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DC’s new Jewish museum highlights Jews who shaped the nation’s capital, from a Confederate spy to RBG

WASHINGTON (JTA) –  Washington, D.C.’s new Jewish museum features at least two notorious women from history.

One is Ruth Bader Ginsburg, the first Jewish woman to serve as a Supreme Court justice, who was dubbed “Notorious RBG” late in her life by a cluster of fans. When the Capital Jewish Museum opens next week, it will launch with Ginsburg at its center when a traveling exhibit on her life has its final stop here.

The other is the 19th-century figure Eugenia Levy Phillips, whom the museum characterizes as “notorious” without irony.

“One of DC’s most notorious Confederate sympathizers, Eugenia Levy Phillips (1891-1902) came to town in 1853 with her congressman husband, Philip Phillips (1807-1884) of Alabama,” one of the exhibits says. “Eugenia, a spy, delivered Union military plans and maps to Confederate President Jefferson Davis.”

Another description of Levy Phillips in the museum is more straightforward: “SPIED for the CONFEDERACY,” it says below her photo.

An exhibit on Ruth Bader Ginsburg at the new Capital Jewish Museum in Washington D.C.;, June 1, 2023. (Ron Sachs/Consolidated News Photos)

The late justice and spy are two of an assemblage of notable Jews throughout history who grace the Capital Museum, which opens next Friday in northwest Washington’s Judiciary Square neighborhood, which was a local center of Jewish life more than a century ago. Showcasing the warts-and-all history of Jews in and around the nation’s capital — both prominent officials and ordinary denizens of the city — is the point of the museum, its directors say.

“Jews are a Talmudic people, we like to argue, we like to look at different sides of a story,” Ivy Barsky, the museum’s interim executive director, said Thursday at a tour for members of the media. Sarah Leavitt, the museum curator, involved the Jewish idea of “makhloket l’shem shamayim,” Hebrew for “an argument for the sake of heaven” — in other words, for sacred purposes.

“We’re telling the story in this museum in a Jewish way,” Leavitt said. “So that it’s not just that we might not agree, but actually the disagreement is important and preserving those disagreements is important.”

Barsky, who was previously the CEO of the National Museum of American Jewish History in Philadelphia, said that in relating the local history of Washington’s Jews, the new museum fills a gap. Unlike many of the country’s other longstanding Jewish communities, Washington attracted Jews not because it was a port but because it was the center of government. Like the district’s broader community, Jews in the area have been prone to transitioning in and out of the city.

“Lots of our stories start in other places, with folks who end up in D.C.,” Barsky said. “This is a unique community, especially because the local business is the federal government.”

An exhibit at the new Capital Jewish Museum asks visitors, “Who are you? and features a diverse array of Jews , in Washington D.C., June 1, 2023. (Ron Sachs/Consolidated News Photos)

Jews have been in Washington since it was established in 1790, and the area now includes some 300,000 Jews, according to a 2017 study. The museum chronicles that community’s expansion from the capital to the Maryland and the Virginia suburbs, driven at times by Jews joining “white flight” — when white residents left newly integrated neighborhoods — and other times by restrictions that barred Jews from certain areas.

Larger historical events have also at times played a role: The Jewish population in the city grew in the 1930s and 1940s because of  the expansion of government during President Franklin Delano Roosevelt’s New Deal and World War II.

An exhibition asks visitors “Who are you?” and features a diverse range of Washington Jews, past and present, as well as others with quirky biographies, including Tom King, a CIA spy who became a comic book writer.

The changing fortunes of American Jewry are embedded in the date the museum opens, June 9: On that date in 1876, Ulysses Grant was the first president to attend synagogue services, when he helped dedicate the new building of the Adas Israel congregation. Fourteen years earlier, as a Union general, he infamously expelled the Jews of Paducah, Kentucky, accusing them of being war speculators. President Abraham Lincoln rescinded the order, which has been described as “the most sweeping anti-Jewish regulation in all of American history,”

Esther Safran Foer, the museum’s president and the former executive director of the city’s historic Sixth & I synagogue, said Grant’s presence in 1876 in the Adas Israel building was emblematic of the upward trajectory of American Jewry. “He sat here for more than three hours in the heat, no air conditioning, and he even made a generous personal contribution,” she said.

The museum’s core is the 1876 building that Grant helped dedicate. It has since been physically moved in its entirety three times in order to preserve it, most recently in 2019 as part of the initiative to build the museum, which began in 2017. The museum’s upper floor reproduces the sanctuary, with the original pews. Its walls, however, are renovated: they display an audiovisual chronicle of the area’s Jews.

The museum’s permanent exhibition aims to traverse that history in other engaging ways as well. The same section that highlights Levy Phillips’ adventures (including her diary’s account of her arrest — “I am not in the least surprised Sir” she told the agent who had come to take her away) also mentions Rabbi Jacob Frankel, who was commissioned by Lincoln during the Civil War as the first Jewish military chaplain.

A photo of Jews and Blacks joined in a bid to desegregate a local amusement park in the early 1960s gets equal billing with one of Sam Eig, a Jewish developer who in 1942 advertised the new Maryland suburb he built as “ideally located and sensibly restricted,” a euphemism for not allowing Black people to buy property.

Interactive exhibits include a Seder table that encourages guests to debate immigration, Israel and civil rights. Parts of the museum’s exhibition recount Jewish debates over pivotal issues such as those and others, including abortion.

Ginsburg will be the museum’s first main attraction, and it makes clear she was a role model. The special exhibition on her life and career includes a glamorous photo of the two Jewish women who coined the “Notorious RBG” nickname, Shana Knizhnik and Irin Carmon. Visitors can go into a closet and don duplicates of Ginsburg’s judicial robes.

One of the first events is on July 12, when museum goers will join in fashioning the special “I Dissent” collars that Ginsburg would famously wear over her robes when she was ready to dissent from the bench.

Jonathan Edelman, the museum’s collections curator, described one prized collection — items he persuaded disability rights advocate Judy Heumann to donate before she died in March.

“Judy’s is a Washington story,” he said. “She came to this city first as an outsider as a protester protesting for disability rights. And then she came back to the city as an insider working within the government to make change both in D.C. government and in the federal government.”


The post DC’s new Jewish museum highlights Jews who shaped the nation’s capital, from a Confederate spy to RBG appeared first on Jewish Telegraphic Agency.

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50 years after the Dirty War, Argentinians remember the Jews who ‘disappeared’

(JTA) — BUENOS AIRES — As Argentina marks the 50th anniversary of the 1976 military coup, a lesser-known aspect of the dictatorship is gaining attention: the disproportionate number of Jews among the disappeared.

Estimates suggest that as many as 1,900 Jews were abducted, tortured and murdered by the military junta during the six-year Dirty War, when many sources say 30,000 people were disappeared. Depending on the source, Jews represented 5% to 8% of the total, even though Jews made up less than 1% of Argentina’s population at the time.

That grim history is being explored in educational initiatives by Argentina’s Jewish community, aimed at younger generations and focused on understanding how the dictatorship operated and the disproportionate suffering it inflicted on Jews.

“The Jews were subjected to a particular form of treatment that resulted in greater brutality on the part of the repressive forces,” according to a new curriculum released by the education department of AMIA, the Jewish community center in Buenos Aires. “The experience of Jewish Argentines who were victims of state terrorism was marked by a strong antisemitic imprint among many members of the task forces.”

The AMIA project includes meetings between Jewish youth and relatives of the Jewish “disappeared,” as well as visits to memorial sites. Some 1,000  students are expected to take part this month.

A parallel digital project, Eduiot (“Testimonies”), documents the stories of Jewish victims of the military dictatorship and includes meetings between relatives of the disappeared and high school students.

The materials rely on personal testimonies to explain the human impact of the dictatorship and to put individual stories in the broader historical context.

Eduiot includes the story of Fernando Ruben Brodsky, a 22-year-old student who disappeared in 1979, including accounts from relatives who continue to seek answers. His mother, Sarah Brodsky, shares accounts of her son, a psychology student and kindergarten teacher who was abducted from his home on Aug. 8 and never seen again.

The testimonials relate how security forces subjected Jews to antisemitic abuse when they were kidnapped or detained, including Nazi language and symbols and “special” interrogations reserved for Jews.

The anniversary comes amid renewed debate over how Argentina interprets the dictatorship. President Javier Milei’s government has called for a broader account that also includes victims of left-wing guerrilla violence, which some suggest is a way to minimize the crimes of the dictatorship. Milei and other voices close to the government have also questioned the 30,000-victim figure, promoting a lower number (often 9,000).

Under the junta, the military and state security forces  targeted suspected left-wing sympathizers, including students, unionists, journalists and activists.

In 1979, Jewish advocacy groups such as the Anti‑Defamation League expressed grave concern over the disappearances, focusing on the Jewish victims, and Jewish families in Argentina and abroad helped compile lists of the missing. According to an ADL official at the time, “Jews are not specifically targeted as Jews. However, the security agents tend to be suspicious of Jews.”

The best-known Jewish target of the state was journalist Jacobo Timerman, who published a left-leaning newspaper, La Opinion. In 1977, the generals who ruled Argentina shut down the paper and imprisoned Timerman. Among other things, Timerman was accused of masterminding a plot to establish a Jewish homeland in the remote Patagonia region of southern Argentina.

He survived, and in his 1981 memoir, “Prisoner Without a Name, Cell Without a Number,” he recounted how he was subjected to torture during his 2 1/2 years in confinement.

According to Eduiot, Jewish advocacy for the disappeared “proved effective in bringing early attention to human rights violations.” The U.S. Congress launched investigations, and in a 1978 article in Le Monde, novelist and Holocaust survivor Marek Halter compared the persecution of Argentine Jews to Nazi-era atrocities.

The Eduiot site includes photographs and audiovisual material, and features the accounts of parents, siblings, cousins, nephews and nieces of Jews persecuted and disappeared under the dictatorship.

“Because every testimony matters and holds great value,” according to its website. “Because these dark episodes of our history must never be repeated, and because we want each of the disappeared to have a space of remembrance on this site, helping families sustain their memory and uphold the call for justice.”

The post 50 years after the Dirty War, Argentinians remember the Jews who ‘disappeared’ appeared first on The Forward.

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Fortnite tops ADL’s new ‘leaderboard’ ranking video games on antisemitism safeguards

(JTA) — The online video game Fortnite tops the Anti-Defamation League’s “leaderboard” ranking online video game companies on their efforts to curb antisemitism and extremism on their platforms.

The Online Gaming Leaderboard, which the antisemitism watchdog billed as the “first comprehensive public evaluation” of how online multiplayer games address antisemitism, ranked 10 popular online games based on safety features, moderation, player protections and written policies meant to address antisemitism and hate.

Fortnite was followed at the top of the rankings by Grand Theft Auto Online, Call of Duty and Minecraft. Games labeled as having “limited protection” by the ADL included Counter-Strike 2 and PUBG: Battlegrounds.

Madden NFL, Valorant, Clash Royale and Roblox, a collaborative computer gaming platform for children as young as 7, were ranked as having “moderate protection.”

“Without strong safeguards, these platforms can become breeding grounds for harassment and hateful activity that harms players directly, normalizes hateful ideologies and damages trust,” Jonathan Greenblatt, the CEO of the ADL, said in a statement Wednesday. “This leaderboard provides the transparency that parents, gamers and the industry need to understand where companies are succeeding and where urgent improvements are necessary.”

The leaderboard’s release coincided with a landmark Los Angeles jury verdict finding Meta and YouTube liable for harming a young user through addictive design features.

In the virtual worlds of online gaming, players have posted abusive messages in chats, created antisemitic imagery and even given themselves bigoted usernames.

While Fortnite ranked first, the popular online game has also previously faced scrutiny over allegations that it enabled antisemitic content. Last September, it disabled a character dance feature after users said its gestures resembled a swastika.

Roblox, which has long faced criticism over content moderation, has also been the subject of controversy, including in 2022 when it removed a user-created simulation of a Nazi gas chamber. In the wake of the Oct. 7 attacks in 2023, the Israeli government also urged users to report pro-Palestinian activity in the game that it said included antisemitic content.

The post Fortnite tops ADL’s new ‘leaderboard’ ranking video games on antisemitism safeguards appeared first on The Forward.

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Iran Posts AI Video Showing Missile Striking Statue of Liberty

An Israeli air defense system intercepts a ballistic missile barrage launched from Iran to central Israel during the missile attack, February 27, 2026. Photo: Eli Basri / SOPA Images via Reuters Connect

Iran on Tuesday released an AI-generated video depicting a missile striking the Statue of Liberty in New York Harbor, a global symbol of American freedom and democracy, in one of the regime’s latest propaganda efforts to influence public perception abroad.

Shared by Iranian state broadcaster IRIB as well as a Telegram channel affiliated with the Islamic Revolutionary Guard Corps (IRGC), the minute-long video ends with the slogan “One vengeance for all.”

The video was also circulated by Russian state outlet RT, in what appears to be a stark and symbolic threat against the United States.

Since the start of the US-Israel war with Iran, which began on Feb. 28, Iranian officials have ramped up their propaganda and disinformation efforts, trying to portray Washington and Jerusalem as responsible for decades of regional conflict while seeking to influence left-leaning Americans to mobilize domestic opposition to the war.

This latest widely circulated video presents a striking sequence portraying the United States as the world’s enemy, drawing on imagery from the dispossession of Native Americans and the atomic bombings of Japan to the Vietnam War and more recent Middle Eastern conflicts to craft a sweeping narrative of American aggression.

The clip also features footage alluding to a child on Jeffrey Epstein’s private island — a recurring theme in Iran’s messaging used to suggest that US President Donald Trump launched the current war to distract the public from the Epstein scandal, in which the late financier was convicted of running a sex-trafficking ring involving underage girls and, allegedly, various influential figures.

Later in the video, AI-generated figures of Iran’s former Supreme Leader Ayatollah Ali Khamenei and the late Iranian Major General Qassem Soleimani are shown gazing skyward. Khamenei was killed in an Israeli airstrike on Feb. 28, and Soleimani was killed in a US drone strike in 2020.

The final sequence of the video depicts a missile in Iranian colors striking the Statue of Liberty in New York Harbor, whose head has been replaced with that of Baal, a false god from the Bible, while the statue holds the Talmud, a key collection of Jewish religious teachings and laws.

This video is the latest example of AI-generated propaganda released since the start of the war with Iran. 

Last week, Chinese state television CCTV released a separate AI-generated clip illustrating Beijing’s perspective on the Strait of Hormuz crisis, featuring Persian cats in martial arts combat and an eagle-headed human representing the United States.

Experts note that Russian dissemination of Tehran’s video reflects a broader coordinated effort to use visual propaganda to challenge US foreign policy and influence global perceptions amid rising regional tensions.

The latest video came as the US and Iran began engaging in diplomacy over a possible resolution to the war, although Tehran has reportedly responded negatively to Washington’s proposal.

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