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Broadway stars to perform songs written during the Holocaust at Carnegie Hall
(New York Jewish Week) — More than a dozen songs written by Jews imprisoned in concentration camps and ghettos during the Holocaust will be brought to life at Carnegie Hall next week as part of a commemoration of International Holocaust Remembrance Day.
Featuring Broadway bigwigs and performers such as Harvey Fierstein, Chita Rivera, Mikhl Yashinsky and Joel Grey, the one-night-only “We Are Here: Songs from the Holocaust” performance will take place on Thurs., January 26 at 7:30 p.m.
“I know a lot about music — I’ve spent my whole life doing it — and I never knew there were songs that came out of the camps and the ghettos,” said music producer and composer Ira Antelis, who conceived of the concert several years ago. “I knew there was classical music in Theresienstadt, but I was not familiar with what I call the ‘Bruce Springsteen’ or ‘Pete Seeger’ music of the camps.”
As it turns out, however, hundreds of what might be called folk and popular songs were written — mostly in Yiddish — by Jews in concentration camps and ghettos. In the decades following the war, many were published in newspapers, songbook collections and memoirs in Europe, Israel and the United States.
The “We Are Here” concert draws its name from one such songbook, titled ““We Are Here: Songs of the Holocaust,” which was compiled in 1983 by Eleanor Mlotek and Malke Gottlieb, with a foreword by Elie Wiesel. Antelis discovered the book while doing research on Wiesel after his death in 2016.
Shortly after he read the songbook, Antelis, who lives in Chicago, was visiting family in New York when he ran into an old friend, Rabbi Charlie Savenor. A former educational director at Park Avenue Synagogue, Savenor was teaching a class on Holocaust memoirs there at the time.
“Keeping a memoir, hiding it, and making sure that whether or not you live and die your experience would be remembered was an act of deep resistance,” said Savenor, who is now the executive director of Civic Spirit, an organization that advocates for civic education. “Writing this music and these songs was doing the same exact thing.”
It felt like fate that the two had reconnected after 15 years, and they decided to collaborate on the project.
Initially, the pair planned to mount a concert just using songs from the “We Are Here” anthology. But when the pandemic put everything on hold, Antelis used the time to do additional research — which led him to discover a 2014 doctoral dissertation that had compiled research about 14 additional songbooks published between 1945-1949. Each of these volumes was filled with dozens of songs from a particular camp or ghetto — songs from Bialystok, Vilna, Munich and others.
“This is our concert,” Antelis thought.
Newly reinvigorated, the concert he was conceiving would feature one song from each songbook.
“What better way to say ‘We Are Here’ than to carry on somebody’s voice from 1940, who was murdered?” Savenor said. “We have the opportunity to do that.”
The first-ever concert of these songs was produced last year at Chicago’s Temple Sholom. That program was on Yom HaShoah, so it included a yahrzeit candlelighting and several speeches. This year, by contrast, the concert will focus almost entirely on the music and the performers, many of whom are no strangers to drawing crowds.
Though many of the songs featured in “We Are Here” have been translated into English, several will be sung in their original Yiddish, including “Minuten Fon Bitahon” (“Minutes of Faith”) by Mordechai Gebirtig. Sung by Steven Skybell, who is coming off of a seven-week off-Broadway run as Tevye in “Fiddler on the Roof in Yiddish,” the song will open the concert.
“One of the most heartbreaking and amazing things about Yiddish songs, in general, is that they don’t shy away from putting into song every aspect of the Jewish life,” said Skybell, who began seriously learning Yiddish during the pandemic. “It’s really unlike any other type of music I’ve ever seen, in that it does not shy away from ugly reality and sometimes hopeless situations.”
At the same time, however, Savenor said he is surprised at how uplifting many of the songs are, considering the horrible circumstances their writers were enduring. “This is not the Mourner’s Kaddish for an hour and forty five minutes,” he said. “It’s just people talking about love and relationships, and dreams and aspirations. It’s a lot more about life than it is about mourning.”
Each song will be introduced by a presenter who will share a brief personal anecdote relating to the Holocaust. Along with hosts Antelis and Savenor, these presenters include Jack Kliger, the president and CEO of the Museum of Jewish Heritage; Scott Richman, director of the New York and New Jersey branch of the Anti-Defamation League and Cardinal Timothy Dolan, the archbishop of New York.
The diversity of the presenters and performers is intentional, said Antelis and Savenor, emphasizing that part of the purpose of the concert is to showcase a coming together across races, religions and ethnicities. The aim, they said, is to show unity and entrench the message of “never again.”
That’s also why the concert is being presented at historic Carnegie Hall, rather than a synagogue. “To have the sounds of Yiddish reverberating in Carnegie Hall gives me special delight,” said Skybell. “The fact that Yiddish is alive and well and we hear it at Carnegie Hall — it’s just to say that we are here, we’re not going away and we won’t be silenced.”
Proceeds from the performance will be donated to the Museum of Jewish Heritage in Manhattan. Though it will not be recorded for the public or live streamed, Antelis and Savenor said they hope to bring the production around the country and even to Europe to perform the songs at the sites of the ghettos and camps where they were originally composed.
“With everything that’s going on, we cannot be silent — people need to step up. If we don’t stand against antisemitism and hate in every facet, then who are we?” Antelis said. “I think this is the most important concert in many, many years, especially in our culture.”
“We are Here: Songs From the Holocaust” is a one-night event on the Perelman Stage at Carnegie Hall (881 7th Ave.) on Jan. 26 at 7:30 pm. Buy tickets here.
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The post Broadway stars to perform songs written during the Holocaust at Carnegie Hall appeared first on Jewish Telegraphic Agency.
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Katz: ‘Israel’s Goal in Lebanon is to Disarm Hezbollah’
Then-Israeli transportation minister Israel Katz attends the cabinet meeting at the Prime Minister’s office in Jerusalem, Feb. 17, 2019. Katz currently serves as the foreign minister. Photo: Sebastian Scheiner/Pool via REUTERS
i24 News – Israel’s Defense Minister Israel Katz held a situation assessment Friday with senior military and defense officials, reiterating that the country’s policy in Lebanon remains focused on disarming Hezbollah by military and political means. Katz emphasized that the goal applies “regardless of the Iran issue” and pledged continued protection for Israeli northern communities.
Katz said the Israel Defense Forces are completing ground maneuvers up to the anti-tank line to prevent direct threats to border towns. He outlined plans to demolish houses in villages near the border that serve as Hezbollah outposts, citing previous operations in Rafah and Khan Yunis in Gaza as models.
The Defense Minister added that the IDF will maintain security control over the Litani area and that the return of 600,000 residents of southern Lebanon who had evacuated north will not be permitted until northern communities’ safety is ensured. Katz also reaffirmed that the IDF will continue targeting Hezbollah leaders and operatives across Lebanon, noting that 1,000 terrorists have already been eliminated since the start of the current campaign.
“We promised security to the northern towns, and that is exactly what we will do,” Katz said. He further warned that the IDF will act decisively against rocket fire from Lebanon, stating that Hezbollah “will pay heavy prices.”
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Pope Leo Urges Israel’s Herzog to End Iran War in Phone Call, Vatican Says
Pope Leo XIV delivers a homily during the Palm Sunday Mass in Saint Peter’s Square at the Vatican, March 29, 2026. Photo: REUTERS/Remo Casilli
Pope Leo spoke on the phone with Israeli President Isaac Herzog on Friday and urged him to “reopen all paths of dialogue” to end the Iran war, the Vatican said.
The pope, who has emerged as a sharp critic of the regional conflict, also urged Herzog to protect civilians and promote respect for international and humanitarian law, the Vatican added.
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Iran Leaders Join Crowds on Tehran’s Streets to Project Control in Wartime
Iranians gather at a park on Nature Day, amid the U.S.-Israeli conflict with Iran, in Tehran, Iran, April 2, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
After more than a month of being stalked by targeted assassinations, Iran’s leadership has adopted a new tactic to show it is still in control – with senior officials walking openly in the streets among small crowds who have gathered in support of the Islamic Republic.
In recent days, Iran’s president and foreign minister have separately mixed with groups of several hundred people in central Tehran. On Tuesday, state television aired footage of the two posing for selfies, talking to members of the public and shaking hands with supporters who had gathered in public areas.
According to insiders and analysts, the appearances are part of a calculated effort by Iran’s theocratic leadership to project resilience and authority — not only over the vital Strait of Hormuz but also over the population — despite a sustained US-Israeli campaign aimed at “obliterating” it.
One insider close to the hardline establishment said such public outings are intended to show that the Islamic Republic is “unshaken by strikes and that it remains in control and vigilant” as the war grinds on.
The US-Israeli war on Iran began on February 28 with the killing of veteran Supreme Leader Ayatollah Ali Khamenei and several senior military commanders in waves of strikes that have since continued to target top officials.
Iran’s new Supreme Leader, Mojtaba Khamenei, has not been seen in public since taking over on March 8 from his father. Foreign Minister Abbas Araqchi, meanwhile, was removed from Israel’s hit list amid mediation efforts last month, including by Pakistan, to bring Tehran and Washington together for talks to end the war.
Talks aimed at ending the war have since appeared to have petered out, as Tehran brands US peace proposals “unrealistic.” Against that backdrop, recent public appearances by President Masoud Pezeshkian and Araqchi appear designed to project defiance, if not a convincing display of public support.
A senior Iranian source said officials’ public presence demonstrates that “the establishment is not intimidated by Israel’s targeted killing of top Iranian figures.”
Asked whether Iran’s foreign minister or president were on any sort of kill list, an Israeli military spokesperson, Nadav Shoshani, said on Friday he would not “speak about specific personnel.”
NIGHTLY RALLIES TO SHOW RESILIENCE
Despite widespread destruction, Tehran appears emboldened by surviving weeks of intense US-Israeli attacks, firing on Gulf countries hosting US troops and demonstrating its ability to effectively block the Strait of Hormuz.
On Wednesday, US President Donald Trump vowed more aggressive strikes on Iran, without offering a timeline for ending hostilities. Tehran responded by warning the United States and Israel that “more crushing, broader and more destructive” attacks were in store.
Encouraged by clerical rulers, supporters of the Islamic Republic take to the streets each night, filling public squares to show loyalty even as bombs rain down across the country.
Analysts say the establishment is also seeking to raise the “political and reputational” cost of the strikes at a time when civilian casualties are deeply disturbing for Iranians.
Omid Memarian, a senior Iran analyst at DAWN, a Washington-based think tank, said the decision to send officials into gatherings reflects a layered strategy, including an effort to sustain the morale of core supporters at a moment of acute pressure.
“The system relies heavily on this base; if its supporters withdraw from public space, its ability to project control and authority weakens significantly,” Memarian said.
Speaking to state television, some in the crowds voice unwavering loyalty to Iran’s leadership; others oppose the bombing of their country regardless of politics; and some have a stake in the system, including government employees, students and others whose livelihoods are tied to it.
Hadi Ghaemi, head of the New York-based Center for Human Rights in Iran, said the establishment is using such loyal crowds as human shields to raise the cost of any assassination attempts.
“By being in the middle of large crowds they have protections that would make Israeli-American attacks against them very bloody and generate sympathy worldwide,” he said.
POTENTIAL PROTESTERS STAY OFF STREETS AT NIGHT
The Islamic Republic emerged from a 1979 revolution backed by millions of Iranians. But decades of rule marked by corruption, repression and mismanagement have thinned that support, alienating many ordinary people.
While there has been little sign so far of anti-government protests that erupted in January and abated after a deadly crackdown, the establishment has adopted harsh measures – such as arrests, executions and large-scale deployment of security forces – to prevent any sparks of dissent.
Rights groups have warned about “rushed executions” during wartime after Iran hanged at least seven political prisoners during the war.
“Many potential protesters are frightened by the continuing presence of armed men and violent crowds in the streets and largely stay at home once darkness falls,” Ghaemi said.