Connect with us

Uncategorized

Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her

(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).

On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.

Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.

“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”

That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”

In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.

“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”

“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”

Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.

Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.

The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.

“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”

Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)

A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.

Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.

“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”

In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful. 

Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam

The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old. 

Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.

“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.

While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.

“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.

Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.

“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”

Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.

She told him, “This is your daughter Anne’s legacy.”

In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell

Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.

“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”


The post Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

These Jewish readers wanted happy endings — so they turned to romance

Until a few years ago, every book math teacher Dahlia Evans had read about Jews was Holocaust historical fiction. Searching for a change, she went to her rabbi, who recommended a romance called The Matzah Ball, a Hannukah-themed novel about two archenemies from Jewish summer camp who fall in love as adults.

“It brings a lot of joy, seeing yourself in the characters, reading about the holidays and all of these things that you’ve grown up with,” said Evans, a mother of two from New York who also runs a book-focused Instagram account.

Following the Hamas-led Oct. 7 attacks on Israel, Jewish authors have described an increasingly hostile environment in traditional publishing. In fact, the number of books marketed as Jewish have declined over the past three years — pointing to either fewer Jewish books, or fewer publishers willing to market them as Jewish.

Even so, the demand for Jewish romance novels from Jewish readers has flourished, aided by The Matzah Ball’s author Jean Meltzer and a book club she started called Jewish Joy.

“I think a reason why the community grew is because of what the romance genre itself offers the reader, which is basically happiness,” says Heidi Shertock, the author of two Orthodox Jewish romances and a leader of Jewish Joy. “We’re going to give you that happily ever after, no matter the struggles and the obstacles and the difficulties that the character is facing. And I think we need that so much right now, especially as Jews.”

Bodice rippers and book clubs

Few, if any, Jewish characters were present in mass market romance novels until 1995 when Alina Adams wrote The Fictitious Marquis, the first bodice-ripper with a Jewish protagonist. Other writers such as Jennifer Wilck and Felica Grossman continued writing Jewish romances through the 2010s.

The romance novel, whose sales had been declining, saw a resurgence after 2020, spurred by the pandemic, a TikTok reading community called BookTok and the streaming hit Bridgerton. From 2021 to 2025, romance book sales doubled to 51 million units sold.

As publishers pushed to make romance novels more diverse, Jewish romance enthusiasts had to educate the community that romances by and about Jews represent diverse perspectives too, Wilck said.

“There was slowly starting to become recognition of that and enthusiasm for that,” Wilck said. “It has gotten a lot more complicated after October 7.”

Dahlia Adler, a USA Today bestselling author of Y.A. novels, recently wrote her first adult romance titled Soon by You about a modern Orthodox perma-bridesmaid – always a bridesmaid, never a bride. She has been surprised by its lack of appeal.

“More people who usually enjoy getting to see inside a new culture do not seem to be going anywhere near this book,” said Adler, noting the book’s Jewish themes. “It could be related. It could be not.”

Where Soon by You has received positive attention is a Facebook page called “Jewish women talk about romance.” The page, launched by Meltzer in July 2023, saw an influx of members after the Oct. 7 attacks growing from 1,000 to 3,500 members.

Shertock said the online community has become a safe haven. “Jewish readers weren’t feeling safe anymore in their book clubs,” she said.

Some authors describe a similar feeling. Chayla Wolfberg, an author and Jewish Joy book club leader, said the online Jewish romance community gave her comfort and validation.

“I was seeing so many authors — a lot of people who I used to really admire and look up to — posting things blatantly in support of what happened on Oct. 7,” she said. “I was just so horrified.”

Meltzer said authors like her who had spoken up in defense of Israel or expressed grief about Hamas’s Oct. 7 attacks found themselves doxxed, boycotted and lambasted in reviews.

In January 2024, Meltzer responded by launching the Jewish Joy book club, followed shortly by The Jewish Joy Box, which sends its members monthly boxes of mostly — though not exclusively — Jewish romance novels.

“It had one rule: we read books where nobody dies at the end, which was sort of a tongue-in-cheek nod to all the Holocaust books that we weren’t going to be reading,” she said. “We were going to be reading happy stories with happy endings and Jews who lived life.”

Litmus tests

Rachel Runya Katz’s novels focus on LGBTQ+ Jews of color. According to her Instagram bio, her books are “only ‘niche’ if you’re boring.” She is also vocal on social media about being an anti-Zionist Jew.

She has picked up on a “litmus test” for Jewish authors, which she said some readers won’t read if they have not spoken up about the Palestinian cause.

“There are people whose takeaway has been: I need to do a thorough background check on every Jew who I think about reading, and I’m not gonna do that to other people,” she said. “I do think that that is a form of bias.”

Katz has noticed other forms of antisemitism in the industry, both before and after October 7.

But she has also faced harsh criticism from other Jewish authors too. She said there were some “Zionist Jewish bookstagrammers who accused me of not being really Jewish and of identifying more as Black than as Jewish because I’m anti-Zionist.”

She thinks that Jewish Joy could very well be doing good work to fight antisemitism. But, she added, “I do not think that this is a good messenger for that because it’s somebody who has so prominently and publicly tried to link anti-Zionism and anti-Semitism … I think that’s a really dangerous translation to make.”

Jewish Joy leadership says that, in addition to creating a safe space for Jewish-romance fans, they want to make it welcoming for Zionists.

“We’re a pro-Zionist community,” said Meltzer. “We support Israelis, and you know the community has made the decision as a whole that they don’t want to support books right now from anti-Zionist authors.”

The Jewish Joy book club has also featured many books from authors who have not publicly commented on the Israeli-Palestinian conflict.

“We don’t really talk about that too much,” Shertock said.

As much as the group was created to satisfy Jewish readers, Meltzer also created it to support Jewish authors.“We needed to move the needle on sales,” she said. In its less than two years, the network has purchased more than 2,500 Jewish books for its boxes.

Meltzer feels like the community has needed to advocate for itself to be taken seriously both in the Jewish world, which she says tends to embrace literary fiction, and in the romance world, which she believes has been more hostile toward Jewish books.

“People take for granted that Jewish romance is going to continue,” said Meltzer. “I do not believe that. I actually think if we don’t fight every day for these books, they will stop being published.”

The post These Jewish readers wanted happy endings — so they turned to romance appeared first on The Forward.

Continue Reading

Uncategorized

From Jerusalem’s Old City, a book that defies Israel’s media image 

A few years ago, I followed the author and journalist Sarah Tuttle-Singer deep into Jerusalem’s Old City searching for the best za’atar.

To be clear, I was searching. She knew exactly where to go.

Sarah plunged through the crowded, narrow market streets of the Shuq Attarin, or Perfumers Market, whose vaulted ceilings and open stalls served Crusaders and Mamluks. She turned at signless intersections and slipped through nameless passageways, before stopping at a mad scrum of customers outside a small, open shop.

“Here it is,” Sarah said. “The best.”

Fairy Lights in God’s Backyard’ is Sarah Tuttle-Singer’s second nonfiction book. Courtesy of Sarah Tuttle-Singer

An elderly man filled orders from barrels of spices and shelves of herbs, potions and remedies. When we managed to grab his attention, Sarah used her surprisingly decent Arabic to order me a kilo.

It tasted nothing like the spice mix I was stuck buying in L.A. The wild oregano that forms the floral, green base of the mixture carried notes of cumin, caraway and dandelion. The sumac, salt and ground sesame made it bright and earthy at once — a blend of disparate flavors that don’t obviously belong together but somehow do.

“How did you find this place?” I asked Sarah.

“I mean, I live here.”

Sarah was raised in Venice Beach and moved to Israel in 2011 with her two children and then-husband, an Israeli. She began writing for The Times of Israel and eventually moved into the Old City itself. We long ago bonded over our common love of Jerusalem, journalism — and Venice Beach.

Her latest book, Fairy Lights in God’s Backyard , is her second nonfiction book about life inside those ancient walls. I loved her first, Jerusalem, Drawn and Quartered, but I wondered, how much more is there to say?

The answer is: plenty. The Oct. 7 massacre. The destruction of Gaza. The Iran missile barrages. A new child. A near-death explosion. All of it filtered through a sharp, sensitive observer living among Jews, Muslims and Christians in the most contested third of a square mile on Earth. I opened the book at 11 a.m. and finished it by 4 p.m., leaving behind circled passages, dog-eared pages and margin notes.

‘The least political way to tell the truth’

Her passage on the local grocery is a good place to start. “There is a shelf in a corner market that doesn’t make sense,” begins one of the book’s many short chapters. Sarah describes a single shelf stocked haphazardly with Bulgarian jam, Italian pasta, Polish pickles, Armenian spice mix, and “tahina labeled in Arabic, Hebrew and Turkish.” She asked the shopkeeper why he kept such a jumble of far-flung ingredients in one place. “People keep asking for home,” he said.

Shoppers stop in front of that shelf, she writes — sometimes with a nostalgic look, a lump in the throat; sometimes to argue over a recipe, pulling items out, putting them back, defying any order. The shopkeeper gave up trying to organize it.

“Jerusalem, after all, does not behave politely or geographically,” Sarah writes. “It stacks centuries on top of each other and calls it a street. It builds apartments on Crusader arches and prays in languages that never learned to forgive each other. Why should a shelf obey borders that people themselves could not?”

Sometimes, she writes, a conversation starts in front of that shelf. My mother used to make this. We ate this only on holidays. You can’t get the good kind anymore. The shopkeeper, she writes, “understands something important: that in Jerusalem, food is often the least political way to tell the truth. You can argue borders for hours, but you cannot argue the taste of something that raised you.”

An apartment on the seam

It’s the same lesson, I realized later, sitting behind that scrum in the Perfumers Market: My kilo of za’atar was itself a shelf of sorts, oregano,  sumac and sesame, none of it asking permission to belong together.

The Old City is divided into four quarters — Arab, Jewish, Armenian and Christian. Sarah moved into her last apartment there in October 2025, on the seam between the Jewish and Armenian Quarters, where Armenian conversation mixed with church bells and the Hebrew songs of schoolchildren next door.

The apartment itself crossed borders. It was built over a Byzantine well that connects to a system of Roman tunnels; the walls themselves were “much newer” — 17th century. She moved in with her toddler son and made it a home, decorating in bright colors and pastels, a style she calls “Mad Hatter in Ottoman Jerusalem,” and planted rosemary, lavender, mint, sage and, yes, za’atar on the roof. Even her garden was a small act of layering something new onto something ancient.

The war in a stone well

From that sweet base, she recorded a particularly fraught stretch in an always-fraught city. Her downstairs neighbor, Claire, whom she greeted several times a day, kept asking Sarah to explain how it is that she, an old woman, outlived her young son.

It’s a question Sarah has heard so many Israeli and Palestinian mothers ask since Oct. 7. “Every time I heard Claire ask why she was still here instead of her son, I heard echoes of mothers everywhere who have asked the same impossible question,” she writes.

Then the Iran war began and the sirens wailed, and each time, Sarah and her neighbors rushed down into the 1,500-year-old Byzantine well to wait out the incoming missiles: the ancient Armenian priest, the chain-smoking French tourists, the Arab TV broadcaster and his extended family, children scared of ghosts, the pedantic American with his “thirty-two-minute breakdown of geopolitical implications,” Muslims, Christians, Jews, and a pit bull named Baku — all brought together hoping to survive the mullahs’ wrath, “a regional war compressed into a stone cylinder beneath the Old City.”

The shelf upstairs holds whatever people ask for. The well below holds whoever happens to be home when the sirens go off. Between the two, Sarah keeps finding the same unlikely arrangement: people who don’t agree on much, sharing space anyway because the ground gives them no other choice.

There are other moments, too, when Sarah watches the divisions that outsiders think define Israel and Jerusalem melt away. When a fire breaks out and residents pour from their homes to help extinguish it. When she suffers an unexplained cardiac event one evening, and friends and neighbors show up to rush her to the ER.

“The paramedics arrived and so did, apparently, half the neighborhood,” she writes. “I haven’t seen this many Jews and Arabs crammed into one small room since the Oslo Accords.”

‘A deep, abiding care’

That’s what makes the book such a beautiful and important read. The hope it offers is earned. Sarah isn’t naive about the violence, fear and resentment tearing her society apart, but she also lives out something most of us, and most of the media, miss: a deep undercurrent of shared humanity running through that land as well.

That became vividly clear when her own sweet apartment blew up — a faulty propane tank burst, collapsing her home around her. The experience sent her through her own cycle of grief, exile and return. Friends, neighbors and strangers — Arab, Jewish, Armenian — rushed to her aid, literally dug her out of the wreckage, then helped her rebuild.

“In the smoke — acrid and choking — there was also something else rising,” she writes. “A deep, abiding care for one another. The kind that lives here but doesn’t make headlines.”

It took me more than a year, but I eventually worked my way through the little pillowcase of za’atar I’d carried home from the Old City that day — folded into turnovers, dusted over roasted vegetables, and, most often, the way it appears on nearly every Palestinian table: pooled in olive oil atop labne.

On my last trip to Israel, I met Sarah and her boyfriend for a drink at Hataklit, a neighborhood bar near Zion Square. She and her son have found a new place. She’s still at The Times of Israel, now writing a feature called Peoples of Israel, profiling an endlessly interesting cast of characters. And to share her love of Jerusalem’s people, cultures and food, she’s even leading occasional tours through the Old City.

If you go, I recommend the za’atar. It won’t taste like anywhere else — which, if Sarah’s book is right, is exactly the point.

A version of this essay first appeared in Rob Eshman’s Substack, Foodaism.

 

The post From Jerusalem’s Old City, a book that defies Israel’s media image  appeared first on The Forward.

Continue Reading

Uncategorized

‘I felt I couldn’t talk about the war’: Jewish and Muslim teens make space for tough conversations

For Jewish student Maxanne Wallace-Segall and Muslim student Nabila Rahman, the months after the Hamas-led Oct. 7 attacks on Israel were filled with a tense quiet.

Then freshmen at Stuyvesant High School, a public school on Manhattan’s southern tip, the two girls had only been friends for a few weeks. As their social media feeds became inundated with polarizing content from across the spectrum, neither of them knew how to bring up what had happened.

“I felt like I couldn’t talk about the war with one of my closest friends in the world, just because I was terrified about what I would say and what she would say,” Wallace-Segall said.

That tension ended when Wallace-Segall interviewed Rahman for an article in their high school paper about the pain many students were experiencing in the first months of the Israel Hamas War.  Broaching the subject for the first time, they realized that — despite coming from different perspectives — both were primarily concerned that their friends were OK.

“It wasn’t a question of ‘do you support Israel or Palestine?’. It was a question of [if you were] OK; if your family was OK. That was what mattered at the moment; her opinion didn’t matter, even if it differed from mine,” Rahman told Wallace-Segall for the article.

Now rising high school seniors, the duo runs The Together Project, a citywide organization dedicated to dialogue between Muslim and Jewish teens — Zionists and anti-Zionists alike. This summer, that dialogue has deepened and the reach has widened with the launch of a twice-weekly program called the Ohel/Ahl Fellowship, named after Hebrew and Arabic words for friendship. Since June, Jewish and Muslim teens from public, private, religious, and secular schools in the New York area have come together around sacred texts, swapped stories, consulted experts and explored each other’s neighborhoods and perspectives.

Emboldened by their first conversation, Wallace-Segall and Rahman began speaking about the conflict with Muslim and Israeli friends. But, when starting the organization, those friends opted not to participate. The Muslim friend’s family refused to let them talk to people who supported Israel, while the Israeli friend wasn’t allowed to talk to anti-Zionists. The organization continues to face this challenge, with some criticizing its inclusive nature. On one Instagram reel posted by the project, a user commended the concept, but pointed out the number of Palestinian deaths and disagreed with participants working alongside Zionists.

“i was like yessss this is what we need!!” they wrote at first. “only for u to include zionists 💀absolutely not. none of you are truly anti-zionists if you agree to work closely with zionists, especially at this time.”

But that misses the point, Wallace-Segall said. “To exclude the Zionist narrative would be to exclude the issue itself.”  That widespread opposition toward dialogue highlights “the necessity and urgency of starting it even more,” she added.

To expand citywide, the girls drew upon their previous connections — someone with whom Wallace-Segall often debated about the subject, another who had written poetry about her religious identity. Currently, the organization has branches at four public high schools in three of the city’s five boroughs.

The Together Project also established a partnership with the New York Society for Ethical Culture, a social activism organization that offers meeting space for several grassroots organizations and hosts all branches of the Together Project, and other interested students, for a citywide conference three times a year in winter, spring and summer.

At those seasonal meetings, students go over historical timelines, read books, articles, sacred texts, and poetry and push themselves to grapple with hard topics. The conversation subjects range from comparisons of the Torah and Quran to what Muslim and Jewish teachings say about queerness, and how being a member of the LGBTQ community informs support for Israel, given its comparatively tolerant culture, and support for Palestinians in Gaza, given the nature of their collective struggle.

Wallace-Segall’s favorite conversations are those that question “why do you believe what you believe?”

“It really gets everyone to think about the specific moments with their families and their friends and reading the news in which different aspects of their opinions have been shaped,” she said.

Last November, members of the group attended a United Nations conference on establishing a Middle East zone free of weapons of mass destruction. As she listened, Wallace-Segall was inspired by those “dedicating their lives to committing to peace.” At the end, four of The Together Project members were given the opportunity to speak about their organization and share their thoughts on the solutions that had been presented.

“So often in the UN, when we see discussions of rebuilding communities … it’s decades or years after the conflict happened,” Wallace-Segall said in her speech. “I think the time to start rebuilding communities is now.”

At Ramaz Upper School, a Jewish day school in Manhattan, now rising senior Gabriel Flatto-Katz found himself in a Jewish bubble. Amidst the tensions of the New York City mayoral election, he realized that he “didn’t have any Muslim person that I could call a friend,” and sought to start an interfaith student organization.

Despite reaching out to many Muslim organizations, however, he wasn’t able to find any interested partners. Then he discovered the Together Project and helped Wallace-Segall and Rahman develop this summer’s Ohel/Ahl Fellowship.

Ohel/Ahl fellows sitting in a park, hearing from a speaker about the Iraq War Courtesy of Maxanne Wallace-Segall

The fellowship has enabled students who were already involved, along with many new ones like Flatto-Katz, to engage more deeply with meetings twice a week. So far, the fellows have hosted speakers from the Rose Castle Foundation, which helps equip leaders to navigate conflict; explored the Islamic wing of the Metropolitan Museum of Art and analyzed poetry by Israeli and Palestinian writers.

Rather than jump right into sensitive political discussions, students explored each other’s religious identities and established trust in initial meetings, so they have felt more comfortable sharing sensitive opinions in the latter half of the fellowship.

According to Gershon Rozenberg, a rising senior at SAR High School, a co-ed modern Orthodox yeshiva in Manhattan, that turning point arrived during a recent discussion the students had about war. Participants shared conflicts that felt most personal to them and their families and how this might impact their thoughts on the Israeli-Palestinian conflict. Some mentioned the Vietnam War, the Bangladesh Civil War and the Holocaust.

Rozenberg called it “the most vulnerable conversation we’ve had among fellows.”

For Rahman, this conversation helped her realize just how personal the Israeli-Palestinian conflict is for Jews. “For people like Gabi who literally have family in Israel, there was so much more at stake,” said Rahman, who doesn’t know anyone who is Palestinian.

Along with speakers, the fellowship has a board of mentors from Jewish and Muslim organizations, including Rose Castle, the Tannenbaum Foundation, Jewish Theological Seminary, and a Palestinian representative from Debate for Peace.

“We’re still kids running a kids’ program,” Flatto-Katz said. Mentors provide necessary guidance on how to run an interfaith organization, advise on ground rules during sessions and recommend texts to study. To build a consistent base of students at each meeting, mentors also have helped recruit teenagers they had worked with previously.

Flatto-Katz recruited Rozenberg after reading Rozenberg’s piece in SAR’s campus newspaper arguing that the school “should do a better job of understanding the Palestinian perspective.”

To complement the students from private Jewish day schools, leaders have been reaching out to private Muslim schools. But they’ve encountered difficulty.

“A lot of the kids have never met a Jewish person before, so it’s hard for them to make that first step,” Rahman said.

Many of the students from private Jewish schools say they have been moved by the contributions of Muslim participants, including rituals like chanting from the Qur’an or talking about their religion. “People have enjoyed the ability to hear something so different than what they’re used to,” Flatto-Katz said.

Within Jewish youth spaces, Flatto-Katz said students strongly support Zionism, but also crave  hearing new perspectives. It’s not always easy for Flatto-Katz to “have really hard conversations,” as he has family in the region, but he senses and shares a “hunger for understanding.” Agreement or consensus is not required, he said.

“This is my friend Nabila who doesn’t agree with me on 99% of things, and I think it’s really cool that we get frozen yogurt together,” Flatto-Katz said.

To Rahman, the diversity of high school environments and the formative teenage years are what makes the work they are doing now so significant.

“Making sure younger people are involved in this kind of things is so important,” she said, “because they are the ones who are going to be shaping the future.”

The post ‘I felt I couldn’t talk about the war’: Jewish and Muslim teens make space for tough conversations appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News