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Cornell Newspaper Publishes Nazi Symbol in Anti-Israel Essay
Illustrative Cornell University cleaning anti-Zionist graffiti off a statue of the school’s co-founder on January 21, 2025. Photo: Screenshot
Cornell University took center stage in another campus antisemitism outrage on Thursday, as its student newspaper published an anti-Zionist opinion piece which promoted Holocaust inversion by melding a Nazi symbol with the Star of David.
The article, titled “Thousand & One Eyes for an Eye” and written by indigenous studies professor Karim-Aly Assam, argued that Israel’s military strategy for the Gaza war against Hamas prioritized revenge for the Oct. 7 massacre over security “under the pretext of obtaining justice.” The article further accused Israeli officials of describing Palestinians as “animals” to justify “ruthless destruction and killing” — a gross distortion of Israeli Defense Minister Yoav Gallant’s describing the Hamas fighters who murdered, raped, and maimed women, children, and men on Oct. 7 “human animals” two days after the atrocities transpired.
Assam’s article implied an equivalence of Israel’s military objective to eradicate Hamas from Gaza with the Nazi genocide of Jews across Europe during World War II, a trope which anti-Israel activists and antisemites traffic to foster negative public opinion against Israel’s efforts to secure its borders and quell jihadist activity in the Palestinian territories that has sabotaged efforts to reach a two-state solution and achieve peace with Israel’s neighbors.
The tactic — Holocaust inversion — is one part of a triad of Holocaust-skepticism, the other two components of which are “denial” and “distortion” — used to defame Jews and deny that they are and have been victims of hatred. Once reserved to neo-Nazi media, Holocaust inversion, experts say, is being increasingly embraced by other more mainstream segments of society.
Assam’s attempt to erase Jewish suffering during the Holocaust is clear, Cornell University professor William Jacobson said in an interview with the New York Post.
“It reflects the normalization of Holocaust inversion, both on the internet and now on Cornell’s campus,” Jacobson said. “This [SS lightning bolt] graphic is specifically inside a bloody Jewish star. No reflection of it being even related to Israel. And it clearly is pursuing the idea that Jews are the new Nazis. And so I think it’s obviously highly offensive.”
Following the incident, Cornell unpublished and then re-published Assam’s essay. Later, Eric Han, a Daily Sun editor — claiming not to speak for the organization but as an individual — defended publishing the drawing, arguing that it “clearly depicts that the Palestinian subject has been violently (i.e. bloodily) branded with the SS symbol.”
He added, “I would find it very difficult to dispute the claim that that the Israeli government is similar to the Nazi regime” and claimed that criticism of Assam is evidence of rising “threats levied against academic freedom on campus.”
On Thursday, Kassam said that he regrets how “some” people “interpreted” the drawing.
“I am deeply saddened to learn that this portion of the artwork has been interpreted by some as antisemitic,” he told the New York Post. “That was not my intention and I have learned from this experience.”
Cornell University stands with other Ivy League campuses in being plagued by incidents which exhibit a severity of anti-Jewish hatred not seen in the Western world since the rise of the Nazis.
Just last week, a Cornell professor who according to the school violated federal anti-discrimination law when he expelled an Israeli student from class opted to retire rather than serve a two-semester suspension he received as punishment for the incident.
Follow Dion J. Pierre @DionJPierre.
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Mamdani has created ‘great fear,’ and Jewish voters are ‘more motivated than I have ever seen,’ Cuomo says
Andrew Cuomo believes he’s made an effective case to Jewish voters, particularly those opposed to Zohran Mamdani or concerned about his statements on Israel. In an interview on Friday, Cuomo insisted that “the truth” will help him pull off an upset in the election for New York City mayor, despite lagging in all public polls.
Cuomo said that since his defeat in the Democratic primary, there’s an increased awareness of Mamdani’s rhetoric and positions, which will be key to the former governor’s success.
“Look, I think there’s so much information out there now that the voters know the emes,” Cuomo said, using the Yiddish word for truth. “And the emes is the reason I’m going to win.”
Mamdani’s positions on Israel have roiled New York’s Jewish community — the largest outside of Israel, as he has faced scrutiny for: refusing to outright condemn the slogan “globalize the intifada,” calling the Gaza war a “genocide,” and pledging to arrest Israeli Prime Minister Benjamin Netanyahu if he visited the city.
Earlier this week, Mamdani made a direct appeal to Brooklyn’s Hasidic community, an influential constituency that often votes based on rabbinical guidance and supported Cuomo in the primary and Eric Adams in 2021.
In an open letter written in Hasidic Yiddish and published in Yiddish-language newspapers, Mamdani highlighted his plans to combat antisemitism and his proposals on affordability and childcare vouchers. Mamdani pledged on Wednesday to retain police commissioner Jessica Tisch, who is Jewish, which was viewed as a gesture to reassure Jewish New Yorkers worried about rising antisemitism.
Cuomo said that in his conversations with Jewish leaders and voters, he has “sensed a real fear” of what would happen if Mamdani got elected.
“The level of concern in the Jewish community is frighteningly high,” he said. Cuomo suggested that anxious Jewish voters “are more motivated than I have ever seen them in politics.”
Cuomo spent Friday meeting with Orthodox leaders in Flatbush, where he earned the endorsement of the Flatbush Jewish Community Coalition, the same influential group that Adams credited with helping secure his 2021 victory.
The former governor also addressed remarks made earlier in the day by Mamdani, who accused his opponents of targeting him because he’s the first Muslim favored to become mayor of New York. “I thought that if I behaved well enough or bit my tongue enough in the face of racist, baseless attacks, all while returning back to my central message, it would allow me to be more than just my faith,” Mamdani said in a speech outside a mosque in The Bronx. “I was wrong.”
Cuomo pushed back, saying his campaign against Mamdani is rooted not in religion but in the democratic socialist’s own record. “I think Mamdani has created great fear among the Jewish community and many other communities,” he said. “He is affirmatively offensive. It has nothing to do with his being Muslim. It has to do with what he says.”
Also on Friday, House Minority Leader Hakeem Jeffries, who had until now resisted weighing in on the mayoral race, endorsed Mamdani. In a statement, Jeffries said Mamdani has promised “to focus on keeping every New Yorker safe, including the Jewish community.”
A recent Quinnipiac poll showed Mamdani trailing Cuomo by 31 points among Jewish voters, while maintaining a double-digit lead citywide. Just 22% of Jewish voters view Mamdani favorably, while 67% hold an unfavorable opinion. The survey found that a plurality of likely voters share Mamdani’s views on the Israel-Hamas conflict.
Early voting in the election begins on Saturday.
The post Mamdani has created ‘great fear,’ and Jewish voters are ‘more motivated than I have ever seen,’ Cuomo says appeared first on The Forward.
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As 1000+ rabbis sign anti-Mamdani letter, others decry mounting ‘red lines’ in Jewish communities
Two days after Rabbi Elliot Cosgrove delivered a sermon urging congregants to vote against Zohran Mamdani, rabbis across the country were asked to sign a letter quoting him.
By the time it was published Wednesday, 650 rabbis and cantors had done so, adding their names calling out the “political normalization” of anti-Zionism among figures like Mamdani, the New York City mayoral frontrunner.
By Friday, the letter had more than 1,000 signatories, making it one of the most-signed rabbinic letters in U.S. history.
But Cosgrove, the senior rabbi of Park Avenue Synagogue on the Upper East Side, was not one of them.
“As a policy, I do not sign group letters,” he said in an interview.
“My fear of such letters is they can flatten subjects and reduce complex issues to ‘Who’s on a letter and who’s not on a letter?’” he added. “There are other platforms that rabbis can give expression to their leadership.”
As the letter has ricocheted across the country and escaped from rabbis’ inboxes to their congregants’ social media feeds, it has ignited a wave of scrutiny, plaudits and recriminations. Some people have voiced relief or disappointment in seeing their rabbi’s name on the list — or on not seeing it.
“Jewish communities are circulating spreadsheets of who signed and who didn’t,” wrote Rabbi Shira Koch Epstein in an essay describing what she said was “a painful public reckoning” taking place both publicly and privately.
“I am not sleeping. These red lines are so dangerous,” responded Rabbi Lauren Grabelle Hermann, of Manhattan’s Society for the Advancement of Judaism, in one of dozens of comments representing a wide range of views. Hermann devoted her Yom Kippur sermon earlier this month to calling on her community to “become an antidote to the polarization and fragmentation in our broader Jewish community and society.”
Now, facing renewed pressure from their congregants over the letter, some New York City rabbis are articulating alternative strategies for responding to a political moment that many Jews are experiencing as fraught and high-stakes.
Rabbi Angela Buchdahl wrote to all members of Central Synagogue, the Manhattan Reform congregation where she is senior rabbi, to explain why they would not find her among the letter’s signatories.
“As a Central clergy team, we have spoken from the pulpit in multiple past sermons and will continue to take a clear, unambiguous position on antisemitism, on anti-Zionist rhetoric, and on sharing our deep support for Israel,” she wrote.
But, citing the importance of “separation of church and state,” Buchdahl wrote that “it is up to each of us to vote our conscience.”
“There are political organizations, including Jewish ones, where electoral politics is the core mission. Get involved,” she wrote. “Central Synagogue, however, is a Jewish spiritual home and we want to keep it that way. It remains our conviction that political endorsements of candidates are not in the best interest of our congregation, community, or country.”
Rabbi Jeremy Kalmanofsky of the Conservative synagogue Congregation Ansche Chesed on the Upper West Side sent out a letter of his own to congregants. He said he would not be voting for Mamdani but did not believe it was his role to tell them how to vote. And he raised concerns about what he said was the “shearing off of liberal from conservative liberal communities,” saying that Jews of all political outlooks should be able to pray and act together.
“The Torah commands lo titgodedu, traditionally interpreted to mean, don’t fragment yourselves into factions,” Kalmanofsky wrote. “I fear this happening to Jews. Frankly, I fear it more than I fear an anti-Zionist mayor.”
Rabbi Adam Mintz, who leads the recently rebranded Modern Orthodox congregation Shtiebel @ JCC, said he’d signed a smaller letter from Manhattan Orthodox rabbis urging the importance of voting. But Mintz felt this letter was outside his role.
“I’m a rabbi. I don’t want to take a political stand,” he said. “I understand that some people feel strongly and they want to take a political stand. I think that’s OK, but that’s not my role.”
Rabbi Michelle Dardashti of Kane Street Synagogue, an egalitarian Conservative synagogue in Brooklyn, did not sign the letter, either. She instead took a different approach to addressing her congregants in the lead-up to the election, hosting about 80 of them Tuesday night for an evening of dialogue.
Members representing a spectrum of views took turns sharing questions and concerns ahead of the election. Dardashti said congregants, despite conflicting views, were “deeply engaged and passionate, and spoke beautifully and respectfully.”
“I understand my rabbinic role to be one that creates space for people to learn from each other’s different experiences, and therefore perspectives,” she said.
Some Jewish leaders and groups outright opposed the letter and its message, rather than considering it an ill-advised strategy. Bend the Arc, a progressive Jewish organization that endorsed Mamdani, released a statement excoriating the letter and its signatories for distracting from what it said was the real issue: Donald Trump.
“These Jewish leaders are doing Trump and the MAGA movement’s work for them: dividing our pro-democracy movement at a time when we need to be united to beat back fascism,” the statement read.
Josh Whinston, a rabbi in Ann Arbor, Michigan, expressed skepticism on social media about the letter’s origin and intentions, and noted that he did not sign it.
“This was not a call for moral clarity; it was a political move aimed at influencing a local race in New York City,” he wrote.
Upon first reading it, Whinston wrote that he “agreed with parts of what it said,” and that he “considered signing.” But, hoping to learn more about the Jewish Majority, the group behind the letter, Whinston wrote, “The site offered no substance. There was no mission, no vision, no leadership, no staff.”
The Jewish Majority’s goal, as stated on its website, is to counterbalance left-wing “fringe groups” like Jewish Voice for Peace and Jews for Racial and Economic Justice, which they say “weaponize the Jewish identity of some of their members to call for policy recommendations that are rejected by the overwhelming majority of the Jewish community.”
The executive director of the Jewish Majority, Jonathan Schulman, is a former longtime AIPAC staffer. In an interview, Schulman said he wrote the letter’s first draft before it underwent rounds of edits from about 40 rabbis of different denominations.
The inspiration came when “Rabbi Cosgrove’s sermon started making the rounds,” he said, adding, “By Sunday morning, rabbis were reaching out to me saying, ‘This is the kind of sentiment we’re feeling all over the country.’”
Unlike Cosgrove’s sermon, which included an endorsement of Andrew Cuomo, the letter does not mention either of Mamdani’s opponents. It does, however, say that political figures like “Zohran Mamdani refuse to condemn violent slogans, deny Israel’s legitimacy, and accuse the Jewish state of genocide,” and calls on Americans to “stand up for candidates who reject antisemitic and anti-Zionist rhetoric, and who affirm Israel’s right to exist in peace and security.”
Schulman recalled being told, “‘There’s the issue of Zohran Mamdani and calls to globalize the intifada and all this, but there’s anti-Zionist candidates running for mayor in Somerville, Massachusetts, in Minneapolis, Seattle — this is becoming normalized, this is becoming mainstream.’”
Rabbi Mark Miller of Temple Beth El in Bloomfield Hills, Michigan, is one of the rabbis who helped edit the letter. He said part of his goal was to help clarify its nature as being national rather than local.
“This was not an attempt for the rest of us to get involved in New York politics,” Miller said. “It’s highlighting it, but the issue is that everywhere we are, this is a concern.”
Signatories on the letter include rabbis from across the United States, and even outside the country.
Rabbi Brigitte Rosenberg, the senior rabbi of a Reform congregation in St. Louis, signed the letter, and said the message about anti-Zionism resonated with her on a national level.
“Mamdani was the big race that was talked about in this, but it’s come up in other races, right?” Rosenberg said, pointing to the comeback bid of “Squad” member Cori Bush to represent St. Louis in Congress.
Rabbi Jeremy Barras from Miami said a number of his congregants have residences in New York, and “they’re just terrified.”
“But I would’ve signed it if it was the same issue in any city in America,” Barras said. “It just happens to be true that we’re a little more sensitive because so many of our families have connections in New York.”
Both Barras and Rosenberg said they couldn’t remember an open letter signed by this many rabbis. There have in fact been examples of open letters being signed by 1,000-plus rabbis, including an appeal to open Palestine to Jews in 1945; a 2017 letter calling on Trump to support refugees and a letter from earlier this year demanding Israel stop “using starvation as a weapon of war.”
Yehuda Kurtzer, co-president of the Shalom Hartman Institute, affirmed that open letters like the one distributed by the Jewish Majority are nothing new, and said there is “definitely a tension that emerges” for those expected to sign. Endorsements from the pulpit, on the other hand, are “new terrain,” he said, noting the Trump administration’s decision to stop enforcement of an IRS rule barring political endorsements from religious institutions.
“We felt pretty strongly that rabbis should not generally do this, and there’s a whole variety of reasons,” Kurtzer said. “It’s a plausible scenario that politicians will start doing quid pro quos with religious leaders around their needs. Once you do it once there’s an expectation that you’ll do it all the time.”
Some of the rabbis who signed say they weren’t making a partisan political statement. Ammiel Hirsch, senior rabbi of Stephen Wise Free Synagogue on the Upper West Side and the leader of a Zionist organization within the Reform movement, acknowledged “worries” about alienating some congregants. But, like others who’ve come out against Mamdani, Hirsch said it was non-partisan to speak out against someone whose rhetoric could compromise Jewish safety.
“There’s always the risk that people will understand you in a partisan way, especially since we’re living in such a hyper-partisan atmosphere now,” Hirsch said. “But it’s a risk that we have to take because the stakes are so high.”
Rabbi Joshua Davidson of Manhattan’s Temple Emanu-El made a similar point. “I’m not going to tell people who they ought to vote for. But I do think it’s important for me to let them know what I think they ought to be thinking about when they vote,” he said, pointing to issues like “the well-being of the State of Israel and the safety of the Jewish community.”
For Cosgrove, whose synagogue is located 20 blocks from Davidson’s, the division that’s arisen since his sermon is something to grieve.
“It deeply saddens me that, in a moment where the Jewish community should be thinking about the external threats that our community faces, that we should be spending an iota of energy on that which exacerbates any fault lines,” Cosgrove said.
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The Jewish Museum has just completed a major renovation. Here are 7 highlights.
Following a yearlong, $14.5 million renovation, the Jewish Museum — which is housed a 1908 French Gothic mansion on Fifth Avenue — is opening two upgraded floors to the public.
Among the new features on the museum’s reimagined third and fourth floors: a new installation, “Identity, Culture and Community: Stories from the Collections of the Jewish Museum,” which spotlights 200 items from the museum’s permanent collection; four galleries for rotating exhibits and new acquisitions and the Pruzan Family Center for Learning, featuring art-making studios, a touch wall, and an interactive, simulated archaeological dig.
The renovation is the brainchild of the museum’s director, James Snyder, who assumed the helm of the 121-year-old institution in November 2023, following stints as the director of the Israel Museum and deputy director of the Museum of Modern Art in New York.
The renovation “gave us the opportunity to think through an entirely new narrative, an entirely new strategy for what we are all about,” Snyder said during a press event on Tuesday.
“These are complex times — they have been for a while. They’re getting more and more complex every day,” Snyder said. “Our job, particularly for culturally specific museums like this one, is to be the antidote to what’s really a pandemic today — to the xenophobia, the racism, the ignorance that is prevalent everywhere now.”
Here are seven things to see and do at the renovated Jewish Museum’s new galleries.
1. Marc Chagall’s “Self-Portrait with Palette” (1917)
Marc Chagall’s “Self-Portrait with Palette” (1917) is among the new acquisitions at the Jewish Museum. (Jackie Hajdenberg)
This self-portrait by the lauded Jewish artist is in the Cubist style. An oil on canvas, the painting shows Chagall as a young man holding a brush and palette, with his hometown of Vitebsk (in today’s Belarus) in the background.
When the portrait was painted — during the Russian Revolution — Chagall had just returned home after three years at a Parisian art school in order to marry his childhood sweetheart, Bella Rosenfeld, who modeled for many of his works.
The painting, a new acquisition by the museum, was previously in a private collection. It was last publicly exhibited at the Tefaf New York art fair at the Park Avenue Armory in 2022. It hangs “in conversation” with a newly acquired piece by Alice Neel, titled “Nazis Murder Jews,” from 1936, an unusually non-abstract work by Mark Rothko that shows a deconstructed crucifix, and three paintings by Romanian-Israeli painter Reuven Rubin.
2. 130+ Hanukkah lamps, from ancient times to the present
A glass case of more than 130 Hanukkah lamps is part of the Jewish Museum’s identity and culture exhibit, drawn from the museum’s collection. (Jackie Hajdenberg)
The Jewish Museum has more than 1,400 Hanukkah menorahs in its collection, and as part of its new, fourth-floor learning center, more than 130 are on display in a space that is open to a double-height gallery on the third floor.
The installation — featuring menorahs from across the globe, antiquity to the present day — is meant to accentuate “the central meaning of light as a symbol of enlightenment and hope across cultures,” per a press release.
Particular highlights include oil lamps from the 2nd to 1st century BCE, as well as a “Menurkey” — a turkey-shaped menorah, devised by 9-year-old Asher Weintraub in 2013, when Thanksgiving and Hanukkah overlapped for the first time since 1888.
3. “The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs” (1833–34) by Moritz Daniel Oppenheim
‘The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs” by Moritz Daniel Oppenheim. (Courtesy The Jewish Museum)
Considered to be the first Jewish painter in the modern era, Moritz Daniel Oppenheim — born in 1800 in Hanau, Germany — is known for being the first Jew to receive a formal arts education in Europe.
Many of Oppenheim’s works — which are on view at the museum as part of its permanent collection — showcase intimate portraits of Jewish life in Europe. Considered his masterpiece, “The Return of the Volunteer,” depicts a young German Jewish man returning home after helping defend Germany against the Napoleonic armies just as his family is welcoming Shabbat. (Note the challah and kiddush cup on the table.)
Oppenheim created the painting during a time of civil unrest following the 1830 revolutions in France, when some German states passed repressive legislation against the Jews. Per the Jewish Museum, “This painting has been interpreted as a reminder to Germans of the significant role played by Jews in the Wars of Liberation, and its political overtones are unusual in the generally apolitical nature of Biedermeier art.”
4. Letters between George Washington and Moses Seixas
A letter exchange between Touro Synagogue president Moses Seixas and American President George Washington. (Jackie Hajdenberg)
Part of the new “Identity, Culture and Community” exhibit is a section on Jews in the Colonial Era. A highlight here are letters from 1790 between new American President George Washington and Moses Seixas, the president of Jeshuat Israel of Newport, Rhode Island, now known as the Touro Synagogue — the oldest synagogue in the United States.
Washington came to Rhode Island after the state ratified the United States Constitution in order to promote the passing of the Bill of Rights; upon Washington’s arrival in Newport, Seixas read a letter aloud to the president, in which he expressed optimism at the freedom of religion that Americans would see in this new country.
“May the children of the stock of Abraham who dwell in this land continue to merit and enjoy the good will of the other inhabitants —,” Washington wrote in response, adding a quotation from scripture, “while everyone shall sit in safety under his own vine and fig tree and there shall be none to make him afraid.”
The letters are so delicate they’re kept under a window blind that visitors manually pull up and down, to minimize exposure to light.
5. A child-friendly mock archaeology dig
Visitors of all ages can dig for replicas of real ancient artifacts in the Jewish Museum’s newly renovated dig room. (Jackie Hajdenberg)
As part of the Pruzan Family Center for Learning, the Jewish Museum’s new mock archeology dig is three times larger than the previous version. Here, as part of the visitors can dig through four pits, each centered around a different era in time, for replicas of real artifacts, such as an Ottoman-era copper alloy coffeepot from Jerusalem, an ancient Roman oil lamp and a calcite-alabaster jar from ancient Egypt circa 1550 BCE.
The real versions of those artifacts — most of them newly on display in the room — are also on display, accompanied by kid-friendly language. Families are provided with an “Archaeologist’s Notebook” to keep track of their finds.
6. “in full command of every plan you wrecked” (2024) by Zoë Buckman
“in full command of every plan you wrecked” by Zoë Buckman is on view at the Jewish Museum as part of the third floor’s rotating exhibitions. (Jackie Hajdenberg)
Zoë Buckman, 40, is a British Jewish artist whose work has been featured in the UK’s National Portrait Gallery and who has emerged as a prominent voice among artists on antisemitism in the wake of the Gaza war. This ink, acrylic and hand-embroidered piece is Buckman’s debut at the Jewish Museum, which is part of her “Who by Fire” series exploring Jewish personhood.
Located on a third-floor gallery, Buckman’s work depicts a woman sitting on a chair; the piece’s name, “in full command of every plan you wrecked,” a reference to a Leonard Cohen lyric from “Alexandra Leaving.” The loose threads — typically found on the back of such woven pieces — subvert expectations of traditional feminine and domestic textile work.
7. A retrospective on the early works of Anish Kapoor
Some of the early sculptural pigment works of Anish Kapoor at the Jewish Museum. (Jackie Hajdenberg)
Born in India in 1954 to a Punjabi Hindu father and an Iraqi Jewish mother from Mumbai, Anish Kapoor rose to prominence as an artist exploring matter, non-matter, space and voids. “Anish Kapoor: Early Works,” on view until Feb. 26, 2026, is the first American museum presentation showcasing Kapoor’s works from the late 1970s and early 1980s, “when he was still the classic starving artist,” per the New York Times.
Snyder and Kapoor — a winner of the prestigious Genesis Prize — have previously collaborated on exhibits at MoMA and the Israel Museum; the Jewish Museum exhibit opens on Friday alongside the museum’s newly reimagined floors. “He is about this narrative of the experience of the Diaspora and what it does to artists,” Snyder said of Kapoor.
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