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Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her
(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).
On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.
Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.
“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”
That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”
In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.
“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”
“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”
Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.
Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.
The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.
“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”
Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)
A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.
Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.
“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”
In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful.
Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam.
The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old.
Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.
“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.
While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.
“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.
Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.
“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”
Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.
She told him, “This is your daughter Anne’s legacy.”
In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell.
Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.
“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”
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As Trump officials cozy up to Germany’s far right, everything alt is neu again
In the 1930s, American Nazis looked to Berlin for inspiration. The German-American Bund held torchlit rallies in New York, slandered Jews, preached white supremacy, and sent their children to Hitler Youth-style summer camps for indoctrination — all in service of importing the Führer’s vision to U.S. soil.
Nine decades later, the current is flowing in reverse, as Germany’s far-right Alternative für Deutschland (Alternative for Germany) party makes pilgrimages to Washington, D.C. — at the invitation of Trump administration officials who see the German party as unfairly ostracized.
This September, two top AfD figures met with staff from Vice President JD Vance’s office and with State Department employees. Later that month, more AfD parliamentarians arrived in D.C., where they conferred with Darren Beattie, a former Trump speechwriter now embedded in the State Department.
Over the past several months, the Trump administration has, in effect, taken the AfD under its wing. Trump’s MAGA movement and the AfD both cast themselves as defenders of a civilization threatened by nonwhite outsiders, and both have tolerated displays of antisemitism from operatives within their ranks.
At Trump’s Jan. 20 inauguration rally, Elon Musk made a gesture resembling a Nazi salute and declared, “My heart goes out to you. It is thanks to you that the future of civilization is assured.” Musk later denied any Nazi intent. But he raised eyebrows again when he appeared remotely at an AfD campaign rally in Halle, Germany, in February, where he praised the party as “the best hope for Germany” and urged citizens to “move beyond” their country’s Nazi past.
At the annual Munich Security Conference in mid-February, Vance rattled America’s European partners by saying democracy in Europe was threatened not by populist parties like the AfD, but by governments’ refusal to treat them like legitimate political actors. Vance added insult to injury by having a private meeting with Alice Weidel, co-leader of the AfD, before returning to the states.
This chummy relationship between the Trump administration and a German political party that has been designated an extremist organization by German intelligence presents a sort of reverse mirror image of the state of affairs between the two countries back in the 1930s.
Let’s set the time machine back to July 18, 1937, and the location to a summer camp in New Jersey — Camp Nordland. Operated by the German-American Bund, it wasn’t just a retreat; it was a staging ground for fascist pageantry. Swastika flags flanked the entrance. Uniformed men marched in formation. Children sang songs of Aryan pride. Politicians and Bund leaders gave speeches praising Hitler’s vision and denouncing Roosevelt’s “Jewish government.” It was America’s own slice of the Reich, nestled in the woods of Sussex County.
Camp Nordland was not an isolated hive of American-style Nazism. There were about 200 other camps like it, stretched across the nation.
The Bund’s rallies were near-perfect replicas of Nazi spectacles in Germany, none more brazen than the one held at Madison Square Garden on Feb. 20, 1939. More than 20,000 people packed the arena as uniformed men and women marched down the aisles in Nazi-style regalia. Swastikas flanked a towering portrait of George Washington. The crowd raised stiff-arm salutes as Bund leader Fritz Kuhn took the stage and declared, to roaring applause, that “the Jew is one thousand times more dangerous to us than all the others” and that the government must be “returned to the American people who founded it.”
The Bund’s dream of an American Reich collapsed soon after. Kuhn was convicted of embezzlement. The FBI cracked down. World War II made their allegiance to Hitler politically toxic. Camp Nordland was raided and shut down in 1941. But the ideology didn’t die — it went dormant, and it is resurfacing on both sides of the Atlantic.
Following the AfD’s September visits to Washington, Trump adviser Alex Bruesewitz traveled to Berlin in November, calling the AfD members of the Bundestag and party supporters “bold visionaries.”
“We are in this together,” said Bruesewitz, according to Politico. “The forces arrayed against us aren’t just ideological opponents, they’re manifestations of evil, seeking to extinguish the light of faith, family and freedom.”
“This spiritual battle isn’t confined to the United States,” he continued. “Oh, no. Germany and America may be separated by thousands of miles of ocean, but we face the same exact enemies, the same threats, the same insidious forces trying to tear us down.”
A month before Bruesewitz’s trip to Berlin, two AfD lawmakers were treated to a private reception in Manhattan, where an opera tenor serenaded them with the first stanza of “Deutschland über Alles” — a verse officially excluded from Germany’s national anthem and widely considered taboo for its Nazi associations, according to a Reuters report. The event was hosted by the New York Young Republican Club, a chapter of the national Young Republican Federation. Notably, a fall exposé by Politico revealed leaked Telegram messages from Young Republican leaders in multiple states, in which members praised Hitler, joked about gas chambers, slandered Jews and Black Americans, and fantasized about violence against political opponents.
All of this raises the question: Is there any danger in this transatlantic camaraderie between Trump’s MAGA movement and the AfD? Probably more so for Germans than for Americans.
The AfD has become a powerful player in German politics since its emergence just twelve years ago, rising from a fringe Euroskeptic movement to a dominant force — especially in the former East, where economic dislocation and cultural resentment have fueled its ascent. While Germany’s mainstream parties have steadily shed voters, the AfD has gained them. Of the Bundestag’s 630 seats, the AfD now holds 152, making it the second-largest delegation in the federal parliament. And yet, despite its electoral strength, the AfD remains politically isolated: Germany’s mainstream parties have refused to cooperate with the AfD on legislation or coalition-building.
The AfD hopes its courtship of Trump and his MAGA movement will increase pressure on Germany’s governing Christian Democrat–Social Democrat coalition to dismantle the firewall that has kept it politically isolated. Doing so wouldn’t just amplify the AfD’s influence — it could clear a path for the party to join a future governing coalition. To many Germans, this scenario evokes chilling memories of how Hitler rose to power: not by winning outright, but by exploiting the weakness and fragmentation of mainstream parties.
The AfD insists it is not a threat to democracy, despite being officially designated a “confirmed right-wing extremist” organization by Germany’s domestic intelligence agency in May. Party leaders call the label a smear, an attempt to silence dissent. That view has found defenders across the Atlantic. Secretary of State Marco Rubio condemned the designation as “tyranny in disguise.”
It could be argued that in some ways, what many Germans fear for their country has already happened here. In Germany, far-right ideologues are still waiting to enter government. In the U.S., they’re already inside — drafting policy, staffing agencies, shaping foreign alliances. What Germany still treats as a red line, America has already normalized.
The post As Trump officials cozy up to Germany’s far right, everything alt is neu again appeared first on The Forward.
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Some Black Jews feel more ostracized from Jewish communities post-Oct. 7, survey finds
Growing up as a Black woman in the South with a Jewish father, Autumn Leonard often felt like “an outsider looking in” on Jewish communities. She wasn’t raised particularly Jewish, and her Black and Jewish identities felt disconnected from each other — as if she had to choose one.
But after she married a Jewish man and wanted to raise Jewish children, she sought out ways to engage more deeply with her Jewishness. She found groups that affirmed both of her identities, chairing the “Race Working Group” at the progressive Brooklyn synagogue Kolot Chayeinu and becoming a lead organizer with the Black Jewish Liberation Collective.
“That made me feel like, Oh, Jewish is something I can be — as opposed to something over there that comes from my ancestors,” Leonard said.
After the attacks of Oct. 7, however, Leonard said she began to notice a shift. Jewish communities seemed more inward-looking, she said, with a heightened focus on combating antisemitism and a retreat from commitments to racial justice. She began hearing stories from Black Jews who felt increasingly sidelined or isolated.
So she set out to gather empirical evidence to test her hunch.
The result was a survey conducted through the Black Jewish Liberation Collective, a progressive group that connects Black Jews for political organizing and cultural events. The group circulated the survey beyond its own membership and received 104 responses from a geographically diverse group — most from New York state, but also with respondents in Canada, Portugal and the United Kingdom. Participants were between 21 and 75 years old and reported a range of religious observance levels, from just ethnically Jewish to Orthodox. Responses were collected between October 2024 and January 2025.
The survey — which represents a tiny subset of the estimated 1% of U.S. Jews who identify as Black — found that 62% of respondents reported “increased marginalization” in a Jewish community or space after Oct. 7, 2023.
Those feelings of ostracization largely had to do with disagreements around Israel and Gaza, according to the survey. While survey participants generally identified as more left-leaning on the Israeli-Palestinian conflict, respondents on both sides of the political spectrum said they felt alienated.
In Jewish spaces, some respondents felt they were assumed to be more sympathetic to the Palestinian cause because of their race. Meanwhile, in progressive spaces, some Black Jews felt they were assumed to be Zionist because of their Jewishness.
“I do feel some kind of internalizing shame where I am more careful around the ways that I share my Jewishness in non-Jewish spaces,” one survey respondent wrote. “I resent the ways that Zionism is conflated with Jewishness, and the ways I have to extricate [or] preface that.”
According to Leo Ferguson, a member of the Black Jewish Liberation Collective’s steering committee, another troubling post–Oct. 7 trend is that people who voice criticism of Israel are increasingly labeled “fake Jews.” Black Jews often already face that accusation because of their race — and adding political litmus tests, he said, only intensifies the problem.
“What I have witnessed is more scrutiny of Black Jews. There is an ongoing question as to whether or not we will stand up and be ‘real Jews’ which means aligning with whoever’s politics is judging us,” one survey participant wrote.
Compounding these trends, some Jewish institutions have shifted away from the idea that advocating for a broad range of minority groups also benefits Jews, focusing instead on antisemitism linked to Israel. Just last month, the Anti-Defamation League entirely removed from the “What We Do” page of its website a section called “Protect Civil Rights” amid threats from the Trump administration. Although that change occurred after the survey was conducted, some respondents already saw the trend emerging.
“The way in which much of [the] Jewish community has turned from barely doing antiracism work wholly toward Israel and self-protection is so discouraging, especially as the racism within Jewish community is so severe,” one survey respondent wrote.
The survey offers recommendations based on the survey’s findings, including welcoming ideological diversity in Jewish spaces; having a time and place for Israel discourse, rather than letting it “bleed into all aspects of Jewish life”; and maintaining connections between Black and Jewish advocacy groups even if they disagree on issues surrounding conflict in Gaza.
“The discussion around Israel Palestine has taken up so much of the oxygen that it has made it impossible to then also talk about things like racial justice,” Ferguson said.
The post Some Black Jews feel more ostracized from Jewish communities post-Oct. 7, survey finds appeared first on The Forward.
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Hasan Piker Bashed Gal Gadot in Villainous ‘Variety’ Feature
Hasan Piker. Photo: Wikimedia Commons
In case you missed it, The New York Times recently did a fawning profile on popular Twitch streamer Hasan Piker, in which it mentioned, only in passing, that he once said America deserved 9/11. The article didn’t mention that Piker said he supported Hezbollah or that he took every chance to vilify Israel. It didn’t mention that he interviewed someone who he said was a member of the Houthis, only to later say he wasn’t.
Now comes an article in Variety by Tatiana Siegel, who uncritically lets Piker says his statement about 9/11 was about “blowback” and doesn’t push any further, accepting this nonsense that his own words were “weaponized” against him.
Siegel is more interested in writing that Piker is 6’4″, muscular, and plays basketball, instead of writing about how he interviewed a Houthi and vibed with him. Why get into any of that stuff? It’s much more important for Siegel to repeat a line from the Times article, as if it was her own, that Piker could be a possible answer to when the left-wing will find its own Joe Rogan. Maybe if they repeat it, suddenly Piker will be the next Joe Rogan!
Siegel tries to cast Piker as a moderate, because he disagrees with the insane conspiracy theory that Israel killed Charlie Kirk.
Siegel also interviews Taylor Lorenz. Yes Lorenz, the fool who said she felt joy when she heard news of the murder of United Health Care CEO Brian Thompson. Lorenz, who in televised interviews has said she thinks Piker is hot, and says the entire Internet has been weaponized against him. I doubt she’d be so quick to say this if Piker was unattractive.
Of course, Siegel is uncritical of Piker for saying that Amy Schumer should be cancelled, though she at least points out he falsely attributes a statement to Schumer that she never made.
But the kicker is Piker’s disdain for Gal Gadot, who has been a very vocal supporter of Israel. Piker likes his Jews quiet and embarrassed. He calls Gadot a “dogs**t actress” and complains of her normalizing Israel. I don’t remember Piker being a film critic — and of course no one talks about how Piker normalizes antisemitism. Good thing they got a writer with a Jewish-sounding last name to write a puff piece.
As Norman Finkelstein said when speaking about what Zohran Mamdani needed to do to fight off charges of antisemitism (which of course Finkelstein thought were fake) — people like this need to find Jews to do the “dirty work.”
Jewish actress Natalie Portman is okay, according to Piker, because she never served in the IDF. The Jewish actor who plays Superman is fine, because he’s not pro-Israel from what he’s seen. Who’s the Jewish influencer who says which Muslim actors are okay to watch in movies or not?
Oh, that’s right, there is none, as that would be seen as Islamophobic. But Piker gets another free pass to spew his hatred.
The article could not be complete without a little “Jews control the media” implication, as Piker criticizes Bari Weiss because she represents everything he “despises about access journalism.” Of course, Siegel doesn’t bother to mention that Piker got his career from his uncle, Cenk Uygur, founder of the Young Turks, one of the most noteworthy left-wing YouTube channels, for which Piker used to work. And there’s no mention of Weiss’ courage to quit the New York Times to start The Free Press. Because when Jews succeed, it can’t have anything to do with merit — it must be that they all help each other!
The writer could have asked about the Piker controversy surrounding his dog for which he’s received immense criticism, but I wasn’t shocked she didn’t mention it. That might get in the way of him being the next Joe Rogan!
The article ends with Piker saying he doesn’t have bodyguards, citing Fidel Castro who claimed to have a moral vest.
The article is good for only one thing — pointing out how much the media hates the Jews.
The author is a writer based in New York.