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An NYU student wrote ‘F–k Israel’ on a piece of trash. Is that antisemitism or freedom of speech?
(New York Jewish Week) — New York University is investigating a graduate student working at the school library who wrote “Free Palestine” and a profanity on an Israeli mail bag left in the trash.
The university accused Naye Idriss in November 2022 of alleged antisemitism and vandalism, according to her attorney. Idriss was informed that she was being investigated for allegedly violating the non-discrimination policy in the student conduct code.
Dylan Saba, who is representing the student through Palestine Legal, a civil rights group, also said that the university sent an email to library staff saying that there was “an anti-Israel incident.” Another email stated that there was “an alleged antisemitism incident.”
In December, Idriss, who was one of three Arabic language students working at the library, was not rehired with her peers.
Photographs show a bag bearing the logo of Israel’s postal service, with the word “F–k” written next to the word Israel and “Free Palestine” scrawled on the side. The bag appears to have been shipped from an Israeli vendor in July 2022 before being tossed in a recycling bin.
The incident was first reported by the online news publication Electronic Intifada on Monday.
Idriss did not respond to a request for a comment, but NYU spokesperson John Beckman confirmed to the New York Jewish Week that the university is looking into the incident.
“Beyond acknowledging that there was an incident that involved the writing of profanity in the library, and that various appropriate NYU offices have looked into the matter and responded to it, I cannot elaborate because it is NYU’s practice not to comment on the specifics of individual employee or student matters,” Beckman said.
NYU had initially classified the investigation as a student conduct issue, which would not have entitled Idriss to union representation. Because the incident occurred at work, Idriss has the right to have a union representative present in any workplace disciplinary proceeding, Saba told the Electronic Intifada. After the union intervened, the investigation led to a hearing with NYU’s human resources department.
#StudentSpotlight Naye Idriss was born and raised in Beirut, Lebanon and graduated from @Columbia with a BA in Anthropology and Comparative Literature and Society in May 2020. pic.twitter.com/YdSk8Z8WTG
— NYU Kevorkian Center (@nyukevo) November 23, 2021
“They have not dismissed the antisemitism charge,” Saba said. “They just haven’t moved forward with it.”
He added in written statement to the New York Jewish Week: “This is very clearly an example of repression from NYU in response to continuous pressure from outside Zionist organizations to silence pro-Palestinian political speech.”
Tova Benjamin, a steward and organizer with the Union for Graduate Workers at NYU, also confirmed to the New York Jewish that the union has been representing Idriss during NYU’s investigation, but would not comment any further.
Saba told the New York Jewish Week that the proceeding “has been on pause while the HR process proceeds to a resolution.”
On Monday, the aggressive watchdog group Stop Antisemitism tweeted Idriss’ face and details about her education and place of birth to over 60,000 followers online.
“I hope she gets suspended,”one person commented.
“Throw her azz in jail,” another wrote.
NYU’s Bronfman Center for Jewish Life, the campus Hillel, declined to comment.
Jewish groups have complained in the recent past about incidents at NYU they call antisemitic. In 2020, following complaints that NYU hadn’t done enough to prevent “a hostile environment” for Jews on the campus, the U.S. Education Department and NYU reached an agreement under which the university agreed to “bolster our longstanding commitment to opposing and responding to antisemitism,” a university spokesman said at the time.
In April 2022, a pro-Palestinian law student group sent out an email chain saying, among other things, “the Zionist grip on the media is omnipresent.” Like the mailbag incident, the email prompted a debate over what is legitimate and protected criticism of Israel, however harsh, and what constitutes hate speech.
Alex Morey, a lawyer and director of campus rights advocacy at the Foundation for Individual Rights and Expression, a non-partisan organization that defends free speech on campus, told the New York Jewish Week that this seems to be the first case he’s seen where “a student is using garbage as their medium of expression.”
“But free speech principles protect all manner of written expression, whether you’re putting your views on a protest sign or a piece of trash,” Morey said.
Morey added that “you can’t vandalize garbage.”
“Vandalism requires damaging someone else’s property, and garbage, by nature, belongs to no one,” Morey said. “When the student took the bag from the trash, it became hers to use as she saw fit. Reportedly, the bag was in a recycling container. She was, arguably, recycling it.”
NYU’s student conduct policy says that the campus community “thrives on debate and dissent,” and that “free inquiry, free expression, and free association enhances academic freedom and intellectual engagement.”
“Any student reading this promise should feel confident expressing even the most controversial views in creative ways on campus,” Morey said.
Still, Morey noted that speech that rises to the level of a threat or discriminatory harassment should be punished, but proving that can have “high legal bars.”
“Simply holding or expressing an anti-Israel view, whether one defines it as antisemitic or not, doesn’t get close to meeting these standards,” Morey said. “In other words: NYU not only allows but encourages students to express all sorts of controversial views on campus, even if some people deem those views antisemitic.’”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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