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Deeply Jewish comedy is having a moment, even as antisemitism rocks pop culture

(JTA) — Two weeks after a Trump-supporting heckler threw a beer can at Ariel Elias at a club in New Jersey over her politics, the Jewish comedian’s fortunes took a turn for the better. A video of the incident went viral and she made her network television debut on Jimmy Kimmel’s late-night talk show.

She spent most of her five-minute set talking about her Jewish identity and how it clashed with parts of her upbringing in Kentucky.

“I’m Jewish from Kentucky, which is insane, it’s an insane origin story,” she said last month before getting to jokes about how Southerners mispronounce her name and how badly her parents want her to date Jews.

Even though the crowd found it funny, Elias’ tight five wasn’t particularly groundbreaking. In the world of standup comedy, discussing one’s Jewish identity in a deep way has become increasingly common on the mainstream stage over the past several years. Jewish comedians are going beyond the bagel and anxiety jokes, discussing everything from religiosity and traditions (and breaking with those traditions) to how their Jewishness has left them prone to awkward situations and even antisemitism.

Ari Shaffir calls his most recent special, which was released earlier this month and titled “Jew” — and racked up close to four million views on YouTube in two weeks — “a love letter to the culture and religion that raised [him].” In his recent one man show “Just For Us” — which drew widespread acclaim and a slew of celebrity audience members, from Jerry Seinfeld to Stephen Colbert to Drew Barrymore — Alex Edelman discussed the details of growing up Modern Orthodox (and infiltrating a group of white nationalists). In 2019, Tiffany Haddish released a Netflix special called “Black Mitzvah,” in which she talks about learning about her Jewish heritage.

At the same time, the current uptick in public displays of antisemitism — punctuated by a series of celebrity antisemitism scandals and comedian Dave Chappelle’s controversial response to them — is complicating the moment for comedians who get into Jewish topics. Jewish comics are even debating what kinds of jokes about Jews are acceptable and which cross a line.

“I find it ironic that at a time where more Jewish comedians feel comfortable expressing their Judaism (i.e. wearing a yarmulke, making Jewish-oriented content) and not hiding it (by changing their name for example), we also see an up-swelling of outright antisemitism,” said Jacob Scheer, a New York-based comedian. “I don’t think — and hope — those two things are not related, but I find it really interesting and sad.”

The two phenomena could be related. Antisemitic incidents nationwide reached an all-time high in 2021, with a total of 2,717 incidents, according to an April 2022 audit from the Anti-Defamation League. Those incidents range from vandalism of buildings to harassment and assault against individuals.

“Now that [antisemitism is] a headline, it actually helps me to do what I need to do, which is just be extra out and loud and proud,” said Dinah Leffert, a comic based in Los Angeles. “I was hiding who I am just so I can survive in this environment. But this environment is not worth it if I have to hide.”

Scheer said that “people who are Jewish with an emphasis on the ‘Jew’ are having a moment.”

“[The] ‘Jew-ish’ world I wouldn’t say is dead, but I don’t think the ‘Jew-ish’ world is producing that much,” he said.

By “Jew-ish,” Scheer clarified that he means comics like Seinfeld and Larry David, who often infuse secular, culturally Jewish material into their comedy. Their apex of fame came during a time when Jewish comedy was not nearly as mainstreamed — the “Seinfeld” sitcom team was famously told that their idea was “too New York, too Jewish.”

Some of Seinfeld and David’s Jewish comedic successors, such as Judd Apatow and Seth Rogen, sprinkled in more explicitly Jewish jokes before 2010. But today, “you see more Alex Edelmans coming out,” Scheer said, referencing the increase in visibility for comedians with more observant upbringings.

Things have progressed to the level of “Jews doing comedy for other Jews about Jewish things,” Scheer added. In August, the first-ever Chosen Comedy Festival at the Coney Island Amphitheater in Brooklyn featured a lineup of mostly Jewish comics whose repertoires ranged from impressions of old Jewish women (who sound like bees) to breakdowns of the differences between how Sephardi and Ashkenazi Jews say “Shabbat shalom.” Leah Forster, who also performed at the festival, uses her Hasidic upbringing as source material for her standup routines, creating characters and using accents and impressions. (In her early days as a comedian, Forster performed for women-only audiences while she was a teacher at a Bais Yaakov Orthodox school in Brooklyn.)

The festival, which was hosted by Stand Up NY (an Upper West Side club that Scheer says is known for being “the Jewish one”) welcomed a packed audience of about 4,000 guests, many of whom were Orthodox. A second Chosen Comedy Festival will take place in downtown Miami in December.

(The New York Jewish Week, a 70 Faces Media brand, was the media partner for the Chosen Comedy Festival but had no say in its lineup.)

The festival’s co-hosts, Modi Rosenfeld and Elon Gold, who frequently collaborate, both grew their audiences in the early days of the pandemic: Rosenfeld with his camera-facing comedic characters, like the esoteric Yoely who delivers news updates with a Hasidic Yiddish twist; and Gold with his Instagram Live show “My Funny Quarantine,” which featured guest appearances from other comedians. Both Gold and Rosenfeld work antisemitism into their material.

Some are finding the moment difficult to navigate. In late October, at the standup show she runs in Los Angeles, the comic two slots ahead of Dinah Leffert asked the room, “Is anyone still even supporting Kanye at this point?” The crowd responded with resounding whoops, claps and cheers, leading Leffert to feel like they did support Kanye West, the rapper who spent much of last month in the news for his multiple antisemitic rants.

Just a few jokes into her own 10-minute set, Leffert walked offstage.

“My body wouldn’t let me keep being inauthentic about what I was really feeling,” she said. “I don’t want to give laughter to people who are anti-Jewish.”

Leffert, who is openly Zionist, said she also observes a level of anti-Zionism in comedy clubs these days that feels to her like antisemitism.

“They’re not criticizing Israel,” she said. “It slips into antisemitism very quickly. And it’s just a really hostile environment.”

During the last large-scale military flare-up of the Israeli-Palestinian conflict in May 2021, she felt inundated with Palestinian flag comments on posts about Jewish holidays, not Israel.

“You just get Palestinian flags underneath your Hanukkah posts,” she said.

In October, at a club in Omaha, comedian Sam Morril told a joke about how he hopes Jeffrey Epstein won’t be honored during Jewish Awareness Month.

“Can I ask why you chose to yell out ‘free Palestine’ after a Jeffrey Epstein joke?” he responded. When the heckler said she was making a “public statement” and was looking for “justice,” Morril answered: “A public statement? At the Omaha Funny Bone?”

Eitan Levine, a New York-based comedian known for his TikTok show “Jewish or Antisemitic” — on which he asks people to vote on whether objects like ketchup and mayonnaise, for example, are Jewish or antisemitic (in a loose comic version of the word) — said he receives similar comments online.

“This is a TikTok video about bagels,” Levine said. “What do you mean, you want me to take a stance?”

Though the response to his show has been largely positive and he has gone viral several times, Levine still receives all kinds of white supremacist comments on his videos — with backwards swastika, money bag or mustachioed man emojis evocative of Hitler, along with comments that say “jas the gews” as a spoonerism for “gas the Jews,” as a way to avoid TikTok censorship. Levine said he manually deletes these kinds of comments, but sometimes that’s not enough; one of the guests on his show had to cancel an in-person show due to online threats made against her.

“This stuff is clearly happening and it is dangerous and it is scary,” Levine told JTA.

Writer and comedian Jon Savitt, whose writing has been featured on College Humor and Funny or Die, and says he has often been “the first Jew that people have ever met,” recently launched an experimental web page called Meet A Jew, where users can connect with a Jewish person, much like a pen pal. His 2016-2018 standup show “Carrot Cake & Other Things That Don’t Make Sense” largely dealt with antisemitism — and its audience, he was surprised to see, was largely non-Jewish.

“Not only did I have people come up to me after the show, but I had non-Jews come up to me months later when they saw me and say ‘tikkun olam‘ [Hebrew for the Jewish principle of repairing the world] to me, or recite Hebrew,” Savitt said. “And to me that was the coolest use case because not only were they there, but they kind of retained something.”

Savitt says he isn’t trying to change any extremists’ minds with Meet A Jew, but he sees it as one step that could engage people who may be ignorant or unaware and give them a place to ask questions.

“Although it shouldn’t be on us to educate everyone or to have to constantly be standing up for ourselves, I think there are ways that we can bring other people into the conversation as well,” he said.


The post Deeply Jewish comedy is having a moment, even as antisemitism rocks pop culture appeared first on Jewish Telegraphic Agency.

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Forever curious, never daunted, Frederick Wiseman sought to repair the world through film

Frederick Wiseman, whose 60-year project of quietly asking America to look at itself — without sermon or embellishment, yet wielding the camera with an ethical ferocity‚ has died at the age of 96. Wiseman was a documentarian par excellence, but — as his year-long 2010 MOMA retrospective and his winter-long 2025 Lincoln Center appreciation show — he was more than a filmmaker and more dynamic than the institutions he critiqued. The 45 films he made between 1967 and 2023 embody the very process of American self-reflection.

Born Jan. 1, 1930, in Boston, Mass., Wiseman grew up in a Jewish household that never made a big show of its Jewishness, yet never let it slip from mind. His father, Jacob Leo Wiseman, was an accomplished lawyer; his mother, Gertrude Leah Kotzen, had a number of jobs but Wiseman once told the Forward that “not being able to study acting was her life’s regret.” In countless interviews, Wiseman described his upbringing as secular but culturally Jewish — one with plenty of Yiddish and the Forverts on the kitchen table. It was a childhood that inculcated a moral restlessness that he would spend his entire creative life channeling through film.

Before the camera, there was the classroom: Williams College, then Yale Law School. Law was his first chosen arena, and there is something telling in that. To make a good lawyer, you need curiosity, patience and the stamina to sit with contradiction. Wiseman found the law constricting and he turned, gradually and then completely, to filmmaking, where the rules were up for grabs but the moral stakes were never abstract.

After helping to produce Cool World, a 1965 feature about drug addiction, violence and economic hardship set in Harlem, Wiseman bought a 16mm camera and went to Bridgewater State Hospital to film Titicut Follies. His first film remains one of his most notorious, not least for influencing Miloš Forman’s 1975 One Flew Over the Cuckoo’s Nest. The state hospital for the criminally insane becomes, through Wiseman’s lens, both theater and trial. The patients are on display for us as are the guards but we, the audience, are on trial too: How do we treat the weakest among us? How do we look away?

US director Frederick Wiseman poses with actress Catherine Samie during the photocall for their film “La Dernière Lettre” during the 2002 Cannes Film Festival. Photo by FRANCOIS GUILLOT/AFP via Getty Images

Although the film represents an early example of his unobtrusive style, it was so uncomfortably honest that the Massachusetts government succeeded in banning it from general American distribution for 20 years. It was the first known film to be censored for reasons other than obscenity, immorality or national security. This is where his Jewishness lived — in the refusal to flinch from the unspeakable. Wiseman spent six decades getting us to see what we really mean by the places we build, the rules we enforce, and sometimes the people we push to the margins.

His “reality fictions,” as he preferred to call them, are quiet but not passive. They have no narration — no voice-of-God explanations or neat moral conclusions. The camera simply sits, bearing witness to public housing in Chicago, an inner-city high school in Philadelphia, Boston city government, a Dallas department store, a welfare office, a library in Queens, smalltown Indiana, and two views of domestic violence in Florida. What emerges is an archive of American power and American fragility.

Even more than his contemporaries D.A. Pennebaker and the Maysles brothers, Wiseman avoided tying his stories into a single ideological bow. But, just like his friend and follower Errol Morris, he never stopped asking questions. He once said he disliked the word “documentary” because it suggested a neatness and authority that reality refuses to offer. Like a scribe working on a Torah scroll, Wiseman would spend a year or more in his editing room shaping hundreds of hours of footage into a final cut.

Every editing choice was an act of interpretation, and every interpretation was a kind of moral accounting. To watch a Wiseman film is to practice a secular version of cheshbon nefesh — an accounting of the soul. We see the small humiliations of bureaucracy, the quiet heroism of nurses, the petty tyrannies of principals, the warmth and indifference that coexist inside every institution. His films remind us that institutions, including marriage, are made up of people, and people are both better and worse than the systems they create.

Though Wiseman never foregrounded his Jewishness in public, it filtered through his choice of subjects — and his abiding belief in the dignity of ordinary lives. He loved the messy, pluralistic, contradictory spaces where authority and people meet, like a library, a community center, a city council meeting. He loved making films and was annoyed not to be able to film or edit after his 2023 feature, Menus-Plaisirs – Les Troisgros, about a Michelin three star-restaurant and the family that runs it.

He once called his films “epic poems,” but they are also commentaries, in the rabbinic sense: teasing out what is hidden in plain sight, turning it over and over until it yields something that might help us live with ourselves. Wiseman was excited in 2025 when a group of archivists finished the process of restoring and digitizing 33 of his films so that his entire oeuvre can be more easily examined for years to come.

Wiseman’s focus was mainly on the United States, though he did film elsewhere — especially in Paris where he filmed at a strip club and a dance rehearsal at the Paris Opera Ballet. In later years, when asked how he chose what to film, he said simply: “Curiosity.” But curiosity, for Wiseman, was never passive. It was a demand to see. In this, he practiced a form of tikkun olam — repair of the world — that was all the more radical for being so understated. He didn’t shout. He didn’t score cheap points. He invited us to do the hard work ourselves.

He was honored, eventually, by the very institutions he made his life’s work dissecting. A MacArthur “Genius Grant,” a Guggenheim Fellowship, an honorary Academy Award, the Golden Lion for Lifetime Achievement in Venice. Yet he remained — in temperament and in practice — the same outsider who first brought his camera to that state hospital in 1967, sure only that the camera should watch and listen, and that we should, too.

Wiseman’s wife Zipporah Batshaw passed away in 2021 but he is survived by his two children and a generation of filmmakers who learned from him that moral clarity need not come at the expense of complexity. They carry forward the project of asking the unasked questions, of looking at what we’d rather ignore. In that way, his legacy is not a monument but a living tradition — an ever-expanding conversation about what it means to be human, to be responsible for each other, and to stand, clear-eyed, in the face of the world as it is.

May his memory be a blessing, and may we, like him, never stop seeing.

The post Forever curious, never daunted, Frederick Wiseman sought to repair the world through film appeared first on The Forward.

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US Ambassador Urges Belgium to Drop Charges Against Mohels, Warning Case Threatens Religious Freedom

A Orthodox Jewish man is seen in the city of Antwerp, Belgium. Photo: Reuters/Belga Photo Dirk Waem

US Ambassador to Belgium Bill White has urged local authorities to drop all charges against three trained circumcisers known as mohels whose homes were raided last spring amid a government probe into illegal circumcisions — with Jewish and political leaders warning the case is a direct threat to religious freedom.

The US diplomat slammed the Belgian government’s legal action against the mohels as a “ridiculous and antisemitic prosecution.”

“Antisemitism is unacceptable in any form, and it must be rooted out of our society,” White wrote in a social media post on X. 

The mohels “are doing what they have been trained to do for thousands of years,” he continued. “Stop this unacceptable harassment of the Jewish community here in Antwerp and in Belgium.”

White also called on Belgian Minister of Health Frank Van den Broecke to deregulate the Jewish ritual, effectively lifting government restrictions and allowing it to be practiced freely.

“It’s 2026, you need to get into the 21st century and allow our brethren Jewish families in Belgium to legally execute their religious freedoms!” the US diplomat said. “It’s disgusting what’s happened to these fine men and their families because of your inaction.”

In May last year, Belgian police raided three locations in the Jewish Quarter of Antwerp, a northern Belgian city, seizing circumcision tools from several mohels after a local anti-Zionist rabbi filed a complaint accusing them of performing unauthorized or illegal circumcisions.

A mohel is a trained practitioner who performs the ritual circumcision in Jewish tradition known as a bris.

Among the homes raided by the Belgian police was that of Rabbi Aharon Eckstein, a highly experienced mohel and a prominent leader within the Antwerp Jewish community.

According to a police report, the searches had been ordered by a judge following a complaint filed in 2023 by Rabbi Moshe Aryeh Friedman, an anti-Zionist activist previously accused of Holocaust denial, against Eckstein and other mohels within the Jewish community.

Since 2024, prosecutors have been investigating illegal circumcisions in the country amid concerns from local authorities that some Jewish circumcisions were being performed by individuals without proper medical training.

Now, the three mohels face charges for performing a medical procedure without a license, with prosecutors saying they have gathered enough evidence to secure a conviction, Belgian Member of Parliament Michael Freilich, the country’s only Orthodox Jewish lawmaker, told The Times of Israel.

However, a trial date has not yet been set and could take several months to schedule.

In his complaint, Friedman had accused six mohels, whom he identified to the police, of endangering infants by performing the metzitzah b’peh ritual, in which the mohel uses his mouth to suction blood from the circumcision area.

Eckstein and other rabbis, along with parents of children circumcised by them, have denied such accusations, insisting that they do not perform this practice.

In Antwerp, Friedman is known for publicly criticizing several customs that are important to ultra-Orthodox Jews, who represent the majority of the city’s 18,000 Jewish residents.

At the time, Jewish and political leaders accused local authorities of using the raids as part of a broader effort to intimidate religious figures in Belgium.

Ralph Pais, vice-chair of the Jewish Information and Documentation Centre (JID), commended White for his efforts, emphasizing the message of solidarity it sends to the local Jewish community.

“America continues to honor a commitment that Europe has also vowed to uphold: protecting Jewish life and ensuring that Jews can live openly and safely,” Pais said in a statement. “We expect Belgium to fully comply with the very principles and democratic values it claims to defend.”

Last July, dozens of European Jewish leaders called on the European Union to take action against Belgium, arguing that the Belgian police’s actions “represent a breach of an EU fundamental right, that of freedom of religion” and warning that this “echoes one of the darkest chapters in European history.”

Despite several attempts to ban the Jewish tradition cross Europe, ritual circumcision remains legal in all European countries, though many — including Belgium — limit the practice to licensed surgeons and often perform it in a synagogue.

In 2024, the Irish government arrested a London-based rabbi for allegedly performing a circumcision without the required medical credentials, marking the first arrest of a rabbi in Europe in years related to a bris.

The Conference of European Rabbis, through its Union of Mohels of Europe, is working to create a system of self-regulation and licensing for mohels, aiming to reduce the need for government oversight.

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Qatar’s Children Still Study Antisemitic Textbooks That Whitewash Hitler, Promote Violent Jihad, Study Finds

Qatari Prime Minister and Foreign Minister Sheikh Mohammed bin Abdulrahman Al Thani speaks after a meeting with the Lebanese president at the presidential palace in Baabda, Lebanon, Feb. 4, 2025. Photo: REUTERS/Emilie Madi

Despite Qatari leaders’ rhetoric seemingly promoting peace and opposing hate, the Middle Eastern country continues to educate students with textbooks that celebrate terrorism, hide the Holocaust, and demonize the Jewish people by affirming longstanding antisemitic tropes, according to a new study.

The Institute for Monitoring Peace and Cultural Tolerance in School Education (IMPACT-se), a nonprofit organization that analyzes schoolbooks and curricula around the world, reviewed 52 textbooks officially approved for the 2025-2026 State of Qatar national school curriculum, in addition to checking them against previous editions for potential revisions. The books covered topics ranging from social studies, geography, and history to Islamic education, Arabic language, and Arabic literature. IMPACT-se applied UNESCO-derived standards and guidelines of peace and tolerance in education.

The researchers found that the same problems from the 2021-2022 school year had not improved, as the textbooks “continue to reproduce antisemitic narratives, religious intolerance toward non-Muslims, and legitimization of violent jihad, all of which were documented in IMPACT-se’s earlier reports.”

The antisemitic material includes promoting stereotypes of Jews as arrogant liars obsessed with opposing Islam. The texts also cast Jews as “fleeing in fear, spreading discord, breaching agreements,” and possessing an “excessive attachment to material wealth, thereby reinforcing an image of Jews as fundamentally untrustworthy.”

In historical recounts of the Arab-Israeli conflict, the textbooks depict Jews as manipulating global affairs and deny Jewish historical connections to the Land of Israel. Maps of the region describe the borders of Mandatory Palestine, the name for the area from 1920-1948 when it was under British administration, as split between “Palestinian territory” and “Israeli expansion.”

The textbooks for Qatari children also glorify violent jihad and death in the name of Islam. They teach that students should “love jihad” and expect entry into paradise for those who choose martyrdom. These instructions accompany demonizations of non-Muslims as “infidels,” “pagans,” and “polytheists.” The textbooks offer little objective information about other faiths. They also promote an Arab nationalist ideology, oppose a two-state solution to the Israeli-Palestinian conflict, and describe Hamas terrorist attacks as “military operations.”

IMPACT-se researchers cite an Islamic education book for sixth graders as an example of the curriculum’s promotion of terrorism.

“An Islamic education lesson teaches that one of the ways to measure a good Muslim woman is to raise children to sacrifice their lives, in what is understood to be violent jihad,” the report states. “The chapter about classical Islamic figure Nusaybah bint Ka’b praises the fact that she raised her children ‘to love jihad,’ pointing out that her three children later ‘died as martyrs for the sake of Allah Almighty.’ The textbook authors describe this type of upbringing as ‘optimal.’”

For seniors in high school, the report describes how an Islamic education text instructs that “God will reward men and women who fought and died for Islam, and will grant them entry to Paradise. The lesson does not attempt to caution that dying as a result of violent struggle should not be considered the utmost objective, and students are offered no alternative interpretations of this Qur’anic verse.”

An eighth-grade Islamic education book demonizes Jews with one lesson that insists “Jewish people are forever cursed by Allah to never accept the truth of Islam, which is why they consistently reject Islam.”

Eleventh graders learn that Jews “worship (or have worshipped) the Golden Calf, that they revere a character called Uzayr, that they believe themselves to be God’s own children, and that they venerate the Talmud more than the Torah (the latter of which is recognized by Islam as a heavenly-inspired text).”

IMPACT-se explains that this misinformation about Judaism is intend “to promote an antisemitic portrayal of Jewish people as exceptionally arrogant and disloyal to God, both of which are grave offenses from an Islamic point of view.”

As Qatar continues to fill its own students’ heads with anti-Israel propaganda and antisemitic tropes, so too does the country’s monarchy, the House of Thani, seek to spread its ideology in other countries’ educational institutions.

Earlier this month a US federal judge ordered Carnegie Mellon University to reveal its connections to Qatar involving a $1 billion financial relationship in response to the case of a top DEI (diversity, equity, and inclusion) and civil rights official allegedly failing to respond to antisemitism. Money from Qatar reportedly paid the employee’s salary.

“Foreign governments with appalling human rights records are funding the very offices meant to protect students’ civil rights. This should alarm every parent, every student, and every policymaker in this country,” Lawfare Project director Ziporah Reich said in response to the ruling. “The court recognized that foreign government funding is not peripheral but potentially central to understanding how civil rights laws are applied on campus.”

Last month, the US Department of Education released a new database that showed Qatar is the single largest foreign source of funding to American colleges and universities, flooding academia with $6.6 billion in gifts and contracts.

“America’s taxpayer funded colleges and universities have both a moral and legal obligation to be fully transparent with the US government and the American people about their foreign financial relationships,” US Education Secretary Linda McMahon said in a statement announcing the new figures.

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