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A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
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Remains of Omer Neutra, Israeli-American hostage killed on Oct. 7, are returned to Israel
Hamas has returned remains belonging to Omer Neutra, an Israeli-American who was killed while serving in the Israeli army on Oct. 7, 2023, to Israel.
Neutra was one of two Israeli-American soldiers killed that day, along with Itay Chen, whose bodies were still being held by Hamas in Gaza weeks after the start of a ceasefire under which the group was required to release all hostages. Twenty living hostages were released at the ceasefire’s start, but Hamas has released deceased hostages intermittently and with snafus that have tested the truce.
On Sunday, Hamas transferred remains that it said came from three deceased hostages, which if confirmed would reduce the number of Israeli hostages in Gaza to eight. Neutra was the first to be positively identified.
“With heavy hearts and a deep sense of relief — we share the news that, Captain Omer Neutra Z”L has finally been returned for burial in the land of Israel,” his family said in a statement.
Neutra, who was 21 when he was killed, was the son of Israeli parents who grew up on Long Island, where he attended Jewish day school and camp. Following graduation, he moved to Israel and enlisted in the military. He was serving as a tank commander on Oct. 7.
For more than a year, his parents labored under the possibility that he was alive. Orna and Ronen Neutra became prominent faces of the movement to free the hostages, speaking at the Republican National Convention in 2024 as well as at a gathering of the Republican Jewish Coalition and numerous other forums. They also spoke directly with both U.S. presidents during their son’s captivity, Joe Biden and Donald Trump, in an effort to free their son and the other hostages.
After the Israeli army announced in December 2024 that it had concluded that Neutra had been killed on Oct. 7, his school and Jewish community on Long Island held a memorial service for him, while his town of Plainview named both a street and park for him. But family members continued to lobby for the remaining hostages, to return those who remained alive and give those whose loved ones had been killed the closure they desperately sought.
“They will now be able to bury Omer with the dignity he deserves,” the family’s statement said. “Omer has returned to the land he loved and served. His parents’ and brother’s courage and resolve have touched the hearts of countless people around the world.”
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Iran’s President Says Tehran Will Rebuild Its Nuclear Facilities
Iran’s President Masoud Pezeshkian addresses the 80th United Nations General Assembly (UNGA) at the UN headquarters in New York, US, Sept. 24, 2025. Photo: REUTERS/Jeenah Moon
Tehran will rebuild its nuclear facilities “with greater strength,” Iran‘s President Masoud Pezeshkian told state media on Sunday, adding that the country does not seek a nuclear weapon.
US President Donald Trump has warned that he would order fresh attacks on Iran‘s nuclear sites should Tehran try to restart facilities that the United States bombed in June.
Pezeshkian made his comments during a visit to the country’s Atomic Energy Organization, during which he met with senior managers from Iran’s nuclear industry.
“Destroying buildings and factories will not create a problem for us, we will rebuild and with greater strength,” the Iranian president told state media.
In June, the US launched strikes on Iranian nuclear facilities that Washington says were part of a program geared towards developing nuclear weapons. Tehran maintains that its nuclear program is for purely civilian purposes.
“It’s all intended for solving the problems of the people, for disease, for the health of the people,” Pezeshkian said in reference to Iran‘s nuclear activities.
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Nigeria Says US Help Against Islamist Insurgents Must Respect Its Sovereignty
A drone view of Christians departing St. Peter and Paul Catholic Church after a Sunday mass in Palmgrove, Lagos, Nigeria November 2, 2025. Photo: REUTERS/Sodiq Adelakun
Nigeria said on Sunday it would welcome US help in fighting Islamist insurgents as long as its territorial integrity is respected, responding to threats of military action by President Donald Trump over what he said was the ill-treatment of Christians in the West African country.
Trump said on Saturday he had asked the Defense Department to prepare for possible “fast” military action in Nigeria if Africa’s most populous country fails to crack down on the killing of Christians.
“We welcome US assistance as long as it recognizes our territorial integrity,” Daniel Bwala, an adviser to Nigerian President Bola Tinubu, told Reuters.
Bwala sought to play down tensions between the two states, despite Trump calling Nigeria a “disgraced country.”
“I am sure by the time these two leaders meet and sit, there would be better outcomes in our joint resolve to fight terrorism,” he said.
ISLAMIST INSURGENTS WREAK HAVOC FOR YEARS
Nigeria, a country of more than 200 million people and around 200 ethnic groups, is divided between the largely Muslim north and mostly Christian south.
Islamist insurgents such as Boko Haram and Islamic State West Africa Province have wrought havoc in the country for more than 15 years, killing thousands of people, but their attacks have been largely confined to the northeast of the country, which is majority Muslim.
While Christians have been killed, the vast majority of the victims have been Muslims, analysts say.
In central Nigeria there have been frequent clashes between mostly Muslim herders and mainly Christian farmers over access to water and pasture, while in the northwest of the country, gunmen routinely attack villages, kidnapping residents for ransom.
VIOLENCE ‘DEVASTATES ENTIRE COMMUNITIES’
“Insurgent groups such as Boko Haram and Islamic State West Africa often present their campaigns as anti-Christian, but in practice their violence is indiscriminate and devastates entire communities,” said Ladd Serwat, senior Africa analyst at US crisis-monitoring group ACLED.
“Islamist violence is part of the complex and often overlapping conflict dynamics in the country over political power, land disputes, ethnicity, cult affiliation, and banditry,” he said.
ACLED research shows that out of 1,923 attacks on civilians in Nigeria so far this year, the number of those targeting Christians because of their religion stood at 50. Serwat said recent claims circulating among some US right-wing circles that as many as 100,000 Christians had been killed in Nigeria since 2009 are not supported by available data.
NIGERIA REJECTS ALLEGATIONS OF RELIGIOUS INTOLERANCE
Trump‘s threat of military action came a day after his administration added Nigeria back to a “Countries of Particular Concern” list of nations that the US says have violated religious freedoms. Other nations on the list include China, Myanmar, North Korea, Russia and Pakistan.
Tinubu, a Muslim from southern Nigeria who is married to a Christian pastor, on Saturday pushed back against accusations of religious intolerance and defended his country’s efforts to protect religious freedom.
When making key government and military appointments, Tinubu, like his predecessors, has sought to strike a balance to make sure that Muslims and Christians are represented equally. Last week, Tinubu changed the country’s military leadership and appointed a Christian as the new defense chief.
In the capital Abuja, some Christians going to Sunday Mass said they would welcome a US military intervention to protect their community.
STRIKES WOULD TARGET SMALL GROUPS ACROSS WIDE AREA
“I feel if Donald Trump said they want to come in, they should come in and there is nothing wrong with that,” said businesswoman Juliet Sur.
Security experts said any US airstrikes would most likely seek to target small groups scattered across a very large swathe of territory, a task that could be made more difficult given the US withdrew its forces last year from Niger, which borders Nigeria in the north.
The militant groups move between neighboring countries Cameroon, Chad and Niger, and the experts said the US may require help from the Nigerian military and government, which Trump threatened to cut off from assistance.