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Antisemitism-themed ‘Leopoldstadt’ and ‘Parade’ are big Tony Awards winners
(JTA) – Broadway made a statement about antisemitism Sunday evening, as two high-profile shows on the subject this season — the play “Leopoldstadt” and the musical revival “Parade” — pulled in multiple major Tony awards.
Some of the shows’ honorees, in turn, made statements of their own linking hatred of Jews with other forms of hatred, including homophobia and anti-transgender sentiment at a time when trans inclusion is under attack in many places.
“Leopoldstadt,” Tom Stoppard’s epic semi-autobiographical play about three generations of a Viennese Jewish family before and after the Holocaust, won four of the six Tonys for which it was nominated, including best play. (It was Stoppard’s fifth Tony, coming 55 years after his first, for “Rosencrantz and Guildenstern are Dead.”)
The “Leopoldstadt” actor Brandon Uranowitz, the only member of the play’s large cast to receive an acting nomination, won for featured actor in a play and thanked Stoppard for writing a show about antisemitism and “the false promise of assimilation.” He noted that members of his family were murdered by the Nazis in Poland.
Uranowitz, who is gay, ended with a plea to parents: “When your child tells you who they are, believe them.”
“Parade,” about the 1915 lynching of American Jew Leo Frank, won two prizes, including best revival of a musical. Alfred Uhry, who wrote the book to the original 1998 production of “Parade,” wore a Star of David lapel pin when he came up to accept the award for best revival.
Michael Arden, the show’s director, noted in his speech that Leo Frank had “a life that was cut short at the hands of the belief that one group of people is more or less valuable than another,” which he noted is “at the core of antisemitism, of white supremacy, of homophobia, of transphobia, of intolerance of any kind.”
Arden warned the crowd to learn the lessons of the show, “or else we are doomed to repeat the horrors of our history.” He concluded his speech with an expletive, bleeped out by the telecast, as he voiced his support of trans and nonbinary youth.
While “Parade” took the top prize, as well as best director of a musical, its Jewish stars Ben Platt and Micaela Diamond both lost out in their categories — Platt to “Some Like It Hot” star J. Harrison Ghee, and Diamond to “Kimberly Akimbo” star Victoria Clark. But Platt and Diamond did share a moment onstage, performing the “Parade” number “This Is Not Over Yet” in character as an imprisoned Frank and his wife Lucille.
The non-Jewish actor Sean Hayes won best actor in a play for his role as Oscar Levant, the real-life Jewish concert pianist, actor and entertainer who had lifelong struggles with mental illness, in “Good Night, Oscar.”
“This has got to be the first time an Oscar won a Tony,” Hayes quipped, adding that Levant’s “wit and irascibility and virtuosity is not only inspirational but a true original.”
There were several other Jewish moments at the show. Jewish Broadway legends John Kander (96 years old) and Joel Grey (91 years old) received the evening’s lifetime achievement awards, with Grey’s actress daughter Jennifer Grey presenting him with his honor. Among the pair’s many achievements: Kander composed and Grey starred in “Cabaret,” a musical set in Weimar-era Germany, and Grey mounted the recent successful Yiddish-language revival of “Fiddler on the Roof.” Kander is also the composer behind “New York, New York,” a new show whose musician characters include a Jewish refugee from Nazi-occupied Poland.
Miriam Silverman won the featured actress in a play award for her role in “The Sign in Sidney Brustein’s Window,” a revival of a long-overlooked Lorraine Hansberry play about a Jewish bohemian couple in 1960s Greenwich Village.
Lea Michele, despite not being eligible for a Tony for taking over for Beanie Feldstein in “Funny Girl,” performed her signature tune from the show about the Jewish comedian Fanny Brice. “A Beautiful Noise,” a biographical jukebox musical about chart-topping Jewish pop crooner Neil Diamond, also snuck in a performance of “Sweet Caroline” despite not being nominated for anything. The crowd gamely sang along.
And an unexpected Jewish shoutout came near the end of the ceremony, when the cast of the musical comedy “Shucked,” a show about corn, performed a song instructing viewers about the many places where the vegetable can be enjoyed. Among the options: “Bring it to a bris!”
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America’s oldest synagogue closed. Then an unlikely group tended its cemetery.
In 1833, Herald of the Times, a Newport, Rhode Island, newspaper, reported that the remains of Mrs. Rebecca Lopez had been brought from New York by steamboat and placed inside Touro Synagogue.
Dedicated in 1763, the building is now recognized as the nation’s oldest surviving synagogue. Newport had once been home to a thriving colonial Jewish community, but after the Revolutionary War and the city’s economic decline, that community had largely faded. The cemetery remained, and so did the synagogue. It was during that long interval of near-absence that Lopez’s funeral briefly reopened Jewish ritual life in Newport.
After prayers were read by Rabbi Isaac Seixas of New York, the body was carried to the cemetery on Touro Street, with “the clergy, town council, and a numerous concourse of spectators” joining the funeral procession. The paper noted that a Jewish ceremony had not been performed there “for the space of forty years.”
Newport’s Jewish burial ground dated to 1677. In 1822, Abraham Touro left money for the upkeep of the cemetery, the synagogue, and the street on which they stood. The fund was placed under trustees appointed by the Rhode Island legislature, and Newport’s Town Council was later authorized to use the interest for repairs.
While Newport’s Jewish population declined, the endowment ensured that the synagogue building and cemetery grounds continued to be maintained. In 1826, the Town Council reported that it had tried to repair the synagogue using the Touro fund, but could not proceed because it had not been able to obtain the keys from Shearith Israel in New York. Many of Newport’s former Jewish residents had relocated there, and the congregations had longstanding ties.
In 1842, the council contracted to enclose the synagogue lot with a substantial stone wall and an ornamental cast-iron fence, modeled on the fence around the Jewish cemetery. The work included a Quincy granite base and a gateway on Touro Street designed to correspond with the synagogue’s portico. The project cost $6,835.
The synagogue’s doors rarely opened, and often only for moments of mourning. In June 1854, Newport received the body of Judah Touro, one of the most prominent American Jews of his era, a native of the town and brother of Abraham Touro. The Herald of the Times reported that “the streets was [sic] crowded with people, the stores all closed, and the bells tolled.”
The City Council assembled at City Hall and marched in procession to the synagogue, where “thousands remained outside” during the service. At the funeral, Newport’s mayor, William C. Cozzens, spoke of the trust that had long existed between the city and local Jewish families, recalling that the synagogue and cemetery had been left in Newport’s care and maintained there “with ample means for their preservation.”
When Henry Wadsworth Longfellow visited Newport’s Jewish cemetery that same year, he wrote of the graves as “silent beside the never-silent waves.” He noticed, too, what endured there: “Gone are the living, but the dead remain,” he observed, “and not neglected.”
Newport’s preservation of Jewish sacred space was shared. Jews endowed these places and returned to bury their dead there. Christian officials repaired, protected, and publicly honored them. In this way, a Jewish inheritance was carried forward until communal life returned.
In 1883, Touro Synagogue was rededicated and a new Jewish community established in Newport. But even in the window of years when the congregation was gone, the dead were not abandoned.
The graves were kept.
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Milwaukee rabbi and son ordered to pay $1,000 to muralist who reportedly praised Hamas in court
(JTA) — A retired rabbi and his son were sentenced Wednesday in Milwaukee for having destroyed a local mural in 2024 that depicted the Star of David transforming into a swastika.
Rabbi Peter and Zechariah “Zee” Mehler were ordered to pay $1,000 total in restitution to Ihsan Atta, the property owner who had put up the mural. Peter, who pleaded no contest to a misdemeanor charge for criminal damage, was also fined $50, while Zee, who had pleaded guilty in December, was given a withheld sentence of 25 hours of community service.
The sentencing hearing took another turn when Atta, who is Palestinian, praised Hamas and walked out of the courtroom before being brought back in by deputies to finish the proceedings, according to local news reporters who were present. A transcript of the exchange could not immediately be obtained.
Zee Mehler told the Jewish Telegraphic Agency that, despite pleading guilty, he felt “vindicated.”
“What we did was illegal and needed to be answered for. But at the same time, what we saw was a very strong response from the city and the court that showed that they have no patience or time for this anti-Israel narrative,” he said. “They recognize the way that it has spread antisemitism, and they recognize the way that it’s caused so much global harm to the Jewish community.”
The case dates back to September 2024, when the Mehlers used a hammer and other tools to tear down Atta’s recently installed mural in full view of security cameras. They have long maintained that, while they understood it was illegal to destroy the mural, they did so out of concern for the safety of the local Jewish community.
Atta’s mural included the words “The irony of becoming what you once hated” surrounding a Star of David transforming into a swastika; the background of the mural appeared to depict scenes of destruction in Gaza. The Mehlers viewed the mural as incitement. At the time of their actions, it had already been condemned by local Jewish groups and the Milwaukee City Council.
In the courtroom, Zee, wearing long dreadlocks, escorted his father, who is 74 years old and has Guillain-Barre syndrome, in a wheelchair. Peter recently lost the ability to walk, his son said: “This has been a really rough few years for him.”
According to reports, circuit court judge Jack Dávila interrupted Atta when he began praising Hamas and instructed him not to make comments unrelated to the crime.
“We’re not going to solve the world’s problems with this hearing,” the judge reportedly told Atta, who apologized for his actions. In a video posted after the verdict, Atta called the proceedings a “kangaroo court” and stated, “We must have judges that are on the Epstein files, because we’ve got clowns running the courthouse.”
Atta’s actions in court, Zee Mehler said, meant “I didn’t really need to do much.”
“He was called to testify, and he absolutely buried himself,” Mehler said. “I can’t believe he said that he supports Hamas in a court, on the record. That’s a crazy thing to do.”
This article originally appeared on JTA.org.
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Chicago’s new Jewish high school plucks leader from Florida day school
(JTA) — Months after unveiling plans for a new Jewish high school in downtown Chicago, the project’s founders have found their inaugural head of school and secured a still-under-construction building ahead of its first class, slated for fall 2027.
The Davis School this week announced the appointment of Richard H. Cuenca, the current head of school at the Posnack Jewish Day School in Davie, Florida, to lead the new high school.
“A transformative builder and disciplined leader, Dr. Cuenca brings extraordinary experience and a record of meaningful achievement,” the Davis Chicago Board of Trustees said in a statement. “Davis Chicago is committed to creating an academically rigorous, values-driven Jewish high school that prepares students for top universities, meaningful Jewish engagement, and leadership in the broader world.”
For Cuenca, the move to Chicago after leading Posnack since 2011 marks a chance to build a school from the ground up in one of the country’s largest Jewish communities. The launch of the Davis School was first reported by the Jewish Telegraphic Agency last summer.
“It’s going to be a unbelievable opportunity for the Jewish community and the Chicago greater community to be able to add another asset to this amazing city,” Cuenca told JTA. “A world class city deserves a world class college preparatory Jewish high school.”
The school, set to be the only non-Orthodox Jewish high school within city limits, will feature a mix of mandatory secular and Jewish curriculum with the goal of instilling “Jewish pride, support for the State of Israel, [and a] strong connection to their Jewish identity” in its students, according to Cuenca.
“If a kid’s taking AP calculus and they don’t identify with AP calculus, you know, that’s okay, right? You have to know calculus,” Cuenca said. “But in Judaic studies, it’s much more than just content knowledge. It’s also a sense of pride, of connection, of Jewish identity that gets solidified in very formative years of a teenager, so that by time they graduate, they know exactly who they are.”
Among the classes to be offered by the school will be an “Israel advocacy course,” which, according to Cuenca, will include a survey on the history of the biblical land of Israel through the creation of the modern Israeli state.
“When you have the true knowledge, when you have that, then that is a position of strength when an 18-, 19-year-old goes on a college campus and hears, you know, other things that deviate from that truth,” Cuenca said.
The lead-up to the school’s first class comes as both private and public schools in Chicago have faced allegations of antisemitism, spurring concern and desire for an alternative among some local Jewish parents.
But while some Chicago-area parents may be drawn to the school as a refuge from rising antisemitism, Cuenca said that was not the school’s focus. Instead, Cuenca said the school was intent on “lifting people up through Jewish learning.”
“We’re not trying to respond to antisemitism,” Cuenca said. “We’re trying to offer a school of excellence that we think contributes to the success of the overall city.”
That vision has been backed by significant investment in the school. In August, Tony Davis, a lead donor to the project and the co-founder and president of Linden Capital Partners, purchased a seven-story building on East Wacker Drive for $17.5 million to house the school.
The building, which will feature a 500-seat theater, a two-story library and fully kosher cafeteria facilities, was originally developed to house a high school campus for GEMS World Academy, a Dubai-based education provider.
“Our founding vision is anchored in academic excellence, elevated by exceptional Jewish scholarship, rigorous college preparation, and the vibrant energy of the city of Chicago,” Davis and his wife, Laura, said in a statement. “Our vision is bold, and Dr. Cuenca is the leader who will build our dream into a reality.”
This article originally appeared on JTA.org.
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