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ChatGPT can write verse, but it is no more alive than the Golem of Prague
(JTA) — ChatGPT, an AI (artificial intelligence) chatbot with remarkable abilities to mimic human language, has been making big news. One stunt that’s gotten a lot of attention is ChatGPT’s alleged ability to write poetry. If true, this would mark a major advance. If an AI app can write real poetry, it has acquired a soul.
Have we crossed that threshold now with ChatGPT? The program is fun and swiftly generates remarkably lifelike responses to queries and prompts, in grammatically correct if somewhat dull and stuffy sentences. Still, the responses are often full of excellent information.
We’ve certainly made progress in building machines that think. The chess program Deep Blue can beat any grandmaster. Given a prompt like, “Draw me Donald Duck in the style of Rembrandt surfing on an ocean of macaroni” an art-generating AI like DALL-E can produce remarkable illustrations instantly. “Write me a sonnet about e-bicycles in the style of Shakespeare “— presto, ChatGPT can spit out a sonnet.
For many, the difference between these AI-generated products and the real deal is hard to discern — as it was for the congregants of the New York rabbi who delivered a sermon generated by AI this past Shabbat. If ChatGPT is writing poetry it has passed a most difficult version of the Turing test.
Alan Turing, the early computer scientist who helped crack the Nazis’ Enigma code in World War II, speculated on how to tell if a machine has acquired real intelligence: Can it fool a human being into believing it, too, is human? Imagine yourself exchanging texts with an unseen source hidden behind a screen. If you can’t tell whether you are conversing with a machine or a person, the computer has passed the Turing test.
But I’ve found a loophole. What if the human judge is devolving at the same rate that AI is advancing? Perhaps people are becoming more like computer programs as computer programs become more human. I often hear people say, “I am multitasking,” or “I need to recharge my batteries.” They are emulating machines and even a little proud of it. What if ChatGPT seems to be writing poetry because so many people have become so mechanical in their thinking they can’t recognize the poetry of life?
Out of the wounded vanity of a merely human poet, I asked ChatGPT to “write me a poem about kabbalah in the style of Rodger Kamenetz.” Here are the first four lines:
Kabbalah, the ancient wisdom of the Jews
Enshrined in symbols, stories, and the Tree
Of Life, a map to guide us through our dues
And find the spark of divinity within
To those who know and love poetry this isn’t poetry. It is verse — language written in a rough iambic pentameter that has zero felicity.
The verse offers some good clichés about kabbalah because ChatGPT draws instantly from the whole internet. But ChatGPT has no idea what it is saying. It doesn’t care, or have access, to the kind of truths found in poetry. It just cobbles words and phrases together in a plausible way. Since I asked for a poem, it pours the content into a metrical form. But that doesn’t make it beautiful.
In skillful verse, line breaks and end rhymes create variety and emphasis. But what emphasis is served by rhyming “Jews” and “dues”? What does “dues” even mean in this context — unless it’s a reminder to pay your synagogue dues?
Judging from the response to ChatGPT’s verse, many do think it writes poetry. But that’s where the loophole comes in. The Turing test depends on a human judge. For a judge who has never spent time dwelling on what is beautiful in poetry, ChatGPT has passed the test. But that does not prove that ChatGPT is genuinely creative. It just proves that many people have little interest in poetry, and do not value primary imagination. If I can’t tell whether I am talking to a program or a person, maybe the problem is with me. I pity anyone who can’t distinguish verse written by a bot and a poem by Alicia Ostriker or Gerald Stern.
ChatGPT is no more alive than the legendary golem of Prague.
It is said that the Maharal — the great Rabbi Judah Loew of 16th-century Prague — fashioned a magical creature of river mud in order to (what else?) save the Jews. Using permutations of the names of God, the Maharal brought the golem to life by writing “emet” on the creature’s forehead — Hebrew for “truth.”
The legend is rooted in Talmudic discussions of the mystical Book of Formation (Sefer Yetzirah), and further back to Genesis 2:7 which describes a second version of Adam’s creation:
Then the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.
Here we see the original transition from matter to life, from a mere golem — a heap of dirt — to an “adam,” a human being. And according to the 2nd-century translator Onkelos, what marks that transition is the human’s ability to speak poetic language.
When Onkelos translates Genesis 2:7, he renders the Hebrew “nefesh haya” — living soul — as the Aramaic “ruach m’mamila” — a speaking spirit. Poetry is that spirit speaking. Poetry is the utterance of a living soul. And poetry inscribes truth, not on a forehead of mud, but on the human heart.
ChatGPT cannot tell — and doesn’t care — whether what it is writing is true or beautiful. But in the best poetry we hear that strong “speaking spirit” — what Wallace Stevens called “the voice that is great within us.” Poetry rings true — and makes us more beautifully human.
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US soldier charged for threatening to ‘kill every single Jew’ inside of a synagogue
(JTA) — A soldier stationed at Fort Polk in Louisiana was arrested last week after he told users on the popular messaging platform Discord that he planned to conduct a mass shooting at a synagogue.
Jakob Marcoulier, 22, was arrested last Thursday and charged with transmitting a threat in interstate commerce after the FBI’s National Threat Operations Center received a tip in February that he had made threats toward synagogues, according to the U.S. attorney’s office for the western district of Louisiana.
According to court documents, the FBI obtained audio from Discord in which Marcoulier allegedly said, “After this deployment if the Jews still have reign over our government, I am going to walk into a synagogue with my AK, with a 75-round drum mag, and all of my extra mags, with my level four plates, and my haka helmet that’s three plus, and I am going to kill every single Jew I know inside of that synagogue. And that’s my goal in life.”
During the communications, Marcoulier told the other users, “You guys will never do anything about but I will. I just have to finish this, I have to go back overseas and do what I have to do. And then you’ll see me in the news. I promise you.”
He also allegedly said that he would “kill these motherf—kers in order to make sure the white youth is f—king secured.”
It was not immediately clear when Marcoulier made the comments, but the United States and Israel jointly attacked Iran on Feb. 28 following a buildup of U.S. troops in the Middle East.
The Iran war has put Jewish institutions across the country and the around the world on high alert, with attacks on synagogues including arsons in Europe and a synagogue ramming in suburban Detroit last month.
“Threats against synagogues and Jewish Americans are threats to the religious freedom promised to every single one of us, and this Office and our law enforcement partners are committed to protecting those freedoms,” United States Attorney Zachary A. Keller said in a statement.
The post US soldier charged for threatening to ‘kill every single Jew’ inside of a synagogue appeared first on The Forward.
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J.D. Salinger asked publishers to remove references to his Jewish heritage, newly surfaced letters reveal
(JTA) — Acclaimed author J.D. Salinger asked his publisher to remove references to his Jewish heritage in the book jacket of “The Catcher in the Rye,” newly surfaced letters from 1951 reveal.
The request came in a letter from Salinger, a notoriously private man, and his editor, John Woodburn at publisher Little, Brown and Co. The correspondence, which took place in early 1951, predates the first publication of “The Catcher in the Rye,” Salinger’s hit coming-of-age novel.
“I don’t know that I’d like to have that Jewish-Irish business slapped on the jacket,” Salinger wrote. “Surely if it’s catchy, that is.”
The letter has come to light because Peter Harrington Rare Books, a bookseller based in London, has listed it as part of a package for sale in the New York International Antiquarian Book Fair, which begins on Thursday.
“The Catcher in the Rye,” a contemporary classic following the life of angsty boarding school student Holden Caulfield, is one of the best-selling books of all time.
Caulfield’s character is of Irish heritage, like Salinger’s mother. But Salinger was the son of Sol, a cheese salesman (whose wares might have been kosher) and the grandson of a rabbi on his father’s side. His mother, Marie Jillich, went by Miriam to appease her in-laws who disapproved of the mixed marriage. He learned his mother’s real name only around the time of his bar mitzvah.
To Woodburn, Salinger wrote that he worried about being pigeonholed as a Jewish-Irish writer if the book broadcast that information.
“My Jewish-Irishness isn’t quite so bizarre, as, say, [James] Thurber’s eyesight,” Salinger wrote, referring to the American author and cartoonist, who was legally blind by that time. “But nonetheless, second-rate reviewers would probably find the information just provocative enough to use and misuse over and over again, and I’d end up being expected to wear a Star of David and a Shamrock on the back of my sweatshirt. So, please, let’s be careful.”
Salinger’s other famous works include the 1948 short story “A Perfect Day for a Bananafish,” which follows the Irish Catholic-Jewish Glass family, who also make appearances in “Franny and Zooey.”
The letters, previously unpublished, were acquired from a private collector and will be on view at the New York International Antiquarian Book Fair at the Park Avenue Armory from Thursday to May 3.
The bookseller is also currently offering a first edition of the script of West Side Story, inscribed by all four writers of the play, book, and music: Leonard Bernstein, Jerome Robbins, Arthur Laurents, and Stephen Sondheim. Peter Harrington has also sold a rare, first printed edition of “De Bello Judaico” by Josephus Flavius, the first-century Roman-Jewish historian.
The triad of letters is currently offered at a set price of $47,500 and includes two typed letters by Salinger, with his signature, and a carbon copy of Woodburn’s reply. It also includes a reference to one of Salinger’s “lost stories,” a prequel to “Catcher in the Rye” that was not to be published until 50 years after his death.
Salinger died in 2010 at the age of 91. The “lost story,” “The Ocean Full of Bowling Balls,” was set to be published in 2060, but in 2013, it was pirated and leaked online.
The post J.D. Salinger asked publishers to remove references to his Jewish heritage, newly surfaced letters reveal appeared first on The Forward.
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New York Teacher Seeking to Unseat Ritchie Torres Calls for Socialism, Removal of All Pro-Israel Politicians
Andre Easton speaks to supporters in New York City. Photo: Screenshot
The race to unseat incumbent US Rep. Ritchie Torres (D-NY) is drawing attention not only for its electoral implications but also for the broader ideological project outlined by some of his opponents.
Andre Easton, a far-left, anti-Israel high school teacher and member of the Party for Socialism and Liberation, is running as an independent in New York’s 15th Congressional District on a platform that goes beyond defeating the incumbent. In new remarks, Easton suggested that unseating Torres would not, on its own, achieve the political transformation he seeks.
“We understand that this has to be built in the election system, in the election cycle, and outside of the election cycle,” Easton said, describing a strategy that blends electoral participation with grassroots organizing aimed at shifting political and economic power toward the working class. Easton then asserted that the implementation of socialism in the US was necessary to empower the economic downtrodden.
Easton made the comments on Monday night during an event hosted at The People’s Forum in New York City. The event, titled “Palestine: A Test of Democracy,” featured a panel of individuals all donning keffiyehs — a traditional Arab headdress that has been repurposed following Hamas’s Oct. 7, 2023, attack on Israel to signify support for the anti-Israel political cause.
Easton also argued that removing elected officials who support Israel would only address “a symptom,” framing his campaign as part of a broader effort to build a socialist system in the United States. He stated that having a few politicians removed for their “complicity in funding and supporting a genocide is a step in the right direction,” appearing to lend support to the false claim that Israel pursued genocide against the Palestinians during its campaign against the Hamas terrorist group in Gaza.
Torres, one of the most outspoken pro-Israel Democrats in Congress, has consistently backed the US-Israel alliance and condemned rising antisemitism. His positions have made him a prominent voice within the party at a time of growing internal divisions over Middle East policy. Leftists have taken aim at Torres, accusing him of supporting a so-called “genocide” in Gaza.
During his remarks this week, Easton claimed that “349 members” of Congress have received “direct funding from Israel,” a characterization that misrepresents how US campaign finance works. Organizations such as the American Israel Public Affairs Committee (AIPAC) are US-based and funded by American donors, though they advocate for strong US-Israel ties and support candidates aligned with that position.
Supporters of Torres argue that such rhetoric suggesting foreign funding risks fueling harmful narratives, particularly amid heightened concerns about antisemitism. They contend that backing for Israel among US lawmakers reflects policy alignment rather than external control.
Easton, for his part, framed his campaign as an effort to mobilize supporters beyond traditional electoral participation. He encouraged individuals to become “active participants” and “active protagonists” in shaping political outcomes, emphasizing sustained engagement outside of election cycles.
Political analysts have noted that campaigns like Easton’s bid often aim to influence the broader ideological landscape even when victory is unlikely. By promoting more expansive policy goals and organizing committed supporters, such efforts can seek to shift the boundaries of mainstream political debate, sometimes referred to as the Overton window.
For Torres and his allies, the race underscores a wider debate within the Democratic Party over foreign policy, economic systems, and the role of activism in electoral politics. While the outcome of the primary remains uncertain, the contest highlights competing visions not just for a congressional seat but for the direction of the party itself.
Another candidate seeking to defeat Torres is Michael Blake, a progressive former New York state assemblyman who is running an insurgent anti-Israel, left-wing campaign.
Efforts to unseat Torres are considered a longshot. Though little recent polling of the race has been publicly released, existing polls show Torres with widespread approval across his district. The 15th district, which contains the heavily Jewish Riverdale suburbs, is expected to reelect Torres, although the Democratic primary is still to be held in June, followed by the general election in November.