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DC’s new Jewish museum highlights Jews who shaped the nation’s capital, from a Confederate spy to RBG
WASHINGTON (JTA) – Washington, D.C.’s new Jewish museum features at least two notorious women from history.
One is Ruth Bader Ginsburg, the first Jewish woman to serve as a Supreme Court justice, who was dubbed “Notorious RBG” late in her life by a cluster of fans. When the Capital Jewish Museum opens next week, it will launch with Ginsburg at its center when a traveling exhibit on her life has its final stop here.
The other is the 19th-century figure Eugenia Levy Phillips, whom the museum characterizes as “notorious” without irony.
“One of DC’s most notorious Confederate sympathizers, Eugenia Levy Phillips (1891-1902) came to town in 1853 with her congressman husband, Philip Phillips (1807-1884) of Alabama,” one of the exhibits says. “Eugenia, a spy, delivered Union military plans and maps to Confederate President Jefferson Davis.”
Another description of Levy Phillips in the museum is more straightforward: “SPIED for the CONFEDERACY,” it says below her photo.
An exhibit on Ruth Bader Ginsburg at the new Capital Jewish Museum in Washington D.C.;, June 1, 2023. (Ron Sachs/Consolidated News Photos)
The late justice and spy are two of an assemblage of notable Jews throughout history who grace the Capital Museum, which opens next Friday in northwest Washington’s Judiciary Square neighborhood, which was a local center of Jewish life more than a century ago. Showcasing the warts-and-all history of Jews in and around the nation’s capital — both prominent officials and ordinary denizens of the city — is the point of the museum, its directors say.
“Jews are a Talmudic people, we like to argue, we like to look at different sides of a story,” Ivy Barsky, the museum’s interim executive director, said Thursday at a tour for members of the media. Sarah Leavitt, the museum curator, involved the Jewish idea of “makhloket l’shem shamayim,” Hebrew for “an argument for the sake of heaven” — in other words, for sacred purposes.
“We’re telling the story in this museum in a Jewish way,” Leavitt said. “So that it’s not just that we might not agree, but actually the disagreement is important and preserving those disagreements is important.”
Barsky, who was previously the CEO of the National Museum of American Jewish History in Philadelphia, said that in relating the local history of Washington’s Jews, the new museum fills a gap. Unlike many of the country’s other longstanding Jewish communities, Washington attracted Jews not because it was a port but because it was the center of government. Like the district’s broader community, Jews in the area have been prone to transitioning in and out of the city.
“Lots of our stories start in other places, with folks who end up in D.C.,” Barsky said. “This is a unique community, especially because the local business is the federal government.”
An exhibit at the new Capital Jewish Museum asks visitors, “Who are you? and features a diverse array of Jews , in Washington D.C., June 1, 2023. (Ron Sachs/Consolidated News Photos)
Jews have been in Washington since it was established in 1790, and the area now includes some 300,000 Jews, according to a 2017 study. The museum chronicles that community’s expansion from the capital to the Maryland and the Virginia suburbs, driven at times by Jews joining “white flight” — when white residents left newly integrated neighborhoods — and other times by restrictions that barred Jews from certain areas.
Larger historical events have also at times played a role: The Jewish population in the city grew in the 1930s and 1940s because of the expansion of government during President Franklin Delano Roosevelt’s New Deal and World War II.
An exhibition asks visitors “Who are you?” and features a diverse range of Washington Jews, past and present, as well as others with quirky biographies, including Tom King, a CIA spy who became a comic book writer.
The changing fortunes of American Jewry are embedded in the date the museum opens, June 9: On that date in 1876, Ulysses Grant was the first president to attend synagogue services, when he helped dedicate the new building of the Adas Israel congregation. Fourteen years earlier, as a Union general, he infamously expelled the Jews of Paducah, Kentucky, accusing them of being war speculators. President Abraham Lincoln rescinded the order, which has been described as “the most sweeping anti-Jewish regulation in all of American history,”
Esther Safran Foer, the museum’s president and the former executive director of the city’s historic Sixth & I synagogue, said Grant’s presence in 1876 in the Adas Israel building was emblematic of the upward trajectory of American Jewry. “He sat here for more than three hours in the heat, no air conditioning, and he even made a generous personal contribution,” she said.
The museum’s core is the 1876 building that Grant helped dedicate. It has since been physically moved in its entirety three times in order to preserve it, most recently in 2019 as part of the initiative to build the museum, which began in 2017. The museum’s upper floor reproduces the sanctuary, with the original pews. Its walls, however, are renovated: they display an audiovisual chronicle of the area’s Jews.
The museum’s permanent exhibition aims to traverse that history in other engaging ways as well. The same section that highlights Levy Phillips’ adventures (including her diary’s account of her arrest — “I am not in the least surprised Sir” she told the agent who had come to take her away) also mentions Rabbi Jacob Frankel, who was commissioned by Lincoln during the Civil War as the first Jewish military chaplain.
A photo of Jews and Blacks joined in a bid to desegregate a local amusement park in the early 1960s gets equal billing with one of Sam Eig, a Jewish developer who in 1942 advertised the new Maryland suburb he built as “ideally located and sensibly restricted,” a euphemism for not allowing Black people to buy property.
Interactive exhibits include a Seder table that encourages guests to debate immigration, Israel and civil rights. Parts of the museum’s exhibition recount Jewish debates over pivotal issues such as those and others, including abortion.
Ginsburg will be the museum’s first main attraction, and it makes clear she was a role model. The special exhibition on her life and career includes a glamorous photo of the two Jewish women who coined the “Notorious RBG” nickname, Shana Knizhnik and Irin Carmon. Visitors can go into a closet and don duplicates of Ginsburg’s judicial robes.
One of the first events is on July 12, when museum goers will join in fashioning the special “I Dissent” collars that Ginsburg would famously wear over her robes when she was ready to dissent from the bench.
Jonathan Edelman, the museum’s collections curator, described one prized collection — items he persuaded disability rights advocate Judy Heumann to donate before she died in March.
“Judy’s is a Washington story,” he said. “She came to this city first as an outsider as a protester protesting for disability rights. And then she came back to the city as an insider working within the government to make change both in D.C. government and in the federal government.”
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”