Uncategorized
A Queens synagogue is moving, and the fate of its storied ark is in limbo
(New York Jewish Week) — Crafted of bronze and gold-leaf plaster, and topped by a bejeweled crown, the astonishing 26-foot-tall ark of the Forest Hills Jewish Center fills its cavernous sanctuary with an imposing presence.
When Temma Kingsley joined the congregation as a newlywed in 1965, she was taken aback by its style.
“I thought it was really quite fancy, overdone,” she recalled recently, comparing it to the traditional wooden ark in the modest Philadelphia synagogue where she grew up. “But I’ve since learned what it’s all about, and I’ve become attached to it.”
The ark, which houses the synagogue’s Torah scrolls, is the work of artist Arthur Szyk (1894-1951), a Polish-born artist who rose to fame in the United States with vivid, technicolor drawings on the covers of influential magazines, in the pages of high-profile newspapers and in fine galleries and museums around the world. When the synagogue dedicated its minimalist post-war building on Queens Boulevard in 1949, Szyk’s opulently designed ark stood out as entirely different.
Now, with the impending sale of the Forest Hills Jewish Center building, Kingsley is concerned about the ark’s future. So too are current synagogue leaders, as well as art historians and museum curators, who are scurrying to find it a new home. Meanwhile, the ark’s fate remains in question.
The Conservative synagogue announced last year it was selling its building and would look for a new home in the same area in Queens. In August, an investment partnership led by Joseph Yushuvayev and Uri Mermelstein of Top Rock Holdings announced it was in contract to buy the building and develop the site.
Fully acknowledging the value and importance of the Szyk ark, the congregation is seeking to find it a new home. At least one art dealer has expressed interest in acquiring the ark, but this route has been rejected as it would not come with any guarantee of where it might eventually land.
Arthur Szyk was known for his vivid Jewish art, including “David and Saul” (1921), left, and his political cartoons and illustrations, including “Madness” (1941). (The Magnes Collection of Jewish Art and Life, University of California, Berkeley)
“What if the buyer decides to disassemble the ark and use its beautiful bronze doors as the entrance to their home?” Deborah Gregor, executive director of the Forest Hills Jewish Center, asked rhetorically, her voice tightening.
Taking into consideration this theoretical scenario, the board has agreed to prioritize keeping the ark intact to honor its legacy. Several museums have been contacted. Thus far none have come forward.
Simona Di Nepi, the Charles and Lynn Schusterman Curator of Judaica at the Boston Museum of Fine Arts, traveled to Forest Hills last month to see the ark and “fell in love.”
“I see it as a tour de force of Jewish art,” she said — a unique and spectacular “show-stopper.”
On her recommendation, the Boston Museum of Fine Arts explored the possibility of acquiring it, but the height ultimately presented logistical challenges that could not be overcome. Di Nepi has now turned her attention to several large synagogues with the hopes of finding one that might adopt it.
“I can’t bear the thought of what will happen if it does not find a home,” she said.
Born in Poland, trained in Paris and influenced by the brief time he spent at Bezalel Art School in British Mandate Palestine, Szyk was known for his vivid Jewish art, biting political cartoons and his portraits of American heroes and European figureheads. In 1941, The Times Literary Supplement wrote that his illuminated Passover haggadah was “worthy to be placed among the most beautiful books that the hand of man has produced.” Reprinted many times in the decades since, it remains a staple in Jewish homes today.
While Szyk’s oeuvre is described by critics as “exquisite,” “masterful” and “marvels of technical skill,” the artist did not view his own creations as ends unto themselves. Instead, he used his work to influence politics and world opinion. Irvin Ungar, editor of the 2017 study “Arthur Szyk: Soldier in Art,” wrote that Szyk employed pen and paintbrush as tools to wage war against the Nazis, attack racism, promote Zionism and preserve freedom.
His work caught the attention of two leading rabbis of his day: Abba Hillel Silver in Cleveland and Ben Zion Bokser in Queens. Both led growing congregations that would reach well over 1,000 family members. Separately, the two commissioned Szyk to create significant objects for their respective synagogues.
The baroque form of Szyk’s ark at the Forest Hills Jewish Center, left, is reminiscent of the arks of Eastern European synagogues that were destroyed in the war; Szyk’s stained glass “Warrior Windows” at Cleveland’s Reform Temple Tifereth Israel feature the biblical figures Gideon, Samson and Judah Maccabee. (Courtesy of Irvin Ungar)
Szyk’s stained glass “Warrior Windows” were dedicated in Cleveland’s Reform Temple Tifereth Israel on the last day of Hanukkah in 1947. Commissioned to honor congregants who fought in World War II, the 15 windows include the names of fallen soldiers and showcase the biblical figures Judah Maccabee, Samson and Gideon, resplendent in sumptuous battle dress.
In a letter to Silver, Szyk explained that he would have ordinarily charged $15,000 for the project (the equivalent of $200,000 today). But because Szyk aligned so closely with the rabbi’s ideological mission — Silver was a leading proponent of Zionism — he viewed the job as “a personal favor,” and agreed to a much lower sum of $4,500.
Bokser, a social justice activist whose edition of the Jewish prayer book was a staple of Conservative synagogues for decades, was also drawn to Szyk’s bold, innovative style for the sanctuary of his congregation’s sleek new building on Queens Boulevard. Art historian and Cleveland State University Distinguished Professor Samantha Baskind calls it “sui generis”: Like Szyk’s illuminated manuscripts, the ark’s design packs in a dizzying array of abstract ornaments woven together with Jewish emblems. Scrolls, flowers, acorns and leaves are interspersed with holiday symbols, lions of Judah and representations of the Israelite tribes.
Its baroque form is reminiscent of the arks of Eastern European synagogues that were destroyed in the war. But Szyk was neither mournful nor nostalgic. Forward looking and hopeful, his ark doors are flanked by birds that can be read as either eagles or doves. With their wings spread wide, the figures stretch toward the biblical and Talmudic passages that border the work, invoking God’s judgment and heralding freedom.
Ungar assesses the ark as “an American and a Jewish icon” and a “culmination of [Szyk’s] prayers” as expressed through his art. Gregor refers to it as the artist’s “ark de triomph,” quite literally: “It is Szyk’s own statement of triumph, celebratory and grand,” she said.
The Forest Hills Jewish Center has been a fixture on Queens Boulevard since the late 1940s. (New York Jewish Week)
Ironically, its grandeur is precisely the source of its uncertain future.
When the Jewish Center’s current building was dedicated in 1949 in the presence of 5,000 guests, its scale was meant to accommodate a growing membership. Its main sanctuary held 1,200 seats, and its religious school would eventually accommodate some 900 students. Now the hulking space has become too large and costly for its 300-400 member families to maintain. The congregation has not yet announced relocation plans. But their hope for the future is an intimate space with a cozy aesthetic, where the monumental scale of the Szyk ark will likely not fit in.
Art historian Samantha Baskind has been preoccupied with the issue. “A logical solution would be to unite it with Szyk’s Warrior Windows” in Cleveland’s Temple Tifereth Israel,” she said. “Bringing the works into conversation with each other in the same sacred space is conceptually brilliant and would honor the memory of Rabbi Silver at the same time that it beautifies the synagogue.”
Whatever the future holds for the ark, some Forest Hills Jewish Center members are finding it hard to say goodbye. Kingsley recalled the central role the synagogue has played in her life since she moved to Forest Hills 57 years ago. For her, the ark is not just about its aesthetic details, or the artist who created it.
“That was the ark Rabbi Bokser commissioned,” she said wistfully. It holds his spirit, too.
Alanna E. Cooper serves as the Abba Hillel Silver Chair in Jewish Studies at Case Western Reserve University. Her book “Disposing of the Sacred” is forthcoming with Penn State University Press.
—
The post A Queens synagogue is moving, and the fate of its storied ark is in limbo appeared first on Jewish Telegraphic Agency.
Uncategorized
Arab parties are kingmakers, but will Israel’s Jewish leaders accept them?
(JTA) — JERUSALEM – Less than an hour after election night exit polls were published, Mansour Abbas, the leader of the Islamist Ra’am party, whose representation was predicted to almost double, declared: “We will translate this electoral power into an influential political force … we’re here — not on the sidelines.”
With all the votes now counted, Ra’am has indeed grown from five to eight seats, while the other Arab party, the Joint List, has received 11. Their combined unprecedented 19 seats out of a total of 120 in Israel’s parliament, the Knesset, now make the Arab parties a powerful force and one that could potentially break the political deadlock after neither the bloc led by Prime Minister Benjamin Netanyahu nor the opposition bloc led by Gadi Eisenkot have enough seats to form a governing coalition.
A record number of Arab-Israelis voted in last Tuesday’s election, signaling for the first time in Israel’s history that the country’s Arab public, which makes up around 21% of the general population, is demanding to be counted in Israel’s political process.
The question, now, is whether Israel’s Jewish political leaders — and the public they represent — are ready to accept them as legitimate partners in governing the country.
“The Arab parties managed to produce an historic turnout in the Arab community, a reflection of this population joining Israeli democracy and the democratic process, and their desire to see their issues being taken care of by the Israeli government and political system,” Yohanan Plesner, president of the Israel Democracy Institute, told the Jewish Telegraphic Agency.
“But while they performed phenomenally and beyond any expectation, it’s still too early to tell whether the massive expectations that led Israeli Arab voters to the streets will actually be met by a political system willing to respond to this desire,” he said.
The record voter turnout among Arab-Israeli citizens breaks with a decades-old tradition of shunning Israel’s political institutions in protest over the conflict with the Palestinians – many themselves identify as Palestinian citizens of Israel – and a feeling that whoever is in power will not truly address their needs.
After four years of a government dominated by far-right Israeli nationalists, however, Arab voters felt they had no choice but to step up, analysts told JTA. It was not only the inflammatory rhetoric and attacks on the Arab community by senior government ministers that drove up turnout to some 80% – compared to only 53.2% in the last election in 2022 – but also the outgoing government’s policies.
Minister of National Security Itamar Ben-Gvir, who prior to his political career was convicted for incitement to racism, has overseen mass demolitions of illegally built homes, especially in the Bedouin towns in Israel’s Negev region, and failed to address soaring crime rates in Arab towns.
Finance Minister Bezalel Smotrich has threatened to force the Arab population in Israel out of the land, outlining in September a plan to Judaize Arab-majority areas in Israel’s periphery. In one recent case, he even backed young Israeli Jews who set up an illegal outpost inside an Israeli-Arab town.
It is such moves, as well as multiple statements casting suspicion on Israel’s Arab sector, especially following Hamas’s Oct. 7, 2023, massacre in southern Israel, that ultimately pushed the community to vote en masse, according to experts on the Arab community. Many cast ballots for the first time.
“It was an existential fear,” said Michael Milshtein, head of the Palestinian Studies Forum at the Moshe Dayan Center at Tel Aviv University, who has researched political trends in Israel’s Arab community for years.
He pointed to a poll published following the election by Arabic-language newspaper Kul al-Arab showing that nearly 92% of Arab voters said that the main thing driving them out to vote was the fear of Smotrich and Ben-Gvir.
“It’s an almost unprecedented motivation,” he said. “But it can also be a formula for a cascade of expectations.”
Among those expectations now is that Israel’s majority Jewish parties that have promised change in the country – and promised to oust Netanyahu and his far-right partners – will include Arab parties or at least make use of this electoral momentum.
The political party Ra’am, which has roots in the Muslim Brotherhood, has already shown a willingness to join the government. The party, which focuses on social welfare issues and fighting crime, already broke down barriers in 2021 by joining former prime ministers Naftali Bennett and Yair Lapid in a government that briefly ousted Netanyahu.
For the Joint List, an alliance of three majority Arab parties focusing on socialist politics, civic equality for Arab citizens of Israel and Palestinian nationalism, joining an Israeli government or even providing it with a safety net from the outside is a big step.
All three parties – Hadash, a left-wing socialist party, Ta’al, a party promoting Arab civic rights and equality, and Balad, which represents pan-Arab nationalism – hold at their core the fight for Palestinian rights and national statehood.
Yet at least two of the parties, Hadash and Ta’al, have indicated a willingness to put some of their agenda aside in order to help change Israel’s current leadership.
“We are ready for political cooperation to form an alternative government that will present a genuine alternative and commit to a fundamental change in the current government’s racist policies,” Yousef Jabareen, head of the Joint List, said as votes were being counted on Thursday. “A government that will work to recognize the rights of the Arab public and end its exclusion, and that of its representatives, from the political system.”
However, Gadi Taub, a professor at Hebrew University of Jerusalem and co-host of the Israel Update podcast, called including such parties in Israel’s government “ridiculous.”
“These parties are anti-Zionist, they are against the very existence of Israel and some of them are direct terror supporters,” he said, referring to statements made by Balad’s leader Sami Abu Shehade after Oct. 7, which he later walked back.
“None of them will designate Hamas as a terror organization, even after Oct. 7,” noted Taub, adding that Israeli law should forbid parties that are openly against a Jewish state from running for parliament.
He pointed out that attempts to ban the Arab parties from running in this election were ultimately blocked by Israel’s Supreme Court, although Shehade did withdraw from the race. No other country would tolerate political leaders that “do not acknowledge the self-determination” of the country they live in, said Taub.
Including Arab parties in a government is something that was not even considered by Jewish or Zionist-focused parties until the offer came from Ra’am in 2021. In fact, there have only ever been two Muslim Arab ministers, Ghaleb Majadele, a member of the Labor Party, who served under former prime minister Ehud Olmert and Issawi Frej, from the Meretz Party who served from June 2021 to December 2022.
Three years after Oct. 7, when fear and mistrust of Arabs because of the attack remain high, the idea of aligning politically with Arab politicians who openly advocate for Palestinians is even more complex.
While Netanyahu and his coalition partners painted such a collaboration as an existential threat for the state in the lead-up to last week’s vote, almost all the parties in Eisenkot’s bloc, except for the Democrats headed by Yair Golan, also ruled out the possibility.
Mairav Zonszein, a senior Israel analyst with the International Crisis Group, said it was difficult to evaluate whether Israeli society as a whole was now ready for such political influence from Arab Israelis, but said the more pertinent question was whether Eisenkot and his political partners, Naftali Bennett and Avigdor Lieberman, were ready for it.
“This is pretty much their only option if they want to get rid of Benjamin Netanyahu,” she said. “The main question is how important it is for them to remove Netanyahu that they would be willing to compromise on something that they made a frontline issue?”
Zonszein added that even center-left former prime minister Yair Lapid, whom she characterized as pragmatic in every other way in his efforts to oust Netanyahu, has stated that he would not work with the Arabs.
She called lumping the entire sector together “outrageous.”
“It really defies the very notion of a democracy,” Zonszein said, accusing Netanyahu of dismissing “Palestinians just for being Palestinians, regardless of the fact that they are law-abiding citizens, that they pay taxes and are present in all aspects of the workforce.”
Throughout Election Day, the embattled Netanyahu published a stream of video clips declaring that Arabs were “flocking” to the polls. He told his supporters that if they did not want an Islamist state in Israel, then they’d better get out and vote for him.
Analysis by some fact-checkers has since revealed that many of the images Netanyahu used to scare his voters were in fact AI-generated fakes.
Tani Frank, director of the Shalom Hartman Institute’s Center for Judaism and State Policy, argued that the delegitimization of the Arab vote was one of the “focal points of the Likud campaign.”
“One reason for this is to weaken the ability of the change bloc to form a government with the support of, or reliance on, the Arab parties — specifically Ra’am and Mansour Abbas, who has already done so previously,” he said.
Frank said he believed that the willingness of Jewish Israelis to accept cooperation with Arab parties, especially after Oct. 7 and the Likud campaign, was extremely limited.
A few days before the election, a snap poll conducted by the Israel Democracy Institute found that “a clear majority of Israeli Jews opposed either Arab party playing a role in any government.”
While a majority of those on the left said that they would support a coalition of center and left-wing parties with the support or participation of the Arab parties, those in the center and right preferred another round of voting rather than forming a coalition with them.
Since the election, Netanyahu and his supporters have tried to cast doubt on the mass Arab turnout and on the legitimacy of the Arab political leadership. This has included accusations by members of his Likud party of voter fraud and foreign interference from Qatar, followed by statements Thursday from the Central Elections Committee that it was investigating foreign funding irregularities.
Netanyahu wrote in a post on X: “The elections in the State of Israel were stolen by Arab parties that support terrorism and the elimination of the Jewish state, through serious criminal offences involving bribery, threats, violence, forgery and the use of prohibited software to mobilize voters.”
Supreme Court Justice Noam Sohlberg, head of the elections committee, said on Sunday at a press conference with the country’s attorney general and the director of the Israel Security Agency, the Shin Bet, that the investigation into alleged foreign funding was serious and ongoing but would not change the results.
“Our position is that even if the suspicions are substantiated, this would not undermine the integrity of the electoral process or the election results as a whole,” he said.
On Saturday night, protests were held by both those against allowing Arabs into the government and those who believe it is the only way forward. A small group of those who are against such a move gathered in Tel Aviv chanting that Israel must not allow “terror supporters into the government.” Much larger groups of protesters in favor of a collaboration gathered around the country urging Eisenkot to take the step.
Mohamed Darawshe, a political analyst and director of strategy at Givat Haviva, a leading center educating for a shared society in Israel, said that if after the massive turnout on Election Day the Arab parties were not included in a change government, there would be great “disappointment.”
“If they are blocked from the right wing, that is understandable. But if their natural partners in Jewish society block them, they will end up turning their back on the whole political scene,” he said.
Darawshe said such a scenario would make Arab society unlikely to participate in such numbers in future elections.
“It will be like a vote of no confidence in the Israeli political system and complete disbelief in the promise that Israel can offer political equality as promised in the Declaration of Independence,” he said.
Political equality, Darawshe pointed out, is “not just allowing Arab citizens to exercise their equal rights on the day of the elections, but also to exercise their rights the day after the election, meaning allowing them to be part of the coalition and not to create a glass ceiling at representation in parliament.”
This article originally appeared on JTA.org.
The post Arab parties are kingmakers, but will Israel’s Jewish leaders accept them? appeared first on The Forward.
Uncategorized
With a Kennedy Center honor under Trump, David Mamet enters his final, tragic act
There was a time when David Mamet being honored at the Kennedy Center wouldn’t have raised eyebrows.
His contributions to American theater and film transcend an affinity for four letter words (let’s call them “the F— Variations”). His tough-talking, desperate men gave splenetic voice to the indignities of a capitalist system in Glengarry Glen Ross, evolving sexual mores in Sexual Perversity in Chicago and, in a movie like The Verdict, the justice system.
Cut to 2026 and Mamet’s scripts are but an afterthought to his grievance. When he makes headlines now, it’s for his reactionary conservative streak and his role as a partisan in the culture war. Together with a run of flops, numbering a Harvey Weinstein #MeToo comedy and a Broadway show not even Al Pacino could save, his esteem has cratered among the liberal circles that once embraced him, and to which he once belonged but now prefers to eviscerate.
He has made the transition from dramatist to pundit, first at HuffPost, lately at The Free Press. Reading too much into Oleanna, perhaps, he has called teachers pedophiles on Fox News, written screeds on cancel culture and, a prerequisite for the Kennedys at this moment, praised President Donald Trump.
In the honor, there is a strain of tragedy. Mamet has strayed so far from where he started — what he called his “brain-dead liberal” era — that he makes perfect sense for this appointment, under a regime that tried to slap its leader’s name onto a tribute to a slain president meant as a bipartisan shrine to art. (Due to the Center’s closure amid turmoil and legal battles, the ceremonies will take place at the Capital One Arena, which is only too perfectly bleak.)
A younger Mamet would have looked askance at such a figure as our current Commander-in-Chief, a character who is on the make with all sorts of half-baked schemes. The Iran War may be his latest play on a Buffalo nickel.
It’s enough to make one wonder if we’ve been misreading Mamet all along. Are the men breaking-and entering to steal the Glengarry leads meant to be admired? Are the Hollywood sleazes in Speed-the-Plow aspirational? Is Al Capone the real hero of The Untouchables?
Perhaps the evening, which tends to include career retrospectives, will elucidate. But if the Kennedy Honors could once be said to be for closers, it may now be only for a particular kind of sellout.
The post With a Kennedy Center honor under Trump, David Mamet enters his final, tragic act appeared first on The Forward.
Uncategorized
Why is Britney Spears studying Hebrew?
It’s Britney, Yitz!
Continuing a curious social media trend that has previously seen appreciation for the beards of chess-playing Chabadniks and the Zohar hidden among baby clothes, Britney Spears took to Instagram Sunday to post a Hebrew Book of Psalms and the Lekutei Amaraim, or Tanya, a Hasidic book of sayings.
The caption reads: “I’m extremely bored !!! Learning Hebrew reading right to left !!! Beautiful language !!!” (A previous caption, posted Sunday, was more cryptic, concluding “God speed little man !!! I love u !!!,” perhaps indicating the presence of a havruta or someone in her life who keeps his mitzvot.)
What exactly is happening here? Is Spears, like Marilyn before her and Sydney Sweeney now, about to dip her toe into the mikveh?
The best clue we have isn’t from Spears’ page, but from Israeli model Natalie Dadon, who tagged the “Hit Me Baby One More Time” singer in a selfie with the Tanya. “Finally, it’s possible to tell,” Dadon posted, in a gallery with Hebrew language news coverage of the posts. Dadon did not immediately respond to a request for comment.
Dadon’s social media presence involves Tanya study, which itself is a cornerstone to Lubavitch philosophy (so perhaps is connected to the Chabad chess players whose beards Spears so admired) and adjacent to Kabbalah.
Spears is no stranger to Jewish subjects. Around the time she locked lips with Madonna at the 2003 VMAs, she started, like so many others, to look into Kabbalah, as this handy timeline from Hey Alma notes. She has a Hebrew tattoo of letters that signify healing in kabbalistic texts and was apparently once attached to star in a Holocaust-time-travel-romance film called The Yellow Star of Sophia and Eton, which now that I’ve heard of it I will never shut up about.
She has credited Kabbalah with helping her through a difficult time in her life and has been spotted wearing a star of David.
But we should approach Spears’ dalliance with Judaism, now sandwiched on her Insta page between a call-out of her sister Jamie Lynn and a NSFW video of her dancing with a rose Emoji as a fig leaf, with some healthy skepticism.
Her Instagram bio currently reads “Pray Every Day” with a prayer hands emoji next to a Bible emoji with a cross. She’d still appear to be Christian — or, at the very least, waiting for the new iOS update with the Tanya emoji.
The post Why is Britney Spears studying Hebrew? appeared first on The Forward.
