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Dave Chappelle focuses ‘SNL’ monologue on ‘the Jews’ and Kanye West’s antisemitism controversy
(JTA) — Hosting “Saturday Night Live” for the first time since he faced widespread criticism about jokes ridiculing transgender people, comedian Dave Chappelle opened the show with a lengthy monologue about … “the Jews” — namely, the controversy surrounding rapper Kanye West’s recent antisemitic comments.
In the lengthy monologue, Chappelle danced along the lines he was mocking, emphasizing that he was not antisemitic while arguing that “it’s not a crazy thing to think” that Jews control Hollywood and insinuating that Jews have been making Black people into scapegoats for their past trauma.
Reaction from the audience featured ample laughter, although one joke landed in silence; online, criticism mounted immediately, with Time Out New York’s theater critic tweeting: “That Dave Chappelle SNL monologue probably did more to normalize anti-Semitism than anything Kanye said.”
In an unusually charged appearance for an SNL host — with rumors that some of the show’s writers might boycott in protest — Chappelle also appeared to address his own near-cancellation by analyzing the public and corporate backlash against West.
At the start of the routine, Chappele unfolded a small piece of paper and read from it, saying, “‘I denounce antisemitism in all its forms. And I stand with my friends in the Jewish community.’ And that, Kanye, is how you buy yourself some time.”
He then went on to explain that, over his 35-year career in comedy, he has come to learn that there are “two words in the English language that you should never say together in sequence: ‘The’ and ‘Jews.’” He then mocked West’s threat to go “death con 3” on Jews and the rapper’s boast that Adidas, his erstwhile corporate partner, would not dare sever ties with him. The sneaker company broke ties with West days later.
“Ironically, Adidas was founded by Nazis,” said Chappelle, “and they were offended. I guess the student surpassed the teacher.”
Chappelle, an African-American who often satirizes the Black community while at the same time mocking the serious and casual racism of whites, performed a similar tightrope act in dissecting West’s antisemitism.
“I’ve been to Hollywood and — no one get mad at me — I’m just telling you what I saw,” he said, adding a signature pause. “It’s a lot of Jews. Like a lot.” As the audience at NBC’s Manhattan studio laughed nervously, he quickly added, “But that doesn’t mean anything! You know what I mean? Because there are a lot of Black people in Ferguson, Missouri, it doesn’t mean we run the place.”
That joked echoed a familiar line of Jewish defense groups, who are often at pains to point out that a disproportionate Jewish presence in an industry is not an indication of a conspiracy — an age-old canard.
But Chappelle leaned harder into the joke, leading some reports on the monologue to suggest that he was justifying and defending West’s antisemitism.
He said the “delusion that Jews run show business” is “not a crazy thing to think,” but “it’s a crazy thing to say out loud.” He also said of West, “It’s a big deal, he had broken the show business rules. You know, the rules of perception. If they’re Black, then it’s a gang. If they’re Italian, it’s a mob. If they’re Jewish, it’s a coincidence and you should never speak about it.”
Chappelle also alluded to a similar controversy surrounding Kyrie Irving, star of the NBA’s Brooklyn Nets, who was suspended after tweeting about a film that promotes a series of antisemitic canards.
“Kanye got in so much trouble that Kyrie got in trouble,” Chappelle said. “This is where I draw the line. I know the Jewish people have been through terrible things all over the world, but you can’t blame that on Black Americans.” The line was met with silence, until a single audience member was heard to hoot approval. “Thanks, the one person that said ‘woo.’”
Chappelle closed what for SNL was an unusually long opening monologue by seeming to allude to “cancel culture” and the controversy that swirled around his own comedy and charges that he is transphobic.
“It shouldn’t be this scary to talk about anything,” he concluded. “It’s making my job incredibly difficult. And to be honest with you, I’m sick of talking to a crowd like this. I love you to death and I thank you for your support. And I hope they don’t take anything away from me… whoever they are.”
Snap reaction to Chappelle’s routine was mixed. In addition to the tweet by Adam Feldman, Time Out New York’s theater critic, the Jerusalem Post accused the comedian of “engaging in antisemitic tropes.” Screenwriter Amalia Levari tweeted, disapprovingly, “So cool that SNL gave Chappelle the stage to deliver a TED Talk about how antisemitic dog-whistles are good, actually.”
Ari Ingel, who heads Creative Community For Peace, a group that fights antisemitism and other forms of bigotry in the entertainment industry, appeared more forgiving. “Some people will be offended at some of his monologue, but sometimes you just need to laugh,” he tweeted.
Wrote Rabbi Josh Yuter, an influencer on Jewish Twitter: “As I understood Chappelle’s monologue, the key point is that there are double standards regarding who can say what about whom. If my Twitter feed is any indication, everyone agrees this is a problem though there’s rampant disagreement over the details.”
Last week, the Irving controversy was also mentioned in the show’s “Weekend Update” segment, when mock newscaster Michael Che said that Irving met with the Anti-Defamation League and said that “from now on he would pretend to not be antisemitic.”
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The post Dave Chappelle focuses ‘SNL’ monologue on ‘the Jews’ and Kanye West’s antisemitism controversy appeared first on Jewish Telegraphic Agency.
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He was a hidden child during WWII. The French town that saved him lost his painting and rediscovered a chapter of its history.
The day Isabelle Siméon cleared out a basement storage area in the town hall in Houdan, France, and found a rolled-up painting on top of a bookcase, she discovered a forgotten piece of history. My father, Philip Orenstein, a professor of art at Rutgers University, had started work on that painting in 1989 and donated it to the town in 1994 at an event marking the 50th anniversary of its liberation by American forces.
My father donated the painting because he felt a deep debt to the town that saved his life during the Second World War. A hidden child in Houdan from 1942-45, my father was saved by a parish priest who threatened to excommunicate anyone in this small market town who informed the occupying Germans about the Jewish children, resistance fighters, or downed allied pilots concealed there, or other acts of resistance. And by a farming family — the Trouvers — that took in children of French POWs, including Jews.
Yet by 2024, when Siméon, a municipal official, made her discovery, the town had forgotten not only the painting that had gone straight into storage, but its proud history of sheltering Jewish children and its heroic French resistance priest Abbé Pierre Condé. A dramatic page in the town’s 1,200 years of recorded history was lost. Even among the Jewish community in Yvelines, the bucolic region immediately to the west of Paris, the story was unknown. In France, the story of the hidden children, Jewish children sent to the countryside or small towns under various pretexts to avoid detection by Nazi occupants is well known. Several towns have established national reputations as places of refuge. But not Houdan and not elsewhere in Yvelines according to Valérie Boussard, president of the Council of Jewish Communities of Yvelines.

After spending more than a year to find my father based only on his signature and then restoring the painting, the Tannery (La Tannerie) gallery in Houdan is now hosting an exhibition through Nov. 1 to celebrate the restoration of this painting and this forgotten page of the town’s history.
Houdan today has changed. For many Parisians, this part of France serves as a country retreat and Houdan has fought hard to preserve its ancient town center. The result is a small town that continues to serve as a delightful regional hub with open air markets, restaurants situated in old farm buildings, an enormous fair each September, and increasingly fancy small shops, perhaps akin to the Cotswolds in England.
I accompanied my father to Houdan for the opening of his exhibition on Sept. 10 and stood with my extended family and Mayor Jean-Marie Tétart who proudly announced the future installation of the painting to a pride of place in the town hall. A former parliamentarian, Tétart seeks for Houdan the recognition it deserves as a place that, when times were at their hardest, resisted antisemitism and sought to repair the world. Even today.
Yet the town’s proud embrace of my father, his work, and this vital chapter of its history raises an important question: How was this history lost in the first place? And why was it rediscovered only now?

According to my father, the hidden child whose family survived the war and then emigrated to Brooklyn, France was simply not ready to receive this history before. It was not until 1995 that France officially took responsibility for the Vel d’Hiv roundup in Paris that claimed the lives of my father’s cousin Henri Herzhorn and thousands of other children who died in the French concentration camp in Drancy in inhumane conditions or in Auschwitz, their final destination. My father intended the seven murals that he painted starting in the 1990s to force France to recognize this history.
Paradoxically, with the dramatic rise of antisemitism that has deeply worried the French Jewish community, this history and the history of those who resisted resonates even more loudly. With every online or physical or verbal attack, the Jewish community and its allies in France respond with acts of memory.
My father’s work is at once personal and political, mixing family imagery with images of the grand politics of the day and oddly juxtaposed popular culture references. His murals stun the viewer with outsized images of a DeGaulle and Pétain or the D-Day landings, overlaid with family photos, Parisian graffiti, posters, and film advertisements. The colorful, powerful, and emotional images rush together and appear to jump off a graffitied wall in Paris as you are passing by.
“The Big Cheese,” his painting in Houdan, features an outsized image of the Ile de France steamship sailing across a brightly tricolored French flag background. The ship that bore him and his family to New York appears to be racing away from images of the iron cross, yellow stars, Drancy, and Karl Marx towards Mt. Rushmore, Max Beckman, and Statue of Liberty sunglasses. The work is colorful and epic in composition, on the one hand, while also inlaid with engaging and perplexing historical symbols designed to draw one in from afar and up close. My father has always dwelt on this history.
“As I worked on the seven canvases I describe as murals — my major body of work — I constantly thought of my cousin Henri Herzhorn, whom I had never met, as well as the more than 4,000 Parisian children who were victims of the Vel’ d’Hiv Roundup — my contemporaries, who, like me, left France,” my father said when he was in Houdan.
Today, though France seems open to revisiting this history, mysteries still remain. Particularly the postwar life and fate of Abbé Pierre Condé. I spoke with Monsignor Luc Crepy, the Bishop of Versailles for Yvelines, who has begun to research Houdan’s wartime hero together with the current Curé of Houdan, Father Pierre Bothuan. Condé left behind a published journal recording the major events of the war, occupation, and liberation of Houdan. After that, he too disappeared from collective memory.
Growing up in my father’s house, surrounded by this history, I came away from Houdan shocked at the distances we have traveled and the voids that remain. My father and his older brother Stephen, a former professor of nuclear physics at CUNY — hidden with him in Houdan — never expected to survive 1944, let alone to return there in 2026. The house where they lived lay just beside a small bridge that the Germans planned to dynamite after D-Day to slow the advance of Patton’s army. Yet the town’s postman cut the wires and my father and uncle survived to consider the contemporary relevance of a lost painting and a lost history to a lost world in need of repair.
The post He was a hidden child during WWII. The French town that saved him lost his painting and rediscovered a chapter of its history. appeared first on The Forward.
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Netanyahu to confront Mamdani’s call to arrest him in U.N. address this week
(JTA) — Prime Minister Benjamin Netanyahu on Tuesday accused New York Mayor Zohran Mamdani of supporting Hamas and inciting violence against Jews, setting up a showdown between the Israeli leader and one of the most prominent American pro-Palestinian politicians ahead of Netanyahu’s visit to the city.
Netanyahu said he would respond to Mamdani’s criticism of him and Israel during his speech at the United Nations General Assembly on Thursday, when he will visit New York for the first time since Mamdani took office.
Mamdani on Monday renewed his demand for the arrest of Netanyahu, who he called “a war criminal and an architect of a horrific genocide of the Palestinian people” in an interview with CNN’s Christiane Amanpour. He acknowledged that he did not have the authority to carry out a warrant for Netanyahu issued by the International Criminal Court, but said the warrant should still be “honored” to protect “accountability” to international laws.
“If the International Criminal Court deems someone worthy of an arrest because of a violation of those laws, then who are we to say that anyone should be above that?” said Mamdani.
Netanyahu responded in a video statement, “Shame on you for supporting the Hamas terrorist monsters who butchered our people. Shame on you for inciting riots against New York Jews.” A number of prominent New York Jewish figures have asked Mamdani to tamp down his rhetoric about Israel, linking it to rising violent attacks on Jews. Mamdani has said that he is mayor for all New Yorkers, including Jews, and denounces antisemitism.
“I’m coming to the U.N., I’m going to tell the truth about our heroic soldiers, and I’m going to tell the truth about you,” added Netanyahu.
Mamdani pledged during his mayoral campaign last year that he would seek to arrest Netanyahu if he visited, but admitted in July that the city could not legally do so.
The ICC issued its warrant for Netanyahu in 2024, accusing him of war crimes and crimes against humanity in Gaza. The United States and Israel are not signatories of the treaty that created the ICC in 2002 and do not recognize its jurisdiction.
Netanyahu has prominently featured Mamdani in campaign ads as he currently seeks reelection in Israel, framing the mayor as both a pro-terror extremist and a leader reminiscent of Nazi Germany.
Netanyahu is set for one of his shortest trips to the United States, where he is not slated to meet with President Donald Trump, according to The Jerusalem Post. He is currently scheduled to leave New York on the same day he arrives. Protests are expected both outside the United Nations and inside during Netanyahu’s speech, which last year saw representatives from dozens of countries walk out.
Meanwhile, Mamdani had his third meeting with Trump on Monday, continuing a rapport between the two populist leaders on opposite ends of the political spectrum. Despite their stark differences on issues including immigration enforcement, Trump praised Mamdani during a press conference on the lawn of Gracie Mansion.
“I want him to be a great mayor, and he’s certainly got potential,” Trump told reporters before shaking Mamdani’s hand and patting his arm.
This article originally appeared on JTA.org.
The post Netanyahu to confront Mamdani’s call to arrest him in U.N. address this week appeared first on The Forward.
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Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue
Voters may react differently to a Jewish politician who publicly practices their faith than to one who simply identifies as Jewish, a new poll found. The distinction could matter for Pennsylvania Gov. Josh Shapiro, a possible 2028 presidential candidate who has made his Jewish faith central to his public life and service.
The Politico poll of 2,002 U.S. adults showed that Democratic voters were less likely to vote for a candidate who regularly attends synagogue than for a candidate not practicing a religion or attending services once a year. Among Republicans, however, a candidate who regularly attends synagogue performed better than one who attends only once a year.
The survey, conducted online in partnership with the London-based polling firm Public First between August 8 and 14, asked respondents to choose between hypothetical candidates with different characteristics, including political ideology, age, race, profession, sexual orientation and religious practice. The sample has a reported margin of error of plus or minus 2.2%.
The poll offers a window into how religious observance may shape the way voters view a Jewish candidate. In an earlier poll conducted by the same firm in May, among 2,038 voters, candidates were identified simply by religion rather than how often or where they worshipped. Being identified as Jewish hurt a hypothetical candidate among voters in both parties compared with being identified as Christian.
The findings could be particularly relevant to Shapiro, the popular Pennsylvania governor running for reelection this fall. He maintains a traditional Conservative Jewish lifestyle, keeps kosher and is a longtime member of Beth Sholom Congregation in Elkins Park, outside Philadelphia. In his recent memoir, Where We Keep the Light, Shapiro detailed experiences shaped by and tied closely to his Jewish identity, including his vetting as a vice presidential candidate in 2024.
Shapiro has been viewed as a potential first Jewish president since his gubernatorial campaign in 2022 and is one of three prominent Jewish Democrats — along with Illinois Gov. J.B. Pritzker and former Chicago Mayor Rahm Emanuel — mentioned as possible 2028 presidential candidates.
Religious identity, particularly Christianity, has become more central in Republican politics since President Trump returned to the White House in 2025. Trump and his Cabinet have made religious faith a prominent part of his administration’s agenda. He created a White House Faith Office to work with religious organizations and established a Justice Department task force focused specifically on what the administration calls anti-Christian bias. At the same time, an increasingly vocal faction on the far right has made Christian nationalism and antisemitism central to its politics.
The Politico poll does not explain why Republican voters responded differently to Jewish candidates based on how often they attended synagogue. But the gap aligns with the broader split in positions among conservatives who have warmly embraced visibly religious and politically conservative Jews, while criticizing liberal or less observant Jews over their politics and commitment to Judaism.
Trump has repeatedly drawn that distinction himself. During the 2024 election, for example, he said that Jewish Americans who vote for Democrats “hate their religion.”
The post Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue appeared first on The Forward.

