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Broadway stars to perform songs written during the Holocaust at Carnegie Hall
(New York Jewish Week) — More than a dozen songs written by Jews imprisoned in concentration camps and ghettos during the Holocaust will be brought to life at Carnegie Hall next week as part of a commemoration of International Holocaust Remembrance Day.
Featuring Broadway bigwigs and performers such as Harvey Fierstein, Chita Rivera, Mikhl Yashinsky and Joel Grey, the one-night-only “We Are Here: Songs from the Holocaust” performance will take place on Thurs., January 26 at 7:30 p.m.
“I know a lot about music — I’ve spent my whole life doing it — and I never knew there were songs that came out of the camps and the ghettos,” said music producer and composer Ira Antelis, who conceived of the concert several years ago. “I knew there was classical music in Theresienstadt, but I was not familiar with what I call the ‘Bruce Springsteen’ or ‘Pete Seeger’ music of the camps.”
As it turns out, however, hundreds of what might be called folk and popular songs were written — mostly in Yiddish — by Jews in concentration camps and ghettos. In the decades following the war, many were published in newspapers, songbook collections and memoirs in Europe, Israel and the United States.
The “We Are Here” concert draws its name from one such songbook, titled ““We Are Here: Songs of the Holocaust,” which was compiled in 1983 by Eleanor Mlotek and Malke Gottlieb, with a foreword by Elie Wiesel. Antelis discovered the book while doing research on Wiesel after his death in 2016.
Shortly after he read the songbook, Antelis, who lives in Chicago, was visiting family in New York when he ran into an old friend, Rabbi Charlie Savenor. A former educational director at Park Avenue Synagogue, Savenor was teaching a class on Holocaust memoirs there at the time.
“Keeping a memoir, hiding it, and making sure that whether or not you live and die your experience would be remembered was an act of deep resistance,” said Savenor, who is now the executive director of Civic Spirit, an organization that advocates for civic education. “Writing this music and these songs was doing the same exact thing.”
It felt like fate that the two had reconnected after 15 years, and they decided to collaborate on the project.
Initially, the pair planned to mount a concert just using songs from the “We Are Here” anthology. But when the pandemic put everything on hold, Antelis used the time to do additional research — which led him to discover a 2014 doctoral dissertation that had compiled research about 14 additional songbooks published between 1945-1949. Each of these volumes was filled with dozens of songs from a particular camp or ghetto — songs from Bialystok, Vilna, Munich and others.
“This is our concert,” Antelis thought.
Newly reinvigorated, the concert he was conceiving would feature one song from each songbook.
“What better way to say ‘We Are Here’ than to carry on somebody’s voice from 1940, who was murdered?” Savenor said. “We have the opportunity to do that.”
The first-ever concert of these songs was produced last year at Chicago’s Temple Sholom. That program was on Yom HaShoah, so it included a yahrzeit candlelighting and several speeches. This year, by contrast, the concert will focus almost entirely on the music and the performers, many of whom are no strangers to drawing crowds.
Though many of the songs featured in “We Are Here” have been translated into English, several will be sung in their original Yiddish, including “Minuten Fon Bitahon” (“Minutes of Faith”) by Mordechai Gebirtig. Sung by Steven Skybell, who is coming off of a seven-week off-Broadway run as Tevye in “Fiddler on the Roof in Yiddish,” the song will open the concert.
“One of the most heartbreaking and amazing things about Yiddish songs, in general, is that they don’t shy away from putting into song every aspect of the Jewish life,” said Skybell, who began seriously learning Yiddish during the pandemic. “It’s really unlike any other type of music I’ve ever seen, in that it does not shy away from ugly reality and sometimes hopeless situations.”
At the same time, however, Savenor said he is surprised at how uplifting many of the songs are, considering the horrible circumstances their writers were enduring. “This is not the Mourner’s Kaddish for an hour and forty five minutes,” he said. “It’s just people talking about love and relationships, and dreams and aspirations. It’s a lot more about life than it is about mourning.”
Each song will be introduced by a presenter who will share a brief personal anecdote relating to the Holocaust. Along with hosts Antelis and Savenor, these presenters include Jack Kliger, the president and CEO of the Museum of Jewish Heritage; Scott Richman, director of the New York and New Jersey branch of the Anti-Defamation League and Cardinal Timothy Dolan, the archbishop of New York.
The diversity of the presenters and performers is intentional, said Antelis and Savenor, emphasizing that part of the purpose of the concert is to showcase a coming together across races, religions and ethnicities. The aim, they said, is to show unity and entrench the message of “never again.”
That’s also why the concert is being presented at historic Carnegie Hall, rather than a synagogue. “To have the sounds of Yiddish reverberating in Carnegie Hall gives me special delight,” said Skybell. “The fact that Yiddish is alive and well and we hear it at Carnegie Hall — it’s just to say that we are here, we’re not going away and we won’t be silenced.”
Proceeds from the performance will be donated to the Museum of Jewish Heritage in Manhattan. Though it will not be recorded for the public or live streamed, Antelis and Savenor said they hope to bring the production around the country and even to Europe to perform the songs at the sites of the ghettos and camps where they were originally composed.
“With everything that’s going on, we cannot be silent — people need to step up. If we don’t stand against antisemitism and hate in every facet, then who are we?” Antelis said. “I think this is the most important concert in many, many years, especially in our culture.”
“We are Here: Songs From the Holocaust” is a one-night event on the Perelman Stage at Carnegie Hall (881 7th Ave.) on Jan. 26 at 7:30 pm. Buy tickets here.
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The post Broadway stars to perform songs written during the Holocaust at Carnegie Hall appeared first on Jewish Telegraphic Agency.
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The Science Behind Streak-Free Windows: What Professionals Do Differently
When it comes to window cleaning, nothing beats the satisfaction of streak-free, crystal-clear glass. But achieving this pristine finish isn’t as simple as grabbing a cloth and some spray. Professional window cleaners have mastered the science behind streak-free windows, using specific techniques and tools to deliver flawless results. Here’s what they do differently and why their methods are so effective.
1. Using the Right Tools for the Job
Professionals don’t rely on standard cleaning products or paper towels to get the job done. Instead, they use high-quality tools specifically designed for window cleaning. Key items in their arsenal include:
- Squeegees: The cornerstone of any professional’s toolkit, squeegees ensure even water removal, leaving no streaks behind. The rubber blades are replaced regularly to maintain their effectiveness.
- Microfiber Cloths: Unlike traditional rags, microfiber cloths are lint-free and highly absorbent, making them perfect for detailing and edge cleaning.
- Specialized Cleaning Solutions: Professionals often use eco-friendly, ammonia-free solutions that dissolve dirt and grease without leaving residues.
- Water-Fed Poles: For high-rise or hard-to-reach windows, water-fed poles equipped with purified water systems are used to clean without streaking.
2. The Importance of Purified Water
One of the secrets to streak-free windows lies in the water itself. Tap water contains minerals, salts, and impurities that can leave behind spots and streaks when it dries. Professionals use purified water systems that remove these contaminants, ensuring a spotless finish.
Purified water also has a natural ability to dissolve dirt and grime more effectively than regular water. When combined with the right tools, it creates the perfect formula for crystal-clear windows.
3. Perfecting the Technique
The way professionals clean windows is just as important as the tools they use. Here are some techniques they employ to achieve streak-free results:
- Pre-Cleaning: Before tackling the glass, professionals remove loose dirt and debris from the surface to prevent scratches.
- Systematic Movements: Using a squeegee, they clean in overlapping strokes, starting at the top and working their way down. This ensures no spots are missed and prevents water from dripping onto already cleaned areas.
- Edge Detailing: Professionals pay special attention to the edges and corners of the glass, where streaks are most likely to form. Microfiber cloths are often used for this step.
- Drying Techniques: Any remaining water is carefully wiped away to prevent streaking. This step is crucial, especially in areas with high humidity.
4. Timing Matters
Professional window cleaners know that timing can make or break the outcome. Cleaning windows on a sunny day might seem like a good idea, but direct sunlight causes cleaning solutions to dry too quickly, leaving streaks behind. Professionals prefer overcast days or cooler parts of the day to ensure optimal results.
5. Safety First
For high-rise buildings or windows in hard-to-reach places, safety is a top priority. Professionals use specialized equipment like harnesses, ladders, and scaffolding to ensure they can clean effectively without compromising safety. This expertise allows them to tackle challenging jobs while maintaining streak-free quality.
6. Experience and Training
What truly sets professionals apart is their experience. Years of practice have honed their skills, allowing them to identify and address potential issues, like hard water stains or stubborn grime, before they become a problem. Their training ensures they can adapt to different types of glass and environments, delivering consistent results every time.
A Trusted Name in Toronto
When it comes to achieving streak-free windows, Toronto Window Cleaners has perfected the art. With over 20 years of experience, their team of fully trained and certified professionals uses advanced techniques and tools to deliver exceptional results. Whether it’s a residential property or a high-rise building, they’ve built a reputation for excellence across the Greater Toronto Area.
In conclusion, the science behind streak-free windows is a blend of using the right tools, employing expert techniques, and understanding the conditions that impact cleaning results. By trusting professionals, you’re not just ensuring sparkling windows—you’re investing in a methodical process that guarantees perfection every time.
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Memoir of child of Holocaust survivors takes riveting twists
Book Review by Julie Kirsh (former Sun Media News Research Director)
Exclusive to The Jewish Post
“We used to Dream of Freedom, A Memoir of Family, the Holocaust, and the Stories We Don’t Tell”
By Sam Chaiton (Dundurn Press) 2024
Sam Chaiton’s memoir of growing up with Holocaust survivor parents in downtown Toronto in the 1950s is a compelling read.
Jeanne Beker, a well known Toronto fashion writer, mentions in her praise for “We used to Dream of Freedom” that her survivor parents talked incessantly about their war experiences.
My own parents, both survivors, would drop tidbits of their stories now and again. I learned to be watchful and vigilant for these rare moments of revelation. However, questioning my parents about the Holocaust, would cause them pain. I knew when to stand down.
In his memoir, Sam Chaiton tells the reader that his parents chose to remain completely silent about their wartime experiences. Poignantly their son was left with a silence that he interpreted as huge empty sound. Although the son could understand some Yiddish, his parents turned to Polish in order to keep the “kinder safe”. Outright denial of illness and death was part of his parents’ way of coping.
Born in the 1950s on Palmerston Boulevard in downtown Toronto, Chaiton paints a vivid picture of his youth as the middle son of five boys. He describes the mayhem of a household of barked orders and punishment by his father’s belt. His mother, as with many other survivors, was obsessed with eating and food. Chaiton learned early that rejecting his controlling mother’s food was one of his few weapons. “It’s hard not to do what a Holocaust survivor wants you to”, he says. Chaiton had to stare down two parents both with tattoos.
Dance proved to be a saving grace for Chaiton. On the dance floor, with a partner, the gates of happiness and permission to be oneself, opened. The Toronto Dance Theatre in Yorkville was a salvation and home for Chaiton. Also important to Chaiton was a family – not his troubled blood family but a chosen one – a commune.
In 1973, after a sojourn in New York, Chaiton decided that he was not a performance dancer. Back in Toronto as he pointedly danced with his mother at his brother’s wedding, she told him that he was her favourite child, imposing “the psychological damage that parental favouritism caused”.
Living in a commune with a chosen family afforded Chaiton the freedom to dig deep into his psyche, face his traumatic upbringing and tear down the rigid rules of society and the biological family. At a certain point, for reasons he explains in the book, Chaiton made the decision to vanish from the lives of his parents and brothers.
In 1980 the commune took up the cause of the injustice and illegal jailing of Rubin “Hurricane” Carter. Carter had been exonerated, released from prison and then reconvicted and sent back to prison.
In hindsight Chaiton wonders if his disengagement from his family caused them the same wounds and feelings of emptiness that Carter had to face when he was reincarcerated.
In 1985 while sitting in a New Jersey prison yard with friends and Carter, Chaiton had the riveting vision that he was in a concentration camp, “on a mission to liberate (his) parents – the dream of every Holocaust survivor’s child.”
In the summer of 1985, Chaiton received the news from Toronto that his parents were involved in a fatal car accident. Only after his mother’s death, was Chaiton able to acknowledge that in spite of her smothering, she gave him a sense of self worth and strength.
In 1988 Chaiton co-wrote the story of freeing Carter. One of his brothers saw him on a news broadcast, contacted him and the 20-year silence between Chaiton and his blood family was over.
Riding on the coattails of the successful release of Carter, Chaiton and some friends established an organization that continues to exist today. Innocence Canada has helped wrongfully convicted people like Guy Paul Morin, David Milgaard and Steven Truscott.
In chapter 16, entitled Wierzbnik, Chaiton finally learns about his father’s testimony published in a book, “Remembering Survival”, by a university professor. Reading about his father’s history helped Chaiton to understand the damage done to survivors, his parents’ trauma and why the home that they created for their sons after the war was so fraught.
Chaiton remarks on the interconnectedness of learning about the sufferings of his parents, his own personal struggles and the gift his father left him of being able to tell his own story.
Sam Chaiton’s profound memoir took courage and brutal honesty to write.
His book teaches that the legacy left by Holocaust survivors, along with a deep sadness, is the innate need of the children to persevere and find their own path of survival and growth.
Obituaries
CAROL SLATER (née GENSER)
With great courage on Wednesday, November 6, 2024, surrounded by her family.
Treasured daughter of the late Esther and the late Percy. Beloved wife of Ron for 69 years. Loving mother and mother-in-law of Charles and Dina Slater, Erin and Joe Battat, Adam and Kit, Claudia and the late David. Cherished grandmother of Zach, Robert and Hydi, Ben and Martha, Liam and Addison, Thom and Emeline, Max, Ilai, Emanuelle and Eli. Proud great-grandmother of Rafael, Lily, Maya, and Jojo. Special sister and sister-in-law of David and Joan Genser, Roberta and Mayer Lawee; and sister-in-law of Joel and Sheila Slater. Greatly missed by her nieces, nephews, family, friends and by all who knew her.
The family would like to thank Drs. Shamy, Lipes, Chang, the doctors, nurses and staff at the Jewish General Hospital Palliative Care Unit as well as DeyDey, Linette and everyone who took such wonderful care of our Mom.
Funeral service from Paperman & Sons, 3888 Jean Talon St. W., on Sunday, November 10 at 9:30 a.m. Livestream available. Burial in Israel.
Donations in her memory may be made to the “Carol and Ron Scholarship” c/o Mothers Matter Canada 1-604-676-8250
Publish Date: Nov 9, 2024
CAROL SLATER
(née GENSER)
With great courage on Wednesday, November 6, 2024, surrounded by her family.
Treasured daughter of the late Esther and the late Percy. Beloved wife of Ron for 69 years. Loving mother and mother-in-law of Charles and Dina Slater, Erin and Joe Battat, Adam and Kitt, Claudia and the late David. Cherished grandmother of Zach, Robert and Hydi, Ben and Martha, Liam and Addison. Proud great-grandmother of Rafael, Lily, Maya, and Jojo. Special sister and sister-in-law of David and Joan Genser, Roberta and Mayer Lawee; and sister-in-law of Joel and Sheila Slater. Greatly missed by her nieces, nephews, family, friends and by all who knew her.
The family would like to thank Drs. Shamy, Lipes, Chang, the doctors, nurses and staff at the Jewish General Hospital Palliative Care Unit as well as DeyDey, Linette and everyone who took such wonderful care of our Mom.
Funeral service from Paperman & Sons, 3888 Jean Talon St. W., on Sunday, November 10 at 9:30 a.m. Live stream available. Burial in Israel.
Donations in her memory may be made to the “Carol and Ron Scholarship” c/o Mothers Matter Canada 1-604-676-8250
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