversation with each other in the same sacred space is conceptually brilliant and would honor the memory of Rabbi Silver at the same time that it beautifies the synagogue.”
Whatever the future holds for the ark, some Forest Hills Jewish Center members are finding it hard to say goodbye. Kingsley recalled the central role the synagogue has played in her life since she moved to Forest Hills 57 years ago. For her, the ark is not just about its aesthetic details, or the artist who created it.
“That was the ark Rabbi Bokser commissioned,” she said wistfully. It holds his spirit, too.
Alanna E. Cooper serves as the Abba Hillel Silver Chair in Jewish Studies at Case Western Reserve University. Her book “Disposing of the Sacred” is forthcoming with Penn State University Press.
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Drive-by shooting targets Jewish family’s Hanukkah display, police in California town say
(JTA) — A California home decorated for Hanukkah was targeted Friday night in a drive-by shooting, with police saying the assailants fired what appeared to be an airsoft gun from a car.
During the attack on the home, which had several inflatable Hanukkah decorations in its yard, the assailants drove by in a vehicle and allegedly unloaded 20 shots.
Later, the occupants of the vehicle allegedly shouted “F–ck the Jews” and “Free Palestine, N–ger,” according to an account of the incident posted to X by a resident of the home, Rodgir Cohen.
“Just as a reaction, people just, through ignorance and hate, respond with negativity and violence,” Cohen told CBS News. “For random acts of hate crimes, it’s scary to be in the midst of a victim and it’s scary.”
Cohen told a different local news outlet that he and his son had encountered the alleged assailants in person shortly before the shooting.
The City of Redlands said no injuries or damage was reported, and the weapon used was believed to be an airsoft gun after an investigation found no shell casings and the surveillance video of the incident showed no muzzle flash.
Local officials condemned the incident, which came during the same weekend as a major antisemitic attack on Jews celebrating Hanukkah in Sydney, Australia.
“As our friends in the Jewish community begin their celebration of Hanukkah, several tragic incidents have occurred across the globe, targeting people simply because of their faith,” the City of Redlands wrote in a statement. “Unfortunately, Redlands is not immune to these hateful acts, as a local family was targeted because of their festive home decorations celebrating Hanukkah. ”
The incident is currently being investigated as a hate crime, and Redlands Police said they believed the family was targeted because of the Hanukkah decorations. They also said they would provide additional patrols in the area and around local places of worship.
The Los Angeles chapter of the Anti-Defamation League decried the incident. “Last night’s shooting into the home of a Jewish family on Shabbat in Redlands, CA is another dangerous and despicable act of violence impacting the Jewish community in Southern California,” David Englin, the group’s senior regional director, said in a statement. “This cannot be tolerated or accepted as normal.”
Last year, the ADL reported that California had 1,344 antisemitic incidents, the second-highest number of any state besides New York. Of those incidents, 1,000 were antisemitic harassment, while 311 were vandalism and 33 were assault.
Congregation Emanu El, a Reform synagogue in Redlands, wrote on Facebook Sunday that it was in communication with the family, who were past members, as well as with Redlands Police.
“Please know that the safety and well-being of our community remains our highest priority,” wrote Congregation Emanu El President Greg Weissman. “We will continue to stay in close contact with local authorities and share updates as appropriate. Thank you for your care for one another and for our community.”
Cohen is a lecturer in religion at Cal State Fullerton and a former political candidate in Redlands who ran on a tough-on-crime platform. His wife Heftsibah Cohen told a local news outside that she initially thought fireworks were going off before checking a surveillance tape.
“We always know there’s antisemitism and hate and racism out there. It’s always out there,” she said. “But when it comes by your house, it’s that reminder of how real it is.”
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Alyssa Katz Named Next Editor-in-Chief of the Forward
Alyssa Katz has been named Editor-in-Chief of the Forward, the nation’s most influential and widely-read Jewish publication. The appointment was announced today by Forward Publisher & CEO Rachel Fishman Feddersen. Katz will join the Forward in January 2026.
Katz is an award-winning journalist who has worked at THE CITY since 2019, first as Deputy Editor and currently as Executive Editor. In these roles, she has managed the investigative reporting team while guiding coverage of labor, housing, politics, government and social services. She has led interactive projects and data investigations, including collaborations with ProPublica and the Guardian. Prior to joining THE CITY, she served in editorial roles at the New York Daily News, The Village Voice and other publications.
Katz said, “I am thrilled and inspired to be joining the Forward to provide editorial leadership at this critical moment. In a world that continues to test Jewish safety, identity and values, the Forward celebrates what makes us who we are while taking a critical journalistic eye to our challenges.”
“We’re so proud to welcome Alyssa to the Forward as our next Editor-in-Chief,” said Fishman Feddersen. “She brings formidable journalistic expertise as an editor and reporter, as well as deep experience managing an ambitious nonprofit newsroom. She has produced groundbreaking work that demonstrates courage, accountability and integrity — the same values on which the Forward was founded 128 years ago and upholds today.”
Katz is the author of the 2015 book, The Influence Machine: The U.S. Chamber of Commerce and the Corporate Capture of American Life (Spiegel & Grau) and 2009’s Our Lot: How Real Estate Came to Own Us (Bloomsbury). She has taught journalism at New York University, Hunter College and Brooklyn College, is a graduate of the University of Michigan and was selected for Columbia University’s Charles H. Revson Fellowship for New York City leaders.
Katz has spent many years as an active lay leader at the East Midwood Jewish Center, a historic synagogue and community center in Brooklyn, NY. She is also involved in research and advocacy for preservation of Jewish historic memory in Warsaw, Poland.
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Brown University students light first Hanukkah candle in the shadow of mass shooting
(JTA) — PROVIDENCE, Rhode Island — Dozens of Brown University students shielded their candles at a menorah lighting that doubled as a vigil on Sunday night as the Hanukkah arrived under a sheet of snow and a thick blanket of trauma, following a mass shooting in an economics class.
On Saturday, a gunman opened fire on a room where students had gathered to review for their final exam in Principles of Economics, Brown’s most popular class that is dominated by freshmen. He killed two students and injured nine others at the Barus and Holley engineering and physics building in Providence, Rhode Island.
The school went into lockdown for 12 hours and subsequently canceled all academic exercises for the rest of the semester. On Sunday night, Providence Mayor Brett Smiley said a police investigation was ongoing and a person of interest detained earlier in the day was being released.
Yael Ranel Filus, a sophomore engineering student from Israel, goes daily to Barus and Holley and was at a nearby building when shots rang out. She said she had been in touch with fellow Israeli students, who like her were in disbelief.
“We were talking in the group channel, like, ‘Oh, we thought we left that at home. We thought we left those tragedies at home,’” Filus said. “I don’t think any of us thought we would encounter something like this here.”
Another tragedy loomed over the menorah lighting led by two rabbis, Josh Bolton and Mendel Laufer, the respective heads of Brown’s Hillel and Chabad, located on adjacent blocks at the heart of the school’s urban campus. Across the world on Sunday, at least 15 people were killed and dozens injured in a shooting attack on Jews who gathered to celebrate Hanukkah in Sydney.
Bolton said both shootings were on his mind during a speech to the crowd of students, professors and Hillel staff.
“The message of Hanukkah here is that we should increase the light,” he said. “Even in the midst of this very dark and difficult moment, together as a community, we come together and we give each other a little bit of light.”
Brown recently struck a $50 million settlement with the Trump administration over allegations of antisemitism tied to pro-Palestinian protests during the war in Gaza. It drew particular criticism for allowing students to present a proposal to divest from Israel to the school’s board of overseers, who rejected it.
The school has a Jewish president, Christina Paxson, and the highest proportion of Jewish students in the Ivy League, with particular growth in recent years among its Orthodox student population. It recently hosted a major gathering to celebrate 130 years of Jewish life that attracted alumni from around the world as well as prominent figures including Robert Kraft, founder of the Foundation to Combat Antisemitism.
The economics class that was attacked is taught by Rachel Friedberg, a Jewish faculty member who researches the intersection of economics and Jewish studies and who has worked extensively in Israel, though she was not in the classroom at the time. Police have not indicated any antisemitic motive behind the shooting. But they also have not identified the shooter, igniting unease on campus and speculation online, particularly in the wake of the Sydney attack.
Bolton said regardless of the motive, Brown was being forced to contend with a nationwide plague.
“Whether or not the shooter was antisemitic or anti-Muslim or anti-LGBTQ or whatever, the burden of our culture is lonely, disturbed, usually young men with guns, and you can add whatever other layers of ideological hatred to it,” he said.
The Brown community was ravaged by gun violence only two years ago, when a Brown student, Hisham Awartani, was among three Palestinian students were shot over Thanksgiving break in Burlington, Vermont. Awartani was hit in the spine and paralyzed from the waist down.
The shock that ripped through Brown this weekend was familiar to Zoe Weissman, a sophomore who has lived through two school shootings in her 20 years. As a 12 year-old in Parkland, Florida, she was outside her middle school when she heard gunshots and screams from the adjacent Marjory Stoneman Douglas High School, where 17 people were killed in 2018. She said the shooting left her with post-traumatic stress disorder.
“I’m an example of how prevalent gun violence is becoming,” said Weissman. “If you look at the statistics of mass shootings, it should be physically impossible for this to have happened to me twice. And that’s a fact I used to use to comfort myself.”
Another Brown student, junior Mia Tretta, was shot in the abdomen during a 2019 attack on Saugus High School in California.
Weissman left Brown before the communal Hanukkah lighting, but she lit the first candle with a few friends at a house off-campus.
“It’s a tradition I’ve grown up with, so it’s something that makes me feel really comfortable,” she said. “It wasn’t something that I wanted to skip for the first time ever because of this.”
The shooting began in the last hour of Shabbat, when over 30 students were gathered at Hillel, many without their phones. They were ordered to shelter on the third floor with the lights off.
Bolton arrived about an hour later with water and food for the night. He wanted the group to mark havdalah, the ritual to note the end of Shabbat traditionally performed once three stars can be spotted in the sky. Bolton and the students did havdalah in a windowless room, whispering over candles in the dark.
Aaron Perrotta, a junior who was there, said that some jokes mixed in with the panic. “It was nice to have a little sense of normalcy and be able to close out Shabbat like that,” he said.
“I think a lot of us bonded and got closer together, just being in such a tight space upstairs,” said Max Zimmer, a sophomore.
Filus was blocks away from Barus and Holley at the Nelson Center for Entrepreneurship on Saturday night. She and nine other students rotated sleeping shifts, as Brown’s Department of Public Safety advised having one person alert until the lockdown ended.
Filus went to the candle lighting on Olive Street after sitting with friends at the neighboring Hillel building.
“It’s a safe space,” she said. “I don’t really want to be alone right now. I don’t want to be in my room.”
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