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A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
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The post A Rube Goldberg machine comes to life — literally — in a new dance piece appeared first on Jewish Telegraphic Agency.
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Michigan Democrats Nominate Lawyer Who Praised Hezbollah for Top University Post
A sign at the University of Michigan, Ann Arbor. Photo: Ken Lund.
The Michigan Democratic Party nominated attorney attorney Amir Makled over incumbent Jewish Regent Jordan Acker on Sunday, drawing fresh scrutiny towards Makled’s defense of international terrorist organizations and anti-Israel posture.
Makled, a Dearborn-based civil rights attorney who has been outspoken in support of divestment from Israel, won the party’s nomination for one of two regent seats up for election this year, defeating Acker, who had become a frequent target of pro-Palestinian activists over his opposition to Boycott, Divestment and Sanctions (BDS) efforts on campus.
The contest has drawn national attention because of the unusually broad authority held by University of Michigan regents, who are elected statewide and oversee the university’s finances, investments, executive leadership and major institutional policy decisions. The eight-member board plays a central role in decisions ranging from presidential oversight to responses to campus protest movements and demands for divestment.
For months, anti-Israel student activists and progressive organizers had pressed for changes to the board, arguing the university should divest from companies tied to Israel amid the war in Gaza. Acker, one of the board’s most vocal opponents of divestment, became a particular focus of that pressure campaign. In December 2024, pro-Hamas activists targeted Acker’s home with violent demonstrations, breaking his windows and spray-painting his car “Divest Free Palestine.” The vandals also spray-painted an inverted red triangle on Acker’s car, a symbol used to indicate support for the Hamas terrorist group.
Makled, who represented a student arrested during the university’s 2024 anti-Israel encampment protests, had argued publicly that the university should reconsider its investment policies regarding Israel. His nomination, however, also drew scrutiny after resurfaced and later-deleted social media posts in which he appeared to praise Hezbollah and shared antisemitic content. The Michigan chapter of the Service Employees International Union reportedly withdrew its endorsement following the controversy.
An investigation by The Detroit News revealed that Makled was found to have deleted social media posts praising leaders of the Hezbollah terrorist organization. One of the posts referred to slain Hezbollah leader Hasan Nasrallah as a “martyr.” He also reposted antisemitic messages from far-right commentator Candace Owens which referred to Israelis as “demons” who “lie, cheat, murder and blackmail.”
Supporters of Acker have argued the outcome reflects a broader deterioration in support for Israel and tolerance of antisemitism within Democratic politics, particularly among younger and more progressive voters. Some also noted that Paul Brown, Acker’s non-Jewish running mate who had similarly opposed divestment efforts, was renominated while Acker was not, making the result especially symbolic for many Jewish Democrats.
The race underscores how university governance battles have become a new front in national political fights over Israel. While university divestment decisions are often constrained by legal and fiduciary obligations, regents can shape investment policy, institutional messaging and the university’s overall posture toward such campaigns.
With eight regents serving staggered terms and only two seats on the ballot this cycle, a single election does not determine the university’s investment policy outright. But activists on both sides increasingly view these races as critical long-term contests over whether public universities will resist or embrace institutional divestment from Israel.
As the general election approaches, the regent race is likely to remain a closely watched test of how far the Democratic Party’s internal debate over Israel is reshaping not only national politics, but the leadership of major American universities. Recent polls indicate that Democratic constituents have rapidly shifted away from supporting Israel
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Rahm Emanuel joins calls for end to US ‘financial aid’ to Israel
(JTA) — Rahm Emanuel has joined growing calls for the United States to end subsidies tied to its military sales to Israel, arguing that Israel should purchase weapons on the same terms as other U.S. allies.
“The days of taxpayers subsidizing Israel militarily, that’s over,” Emanuel said during an appearance on Bill Maher’s HBO Max show “Real Time.” “No more financial aid.”
Emanuel is the Jewish former mayor of Chicago who is seen as a likely 2028 Democratic presidential candidate. His comments come months after he said that Israeli Prime Minister Benjamin Netanyahu and the Israeli government bore responsibility for the starvation of Palestinians in Gaza last summer.
Now, as support for Israel hits a record low among Democrats and party leaders increasingly move away from the United States’ longstanding backing of the country, calls to end U.S. military aid to Israel are gaining traction.
Last week, all but seven Senate Democrats voted to block the sales of certain weapons to Israel, marking a doubling in the number of lawmakers backing similar resolutions in just two years.
Emanuel, whose father was born in Jerusalem and who volunteered as a civilian with the Israeli army during the Gulf War in the 1990s, told Maher that Israel should be able to fund its own military — and implied that it might not meet the United States’ standards for being able to purchase U.S.-made weapons.
“Israel is a very wealthy nation. There should be no more taxpayer support for what they want to do and they get the same deal that any one of our allies do,” Emanuel said. “They have to abide by the laws of the United States if they’re going to buy X weapons, and that’s how it should be constructed.”
In January, Netanyahu said for the first time that he wanted to “taper off” U.S. military aid to Israel over the next decade until it reaches zero. His pledge was quickly met with support from South Carolina Republican Sen. Lindsey Graham, who said at the time, “We need not wait 10 years.”
Speaking of the joint U.S.-Israeli war in Iran, Emanuel said the move amounted to a “violation of a rule Israel’s had for 78 years,” arguing that Israel had long sought to avoid pulling the United States into conflicts with its neighbors.
“The United States should never spill any blood for the state of Israel’s security,” Emanuel said. “What happened here going into Iran with the United States and Israel fighting together, which has never happened in 78 years, is a major change in policy for the State of Israel, which comes with political risk, and now they’re seeing it.”
The post Rahm Emanuel joins calls for end to US ‘financial aid’ to Israel appeared first on The Forward.
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Michigan Democrats nominate Eli Savit, progressive Jewish prosecutor, for state attorney general
(JTA) — A progressive Jewish county prosecutor won the endorsement of Michigan’s state Democratic Party over the weekend in his bid for state attorney general, at a convention that also spotlighted deep divides over Israel within the party.
Eli Savit beat out another county prosecutor for the chance to succeed Dana Nessel, the state’s current AG, who is also a Jewish Democrat. He will be the Democratic nominee on November’s ballot.
Unlike Savit, who remains largely embraced by the left, Nessel has made enemies among the state’s pro-Palestinian activist contingent for her role in aggressively prosecuting University of Michigan encampment protesters.
The 41-year-old Savit has since 2021 been the prosecutor of Washtenaw County, which includes Ann Arbor and the university. A former clerk for Jewish Supreme Court Justice Ruth Bader Ginsburg, he was endorsed by Sen. Bernie Sanders and elected in a mini-wave of progressive prosecutors that also included Chesa Boudin in San Francisco.
While Boudin was forced out following a 2022 recall, Savit has remained in Washtenaw’s good graces as he’s pushed progressive proposals including decriminalizing consentual sex work, not seeking prosecutions for psychedelics consumption and curbing cash bail.
Savit has called himself “a bona fide American Jew” and has invoked his identity when opposing policies such as President Trump’s first-term 2019 executive order defining Judaism as a nationality as part of an effort to target BDS movements on college campuses. He has said his father’s family came from “shtetls in Russia, Poland, and the Ukraine,” and that his mother, originally from Iowa, converted to Orthodox Judaism. He also wrote a letter to the Wall Street Journal in 2016 to dispute a column wondering why more Jews don’t vote Republican.
Savit also played a part in prosecuting the university’s pro-Palestinian protesters, although his role was smaller than Nessel’s. In 2024 his office filed felony charges against four protesters for allegedly assaulting police officers during a sit-in at the university president’s house. Some activists accused Savit and his assistant prosecutor of “betraying their constituents” and “doing so to protect the university’s investments in genocide and apartheid.” (Two of the charged were permitted to enter a diversion program for young offenders, while the other two pled down to misdemeanors.)
When it came to the more high-profile charges against some of the school’s encampment participants, Savit allowed Nessel’s statewide office to handle the cases. Nessel was then accused of being “biased,” a charge she labeled as antisemitic; she ultimately dropped the charges against the protesters.
The attorney who defended the protesters, Amir Makled, also won the Democratic Party’s nomination Sunday in his bid to oust a Jewish, pro-Israel member of the University of Michigan’s Board of Regents. Makled won the party’s support despite reports of past social media activity in which he had retweeted antisemitic conspiracy theorist Candace Owens and praised Hezbollah’s assassinated leader.
Savit also unreservedly condemned the Temple Israel attack in Michigan as antisemitic and stated, “There is a lot of grief, a lot of pain from people that may have loved ones, may have relatives who are in the regions, may even have lost loved ones and relatives. But at the end of the day, that certainly does not give license to launch attacks on Jewish community spaces.”
His statements drew a contrast with Michigan U.S. Senate candidate Abdul El-Sayed, also a favorite of the state’s progressive wing, whose own condemnation of the attack had also invoked Israel’s war in Lebanon.
The post Michigan Democrats nominate Eli Savit, progressive Jewish prosecutor, for state attorney general appeared first on The Forward.