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Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her
(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).
On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.
Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.
“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”
That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”
In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.
“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”
“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”
Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.
Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.
The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.
“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”
Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)
A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.
Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.
“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”
In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful.
Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam.
The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old.
Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.
“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.
While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.
“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.
Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.
“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”
Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.
She told him, “This is your daughter Anne’s legacy.”
In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell.
Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.
“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”
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Kentucky Gov. Andy Beshear criticizes Gaza ‘genocide’ discourse ‘litmus test’ for Democrats
(JTA) — Kentucky Gov. Andy Beshear declined to label Israel’s actions in Gaza as “genocide” in an interview with Politico published Sunday, instead critiquing the question as a litmus test among Democrats.
“That’s becoming one of those new litmus tests that we said we would never do as a party again,” Beshear told Politico’s Dasha Burns after being asked if he agreed with the label. “It’s trying to throw out a word and, ‘Are you going to raise your hand or are you not going to?’”
Beshear is the Democratic governor of a solidly red state and a potential 2028 presidential contender. His remarks come as Democratic candidates increasingly grapple with their stances on Israel amid record low support for Israel among its base.
While several lawmakers, including Vermont’s Jewish Sen. Bernie Sanders, an independent, have called Israel’s actions in Gaza a “genocide,” the label has not gained mainstream support in the Democratic party. Last October, former Vice President Kamala Harris declined to use the “genocide” label, which Israel had long rejected, but said, “We should all step back and ask this question and be honest about it.”
Some Democrats have embraced the question, with a New York congressional candidate telling the leftist streamer Hasan Piker this week that she is “100%” comfortable with the issue serving as a litmus test in her party.
Others have acted as though the litmus test is already in place. In January, for example, California congressional candidate Scott Wiener announced that he believes Israel’s actions in Gaza constitute a genocide after drawing scrutiny for declining to answer the question during a debate.
While Beshear told Burns that Israel “has the right to exist as a democratic country, as a Jewish country,” he added that he feelings about President Donald Trump and Israeli Prime Minister Benjamin Netanyahu’s conduct during the war in Gaza and ongoing war in Iran were “a different thing.”
“I believe the United States needs a strong Israel, but not one with decisions being made in the way that Netanyahu is making them,” Beshear said.
Beshear also critiqued President Donald Trump’s response to the crisis in Gaza.
“I believe that it could have been done without a lot of the suffering, but I put a lot of that blame also on Donald Trump,” he said. “If he’d said we are coming in and we are bringing food and aid and you are going to make sure that we’re safe, it would’ve happened.”
Last week, a spokesperson for Beshear told Politico that “AIPAC has never contributed to Governor Beshear and they’re never going to — ever,” a response that dovetailed with a host of other potential Democratic presidential candidates, including California Gov. Gavin Newsom, who are increasingly distancing themselves from the pro-Israel lobby.
“I think that’s up to each and every Democrat,” Beshear answered when asked whether he thought his fellow Democrats should take money from AIPAC.
“In the end, I think people need to be clear about their stance on these issues,” Beshear said. “And for me, it’s one where I believe that we need a future with an ally in Israel. But we need decision makers there that are not acting the way that Netanyahu is and we need a president that will push when we are seeing humanitarian crises to actually do something about it.”
This article originally appeared on JTA.org.
The post Kentucky Gov. Andy Beshear criticizes Gaza ‘genocide’ discourse ‘litmus test’ for Democrats appeared first on The Forward.
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Passover’s 4 cups of meaning
What if the answer to the ‘Meaning Crisis’ is sitting right in front of us, around our Passover tables?
The Meaning Crisis is a term coined by philosopher John Vervaeke to discuss the constellation of mental health, political and cultural crises that, in his words, derive from people “feeling very disconnected from themselves, from each other, from the world, and from a viable and foreseeable future.” It is, Vervaeke argues, at the root of such seemingly disparate phenomena as the opioid crisis, the rise of right-wing nationalism, and off-the-charts reports of despair and anxiety, particularly among young people.
There are at least two meanings of ‘Meaning’ in this context.
First, over the last few hundred years — but especially in the last few decades — there has been a rapid erosion of the structures and communities that gave human lives meaning for hundreds, if not thousands, of years. Traditional religious values and structures are far less coherent, attractive or attainable. Familial and communal structures have rapidly shifted. Fewer and fewer of us live in the places where we grew up, surrounded by extended family. The civic bonds many of us once took for granted are frayed as we fundamentally disagree about what American democracy even means. And in the last few decades, the atomizing effects of technology have made us more isolated from one another, with less in-person human contact and even less physical intimacy.
This is also a literal crisis of meaning: who we are, how we understand our world, the concepts by which we organize our lives — all of these are rapidly changing, and with the potential of AI to reshape our economic order and wipe out half of white-collar jobs, it’s possible we ain’t seen nothing yet.
Some of these changes are for the best. To take one personal example, the word ‘marriage’ connoted a very specific form of social arrangement for hundreds of years: a man, a woman, a lifelong union blessed by a religious authority, and the raising of children. The parameters of marriage were never as stable as traditionalists like to claim — just look at our biblical ancestors polygamous marriages, or the deeply unequal access and expectations around extramarital sex stretching through the Mad Men 1950s. But with the progress in women’s rights (e.g. not being considered the property of their husbands, being able to have careers) and LGBTQ equality, obviously the nature and rates of marriage have changed significantly. As someone in a same-sex marriage, I’m very grateful for that.
But it is still a change, and, together with other transformations, it has challenged some traditional notions of masculinity, leading to a resurgence of misogynistic, hyper-conservative models in the so-called ‘manosphere.’ And that’s but one example of many.
In this context — the meaning crisis and the reactionary responses to it — I find the observance of Passover, and the Passover Seder in particular, to be a much-needed antidote to disorientation on one hand, and oppressive traditionalism on the other.
Fittingly, for a holiday obsessed with the number four, I want to explore this in four ways — if you like, the Four Cups of Meaning that can be part of the Passover Seder.
1) Community
For many people, gathering with families of origin can be extremely stressful in our politically polarized time. It was bad enough when it was just the proverbial ‘racist uncle’ we had to endure at Seders. He might’ve been annoying, but he could also be ignored. Now, however, even well-meaning, sincere and committed Jews passionately disagree over a number of subjects, especially a certain country (or two) in the Middle East.
Yet there is a profound value gathering as a family — even as a tribe — and feeling a sense of kinship and belonging to it. Despite real and painful differences, Jews congregating together are connecting to a heritage and an ancestry that cannot be taken away by those who seek to put us outside the tent. That is something very old and very rich. You are not an atomized, isolated individual, separate from a history and a people and a tradition — a tradition which specifically includes the value of disagreement, argumentation and wrestling with the divine.
2) Centering our core values
Within the Jewish family, there are radically different iterations of core values. For me, the meaning of the Exodus is that oppression, slavery and injustice are morally wrong in the highest possible sense. As Exodus 23:9 teaches, “Do not oppress the stranger, for you know the heart of a stranger, for you were strangers in the land of Egypt.” From our experience of oppression — real, imagined or historically projected — we extrapolate the emotional and ethical value that it is wrong to oppress those who are different from us.
I know others have different views — for example, that the story of the Exodus is centrally about something that happened to our tribe, and that our group must never allow to happen to us again. But in terms of the meaning crisis, the debate is part of the solution. We are called at the Passover Seder to discuss the meanings of freedom, to reenact in our lived ritual experience the passage from servitude to liberation.
And not only that. We are invited to cultivate gratitude — in the Dayenu song and elsewhere — for all the blessings around us. We are invited, over and over again, to value questioning, curiosity, even challenging the texts of the Haggadah that for many are the very foundation of the Seder. These values are placed at the center of the Passover symposium. And while we disagree about how these questions are to be answered, just asking them is a retort to the emptiness and nihilism of so much of online culture and political cynicism. Values matter.
3) The power of myth
Human beings are creatures of story. Some linguists believe that it is in the telling of stories that human language itself — and thus human consciousness — evolved. Personally, I don’t regard the biblical narrative as a historical document; I see it as a shared myth of national self-creation, one which we can embody in ritual — in what the scholar of religion Clifford Geertz called “deep play.”
Sometimes the play is quite literal. Last year, my friend Shoshana Jedwab, a marvelous Jewish educator, led a bibliodrama performance in which, drawing from Sephardic traditions, we whipped one another with scallions to mock the servitude of Egyptian slavery. It’s fun (and worked really well with my eight-year-old) but it’s also a way of making myth into embodied, living experience. The myths, and their reenactment, bring us into intimacy with the past.
But ritual play may take many forms. Why do we dip our vegetables twice? Why the charoset? Why the orange on the seder plate? Why this? Why that? The inquisitiveness of the Four Questions is modeled by the youngest participant of the seder, but is invited on behalf of all of us. These often inscrutable, embodied, crunchy, weird rituals connect to the myth of the Passover story and make it alive in a way that mere retelling could never do.
As you prepare for your own seders, I invite you to create your own questions based on the themes embedded in the order of the Seder. And to lean into the weird. Which brings me to the final cup of meaning:
4) The non-rational
Passover, like many Jewish holidays, has multiple layers — seasonal, agricultural, mythic — and they all mash together in an often strange, and often charoset-like, mixture.
Particularly this year, the non-rational, emotional, and spiritual content of the Seder feels resonant for me. I cannot sequester the grief I feel at the crumbling of the American experiment in multicultural democracy, or at the ascendant far right in Israel. I feel perhaps a little closer to that pre-redeemed consciousness of my mythic ancestors in the land of Egypt. I am certainly not enslaved, but I do feel the sense of precarity that the Seder invites us to cultivate.
And so I find myself yearning for a miraculous deliverance — maybe not one involving frogs, lice, and boils, but from some unknown, mysterious, sacred source. Perhaps salvation will come from what we do not know. Perhaps there is room for a desperate hope, despite ample reasons not to hope.
As the Hasidic masters noted (and for a wonderful presentation of this, consider downloading the ‘Four Cups of Consciousness’ Haggadah supplement created by the Jewish psychedelic organization, Shefa), the Passover Seder is in large part about consciousness change: using the four cups of wine, the emotional arc of the seder, and the long night of singing, arguing and talking over a festive meal that stretches to midnight to shift our consciousness and open us to the possibility of internal freedom, even when external circumstances are antithetical to it.
This is the freedom of which Viktor Frankl wrote. And while we are a long way from what Frankl endured, I would submit that part of the invitation of the Seder is to imagine the consciousness of freedom even when that freedom is threatened — to be in solidarity with those being oppressed as we gather for our lavish meal, reclining on real or metaphorical cushions and drinking cups of wine, and to hold those two sides together. To know that, as the Haggadah relates, there have always been threats to our physical and spiritual safety. And while our physical freedom can indeed be restricted — and has been — we retain the capacity for ethical and spiritual freedom even in circumstances far worse than our own.
This is the ultimate meaningfulness: that in a time when the structures and language that give our lives meaning are threatened, we can resist the slide to nihilism and despair. And the Seder is a celebration of doing so.
The post Passover’s 4 cups of meaning appeared first on The Forward.
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Tensions flare at Passover Seder over Mamdani’s inclusion
(JTA) — New York City Mayor Zohran Mamdani was briefly interrupted by a heckler during an appearance at a Passover Seder in Manhattan Monday night, marking a tense moment that highlighted ongoing strains between the mayor and segments of the Jewish community.
“The rising tide of antisemitism has caused enormous pain for so many Jewish New Yorkers. Doors are locked that used to be open, routine subway journeys felt fraught, synagogues that once felt like sanctuaries now require armed protection,” Mamdani said before he was interrupted by an individual in the back of the room who stood and shouted, “Every Jewish organization is a target.”
Attendees responded with a blend of shushes and a single voice shouting, “Stop the xenophobia, let him speak.”
“This is New York City, and we love to be here,” Mamdani said as the audience erupted in cheers. “I say it because we know that if there was complete decorum anywhere that we were, then we would have to ask ourselves if we had left the city that we love, and it is important to be here and to acknowledge that this is what it means to love and to lead the place that we call home.”
The episode, which took place at Jewish entrepreneur Michael Dorf’s annual seder at City Winery in the Meatpacking District, comes as Mamdani has faced scrutiny from segments of New York’s Jewish community over his responses to antisemitic incidents and continued alignment with pro-Palestinian activists.
“I have to say I didn’t vote for him,” one male attendee, who asked to remain anonymous for his privacy, said following the seder. “I have certain feelings about him that I think a lot of other people have, but that’s neither here nor there. But that was kind of surprising that a couple of people kind of went out of their way to heckle.”
While the mayor has previously marked Jewish holidays with Jewish leaders and organizations aligned with him on his criticisms of Israel, the event at City Winery involved a lineup of speakers and attendees with differing views.
“Mamdani was here, which is great, yeah, I guess, because he knows at the seder, you lean to the left,” joked comedian Olga Namer later in the evening. “A little bit about me, I’m a Syrian Jew, yes, so that’s good, because I know, at least I’m confident, that Mamdani likes half of me.”
Ahead of the evening, which also featured addresses by former CNN anchor Don Lemon, Israeli musician David Broza and Rabbi Amichai Lau-Lavie of the non-denominational Lab/Shul, observant Jewish comedian Modi Rosenfeld announced that he had cancelled his appearance, claiming that he had been unaware of the mayor’s inclusion.
“We were not told Mamdani was participating in this event until today,” Rosenfeld’s team said in a statement on Instagram following criticism from pro-Israel activist Shai Davidai. “Modi will no longer be participating.”
Davidai, the former Israeli business school professor at Columbia University, took aim at the Israeli participants in the seder, writing in a post on Instagram, “This is why we’re losing.”
“I have nothing against any of these individuals, but I do have a problem with giving Mamdani a kosher stamp of approval while so many of us are out in the streets fighting against is anti-Jewish and anti-Israeli policies, actions, and rhetoric,” Davidai wrote in an updated caption announcing Modi’s cancellation.
City Council Speaker Julie Menin, who has been seen as a counterweight on Mamdani, used part of her remarks to highlight the passage of her “buffer zone” legislation for religious institutions, which were introduced after a pro-Palestinian demonstration outside of Park East Synagogue in November.
“We all should be able to worship or not worship as we see fit,” Menin said. “We all should be able to go into, whether it’s a synagogue, a church, a mosque or any house of worship, freely without intimidation and harassment, so I’m very proud that we were able to pass this bill.”
Mamdani has not confirmed whether he will sign the legislation, with a spokesperson telling the Jewish Telegraphic Agency that he “wants to ensure both the right to prayer and the right to protest are protected here in New York City.”
Former Comptroller Brad Lander, who is currently running for Congress in New York’s 10th Congressional District, joked during his remarks late in the evening that he “did not tell the mayor that we were doing a live reenactment of the four sons during his speech,” making a tongue-in-cheek reference to a core element of the Passover haggadah.
“He gets heckled and, you know, and it kind of goes along with the territory, I thought he dealt with it very gracefully,” Lander told JTA. “As a lot of people said in here tonight, not everyone in that room agrees with each other.”
Indeed, at the conclusion of the seder, several attendees said that they were not aware that the mayor was slated to appear — and questioned his understanding of the holiday’s core narrative.
“If City Winery did not inform people of the politicians in particular, because he’s very polarizing, to have him up there really upset people,” said one attendee, who requested anonymity because she had participated as a private individual. “It feels inauthentic to have him speak about matzah or Judaism, when the whole holiday is about Jews that were enslaved by Pharaoh and then went back to the homeland of Israel.”
This article originally appeared on JTA.org.
The post Tensions flare at Passover Seder over Mamdani’s inclusion appeared first on The Forward.