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A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
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The post A Rube Goldberg machine comes to life — literally — in a new dance piece appeared first on Jewish Telegraphic Agency.
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Hamas’s Grip on Gaza NGOs Exposed as World Plans Post-War Rebuilding Efforts
Palestinians gather to collect aid supplies from trucks that entered Gaza, amid a ceasefire between Israel and Hamas, in Khan Younis, in the southern Gaza Strip, Oct. 11, 2025. Photo: REUTERS/Ramadan Abed
As world powers outline multi-billion-dollar plans to rebuild Gaza, newly obtained documents reveal that Hamas has long run a coordinated effort to penetrate and influence NGOs in the war-torn enclave — contradicting years of denials from major humanitarian organizations.
On Wednesday, NGO Monitor — an independent Jerusalem-based research institute that tracks anti-Israel bias among nongovernmental organizations — released a new study revealing how Hamas has for years systematically weaponized humanitarian aid in Gaza, tightening its grip over foreign NGOs operating in the territory and exposing patterns of complicity and collaboration that contradict the groups’ persistent denials.
While international media has repeatedly accused Israel of unfairly and illegally targeting humanitarian NGOs, Israeli officials have long argued that many of these groups have been infiltrated and manipulated by Hamas, the Palestinian terrorist group that has ruled Gaza for nearly two decades — with the extent of NGO involvement far deeper than their public statements suggest.
Dozens of internal Hamas documents are now being published, providing systematic evidence and even detailing the officials tasked with coordinating and overseeing the Islamist group’s interactions with international NGOs.
According to the documents, Hamas officials designated specific points of contact with “highly respected” international NGOs, including Doctors Without Borders, Oxfam, Save the Children, and the Norwegian Refugee Council.
Referred to as “guarantors,” these Hamas-approved senior officials at each NGO allowed the terrorist group to closely oversee activities, influence decision-making, and circumvent restrictions imposed by some Western governments on direct engagement with Hamas.
Gerald Steinberg, founder and president of NGO Monitor, said the newly released study offers a crucial guide for the US and its allies to vet aid partners, emphasizing the need to carefully screen NGOs to prevent a repeat of Hamas’s domination of Gaza’s reconstruction efforts.
“This research is timely and highly consequential,” Steinberg said in a statement. “Governments and international organizations are planning to provide billions of dollars for the rebuilding of Gaza, and will partner with numerous NGOs to reconstruct infrastructure, provide municipal services like utilities and education, and probably distribute cash payments.”
“We now know which NGOs and their local affiliates have been propping up the Hamas terror regime,” he continued.
The study also found that at least 10 “guarantors” — senior NGO officials — were not just Hamas-approved, but were also members, supporters, or employees of Hamas-affiliated authorities, who leveraged their positions in numerous NGOs to create Hamas-approved beneficiary lists for UN and other aid programs.
According to one of the obtained internal documents, Hamas conducted extensive surveillance of NGO officials in Gaza, noting that the “guarantors” across 48 NGOs “can be exploited for security purposes” to infiltrate foreign organizations and listing the names and personal details of 55 individuals already serving in those roles.
The document also explicitly outlines the terrorist organization’s intent to further develop or compel “guarantors” to serve as intelligence assets.
The findings appear to corroborate the concerns of many experts and Israeli officials, who have long said that Hamas steals much of the aid flowing into Gaza to fuel its terrorist operations and sells the remainder to Gaza’s civilian population at an increased price. Jerusalem has also said that aid distribution cannot be left to international organizations, which it accuses of allowing Hamas to seize supplies intended for the civilian population. According to UN data, the vast majority of humanitarian aid entering Gaza during the Israel-Hamas war was intercepted before reaching its intended civilian recipients.
With NGOs in Gaza — both local and international — required to secure Hamas’s approval to provide services and run projects, the report shows the group wields veto power over humanitarian operations, allowing it to control, manipulate, and exploit aid to advance its political and military objectives.
“NGO Monitor’s groundbreaking report proves that Hamas controls all humanitarian operations in Gaza, on an institutional level and an individual one,” Naftali Shavelson, NGO Monitor international spokesperson, said in a statement.
“There is no NGO freedom of operation in Gaza. And most crucially, never once did NGOs say anything about this Hamas infiltration,” he continued. “If anything, they issued statements blaming their inhibited operations on Israel – thus ignoring the problem and allowing Hamas to continue harming Gazans.”
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NYC principal turns down Holocaust survivor’s talk over his ‘messages around Israel and Palestine’
(JTA) — A New York City public school principal turned down a parent’s request to host a talk by Holocaust survivor Sami Steigmann, citing content in his presentation that related to “Israel and Palestine.”
In an email to the parent on Nov. 18, the principal of the Brooklyn middle school MS 447, Arin Rusch, said that she believed that hosting Steigman’s presentation was not “right” for the school.
“In looking at his website material, I also don’t think that Sami’s presentation is right for our public school setting, given his messages around Israel and Palestine,” Rusch wrote in an email obtained by the New York Post.
Rusch added that she would “love to explore other speakers” who could talk about the Holocaust and antisemitism. The Post did not name the parent.
Steigmann, 85, speaks frequently about his experiences as a child survivor of the Mogilev-Podolski labor camp from 1941 to 1944, according to his website. During the Holocaust, he was also subjected to Nazi medical experiments and starvation, though he says he does not remember the experiences. His website describes him as a motivational speaker “who lives to tell his story.”
While it was unclear what part of Steigmann’s website Rusch allegedly took issue with, Steigmann’s PowerPoint presentation, which is found on his site, features an Israeli flag as the backdrop of a number of slides.
There is also a slide labeled “Zionism,” which includes various assertions about the founding of Israel, including a definition that Zionism is the “Right of the Jewish people to feel safe and secure in their homeland” and a bullet point calling Zionism a “social justice movement for the Jewish people.”
In a video shared on Facebook by StandWithUs, a nonprofit that trains students in pro-Israel advocacy, Steigmann is seen urging the students to intern with the organization.
On Steigmann’s Instagram page he has also frequently reposted commentary on Israel and antisemitism, including one post from July where he wrote that “Palestine was Jewish before it became Israel.”
Steigmann told The Post that he believed it was wrong for Rusch to deny his presentation, adding that he doesn’t discuss Middle East politics in public schools and would have accommodated a request for him to avoid the subject.
“She didn’t even have the courtesy to call me,” Steigmann told The Post.
The rejection drew condemnation from The Blue Card, a nonprofit that supports Holocaust survivors and with which Steigmann is affiliated.
“It is outrageous that a Holocaust survivor was denied the chance to speak to students,” said Masha Pearl, the executive director of The Blue Note, in a statement. “His testimony as a child survivor of a Nazi labor camp is not political. It is history. Silencing him at a moment of rising antisemitism is dangerous and deeply wrong, and makes New York City less tolerant.”
Pearl also called on Rusch to meet with The Blue Note to discuss Holocaust education as well as on New York City Public Schools Chancellor Melissa Aviles-Ramos to “condemn this act and open an investigation.”
In a statement to the Post, the New York City Department of Education said that it evaluates every speaker to ensure they “maintain political neutrality.”
“We do not shy away from teaching history in our classrooms, and we are proud to have welcomed many Holocaust survivors into our schools, including MS 447, to share their stories. We thoroughly evaluate every classroom speaker and are careful to ensure speakers maintain political neutrality, especially on contentious current events, as required in a public school setting,” Department of Education spokeswoman Nicole Brownstein told The Post.
JTA sought comment from the NYC Department of Education, Mayor Eric Adams’s office and the principal, but did not receive responses.
Moshe Spern, the president of the United Jewish Teachers, an advocacy group. also criticized the rejection in an email on Nov. 26 to Brooklyn District 15 Superintendent Rafael Alvarez and aides for Aviles-Ramos.
“Although [Rusch] mentions that [she] would be open to other speakers, this begs the question of are we now censoring Holocaust survivors for their views on Israel,” wrote Spern. “This action by Principal Rusch is extremely inappropriate and I expect this situation to be remedied immediately.”
New York City Mayor Eric Adam’s office also told The Post that while he was committed to ensuring students hear from Holocaust survivors, Steigmann “wasn’t the right fit.”
“Mayor Adams is dedicated to ensuring all New Yorkers — particularly our students and young adults — hear stories from the genocide and oppression of the Holocaust, so we never again perpetrate such evil,” a City Hall spokesman told The Post. “While this speaker wasn’t the right fit, we will continue to ensure our students hear from the living survivors of this history into the future.”
The post NYC principal turns down Holocaust survivor’s talk over his ‘messages around Israel and Palestine’ appeared first on The Forward.
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Trump appointee promoted after reports he texted about having a ‘Nazi streak’
A group of six Democratic senators is calling on the Trump administration to stop promoting an official who previously faced congressional scrutiny for remarks he reportedly made praising Nazis.
Paul Ingrassia, who previously served as a White House liaison to the Department of Homeland Security, was initially nominated to lead the Office of Special Counsel. But the administration withdrew the nomination in October after several top Republican senators pledged to block his confirmation following revelations of racist and antisemitic comments he was reported to have made in text messages. He was later appointed as deputy general counsel at the General Services Administration. This week, it was announced that he has become acting general counsel of the GSA.
In a letter addressed to Michael Rigas, the GSA’s acting administrator, and to Dan Scavino, a senior Trump aide who oversees the selection and appointment of most government positions, the senators write that Ingrassia’s continued employment is “unacceptable” and “betrays the trust of every American.”
According to a Politico report, Ingrassia wrote in a chat of six GOP operatives and influencers that he has “a Nazi streak from time to time.” The May 2024 comment came after another chat participant joked that Ingrassia “belongs in the Hitler Youth with Obergruppenführer Steve Bannon,” assigning a senior Nazi paramilitary rank to the Republican strategist instrumental in Trump’s 2016 victory, who remains influential within the MAGA movement.
Ingrassia, who also faces allegations of sexual harassment, published in 2023 a blog post urging Elon Musk to reinstate the X account of Nick Fuentes, an avowed white nationalist and Holocaust denier, after he was banned in 2021 for repeated violations of the platform’s content rules. Ingrassia was also reportedly in attendance at a 2024 rally at which Fuentes declared, “Down with Israel.” He has also repeatedly called the October 7, 2023 Hamas attack on Israel a “psyop.”
The Democrats who signed the letter, including Jewish senators Adam Schiff of California and Elissa Slotkin of Michigan, said that Ingrassia’s reappointment to a senior position after Trump himself withdrew his nomination “embraces the very hatred” and antisemitism that the administration proclaims to combat.
“Ingrassia and its multiple attempts to find a place for him in this government betray a concerning willingness to support and, intended or not, promote his extremist, misogynist, and antisemitic views,” they wrote.
Ingrassia is one of several Trump administration appointees who have been scrutinized for remarks offensive to Jews and other minorities. Trump withdrew the nominations of some of his candidates amid the outrage.
The post Trump appointee promoted after reports he texted about having a ‘Nazi streak’ appeared first on The Forward.