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A Queens synagogue is moving, and the fate of its storied ark is in limbo
(New York Jewish Week) — Crafted of bronze and gold-leaf plaster, and topped by a bejeweled crown, the astonishing 26-foot-tall ark of the Forest Hills Jewish Center fills its cavernous sanctuary with an imposing presence.
When Temma Kingsley joined the congregation as a newlywed in 1965, she was taken aback by its style.
“I thought it was really quite fancy, overdone,” she recalled recently, comparing it to the traditional wooden ark in the modest Philadelphia synagogue where she grew up. “But I’ve since learned what it’s all about, and I’ve become attached to it.”
The ark, which houses the synagogue’s Torah scrolls, is the work of artist Arthur Szyk (1894-1951), a Polish-born artist who rose to fame in the United States with vivid, technicolor drawings on the covers of influential magazines, in the pages of high-profile newspapers and in fine galleries and museums around the world. When the synagogue dedicated its minimalist post-war building on Queens Boulevard in 1949, Szyk’s opulently designed ark stood out as entirely different.
Now, with the impending sale of the Forest Hills Jewish Center building, Kingsley is concerned about the ark’s future. So too are current synagogue leaders, as well as art historians and museum curators, who are scurrying to find it a new home. Meanwhile, the ark’s fate remains in question.
The Conservative synagogue announced last year it was selling its building and would look for a new home in the same area in Queens. In August, an investment partnership led by Joseph Yushuvayev and Uri Mermelstein of Top Rock Holdings announced it was in contract to buy the building and develop the site.
Fully acknowledging the value and importance of the Szyk ark, the congregation is seeking to find it a new home. At least one art dealer has expressed interest in acquiring the ark, but this route has been rejected as it would not come with any guarantee of where it might eventually land.
Arthur Szyk was known for his vivid Jewish art, including “David and Saul” (1921), left, and his political cartoons and illustrations, including “Madness” (1941). (The Magnes Collection of Jewish Art and Life, University of California, Berkeley)
“What if the buyer decides to disassemble the ark and use its beautiful bronze doors as the entrance to their home?” Deborah Gregor, executive director of the Forest Hills Jewish Center, asked rhetorically, her voice tightening.
Taking into consideration this theoretical scenario, the board has agreed to prioritize keeping the ark intact to honor its legacy. Several museums have been contacted. Thus far none have come forward.
Simona Di Nepi, the Charles and Lynn Schusterman Curator of Judaica at the Boston Museum of Fine Arts, traveled to Forest Hills last month to see the ark and “fell in love.”
“I see it as a tour de force of Jewish art,” she said — a unique and spectacular “show-stopper.”
On her recommendation, the Boston Museum of Fine Arts explored the possibility of acquiring it, but the height ultimately presented logistical challenges that could not be overcome. Di Nepi has now turned her attention to several large synagogues with the hopes of finding one that might adopt it.
“I can’t bear the thought of what will happen if it does not find a home,” she said.
Born in Poland, trained in Paris and influenced by the brief time he spent at Bezalel Art School in British Mandate Palestine, Szyk was known for his vivid Jewish art, biting political cartoons and his portraits of American heroes and European figureheads. In 1941, The Times Literary Supplement wrote that his illuminated Passover haggadah was “worthy to be placed among the most beautiful books that the hand of man has produced.” Reprinted many times in the decades since, it remains a staple in Jewish homes today.
While Szyk’s oeuvre is described by critics as “exquisite,” “masterful” and “marvels of technical skill,” the artist did not view his own creations as ends unto themselves. Instead, he used his work to influence politics and world opinion. Irvin Ungar, editor of the 2017 study “Arthur Szyk: Soldier in Art,” wrote that Szyk employed pen and paintbrush as tools to wage war against the Nazis, attack racism, promote Zionism and preserve freedom.
His work caught the attention of two leading rabbis of his day: Abba Hillel Silver in Cleveland and Ben Zion Bokser in Queens. Both led growing congregations that would reach well over 1,000 family members. Separately, the two commissioned Szyk to create significant objects for their respective synagogues.
The baroque form of Szyk’s ark at the Forest Hills Jewish Center, left, is reminiscent of the arks of Eastern European synagogues that were destroyed in the war; Szyk’s stained glass “Warrior Windows” at Cleveland’s Reform Temple Tifereth Israel feature the biblical figures Gideon, Samson and Judah Maccabee. (Courtesy of Irvin Ungar)
Szyk’s stained glass “Warrior Windows” were dedicated in Cleveland’s Reform Temple Tifereth Israel on the last day of Hanukkah in 1947. Commissioned to honor congregants who fought in World War II, the 15 windows include the names of fallen soldiers and showcase the biblical figures Judah Maccabee, Samson and Gideon, resplendent in sumptuous battle dress.
In a letter to Silver, Szyk explained that he would have ordinarily charged $15,000 for the project (the equivalent of $200,000 today). But because Szyk aligned so closely with the rabbi’s ideological mission — Silver was a leading proponent of Zionism — he viewed the job as “a personal favor,” and agreed to a much lower sum of $4,500.
Bokser, a social justice activist whose edition of the Jewish prayer book was a staple of Conservative synagogues for decades, was also drawn to Szyk’s bold, innovative style for the sanctuary of his congregation’s sleek new building on Queens Boulevard. Art historian and Cleveland State University Distinguished Professor Samantha Baskind calls it “sui generis”: Like Szyk’s illuminated manuscripts, the ark’s design packs in a dizzying array of abstract ornaments woven together with Jewish emblems. Scrolls, flowers, acorns and leaves are interspersed with holiday symbols, lions of Judah and representations of the Israelite tribes.
Its baroque form is reminiscent of the arks of Eastern European synagogues that were destroyed in the war. But Szyk was neither mournful nor nostalgic. Forward looking and hopeful, his ark doors are flanked by birds that can be read as either eagles or doves. With their wings spread wide, the figures stretch toward the biblical and Talmudic passages that border the work, invoking God’s judgment and heralding freedom.
Ungar assesses the ark as “an American and a Jewish icon” and a “culmination of [Szyk’s] prayers” as expressed through his art. Gregor refers to it as the artist’s “ark de triomph,” quite literally: “It is Szyk’s own statement of triumph, celebratory and grand,” she said.
The Forest Hills Jewish Center has been a fixture on Queens Boulevard since the late 1940s. (New York Jewish Week)
Ironically, its grandeur is precisely the source of its uncertain future.
When the Jewish Center’s current building was dedicated in 1949 in the presence of 5,000 guests, its scale was meant to accommodate a growing membership. Its main sanctuary held 1,200 seats, and its religious school would eventually accommodate some 900 students. Now the hulking space has become too large and costly for its 300-400 member families to maintain. The congregation has not yet announced relocation plans. But their hope for the future is an intimate space with a cozy aesthetic, where the monumental scale of the Szyk ark will likely not fit in.
Art historian Samantha Baskind has been preoccupied with the issue. “A logical solution would be to unite it with Szyk’s Warrior Windows” in Cleveland’s Temple Tifereth Israel,” she said. “Bringing the works into conversation with each other in the same sacred space is conceptually brilliant and would honor the memory of Rabbi Silver at the same time that it beautifies the synagogue.”
Whatever the future holds for the ark, some Forest Hills Jewish Center members are finding it hard to say goodbye. Kingsley recalled the central role the synagogue has played in her life since she moved to Forest Hills 57 years ago. For her, the ark is not just about its aesthetic details, or the artist who created it.
“That was the ark Rabbi Bokser commissioned,” she said wistfully. It holds his spirit, too.
Alanna E. Cooper serves as the Abba Hillel Silver Chair in Jewish Studies at Case Western Reserve University. Her book “Disposing of the Sacred” is forthcoming with Penn State University Press.
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British Jews could be offered asylum in the US, Trump’s UK-born Jewish lawyer says
(JTA) — The Trump administration might be considering granting asylum to British Jews, according to Trump’s personal lawyer, who said “the UK is no longer a safe place for Jews.”
Robert Garson, a Jewish attorney from Manchester, England, with rising influence in the Trump administration, said he proposed the move to the State Department in an interview with The Telegraph.
Garson said his proposal was well received despite the Trump administration’s general anti-immigration stance.
“I thought: Jews are being persecuted in the United Kingdom,” Garson said. “They fit a wonderful demographic for the United States. They are, on the whole, educated. They speak English natively. They’ve got businesses. They’re exactly the sort of immigrant the United States should want to attract. So, why not?”
Garson said his views on the future of Jews in Britain hardened after the terror attack on a synagogue in his hometown last year. Two people were killed at the Heaton Park Hebrew Congregation on Yom Kippur after a man rammed his car into a crowd of people and stabbed others.
In October, the White House announced that it would restrict the number of refugees admitted to the United States to 7,500 in 2026, mostly reserving those spots for white South Africans. The number represents a steep drop from former President Joe Biden’s ceiling of 125,000 in 2024.
The administration’s privileging of white South Africans has been widely criticized in South Africa, including by Jews. The country’s chief rabbi Warren Goldstein, otherwise a vocal Trump supporter, called the move a “mistake.”
Garson was hired by Trump in 2022 to sue investigative journalist Bob Woodward for $50 million over Woodward’s publication of Trump interviews in an audiobook. (The lawsuit was dismissed in July.) Donald Trump Jr. has also hired Garson as a lawyer for his publishing house, Winning Team Publishing, which has published the president, Charlie Kirk and other prominent conservatives.
Garson’s rise continued with an appointment to the United States Holocaust Memorial Council in May. He was among several Trump allies that the president named to replace members appointed by Biden, including Doug Emhoff, the Jewish husband of former Vice President Kamala Harris.
White House press secretary Karoline Leavitt said at the time, “President Trump looks forward to appointing new individuals who will not only continue to honor the memory of those who perished in the Holocaust, but who are also steadfast supporters of the State of Israel.”
Garson moved to New York in 2008 and now lives in Florida, where he is the head of armed security at his synagogue. After the Hamas attack on Israel on Oct. 7, 2023, Garson became a National Rifle Association-licensed instructor and has offered to train any Jews who are interested.
He believes that “if there had been 6 million guns in 6 million Jewish hands, there would have been 6 million fewer deaths” in the Holocaust, he told The Telegraph.
Garson laid much of the blame for dangers to British Jews at the foot of Prime Minister Keir Starmer, saying that he “allowed rampant antisemitism to become commonplace in society and has allowed it to come from those who really don’t have Britain’s best interests at heart.”
Garson has expressed particular concern about the influence of Muslim immigrants in England, charging that non-Jewish Brits would also soon face “sharia-compliant areas.” He said, “They are coming for the Jews and then they are coming for your pubs.”
Some British Jewish groups have rejected the idea that British Jews would seek to leave for the United States. The Community Security Trust, an antisemitism watchdog, told Haaretz that “Jews were murdered by hateful terrorists in the United States as well as in the United Kingdom” last year, so there was no refuge to be found there.
David Aaronovitch, a British journalist and broadcaster, also rebuked Garson’s proposal in a Jewish News op-ed addressed to Trump.
“British Jews wouldn’t be safer in the US, simply because no one is,” said Aaronovitch. “The homicide rate in your country is six times what it is here; in fact, in Mr Garson’s new domicile, Miami-Dade County, it’s over 20 times the rate here in London.”
He also noted the debate in Trump’s own party over its inclusion of avowed antisemites such as Nick Fuentes.
“It hasn’t escaped the notice of many British Jews that some of the most vocal and influential new media supporters of your administration have either given themselves over to overt, old-style antisemitism or have shown themselves happy to tolerate others who have,” said Aaronovitch.
Ofir Sofer, Israel’s minister of aliyah and integration, also responded dismissively to the idea that British Jews should leave for the United States. “The home of British Jewry, and of Jews around the world, is the State of Israel,” he said.
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How ‘a bundle of letters’ became a cornerstone of life advice for American Jews
January 20, 2026 marks the 120th anniversary of A Bintel Brief, the Forward’s advice column, launched in 1906 by the paper’s founder and publisher, Ab Cahan. Tackling the personal challenges of Eastern European Jewish immigrants, Cahan and the Bintel Brief columnists who followed him would dispatch their advice with humor, compassion, and honesty.
By 1906, Der Forverts, as the Forward is known in Yiddish, had grown over its initial three decades to become the leading Yiddish-language newspaper in the United States. But A Bintel Brief — Yiddish for “a bundle of letters” — was something the paper hadn’t tried before. Well, not exactly.
In his introduction to the very first Bintel Brief, which is preserved online at the National Library of Israel, Cahan explained that the new column had been inspired by a section of the paper devoted to letters to the editor that launched three years earlier.
A Bintel Brief, however, would be an advice column, focusing on letters “that expressed issues of … human interest,” Cahan explained. He continued, “Readers will find in the Bintel Brief letters an interesting turning of pages from the Book of Life … Hundreds of diverse emotions, interests and lost opportunities will be expressed here. Hundreds of various vibrations of the human heart will be heard here.”
History would prove him right. Over the next 120 years, A Bintel Brief would explore the “various vibrations of the human heart” with homespun Jewish advice, tens of thousands of times over, and along with its contemporary advice columnists like Dorothy Dix inspire countless advice columns across U.S. newspapers, including “Dear Abby” and Ann Landers (née Esther Friedman).
In his autobiography Pages from My Life, which Cahan published 100 years ago in 1926, he recalled, “I had always wished that the Forverts would receive stories from ‘daily life’ — dramas, comedies or truly curious events that weren’t written at a desk but rather in the tenements and factories and cafés — everywhere that life was the author of the drama … How to do this? Not an easy task — much harder than writing an interesting drama or comedy.”
“One day in January 1906,” he continued, “[my secretary, Leon] Gottlieb told me about three letters that had arrived which didn’t seem suited for any particular department … All three letters were of a personal nature rather than a communal one, and each told an individual story. I considered the three letters and my response was: Let’s print them together and call it A Bintel Brief.”
There’s also the apocryphal version of the story, illustrated by cartoonist Liana Finck while working on a series of cartoons inspired by A Bintel Brief that eventually became a book in 2014. “Rumor has it, the letter on the top of the pile Abraham Cahan’s secretary brought him that strange day in 1906 was two feet long and sewn together with scraps of industrial thread. The spelling was atrocious, but the tears that spewed out of the letter were real — Cahan tasted them to make sure.”
While perhaps nothing more than a mayse, the story rightly captures the willingness of Forverts readers to share their individual problems with A Bintel Brief and seek advice.
And some of them still resonate today.
For example, in the first edition of the column, a bride-to-be reached out because of a debate that erupted with her fiancé after she suggested that mothers are more faithful to their children than fathers because they are the ones saddled with the responsibility of childcare, to which the fiancé angrily replied that women make too big of a deal of their role as caregivers, and that fathers are more dependable. Cahan replied that “smart, serious minded parents raise children that are both truly loyal and have both feet on the ground” like the mother and father. To this, he added, “It’s best for your future children that you read all you can, attend as many lectures as possible, and develop together and grow intellectually. That will create a pair of parents who best know how to raise their children and will be of service in their devotion and love.”
It also did not take long for questions regarding interfaith relationships to emerge in the column. One letter that same year featured a newlywed Jewish man describing the fraying relationship with his Christian wife over the first year of marriage. “Mixed marriage between a Gentile and a Jew is a complicated affair,” Bintel acknowledged, before putting a spin on the then-common story of Jewish parents sitting shiva for their son marrying a Gentile woman: “Not enough has been said about the Gentile family. For while the parents of the Gentile girl may accept the Jewish son-in-law and tolerate the marriage, the girl loses many of her friends, former classmates and relatives.”
Writing for the Forward in 2014 about Finck’s book, Yevegeniya Traps noted that letters like these offered “a succinctly potent representation of the lives of Eastern-European immigrants trying to make their way in early-20th-century New York.” She added, “No artist or journalist could render the doubt, uncertainty and backbreaking work of life in the New World as clearly and honestly as the words of sufferers seeking wisdom” from A Bintel Brief.
Or as Cahan concluded in his autobiography, “Everyone wrote about that which was closest to their hearts. The result was that the Bintel Brief would be assembled out of those letters that revealed the most interesting nooks of people’s souls.”
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How Trump’s first year back in office destabilized our country — and our Jewish community
One year into President Donald Trump’s second term, the American Jewish community is reeling — just like the rest of the country.
For generations now, presidents have at least paid lip service to steadying the ship of state. Trump has taken an axe to the mast.
And as he has destabilized the United States since being sworn into office on Jan. 20, 2025, he has destabilized American Jews.
To mark the end of Trump’s first year back in office, I looked at how a series of his policies and pronouncements have exaggerated already-deep divides in the Jewish community — and bewildered his supporters and detractors alike.
Rooting out antisemitism, or nurturing it?
Trump’s approach to addressing antisemitism has shuttled between a slap and embrace, deeply unbalancing American Jews.
He correctly called out intimidation tactics on college campuses, especially during the anti-Gaza War protests, that violated the civil rights of Jewish students — preventing them from accessing parts of campus or speaking out freely as other students.
But the measures he took against those universities, which included cutting off funding for unrelated research, deporting foreign students for exercising their First Amendment rights, and undermining laudable efforts at diversity, alienated Jews with legitimate concerns about campus antisemitism.
A May 2025 poll from GBAO Strategies reflected the disconnect.
Some 65% of younger Jews expressed concern over antisemitism on college campuses, and 71% said deporting campus protesters made that antisemitism worse.
Any relief Jews felt that Trump was addressing a long-festering problem quickly morphed into the concern that he was using it to carry out an ideological score-settling that had nothing to do with Jews, and that could ultimately backfire on them.
Meanwhile, there’s Tucker Carlson. The ideological Svengali of the GOP, Carlson has used his popular podcast to give a platform to neo-Nazis, push ever more intricate antisemitic conspiracy theories, and suggest that Jews were behind the assassination of Charlie Kirk.
And more recently, he’s provided a serious hint that Trump’s focus on antisemitism isn’t particularly earnest.
“I think we don’t need them,” Trump recently told the New York Times about antisemitic elements in the GOP. “I think we don’t like them.” He thinks, because, well, sometimes he apparently does need them: Carlson lunched twice at the White House this week.
For Trump, antisemitism appears not to be an absolute evil, but yet another issue to use to his political advantage. And as he’s gambled with our community, he’s brought more strife to it. Now, we battle one another over the question of whether Trump has been just what we needed — or the very worst thing that could have happened to us.
Triumph in Gaza, despair in Iran
In October, Trump forged a ceasefire and hostage deal in Gaza that pleased liberal Jews even as it upset many on the Jewish right with its tacit endorsement of an eventual two-state solution. He cashed in the goodwill he had banked with Israel, and, through incessant horsetrading with the Gulf States, leveraged a diplomatic breakthrough.
“He did something so many of us yearned for in the last two years, and he made it happen, and Biden didn’t make it happen,” Abraham Foxman, former CEO of the Anti-Defamation League, told JTA at the time.
Yet Trump started the year making promises to assert U.S. control in Gaza and turn it into a land of luxe resorts, to the horror of many liberal Jews. What can we make of the fact that he then turned around and accomplished a diplomatic feat that so many of us yearned for?
Even this week I find myself rooting for Trump — not something I normally do — to push through his idea of an international Board of Peace to oversee Gaza reconstruction, over the opposition of Israel’s Prime Minister Benjamin Netanyahu.
Yet at the same time Trump has worked for peace between Israelis and Palestinians, his Iran strategy now verges on incoherent, if not cruel. He joined with Israel in attacking and degrading Iranian missile and nuclear ability, and bragged that doing so stripped decades of progress from Tehran’s nuclear program, though evidence suggests the operation brought much more moderate success.
He then threatened to attack again, to stop Iran’s bloody crackdown on protesters who have swarmed the streets this month. That issue is particularly close to the hearts of many American Jews, both because of the Iranian regime’s vehement antagonism toward Israel, and because so many Jews here have roots in Iran and have personal or familial experiences of the regime’s brutality. Then he backed down, convinced, reports say, of Iran’s promise not to execute its political opponents.
“It is unconscionable to say ‘Help is on the way’ and then do nothing,” Elliott Abrams, a senior fellow at the Council on Foreign Relations and a former Iran envoy in the first Trump administration, told Jewish Insider. “I hope the president will change his mind.”
Yes, intervention is a tricky business. But to those American Jews who would see Trump take decisive action to change the status quo in the Middle East, his choice to step aside from this fight seems baffling. And for all of us, it raises questions: Does he actually have a long-term vision for the region, and if so, is he able to commit to a path to deliver it?
The Minneapolis worry
The May GBAO survey found that 74% of American Jews disapproved of the job Trump was doing in office. That was five months into office, before the Gaza deal, but also before — the rest.
Signals differ about where, exactly, Trump stands in American Jewish public opinion. But there are some leading indicators, and they all center around Minneapolis.
The killing this month of Renée Nicole Good by an Immigration and Customs Enforcement agent there; Trump’s knee-jerk defense of the shooting; and his decision to flood the city with more ICE agents prompted a rare attack ad from the American Israel Public Affairs Committee, which does not normally weigh in on issues unconnected to, well, Israel.
The ad criticized former Democratic Rep. Tom Malinowski, who is running in a Feb. 5 primary for the House seat vacated by New Jersey Governor-elect Mikie Sherrill, for voting in favor of more ICE funding in a bipartisan 2019 border bill.
“We can’t trust Tom Malinowski” to stand up to Trump over ICE, said the ad.
Even if it was a cynical use of an issue to undermine a candidate AIPAC may oppose for other reasons — Malinowski is a former director of the nonprofit Human Rights Watch, which accused Israel of apartheid — AIPAC correctly understands how American Jews feel about Trump’s use of ICE: worried sick.
The abuse of state power, the breach in civil liberties, and the atmosphere of intimidation echoes some of the darkest times in Jewish history.
Nothing in Trump’s response to the situation — or his past efforts to engage with civil protest — suggests he will work to calm the situation, back down, or change the approach to international and domestic affairs that has unsettled Americans and American Jews.
And that suggests the most disorienting fact of all, for Jews as for all other Americans: There’s still three years left.
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