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Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her
(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).
On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.
Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.
“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”
That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”
In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.
“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”
“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”
Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.
Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.
The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.
“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”
Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)
A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.
Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.
“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”
In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful.
Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam.
The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old.
Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.
“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.
While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.
“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.
Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.
“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”
Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.
She told him, “This is your daughter Anne’s legacy.”
In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell.
Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.
“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”
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The post Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her appeared first on Jewish Telegraphic Agency.
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Israel’s Arkia Forges Deal With JetBlue on Flight Connections in US
A JetBlue Airways jet comes in for a landing at Laguardia Airport in New York City, New York, US, Jan. 11, 2023. Photo: REUTERS/Mike Segar
Israel’s Arkia Airlines said on Thursday it signed a deal with low-cost US carrier JetBlue Airways that would allow its customers to connect on JetBlue flights in the United States and to Latin America and the Caribbean.
Privately held Arkia mainly flies domestically and to Europe, but it launched flights from Tel Aviv to New York a year ago in competition with its larger rival and flag carrier El Al Israel Airlines.
Under the so-called interline agreement, Arkia‘s flight schedule of up to seven weekly non-stop flights to JFK Airport will be linked with JetBlue‘s destination network.
“This agreement adds a significant layer to strengthening Arkia‘s long-haul operations and expanding the range of services for customers travelling to North America,” said Arkia CEO Oz Berlowitz.
Dave Jehn, a vice president at JetBlue, the sixth-largest airline in the United States, said the new partnership with Arkia “allows us to expand our global reach and provides customers with a wider range of destinations and seamless connections between flights.”
El Al also has an interline agreement with JetBlue but a codeshare deal between the airlines ended in October.
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Jewish cuisine in Warsaw, 1938
ס׳איז לעצטנס אַרויס אַ העברעיִשע איבערזעצונג פֿון בני מערס בוך וועגן דעם פֿאַר־מלמהדיקן ייִדישן כאַראַקטער פֿון סמאָטשע־גאַס אין וואַרשע. דאָס נײַע בוך, „מורה דרך: ורשה היהודית 1938“, דינט ווי אַ מין וועגווײַזער פֿאַר ישׂראלדיקע לייענער פֿון יענעם באַרימטן ייִדישן קוואַרטאַל, באַטאָנענדיק זײַנע באַזונדערע מנהגים, מאכלים, לשון, ליטעראַטור, קולטור און רעליגיע. קיין שום פּרט אין בוך איז נישט אויסגעטראַכט – אַ חוץ דעם וואָס דער וועגווײַזער אַליין איז געשריבן געוואָרן הײַנט, און נישט אין 1938. אָט איז אַ טייל פֿון דעם קאַפּיטל וועגן דער ייִדישער קיך אין וואַרשע.
אינעם ייִדישן קוואַרטאַל פֿון וואַרשע געפֿינען זיך נישט קיין באַזונדערע מאכלים. די ייִדן וואָס זײַנען אַהין געקומען האָבן מיטגעבראַכט זייערע אייגענע שפּײַזן, און דערפֿאַר קאָן מען דאָ עסן אַלץ, הכּל-בכּל. נישט אומזיסט האָבן מיר אַ שם פֿון „וואַרשעווער פֿרעסערס“, און אויך איר, טײַערע געסט, וועט נישט אַרויס חלילה הונגעריקע.
טרינקען טרינקט מען דאָ קודם-כּל די בײַערישע ביר „האָבערבוש און שילע“ (וואָס ווערט פּראָדוצירט נישט ווײַט פֿון דער „גמינע“ — דאָס קהילה-הויז — אויף גזשיבאָווסקע גאַס), און דערצו טרינקט מען פֿאַרשיידענע וואָדקעס און ספּירט. לשם מצוות-אכילה עסט מען דערבײַ הערינג מיט ציבעלע, האַרטע אייער, אייער-קיכלעך (זיסע אָדער געזאַלצענע), וואַסער-פּלעצלעך, געפֿעפֿערטע אַרבעס (געלע) און אַ שטיקל פּינטאָשוו קעז. אין די קאָנדיטערײַען און קאַפֿעען גיט מען קרעם-, שאָקאָלאַדע- און עפּל-טשאַסטקעס (קוכנס), ווי אויך לעקעך.
אונדזער קיך האָט אַ שם געמאַכט מיט אירע שבתדיקע און יום-טובֿדיקע דעליקאַטעסן. אויפֿן וואַרשעווער שבתדיקן טיש וועט איר געפֿינען יויך, גענדז אָדער בעפֿשטיק, געפֿילטע פֿיש (כאָטש מיר האָבן ליב אויך ליטוואַקעס, דאָ זײַנען זיי צימעס זיס). שבת אין דער פֿרי עסט מען טשאָלנט (ד״ה טשונט, אויף אונדזער לשון), קישקע און פֿאַרשיידענע קוגלען און קאָמפּאָטן.
יעדן יום-טובֿ האָט זײַנע אייגענע מאכלים. פּורים, למשל, עסט מען יויך מיט קרעפּלעך, געפֿילטע פֿיש, אייער-חלה, קיכלעך פֿון האָניק און צימרינג, מאַנדלען-קיכלעך, המן־טאַשן, אונגערישן ווײַן און מעד. פּסח עסט מען זיסע מצה-מעל-קיכלעך געטונקען אין ווײַן.
פֿײַנשמעקערס וועלן דאָ אויך געפֿינען די פֿראַנצויזישע קיך מיט אַ ייִדישן טעם. אין אונדזער רעפּרעזענטאַטיווסטן קרוין־רעסטאָראַן, „פּיקאַדילי“, וואָס געפֿינט זיך אויף ביעלאַנסקע 5 (טעל׳ 23-116), לעבן טעאַטער נאָוואָשטשי, דערלאַנגט מען אַ גענדזענעם לעבער, געפֿילטע פּאָמידאָרן, געגליווערטן קאַרפּ, שוואַרצן און רויטן קאַוויאַר (פֿון דרײַ זלאָטעס אַ מיטאָג). אין די מער פּאָפּולערע רעסטאָראַנען (ווי די פֿון י’ עלקענבוים אויף סמאָטשע 27, טעל׳ 77-162) באַקומט איר פֿיש מיט קליסקעלעך, וועמפּלעך מיט קישקע, קרופּניק מיט פֿלייש, קאָטלעטן, זופּן, קלאָפּסקאַלעך מיט פֿערפֿל — און אַלץ פֿאַר איין זלאָטע, מער אָדער ווייניקער. אויך די רעסטאָראַנען „יאַגאָדע“ (טווואַרדע 26, טעל׳ 34-205), „A la minute“, אויף דער שוויינטאָקזשיסקע־גאַס 43 43-341), יעקבֿ אַרבעס, נאַלעווקעס 9 – וועט אײַך גאָרנישט שאַטן.
שפּאָרעוודיקע טוריסטן וועלן הנאה האָבן פֿון פֿאַרשיידענע מיטאָגן וואָס ווערן פֿאַרקויפֿט אין פּריוואַטע דירות. געוויינטלעך וועט איר נישט זען קיין שום שילד; די אינפֿאָרמאַציע געפֿינט זיך אין דער צײַטונג „אונזער עקספּרעס“ אָדער אין די מעלדונגען וואָס ווערן געטיילט צו די פֿאַרבײַגייערס. למשל: אַ מיטאָג פֿון פֿיר שפּײַזן מיט קאָמפּאָט קאָסט דאָ נאָר זיבעציק גראָשן (זאַמענהאָף 26, וו. 11).
די וואַרשעווער אָרעמעלייט עסן נעבעך הערינג, אָדער אַפֿילו שילאַווקעס — פּיצלדיקע גערויכערטע פֿיש. שילאַווקעס קאָסטן אַ פּאָר גראָשן, און מע פֿאַרקויפט זיי אין די הויפֿן (זומערצײַט פֿאַרקויפֿט מען אין די הויפֿן אויך פֿרוכטן און גרינס — בפֿרט אַרבוז און אוגערקעס). אויב איר בלײַבט נאָך הונגעריק מחמת חסרון-כּיס, קאָנט איר עסן „שיריים“ אין איינער פֿון די 400 וואַרשעווער שולן און בתּי-מדרשים.
אויך וועגעטאַריער האָבן דאָ וואָס צו עסן. אין „יענע גאַסן“, די גויִשע וואַרשע, זײַנען פֿאַראַן צוויי וועגעטאַרישע רעסטאָראַנען, אָבער אין דער אמתן זײַנען מיר גיכער מקנא די ייִדישע וועגעטאַרישע רעסטאָראַנען אין לאָדזש און ווילנע („וועגאַ“ און פֿאַני לעוואַנדאָס רעסטאָראַן).
ווי עס איז, וועט איר זען און הערן די בייגעלעך־הענדלערס: ייִנגלעך און מיידלעך, און אַמאָל אויך זייערע מאַמעס און טאַטעס וואָס האָבן נישט קיין אַנדערע ברירה ווי אַרויסצוגיין טאָג און נאַכט אין די גאַסן און פֿאַרקויפֿן צוויי ביז פֿינף בייגעלעך פֿאַר צען גראָשן. זײַט אַזוי גוט און קויפֿט-זשע בייגעלעך, איידער די פּאָליציי וועט קאָנפֿיסקירן זייערע סחורה. אין די קריזיס-יאָרן האָבן אַ סך סוחרים באַנקראָטירט, און זייערע קראָמען זײַנען פֿאַרוואַנדלט געוואָרן אין געשעפֿטן פֿון סאָדע-וואַסער אָדער לאָדעס — קויפֿט זשע אויך פֿון זיי.
די וואַרשעווער ייִדן האָבן ליב צו טרינקן טיי – בפֿרט מיט קאַנדל-צוקער און ציטרין, און אַ טיי פֿון אַ גרויסן סאַמאָוואַר איז ממש אַן עונג-שבת. נישט ווייניקער האָבן מיר ליב צו טרינקען קאַווע און זיצן אין קאַפֿעען. „לעצטנס האָט זיך דער מנהג צו גיין אין קאַוויאַרניעס איבערהויפּט פֿאַרשפּרייט אויך בײַ פּוילישע ייִדן,“ שרײַבט ד״ר א. גליקסמאַן, „און פֿיל אַזעלכע ייִדן, וואָס פֿלעגן אין אַמאָליקע צײַטן גיין בטלען אין בית-מדרש — בטלען איצט אין קאַוויאַרניע אויף אַ ציוויליזירטן אופֿן.“(„היינטיגע נייעס“, 13.1.1936).
די קאַוויאַרניעס פֿון דער גוייִשער וואַרשע זײַנען שיין און עלעגאַנט ווי אין אַנדערע גרויסע שטעט אין אייראָפּע. זיי זײַנען קלאַסישע אָדער מאָדערנע, און אויך די קליענטן זײַנען שיינע און עלעגאַנטע. איין חסרון נאָר: זיי האָבן נישט אַזוי ליב אַז מע רעדט ייִדיש, און בפֿרט אויף אַ קול. איז וואָס? איר האָט דאָך צענדליקער ייִדישע קאַפֿעען, ווי למשל די דרײַ קאַפֿע-קאָנדיטאָרײַען פֿון די ברידער סטודניאַ; די קאָנדיטערײַ בומאָוויטש (רינקאָווע 11, טעל׳ 66-405), אָדער פֿלידערבוים (טוואַרדע 26). זיי זײַנען אפֿשר נישט אַזוי פּרעכטיק ווי „אַדריִאַ“ אָדער „בריסטאָל“, אָבער איר וועט זיך דאָרטן פֿילן אין דער היים. ווי זאָגט מען: „וואָס דאַרפֿסטו ריידן גויִיש, מע זאָל זען אַז דו ביסט אַ ייִד?“ אין אונדזערע קאַפֿעען דערלאַנגט מען נישט נאָר פֿריש געבעקס, נאָר אויך לײַכטע מאכלים, ווי למשל הערינג אין אַ זעמעלע פּוטער.
דאָס ייִדישע וואַרשע בענקט אַ ביסל נאָך די אַמאָליקע ליטעראַרישע קאַפֿעען, ווי למשל יחזקאל קאָטיקס קאַוויאַרניע אויף די נאַלעווקעס, וואָס שלום עליכם האָט פֿאַראייביקט אין זײַן „מנחם-מענדל“. אָבער אויך הײַנט צו טאָג האָבן מיר אַ ליטעראַרישן אָלימפּוס: דאָס איז דער בופֿעט בײַ דעם ליטעראַרישן פֿאַראיין, אויף טלאָמאַצקע 13. און וואָס איז שלעכט מיט טרינקען סתּם אַ קאַווע אין רובענטשיק-קאַפֿע, וואָס געפֿינט זיך אין מיטן דער ייִדישער גאָרטן, ד״ה קראַשינסקיס פּאַרק?
****
לאָמיר פֿאַרענדיקן מיט אַ תּפֿילה פֿון אַ וואַרשעווער ייִדענע, אַז דאָס קוגל זאָל איר געראָטן (אויף איר אייגן לשון):
קיגל קיגל יאַך מאַך דיך געטרײַ,
געטרײַ וועל יאַך דיך מאַכן,
מע זאָל אויס מיר נישט לאַכן.
אין אויוון זאָלסטע שטײַן,
אין מויל זאָלסטע צעגײַן,
גיט זאָלסט זײַן ווי יעקבֿ
און רויט ווי עשׂו.
The post Jewish cuisine in Warsaw, 1938 appeared first on The Forward.
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JD Vance continues to minimize right-wing antisemitism as fringe influencers gain ground
(JTA) — Vice President JD Vance again downplayed the idea that conservatives should safeguard their ranks against antisemitism, a week after his ally Tucker Carlson hosted yet another antisemitic conspiracy theorist on his web show.
Vance’s latest brief comments, made Tuesday during an interview with conservative radio host and CNN pundit Scott Jennings, came in response to Jennings asking, “Does the conservative movement need to warehouse anybody out there espousing antisemitism in any way?”
“No it doesn’t, Scott,” the vice president replied, toward the end of their interview.
Vance continued by asserting that conservatives, drawing on Christian influences, were welcoming of all backgrounds.
“I think we need to reject all forms of ethnic hatred, whether it’s antisemitism, anti-Black hatred, anti-white hatred,” he said. “And I think that’s one of the great things about the conservative coalition, is that we are, I think, fundamentally rooted in the Christian principles that founded the United States of America.”
He added, “And one of those very important principles is that we judge people as individuals. Every person is made in the image of God. You judge them by what they do, not by what ethnic group they belong to.”
Vance’s comments follow a series of similar remarks by the vice president over the past month as major right-wing groups such as Turning Point USA and the Heritage Foundation grapple with the growing influence of Nick Fuentes and other openly antisemitic forces. Vance has also indicated his own skepticism in the U.S.-Israel relationship and stated that stopping immigration is the best approach to fighting antisemitism.
One Jewish conservative analyst still employed with Heritage — after a slew of employees left for a competing group — criticized Vance’s latest comments.
“Need a better answer from @JDVance on why the conservative movement should not tolerate antisemitism than what is effectively the equivalent of @TheDemocrats’ ‘…and Islamophobia’ response,” Daniel Flesch, a Heritage policy analyst for the Middle East and North Africa, posted on the social network X.
Flesch referenced his contention that Democratic leaders’ stock answer to addressing antisemitism is that it must be paired with addressing Islamophobia, rather than treated as its own unique problem.
Among Jewish conservatives’ biggest areas of consternation within the party right now: Carlson, the media figure who has platformed Fuentes and other conspiracy theorists while also maintaining close ties with Turning Point, Heritage and Vance himself. This week in Israel’s Knesset, a lawmaker in Prime Minister Benjamin Netanyahu’s Likud party denounced Carlson and fellow podcaster Candace Owens by name in an English-language speech.
Last week Carlson continued to fan the flames by hosting Ian Carroll, a conspiracy theorist who has proclaimed “Israel did 9/11”; that “Israel did their best to embellish and enflame the history books” on the Holocaust; and that sex trafficker Jeffrey Epstein was “working on behalf of Israel.”
Carroll has made inroads in the conservative media sphere for a while. He appeared on Joe Rogan’s mega-popular podcast last year and, in 2024, moderated a campaign event for then-presidential candidate Robert F. Kennedy Jr., today President Donald Trump’s secretary of health and human services. Carroll’s appearance on Carlson’s show came after both Trump and Vance refused to denounce Carlson for his friendly interview with Fuentes last year.
In their Jan. 2 interview, Carroll and Carlson primarily discussed the 2017 mass shooting at a music festival in Las Vegas. Carroll shared numerous conspiracy theories about the events of that evening, during which the shooter also fired rounds at a jet fuel tank stored at a nearby airport.
“And then there’s things happening at the airport that are strange, that there’s some shooting happening at the airport. So it’s like, is this a gang war between the Italian mob and the Jewish mob? Is this a CIA operation that went wrong?” Carroll muses at one point. “Is this, like, a Mossad operation? Any of those things would need to fit the facts.”
Carroll continued, “In lieu of enough facts, you can try to fit a perpetrator to the facts and invent explanations that will work.”
Later in the interview, Carlson muses about Carroll directly to him, “I’ve never seen anybody come to prominence faster, ever, in our world. And that’s led to a lot of speculation that you’re, like, a CIA officer in disguise.”
Carroll then offers, “Or I’m like, Mossad.”
To which Carlson concludes, “My personal explanation is you’re just an amazing explainer and a diligent researcher, and you’re really interested in what’s true. And those are the three qualities that make a successful person in our world.”
The post JD Vance continues to minimize right-wing antisemitism as fringe influencers gain ground appeared first on The Forward.