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Congressman-elect George Santos campaigned as a Jewish Republican. Was he lying?
(JTA) — On Sunday night, George Santos joined the Republican Jewish Coalition on Long Island, where he was just elected to Congress, for a menorah-lighting to mark the first night of Hanukkah. He’d been invited as one of just two freshmen Republican Jews elected to Congress in November.
On Monday morning, The New York Times published a blockbuster expose alleging that much of what Santos, 34, had said about his education, his wealth, his business experience, and even where he lives is false or at least questionable.
Not addressed in the article: Was he lying about his Jewish background? As with so much else in his personal narrative, there’s little to suggest truth beyond his own past comments.
The Times noted that Santos, 34, has identified to Jewish Insider as Jewish through his mother and Catholic through his father. Both parents were born in Brazil. Santos has said on Twitter that he is a practicing Catholic — and it is not unusual for some Americans to identify as ethnically Jewish and religiously Christian.
“Whether my mother’s Jewish background beliefs, which are mine or my father’s Roman Catholic beliefs, which are also mine, are represented or not,” he told Jewish Insider after his election, “I want to represent everyone else that practices every other religion to make sure everybody feels like they have a partner in me.”
His campaign biography begins, “George’s grandparents fled Jewish persecution in Ukraine, settled in Belgium, and again fled persecution during WWII. They were able to settle in Brazil, where his mother was born.”
That story could well be true. Many European Jews fled to South America during the leadup to the Holocaust. But Santos’ mother, Fatima Devolder (Santos sometimes goes by the name George Devolder), died in 2016 in New York. Nothing in her online obituary, which often is posted by family, indicates any Jewish background. Fatima is one of a number of Roman Catholic appellations for the Virgin Mary, derived from what the church claims are apparitions of Jesus’s mother in 1917 in the Portuguese city of the same name. Devolder is a Flemish/Dutch name, which at least validates Santos’s claim that his mother has Belgian ancestry, but the Flemish people are overwhelmingly Catholic.
Matt Brooks, the RJC CEO, told the Jewish Telegraphic Agency in a text, “I asked him about this. He identifies as Jewish.”
Santos was a featured speaker last month at the RJC’s annual Las Vegas event, billed as one of two freshmen Jewish Republicans in Congress. (The other is Ohio’s Max Miller.) He campaigned heavily among Orthodox Jews living in New York’s 3rd District, encompassing parts of northern Long Island and a part of Queens. “It was an honor to address fellow members of the Jewish community in #NY03,” he tweeted Nov. 3 after attending a Chabad event also attended by Israeli Ashkenazi Chief Rabbi David Lau.
At Sunday’s Hanukkah event, Santos joined Lee Zeldin, the outgoing New York Jewish congressman who gained traction among New York’s politically conservative Orthodox Jewish voters.
Santos did not return emails sent by JTA to multiple addresses or messages sent through a number of social media platforms. His sister, Tiffany, also did not reply to an email, nor did his lawyer, Joe Murray.
Santos’ claims about his religious and ethnic origins are minor compared to the revelations in the Times expose, which offered new details as well as ones published previously elsewhere and uncovered by Democratic Party opposition research. There are no records of Santos attending the institutes of higher learning he claims to have attended, or of working at some of the financial brokerages he claims have employed him. A charitable institution he started has no evidence of being charitable. He has repeatedly identified with the far right, and then attempted to scrub such expressions from his social media.
Santos faces outstanding charges in Brazil for allegedly stealing a checkbook from a man in the care of his mother, a nurse, and then cashing checks, according to the New York Times’ report. He has twice been evicted. His financial reporting as a candidate is missing required information, omissions that could bring legal jeopardy. The Times sought Santos out at the address where he is registered to vote; the person there said she did not know him.
It’s not the first time a politician has campaigned as identifying as having a Jewish background that evaporates under scrutiny. In 2018, Julia Salazar, a progressive Democrat who won a seat in the New York state legislature, said she identified as Jewish in part because of her father’s Jewish roots; her brother said their father was not Jewish.
Salazar and her defenders said that she identified as Jewish and it was untoward to demand proof. The RJC’s Brooks sounded a similar note regarding Santos. “He considers himself a Jew. That’s good enough for me,” he texted.
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The post Congressman-elect George Santos campaigned as a Jewish Republican. Was he lying? appeared first on Jewish Telegraphic Agency.
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‘Growing Pogrom-Like Atmosphere’: German Antisemitism Commissioner Issues Warning After Synagogue Arson Attack
Anti-Israel protesters march in Germany, March 26, 2025. Photo: Sebastian Willnow/dpa via Reuters Connect
The commissioner to combat antisemitism in the German state of Hesse has sounded the alarm after an arson attack on a local synagogue in the town of Giessen, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across Germany as Jews and Israelis continue to face an increasingly hostile climate.
In an interview with the German newspaper Tagesspiegel, Uwe Becker — who has served in his role since 2019 — condemned the latest attack, saying it occurred “in a poisoned antisemitic climate that is steadily worsening.”
The horrific act occurred in a “growing pogrom-like atmosphere that, as a society in Germany and Europe, we are currently not doing enough to counter,” the German official said.
On Tuesday, a 32-year-old man was arrested after allegedly setting fire to a trash can outside a local synagogue in Giessen, west-central Germany, in an attack that damaged a roller shutter and entrance gate, though no one was harmed.
According to local reports, a Giessen district judge has ordered the suspect to be placed in a psychiatric hospital, citing signs that he may be suffering from a mental illness.
However, the suspect remains in police custody as local authorities investigate the circumstances and motive of the attack, including whether it was politically motivated.
This latest attack came just a week after Andreas Büttner, the commissioner for antisemitism in Brandenburg, northeastern Germany, was targeted for the second time in less than a week after receiving a death threat.
According to the German newspaper Potsdamer Neueste Nachrichten (PNN), the Brandenburg state parliament received a letter earlier this month threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
Authorities are now probing the incident as part of an ongoing investigation into threats against the German official, after his private property in Templin — about 43 miles north of Berlin — was also targeted in an arson attack and a red Hamas triangle was spray-painted on his house.
A former police officer and member of the Left Party, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
“The symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement,” Büttner said in a statement after the incident.
“Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat,” he continued.
Hamas uses inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. The symbol, a common staple at pro-Hamas rallies, has come to represent the Palestinian terrorist group and glorify its use of violence.
In August 2024, swastikas and other antisemitic symbols and threats were also spray-painted on Büttner’s personal car.
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How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me
My last semester of college, I had an Alvin Ailey phase.
My time in Philadelphia was rapidly coming to a close and I felt an urge to make it to as many of the performing arts venues in the city as I could (not an easy feat). With a close family friend, I attended my first Alvin Ailey performance at the Forrest Theatre. Soon after, I went to a talk at the African American Museum in Philadelphia about Ailey and the piece The River. That weekend, I also watched the 2021 documentary Ailey. Then I found myself doing a sociolinguistical analysis of Ailey’s most famous work, Revelations, for a class.
To call my interest in Ailey a phase is actually a misnomer since, two years later, I am still an Ailey fan — and now the owner of an actual Alvin Ailey-branded hand fan. Last June, I attended a performance during their run at the Brooklyn Academy of Music and fell in love with Grace, choreographed by Ronald K. Brown. I bought a ticket to see it again, along with Revelations and two shorter works, during their winter season at New York City Center.
While the end of Grace — in which a dozen dancers take a nearly 30-minute-long journey to a promised land — made me tear up, it wasn’t until Revelations that I actually began to cry. It happened during the duet “Fix Me, Jesus,” in which a female dancer searches for spiritual guidance and a male figure depicts divine support.
I was aware of the irony. As a lifelong Jew, I have never wanted Jesus to “fix” me. But the piece moved me to tears nonetheless. Within the gospel music, New Testament themes and African American cultural imagery of Revelations — composed of multiple smaller pieces — is a universal story of desire for redemption and turning to faith in times of great suffering.
The choir that accompanies the dance sings “fix me for my long white robe,” a reference to Revelation 6:11, where those that have lived their life without sin are told they will be given white robes for their ascension to Heaven. I was reminded of the kittel, a plain white robe some in the Ashkenazi tradition wear on Yom Kippur. Some rabbis have interpreted the robe to symbolize the blank slate we are creating for ourselves in the new year. Dressing plainly can also be another way of resisting earthly pleasures on the Day of Atonement. Since some people are also buried in their kittel, another interpretation is that wearing it helps one consider their death and what legacy they want to leave behind, thinking of how they may “fix” themselves to be ready for when they will be brought before G-d.
These echoes of Yom Kippur make another appearance in Ailey’s Revelations in the solo “I Wanna Be Ready.” The single dancer dressed in white alternates between contracting and expanding their body, kneeling and prostrating on the ground, as if they are repenting for something. The choir chants that they want to be ready to put on their long white robes and the lead singer explains he has avoided the temptation to sin so his soul will be ready for death.
This deviates slightly from how I think of preparing for the Day of Judgment. For me, Yom Kippur has always been about acknowledging that we will sin, that we are human, flawed, prone to jealousy and gossip and all those other things we list as we beat our chests during the confessional. In the Reconstructionist Press version of the Prayerbook for the Days of Awe, Rabbi Rami M. Shapiro writes that “we freely admit our failings” in order to “create our atonements.” In the confessional, we are instructed not to tell G-d that “we are righteous, and we have not sinned,” for “indeed we have sinned.”
I have always experienced Yom Kippur as an intense emotional journey to find within myself the ability to do better, be better, perhaps with some divine guidance. This is what I recognized in “Fix Me, Jesus,” this burning desire to exceed our own expectations.
But the yearning of Revelations is not just about individual spiritual reckoning. Throughout the work, you can feel Black Americans pushing toward freedom as they emerge from the degradation of slavery and Jim Crow.
I connect with this existential cultural aspiration to escape systemic degradation both as a Black American and as a Jewish American, descended from enslaved people on one side and pogrom survivors on the other. Although Revelations originated in a specific cultural context — born from Ailey’s experiences growing up in the Black church in 1930s Texas — its broader message about redemption feels unifying across cultural divides. I have imagined seeing Revelations with my paternal grandmother, an active and dedicated member of the Black Presbyterian church. Even if we were to appreciate the dance’s spirituality for different reasons — her for the work’s reflection of her faith in Jesus, me for its raw portrayal of an intense desire to improve — it’s something that would move both of us.
Probably my tears were triggered by the intensity of the piece and the beauty of its dancers and not by some spiritual awakening. Still, despite — or really, because of — the emotional unrest Alvin Ailey put me through, they will probably be seeing me again soon.
The post How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me appeared first on The Forward.
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Police Chief in UK Retires After Facing Scrutiny for Banning Israeli Maccabi Tel Aviv Fans From Soccer Match
WMP Chief Constable Craig Guildford speaking before the Home Affairs Committee on Jan. 6, 2026. Photo: Screenshot
West Midlands Police (WMP) Chief Constable Craig Guildford retired on Friday effective immediately after increasing public scrutiny and revelations over his use of “exaggerated or simply untrue” intelligence to justify a ban prohibiting Maccabi Tel Aviv soccer fans from attending a match late last year.
Simon Foster, the police and crime commissioner of WMP, announced Guildford’s retirement in a formal statement delivered outside Birmingham’s Lloyd House, which is the headquarters of the West Midlands police force. Guildford will collect his full pension after three decades of service. Foster thanked Guildford for his service and said he welcomes the chief constable’s decision to retire. He added that Guildford’s stepping down is in the “best interest” of the police force and the local community.
Guildford’s retirement follows the decision of the Birmingham City Council Safety Advisory Group, based on the recommendation of West Midlands Police, to ban traveling Maccabi Tel Aviv soccer fans from attending the Europa League soccer match between Aston Villa and the Israeli team on Nov. 6, 2025, at Villa Park in Birmingham due to “public safety concerns.”
The announcement also comes just two days after British Home Secretary Shabana Mahmood told the British Parliament that she has lost confidence in Guildford. The minister said she came to the conclusion after receiving a “damning” and “devastating” report by Sir Andy Cooke, his Majesty’s chief inspector of constabulary, on Wednesday that revealed several failings by the WMP force in relation to its recommendation to ban Maccabi soccer fans, including “misleading” public statements and “misinformation” promoted by the police.
Foster acknowledged on Thursday that the police forced faced “understandable intense and significant oversight and scrutiny.”
“The findings of the chief inspector were damning. They set out a catalogue of failings that have harmed trust in West Midlands Police,” Mahmood said in a statement following Thursday’s announcement. “By stepping down, Craig Guildford has done the right thing today … Today marks a crucial first step to rebuilding trust and confidence in the force amongst all the communities they serve.”