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Broadway stars to perform songs written during the Holocaust at Carnegie Hall
(New York Jewish Week) — More than a dozen songs written by Jews imprisoned in concentration camps and ghettos during the Holocaust will be brought to life at Carnegie Hall next week as part of a commemoration of International Holocaust Remembrance Day.
Featuring Broadway bigwigs and performers such as Harvey Fierstein, Chita Rivera, Mikhl Yashinsky and Joel Grey, the one-night-only “We Are Here: Songs from the Holocaust” performance will take place on Thurs., January 26 at 7:30 p.m.
“I know a lot about music — I’ve spent my whole life doing it — and I never knew there were songs that came out of the camps and the ghettos,” said music producer and composer Ira Antelis, who conceived of the concert several years ago. “I knew there was classical music in Theresienstadt, but I was not familiar with what I call the ‘Bruce Springsteen’ or ‘Pete Seeger’ music of the camps.”
As it turns out, however, hundreds of what might be called folk and popular songs were written — mostly in Yiddish — by Jews in concentration camps and ghettos. In the decades following the war, many were published in newspapers, songbook collections and memoirs in Europe, Israel and the United States.
The “We Are Here” concert draws its name from one such songbook, titled ““We Are Here: Songs of the Holocaust,” which was compiled in 1983 by Eleanor Mlotek and Malke Gottlieb, with a foreword by Elie Wiesel. Antelis discovered the book while doing research on Wiesel after his death in 2016.
Shortly after he read the songbook, Antelis, who lives in Chicago, was visiting family in New York when he ran into an old friend, Rabbi Charlie Savenor. A former educational director at Park Avenue Synagogue, Savenor was teaching a class on Holocaust memoirs there at the time.
“Keeping a memoir, hiding it, and making sure that whether or not you live and die your experience would be remembered was an act of deep resistance,” said Savenor, who is now the executive director of Civic Spirit, an organization that advocates for civic education. “Writing this music and these songs was doing the same exact thing.”
It felt like fate that the two had reconnected after 15 years, and they decided to collaborate on the project.
Initially, the pair planned to mount a concert just using songs from the “We Are Here” anthology. But when the pandemic put everything on hold, Antelis used the time to do additional research — which led him to discover a 2014 doctoral dissertation that had compiled research about 14 additional songbooks published between 1945-1949. Each of these volumes was filled with dozens of songs from a particular camp or ghetto — songs from Bialystok, Vilna, Munich and others.
“This is our concert,” Antelis thought.
Newly reinvigorated, the concert he was conceiving would feature one song from each songbook.
“What better way to say ‘We Are Here’ than to carry on somebody’s voice from 1940, who was murdered?” Savenor said. “We have the opportunity to do that.”
The first-ever concert of these songs was produced last year at Chicago’s Temple Sholom. That program was on Yom HaShoah, so it included a yahrzeit candlelighting and several speeches. This year, by contrast, the concert will focus almost entirely on the music and the performers, many of whom are no strangers to drawing crowds.
Though many of the songs featured in “We Are Here” have been translated into English, several will be sung in their original Yiddish, including “Minuten Fon Bitahon” (“Minutes of Faith”) by Mordechai Gebirtig. Sung by Steven Skybell, who is coming off of a seven-week off-Broadway run as Tevye in “Fiddler on the Roof in Yiddish,” the song will open the concert.
“One of the most heartbreaking and amazing things about Yiddish songs, in general, is that they don’t shy away from putting into song every aspect of the Jewish life,” said Skybell, who began seriously learning Yiddish during the pandemic. “It’s really unlike any other type of music I’ve ever seen, in that it does not shy away from ugly reality and sometimes hopeless situations.”
At the same time, however, Savenor said he is surprised at how uplifting many of the songs are, considering the horrible circumstances their writers were enduring. “This is not the Mourner’s Kaddish for an hour and forty five minutes,” he said. “It’s just people talking about love and relationships, and dreams and aspirations. It’s a lot more about life than it is about mourning.”
Each song will be introduced by a presenter who will share a brief personal anecdote relating to the Holocaust. Along with hosts Antelis and Savenor, these presenters include Jack Kliger, the president and CEO of the Museum of Jewish Heritage; Scott Richman, director of the New York and New Jersey branch of the Anti-Defamation League and Cardinal Timothy Dolan, the archbishop of New York.
The diversity of the presenters and performers is intentional, said Antelis and Savenor, emphasizing that part of the purpose of the concert is to showcase a coming together across races, religions and ethnicities. The aim, they said, is to show unity and entrench the message of “never again.”
That’s also why the concert is being presented at historic Carnegie Hall, rather than a synagogue. “To have the sounds of Yiddish reverberating in Carnegie Hall gives me special delight,” said Skybell. “The fact that Yiddish is alive and well and we hear it at Carnegie Hall — it’s just to say that we are here, we’re not going away and we won’t be silenced.”
Proceeds from the performance will be donated to the Museum of Jewish Heritage in Manhattan. Though it will not be recorded for the public or live streamed, Antelis and Savenor said they hope to bring the production around the country and even to Europe to perform the songs at the sites of the ghettos and camps where they were originally composed.
“With everything that’s going on, we cannot be silent — people need to step up. If we don’t stand against antisemitism and hate in every facet, then who are we?” Antelis said. “I think this is the most important concert in many, many years, especially in our culture.”
“We are Here: Songs From the Holocaust” is a one-night event on the Perelman Stage at Carnegie Hall (881 7th Ave.) on Jan. 26 at 7:30 pm. Buy tickets here.
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The post Broadway stars to perform songs written during the Holocaust at Carnegie Hall appeared first on Jewish Telegraphic Agency.
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Frank Gehry, renowned architect who began life as Frank Goldberg, dies at 96
(JTA) — Frank Gehry, a Jewish architect who became one of the world’s most renowned innovators in his field for his contributions to modernist architecture, including the famed Guggenheim Museum in Bilbao, Spain, has died at 96.
His death following a brief respiratory illness was confirmed on Friday by the chief of staff at his firm, Meaghan Lloyd, according to the New York Times.
Gehry was born Ephraim Owen Goldberg on Feb. 28, 1929, to a Jewish family in Toronto. In 1947, Gehry moved to Los Angeles with his family and later went on to graduate from the University of Southern California’s School of Architecture in 1954.
The same year, he changed his name to Gehry at the behest of his first wife who was “worried about antisemitism and thought it sounded less Jewish.” He would later say he would not make the choice again.
Among Gehry’s most acclaimed works, which feature his signature, sculptural style, are the Bilbao Guggenheim, the Walt Disney Concert Hall in Los Angeles, the Louis Vuitton Foundation in Paris and the DZ Bank Building in Berlin.
Gehry also often returned to the motif of a fish, including two large fish sculptures in the World Trade Center in New York City and on Barcelona’s seafront. Some tied the fish motif to his recollections about his Jewish grandmother’s trips to the fishmonger to prepare for Shabbat each week.
“We’d put it in the bathtub,” Gehry said, according to the New York Times. “And I’d play with this fish for a day until she killed it and made gefilte fish.”
Gehry began to identify as an atheist shortly after his bar mitzvah. But in 2018, while he was working on ANU-Museum of the Jewish People in Tel Aviv, he told the Jewish Journal that Judaism had influenced his career nonetheless.
“There’s a curiosity built into the [Jewish] culture,” he said. “I grew up under that. My grandfather read Talmud to me. That’s one of the Jewish things I hang on to probably — that philosophy from that religion. Which is separate from God. It’s more ephemeral. I was brought up with that curiosity. I call it a healthy curiosity. Maybe it is something that the religion has produced. I don’t know. It’s certainly a positive thing.”
In 1989, Gehry won the prestigious Pritzker Prize, considered one of the top awards in the field of architecture, and in 1999 won the Gold Medal from the American Institute of Architects. In 2007, Gehry also received the Jerusalem Prize for Arts and Letters and in 2016 won the Presidential Medal of Freedom from then-president Barack Obama.
His survivors include his wife, Berta Isabel Aguilera, daughter Brina, and sons Alejandro and Samuel. Another daughter, Leslie Gehry Brenner, died of cancer in 2008.
The post Frank Gehry, renowned architect who began life as Frank Goldberg, dies at 96 appeared first on The Forward.
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Herzog Says Wellbeing of Israelis His Only Concern in Deal With Netanyahu’s ‘Extraordinary’ Pardon Request
Israeli President Isaac Herzog speaks during a press conference with Latvian President Edgars Rinkevics in Riga, Latvia, Aug. 5, 2025. Photo: REUTERS/Ints Kalnins
i24 News – In an interview with Politico published on Saturday, Israeli President Isaac Herzog remained tight-lipped on whether he intended to grant Prime Minister Benjamin Netanyahu’s “extraordinary” pardon request, saying that his decision will be motivated by what’s best for Israel.
“There is a process which goes through the Justice Ministry and my legal adviser and so on. This is certainly an extraordinary request and above all when dealing with it I will consider what is the best interest of the Israeli people,” Herzog said. “The well-being of the Israeli people is my first, second and third priority.”
Asked specifically about President Donald Trump’s request, Herzog said “I respect President Trump’s friendship and his opinion,” adding, “Israel, naturally, is a sovereign country.”
Herzog addressed a wide range of topics in the interview, including the US-Israel ties and the shifts in public opinion on Israel.
“One has to remember that the fountains of America, of American life, are based on biblical values, just like ours. And therefore, I believe that the underlying fountain that we all drink from is the same,” he said. “However, I am following very closely the trends that I see in the American public eye and the attitude, especially of young people, on Israel.”
“It comes from TikTok,” he said of the torrent of hostility toward Israel that has engulf swathes of U.S. opinion since the October 7 massacre and the subsequent Gaza war, “from a very shallow discourse of the current situation, pictures or viewpoints, and doesn’t judge from the big picture, which is, is Israel a strategic ally? Yes. Is Israel contributing to American national interests, security interests? Absolutely yes. Is Israel a beacon of democracy in the Middle East? Absolutely yes.”
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Syria’s Sharaa Charges Israel ‘Exports Its Crises to Other Countries’
FILE PHOTO: Syria’s President Ahmed al-Sharaa addresses the 80th United Nations General Assembly (UNGA) at the U.N. headquarters in New York, U.S., September 24, 2025. Photo: REUTERS/Shannon Stapleton/File Photo
i24 News – Syrian President Ahmed al-Sharaa on Saturday escalated his messaging against Israel at the Doha forum.
“Israel is working to export its own crises to other countries and escape accountability for the massacres it committed in the Gaza Strip, justifying everything with security concerns,” he said.
“Meanwhile, Syria, since its liberation, has sent positive messages aimed at establishing the foundations of regional stability.
“Israel has responded to Syria with extreme violence, launching over 1,000 airstrikes and carrying out 400 incursions into its territory. The latest of these attacks was the massacre it perpetrated in the town of Beit Jinn in the Damascus countryside, which claimed dozens of lives.
“We are working with influential countries worldwide to pressure Israel to withdraw from the territories it occupied after December 8, 2014, and all countries support this demand.
“Syria insists on Israel’s adherence to the 1974 Disengagement Agreement. The demand for a demilitarized zone raises many questions. Who will protect this zone if there is no Syrian army presence?
“Any agreement must guarantee Syria’s interests, as it is Syria that is subjected to Israeli attacks. So, who should be demanding a buffer zone and withdrawal?”