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DC’s new Jewish museum highlights Jews who shaped the nation’s capital, from a Confederate spy to RBG
WASHINGTON (JTA) – Washington, D.C.’s new Jewish museum features at least two notorious women from history.
One is Ruth Bader Ginsburg, the first Jewish woman to serve as a Supreme Court justice, who was dubbed “Notorious RBG” late in her life by a cluster of fans. When the Capital Jewish Museum opens next week, it will launch with Ginsburg at its center when a traveling exhibit on her life has its final stop here.
The other is the 19th-century figure Eugenia Levy Phillips, whom the museum characterizes as “notorious” without irony.
“One of DC’s most notorious Confederate sympathizers, Eugenia Levy Phillips (1891-1902) came to town in 1853 with her congressman husband, Philip Phillips (1807-1884) of Alabama,” one of the exhibits says. “Eugenia, a spy, delivered Union military plans and maps to Confederate President Jefferson Davis.”
Another description of Levy Phillips in the museum is more straightforward: “SPIED for the CONFEDERACY,” it says below her photo.
An exhibit on Ruth Bader Ginsburg at the new Capital Jewish Museum in Washington D.C.;, June 1, 2023. (Ron Sachs/Consolidated News Photos)
The late justice and spy are two of an assemblage of notable Jews throughout history who grace the Capital Museum, which opens next Friday in northwest Washington’s Judiciary Square neighborhood, which was a local center of Jewish life more than a century ago. Showcasing the warts-and-all history of Jews in and around the nation’s capital — both prominent officials and ordinary denizens of the city — is the point of the museum, its directors say.
“Jews are a Talmudic people, we like to argue, we like to look at different sides of a story,” Ivy Barsky, the museum’s interim executive director, said Thursday at a tour for members of the media. Sarah Leavitt, the museum curator, involved the Jewish idea of “makhloket l’shem shamayim,” Hebrew for “an argument for the sake of heaven” — in other words, for sacred purposes.
“We’re telling the story in this museum in a Jewish way,” Leavitt said. “So that it’s not just that we might not agree, but actually the disagreement is important and preserving those disagreements is important.”
Barsky, who was previously the CEO of the National Museum of American Jewish History in Philadelphia, said that in relating the local history of Washington’s Jews, the new museum fills a gap. Unlike many of the country’s other longstanding Jewish communities, Washington attracted Jews not because it was a port but because it was the center of government. Like the district’s broader community, Jews in the area have been prone to transitioning in and out of the city.
“Lots of our stories start in other places, with folks who end up in D.C.,” Barsky said. “This is a unique community, especially because the local business is the federal government.”
An exhibit at the new Capital Jewish Museum asks visitors, “Who are you? and features a diverse array of Jews , in Washington D.C., June 1, 2023. (Ron Sachs/Consolidated News Photos)
Jews have been in Washington since it was established in 1790, and the area now includes some 300,000 Jews, according to a 2017 study. The museum chronicles that community’s expansion from the capital to the Maryland and the Virginia suburbs, driven at times by Jews joining “white flight” — when white residents left newly integrated neighborhoods — and other times by restrictions that barred Jews from certain areas.
Larger historical events have also at times played a role: The Jewish population in the city grew in the 1930s and 1940s because of the expansion of government during President Franklin Delano Roosevelt’s New Deal and World War II.
An exhibition asks visitors “Who are you?” and features a diverse range of Washington Jews, past and present, as well as others with quirky biographies, including Tom King, a CIA spy who became a comic book writer.
The changing fortunes of American Jewry are embedded in the date the museum opens, June 9: On that date in 1876, Ulysses Grant was the first president to attend synagogue services, when he helped dedicate the new building of the Adas Israel congregation. Fourteen years earlier, as a Union general, he infamously expelled the Jews of Paducah, Kentucky, accusing them of being war speculators. President Abraham Lincoln rescinded the order, which has been described as “the most sweeping anti-Jewish regulation in all of American history,”
Esther Safran Foer, the museum’s president and the former executive director of the city’s historic Sixth & I synagogue, said Grant’s presence in 1876 in the Adas Israel building was emblematic of the upward trajectory of American Jewry. “He sat here for more than three hours in the heat, no air conditioning, and he even made a generous personal contribution,” she said.
The museum’s core is the 1876 building that Grant helped dedicate. It has since been physically moved in its entirety three times in order to preserve it, most recently in 2019 as part of the initiative to build the museum, which began in 2017. The museum’s upper floor reproduces the sanctuary, with the original pews. Its walls, however, are renovated: they display an audiovisual chronicle of the area’s Jews.
The museum’s permanent exhibition aims to traverse that history in other engaging ways as well. The same section that highlights Levy Phillips’ adventures (including her diary’s account of her arrest — “I am not in the least surprised Sir” she told the agent who had come to take her away) also mentions Rabbi Jacob Frankel, who was commissioned by Lincoln during the Civil War as the first Jewish military chaplain.
A photo of Jews and Blacks joined in a bid to desegregate a local amusement park in the early 1960s gets equal billing with one of Sam Eig, a Jewish developer who in 1942 advertised the new Maryland suburb he built as “ideally located and sensibly restricted,” a euphemism for not allowing Black people to buy property.
Interactive exhibits include a Seder table that encourages guests to debate immigration, Israel and civil rights. Parts of the museum’s exhibition recount Jewish debates over pivotal issues such as those and others, including abortion.
Ginsburg will be the museum’s first main attraction, and it makes clear she was a role model. The special exhibition on her life and career includes a glamorous photo of the two Jewish women who coined the “Notorious RBG” nickname, Shana Knizhnik and Irin Carmon. Visitors can go into a closet and don duplicates of Ginsburg’s judicial robes.
One of the first events is on July 12, when museum goers will join in fashioning the special “I Dissent” collars that Ginsburg would famously wear over her robes when she was ready to dissent from the bench.
Jonathan Edelman, the museum’s collections curator, described one prized collection — items he persuaded disability rights advocate Judy Heumann to donate before she died in March.
“Judy’s is a Washington story,” he said. “She came to this city first as an outsider as a protester protesting for disability rights. And then she came back to the city as an insider working within the government to make change both in D.C. government and in the federal government.”
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Settlers torched a West Bank mosque — and the milquetoast Israeli mainstream response won’t suffice
For more than two years, masked settler mobs in the West Bank have torched mosques, burned Qurans, uprooted olive trees, attacked olive harvesters, and rampaged through villages — all with almost no consequences.
Just this week, masked settlers torched a mosque in Deir Istiya, burned Qurans and scrawled hateful graffiti on its walls — only two days after dozens of settlers attacked a village near Nablus, injuring several Palestinians and burning a warehouse. “All state authorities must act decisively to eradicate this phenomenon,” said President Isaac Herzog, calling the strikes “shocking and serious.”
But Herzog would be naïve to expect Prime Minister Benjamin Netanyahu’s government to heed his call. And the West Bank is rapidly turning into an emergency of explosive proportions.
The sharp rise in attacks on Palestinians and their property began in late 2022, when Netanyahu’s calamitous coalition took over, and ramped up with the onset of the Israel-Hamas war. The United Nations counted more than 1,400 incidents between October 2023 and October 2024.
But while the war in Gaza has reached a ceasefire, the violence in the West Bank shows no sign of abating: Independent trackers reported a record 264 settler attacks in October 2025 alone.
Add to that the Israeli military’s own violent record in the West Bank, and the picture is grim. In 2025 alone, the U.N. has documented at least 178 Palestinian deaths linked to settler and military violence.
If you look for the state’s corrective force you will find a yawning gap. In the most chilling scenes — in Huwara in February 2023, and in coordinated attacks on several villages this month — groups of masked young men have attacked Palestinian civilians, while soldiers and police have either arrived late or failed to stop the violence. Israel’s own watchdogs and human-rights organizations document a pattern of non-prosecution that even predates the current government. Yesh Din, which systematically tracks police investigations into Israeli civilians’ violence against Palestinians, shows that roughly 94% of files from 2005–2024 were closed without indictment, and that only about 3–6% of investigation files lead to conviction.
Which raises the obvious question: When attacks are so frequent and prosecutions so rare, who benefits?
Since late 2022, the survival of Netanyahu’s governing coalition has depended on hard-right parties whose leaders and bases overlap with the radical settler movement. Two ministers who matter — Bezalel Smotrich and Itamar Ben-Gvir — are both unapologetic advocates for settlement expansion and the vision of Jewish sovereignty over the West Bank, which they refer to by the biblical name of Judea and Samaria. Ministries and offices that oversee law enforcement in the West Bank — including the Civil Administration and Ministry of National Security — are effectively controlled by figures sympathetic to settlement expansion and skeptical of aggressive policing of their own supporters.
This political reality filters down into operational choices. When enforcement agencies are staffed and supervised by officials who owe their political fortunes to the settlement movement, enforcement will not be robust. Arrests — where they occur — rarely lead to charges that stick. In the first half of 2025, for example, there were hundreds of complaints, but only a fraction were opened as criminal files, leading to scant dozens of arrests.
Why would a democratic government tolerate this?
The answer isn’t just about coalition management. It’s about the government’s fundamental ideological sympathy with settlers, and the absence of a credible alternative plan for the land and people under Israeli control.
For decades, the West Bank settlement project could be dismissed as reversible, or up for bargaining in a final-status negotiation. But every new outpost has served to make a contiguous Palestinian state less viable, bringing Israel closer to incorporating millions of Palestinians — without giving them full citizenship or political rights.
The mainstream right lacks a plan for this demographic reality. But the far right has one: apocalyptic warfare and the eventual removal of Palestinians from the land, an outcome that extremists see as inevitable. That is why people like Smotrich and Ben-Gvir appear indifferent to the destabilizing violence, if not actively encouraging of it: instability is a feature, not a bug, for those prepared to use it to remake reality.
Now, the mainstream right has put itself in a position in which it cannot govern without the far right — so it has ceded moral and policy ground to radicals. The true spirit of Zionism — which is humanistic and humane — is suffering.
Which brings us back to Herzog. President Donald Trump, during his Knesset speech last month, urged him to pardon Netanyahu of all charges that he is currently facing in court. This week he did it again, in a letter claiming that Netanyahu is facing “a political, unjustified prosecution.” Herzog’s office said he held Trump “in the highest regard,” but that anyone seeking a pardon had to submit a formal request — something Trump lacks the ability to do.
I have a better idea. Pardon Netanyahu on the explicit condition that he leave politics altogether, forever. And have a new coalition, free of his corrupting influence and the morally destructive politics of the far-right, set to work to clean up his mess.
The post Settlers torched a West Bank mosque — and the milquetoast Israeli mainstream response won’t suffice appeared first on The Forward.
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This Jesus horror movie could have used more heresy
Historically, Christianity has carefully controlled its interpretations and texts; texts that portrayed Jesus in anything other than a glowing light or complicated the narrative the early Church hoped to spread — anything that made him look too human or too flawed — got taken out of the canon and declared heretical.
Which means most people are not familiar with the Infancy Gospel of Thomas, an apocryphal and perhaps Gnostic text about Jesus’ early years, from toddlerhood to his tweens. In it, Jesus is depicted as a wise but petulant child who, like any kid, has occasional temper tantrums. But, as the son of God, his are a bit more impactful; he curses and smites everyone who annoys him. (He does resurrect some of them once he’s calmed down.) He also uses his powers for deeply mundane and childish tasks, like animating his toys or making his work easier. It is, in short, not a particularly virtuous or divine depiction.
This is why The Carpenter’s Son, a new movie written and directed by Lotfy Nathan that takes its inspiration from the apocryphal gospel, has upset Christians. It’s also because the film is a horror flick full of roaring demons and horned snakes pulled from the throats of the possessed.

Pop artist FKA Twigs stars as Mary, and Nicolas Cage as Joseph — the movie doesn’t name any of its characters, so technically they’re playing The Mother and The Carpenter, respectively, but we all know who they really are — who are struggling to parent their powerful child (a constantly glowering Noah Jupe). After a bloody, screaming birth, they flee Herod’s soldiers’ attempts to throw their infant into a giant bonfire; years later, when they finally settle down, Jesus has some weird run-ins with the villagers, including a beautiful but demonically possessed young woman named Lilith and a leering, scar-covered child who lives among lepers and is as evil as she seems to be. Snarling demons ensue.
Before the movie came out, many Christians passed around petitions and wrote blogs about the film’s blasphemy. But The Carpenter’s Son is not, in fact, subversive at all. First of all, Jesus is not a petulant toddler; he looks to be around 20. All the notable anecdotes from the apocrypha are missing: He hardly smites anyone, doesn’t animate his toys and never even blinds the neighbors. In fact, he repeatedly rejects temptation, death and evil. There’s even a cheesy CGI halo, the appearance of which made the audience snicker the night I saw the film.

Despite the various demons, this makes for a plodding, moralistic movie that adds little to the basic Christian story other than a few jump scares. (It is not aided by the acting, which amounts to Jesus scowling, Mary looking stricken and Joseph yelling in the blustering way only Cage can.)
But there are hints of something more interesting, if only Lotfy Nathan, who both wrote and directed the film, had been bold enough to embrace the text that inspired him. The scarred child tells Jesus that Joseph, who is constantly exhorting his son to pray harder and more often, is an “oppressor,” and questions whether the difference between good and evil is so clearcut; despite being demonic, she is also the one who encourages Jesus to help the possessed. She and Joseph worry that the world is too unclean to truly be a creation of God, and wonder if Jesus is truly “righteous.” Moments like these nod to Christian gnosticism, which posited that the earth was created by a false God and is evil.

These kinds of questions are heretical in mainstream Christianity. But Judaism preserved many similarly extratextual ideas in the form of the Midrash, a set of interpretations that I often describe as “rabbinical fan fiction” because of their tendency to write in entire characters and plotlines that didn’t exist in the original biblical text. For example, in one midrash about the Binding of Isaac, in which God orders Abraham to sacrifice his son but stays his hand at the last moment, Abraham actually succeeded but Isaac’s soul returned and he was resurrected; in another, Satan appears on the pair’s journey to the sacrifice to tempt Abraham to disobey.
For Jews, these stories — however outré they may be — are not heretical. It’s kosher to discuss and consider the questions they raise about the nature of the patriarchs and other lauded figures, making for a rich discourse over the centuries. This openmindedness and cultivation of unorthodox stories has also, not incidentally, made for better entries into the horror genre; the past decade has seen Jewish horror movies drawing from myths of golems, dybbuks, the practice of guarding the dead before burial and even the horror of an overbearing Jewish mother. The open canon provides a rich text from which to mine.
Had Nathan felt free to do the same with the apocrypha, perhaps The Carpenter’s Son could have been an interesting and affecting movie full of mysterious questions about the nature of evil and God. After all, the idea that God could be a demon, or even that God might be too capricious and chaotic to be trustworthy, is far scarier than demons being demonic.
The post This Jesus horror movie could have used more heresy appeared first on The Forward.
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Ritchie Torres Faces New Socialist Opponent in Democratic Primary Race Amid DSA Victory Lap Over Mamdani Win
US Rep. Ritchie Torres (D-NY) speaks during the House Financial Services Committee hearing in Washington, DC, Sept. 30, 2021. Photo: Al Drago/Pool via REUTERS
Public defender and Democratic Socialists of America (DSA) organizer Dalourny Nemorin has launched a primary challenge against US Rep. Ritchie Torres in New York’s 15th Congressional District, setting up a competitive intra-party contest in one of the nation’s poorest districts.
Nemorin announced her campaign on Wednesday at the Andrew Freedman Home in the Bronx, where she emphasized housing affordability, public housing conditions, immigrant services, and economic hardship as central issues facing the district. She said many residents feel underserved and argued that the district requires “a new type of leadership.” The area has a median household income of about $44,000, with more than 30 percent of residents living below the poverty line.
Torres, first elected in 2020, is a high-profile Democrat known for his work on housing oversight and for being the first openly LGBTQ Afro-Latino member of Congress. He currently serves on the House Committee on Financial Services and has been a vocal supporter of Israel, a position that has drawn national attention and, in some cases, criticism from the Democratic Party’s left wing.
Nemorin, a member of the far-left DSA, is directly targeting Torres on campaign financing and foreign-policy stances, criticizing his acceptance of contributions from real-estate developers and from the American Israel Public Affairs Committee (AIPAC). She argued these ties reflect a misalignment between the congressman’s priorities and the needs of the district. Torres’s campaign has previously defended its donor base as consistent with his longstanding policy positions and record.
“I think the country is talking about a new type of representation, a new type of Democrat, a new type of leadership, which is what Zohran’s race represents,” she said, referring to Zohran Mamdani, who was elected mayor of New York City last week.
Mamdani, a democratic socialist and anti-Israel activist, is also a member of the DSA, which appears to see his victory as a sign of momentum. The organization has reportedly created a list of far-left demands for Mamdani when he assumes office. Most of the demands concern boycotts targeting Israeli-linked entities.
Nemorin’s challenge highlights ongoing divisions between establishment Democrats and progressive organizers in New York City. Her campaign launch drew a largely young audience, signaling an effort to mobilize voters who have historically had low turnout in the district. Her campaign has said it will focus on door-to-door organizing and outreach in public-housing complexes.
Since entering Congress, Torres has positioned himself as an outspoken ally of Israel. As the Democratic Party has continued to grow increasingly critical of Israel over the past two years, amid the Gaza war, Torres has staunchly defended the Jewish state’s right to defend itself from existential threats such as the Hamas and Hezbollah terrorist groups. He has also spoken against rising antisemitism in New York City, even calling on local universities to adopt more vigorous policies protecting Jewish students. However, his strident support for Israel has sparked ire among the left flank of his own party.
Torres enters his reelection bid with significant advantages, including incumbency, name recognition, fundraising capacity, and a political network built over multiple election cycles. Primary defeats of sitting members of Congress remain rare, but progressive groups have succeeded in previous New York races when able to drive high turnout among younger voters and renters. Torres is expected to receive huge levels of support from the Jewish community within his district.
Moreover, Torres represents the poorest district for young people in the country, which is majority black and Latino, demographics with which far-left candidates have historically struggled. Observers have also pointed out that former New York Gov. Andrew Cuomo won Torres’s district during this year’s Democratic mayoral primary in New York City over the more progressive Mamdani, suggesting that the district possesses a deep reservoir of moderate voters.
The Democratic primary is scheduled for June 2026. Both campaigns are expected to center their messaging on housing, affordability, and constituent services. However, Torres’s opponents, including former New York assemblyman Michael Blake, have taken repeated swipes against his record on Israel, indicating that they will attempt to center the war in Gaza as a main point of attack during the primary. In his launch video, Blake attacked Torres for supposedly supporting a “genocide” in Gaza.
“I am ready to fight for you and lower your cost of living while Ritchie fights for a genocide,” Blake said in an announcement video.
