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Alfred Moses bought the Codex Sassoon for more than $30 million. He just saw it for the first time.
(JTA) — On Wednesday morning, Alfred Moses, 94, sat in a small white armchair at a round wooden table in a Manhattan office building as a historian gingerly turned the pages of a more than 1,000-year-old book in front of him.
Two weeks earlier, Moses had paid a record-setting sum for the book — more than $38 million in total. But this was the first time he had ever seen it.
The book was the Codex Sassoon, the world’s oldest nearly-complete copy of the Hebrew Bible. That morning, in Sotheby’s Upper East Side office, Sharon Mintz, the auction house’s senior Judaica specialist, was giving Moses and some of his relatives a history lesson on his new acquisition.
Mintz turned the pages with clean, bare hands, noting the scored ruling between the lines of text and the thickness of the parchment pages — made somewhat thinner in places where scribes scratched over each others’ notes. Before Moses bought the book at a much-anticipated Sotheby’s auction on May 17, the codex passed between multiple owners — most recently through the hands of Jacqui Safra, a member of the prominent banking family, and before him, in the 1920s, Jewish book collector David Solomon Sassoon.
It will now be housed at the ANU Museum of the Jewish People in Tel Aviv, which exhibited the codex earlier this year.
“It’s an inspiring book, to see a 1,200 year old manuscript in perfect [condition] — even that we can read today — it’s quite amazing,” Moses said. “It has the vowels and the trope … it’s remarkable. It’s something that’s been preserved for 1,200 years. And we’re the beneficiaries of it.”
Moses is an attorney who served as U.S. ambassador to Romania during the Clinton administration and is a past president of the American Jewish Committee. He had anxiously watched the auction online from his home in Washington, D.C., worried that another possible bidder, like the Bible Museum, also in Washington, might put in a competitive bid. Representatives from the American Friends of ANU, which supports the museum, were concerned it might wind up in a private collection, and could be lost to public view for another generation.
“I thought my chances were about 50/50,” Moses said. “But I was prepared to buy it if I could afford to.”
He expected to pay as much as $32.5 million, which he put in as an “irrevocable bid” with Sotheby’s ahead of the auction, according to Bloomberg. He ended up inching his bid up to $33.5 million after someone else bid $33 million. Fees brought his final tab to $38.1 million.
Part of the reason he decided to give the book to ANU — an institution he has supported for years, including as chair of its honorary board — is that he sees it as serving Jews worldwide. He feels other prestigious homes for historical artifacts in the country, such as the Israel Museum in Jerusalem, are meant to cater to Israelis specifically.
“It’s the museum of the Jewish people and I wanted the codex to go to the Jewish people,” he said. “The Israel Museum is wonderful. But that’s the museum for Israel. I wanted the codex to be for the Jewish people.”
Alfred Moses (center, seated) examines the Codex Sassoon surrounded by family and friends. (Perry Bindelglass for The American Friends of ANU The Museum of the Jewish People)
Moses is making the hefty donation to Israel at a fraught time, as street protests across the country are raging at the government’s attempt to weaken the judiciary, and as friction persists between the Biden administration and Israel’s right-wing government. But Moses sees the tension as a passing phase.
“I think there’s a bit of concern among American Jews as to what is happening politically in Israel, but that’s temporal. 20 years from now, it’ll seem like history,” Moses said. “One has to have a sense of history in the longer viewpoint. Israel is the home of the Jewish people. Whom the Israelis elect to be their government and the prime minister is an Israeli decision.”
But Moses mused that the book could leave Israel after all. During the lesson, Mintz explained that part of the mystery of the book’s provenance is its disappearance from the medieval town of Makisin, in present-day Markada, Syria, sometime around the year 1400. According to an inscription on the book’s last page, it was removed from the synagogue during an attack on the town and entrusted to the care of Salama ibn Abi al-Fakhr, who was instructed to return it as soon as Makisin was rebuilt.
It was during this part of the lesson that Moses cracked a joke: if the Jewish community returns to what is now Markada, would he have to return the book?
Given the condition of Syria after more than a decade of fighting, and the almost total loss of its once thriving Jewish community, that prospect seems remote. Mintz also noted that while the existence of the codex in what is present-day Markada has been established, little else is known about the Jewish community that existed there. For now, Moses hopes that the cultural treasure he bought will be seen as the property of Jews everywhere.
“I think the Sassoon Codex will give satisfaction, joy, and pride to tens of thousands, maybe hundreds of thousands, maybe millions of viewers,” Moses added. “I see benefit to the Jewish people.”
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‘Nobody Wants This’ star Adam Brody on Gaza: ‘Put me down as thinking it’s a genocide’
Adam Brody, the Jewish actor who plays a “hot rabbi” on the hit Netflix rom-com Nobody Wants This, called the war in Gaza a genocide in a new interview, making him one of just a few Jewish celebrities to speak out publicly against the Israeli campaign.
The comments came in an interview with GQ about Brody’s efforts canvassing for Democratic candidates in the upcoming midterms.
“Put me down as thinking it’s a genocide. Put me down as wanting a free Palestine,” he said. “It’s awful that it’s taken so much death and misery, but it does feel like it’s reaching a breaking point that it should have a while ago. I’m hopeful that another administration can really do some good and correct some of these policies that are helping that situation be as awful as it is.”
The claim of genocide in Gaza is heavily disputed. Several international bodies, human rights organizations and academic institutions have concluded Israel’s actions in Gaza since Oct. 7 fit the description, including a United Nations Commission of Inquiry. Other similar groups, like the International Court of Justice, have not applied the term.
Brody’s comments were surprising in part because he had previously kept his feelings about the war private, even as other leading Hollywood figures openly criticized it. He does not maintain a public social media presence, and he did not participate in pin-wearing campaigns or sign various petitions related to the war — an approach he indicated he might change going forward.
“I’m not wearing a pin, so I’m not inviting a certain question, and perhaps I should,” he said. “I really admire people who do. But 99% of what I’m asked about is about the show. I’m not trying to plead ignorance—here we are doing a political interview, so it makes sense that we wade into this territory—but I’ve never ducked a question, really, not a political question anyway.”
Brody — who came to fame in the 2000s as the teenager Seth Cohen on The O.C. — joins Hacks star Hannah Einbinder and Wallace Shawn (The Princess Bride) as perhaps the most high-profile Jewish actors to publicly call the war a genocide. Other Jewish entertainment figures, like Mandy Patinkin and The Zone of Interest director Jonathan Glazer, have criticized the war but stopped short of calling it a genocide.
Yet Brody’s comments are perhaps especially notable because of the character he plays on TV. In Nobody Wants This, Brody plays a rabbi dating a non-Jewish woman — introducing her to the beauty and foibles of Jewish faith and culture. Israel has been conspicuously absent from the show, with its creator, Erin Foster, saying she deliberately avoided geopolitics.
Season 3 of Nobody Wants This releases to Netflix October 22.
The post ‘Nobody Wants This’ star Adam Brody on Gaza: ‘Put me down as thinking it’s a genocide’ appeared first on The Forward.
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Why Mamdani remains focused on Israel as NYC mayor
When Israeli Prime Minister Benjamin Netanyahu spoke at the UN this week, New York City Mayor Zohran Mamdani was there — not in body, but in spirit, having condemned the Israeli prime minister and previously encouraged protests against him.
As a leader in the Jewish community, I know that many American Jews oppose Netanyahu’s government. But many also believe strongly that Israel’s survival as a Jewish homeland is critically important. They, therefore, feel boxed in by the mayor: compelled by conscience to oppose Israel’s leader and to condemn Mamdani’s repeated attacks on Israel’s existence, many of which they find offensive and dangerous.
Because of my previous work for Mayor Bloomberg, I am often asked by Jewish community members why this mayor so frequently puts them in this painful bind. The answer, I believe, lies in motivations worth understanding more clearly.
Of course, Mamdani’s focus on Israel seems partially motivated by principle. He clearly thinks Israel is illegitimate and opposes how it defends itself. I take him at his word that these convictions are sincere. But sincerity still does not explain his single-mindedness. A mayor willing to absorb this much political friction must see some benefit. But what?
To understand, let’s reexamine the 2025 election, often described as a “political tsunami.” The facts, however, are more complicated. Mamdani did defeat his closest opponent by nearly 10%, but in so doing he secured under 51% of the total vote – against a flawed and divided opposition. Viewed this way, his impressive margin seems less sweeping and much narrower.
More important than his electoral margin, though, is the coalition that produced it. His victory rested heavily on three blocs: self-identified very liberal voters; and Muslim and South Asian voters, who turned out in historic numbers. South Asian and Indo-Caribbean turnout, for example, rose 350% between 2021 and 2025, with 87% of South Asian votes going to Mamdani. Analyzing available data, I believe that, taken together, these three blocs accounted for well over 50% of all Mamdani votes.
What makes this coalition intriguing is that it consists of such strange bedfellows. The blocs differ sharply on many key local issues. On same-sex marriage, PRRI’s American Values Atlas found 33% support among Muslim-Americans in 2024, with support among very liberal Americans substantially higher. The divergence is similarly stark on policing, education, and many other policies.
In fact, it is hard to identify many things uniting these blocs besides this candidate: a skilled politician speaking the language of the left, while activating Muslim and South Asian voters just as Mayors Bloomberg and Koch activated Jewish voters and Mayors Adams and Dinkins activated Black voters.
Which brings us back to Israel.
When one barely ekes out a majority against flawed opponents, and one’s coalition is fundamentally misaligned, one must find ways to hold it together. To this end, Mamdani seems to be taking a page from Donald Trump. When Trump’s coalition buckles, he reaches for a “shiny distraction” — attacks on the press; trade wars; threatened invasions of Greenland. For Trump, the specifics are almost irrelevant; what matters is the theater of conflict and the distraction it produces.
For Mamdani, his Greenland is Israel.
Yes, it is a subject on which he holds sincere convictions. But, more importantly, it is one of few issues on which his coalition agrees. His relentless focus on Israel — to the exclusion of other worthy targets, including grave human rights offenders across South Asia and the Muslim world — is no accident. It is a political calculation allowing him to don the mantle of moral crusader while keeping his coalition on-side and united.
For those who believe Mamdani’s politics pose a danger to the Jewish community and want to slow his political momentum, this analysis yields two insights.
First, trying to persuade the mayor to soften his Israel attacks is unlikely to succeed. Doing so is not his inclination or in his political interests.
Second, and maybe more interestingly, Mamdani has a vulnerability that he seems to recognize – a fragile coalition. Allowing Mamdani to
make Israel his “shiny distraction” and engaging him on it plays his game. A different approach would be to defend Israel as-needed, but focusing efforts on pressing Mamdani to do his job – for example, elevating important issues, such as specialized high school admissions practices, on which his coalition happens to be divided.
The upshot? When smart politicians do things that seem politically risky, they usually see something others do not. Mamdani’s Israel focus offers a case-in-point. Those looking to respond should consider resisting the temptation to take the bait when possible. The wiser strategy is to engage under different rules: defending Israel when necessary, then pivoting to the difficult local issues from which Israel is meant to distract.
The post Why Mamdani remains focused on Israel as NYC mayor appeared first on The Forward.
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New voices in Yiddish: A prose and poetry contest
לכּבֿוד דעם 85סטן יאָר זינט מע האָט פֿאַרלייגט דעם ייִדישן זשורנאַל „אױפֿן שװעל“, וועט די אָרגאַניזאַציע וואָס שטיצט דעם זשורנאַל, די „ייִדיש־ליגע“, דורכפֿירן אַ קאָנקורס פֿון נײַע ייִדיש־שפּראַכיקע לידער און פּראָזע.
אַ זשורי פֿון אָפּגעקליבענע מומחים וועט אָפּשאַצן די אַרבעטן, און די דרײַ בעסטע פֿון ביידע קאַטעגאָריעס וועלן באַלוינט ווערן מיט געלטפּרעמיעס.
די פּראָזע־שאַפֿונגען קענען זײַן ביז 2,500 װערטער, און אַלע אַרײַנגעשיקטע מאַטעריאַלן מוזן זײַן נאָך נישט קיין געדרוקטע. דער טערמין אַרײַנצושיקן די שריפֿטן איז דער 31סטער אָקטאָבער 2026.
די געווינער-ווערק, און בכלל אַן אָפּקלײַב פֿון די אַרײַנגעשיקטע שאַפֿונגען, וועט מען אויך דרוקן אין דעם יובֿל-נומער. „זאָלן אונדזערע לייענערס געניסן פֿון נײַע ליטעראַרישע שאַפֿונגען אויף מאַמע-לשון!“ האָט די שעף־רעדאַקטאָרין פֿון „אויפֿן שוועל“, מרים טרין, געזאָגט.
די שריפֿטן שיקן מען דורך בליצפּאָסט צו info@leagueforyiddish.org.
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