Uncategorized
A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
—
The post A Rube Goldberg machine comes to life — literally — in a new dance piece appeared first on Jewish Telegraphic Agency.
Uncategorized
Israeli ambassador meets with France’s Marine Le Pen, extending outreach to Europe’s far-right
(JTA) — Israeli Ambassador to France Joshua Zarka held a meeting on Wednesday with far-right French leader Marine Le Pen, marking the latest instance in a recent trend of Israeli outreach to Europe’s nationalist right.
The meeting, which was not publicly announced by either leader, was confirmed by the Israeli embassy to the French outlet Le Parisien. It was unclear what the pair discussed.
The meeting between Zarka and Le Pen, who is the former president of France’s far-right National Rally party, comes over a year since Israeli Foreign Minister Gideon Sa’ar announced that the country would lift its longstanding boycott of far-right parties in Sweden, France and Spain.
Israel continues not to engage with far-right parties in Germany, and Diaspora Minister Amichai Chikli, who has invited leaders of parties with a history of antisemitism to conferences he has organized in Israel, has cited the Alternative for Germany party as an example of one that had not adequately shed its antisemitic roots.
National Rally was founded as the National Front in 1972 by Le Pen’s father, Jean Marie le Pen, who frequently espoused racist and antisemitic rhetoric and was convicted of Holocaust denial in 1987.
The party has since tried to distance itself from its antisemitic history, with its current leader, Jordan Bardella, visiting Jerusalem last March for the country’s International Conference on Combating Antisemitism, where he delivered the keynote speech.
Diplomatic relations between Israel and France have soured in recent years, with French President Emmanuel Macron voicing public criticism of Israel’s conduct during the war in Gaza and formally recognizing Palestinian statehood at the United Nations General Assembly in September.
Last May, Le Pen shot back at Macron after he said during a television appearance that “what Benjamin Netanyahu’s government is doing today is unacceptable” and “a disgrace.”
“I find this statement unworthy of the President of the French Republic,” Le Pen responded. “He keeps increasing his criticism of Israel, perhaps because he is incapable of providing a solution to facilitate the fight against Islamist fundamentalism.”
While Le Pen has long voiced her support for Israel, last week she threw her support behind Macron’s proposal to include Lebanon in a regional ceasefire, which Israel has previously opposed.
“It is our country’s duty to protect Lebanon, its people, and its sovereignty,” wrote Le Pen in a post on X. “This country is once again a collateral victim of the tensions in the region, suffering massive bombings on its capital. I support France’s proposal to include Lebanon in the framework of the regional ceasefire.”
Israeli leaders have pushed back on Macron’s requests and refused to allow the country to be involved in direct talks between Israel and Lebanon, which was formerly a French mandate.
“We’d like to keep the French as far away as possible from pretty much everything, but particularly when it comes to peace negotiations,” Yechiel Leiter, Israel’s ambassador to the United States, told reporters earlier this week following ceasefire talks between Israel and Lebanon on Tuesday.
On Thursday, President Donald Trump announced that Israel and Lebanon had agreed to a 10-day ceasefire.
Le Pen has also been critical of the joint U.S.-Israeli strikes on Iran, telling Le Parisien last month that Trump “clearly did not fully appreciate the impact of his intervention.”
Le Pen is currently awaiting a July court ruling that will determine whether she can run in France’s presidential election next year, following her conviction last year for misusing European Parliament funds for political purposes.
This article originally appeared on JTA.org.
The post Israeli ambassador meets with France’s Marine Le Pen, extending outreach to Europe’s far-right appeared first on The Forward.
Uncategorized
Italian opposition leader Elly Schlein, whose father is Jewish, backs Giorgia Meloni in Trump split over Israel
(JTA) — Until this week, Giorgia Meloni, the Italian prime minister, was allies with Donald Trump and Benjamin Netanyahu and adversaries with Elly Schlein, Italy’s opposition leader.
Now, Meloni is at odds with Trump and Netanyahu, her fellow conservatives in the United States and Israel, and getting a boost from Schlein, a liberal whose father is an American Jew.
The causes of the breach: the U.S.-Israel war on Iran, and the pope.
Schlein threw her support between Meloni after Trump attacked her for defending Pope Leo XIV, who said on Friday that “God does not bless any conflict” and that Christians should never be on the side of those who drop bombs. The criticism triggered a strong response from Trump, who said on Sunday that the Catholic leader was “terrible on foreign policy” and accused him of “catering to the radical left.”
That did not go over well in Italy, where about three-quarters of people are Catholic. In a statement Monday, Meloni came to Pope Leo’s defense, calling Trump’s remarks “unacceptable,” and adding, “The Pope is the head of the Catholic Church, and it is right and proper that he call for peace and condemn all forms of war.”
The break between Trump and Meloni marked a notable public rift between the two leaders, as Meloni has long been one of Trump’s closest political allies in Europe. The rift deepened the next day, when Meloni announced that Italy had ended its defense agreement with Israel, marking another significant shift in the right-wing government’s international relations.
“In light of the current situation, the government has decided to suspend the automatic renewal of the defense agreement with Israel,” Meloni told reporters in Verona, adding, “When there are things we don’t agree with, we act accordingly.”
Trump wasn’t happy that Meloni had rebuffed his pressure to join the Iran conflict and said as much on Wednesday on Fox News.
“She’s been negative,” Trump said. “Anybody that turned us down to helping with this Iran situation, we do not have the same relationship.”
Enter Schlein and a rare moment of cross-party unity in Italy.
Schlein has led Italy’s Democratic Party since 2023. She has said she is “very proudly the daughter of a Jewish father,” the American-Italian scholar Melvin Schlein, and that she has faced antisemitism even though she herself is not Jewish.
Her father grew up in New Jersey and lived on Kibbutz Nahal Oz, one of the communities ravaged on Oct. 7, 2023, during the 1960s. He has joined his daughter in criticizing Netanyahu but told an Italian paper that while she believes in a two-state solution to the Israeli-Palestinian conflict, he does not. The relative of Jews murdered in the Holocaust, he also has said he is concerned about rising antisemitism in Europe — and that while he generally shares his daughter’s politics, he is concerned that some on the left have joined with the right in adopting antisemitic ideas.
On Wednesday, speaking in the Italian Chamber of Deputies, Schlein, said she wished to express her “strongest condemnation” of Trump’s “attack on Meloni for having dutifully expressed solidarity with Pope Leo.”
She also emphasized her own opposition to the Iran war.
“I want to reiterate that Italy is a free and sovereign country, and our Constitution is clear: Italy repudiates war.” Schlein said during her speech to a standing ovation. “No foreign head of state can allow himself to attack, threaten, or disrespect our country and our government. We are adversaries in this chamber, but we are all Italian citizens and representatives of Italians, and we will not accept attacks or threats against the government and our country.”
Schlein had welcomed the suspension of the defense agreement and called on Italy to “stop obstructing” the suspension of the Association Agreement between Israel and the European Union, which governs trade and political relations between the entities.
This week, a petition by the European Citizens’ Initiative to end the agreement reached the required 1 million signatures needed to trigger a formal review by the European Commission.
“We, along with other progressive forces, have been calling for this for some time, because the dignity of this country is also measured by its respect for international law,” Schlein said.
The Israeli Foreign Ministry dismissed the suspension. While Italy is the third-biggest arms exporter to Israel, following the United States and Germany, it only accounted for 1.3% of Israeli arms imports between 2021 and 2025, according to the Stockholm International Peace Research Institute.
“We have no security agreement with Italy. We have a memorandum of understanding from many years ago that has never contained any substantive content,” the ministry said in a statement. “This will not affect Israel’s security.”
This article originally appeared on JTA.org.
The post Italian opposition leader Elly Schlein, whose father is Jewish, backs Giorgia Meloni in Trump split over Israel appeared first on The Forward.
Uncategorized
Our pioneering Reform synagogue has shrunk, but remains as vibrant as ever
To the editors:
As President of Temple Beth-El of Great Neck, I read Lauren Hakimi’s recent article “A pioneering Reform synagogue makes way for a booming Iranian Jewish community,” with both appreciation and concern. While the piece captures certain facts, it presents our congregation primarily through the lens of decline and demographic change. In doing so, it misses an important story.
Yes, we are preparing to sell the building that has been our home for decades, and our membership is smaller than it once was. But Temple Beth-El today is a vibrant, diverse, and deeply engaged congregation. Even a cursory look at our calendar would have shown the depth and breadth of the activities — worship, study, Israel engagement, social action and adult education — taking place at TBE.
Size is one measure of a synagogue’s success, but it is far from the only one. Even on that front, this story is incomplete. The sale of our building is not simply a response to changing numbers; it is a strategic step that will allow us to align our physical space with our mission and ensure long-term sustainability. This is a story not of retreat, but of reinvention. Further, after the sale, Temple Beth-El will be one of, if not the, most financially secure synagogues on Long Island.
We are proud of our role in the larger Great Neck community, and we cherish our values more than any building. Temple Beth-El has long been a strong voice for social justice, as Hakimi notes in mentioning our past hosting Dr. Martin Luther King Jr. Today, we carry that legacy forward in our current work with interfaith food pantries and supporting undocumented immigrants.
These aren’t just social activities; they are religious imperatives. Hakimi notes that she herself received her COVID vaccine at TBE. When we opened our doors as a vaccine hub, we were not just providing a service — we were advancing our values by practicing the preservation of life for the benefit of our entire Great Neck family.
Finally, we are concerned that the reporter’s conclusion — “This is the most compelling thing anyone has told me for this story: that even Orthodox Jews benefit from having a Reform synagogue for a neighbor” — is misleading. We are proud to be good neighbors in a diverse community. But our purpose is not to justify our existence to others — it is to serve our congregants and all who seek a Judaism that is liberal, inclusive and engaged with the world.
Great Neck is not a zero-sum game of demographics, but a rich mosaic. Our synagogue’s commitment to a liberal, inclusive, and socially active Judaism is as essential to our town today as it was at our founding in 1928.
The post Our pioneering Reform synagogue has shrunk, but remains as vibrant as ever appeared first on The Forward.