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‘An epidemic of hate’: Biden administration officials meet with Jewish leaders to tackle rising antisemitism
WASHINGTON (JTA) — Top Biden administration officials launched a roundtable on antisemitism on Wednesday by describing a “rising tide of antisemitism” and likening the atmosphere in the United States to that of Europe, where Jewish worship is held under lock and key.
“Right now, there is an epidemic of hate facing our country,” said Douglas Emhoff, the Jewish second gentleman, who convened and chaired the 90-minute session.
Jewish officials represented at the meeting were impressed by how comprehensive the meeting was, saying it went beyond the white supremacist threat that the Biden administration has focused on in the past to other sources, among them attackers who target the visibly Orthodox and Jewish students on campuses.
The meeting in the Eisenhower Executive Office Building, adjacent to the White House, comes on the heels of weeks of antisemitic invective spewed by rapper Kanye West, who now goes by Ye, and the dinner attended last month by West, Holocaust denier Nick Fuentes and former President Donald Trump at Trump’s Florida residence. The discussion also follows alarming spikes in antisemitic invective on Twitter and other platforms.
“In my experience, there’s nothing more vicious than what we’re seeing today,” said Susan Rice, President Joe Biden’s top domestic policy adviser, who described growing up in a heavily Jewish neighborhood in Washington, D.C.
Ten years ago, Rice said, when she was defending Israel against its many enemies as the U.S. ambassador to the United Nations, she did not imagine a threat to Jews domestically. Now she says she hears antisemitic expressions coming from elected officials, public figures and entertainers, calling it an “incredible rising tide.”
Deborah Lipstadt, the State Department envoy to monitor antisemitism, said she no longer has the luxury of her predecessors, who traveled abroad to assess antisemitism in foreign countries. Now, she said, she had to treat the problem as a domestic and a foreign one.
“I can’t go to these countries and say ‘You have a problem,’” she said. “Now I have to say ‘We have a serious problem.’”
After multiple attacks on synagogues stateside in recent years, she said, Jewish places of worship were becoming more visibly fortified than they were for years when security, if it existed, was unobtrusive and synagogues were welcoming.
“For decades, when we traveled in Europe, we used to identify synagogues by gendarmes,” she said. “Now we see police cars, now we lock the doors in the United States.”
The Kanye West episodes evidently helped spur the convening of the meeting. George Selim, the Anti-Defamation League senior vice president who was present, said the meeting came together within a week, unlike similar events which can take months to organize.
“The urgency was clear, the meeting needed to be convened, it needed to be in person,” he told the Jewish Telegraphic Agency in an interview.
Representatives of the dozen or so groups that attended were impressed by the level of attention: in addition to Emhoff, Rice and Lipstadt, there were officials from the National Security Council, the Officer of Public Engagement, and the Office of Faith-based Partnerships.
The representatives were impressed by how personal Emhoff, who is married to Vice President Kamala Harris, made the battle. He described how moved he has been by American Jews who are proud of him — the first Jewish spouse of a president or vice president. “I’m in pain right now, our community is in pain,” he said.
Emhoff’s unabashed identification with the Jewish community helped elevate the issue of combating antisemitism, said Rabbi Levi Shemtov, the executive vice president of American Friends of Lubavitch (Chabad).
“He and I might see Jewish ritual and practice a little differently. But one thing Jewish people will remember forever in our history is that when the time came for him to make his decision, he decided to identify unequivocally as a Jew,” Shemtov said.
Amy Spitalnick, the executive director of Integrity First for America, the group that underwrote successful lawsuits against the neo-Nazis who organized the deadly 2017 march in Charlottesville, Virginia, said the officials closely listened to every presentation. (The media was present for opening remarks by government officials, and was ushered out so the representatives of Jewish groups could speak freely.)
“We were watching them take copious notes, they were genuinely listening,” she told JTA.
The range of invitees and the topics addressed also extended beyond the threat posed to Jews from the extreme right, an area that has until now been the Biden administration’s focus, through a summit on extremism in September and a speech Biden gave in Philadelphia last summer.
Speakers addressed antisemitic attacks on the visibly Orthodox which, particularly in the New York area, are most often not carried out by white supremacists. And there were officials from at least three groups that represent the visibly Orthodox: The Orthodox Union, which is Modern Orthodox, along with Agudath Israel of America and American Friends of Lubavitch (Chabad), which are haredi Orthodox.
Speakers also were sensitive to the plight of Jewish students on college campuses, who often face hostility from peers whose sharp criticism of Israel can sometimes manifest as antisemitism.
“On college campuses, the supposed bastions of liberal ideas and ideals, many students believe it better to camouflage their Jewish identity,” Lipstadt said. One of the speakers was Julia Jassey, a senior at the University of Chicago who is the CEO of Jewish on Campus, a student group that tracks antisemitism on campuses.
The Jewish participants said they benefited from hearing how others experienced antisemitism. Abba Cohen, Aguda’s Washington director, said he found receptive listeners when he described an increased effort by local councils to limit the building of Orthodox communities. He and Nathan Diament, the Washington director of the Orthodox Union, also described the threat to the visibly Orthodox.
Their accounts moved others present who do not live the Orthodox lifestyle. “We all have different experiences with antisemitism and clearly for someone who’s Orthodox, it might feel different than for someone who’s not,” said Sheila Katz, the CEO of the National Council of Jewish Women.
Katz said the meeting was a relief because she often has difficulty explaining to her progressive allies why antisemitism persists as a threat.
“I feel like in the last, you know, year, I’ve been saying over and over again, this is getting worse. This is getting amplified, people are emboldened,” she said. “And there are a lot, particularly in the progressive community that would say, ‘No, no, that’s not what’s happening.’”
Some practical proposals were discussed, including a letter this week from a bipartisan slate of lawmakers advocating for a cross-agency “whole of government” task force to combat antisemitism, and an expansion of federal funding that currently underwrites security upgrades for Jewish institutions to include paying for extra police patrols.
The meeting did not result in concrete decisions, but participants said they left with the impression that the federal government was ready to dive deep into finding practicable solutions.
“For me, this is not the end. This is just the beginning of this conversation,” Emhoff said.
Other groups represented included the American Jewish Committee, Hillel International, the Jewish Federations of North America, the Reform and Conservative movements, and Secure Community Network, the security consultancy for the Jewish community.
“It sends a very important message that the sort of rampant antisemitism we’re seeing is unacceptable and that the highest office in the country is doing something about it,” Spitalnick said.
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The play is about Birthright, but it’s about a lot more than Israel
Towards the end of Birthright, a new play that just made its New York City debut at the MCC Theatre, two characters are arguing over Israel and Zionism in the wake of Oct. 7. The talking points will be familiar to anyone who’s been ensconced in the discourse of the past few years: Izzy says that Zionism is and has always been a colonialist project, and Chaya blames the conflict on Palestinian leaders who rejected early two-state solutions.
As they argue, each is frantically Googling; their phone screens are projected onto the walls of the set. We can see the chasm between their echo chambers: Izzy goes to the Jewish Voice for Peace website, Chaya to The Jerusalem Post. Each time they focus on their own screen, the sound of the argument becomes muffled and indistinct until they resurface to throw a new piece of evidence into the conversation.
It’s a clever piece of production magic that effectively drives home the schism over Israel in the Jewish world, and our inability to hear each other.
Birthright, commissioned by Miami New Drama from Tony Award-winning playwright Jonathan Spector and here directed by Teddy Bergman, is nominally about the eponymous free trip to Israel. But really it’s about a group of six friends that formed on the trip, and their personal journeys — through Judaism, and through life — as the somewhat motley crew diverges and reconnects over the years.
The show is a long one, three and a half hours once you include its two intermissions. Each act depicts a single night, spaced over the course of nearly two decades — first, right after they’ve returned from their trip to Israel in 2006, then in their early 30s as their careers are taking off in 2016, and finally a year after Oct. 7. While the runtime is admittedly long, it allows for well-developed characters, which are essential to approaching such a touchy topic with any nuance, and the fast-paced dialogue keeps things moving briskly. (A reasonable helping of humor, including a Kanye reference in every act, doesn’t hurt.)
And the show does manage an astonishing amount of subtlety for a topic that has become so factionalized. The characters represent a reasonably diverse range of Jewish thought and experience, though certainly leaves some out. (There are no Jews of color or converts, for example, and no true right-wing hawks.)
There’s Chaya (Zoe Winters, best known as Logan Roy’s secretary and mistress on Succession), who grew up Conservadox, but spent college rushing a sorority and dyeing her hair blonde; she ends up working for the Democratic establishment. Noah (Eli Gelb, Tony-nominated for Stereophonic) is a political wonk with a Facebook-addled dad prone to right-wing conspiracy theories. Izzy (Molly Bernard), a queer Jew who eschewed law school, has worked on the Jewish left long before it became buzzy. Lev (Hale Appleman), a lost soul wanderer with a penchant for Jewish philosophy — he name-drops Abraham Joshua Heschel’s The Sabbath and Yosef Yerushalmi’s Zakhor — has family who survived the Holocaust. Alona (Molly Ranson), a sociology PhD who fell for an IDF soldier on the trip, eventually marries an Israeli and moves to Tel Aviv. And Emerson (Nate Mann), a musician, is barely aware that he’s Jewish when he lands on their trip half by accident.
This long summary represents only a smidgen of the events in the group’s lives. The play makes sharp use of production gimmicks, opening the second and third acts by projecting a montage of messages, summarizing the events of the group’s intervening years — and also cleverly reminding us of the quirks of bygone eras. Before the second act, we see wedding invitations and job announcements sent out by email, and then newborn photos posted on Facebook. Before the third, there are group chats on iMessage and then Whatsapp, where we see more birth announcements. Later, they exchange articles about the Israel-Hamas war.
This glut of information is how the show achieves its depth. On paper, one could slot some of these characters into obvious archetypes: The Zionist who makes aliyah, the queer anti-Zionist activist who has made politics her whole identity, the centrist liberal who staunchly supports Israel. But every character has real depth and pathos, and none of the action plays out to its stereotypical end.
When someone asks Izzy, the JVP-type activist, why she hates Israel so much, she doesn’t list out its sins; instead, she’s affronted. “I don’t hate Israel. I love it,” she says. “What it could be at its best.” She doesn’t believe she’s fighting against the nation, but for it.
Meanwhile, Alona, who made aliyah, does not launch into a speech about how Hamas has to be eradicated before the war can end; Bibi, the rest of the Israeli government and settlers, she says, are just as much of a “cancer” as any terrorist group.
Though the political discussions are impressively nuanced, Birthright finds its true success in spending as much time on the rest of the characters’ lives as it does on their political stances. There are the complications of falling for a non-Jewish partner. The ways having children changes life in inalterable ways. Divorces. Substance abuse. The way a dream career can still disappoint. For a topic that is so often turned into a polemic, the play takes a broader view.
In presenting stories of real, believable Jewish lives that are not solely defined by their Judaism, the play demonstrates that Jewishness doesn’t mean just one thing to anyone. Instead, it explores the ways Jewish identity layers on, mingles with and sometimes challenges the rest of one’s choices, values and beliefs.
There are views left out of Birthright, to be sure. No one is right wing (the characters call their group “BirthLeft”), and in the first act they all make fun of their trip as a way to get Jewish kids laid. No one is truly hawkish about the war; in the first act, the characters make fun of George W. Bush and fantasize about working on Democratic campaigns. No one is making an argument, as plenty of people have in the past few years, that Palestinians should be exiled from Gaza or deserve to die.
But the overall point can apply equally: Judaism, and Israel, is not one clear thing. There’s no perfect answer. We aren’t all supposed to agree — but that doesn’t have to tear us apart. It’s a simple message, but one that is hard to believe these days; Birthright makes it feel tangible.
As Lev says when considering their Birthright trip, and his confused feelings about it. “History, Jewish history, it’s never been a straight line, and it’s never meant only one fixed thing. It’s more a thing you interpret, that you find meaning in.”
The new play Birthright is playing at the MCC Theater in Manhattan through Jul 26, 2026.
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New York Times hires Atlantic’s Yair Rosenberg to cover Jewish American life
(JTA) — The New York Times has hired Atlantic staff writer Yair Rosenberg to launch a national beat covering Jewish American life, bringing a widely known journalist on antisemitism and Jewish affairs to a newspaper whose coverage of Israel and the Jewish community has been under unusually intense scrutiny since the Oct. 7, 2023, Hamas attack.
The appointment, announced Monday by National Editor Nestor Ramos, creates a dedicated beat focused on American Jews at a moment when questions of antisemitism, Israel, religious identity and political polarization have moved to the center of public debate.
It is the first time that the newspaper, published in the city with the world’s largest Jewish population, has a beat dedicated to Jews.
“Over the course of 15 years chronicling Jewish life in America and abroad, Yair has taken on the biggest, thorniest stories on the beat,” Ramos wrote in a memo to staff. “Now, Yair will bring that boundless energy and deep expertise to a new religion beat on National focused on Jewish American life, chronicling a period of extraordinary tension but also possibility and reinvention.”
The move brings Rosenberg to a publication that he has occasionally criticized for its coverage of Jewish affairs, but without echoing some critics’ charges of institutional bias.
For the past five years Rosenberg has written The Atlantic’s “Deep Shtetl” newsletter, blending coverage of antisemitism, American politics and Jewish culture with essays on history, religion and popular culture. Before joining The Atlantic in 2021, he spent nearly a decade at Tablet, a magazine of Jewish affairs.
Over the years, Rosenberg has broken or advanced reporting on online extremism and antisemitism while also becoming known for explaining Jewish issues to a broad audience. His work has ranged from investigations into antisemitic disinformation networks to historical features. He has written about antisemitism on the far left and on the Republican right.
During the 2016 presidential campaign, an Anti-Defamation League study found Rosenberg was among the Jewish journalists most frequently targeted with antisemitic abuse on Twitter. Rosenberg became known for responding publicly to trolls and for developing technological tools — including an “Impostor Buster” bot — designed to expose white supremacists posing online as minorities in order to inflame social tensions. The effort drew widespread attention before Twitter eventually suspended the tool.
He later described those experiences in a New York Times guest essay titled “Confessions of a Digital Nazi Hunter,” and has remained a frequent public speaker on combating online hate while preserving free expression.
Ramos’s announcement emphasized that Rosenberg’s beat would extend beyond antisemitism.
“Yair knows better than most that these fraught moments are not all that define Jewish life today—not even close,” Ramos wrote, citing stories on Hanukkah traditions, Jewish representation in popular culture and other facets of American Jewish life.
The Times, through a spokesman, declined to comment beyond Monday’s announcement. Rosenberg did not respond to a request for an interview by press time.
The hire comes as The New York Times continues to navigate a complicated relationship with many Jewish readers.
For decades the newspaper has occupied an outsized place in American Jewish public life, employing prominent Jewish reporters and editors while producing influential coverage of religion, Israel and antisemitism. Yet the newspaper has also faced sustained criticism from parts of the Jewish community over its Israel coverage, criticism that intensified after Oct. 7 and the subsequent war in Gaza.
Media watchdog organizations, some Jewish communal leaders and a number of current and former journalists have accused the Times of factual errors, headline framing and insufficient skepticism toward claims made by Hamas officials in some early coverage of the conflict.
A May 2026 column by Nicholas Kristof, alleging systemic sexual violence by Israeli authorities against Palestinian detainees, was widely criticized for amplifying unverified claims and platforming biased sources. The Times stood by Kristof’s column in an editorial note.
Defenders of the Times argue that accusations of institutional anti-Israel bias often conflate disagreement over editorial judgments with evidence of systemic prejudice.
At Tablet and The Atlantic, Rosenberg occasionally criticized aspects of the Times’ reporting on both Israel and antisemitism. In a 2018 Tablet article he criticized The New York Times Book Review for offering a platform for the novelist Alice Walker to recommend a book by the English author David Icke that was heavily saturated in antisemitic conspiracy theories.
The next year he called out the Times for a profile of former CIA officer and would-be congressional candidate Valerie Plame that failed to mention her history of tweets sharing antisemitic theories. He has also regretted that the Times in 1937 dropped its subscription to the Jewish Telegraphic Agency syndication service because of the perception at the time that JTA’s coverage of Nazi Europe was alarmist.
Unlike some Jewish media watchdog groups, however, Rosenberg has not argued that the Times is institutionally or inherently biased against Israel or Jews. Against that backdrop, Rosenberg’s hiring is likely to be watched closely by Jewish readers across the political spectrum.
According to Ramos, Rosenberg will begin work July 20 and will be based in New York while traveling nationally for the beat.
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Canadian Museum for Human Rights opens ‘Nakba’ exhibit amid pushback from Jewish leaders
(JTA) — After weeks of backlash from Jewish groups and leaders, the Canadian Museum for Human Rights this weekend opened its exhibit on the Nakba, the narrative of Palestinian defeat and displacement upon Israel’s founding.
The Winnipeg, Manitoba, exhibit is called “Palestine Uprooted: Nakba Past and Present” and features photography, poetry and everyday objects that document the experience of Palestinian-Canadians impacted by the Nakba. Palestinians use the term, meaning “catastrophe,” to describe their mass displacement upon Israel’s establishment.
The exhibit has drawn fierce condemnation from some Jewish groups, including the Centre for Israel and Jewish Affairs.
“Materials that are one-sided and driven by a political agenda can contribute to discrimination, bullying and even assault targeting Jewish students,” the group wrote in a post on X last week. “The federal government must hold the CMHR’s leadership accountable for this egregious mishandling.”
The museum’s only Jewish board member, Mark Berlin, was upset enough by the exhibit to resign.
“Because the museum chooses to proceed with this exhibit in its present form despite repeated concerns raised by myself and members of the mainstream Jewish community and others seeking a more balanced and historically complete presentation, I can no longer, in good conscience continue to serve as a Trustee,” Berlin wrote in a resignation letter dated June 22.
In the letter, Berlin argues that the exhibit omits the context that “hundreds of thousands of Jews from Arab lands” were also displaced during the 1948 Arab-Israeli war.
“A story detached from the surrounding factual details is not the truth, it is just a story,” Berlin continued. “The museum has a statutory and moral obligation to tell the full truth, not to sacrifice it at the altar of politics.”
The museum has vigorously defended the exhibit. In a statement to the Jewish Telegraphic Agency, Isha Khan, the CEO of the museum, said that “focusing in this one exhibit on the human violations faced by of Palestinian Canadians does not negate the human rights violations faced by Jewish people.”
“Sharing the stories of one community in no way minimizes the experiences of another,” Khan continued.
Khan added that the exhibit had drawn “both criticism and support from Jewish Canadians.”
Several progressive Jewish groups in Canada, including Independent Jewish Voices, the Jewish Faculty Network, and United Jewish Peoples’ Order, defended the exhibit in a joint statement Thursday, writing that it was the “result of dedication, persistence, care and advocacy, especially from the Palestinian Canadian community.”
“We are proud to celebrate a Canadian institution that has remained steadfast in the face of unfounded criticism and pressure and chose to move forward with integrity,” the statement continued. “We hope this historic opening, and the ongoing inclusion of the exhibition in the Museum, encourages learning, reflection and action.”
The dispute over the exhibit comes as Jews in Canada have faced a spate of antisemitic attacks in recent months, including in March, when shots were fired at three Toronto-area synagogues. In 2025, there were 6,800 antisemitic incidents in Canada, marking a 9% rise from 2024, according to B’nai Brith’s annual audit of antisemitic incidents.
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