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A Queens synagogue is moving, and the fate of its storied ark is in limbo
(New York Jewish Week) — Crafted of bronze and gold-leaf plaster, and topped by a bejeweled crown, the astonishing 26-foot-tall ark of the Forest Hills Jewish Center fills its cavernous sanctuary with an imposing presence.
When Temma Kingsley joined the congregation as a newlywed in 1965, she was taken aback by its style.
“I thought it was really quite fancy, overdone,” she recalled recently, comparing it to the traditional wooden ark in the modest Philadelphia synagogue where she grew up. “But I’ve since learned what it’s all about, and I’ve become attached to it.”
The ark, which houses the synagogue’s Torah scrolls, is the work of artist Arthur Szyk (1894-1951), a Polish-born artist who rose to fame in the United States with vivid, technicolor drawings on the covers of influential magazines, in the pages of high-profile newspapers and in fine galleries and museums around the world. When the synagogue dedicated its minimalist post-war building on Queens Boulevard in 1949, Szyk’s opulently designed ark stood out as entirely different.
Now, with the impending sale of the Forest Hills Jewish Center building, Kingsley is concerned about the ark’s future. So too are current synagogue leaders, as well as art historians and museum curators, who are scurrying to find it a new home. Meanwhile, the ark’s fate remains in question.
The Conservative synagogue announced last year it was selling its building and would look for a new home in the same area in Queens. In August, an investment partnership led by Joseph Yushuvayev and Uri Mermelstein of Top Rock Holdings announced it was in contract to buy the building and develop the site.
Fully acknowledging the value and importance of the Szyk ark, the congregation is seeking to find it a new home. At least one art dealer has expressed interest in acquiring the ark, but this route has been rejected as it would not come with any guarantee of where it might eventually land.
Arthur Szyk was known for his vivid Jewish art, including “David and Saul” (1921), left, and his political cartoons and illustrations, including “Madness” (1941). (The Magnes Collection of Jewish Art and Life, University of California, Berkeley)
“What if the buyer decides to disassemble the ark and use its beautiful bronze doors as the entrance to their home?” Deborah Gregor, executive director of the Forest Hills Jewish Center, asked rhetorically, her voice tightening.
Taking into consideration this theoretical scenario, the board has agreed to prioritize keeping the ark intact to honor its legacy. Several museums have been contacted. Thus far none have come forward.
Simona Di Nepi, the Charles and Lynn Schusterman Curator of Judaica at the Boston Museum of Fine Arts, traveled to Forest Hills last month to see the ark and “fell in love.”
“I see it as a tour de force of Jewish art,” she said — a unique and spectacular “show-stopper.”
On her recommendation, the Boston Museum of Fine Arts explored the possibility of acquiring it, but the height ultimately presented logistical challenges that could not be overcome. Di Nepi has now turned her attention to several large synagogues with the hopes of finding one that might adopt it.
“I can’t bear the thought of what will happen if it does not find a home,” she said.
Born in Poland, trained in Paris and influenced by the brief time he spent at Bezalel Art School in British Mandate Palestine, Szyk was known for his vivid Jewish art, biting political cartoons and his portraits of American heroes and European figureheads. In 1941, The Times Literary Supplement wrote that his illuminated Passover haggadah was “worthy to be placed among the most beautiful books that the hand of man has produced.” Reprinted many times in the decades since, it remains a staple in Jewish homes today.
While Szyk’s oeuvre is described by critics as “exquisite,” “masterful” and “marvels of technical skill,” the artist did not view his own creations as ends unto themselves. Instead, he used his work to influence politics and world opinion. Irvin Ungar, editor of the 2017 study “Arthur Szyk: Soldier in Art,” wrote that Szyk employed pen and paintbrush as tools to wage war against the Nazis, attack racism, promote Zionism and preserve freedom.
His work caught the attention of two leading rabbis of his day: Abba Hillel Silver in Cleveland and Ben Zion Bokser in Queens. Both led growing congregations that would reach well over 1,000 family members. Separately, the two commissioned Szyk to create significant objects for their respective synagogues.
The baroque form of Szyk’s ark at the Forest Hills Jewish Center, left, is reminiscent of the arks of Eastern European synagogues that were destroyed in the war; Szyk’s stained glass “Warrior Windows” at Cleveland’s Reform Temple Tifereth Israel feature the biblical figures Gideon, Samson and Judah Maccabee. (Courtesy of Irvin Ungar)
Szyk’s stained glass “Warrior Windows” were dedicated in Cleveland’s Reform Temple Tifereth Israel on the last day of Hanukkah in 1947. Commissioned to honor congregants who fought in World War II, the 15 windows include the names of fallen soldiers and showcase the biblical figures Judah Maccabee, Samson and Gideon, resplendent in sumptuous battle dress.
In a letter to Silver, Szyk explained that he would have ordinarily charged $15,000 for the project (the equivalent of $200,000 today). But because Szyk aligned so closely with the rabbi’s ideological mission — Silver was a leading proponent of Zionism — he viewed the job as “a personal favor,” and agreed to a much lower sum of $4,500.
Bokser, a social justice activist whose edition of the Jewish prayer book was a staple of Conservative synagogues for decades, was also drawn to Szyk’s bold, innovative style for the sanctuary of his congregation’s sleek new building on Queens Boulevard. Art historian and Cleveland State University Distinguished Professor Samantha Baskind calls it “sui generis”: Like Szyk’s illuminated manuscripts, the ark’s design packs in a dizzying array of abstract ornaments woven together with Jewish emblems. Scrolls, flowers, acorns and leaves are interspersed with holiday symbols, lions of Judah and representations of the Israelite tribes.
Its baroque form is reminiscent of the arks of Eastern European synagogues that were destroyed in the war. But Szyk was neither mournful nor nostalgic. Forward looking and hopeful, his ark doors are flanked by birds that can be read as either eagles or doves. With their wings spread wide, the figures stretch toward the biblical and Talmudic passages that border the work, invoking God’s judgment and heralding freedom.
Ungar assesses the ark as “an American and a Jewish icon” and a “culmination of [Szyk’s] prayers” as expressed through his art. Gregor refers to it as the artist’s “ark de triomph,” quite literally: “It is Szyk’s own statement of triumph, celebratory and grand,” she said.
The Forest Hills Jewish Center has been a fixture on Queens Boulevard since the late 1940s. (New York Jewish Week)
Ironically, its grandeur is precisely the source of its uncertain future.
When the Jewish Center’s current building was dedicated in 1949 in the presence of 5,000 guests, its scale was meant to accommodate a growing membership. Its main sanctuary held 1,200 seats, and its religious school would eventually accommodate some 900 students. Now the hulking space has become too large and costly for its 300-400 member families to maintain. The congregation has not yet announced relocation plans. But their hope for the future is an intimate space with a cozy aesthetic, where the monumental scale of the Szyk ark will likely not fit in.
Art historian Samantha Baskind has been preoccupied with the issue. “A logical solution would be to unite it with Szyk’s Warrior Windows” in Cleveland’s Temple Tifereth Israel,” she said. “Bringing the works into conversation with each other in the same sacred space is conceptually brilliant and would honor the memory of Rabbi Silver at the same time that it beautifies the synagogue.”
Whatever the future holds for the ark, some Forest Hills Jewish Center members are finding it hard to say goodbye. Kingsley recalled the central role the synagogue has played in her life since she moved to Forest Hills 57 years ago. For her, the ark is not just about its aesthetic details, or the artist who created it.
“That was the ark Rabbi Bokser commissioned,” she said wistfully. It holds his spirit, too.
Alanna E. Cooper serves as the Abba Hillel Silver Chair in Jewish Studies at Case Western Reserve University. Her book “Disposing of the Sacred” is forthcoming with Penn State University Press.
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US House Committee Announces K-12 Antisemitism Investigations in Democrat Strongholds
People take part in anti-Israel protest in Fairfax County, Virginia, US, Nov. 24, 2023. Photo: Leah Millis via Reuters Connect
The US House Committee on Education and the Workforce on Monday disclosed a triad of K-12 antisemitism investigations at school districts in California, Pennsylvania, and Virginia.
Among the cases, Virginia’s stands out for being based in the heavily progressive stronghold of Fairfax County, which former US Vice President Kamala Harris (D) carried by 35 points in 2024 and Abigail Spanberger, the Commonwealth’s new Democratic governor-elect, won by a similar margin in this year’s gubernatorial race. According to the House committee’s chairman, the Fairfax County Public Schools (FCPS) district spills over with antisemitic incidents.
“FCPS experienced significant antisemitic incidents even prior to the Oct. 7, 2023, terrorist attacks against Israel. Jewish students allegedly faced repeated antisemitic bullying, including other students making the ‘Heil Hitler’ salute and throwing coins at them,” US Rep. Tim Walberg (R-MI) said in a letter to the district. “Another school for years allegedly refused to remove a hallway display that included painted tiles, 40 percent of which featured swastikas and Nazi flags.”
He added, “Just prior to the Oct. 7 attacks, one high school’s Muslim Students’ Association (MSA) hosted a speaker who had made grotesque antisemitic statements. For example, he had tweeted, ‘I’m not racist I love everyone. Except the yahood [Jews],’ and ‘Never met a Jew who didn’t have a huge nose.’”
Across the country, in California, which has not allotted its electoral votes to a Republican presidential candidate since 1988, the Berkeley Unified School District, an array of alleged antisemitic incidents included students chanting “Kill the Jews” to protest Israel and a teacher displaying an image of the Star of David being pummeled by a fist in the classroom.
“In another concerning incident, at Malcolm X Elementary School, a second-grade teacher told her students to write ‘messages of anti-hate’ for display,” Walberg continued in another missive to BUSD’s superintendent. “Several students followed the teacher’s lead and wrote ‘stop bombing babies.’ However, rather than displaying the message in the hall outside of her classroom, the teacher allegedly placed them outside of the classroom of the school’s sole Jewish teacher.”
The School District of Philadelphia (SDP), based in a city which has awarded the Democratic Party no less than 77 percent of its voters in presidential contests since 1996, is also seeing troubling trends, according to Walberg, a Republican.
“Today, SDP employs numerous educators who allegedly promote antisemitic content in their classrooms,” the chairman explained in his letter to the district. “One such teacher has allegedly threatened Jewish parents and students alone. She and other Philadelphia educators also allegedly use lessons from an effort called Teaching Palestine, whose class materials rationalize terrorist violence and advocate for the destruction of Israel.”
Antisemitism in K-12 schools has increased every year of this decade, according to data compiled by the Anti-Defamation League (ADL). In 2023, antisemitic incidents in US public schools increased 135 percent, a figure which included a rise in vandalism and assault.
The problem has led to civil rights complaints and lawsuits.
In September 2023, for example, some of America’s most prominent Jewish and civil rights groups sued the Santa Clara Unified School District (SCUSD) in California for concealing from the public its adoption of ethnic studies curricula containing antisemitic and anti-Zionist themes. Then in February, the school district paused implementation of the program to settle the lawsuit.
One month later, the Louis D. Brandeis Center for Human Rights Under Law, StandWithUs, and the ADL filed a civil rights complaint accusing the Etiwanda School District in San Bernardino County, California, of doing nothing after a 12-year-old Jewish girl was assaulted, having been beaten with stick, on school grounds and teased with jokes about Nazi leader Adolf Hitler.
As The Algemeiner has reported previously, the North American Values Institute (NAVI) also raised alarms about rising antisemitism when the Wissahickon School District (WSD) in Ambler, Pennsylvania presented as fact an anti-Zionist account of the Israeli-Palestinian conflict to its K-12 students by using it as the basis for courses taken by honors students.
The material, provided by virtual learning platform Edgenuity, implied that Israel is a settler-colonial state — a false assertion promoted by neo-Nazis and jihadist terror groups — while referring to the founding of Israel as the “nakba,” the Arabic term for “catastrophe” used by Palestinians and anti-Israel activists. Based on documents shared with The Algemeiner, the material does not seemingly detail the varied reasons for Palestinian Arabs leaving the nascent State of Israel at the time, including that they were encouraged by Arab leaders to flee their homes to make way for the invading Arab armies. Nor does it appear to explain that some 850,000 Jews were forced to flee or expelled from Middle Eastern and North African countries in the 20th century, especially in the aftermath of Israel’s declaring independence.
“College campus antisemitism has gotten a lot of attention because we see the effects, the protests, the barricades, and encampments,” Gerard Filitti, senior counsel of End Jew Hatred and The Lawfare Project, told The Algemeiner in September during an interview. “In K-12, it’s not as flagrant. It’s educational material that’s talked about in the classroom and which parents may not be aware of unless they talk with their children about what’s happening in school. So, this has essentially been a secret issue because the American people are not aware of what children are learning in schools or how schools have been handling antisemitism in school.”
Follow Dion J. Pierre @DionJPierre.
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Miss Universe Israel’s Team Reveals National Costume Was Stolen Before Debut at 2025 Pageant in Bangkok
Melanie Shiraz of Israel takes part in the National Costume show during the 74th Miss Universe pageant in Bangkok, Thailand, Nov. 19, 2025. Photo: REUTERS/Athit Perawongmetha
Miss Israel Melanie Shiraz had her national costume stolen shortly before she was set to debut the look in the Miss Universe 2025 pageant, her team revealed on Tuesday.
The Miss Universe competition concluded in Bangkok, Thailand, on Nov. 21 with Fátima Bosch from Mexico being crowned Miss Universe from a group of contestants representing more than 130 nations around the world. The first runner-up was Thailand’s Praveenar Singh followed by Venezuela’s Stephany Abasali as second runner-up.
Shiraz, 27, had designed the outfit she was set to wear for the national costume segment of the Miss Universe competition. Edgar Saakyan, national director of Miss Universe Israel, said in a released statement on Tuesday that a day and a half before Shiraz was set to take the stage in the national costume portion of the competition, the Miss Israel team was “misled by the costume constructor’s team, and the national costume was stolen.”
“A representative of the costume constructor arrived at the Bangkok airport under the pretext of ‘clarifying details,’ approached a member of our team, took the costume, and then stopped all communication – effectively stealing it and placing us in an extremely difficult position,” Saakyan explained. “We regard this as a deliberate act of harm, including damage to our intellectual property and reputation … This matter has been transferred to our legal team.”
Saakyan added that ultimately, a team of Thai costume makers made Shiraz a new look, based on her original concept, with only 10 hours left before the national costume segment of the Miss Universe contest. The costume was completed with “incredible support” from the Miss Universe and Miss Grand International teams, he said.
“This display of professionalism, grace under pressure, and human solidarity allowed us not only to take the stage – but to do so with honor, pride, and respect for the flag,” Saakyan noted. “We are grateful beyond words.”
Shiraz ended up wearing in the national costume segment a yellow floor length gown that also featured a yellow ribbon in honor of the murdered hostages still held in captivity and the former hostages who have returned home after being abducted by Hamas-led terrorists during their deadly rampage across southern Israel on Oct. 7, 2023. A crystal Star of David was displayed on her dress, and its train was adorned with red anemones, which is Israel’s national flower and also commonly found in southern Israel where the Oct. 7 attack took place. Shiraz paired the dress with a shawl and head covering. The costume was titled “The Light of Hope.”
“While many national costumes are joyful and celebratory, this year’s theme of peace, combined with all that our people have endured over the past two years, called for a more somber presence on stage,” Shiraz said in an Instagram post. “One that carries both remembrance and the hope for a more peaceful future. I designed this piece to honor our story, our grief, and the light we continue to hold onto. I couldn’t be more proud [sic] to wear it.”
Saakyan announced in his statement on Tuesday that next year, Shiraz will be the official national costume designer for Miss Israel. “We are confined this partnership will deliver not just visual beauty, but a meaningful cultural message to the world,” he said.
Miss Palestine Nadine Ayoub sparked controversy when she took the stage during the national costume segment of the Miss Universe competition wearing a robe that depicted the Dome of the Rock and the Church of the Holy Sepulchre in Jerusalem, alongside olive branches. Earlier in the competition, Ayoub uploaded a series of posts on social media that included lies about the Israel-Hamas war, such as one that inflated the number of Palestinian casualties and another that described Kfir and Ariel Bibas, the Israeli children murdered in Hamas captivity, as Palestinian victims of the war instead of victims of Hamas terrorism. Ayoub was the first-ever “Miss Palestine” contestant in the Miss Universe pageant.
After the New York Post revealed that Ayoub was married to the son of notorious Fatah terrorist Marwan Barghouti and even named a child after him, Shiraz called on Miss Universe organizers to strip Miss Palestine of her place in the top 30. “Miss Universe should not condone fraud, violations of its code of conduct and especially terror. I expect them to take corrective action,” Shiraz told the Post on Saturday. “I don’t need to act as the moral CEO of Miss Universe – they should be able to do that themselves.”
“It makes my skin crawl thinking we were in the same room so many times,” added Shiraz. “It’s shocking that we all shared a stage with someone with serious terror ties.”
Following the Miss Universe 2025 competition, Brigitta Schaback renounced her title of Miss Universe Estonia and Olivia Yacé, the pageant’s fourth runner-up, renounced her title as Miss Universe Africa and Oceania.
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New York City Mayor Adams Announces New $3 Million Holocaust Memorial
New York City Mayor Eric Adams meeting with Israelis during a reception in Jerusalem that was organized by the Combat Antisemitism Movement. Photo: Combat Antisemitism Movement’s X account
New York City Mayor Eric Adams announced on Tuesday the planned creation of a $3 million Holocaust memorial to commemorate the six million Jews murdered by the Nazis in World War II as well as the survivors who rebuilt their lives in New York City.
The “Queens Holocaust Memorial” will be located on the grounds of the Queens Borough Hall and include artwork as well as a commemorative garden. The process of selecting an artist for the memorial will be led by the New York City Department of Cultural Affairs’ “Percent for Art“ program in discussion with artists, historians, and Holocaust survivors.
The Queens Jewish Community Council, in partnership with local civic and faith leaders, originally proposed the idea for the memorial. The city and Office of Queens Borough President Donovan Richard Jr. allocated $3 million to support the development of the project, but the Queens Jewish Community Council will help raise additional funds to support the memorial’s design and construction.
A total of 14,700 Holocaust survivors live in New York, which is 50 percent of all survivors in the US, according to the UJA Federation New York. The new memorial will be the first major tribute to the Holocaust in the borough of Queens, which is where many Holocaust survivors settled when they moved to New York after World War II. The site will serve as a hosting ground for Holocaust remembrance ceremonies, educational programs for students, and community gatherings to promote solidarity across communities.
“It is not enough to say, ‘Never again’ — we have to live it with our actions too,” Adams said in a released statement. “By preserving the stories of both victims and survivors, by creating a permanent space for remembrance and reflection, by promoting understanding and solidarity across generations, this memorial will live out the meaning of ‘never again.’ As our city and our country confront the rising tide of antisemitism, our administration will not remain silent. We will use our office to call out hate wherever we find it, encourage compassion wherever we need it, and create a city where everyone can live side by side in harmony.”
Adams announced the creation of the memorial alongside Richard Jr. The latter said the Queens Holocaust Memorial “will not only pay a touching tribute to the six million innocent Jews murdered by the Nazis and the survivors who settled in our borough afterward, but it will also serve as daily inspiration for our fight to forge a future free of antisemitism.”
“No matter how much time passes since the evils of the Holocaust, New York City’s commitment to the pledge of ‘Never Again’ must never waver,” he added. “That is why, in the face of rising tides of heinous antisemitism and Holocaust denial across our society, I could not be prouder to lead this effort alongside the administration and the Queens’ Jewish community in creating this critically important memorial here at Queens Borough Hall.”
New York City Mayor-elect Zohran Mamdani, who was elected earlier this month, will take office and replace Adams in January. Adams recently expressed concern for the safety of Jewish communities in New York under Mamdani’s leadership.
Leading members of the Jewish community in New York have also raised alarm bells about Mamdani’s victory in the mayoral election.
During his four years in office, Adams created the first mayor’s office dedicated to combating antisemitism; signed an executive order adopting the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism; created the city’s first Jewish Advisory Council; and launched the New York City-Israel Economic Council.