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Documentary explores the ‘Talmudic’ relationship between writer Robert Caro and his famous longtime editor

(New York Jewish Week) — Bob Gottlieb, who as editor-in-chief of Simon & Schuster, Alfred A. Knopf and The New Yorker ushered into print some of the 20th-century’s most accomplished writers — Nora Ephron, Toni Morrison, Salman Rushdie, John Cheever and Ray Bradbury, to name a few — believes editing is a service job, one that should go unnoticed by the reader. 

And yet, it is the relationship between editor and writer that his daughter Lizzie Gottlieb, a documentary filmmaker, explores in her latest film, “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb,” which premiered at the Tribeca Film Festival in 2022 and is now screening at theaters across the country. 

Lizzie’s documentary sets out to explore the sometimes tense but ultimately caring relationship between her father, Bob, and one of his longest running authors, Robert Caro, who over the course of 50 years has produced “only” five major books: “The Power Broker,” a classic biography of urban planner Robert Moses, and four volumes of “The Years of Lyndon B. Johnson.”

Jews born and raised in Manhattan, Caro and Gottlieb have worked together since Gottlieb helped cut 350,000 words out of the first draft of “The Power Broker,” bringing it down to a book that ultimately ran 1,338 pages when it was published in 1974. 

The thing they squabble over most often? Semicolons, still. Or, maybe, Caro’s overuse of the word “looms.”

The film, seven years in the making, takes on the ways Moses shaped New York City, the mysteries of LBJ’s political power, the sausage-making of bestselling books and the idiosyncrasies of two workaholics. It is also a story of two now elderly men — Caro is 87, Gottlieb is 91 — in what Bob Gottlieb calls an “actuarial” contest to finish Caro’s highly anticipated fifth volume of his Johnson biography. 

“My dad and I are very close. We’re in constant contact with each other. If something funny happens, I call my dad. If something sad or confusing happens, I’ll call him. We’re just in each other’s lives all the time, so I didn’t feel that there was a secret I needed to uncover or something unexamined in our relationship,” said director Lizzie Gottlieb, who also teaches documentary filmmaking at the New York Film Academy. 

“But the one thing I really knew nothing about in his life was his relationship with Bob Caro,” she said. “Because it was so different from anything else, and it was so kind of private. So really, the whole movie is the process of me understanding something that I didn’t understand before.” 

The New York Jewish Week recently caught up with Gottlieb to talk about the making of the film, what it was like growing up in a high-profile family and how Jewishness impacts the work of the two men.

This interview has been lightly edited for length and clarity.

Lizzie Gottlieb is a documentary filmmaker who previously directed “Today’s Man” (2008) and “Romeo Romeo” (2012).

New York Jewish Week: You’ve been working on this movie for seven years. When did you realize you needed to make this movie and how did it get from start to finish?

For a long time, people would say to me, “You should make a film about your father.” I have an incredible father. He’s done a lot of great things. He’s interesting and funny. But I just thought, a film whose message is “look how great my dad is” is not a movie that anybody wants to see. 

And then my father was given some award and Bob Caro was presenting the award. Bob Caro gave a speech about working with my dad over what was then 45 years. He talked about how he needs him, and he respects him and how they’re so productive. Then he started talking about their arguments. Somebody in the audience asked what they fought about and he said, “We have very different feelings about the semicolon.” Everybody erupted into laughs and it just hit me like a bolt of lightning. I thought, “This is the movie, this is the story.”

I wanted a story that had forward momentum and had something big at stake. A film about two men in their 60s who had done a lot of great stuff is not that interesting. But a film about two men who are hovering around 90 and are still in it, and engaged in their work, who have a dedication and passion and are in a race against time to finish their life’s work, felt really, really compelling to me.

People say, “Are you sure you should be wasting [Caro’s] time with a movie? He needs to be writing.” My producer Jen Small said we should put on the poster, “No Lyndon Johnson books were harmed in the making of this film.”

Do you think you had a perspective that made you the best person to try and talk about their relationship and document it, or was it challenging to make the leap of them being willing to open up to you?

There was definitely a pursuit of them. I called my father and I was like, “I have the best idea ever. I’m going to make a film about you and Robert Caro.” He said, “No way. Absolutely not. Never. It would not be good for our relationship.”

I just kept pestering and pestering and pestering him. Finally, he said I could call Bob Caro but he would say no and of course Bob Caro did initially say no. Then he said that he’d seen another film of mine and I could come and speak to him. Eventually, Caro said, “I’ve never seen a film about a writer and an editor, and I think this could be meaningful. I don’t think anyone’s ever seen this before.” So he let me start, but he had this kind of hilarious condition, which was that he didn’t want to ever appear in the same room as my father. That seemed funny and a little maddening and sort of endearing. It also seemed like an irresistible challenge to try to make a buddy film where they don’t appear in the same room as each other. A woman came to a screening recently and she said, “It’s a love story, and they don’t get together until the last scene.”

They both say that somehow the making of this movie has brought them closer together and that they have developed a real friendship after 50 years. Maybe just having to articulate what their relationship has meant to each other has made them appreciate it more.

What was it like to grow up in your household, with your father as this major editor and your mother (actress Maria Tucci) on Broadway? 

I grew up in a really incredible household. My mother’s an actress, my father’s a publisher and editor. Our house was this kind of vibrant, boisterous household that was always filled with eccentric, incredible people — actors and writers. My dad’s writers would come for dinner and then my mother would go off and do a play on Broadway and then come back at midnight and make another dinner. It was incredible. So I feel that both of their work was kind of integrated into our life and into our family. All of his writers were really like family members, except for Bob Caro, who never came over and who I never met. I think that there’s something particular and peculiar about their relationship that they needed to stay apart and only come together over work. I guess that was something that intrigued me and that’s part of why I wanted to make the movie.

“Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb” (Courtesy Tribeca Film Festival)

The Jewishness in the film is a bit more implicit, though you discuss it when talking about their upbringings. How do you think their Jewish identities have impacted their work?

I don’t want to presume to speak for either of them about their Jewishness. I know they both very strongly identify as New York Jews, which probably means something slightly different to each of them, but I think it’s essential to their definitions of themselves. Their humor may be particularly Jewish as well. David Remnick uses a word at the end of the movie, where he says Caro needs to have “sitzfleisch” in order to finish the book. It’s this Yiddish [and German] word that means the ability to sit for long, long periods of time and apply yourself to something. I think that that is something that these two guys have: It’s almost a Talmudic focus on their craft, and without that they wouldn’t be who they are. So to the extent that that’s a Jewish quality, I think that’s essential to their being, to their achievements. There’s something like a Talmudic scholar in going over all these things, the industriousness and the empathy as well, this sort of looking at a thing from all sides and dedicating yourself to this pursuit.

Bonus question: You briefly show the various eccentric collections your dad has, including plastic handbags and kitschy Israeli record albums from the ’60s and ’70s. What is that about?

Yes, he has a lot of collections. He also has a collection of macramé owls. There are many that are not in the movie. Maybe that’s a Talmudic thing as well, like a deep dive into whatever it is that is interesting to him. He says that every subject gets more interesting the deeper you get into it. When something strikes him as charming or funny or curious, he goes all the way with it. My mother doesn’t love them. There’s a little bit of a power struggle there, but he wins. You grow up with something and you don’t really think about it. But I knew I had to find a way to put this in the movie. People kept saying it’s irrelevant, it’s to the side, but I knew I had to because it’s so weird and says so much about him.


The post Documentary explores the ‘Talmudic’ relationship between writer Robert Caro and his famous longtime editor appeared first on Jewish Telegraphic Agency.

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Hamas Exploits Gaza Ceasefire to Tighten Civilian Control, Rebuild Military Power as Second Phase Talks Stall

Palestinians displaced during the two-year Israel-Hamas war shelter at a tent camp in Khan Younis in the southern Gaza Strip, Feb. 10, 2026. Photo: REUTERS/Ramadan Abed

As the second phase of the Gaza ceasefire agreement remains stalled, Israeli officials warn that the Palestinian terrorist group Hamas is quietly exploiting the pause in fighting to tighten its control over civilian life while simultaneously rebuilding its military capabilities behind the scenes.

Under the leadership of military wing commander and de facto Gaza ruler Izz ad-Din al-Haddad, Hamas is reinforcing its authority across the enclave, further undermining already fragile efforts to advance the truce.

Al-Haddad is said to be operating three parallel systems intended to secure the terrorist group’s survival and restore its military capabilities, according to a report by the Israeli news outlet Walla, which cited security sources.

The first line of effort seems to focus on reestablishing Hamas’s civilian governance and restoring its authority across the war-torn enclave, with its presence still visibly entrenched through checkpoints, strict regulation of goods, and the takeover of key civilian institutions, including hospitals.

Under the ceasefire, the Israeli military currently controls 53 percent of Gaza, while Hamas remains entrenched in the nearly half of Gazan territory it still controls, where the vast majority of the population lives.

The Palestinian terrorist group has also been reactivating internal security mechanisms to enforce day-to-day order while carrying out extensive intelligence operations aimed at identifying alleged collaborators with Israel and any opposition.

Hamas’s second line of effort has been focused on a violent internal campaign against armed militias and local gangs, particularly in southern Gaza, as the group seeks to reassert control and shore up its weakened position by targeting Palestinians it labels as “lawbreakers and collaborators with Israel.”

With its security control tightening, Hamas’s brutal crackdown has escalated, sparking widespread clashes and violence as the group seeks to seize weapons and eliminate any opposition.

A third line of effort reportedly centers on rebuilding military capabilities, including recruiting new operatives, conducting training both in the field and at command sites, restoring intelligence and surveillance systems, and rebuilding underground infrastructure and weapons stockpiles.

Israeli officials estimate that Hamas’s military wing, the al-Qassam Brigades, is rebuilding its forces, with its ranks now totaling roughly 27,000 members.

Despite Israeli intelligence assessments that Hamas’s smuggling capabilities have been significantly degraded, the group is reportedly seeking to rebuild its arsenal through local means by recovering Israeli Air Force munitions remnants and converting them into improvised explosive devices.

The Islamist group is also attempting to revive rocket and mortar production using makeshift materials, while reorganizing stockpiles buried under rubble or left largely intact.

Israeli officials have repeatedly warned that Hamas’s ongoing rebuilding efforts are allowing the group to retain control over much of the war-torn enclave and steadily sustain its influence despite over two years of military conflict.

According to a report by the Arabic newspaper Asharq Al-Awsat, a new draft proposal has been presented to Israel and Hamas, with talks potentially beginning this week on moving forward with the second phase of US President Donald Trump’s Gaza peace plan.

Earlier this year, the US-backed plan to end the war in Gaza hit major roadblocks after proposals surfaced that would allow Hamas to retain some small arms.

Israel has previously warned that the Islamist group must fully disarm for the second phase of the ceasefire to move forward, pointing to tens of thousands of rifles and an active network of underground tunnels still under the terrorist group’s control.

If Hamas does not give up its weapons, Israeli officials have vowed not to withdraw troops from Gaza any further or approve any rebuilding efforts, effectively stalling the ceasefire agreement.

The new draft allegedly proposes creating an “Implementation Verification Committee,” to be formed under Nickolay Mladenov, the high representative for Gaza on Trump’s Board of Peace, bringing together guarantor states, the International Stabilization Force, and a Peace Council to ensure compliance by all parties. 

Under this proposed draft, the Peace Council would be granted authority over Gaza’s governance, reconstruction, and development until a reformed Palestinian Authority is able to resume its responsibilities. 

The document also reportedly states that Hamas and other extremist Palestinian factions would have no role in governing the Gaza Strip, and that governance would be based on “one authority, one law, and one weapon,” as all armed groups would cease military activity and a phased disarmament process would transfer weapons to the incoming body.

By this framework, Israel’s withdrawal would take place in stages under an agreed timetable, contingent on verifiable progress in the process of disarmament.

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US Lawmakers Introduce Bipartisan Resolution Condemning Antisemitic Rhetoric by Candace Owens, Hasan Piker

Right-wing political commentator Candace Owens speaks during an event held by national conservative political movement ‘Turning Point’, in Detroit, Michigan, US, June 14, 2024. Photo: REUTERS/Rebecca Cook

US Reps. Josh Gottheimer (D-NJ) and Mike Lawler (R-NY) introduced a bipartisan resolution on Wednesday that condemns “antisemitic, hate-filled rhetoric and content” promoted by online streamer Hasan Piker and podcaster Candace Owens.

The resolution addresses the growing influence of online personalities around the world, as well as the global rise in antisemitism in recent years fueled partially by “online disinformation, conspiracy theories, and extremist rhetoric.” It calls on social media platforms and public leaders to denounce and take action against hatred.

“The rise of digital media platforms has enabled individuals with large audiences to disseminate disinformation, commentary, and political viewpoints to millions of viewers worldwide,” the resolution states. “Such influence carries a heightened responsibility to avoid rhetoric that promotes hatred, violence, or discrimination against any group, including Jewish individuals and communities.”

The resolution lists several hateful comments from both Piker and Owens.

Piker has repeatedly expressed support for Hamas and even said “it doesn’t matter” if sexual assault took place during the terrorist group’s Oct. 7, 2023, invasion of and massacre across southern Israel.

Owens is notorious for promoting antisemitic conspiracy theories, tropes, and blood libels about Judaism, Jewish figures, and Israel. She has claimed, for example, that Israel controls the US government and has also downplayed and denied verified details about the Holocaust.

The resolution states that efforts to “downplay or excuse antisemitic rhetoric under the guise of political commentary should be rejected.”

“Piker has openly applauded Hamas’ terrorism, downplayed the mass rape of civilians on Oct. 7, and dehumanized Orthodox Jews as ‘inbred,’” Lawler said in a statement. “Owens has trafficked in vile conspiracy theories, promoted blood libels, and platformed Holocaust deniers. With an audience of millions, they have a responsibility to confront hatred and bigotry in every form, not to amplify it to the masses. So, if they won’t call it out, I will.”

“Hatred is hatred, period,” Gottheimer added. “It doesn’t matter whether it comes from the far right or the far left. We cannot be selective in calling out antisemitism. When influential voices spread conspiracy theories, promote terrorism, or dehumanize Jewish people, it fuels real-world violence and intimidation. We must stand up and speak out.”

“I get that speaking up is not easy, but our constituents didn’t elect us to always take the easy path,” he noted. “That’s what principled leadership is all about.”

Owens has not publicly commented on the resolution, but Piker condemned it in a statement to the Jewish Telegraphic Agency (JTA).

“They are once again conflating legitimate critics of Israel with actual antisemites,” he said. “They would rather complain about fake antisemitism in defense of Israel than call out the real sources of Jew hatred with a full chest. I have spent my entire career combating all forms of bigotry including antisemitism and will continue to do so in spite [of] this cynical ploy to satisfy donors.”

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Peru’s President Under Fire Over Antisemitic Remarks Blaming Jews for ‘Pushing’ Germany Into World War II

José María Balcázar was elected as acting president of Peru on Feb. 18, 2026, and will serve until July 28, when the winner of the presidential elections takes office. Photo: ULAN/Pool / Latin America News Agency via Reuters Connect

Peru’s interim president, José María Balcázar, has sparked global outrage after claiming that Jews helped “push” Germany into World War II, drawing mounting calls from world leaders and advocacy groups to retract his remarks and issue a formal apology over what critics condemn as deeply antisemitic.

During a speech marking the 138th anniversary of the Chamber of Commerce of Lima, the Peruvian leader — who assumed power after Congress appointed him to replace ousted former president José Jerí amid corruption allegations — cited The Enemies of Commerce by Antonio Escohotado, invoking its arguments while amplifying long-discredited antisemitic tropes.

“It is a monument to the history of commerce: how bills of exchange were born, how international trade moved, what role Jews played in Germany’s national and international trade, how Germany was pushed into World War II, also partly because of the Jews, because they controlled all the banks, all the commerce, and practiced usury,” Balcázar said.

“All these historical details need to be remembered through Escohotado, so that we can better prepare ourselves and understand the history and hardships of those dedicated to commerce. It is truly interesting,” the left-leaning lawmaker and former judge continued.

Shortly after Balcázar’s remarks gained widespread media attention, leaders of Peru’s Jewish community, opposition figures, and officials from Israel and Germany, as well as other foreign diplomats, swiftly condemned his statements, demanding that he retract them and issue an unequivocal public apology.

In a joint statement, the embassies of Israel and Germany in Peru condemned Balcázar’s claims as “absurd, historically untenable, and a violation of the memory of millions of German Jewish citizens murdered by the Nazis.”

“It should be remembered that Adolf Hitler and the Nazi regime initiated World War II with the invasion of Poland in 1939. Nazi ideology, rooted in racism and antisemitism, not only discriminated against Jewish citizens but also led to the murder of six million Jews in concentration camps,” the statement read. 

“The Holocaust must never be trivialized under any circumstances,” it continued.

The Jewish Association of Peru (AJP) also denounced the remarks, describing them as a dangerous revival of “outdated antisemitic theories,” and warning against the spread of such narratives.

“It is shocking that, in the 21st century, arguments reminiscent of the darkest medieval eras are still being used to blame victims of the Holocaust for their own persecution,” AJP said in a statement.

Amid growing domestic and international pressure, the government issued a statement expressing regret that the comments had “created a mistaken perception regarding the Jewish people in the context of the outbreak of World War II.”

“The Peruvian state has consistently maintained that Nazi fanaticism was the driving force behind the war and the perpetrator of the unforgivable genocide against the Jewish people. This longstanding position, which also led Peru to firmly support the creation of Israel, remains unchanged,” the statement read.

“President José María Balcázar strongly condemns the genocide perpetrated against the Jewish people during World War II, reaffirms his rejection of antisemitism and all forms of discrimination, and expresses his solidarity with the victims of the Holocaust,” it continued.

Balcázar will serve as interim president until July 28, when the winner of this year’s presidential election takes office.

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