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A rabbi went down with his torpedoed warship in 1943. Today, his cousin ensures his story is not forgotten.
(JTA) — Mark Auerbach was not yet 5 years old when he noticed an unusual stamp in his father’s dresser. The well-worn three-cent stamp featured a drawing of a small group of men and a sinking ship, with the words “The Immortal Chaplains… Interfaith in action.” It piqued his interest, so he asked his father about it.
“Our cousin is on that,” Auerbach, who grew up in Brooklyn, recalls him saying, searching for an age-appropriate explanation. “He said he was a rabbi who died during World War II when his boat was torpedoed by the Germans. He made me promise to make sure that the story is never forgotten.”
It’s a promise that Auerbach, 75, who now lives in Passaic, New Jersey, has taken to heart. He’s made it his life’s mission to keep alive the story of the “Four Chaplains” — who included Auerbach’s third cousin, Rabbi Alexander D. Goode, along with Rev. George Fox, Rev. Clark Poling and Father John Washington. Eighty years ago today, they made the ultimate sacrifice when their ship, U.S.A.T. Dorchester, was torpedoed and sunk by a German submarine in the North Atlantic in the pre-dawn hours.
Over the decades, Auerbach has amassed a trove of photos, clippings and memorabilia dedicated to the bravery and faith of these four clergymen — including preserving countless copies of that three-cent stamp, which was issued in May 1948. “It’s an amazing story,” said Auerbach of the chaplains’ heroism. “It just happens to be my family.”
The sinking of the Dorchester is considered one of the country’s worst World War II-era sea disasters: Of the 902 men on board, only 203 survived. As survivors and historians attest, the four clergy — all relatively new soldiers who had befriended one another at the Army Chaplains School at Harvard University — stood out for their calming presence throughout the pandemonium that occurred during the 18 minutes it took for the ship to go under. As the tragedy rapidly unfolded, survivors reported that the chaplains offered prayers, helped distribute lifejackets and, once those ran out, they selflessly gave up their own.
The three-cent stamp dedicated to the Four Chaplains was issued in 1948 and sparked Auerbach’s interest in the story. (Courtesy Mark Auerbach)
“The altruistic action of the four chaplains constitutes one of the purest spiritual and ethical acts a person can make,” reads materials from Four Chaplains Memorial Foundation, whose mission is “to promote Interfaith Cooperation and Selfless Service,” according to their web site. “When giving their life jackets, Rabbi Goode did not call out for a Jew; Father Washington did not call out for a Catholic; nor did the Reverends Fox and Poling call out for a Protestant. They simply gave their life jackets to the next man in line.”
But that’s not all they did. As the ship went down, survivors have said that they saw the four chaplains on deck, linked arm in arm together in prayer. “I could hear men crying, pleading, praying,” Private William B. Bednar, who was floating among the bodies of his shipmates in the freezing water, is quoted as saying in foundation reports. “I could also hear the chaplains preaching courage. Their voices were the only thing that kept me going.”
The four men became friends at chaplains school at Harvard. (Courtesy Mark Auerbach)
According to Rabbi Dov Peretz Elkins, the author of “Rabbi Alexander Goode: The Story of the Rabbi and His Three Fellow Chaplains Who Went Down with the USAT Dorchester” in November 2022, the clergy were heard saying their respective prayers as the ship sank: Goode said the Shema; the Catholic priest the Ave Maria, while the two ministers said the Lord’s Prayer. (Exactly how survivors might have heard this is unclear, though Elkins confirmed that the Shema is the last thing a Jew is supposed to say before death.)
Goode was born in Brooklyn in 1911; his father, Hyman Goodekowitz, was also a rabbi. When his parents divorced, he moved to Washington, D.C. with his mother and siblings. Goode was a good student and excellent athlete, and “believed that it was God’s plan for him to pursue a religious calling,” Elkins said.
Goode graduated from the University of Cincinnati in 1934 and Hebrew Union College in 1937; in 1940, he got a PhD from Johns Hopkins University. “Education was very important to him,” said Auerbach. In 1935, he married Teresa Flax, who happened to be a niece of Al Jolson; the couple had a daughter, Rosalie, in 1939.
As a rabbi, his first assignment was at a synagogue in Marion, Indiana in 1936; in 1937, he transferred to Beth Israel in York, Pennsylvania, where he remained until he enlisted in July 1942. “He excelled in ecumenicalism — his congregation really praised him and loved him specifically for that,” Elkins said. “He had a wonderful reputation as a scholar, a beloved rabbi and ecumenical person.”
As Elkins writes in his book: “In his new community, Alex made great efforts to spread interfaith understanding. He presented a regular radio program on religious matters. When one of the local churches burned down, he offered to host the congregation’s religious services.”
“He was an extraordinary person, [in addition to] what he did on the Dorchester,” Elkins added.
According to an account from a Dorchester survivor, Petty Officer John J. Mahoney, courtesy the Four Chaplains Foundation, Goode acted selflessly at least one more time that awful morning: He thwarted Mahoney from a foolhardy attempt to return to his cabin for his gloves. Instead, Goode gave Mahoney his gloves, assuring him he had two pairs.
In retrospect, “Mahoney realized that Rabbi Goode was not conveniently carrying two pairs of gloves, and that the rabbi had decided not to leave the Dorchester.”
For a time in the postwar era, the story of the chaplains’ bravery was a popular one, including among children. (Courtesy Mark Auerbach)
During the postwar era, for a while, at least, the story of the Four Chaplains was a popular one. In addition to laudatory articles and the commemorative stamp — plus assorted memorabilia designed to draw the attention of children — memorials were constructed “in nearly every state,” according to Elkins; stained-glass tributes can be found at the Pentagon, the National Cathedral and elsewhere. In Philadelphia, President Harry Truman dedicated a memorial chapel to the Four Chaplains on Feb. 4, 1951. According to a JTA report at the time, some 10,000 “Americans of all faiths” raised $300,000 for the chapel’s construction and furnishings; at the ceremony, Goode’s father read Psalm 96 in Hebrew.
On Dec. 19, 1944, each of the chaplains was posthumously awarded the Purple Heart and the Distinguished Service Cross. In 1998, the 55th anniversary of the Dorchester disaster, Feb. 3 was deemed Four Chaplains Day by Congress. And yet, as World War II fades into distant memory, few people today seem to be familiar with the heroism of these men.
“It’s such an important story, such an inspiring story, it needs to be better known,” said Elkins on the impetus for his book.
“This guy certainly was a great role model,” Elkins said of Goode in particular. “We need more Alexander Goode type of people for our youth to look up to, to say, ‘I can be honest, intellectual, committed to my faith and my people, the heritage of Judaism, and I can do honorable things.’”
On Sunday, as he does every year on the Sunday closest to Feb. 3, Auerbach and other chaplains’ family members will attend a memorial mass at St. Stephen’s Roman Catholic Church in Kearny, New Jersey, where he’ll also display his collection of photographs and memorabilia. “The story is so ecumenical that it crosses all kinds of barriers,” he said. “It’s the ‘Golden Rule’ in reality. Every clergy person worth their salt — whatever day their religious observance is, whether its Saturday or Sunday — every one of them is preaching be kind to your brother, your sister. Everyone talks about it, few know about it. This is something for people to grab onto.”
Elkins concurs. “These guys are role models for all of us,” he said. “It doesn’t mean you have to give up your life. There are all kinds of ways people can do great things.”
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Gaza Talks at Critical Moment, Ceasefire Not Complete, Qatar’s Prime Minister Says
Qatar’s Prime Minister and Minister for Foreign Affairs Sheikh Mohammed bin Abdulrahman bin Jassim Al-Thani speaks on the first day of the 23rd edition of the annual Doha Forum, in Doha, Qatar, December 6, 2025. Photo: REUTERS/Ibraheem Abu Mustafa
Negotiations on consolidating the US-backed truce in the war in Gaza are at a “critical” moment, Qatari Prime Minister Sheikh Mohammed bin Abdulrahman al-Thani said on Saturday.
Mediators are working to force the next phase of the ceasefire forward, al-Thani, whose country has been a key mediator in the war, said during a panel discussion at the Doha Forum conference in Qatar.
Violence has subsided but not stopped since the Gaza truce took effect on October 10, and at least seven people were reported killed on Saturday.
“We are at a critical moment. It’s not yet there. So what we have just done is a pause,” al-Thani said.
“We cannot consider it yet a ceasefire. A ceasefire cannot be completed unless there is a full withdrawal of the Israeli forces – (until) there is stability back in Gaza, people can go in and out – which is not the case today.”
TALKS ON INTERNATIONAL SECURITY FORCE
Negotiations on the next stages of US President Donald Trump’s plan to end the two-year war in the Palestinian enclave have been continuing.
On Thursday, an Israeli delegation held talks in Cairo with mediators on the return of the last hostage held in Gaza, which would complete an initial part of Trump’s plan.
Since the truce started, Hamas has returned all 20 living hostages and 27 bodies in exchange for around 2,000 Palestinian detainees and convicted prisoners.
Israel said this week it would open the Rafah Crossing for exit through Egypt soon, and that it would allow entry through Rafah into Gaza once the last remaining deceased hostage was returned.
Trump’s plan calls for an interim technocratic Palestinian government in Gaza, overseen by an international “board of peace” and backed by an international security force. Agreeing on the makeup and mandate of that force has been particularly challenging.
Although fighting has diminished, Israel has continued to attack Gaza and demolish what it says is Hamas infrastructure. Hamas and Israel have traded blame for violations.
The Israeli military said that in two separate incidents on Saturday, forces deployed in northern Gaza behind the so-called yellow line of withdrawal agreed in the ceasefire had fired on Palestinian terrorists who crossed the line, killing three.
The military was unaware of any drone strike, a spokesperson said.
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Trump’s new White House ballroom architect is a Jewish immigrant who has advocated for refugees
(JTA) — After parting ways with the first architect hired to carry out his vision for the White House’s East Wing, President Donald Trump has picked a replacement — turning to a firm run by prominent Jewish architect who once called on Trump to keep the country’s doors open to refugees and immigrants.
Shalom Baranes was born soon after his parents fled Libya amid antisemitic sentiment there, coming to the United States as a child with the help of the Hebrew Immigrant Aid Society, now known as HIAS. He rose to prominence as an architect in Washington, D.C., where he has designed both private and government buildings, including the Pentagon, that trend toward the modern.
The White House confirmed on Friday that it had chosen his firm, Shalom Baranes Associates, to continue the East Wing project, centered around the ballroom that Trump wishes to construct. Trump clashed with the first architect on the job over the ballroom’s size.
“Shalom is an accomplished architect whose work has shaped the architectural identity of our nation’s capital for decades, and his experience will be a great asset to the completion of this project,” a White House spokesman, Davis Ingle, said in a statement on Friday.
The firm did not immediately publicly confirm its attachment to the project, and Baranes did not reply to a Jewish Telegraphic Agency request for comment.
Baranes’ selection stands out in an administration that has typically favored partisan and ideological loyalists. Baranes is a repeated donor to Democratic candidates who has openly advocated against one of Trump’s signature policies, his efforts to limit refugee admissions.
In 2017, two months into Trump’s first term, Baranes penned an op-ed for the Washington Post about the new president’s travel ban. Trump had declared a ban on migrants from seven mostly Muslim countries and refugees from around the world soon after taking office, igniting wide opposition including from Jewish groups.
“The anti-immigrant sentiment I feel today is nothing new to me,” he wrote. “When my Jewish parents arrived in the United States just a few years after fleeing persecution in an Arab regime, it was as difficult for them to be accepted here as it is for Muslims now.”
Baranes laid out his criticism gingerly while saying he hoped the travel ban would be short-lived.
“As I watch the news and see families struggling to leave their countries and escape tyranny, I wonder who among them will make it to our shores and become part of the next generation of researchers, teachers, inventors, real estate developers and, yes, architects,” he wrote. “My hope is that the Trump administration will take actions to ensure that the travel ban is indeed temporary, so that good, hard-working individuals fleeing tyranny can find a new home as I did — and that each of them will be given the same opportunity to help build this great nation that I had.”
Among the Jewish groups to lobby against Trump’s travel ban was HIAS, the organization that had helped Baranes and his family come to the United States. HIAS declined to comment on his selection as White House architect but said through a spokesperson that the organization was working to respond to Trump’s crackdown on refugees, which the president renewed last week after an Afghan refugee shot and killed a member of the National Guard in Washington.
To those who are familiar with Baranes’ style, he is a surprising pick for more than just because of his personal politics. His designs typically trend toward the modern, not the gilded classical style that Trump favors. He also has said he prefers to think carefully before tackling a project — an impossibility when it comes to the White House ballroom, which is already mid-construction.
“You have to wonder why he would risk a stellar career and near pristine reputation for a project that could possibly end up in disaster. He could be publicly fired and castigated by the developer-in-chief or ostracized among his colleagues and clients,” wrote Douglas Freuhling, the editor in chief of the Washington Business Journal, on Friday.
But Fruehling noted that a successful build at the White House — one that balances Trump’s tastes with the gravitas of the White House — would be a defining capstone for any architect’s career. “He may just be the perfect architect for the job. For his sake, I hope it turns out that way,” he wrote of Baranes.
Baranes’ portfolio includes multiple synagogue renovations. He donated his services to restore the interior of Sixth & I, the Jewish center in downtown Washington, D.C., when it was reconstructed just over two decades ago.
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It’s time to reconsider what we know about Jewish birthing rituals
For all living things, birth is our introduction to the world. So it’s a fitting theme for the first exhibit in the Museum at Eldridge Street’s new initiative, “Opening Doors to Intercultural Understanding.”
The multiyear project is centered around three themes: sacred space, sacred community and sacred time. First Light is inspired by sacred time, which focuses on lifecycle events and holidays in the Jewish calendar. The museum staff worked with curator Warren Klein, the director and curator at Herbert & Eileen Bernard Museum of Judaica, to come up with the idea for an exhibit on birth.
“Of course, there’s a universal resonance there,” Amanda Gordon, the museum’s director of public engagement, said. “But really First Light is all about examining Jewish birth traditions and different observance practices, how they’ve evolved, but also different kinds of aesthetic craftsmanship ideas.”
Visitors are first greeted with contemporary paintings from artists Tobi Kahn and Mark Podwal that depict the significance of birth both personally and biblically. Kahn’s abstract painting evokes one of his children’s sonograms through its textured exploration of rounded shapes. This is juxtaposed with Podwal’s depiction of Pharaoh’s daughter finding Moses in the Nile, using a classic Egyptian style to depict the female face looming over baby Moses, almost protectively. Further along in the exhibit are older examples of birth-related rituals both in art and in historic objects.
“These rotating exhibitions,” Gordon said. “They give us a chance to showcase not only cultures outside of Ashkenazi Jewish culture, but also contemporary work. So to have, you know, Tobi’s work and Mark Podwal’s work here in conversation with these pieces from the 19th and 18th century.”
One of the first photographs in the exhibit is of a two-seater bench; one seat is for the sandek, who holds the baby during the bris, and the other is for Elijah the Prophet.
Klein explained that Elijah is imagined to be at every circumcision ceremony, and some communities reserve a seat for him, much like how many families save him a glass of wine during a Passover seder.
“It’s hard to kind of pinpoint where the custom was created,” Klein said. “Across the board, Ashkenazi and Sephardic communities will have a chair reserved for Elijah.”
The exhibit also explores lesser-known traditions; though most people think that Jewish birthing customs are limited to “circumcision or bris milah and that’s it,” Klein said. “It’s truly not.”
For example, there is Pidyon haben, the redemption of the first born son, a tradition that dates back to the days of the high priest, when Israelites had to offer their firstborn sons as priestly assistants. In the era of rabbinic Judaism, the redemption became more symbolic, and families would offer coins on a platter to “purchase” their child back from the rabbi. In the exhibition, a photo of an ornate silver platter filled with coins illustrates the practice.
Although the exhibit could house only a limited number of physical objects, it displays a wide range of customs. There’s a decorative amulet case from the 19th century that once held a prayer to protect its holder from Lilith, a demon — or, according to some stories, Adam’s first wife before Eve — thought to harm the mother and child during labor or right after birth. One glass case hosts a printed prayer book for a German mohel, or ritual circumciser, dated to 1744. What makes this facsimile particularly interesting, Klein explained, is its depiction of women, who are usually not seen in the visual images of the bris.
Klein wanted to make sure women were more represented in this exhibit than they usually are in discussions of Jewish birthing customs. One photograph shows a girl’s baby naming in 20th-century Morocco and another depicts the outfit worn by a female baby at a Greek ceremony.
The exhibit also features a wimpel, a long piece of cloth used to tie the Torah scroll. Traditionally, wimpels are made from the cloth that swaddled a baby during his bris, and are decorated with prayers for the boy to grow strong, learn Torah and get married.
“These then would be deposited or used in the synagogue, maybe on his bar mitzvah, maybe on special occasions, and then given to the synagogue almost as a census that this person was a part of the community,” Klein said. “There would be communities that had truly thousands of these.”
“Unfortunately, this is a custom that almost died out after the Holocaust,” Klein said. “There was a resurgence in the 20th century and certain communities still practice it. But it is very rare to find.”
Both Gordon and Klein expressed hope that visitors of all backgrounds would gain something from the exhibit.
“It was my hope that, you know, visitors would come in with their traditions or their kind of preconceived notions on what maybe Jewish birth traditions and customs are,” Klein said. “And to also kind of have some ideas to take with them into their own communities.”
The exhibit First Light: Birth in the Jewish Tradition will be on view at the Museum at Eldridge Street until April 26, 2026.
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