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‘An epidemic of hate’: Biden administration officials meet with Jewish leaders to tackle rising antisemitism
WASHINGTON (JTA) — Top Biden administration officials launched a roundtable on antisemitism on Wednesday by describing a “rising tide of antisemitism” and likening the atmosphere in the United States to that of Europe, where Jewish worship is held under lock and key.
“Right now, there is an epidemic of hate facing our country,” said Douglas Emhoff, the Jewish second gentleman, who convened and chaired the 90-minute session.
Jewish officials represented at the meeting were impressed by how comprehensive the meeting was, saying it went beyond the white supremacist threat that the Biden administration has focused on in the past to other sources, among them attackers who target the visibly Orthodox and Jewish students on campuses.
The meeting in the Eisenhower Executive Office Building, adjacent to the White House, comes on the heels of weeks of antisemitic invective spewed by rapper Kanye West, who now goes by Ye, and the dinner attended last month by West, Holocaust denier Nick Fuentes and former President Donald Trump at Trump’s Florida residence. The discussion also follows alarming spikes in antisemitic invective on Twitter and other platforms.
“In my experience, there’s nothing more vicious than what we’re seeing today,” said Susan Rice, President Joe Biden’s top domestic policy adviser, who described growing up in a heavily Jewish neighborhood in Washington, D.C.
Ten years ago, Rice said, when she was defending Israel against its many enemies as the U.S. ambassador to the United Nations, she did not imagine a threat to Jews domestically. Now she says she hears antisemitic expressions coming from elected officials, public figures and entertainers, calling it an “incredible rising tide.”
Deborah Lipstadt, the State Department envoy to monitor antisemitism, said she no longer has the luxury of her predecessors, who traveled abroad to assess antisemitism in foreign countries. Now, she said, she had to treat the problem as a domestic and a foreign one.
“I can’t go to these countries and say ‘You have a problem,’” she said. “Now I have to say ‘We have a serious problem.’”
After multiple attacks on synagogues stateside in recent years, she said, Jewish places of worship were becoming more visibly fortified than they were for years when security, if it existed, was unobtrusive and synagogues were welcoming.
“For decades, when we traveled in Europe, we used to identify synagogues by gendarmes,” she said. “Now we see police cars, now we lock the doors in the United States.”
The Kanye West episodes evidently helped spur the convening of the meeting. George Selim, the Anti-Defamation League senior vice president who was present, said the meeting came together within a week, unlike similar events which can take months to organize.
“The urgency was clear, the meeting needed to be convened, it needed to be in person,” he told the Jewish Telegraphic Agency in an interview.
Representatives of the dozen or so groups that attended were impressed by the level of attention: in addition to Emhoff, Rice and Lipstadt, there were officials from the National Security Council, the Officer of Public Engagement, and the Office of Faith-based Partnerships.
The representatives were impressed by how personal Emhoff, who is married to Vice President Kamala Harris, made the battle. He described how moved he has been by American Jews who are proud of him — the first Jewish spouse of a president or vice president. “I’m in pain right now, our community is in pain,” he said.
Emhoff’s unabashed identification with the Jewish community helped elevate the issue of combating antisemitism, said Rabbi Levi Shemtov, the executive vice president of American Friends of Lubavitch (Chabad).
“He and I might see Jewish ritual and practice a little differently. But one thing Jewish people will remember forever in our history is that when the time came for him to make his decision, he decided to identify unequivocally as a Jew,” Shemtov said.
Amy Spitalnick, the executive director of Integrity First for America, the group that underwrote successful lawsuits against the neo-Nazis who organized the deadly 2017 march in Charlottesville, Virginia, said the officials closely listened to every presentation. (The media was present for opening remarks by government officials, and was ushered out so the representatives of Jewish groups could speak freely.)
“We were watching them take copious notes, they were genuinely listening,” she told JTA.
The range of invitees and the topics addressed also extended beyond the threat posed to Jews from the extreme right, an area that has until now been the Biden administration’s focus, through a summit on extremism in September and a speech Biden gave in Philadelphia last summer.
Speakers addressed antisemitic attacks on the visibly Orthodox which, particularly in the New York area, are most often not carried out by white supremacists. And there were officials from at least three groups that represent the visibly Orthodox: The Orthodox Union, which is Modern Orthodox, along with Agudath Israel of America and American Friends of Lubavitch (Chabad), which are haredi Orthodox.
Speakers also were sensitive to the plight of Jewish students on college campuses, who often face hostility from peers whose sharp criticism of Israel can sometimes manifest as antisemitism.
“On college campuses, the supposed bastions of liberal ideas and ideals, many students believe it better to camouflage their Jewish identity,” Lipstadt said. One of the speakers was Julia Jassey, a senior at the University of Chicago who is the CEO of Jewish on Campus, a student group that tracks antisemitism on campuses.
The Jewish participants said they benefited from hearing how others experienced antisemitism. Abba Cohen, Aguda’s Washington director, said he found receptive listeners when he described an increased effort by local councils to limit the building of Orthodox communities. He and Nathan Diament, the Washington director of the Orthodox Union, also described the threat to the visibly Orthodox.
Their accounts moved others present who do not live the Orthodox lifestyle. “We all have different experiences with antisemitism and clearly for someone who’s Orthodox, it might feel different than for someone who’s not,” said Sheila Katz, the CEO of the National Council of Jewish Women.
Katz said the meeting was a relief because she often has difficulty explaining to her progressive allies why antisemitism persists as a threat.
“I feel like in the last, you know, year, I’ve been saying over and over again, this is getting worse. This is getting amplified, people are emboldened,” she said. “And there are a lot, particularly in the progressive community that would say, ‘No, no, that’s not what’s happening.’”
Some practical proposals were discussed, including a letter this week from a bipartisan slate of lawmakers advocating for a cross-agency “whole of government” task force to combat antisemitism, and an expansion of federal funding that currently underwrites security upgrades for Jewish institutions to include paying for extra police patrols.
The meeting did not result in concrete decisions, but participants said they left with the impression that the federal government was ready to dive deep into finding practicable solutions.
“For me, this is not the end. This is just the beginning of this conversation,” Emhoff said.
Other groups represented included the American Jewish Committee, Hillel International, the Jewish Federations of North America, the Reform and Conservative movements, and Secure Community Network, the security consultancy for the Jewish community.
“It sends a very important message that the sort of rampant antisemitism we’re seeing is unacceptable and that the highest office in the country is doing something about it,” Spitalnick said.
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Iran’s Leadership Draws Up Contingency Escape Plans Amid Widespread Anti-Government Protests: Reports
Protesters march in downtown Tehran, Iran, Dec. 29, 2025. Photo: Screenshot
As anti-government protests continue to rage and spread across Iran, the country’s leadership is reportedly preparing for a potential collapse of the regime, with senior officials said to be drawing up contingency escape plans and stockpiling resources.
On Thursday, British Conservative Member of Parliament Tom Tugendhat said intelligence reports indicate that Iranian senior officials are putting contingency measures in place, “which suggest that the regime itself is preparing for life after the fall.”
“We’re also seeing Russian cargo aircraft coming and landing in Tehran, presumably carrying weapons and ammunition, and we’re hearing reports of large amounts of gold leaving Iran,” the British lawmaker told Parliament.
Amid growing domestic unrest, the regime’s leadership has reportedly applied for French visas for their families in recent days, while also taking steps to secure assets abroad.
“In the past 24 hours, high-ranking dignitaries from the reformist clan — including the president of the Islamic Assembly — have been attempting to obtain French visas for their families via a Parisian lawyer,” Iranian-French journalist Emmanuel Razavi told the French news outlet Le Figaro.
Razavi also told the Nouvelle Revue Politique in a separate interview that the speaker of Iran’s parliament, Mohammad-Bagher Ghalibaf, is one of the leaders seeking a visa. The journalist added that the nephew of former Iranian President Hassan Rouhani applied for a visa to France.
There have also been reports that Iran’s Supreme Leader, Ayatollah Ali Khamenei, has a backup plan to flee the country if security forces fail to suppress the protests or begin to defect.
“The ‘plan B’ is for Khamenei and his very close circle of associates and family, including his son and nominated heir apparent, Mojtaba,” an intelligence source told the British newspaper The Times.
The Iranian leader would reportedly flee to Moscow, following the path of ousted Syrian President Bashar al-Assad in December 2024.
However, some experts have cast doubt on reports that Khamenei, who has not left Iran for decades, plans to flee, arguing the 86-year-old leader will likely die in the country.
As anti-regime protests continue to sweep Iran and security forces struggle to contain them, Iranian officials are increasingly blaming one another and foreign enemies, laying bare growing fractures within the regime.
All eyes on Iran. Widespread protests in Iran. Call for freedom
pic.twitter.com/9ONJUsb8U9
— Masud Gharahkhani (@MasudGh) January 8, 2026
The nationwide protests, which began with a shopkeepers’ strike in Tehran last week, initially reflected public anger over the soaring cost of living, a deepening economic crisis, and the rial — Iran’s currency — plummeting to record lows amid renewed economic sanctions, with annual inflation near 40 percent.
Increasingly, however, the protests have turned against the government itself, with demonstrators shouting slogans against the regime.
For nearly two weeks, widespread demonstrations have shaken the Islamist regime, with violent clashes between protesters and security forces drawing international attention and increasing pressure on the government to refrain from using violence against peaceful demonstrators.
Khamenei last week accused “enemies of the Islamic Republic” of stoking unrest and warned that “rioters should be put in their place.” Then on Friday, he described the demonstrators as a “bunch of vandals” who were trying to “please” US President Donald Trump, vowing authorities will “not back down.”
Iranian rights group HRANA said on Friday it had documented the deaths of at least 62 people, including 14 security personnel and 48 protesters, since protests began on Dec. 28.
As regime forces intensify their crackdown on protesters and opposition figures in an effort to maintain stability, the government has cut internet access and telephone lines — a move experts warned could signal an imminent violent escalation — though videos of the demonstrations continue to circulate online.
This week, US Trump reiterated his threat to strike Iran if security forces kill protesters, warning that any violence against demonstrators would carry “serious consequences” for the regime.
“I have let them know that if they start killing people, which they tend to do during their riots … we’re going to hit them very hard,” Trump told radio host Hugh Hewitt.
According to the Norway-based Iran Human Rights NGO (IHRNGO), dozens of protesters, including eight children, have been killed since the protests began, with more than 340 demonstrations reported across all 31 of Iran’s provinces.
According to media reports and social media videos from Iran, anti-riot forces — including the Islamic Revolutionary Guard Corps (IRGC), the Basij militia, local police, and the army — have used violent tactics such as live fire, tear gas, and water cannons to suppress demonstrations.
In widely circulated social media videos, protesters can be heard chanting slogans such as “Death to the dictator” and “Khamenei will be toppled this year,” while also calling for Iranian President Masoud Pezeshkian to step down.
The ongoing demonstrations are the largest since the 2022 Woman, Life, Freedom uprising, which erupted nationwide after Mahsa Amini, a young Kurdish woman, died in a Tehran police station following her arrest for allegedly violating hijab rules, sparking calls for human rights and individual freedoms across Iran.
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Employees of Popular NYC Bakery Move to Unionize Over Company’s Support for Israel, ‘Zionist Projects’
A Breads Bakery location in New York City. Photo: ZUMA Press Wire via Reuters Connect
Staff members at the extremely popular New York City establishment Breads Bakery announced they are unionizing over working conditions, unfair wages, and the company’s support for Israel.
Over 30 percent of workers across the company’s locations in New York have signed authorization cards to join the newly formed Breaking Breads Union, which will be represented by United Auto Workers. They compared their hardships as staff members of the company to so-called “genocide” taking place in the Middle East and are demanding that the bakery sever all ties with Israel.
In a statement issued on Tuesday, the workers said they refuse to participate “in Zionist projects” such as fundraisers that support what they claim is Israel’s “occupation of Palestine.”
“We demand a future with a redistribution of profits, safer working conditions, more respect, and an end to this company’s support of the genocide happening in Palestine,” they previously said in statement released on Jan. 2. “We cannot and will not ignore the implicit and explicit support this bakery has for Israel. We see our struggles for fair pay, respect, and safety as connected to struggles against genocide and forces of exploitation around the world. There are deep cultural changes that need to happen here, and we need to see accountability from upper management.”
Staff members supporting the union said they delivered the same statement as a speech in front of the bakery’s owner and Israeli founder Gadi Peleg as well as its CEO, fellow Israeli Yonatan Floman, inside the bakery’s Union Square flagship location and also outside of the establishment.
The New York City bakery produces artisan, handmade breads and pastries, but is most famous for its babka. It has five locations across Manhattan, has been featured on television, and has done collaborations with high-profile figures including chefs and cookbook authors Martha Stewart, Padma Lakeshmi, Katie Lee Biegel, and Molly Yeh, as well as Israeli chef Ben Siman-Tov. The bakery regularly sells pastries or breads inspired by the Jewish holidays, such as Passover, Rosh Hashanah, Hanukkah, and Purim. It is reportedly a spinoff of a Tel Aviv bakery, and its menu includes challah, bourekas, and other traditional Jewish foods.
Following the deadly Hamas-led terrorist attack in Israel on Oct. 7, 2023, Breads Bakery launched a project called “Strand With Us,” in which they sold special heart-shaped challahs on Fridays and sent all profits to support Magen David Adom emergency medical services in Israel. The bakery raised more than $20,000 as part of the project. The company also donated its signature black-and-white cookies to a bake sale fundraiser that raised $27,000 to help a Tel Aviv-based organization preparing meals for displaced families and hospital workers in Israel. The bakery additionally sold cookies featuring the Israeli flag, according to Breaking Breads, and annually participates in the Great Nosh, a Jewish food festival on Governor’s Island that is supported by some pro-Israel groups that donate to the Israel Defense Forces (IDF).
In November 2023, one location of Breads Bakery in Manhattan was vandalized after someone spray-painted with red graffiti the message “Free Gaza” on the store’s window.
In a statement on Wednesday, Breads Bakery said it is concerned about “divisive political issues” in its bakeries.
“Breads Bakery is built on love and genuine care for our team. We make babka, we don’t engage in politics. We celebrate peace and embrace people of all cultures and beliefs,” the company said. “We’ve always been a workplace where people of all backgrounds and viewpoints can come together around a shared purpose, the joy found at a bakery, and we find it troubling that divisive political issues are being introduced into our workplace.”
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Emma Goldman, superstar? The Jewish anarchist has a surprising role to play in American musical theater
Lately I’ve been thinking about Emma Goldman, the Russian-born Jewish anarchist who attracted droves of followers in her 30-plus years in the United States. I’ve not really been focused on her place in history writ large, more her surprisingly robust soap box in the world of musical theater. For all her import to the American left, on Broadway she’s mostly a bit part. And that bothers me.
Lynn Ahrens and Stephen Flaherty’s Ragtime, now in a lauded revival at Lincoln Center, devotes a song to her 1906 speech at Union Square. From there she interprets the subtext of a meeting between the WASPy, rich character “Younger Brother” and Black pianist Coalhouse Walker Jr. As a featured player, minus ensemble numbers, she’s in the mix for less than 10 minutes — she features more in E.L. Doctorow’s novel.
When I saw the Encores production at New York’s City Center last year, I remembered that Goldman has a cameo in Stephen Sondheim’s Assassins; in a brief encounter that would later haunt her, she hands a pamphlet to William McKinley’s future assassin Leon Czolgosz. Her role there, played by a member of the ensemble who doubles other parts, is even smaller.
While on vacation in Colorado over New Year’s (I skied; the chair lift conked me in the head), I got an email about an upcoming production of a chamber opera called E.G.: A Musical Portrait of Emma Goldman. I had to know more. Was she finally getting her due?
The piece, which began performances at Theater for the New City on Jan. 8, is by composer Leonard Lehrman and librettist Karen Ruoff Kramer. It’s actually not new at all, just the most recent production of a story they’ve been telling — or gospel they’ve been spreading — for over 40 years. To date they’ve presented the piece, together with educational slides, in five countries, at universities and synagogues, for groups like the Workers Circle and to mark important anniversaries, like the centennial of the Haymarket Riot that helped radicalize Goldman. They believe the work is more topical than ever.
“She’s talking about how war drains the economy from everything else, and militarism, to stay alive, will look for an enemy or even create one artificially,” said Lehrman, whose piece features him on piano and acting as Goldman’s lover, friend and partner Alexander Berkman. (Caryn Hartglass plays the title role.)
“It’s happening right now,” added Lehrman, “the creation of an enemy in order to distract from domestic failure.”
Lehrman and Kramer began work on the musical in 1984, first basing it on historian Howard Zinn’s play Emma. As the pair researched Goldman’s life, the story took a different tack. The pair met as expats in Germany, and, given that connection, gravitated toward her life in exile, which began in 1919 when the U.S. deported her as a radical “alien.” The action of the piece tells her life story through the various parts of a visa application she filled out from St. Tropez in 1933. (The section on the form for “name” deals with identity and her marriages for which she took other surnames; for “sex” she offers the Austin Powers “Yes, please” — though Lehrman and Kramer wrote it first — and goes on like that, even covering her 1916 arrest at the Forward building for giving a talk about birth control.)
“I need America,” she says in the opening moments. “And I need to know: Does America need me now?”
It makes a certain sense for Goldman to express her ideas through song. Les Miserables, if nothing else, has shown the anthemic potential of staging a revolution. (Its signature anthem shows up in real-world protests with some regularity.)
Goldman is credited with saying, “If I can’t dance, it’s not my revolution,” a quotable that gets its own number in Lehrman’s musical. Speaking over Zoom, Lehrman wore a shirt with those words and a portrait of Goldman.
Lehrman noted that in addition to his opera, there are two other ones about Goldman they know of — one by Elaine Fine, made in collaboration with Zinn, and another by Canadian composer Gary Kulesha.
Given her radical bona fides and thoughts about capitalism, some may wonder if Goldman might clash with the format of musical drama. We don’t have too much to go on for musicals, as the form as we now know it arguably wasn’t established until around 13 years before her death, with Showboat (it debuted in 1927, after her deportation; one suspects she would approve of how it addressed racial prejudice).
In her time, opera for the bourgeois and Vaudeville for the masses were popular musical entertainment. While Goldman turned down offers to appear on Vaudeville stages, Samantha M. Cooper, professor of Jewish Studies at the University of Kansas, observed in a 2023 lecture, Goldman was a fan — if also a critic — of opera, writing about it with some frequency in her magazine Mother Earth, and even in a lecture notes in admiration of Richard Wagner.
Cooper argues that perhaps Goldman’s most pivotal reference to opera comes in her memoir, Living My Life. In it Goldman recounts how, after watching a performance of Carmen at the Met, her mentor Johann Most asked her to recall her first experience at the opera in Königsberg.
She vividly recounted seeing Il trovatore as a school girl, where she “first realized the ecstasy music could create in me.” Hearing her impassioned reflection, Most told Goldman she had talent and must “begin soon to recite and speak in public.”
“He grinned and emptied his glass to my ‘first public speech,’” Goldman recalled.
Could it be that we have opera, then, to thank for Emma Goldman’s oratory, and so, her future presence in musicals?
E.G. makes clear that the firebrand activist is not so uni-dimensional as Ragtime and Assassins make her seem. Her life was limned with contradictions. She enjoyed the finer things — and also railed against fatcat industrialists up to the point of attempted murder.
Drawing from letters historian Candace Falk found in the back of a record store — the owner showed them to her when she learned her dog was named “Red Emma Goldman” — Lehrman and Kramer’s piece reveals Goldman as a sexual creature with a biting wit. And it makes the case that while she was condemned to a life away from America for her so-called subversion, she was nonetheless a patriot.
“It’s important that people see that there was a courageous way of being very much American that was not the same thing as just buckling under when McCarthy comes and says, ‘You guys have to shut up now,’” said Kramer.
Though the portrait in E.G. makes for a more comprehensive profile than the one now at Lincoln Center, it also presents something larger in its invitation to consider her legacy.
“E.G. means ‘For example, take this example,’” said Kramer. “Not in the sense of cloning Emma in all respects, but certainly the insistence on understanding and the courage to push for things that are right, even if they’re not popular, and that others should do that too.”
In the canon of musical theater, there are many examples to choose from. I like the one who dances. Sign me up for a shirt.
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