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A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
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Israeli High-Tech Funding Rises to Nearly $16 Billion in 2025, Report Says
A NVIDIA logo appears in this illustration taken Aug. 25, 2025. Photo: REUTERS/Dado Ruvic/Illustration
Israeli high–tech companies raised $15.6 billion in private funding in 2025, up from $12.2 billion in 2024, Startup Nation Central said in a report on Monday citing preliminary data.
The tech sector, regarded as one of the largest in the world, accounts for about 20% of GDP, 15% of jobs and more than half of Israeli exports.
It has proved resilient, despite the war in Gaza, which began in 2023, when total funding was $10 billion.
Global giants, such as Nvidia, in 2025 said they would increase their physical and talent presence in Israel.
The number of funding deals, at 717, was the lowest in the last decade, but the deals were higher value. The median private deal, SNC said, reached a record $10 million – up 67% over 2024.
The year 2025 “was not about a return to business as usual; it was a pivot toward high-conviction maturity,” said Avi Hasson, CEO of SNC.
M&A activity reached a record $74.3 billion in value, spread over 150 deals, the data showed.
It was led by Alphabet’s $32 billion purchase of cyber firm Wiz and Palo Alto Networks’ $25 billion acquisition of cyber rival CyberArk.
SNC said the level of M&A in Israel reflected multi-nationals’ efforts “to secure critical innovation.”
“These companies are effectively turning to Israeli startups into their next generation of R&D engines, laying the groundwork for additional acquisitions,” it said.
Funding for tech startups in 2024 was led by $5.2 billion for mid-stage rounds, followed by early-stage investments of $3.9 billion and $2.5 billion for later stages, SNC said.
A number of Israeli companies went public, raising more than $10 billion.
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Turkey Claims Kurdish-Led SDF Does Not Intend to Advance Integration With Syrian State
Turkish Foreign Minister Hakan Fidan speaks during an interview with Reuters at the 23rd edition of the annual Doha Forum, in Doha, Qatar, Dec. 6, 2025. Photo: REUTERS/Ibraheem Abu Mustafa
The Kurdish–led Syrian Democratic Forces in Syria appear to have no intention of honoring a commitment to integrate into the state‘s armed forces by a year-end deadline, Turkey‘s foreign minister claimed on Monday.
Turkey views the US-backed SDF, which controls swathes of northeastern Syria, as a terrorist organization and has warned of military action if the group does not honor the agreement.
Last week, Foreign Minister Hakan Fidan said Turkey hoped to avoid resorting to military action against the SDF, but that its patience was running out.
‘NO INTENTION’
“We see the SDF has no intention to make too much of an advance [toward integration],” Fidan said on Monday in Damascus after talks between a high-level Turkish delegation and Syrian President Ahmed al-Sharaa, Foreign Minister Asaad al-Shibani, and others.
“The SDF is running some of its operations in coordination with Israel, [and this] is actually a major obstacle to ongoing negotiations with Damascus,” he said.
The visit to Syria’s capital by the Turkish officials, who included Turkey‘s defense minister and intelligence chief, came amid efforts by Syrian, SDF, and US officials to show some progress with the deal.
Turkey has accused the SDF of stalling ahead of a year-end deadline and Israel of resorting to “destabilizing” policies in Syria and of causing security risks in the country’s south.
There was no immediate comment on Fidan’s remarks from the SDF or Israel.
Ankara says the SDF presence along its southern borders poses a security threat to both Turkey and Syria, and that the Damascus government must address this. It has said any integration must ensure the SDF is disbanded – in line with a disarmament process between outlawed Kurdish PKK militants and the Turkish state – and its chain of command broken.
DAMASCUS MAKES NEW PROPOSAL TO SDF
Sources have previously told Reuters that Damascus sent a proposal to the SDF expressing openness to reorganizing the group’s roughly 50,000 fighters into three main divisions and smaller brigades as long as it cedes some chains of command and opens its territory to other Syrian army units.
Shibani said Damascus did not see “any initiative or serious will” from the SDF to implement the agreement but had recently proposed to the Syrian Kurds another way to advance the process.
“We received a response yesterday and this response is currently being studied,” he said.
Turkey has conducted cross-border military operations against the SDF in the past.
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Homemade Bombs Thrown Before Bondi Mass Shooting, but Failed to Detonate, Police Tell Court
A CCTV footage shows Naveed Akram and his father, Sajid Akram, both suspects in the shooting attack during a Jewish Hanukkah celebration at Bondi Beach on Dec. 14, carrying items wrapped in blankets, while exiting 103 Brighton Avenue, Campsie, New South Wales, Australia, in this still image taken from a court document released on Dec. 22, 2025. Photo: NSW Police/Handout via REUTERS
Australian police say homemade pipe and tennis ball bombs were thrown at a crowd at Bondi Beach before a mass shooting but failed to detonate, according to court documents released on Monday.
Fifteen people were killed and dozens injured in the mass shooting at a Jewish Hanukkah celebration at Bondi on Dec. 14. The attack has shocked the nation and sparked calls for tougher gun laws and heightened efforts to stop antisemitism.
One of the alleged gunmen, Sajid Akram, 50, who was shot dead by police, owned six firearms. His 24-year-old son Naveed Akram has been charged with 59 offenses, including murder and terrorism, according to police.
The alleged gunmen had planned the attack for several months and visited the Bondi beachside park for reconnaissance two days prior, said a police fact sheet released by the court.
Pictures included in the police report showed the father and son allegedly training with firearms in an isolated rural part of New South Wales, Australia’s most populous state which includes Sydney.
Police found a video taken in October on one of the gunmen’s mobile phone showing them sitting in front of an image of an Islamic State flag and making statements in English about their reasons for the attack, while condemning the acts of Zionists.
Just after 2:00 am (1500 GMT) on the day of the attack, the men were captured on CCTV video carrying long and bulky items wrapped in blankets from a short-stay rental house in the suburb of Campsie to a car, said the police report.
They later drove to Bondi around 5:00 pm (0800GMT).
Police believe the items wrapped in the blankets were two single-barrel shotguns, a Beretta rifle, three pipe bombs, a tennis ball bomb, and a large improvised explosive device.
Police allege the men threw the pipe bombs and tennis ball bomb at the crowd in the Bondi park before they began shooting, but the explosive devices did not detonate, according to the statement tendered to the court.
Police said that they later found 3D printed parts for a shotgun component at the Campsie house, bomb making equipment, and copies of the Quran.
TOUGH NEW GUN LAWS
The parliament of New South Wales state was recalled on Monday to vote on proposed new laws that would impose major curbs on firearm ownership, ban the display of terror symbols, and restrict protests, following the mass shooting.
The state legislation would cap the number of firearms a person can own at four, or up to 10 for certain groups, such as farmers.
Although Australia has some of the toughest gun control laws in the world after a 1996 shooting that killed 35 people, the Bondi shooting has highlighted what authorities say are gaps.
In New South Wales, there are more than 70 people in the state who own more than 100 guns, a police firearms registry shows. One license holder has 298 guns.
The proposed legislation would also give police more powers to remove face coverings during protests or rallies. The state government has vowed to ban the chant “globalize the intifada” which it says encourages violence against Jews and Israelis worldwide.
New South Wales Premier Chris Minns told reporters outside parliament that he expected opposition to the legislation, which includes restrictions on public assemblies in the aftermath of a terrorism event, but said it was needed to keep the community safe.
“We have got a responsibility to knit together our community that comes from different races and religions and places from all over the world. We can do it in a peaceful way,” he said.
‘I AM SORRY’ PRIME MINISTER SAYS
Prime Minister Anthony Albanese has faced mounting criticism from opponents who argue his government has not done enough to curb a rise in antisemitism. He was booed by sections of the crowd during a memorial event in Bondi attended by tens of thousands of people on Sunday, one week after the shooting.
A poll conducted for the Sydney Morning Herald newspaper among 1,010 voters released on Monday found Albanese’s approval rating slumped 15 points to -9 from +6 at the beginning of December, the lowest since his resounding election win in May.
Albanese on Monday said he understood that some of the anger in the Jewish community in the aftermath of the attack was directed toward him and pleaded for national unity.
“As prime minister I feel the weight of responsibility for an atrocity that happened whilst I am prime minister and I am sorry for what the Jewish community and our nation as a whole has experienced,” he told reporters in Canberra.
Albanese’s government says it has consistently denounced antisemitism and highlighted legislation passed over the last two years to criminalize hate speech and doxxing. It also expelled Iran’s ambassador earlier this year after accusing Tehran of directing antisemitic attacks in Sydney and Melbourne.
Further measures to stop hate speech proposed by Albanese’s government on Monday include a new offence of adults seeking to influence and radicalize children.
Authorities on Monday started clearing flowers, candles, letters, and other items placed by the public at Bondi Beach.
The tributes would be preserved for display at the Sydney Jewish Museum and the Australian Jewish Historical Society, authorities said.
Thirteen people remain in hospital, including four in critical but stable condition, health officials said.