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As landmark Saul Bellow documentary premieres, a look back at his life through the JTA archive
(JTA) — Given his place in the international literary canon, it’s hard to believe that there has never been a widely-released documentary made about the Jewish Nobel Prize winner Saul Bellow.
That’s about to change, as PBS debuts “American Masters: The Adventures of Saul Bellow” on Monday night.
The documentary, which was filmed by Israeli director Asaf Galay between 2016 and 2019 and features what is being touted as the last interview Philip Roth gave before his death in 2018, digs deep into Bellow’s personal life and inspirations. Many know about his successful novels and memorable (usually Jewish) characters, but as the film shows, Bellow had a turbulent personal life that involved five marriages. Several of his closest friends and family members felt betrayed or offended by how Bellow wrote unflattering characters closely based on them. His moderate conservative political leanings put him at odds with the ethos of the 1960s, and some saw his framing of occasional Black characters as racist.
But the film also devotes time to explaining — through interviews with scholars, other novelists and members of the Bellow clan — how Bellow’s deep-rooted sense of “otherness” as the son of Jewish immigrants influenced his work, and how he, in turn, influenced many Jewish American writers who followed him. Roth, for instance, says on camera that Bellow inspired him to create fuller Jewish characters in his own work.
To mark the milestone film, we looked back through all of the Saul Bellow content in the Jewish Telegraphic Agency’s archive. What emerged was a portrait of a leading Jewish intellectual of his time who was deeply invested in the Soviet Jewry movement and Israel, and who was beloved by the American Jewish community — despite his complicated relationship to his Jewishness and his bristling at being called a “Jewish writer.”
The Soviet Jewry movement
Bellow was born in 1915 in Canada to parents with Lithuanian ancestry who first immigrated from St. Petersburg, Russia. In the 1920s, when Bellow was 9, the family moved to Chicago. By the 1950s, the plight of Jews in the Soviet Union — who were forbidden from openly practicing their religion and from emigrating — had become a rallying cry for American Jews. As a 1958 JTA report shows, Bellow was passionate about the issue; in January of that year, he signed a letter to The New York Times about “the purge of Yiddish writers, the refusal of the current Soviet regime to permit a renaissance of Jewish culture and the existence of a quota system on Jews in education, professional and civil service fields.” Other signatories included fellow Jewish writers Irving Howe, Alfred Kazin and Lionel Trilling.
Saul Bellow, Anita Goshkin (his first wife) and their son Gregory Bellow, circa 1940. Bellow’s turbulent personal life involved five marriages. (Courtesy of the Bellow family)
He signed another letter to the Times on the topic in 1965, and in 1969 he circulated an appeal for cultural freedom for Jews to the Soviet Writers Union, getting other prominent writers such as Noam Chomsky and Nat Hentoff to sign. By 1970, the issue had become widely publicized, and Bellow stayed involved, signing onto a petition with several other thought leaders that asked: “Has the government of the Soviet Union no concern for human rights or for the decent opinion of mankind?”
Israel
Like many American Jews, Bellow had complicated feelings on Israel. “If you want everyone to love you, don’t discuss Israeli politics,” he once wrote.
In the 1970s, JTA reports show that he followed Israeli diplomacy closely and was a strong supporter of the Jewish state in the face of international criticism. In 1974, at a PEN press conference, he called for a boycott of UNESCO, the United Nations’ cultural heritage arm that has historically been very critical of Israeli policy.
In 1984, Bellow met with then-Israeli Prime Minister Shimon Peres, who was in the United States on an official state visit.
But Bellow wasn’t a blanket supporter of Israel — in 1979, he signed a letter protesting West Bank settlement expansion that was read at a rally of 30,000 people in Tel Aviv. In 1987, while in Haifa for a conference on his work, Bellow criticized the Israeli government for the way it handled the Jonathan Pollard spy case, bringing up an issue that still reverberates in Israel-Diaspora conversation — and in U.S. politics.
“I think the American Jews are very sensitive to the question of dual allegiance, and it is probably wrong of Israel to press this question because it is one which is very often used by antisemites,” Bellow said.
Nobel Prize
After garnering multiple National Book Awards and a Pulitzer Prize, Bellow won the Nobel Prize in Literature in 1976. JTA’s report on the award noted that Bellow’s most recent book at the time, published right around the time of the Nobel announcements, was a memoir about his 1975 stay in Jerusalem, titled “To Jerusalem and Back.” The report added: “Two of his books, ‘Herzog,’ published in 1964 and ‘Mr. Sammler’s Planet,’ which won him the National Book Award in 1971, have been translated into Hebrew and were enthusiastically received by Israeli critics and public.”
(Bellow wasn’t the only Jew to win a Nobel that year: Milton Friedman won the economics prize, Baruch Blumberg shared the medicine prize and Burton Richter shared the physics prize.)
Bellow, center, with his fifth wife Janis Freedman-Bellow and longtime friend Allan Bloom, who is the subject of Bellow’s last novel, “Ravelstein.” (Courtesy of the Bellow family)
A “Jewish writer”?
The Anti-Defamation League also gave Bellow an award in 1976. According to a JTA report, Seymour Graubard, honorary national chairman of the ADL at the time, said that Bellow “has correctly rejected all efforts to pigeonhole him as a ‘Jewish writer.’ Rather, he has simply found in the Jewish experience those common strains of humanity that are part of all of us — and therein lies his greatness as an American writer.”
Debate over whether or not Bellow should be labeled a “Jewish writer,” and what that meant, dogged him for much of his career. After his death in 2005, at 89, a New York Jewish Week obituary focused on Bellow as “a literary giant who did not want to be bound by the tag of Jewish writer.”
“Mr. Bellow bridled at being considered a Jewish writer, though his early novels, most notably 1944’s ‘The Victim,’ dealt with anti-Semitism and featured characters who spoke Yiddish and Russian,” Steve Lipman wrote.
Bellow’s biographer James Atlas added in the obituary: “He always said he was a writer first, an American second and Jewish third. But all three were elements of his genius. His greatest contribution was that he was able to write fiction that had tremendous philosophical depth.”
In a JTA essay at the time of Bellow’s death, academic and fiction writer John J. Clayton argued: “No good writer wants to be pigeonholed or limited in scope. But he is deeply a Jewish writer — not just a Jew by birth.
“Jewish culture, Jewish sensibility, a Jewish sense of holiness in the everyday, permeate his work.”
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‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards
At last year’s Academy Awards, Anora — a frenetic, somewhat ambiguously Jewish look at a Jewish enclave of New York, took home best picture, original screenplay, director and actress for its Jewish lead Mikey Madison. This year, we have a film that feels, in some ways, quite parallel, while cranking the Yiddishkeit to 11: Josh Safdie’s breathless picaresque Marty Supreme, set on the Lower East Side, is up for best picture and its star, Timothée Chalamet is a favorite for best actor.
There’s also Blue Moon, Richard Linklater’s portrait of Jewish lyricist Lorenz Hart’s breakup with composer Richard Rodgers (Ethan Hawke is up for best actor). And One Battle After Another, a campy and absurdist satire about the infiltration of white supremacists in the U.S. government, is poised to have a massive night, with the blockbuster Sinners serving as its main competition.
That all goes to say that it’s another great year for Jewish stories at the Oscars, with some really compelling fodder for discussion about the place that Jews occupy today in arts and media. What stories are we telling and how are they received?
Here, as ever, the Forward culture team is here to break it all down for you, live as it unfolds. Of course, we cover Jewish movies all year. But at the Academy Awards, we get to see how the rest of the world feels about these movies. We will be updating this story with our thoughts throughout the ceremony.
Traditionally, as we begin these Oscars roundtables, we discuss what we’re all wearing and eating. What’ve we got?
Olivia: brown sweater and jeans; no food but aggressively chewing mint gum. I will later be drinking some of the seltzer I got from Brooklyn’s Seltzer Fest today.
Mira: I did a bunch of cooking for the week so I have vegetarian avgolemono soup and Alison Roman’s fennel salad. (I’m obsessed with this salad.) I am proudly wearing hard pants.
PJ: I am reheating some chicken from last night. Wearing a blue sweater with a little toggle and jeans. How many of Stellan Skarsgård’s large adult sons are here? In other l’dor v’dor news, Bill Pullman just mentioned how they filmed the Spaceballs sequel with his son Lewis.
Talya: I believe I’m wearing the exact same sweater I donned for this event last year — where’s my award for consistency? And, as always, sweatpants; I cannot comprehend suffering through this event in jeans.
Discussion of Israeli-Palestinian protests on the red carpet
Mira: Love a toggle. Speaking of outfits, anyone have thoughts on Odessa A’zion’s spangled red carpet set? She is one of the only people who styles herself on the red carpet, which I do respect.
Olivia: A’Zion’s outfit kind of looks like she forgot to tie whatever was supposed to be holding it up. I don’t think it looks bad, just like it’s falling down.
PJ: It wouldn’t look out of place hanging from the window of a VW van with shag carpet and some Tibetan prayer flags.
Mira: Of note, the past several years have seen protesters approaching people on their way into the ceremony, and a lot of pins on the red carpet taking a stance on the Israel-Hamas war, largely pro-Palestinian ones. We’re seeing less of that this year — though not none. Javier Bardem posted a photo of him wearing a pin reading “no to the war” in Spanish, along with another pin featuring Handala, a cartoon boy considered a symbol of Palestinians. The team of The Voice of Hind Rajab, nominated for best foreign film, are also wearing red pins with a white dove.
PJ: Those have replaced the red hand ArtistsforCeasefire pins, which some said recalled the bloody palms of Palestinians who killed IDF soldiers in 2000.
Olivia: A reporter for ABC in a pre-recorded segment asked executive producers and showrunners for the ceremony Raj Kapoor and Katy Mullan if anything would get bleeped, such as mentions of Trump, Israel and Palestine. Recently, the BBC removed director Akinola Davies Jr’s call for a “Free Palestine” from their BAFTA stream. Kapoor asserted that the night’s production team supports free speech, but we’ll see what transpires over the course of the night.
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US Sends Additional Arms to Israel to Sustain Iran Operations
The first of two Terminal High Altitude Area Defense (THAAD) interceptors is launched during a successful intercept test. Photo: US Army.
i24 News – The United States has recently increased shipments of munitions to Israel to support ongoing Israeli air operations against Iran.
According to reports broadcast by the public radio network Kan Reshet Bet, several weapons deliveries have arrived in Israel in recent days as part of what officials describe as an ongoing airlift aimed at sustaining the pace of military strikes.
Since the start of the campaign, Israeli forces are believed to have dropped more than 11,000 bombs on targets across Iran.
The shipments come as reports emerge about a potential shortage of ballistic missile interceptors in Israel. US officials told the news outlet Semafor that Israel’s interceptor stockpiles have been heavily used during the conflict.
According to those sources, Washington had already been aware for months that supplies could become strained, though it remains unclear whether the United States would be willing to share its own interceptor reserves. Israeli officials have since rejected claims that such a shortage exists.
Unlike the Iron Dome, which is designed to intercept short-range rockets and projectiles, ballistic missile interceptors serve as Israel’s primary defense against long-range missile threats. Fighter jets can also be used to attempt interceptions, though this method is considered a supplementary measure to missile defense systems.
Meanwhile, the Israeli government has taken additional budgetary steps to support the war effort. During an overnight vote between Saturday and Sunday, ministers approved a roughly 1 billion shekel reduction across various ministry budgets to help finance classified military purchases linked to Operation “Roar of the Lion.”
The government had already approved a 3 percent cut in ministry budgets, a move expected to increase the defense budget by approximately 30 billion shekels as the conflict continues.
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Pope Leo Decries ‘Atrocious Violence’ in Iran War, Urges Ceasefire
Pope Leo XIV leads the Angelus prayer from a window of the Apostolic Palace, at the Vatican, March 15, 2026. Photo: REUTERS/Matteo Minnella
Pope Leo made an impassioned plea on Sunday for an immediate ceasefire in the expanding Iran war, lamenting “atrocious violence” that he said had killed thousands of non-combatants and caused suffering across the region.
As the US-Israeli war on Iran enters its third week, the first US pope warned that violence would not bring the justice, stability and peace that the peoples of the region long for.
“For two weeks, the peoples of the Middle East have been suffering the atrocious violence of war,” the pope said at his weekly Angelus prayer in St. Peter’s Square.
“In the name of Christians in the Middle East and of all women and men of good will, I appeal to those responsible for this conflict: Cease fire!” Pope Leo said.
IDEA THAT WAR SOLVES PROBLEMS IS ‘ABSURD’
Leo added that the situation in Lebanon – ravaged by a war between Israel and the Iran-backed Lebanese group Hezbollah – was also a cause of “great concern.”
“I hope for paths of dialogue that can support the country’s authorities in implementing lasting solutions to the serious crisis currently underway, for the common good of all the Lebanese people,” the pope said.
During a visit to a Rome parish later, the pope said war could never resolve problems and hit out at people who invoke God to justify killings.
“Today many of our brothers and sisters in the world are suffering because of violent conflicts, caused by the absurd claim that problems and disagreements can be resolved through war, when instead we must engage in unceasing dialogue for peace,” he said during his homily.
“Some even go so far as to invoke the name of God to justify these choices of death, but God cannot be enlisted by darkness. Rather, He always comes to bring light, hope and peace to humanity.”