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A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
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The post A Rube Goldberg machine comes to life — literally — in a new dance piece appeared first on Jewish Telegraphic Agency.
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Israeli Intelligence: Iran’s Regime at Most Fragile Point Since 1999
Iran’s Supreme Leader Ayatollah Ali Khamenei listens to the national anthem as Air Force officers salute during their meeting in Tehran, Iran, February 7, 2025. Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
i24 News – Israeli intelligence officials assess that Iran’s ruling Ayatollah regime is at its most fragile point in more than two decades, as nationwide protests continue to escalate.
The scale of the demonstrations and the government’s response have prompted deep concern in Jerusalem.
A near-total internet shutdown is being interpreted as a troubling signal of severe events unfolding on the streets, including widespread killings that remain largely undocumented. Despite protests erupting in roughly 100 cities across Iran, very little video footage has emerged, further underscoring the regime’s clampdown.
Israeli officials warn that the situation could pose a real threat to the stability of Tehran’s leadership if demonstrations continue to grow. However, sources stress that the outcome is highly uncertain. A potential collapse of the regime would not necessarily lead to a democratic government, and intermediate scenarios—such as the replacement of leaders with regents or puppet figures—are also possible.
“The situation is far more complex than it appears,” said a source familiar with security discussions to i24NEWS. “No one truly knows how events will unfold, and we are monitoring every development with extreme caution to determine the best response.”
For now, Prime Minister Benjamin Netanyahu’s approach is described internally as “monitoring, supporting, hoping.” Israel is keeping a careful distance, allowing Washington to take the lead in applying international pressure on Tehran, while ensuring that the protest movement cannot be linked to Jerusalem in any public way.
Israel’s security establishment continues to follow developments closely, preparing for multiple scenarios in an environment where uncertainty and volatility remain exceptionally high.
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‘Prepare Military Defenses,’ Top US Officials Warn Trump as He Contemplates Strike on Iran
US President Donald Trump speaks during a swearing-in ceremony of Special Envoy Steve Witkoff in the Oval Office at the White House in Washington, DC, US. Photo: Kent Nishimura via Reuters Connect.
i24 News – US President Donald Trump has been warned by senior military officials that more time is needed to prepare for potential strikes against Iran, reports the Telegraph.
The president is reportedly considering military action in response to the violent crackdown by Iranian security forces against demonstrators.
Options under review include targeting elements of Iran’s security services implicated in the mass suppression of protests.
The demonstrations, which have erupted nationwide, have drawn international attention and heightened tensions in the region.
However, commanders stationed in the Middle East have cautioned that any immediate strike could provoke retaliatory attacks against US forces or allied interests. Officials told the White House that US troops need to first “consolidate military positions and prepare defenses” before undertaking any operations that could escalate into a broader conflict.
The warnings reflect concerns over both operational readiness and regional stability. Iran’s military capabilities, including ballistic missiles and proxy forces, could enable swift retaliation, making careful planning essential.
Intelligence assessments are ongoing, with US officials also monitoring Tehran’s response to the protests, which have been met with lethal force by authorities.
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Mamdani denounces Hamas chants, but his delay draws scrutiny
New York City Mayor Zohran Mamdani is facing mounting scrutiny after a delayed response to a protest in which demonstrators chanted pro-Hamas slogans. The episode reopened lingering doubts among Jewish leaders and voters who have watched Mamdani stumble through earlier flashpoints.
In a statement shared with reporters Friday evening, Mamdani condemned the language used during a protest outside a Queens synagogue Thursday night. The demonstration targeted an event promoting real estate investment in the Jewish communities of Modi’in and Ma’ale Adumim, settlements in the occupied West Bank, and included chants of “Say it loud, say it clear, we support Hamas here.”
Mamdani said the rhetoric and displays at the protest were “wrong and have no place in our city.” An hour later, amid criticism that he had not explicitly named Hamas, he followed up in a post on X, “Chants in support of a terrorist organization have no place in our city.”
It echoed a similar episode after Mamdani’s election in November, when he issued a mixed response to a demonstration outside Manhattan’s Park East Synagogue that featured anti-Israel and antisemitic slogans. He initially questioned the use of a sacred place for an event promoting migration to Israel. He later clarified his statement and said he would consider legislation limiting protests outside synagogues.
Critics said the response, which took nearly a day, was slow and undercut Mamdani’s repeated pledges to protect Jewish New Yorkers, and raised fresh questions about what kind of mayor he intends to be. New York City is home to the largest concentration of Jews in the United States. New York Police Department data shows that antisemitic acts made up 57% of all reported hate crimes citywide in 2025.
A week earlier, on his first day in office, Mamdani — a democratic socialist whose strident criticism of Israel deepened rifts within New York City’s Jewish community during the election — had already drawn criticism from mainstream Jewish organizations for revoking two executive orders by former Mayor Eric Adams that adopted a controversial definition of antisemitism that includes some forms of anti-Zionism, and another penalizing city contractors who engaged in boycotts of Israel.
Mamdani’s response to the Thursday night Hamas chants was issued around 5 pm on Friday. By the time, many Shabbat-observant New Yorkers did not see the mayor’s condemnation until Saturday night.
Some allies who accepted Mamdani’s ideological position privately expressed surprise that the mayor did not immediately denounce the chants, given the predictability of the backlash and the stakes involved. During the election, Mamdani came under fire for his refusal to explicitly condemn the “globalize the intifada” slogan used at some pro-Palestinian protests, perceived by many as a call for violence against Jews.
Adam Carlson, a political polling and research expert, called Mamdani’s statement denouncing the Hamas chants reasonable but “not perfect,” after spending much of the day criticizing the mayor’s lack of response, even as Democratic elected officials and some of Mamdani’s progressive allies issued fierce condemnations. “This is not only hurtful to me,” Carlson wrote on X, “but it’s bad politics and distracts from his agenda.”
Former City Comptroller Scott Stringer, who is Jewish and ran in last year’s Democratic mayoral primary, was even more blunt. “I have never been as concerned about the direction of our city as I am today,” Stringer said in an interview. “We are not up to a strong start in bringing the city together.”
Stringer, who was an active leader in combating anti-Muslim hatred after 9/11, said he had hoped that Mamdani would focus on affordability and issues that unite New Yorkers across communities. “But if that’s not to be, then we will fight politically,” he said. He pointed to the upcoming June primaries for Congress and the State Assembly, in which some of Mamdani’s socialist allies — and candidates he has endorsed — could pay a political price. In New York, Stringer said, “we are at the epicenter of Jewish hate, and we’re not going to stand down and allow this to unfold without a political response.”
Speaking with reporters on Saturday, Mamdani declined to address why he didn’t respond immediately, but said his statement was “consistent with my own politics and my own policies.”
A recent poll found that 55% of non-Jewish voters in New York City say Jewish concerns about feeling threatened by Mamdani’s statements on Israel are an overreaction fueled by politics. By contrast, among a smaller sample of 131 Jewish respondents, 53% say they have reason to feel that way, given Mamdani’s statements and associations.
What other city leaders said
While Mamdani remained silent through much of Friday, other city leaders moved quickly. City Council Speaker Julie Menin, City Comptroller Mark Levine, Gov. Kathy Hochul and Attorney General Letitia James all issued statements strongly condemning the pro-Hamas chants.
Speaking Friday night at Park Avenue Synagogue in Manhattan, Menin, who is the first Jewish speaker in the council’s history, was cautious but optimistic about collaborating with Mamdani on issues related to antisemitism in Israel.
“The Torah reminds us that leadership does not emerge from a place of peace, but from a place of struggle,” Menin told congregants. “When it comes to fighting for our Jewish community, I promise I will be the leader that you can count on — one who stands up to hate, who is not afraid to speak out, and who will not look away when it is uncomfortable or inconvenient.”
Levine, who is also Jewish, said, “There is no ambiguity” in condemning the support of a terrorist organization. “This cannot be normalized or excused,” he wrote on X. “Truly reprehensible.”
Hochul, who is running for reelection this year, said in a joint appearance with Mamdani last week that in her upcoming State of State address on Tuesday, she will announce safety zones around houses of worship “where people can go freely to a safe place without threats of violence or protests.”
The post Mamdani denounces Hamas chants, but his delay draws scrutiny appeared first on The Forward.