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As Orthodox Union and other Jewish groups condemn settler rampage, many avoid mentioning Benjamin Netanyahu
WASHINGTON (JTA) — As American Jewish organizations responded to Sunday’s settler riot in the West Bank, most began with statements of condemnation.
One began with a question: “How can such a thing happen?”
“How could it come to this, that Jewish young men should ransack and burn homes and cars?” continued the statement from Rabbi Moshe Hauer, executive vice president of the Orthodox Union, who added that “we cannot understand or accept this.”
He concluded with a note of desperation: “What happened yesterday must never, ever happen again.”
Hauer’s anguish was all the more notable because it came from a group whose constituency, American Orthodox Jews, has historically sympathized with the movement to create Jewish settlements in the West Bank. And Hauer’s statement did something else that many other groups did not: It appeared to question the leadership of Israel’s prime minister, Benjamin Netanyahu.
“Attacking a village does not deserve to be called ‘taking the law into your own hands,’” Hauer’s statement said. “This is not the law; this is undisciplined and random fury. Actions like these demonstrate the critical need for clear and strong leadership.”
While Hauer didn’t mention Netanyahu by name (and didn’t immediately respond to a request for comment) the implication was clear: On Sunday, in response to the riot in the town of Huwara, Netanyahu said, “I ask – even when the blood is boiling – not to take the law into one’s hands.”
The Orthodox Union has for years criticized U.S. pressure on Israel to accept a two-state solution to the conflict with the Palestinians or to share Jerusalem. In 2007 it stood out among Jewish groups leading criticism of the then Israeli government for contemplating a Palestinian role in Jerusalem.
Beyond the O.U, Jewish groups decried the actions of the settlers but mostly avoided mentioning the Israeli government or its leader. Instead, some looked to Israel’s president, Isaac Herzog, whose role is largely ceremonial but who has sought to broker compromise amid the current contentious government. He had issued a “forceful condemnation” of the rioting on Sunday, saying that security forces, not civilians “committing violence against innocents,” should respond to terrorism.
Affirming and quoting the Israeli prime minister was once a reflex for legacy groups when commenting on crises in Israel. But times have changed. Israel’s government includes far-right parties and ministers who are themselves settlers and have long advocated harsher measures in response to Palestinian terror.
One official, National Security Minister Itamar Ben-Gvir, was once convicted of incitement to violence. And some coalition members have sympathized with the rioters in the wake of the rampage. Against that backdrop, Netanyahu did not feature in many American Jewish organizations’ statements. Others condemned the prime minister for his links to the far right or what they saw as his government’s tepid response.
“Though some Israeli leaders, including the prime minister, called for restraint, the government failed to prevent or quickly curtail this unacceptable violence,” Rabbi Rick Jacobs, president of the Union for Reform Judaism, said in an emailed statement. “Those responsible must be held accountable and safety and security for Jews and Palestinians alike must prevail.”
The Anti-Defamation League and American Jewish Committee both cited Herzog’s statement, and declared, respectively, their “outrage” and condemnation of “this violence in the strongest terms.”
The AJC declined further comment, and the ADL, asked to elaborate on its statement, condemned lawmakers who incite violence, while avoiding mentioning the fact that they are members of Israel’s governing coalition.
“There is also no excuse for the incitement to violence we heard from a few political leaders, including some Israeli Knesset Members,” a spokesman said in an email. “We join Israeli President Herzog’s call for a de-escalation of violence, and urge Israeli law enforcement to ensure that those involved in the Huwara violence are held accountable.”
Asked for a statement, William Daroff, the CEO of the Conference of Presidents of Major American Jewish Organizations, did not mention the government or Netanyahu. “I condemn without reservation the riots and violence in Hawara,” he said in an interview. “There is no excuse for lawless vigilantism.”
In a statement later, Daroff suggested that if Israeli politicians fail to condemn the settler violence, there could be consequences for the relationship with Jews overseas.
“These criminal acts of violence and vandalism harm Jewish sovereignty and Israel’s relationship with the global Jewish diaspora,” he said. “We urge Knesset members to speak out against these attacks while pursuing a peaceful resolution.”
The Jewish organizations approached for this story did not reply when asked what they planned to do if Netanyahu fails to take action. A number of regional Jewish organizations and rabbis have previously called for boycotts of far-right coalition members if and when they tour the United States.
Israeli authorities arrested a number of the rioters, and then let them go. No plans for prosecution have been reported yet.
The Conservative movement’s Rabbinical Assembly stood out for extending its condolences to both Jewish and Arab victims of violence on Sunday — an equivalence that is extremely rare in Jewish groups’ statements. The group’s message, written in English and Hebrew, mentions both the family of the two Israelis who were shot while driving through Huwara, and the family of the Palestinian who reportedly was shot dead while pleading with settlers to leave his village alone.
“We are in pain and join the condolences to the families of those killed, among them the Yaniv family and the Al-Aqtash family and wish a speedy and full recovery to all who were injured,” the group said, referring to the Israeli and Palestinian victims, respectively. “We expect our government, the IDF, and the police, to act to prevent harm to people and to property, and to try any person who has chosen to harm another person.”
Americans for Peace Now and J Street both called on the Biden administration to use its leverage to get Netanyahu to take action.
“Netanyahu’s extremist coalition is demonstrating that it will not be stopped by polite protestations or vague agreements,” J Street said. “Only by setting clear redlines and tangible consequences can the US hope to deter this government.”
Americans for Peace Now similarly called on Biden to “hold the government of Israel accountable for both its unrestrained settlement activity and its enabling of settler violence,” while the liberal rabbinic human rights group T’ruah said the Israeli government “has fueled the incitement that led to this attack.”
The Israel Policy Forum, a group that backs a two-state outcome, decried the lack of accountability for the rioters for the attacks on the Hawara residents. “Their only crimes were being Palestinians living in proximity to a spot where a different Palestinian committed a terrorist attack, and the settlers who rampaged through their homes and streets unimpeded, without any real consequences, represent the daily injustice that Palestinians face as non-citizens on their land with no recourse to any responsible higher authority,” it said in a statement.
Some organizations praised Netanyahu’s government for speaking out against the riot. The Jewish Federations of North America commended “the Government of Israel for speaking out quickly to lower tensions.” And the American Israel Public Affairs Committee appeared to tie the settlers’ vigilantism to Palestinian terrorism.
“As Israel’s Prime Minister and President clearly indicated, vigilante action cannot be tolerated,” its spokesman said. “Terrorism will not decline as long as the Palestinian leadership continues incitement, rewards terrorism with payments to terrorists and their families, and encourages the public celebration of Israeli fatalities.”
At least one organizational leader echoed the sentiments of Israeli officials who sympathized with the rioters. Morton Klein, CEO of the Zionist Organization of America, said in an interview that he condemned the rioters, but also understood what drove them.
“I don’t believe that civilians should be taking the law into their own hands,” he said. “I oppose civilians taking on their own hands, that’s for sure, but you know, after constant murder of people, you know, people lose control.”
Klein said Israel needed to “put enormous pressure in every way you can” on Palestinians in order to quell violence in the West Bank. Asked whether Israel also deserved pressure to bring the settler rioters to justice, Klein said that was not a concern of his.
“Arabs care more about Arabs than they do about non-Arabs and Jews care more about Jews than they do about non-Jews,” said Klein, who met in person with Ben-Gvir last week in Israel. “It’s a natural human trait.”
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The post As Orthodox Union and other Jewish groups condemn settler rampage, many avoid mentioning Benjamin Netanyahu appeared first on Jewish Telegraphic Agency.
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At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption
(JTA) — BERLIN — They stood outside Berlin’s Babylon theater, bundled against the cold, laughing and dragging on cigarettes: the Cunio twins David and Eitan, and their younger brother Ariel.
David and Ariel were among the last Israeli hostages released in October from Hamas captivity, after 738 days. Their presence in Berlin — for a screening of a film about them, now recut with a redemptive ending — felt almost like an apparition. On the other side of two heavy glass doors were hundreds of theatergoers, people who had long waited for this moment.
The brothers and their extended family were in Berlin for a second premiere of Tom Shoval’s film “Letter to David.” The original film, shown in 2025 at the Berlin International Film Festival, or Berlinale, dove deep into the struggles of a family whose members had been abducted from Kibbutz Nir Oz on Oct. 7, 2023. By then, six kidnapped members of the family, including three children, had been freed. But David and Ariel remained in captivity.
“Last year I was standing before the screening with a poster of David and Ariel. I was determined, every time I showed the film, to say that it’s an unfinished film,” Shoval told the sold-out audience at the theater in former East Berlin.
“And now I’m standing here. I have David in the audience, and I have Ariel in the audience,” he continued. “This is a precious, precious moment.”
The film “is a testament to love, hope and all the people who did not give up during the two years I was in captivity,” David Cunio said in Hebrew, standing on the stage with his extended family. “You gave me a voice when I could not be present. You were there for me.”
The film’s second showing came as tensions over the war in Gaza and Germany’s support for Israel roiled the Berlinale. After the jury’s president, director Wim Wenders, brushed off a journalist’s exhortation for the festival to take a stand against Israel, the Indian author Arundhati Roy announced she would not attend, and some 80 filmmakers and stars signed an open letter of protest.
Festival director Tricia Tuttle issued a statement saying that “artists should not be expected to comment on all broader debates about a festival’s previous or current practices over which they have no control. Nor should they be expected to speak on every political issue raised to them unless they want to.”
Journalists and filmmakers continued to raise the issue, even on the festival’s final weekend, when some award winners — including the Syrian-Palestinian director Abdullah Al-Khatib, who won best debut film — swatted back at the festival jury, criticizing what they see as Germany’s general support for Israel. Al-Khatib’s allegation that Germany has been “partners in the genocide in Gaza by Israel” prompted a German minister to walk out of the awards ceremony on Sunday.
Friday’s screening of “Letter to David” was by contrast a love fest, and the two police cars out front and uniformed officers circulating inside appeared to have little to do. The audience gave the entire family a standing ovation before the screening.
“I think this is a piece of history,” audience member Nirit Bialer, an Israeli who has lived for years in Berlin, said in an interview. “Just seeing the family, and just following the story about this family on the media, going to the Hostages Square in Israel every time I was there in the last two years: Wow, I’m speechless.”
The film’s original ending showed twins David and Eitan Cunio as actors, grappling with each other in an embrace that is both tender and violent, in a scene from Shoval’s feature film, “Youth,” screened at the Berlinale in 2013.
That ending now segues into a new conclusion, in which the reunited Cunio family embraces. They also view the film together, and Shoval captures their faces as the projector beams from behind.
Shoval said in an interview that he had not changed anything in the first part of the film. “I wanted to leave it as a time capsule, in a way, of how we perceived it back a year ago,” he said.
Though he had been invited to be with the family at their reunion, he chose not to, explaining, “I thought it’s a moment that belongs to them and not to me.”
But he spoke with David soon after he was released. And shortly afterward, he visited Sharon and David Cunio at their home. “I came in the morning and we sat until sunset together and we talked. Even when I’m thinking about it now, I’m getting emotional, because it was really…” He paused. “You’re waiting for a moment for this for so long.”
The Friday screening was not an official part of the Berlinale, but the beleaguered festival director Tuttle made a point of taking the stage herself. The film has been “finished in the way that Tom only hoped and dreamed and believed that he would be able to finish it,” she told the audience.
“We were horrified along with the world and all of you when David Cunio and many members of his family were abducted by Hamas,” she said. And on their release “we rejoiced with everyone as well.”
Saying that the new version was completed too late to be included in the festival schedule, Tuttle thanked two co-production companies that work closely with Israeli artists for backing Friday’s screening: the Israel-based Green Productions and the Berlin-based Future Narrative Fund.
Audience members seemed loath to leave the theater after the screening, lingering over what some described as mix of happiness and worry.
“The fact that David is able to see the movie makes us see the movie in a different way,” commented Konstantin, who had seen the original version last year. A young Jewish actor who lives in Berlin, he asked that his full name not be used, out of concerns about antisemitism. “With the ending, it’s like a full circle, completed.”
Seeing the film again with the Cunio family present “was very uplifting and very happy,” said Berliner Julia Kopp, who also saw the film last year. “But at the same time, it’s not a happy ending … I also have a bit of a heavy heart,” worrying about “how life will go on for them.”
Both brothers have indicated that reentry into everyday life has been challenging after two years of captivity for them and two years of traumatized advocacy by their loved ones. And Ariel Cunio and his partner Arbel Yehud, who was held in captivity until January, have raised nearly $1.8 million since launching a crowdfunding campaign last week aimed at allowing them the time and space to “come back to life.”
A crowdfunding campaign launched on behalf of David and Sharon Cunio their twin daughters, also former hostages, says, “The family not only has to deal with the trauma that follows being held hostage and the events that transpired on October 7th, but also needs to rebuild their entire lives from scratch.”
Shoval said the film — and the screening — offered a vision for what a more settled future might look like.
“For me, the film is about the unification of the brotherhood, and what that means to be torn apart from each other, but also to get back,” Shoval said. “They can sit in the theater and they can see themselves. They can see what they missed, what happened. They can project about the past, about the present. This is a power of cinema, I feel. It felt natural for me to do that: to bring them back.”
The post At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption appeared first on The Forward.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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