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Documentary explores the ‘Talmudic’ relationship between writer Robert Caro and his famous longtime editor
(New York Jewish Week) — Bob Gottlieb, who as editor-in-chief of Simon & Schuster, Alfred A. Knopf and The New Yorker ushered into print some of the 20th-century’s most accomplished writers — Nora Ephron, Toni Morrison, Salman Rushdie, John Cheever and Ray Bradbury, to name a few — believes editing is a service job, one that should go unnoticed by the reader.
And yet, it is the relationship between editor and writer that his daughter Lizzie Gottlieb, a documentary filmmaker, explores in her latest film, “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb,” which premiered at the Tribeca Film Festival in 2022 and is now screening at theaters across the country.
Lizzie’s documentary sets out to explore the sometimes tense but ultimately caring relationship between her father, Bob, and one of his longest running authors, Robert Caro, who over the course of 50 years has produced “only” five major books: “The Power Broker,” a classic biography of urban planner Robert Moses, and four volumes of “The Years of Lyndon B. Johnson.”
Jews born and raised in Manhattan, Caro and Gottlieb have worked together since Gottlieb helped cut 350,000 words out of the first draft of “The Power Broker,” bringing it down to a book that ultimately ran 1,338 pages when it was published in 1974.
The thing they squabble over most often? Semicolons, still. Or, maybe, Caro’s overuse of the word “looms.”
The film, seven years in the making, takes on the ways Moses shaped New York City, the mysteries of LBJ’s political power, the sausage-making of bestselling books and the idiosyncrasies of two workaholics. It is also a story of two now elderly men — Caro is 87, Gottlieb is 91 — in what Bob Gottlieb calls an “actuarial” contest to finish Caro’s highly anticipated fifth volume of his Johnson biography.
“My dad and I are very close. We’re in constant contact with each other. If something funny happens, I call my dad. If something sad or confusing happens, I’ll call him. We’re just in each other’s lives all the time, so I didn’t feel that there was a secret I needed to uncover or something unexamined in our relationship,” said director Lizzie Gottlieb, who also teaches documentary filmmaking at the New York Film Academy.
“But the one thing I really knew nothing about in his life was his relationship with Bob Caro,” she said. “Because it was so different from anything else, and it was so kind of private. So really, the whole movie is the process of me understanding something that I didn’t understand before.”
The New York Jewish Week recently caught up with Gottlieb to talk about the making of the film, what it was like growing up in a high-profile family and how Jewishness impacts the work of the two men.
This interview has been lightly edited for length and clarity.
Lizzie Gottlieb is a documentary filmmaker who previously directed “Today’s Man” (2008) and “Romeo Romeo” (2012).
New York Jewish Week: You’ve been working on this movie for seven years. When did you realize you needed to make this movie and how did it get from start to finish?
For a long time, people would say to me, “You should make a film about your father.” I have an incredible father. He’s done a lot of great things. He’s interesting and funny. But I just thought, a film whose message is “look how great my dad is” is not a movie that anybody wants to see.
And then my father was given some award and Bob Caro was presenting the award. Bob Caro gave a speech about working with my dad over what was then 45 years. He talked about how he needs him, and he respects him and how they’re so productive. Then he started talking about their arguments. Somebody in the audience asked what they fought about and he said, “We have very different feelings about the semicolon.” Everybody erupted into laughs and it just hit me like a bolt of lightning. I thought, “This is the movie, this is the story.”
I wanted a story that had forward momentum and had something big at stake. A film about two men in their 60s who had done a lot of great stuff is not that interesting. But a film about two men who are hovering around 90 and are still in it, and engaged in their work, who have a dedication and passion and are in a race against time to finish their life’s work, felt really, really compelling to me.
People say, “Are you sure you should be wasting [Caro’s] time with a movie? He needs to be writing.” My producer Jen Small said we should put on the poster, “No Lyndon Johnson books were harmed in the making of this film.”
Do you think you had a perspective that made you the best person to try and talk about their relationship and document it, or was it challenging to make the leap of them being willing to open up to you?
There was definitely a pursuit of them. I called my father and I was like, “I have the best idea ever. I’m going to make a film about you and Robert Caro.” He said, “No way. Absolutely not. Never. It would not be good for our relationship.”
I just kept pestering and pestering and pestering him. Finally, he said I could call Bob Caro but he would say no and of course Bob Caro did initially say no. Then he said that he’d seen another film of mine and I could come and speak to him. Eventually, Caro said, “I’ve never seen a film about a writer and an editor, and I think this could be meaningful. I don’t think anyone’s ever seen this before.” So he let me start, but he had this kind of hilarious condition, which was that he didn’t want to ever appear in the same room as my father. That seemed funny and a little maddening and sort of endearing. It also seemed like an irresistible challenge to try to make a buddy film where they don’t appear in the same room as each other. A woman came to a screening recently and she said, “It’s a love story, and they don’t get together until the last scene.”
They both say that somehow the making of this movie has brought them closer together and that they have developed a real friendship after 50 years. Maybe just having to articulate what their relationship has meant to each other has made them appreciate it more.
What was it like to grow up in your household, with your father as this major editor and your mother (actress Maria Tucci) on Broadway?
I grew up in a really incredible household. My mother’s an actress, my father’s a publisher and editor. Our house was this kind of vibrant, boisterous household that was always filled with eccentric, incredible people — actors and writers. My dad’s writers would come for dinner and then my mother would go off and do a play on Broadway and then come back at midnight and make another dinner. It was incredible. So I feel that both of their work was kind of integrated into our life and into our family. All of his writers were really like family members, except for Bob Caro, who never came over and who I never met. I think that there’s something particular and peculiar about their relationship that they needed to stay apart and only come together over work. I guess that was something that intrigued me and that’s part of why I wanted to make the movie.
“Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb” (Courtesy Tribeca Film Festival)
The Jewishness in the film is a bit more implicit, though you discuss it when talking about their upbringings. How do you think their Jewish identities have impacted their work?
I don’t want to presume to speak for either of them about their Jewishness. I know they both very strongly identify as New York Jews, which probably means something slightly different to each of them, but I think it’s essential to their definitions of themselves. Their humor may be particularly Jewish as well. David Remnick uses a word at the end of the movie, where he says Caro needs to have “sitzfleisch” in order to finish the book. It’s this Yiddish [and German] word that means the ability to sit for long, long periods of time and apply yourself to something. I think that that is something that these two guys have: It’s almost a Talmudic focus on their craft, and without that they wouldn’t be who they are. So to the extent that that’s a Jewish quality, I think that’s essential to their being, to their achievements. There’s something like a Talmudic scholar in going over all these things, the industriousness and the empathy as well, this sort of looking at a thing from all sides and dedicating yourself to this pursuit.
Bonus question: You briefly show the various eccentric collections your dad has, including plastic handbags and kitschy Israeli record albums from the ’60s and ’70s. What is that about?
Yes, he has a lot of collections. He also has a collection of macramé owls. There are many that are not in the movie. Maybe that’s a Talmudic thing as well, like a deep dive into whatever it is that is interesting to him. He says that every subject gets more interesting the deeper you get into it. When something strikes him as charming or funny or curious, he goes all the way with it. My mother doesn’t love them. There’s a little bit of a power struggle there, but he wins. You grow up with something and you don’t really think about it. But I knew I had to find a way to put this in the movie. People kept saying it’s irrelevant, it’s to the side, but I knew I had to because it’s so weird and says so much about him.
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How The New York Times Used Selective West Bank Data to Shape a False Moral Verdict
The New York Times building in New York City. Photo: Wikimedia Commons
The New York Times’ recent interactive project on the West Bank avoids incendiary terminology. It does not accuse Israel of ethnic cleansing outright. Yet the impression it leaves readers with is unmistakable: a story of systematic dispossession, driven by Israeli settlers and tolerated by the state.
That conclusion is not argued directly. It is constructed indirectly, through selective facts, emotional imagery, and critical omissions.
The article portrays a daily reality of Palestinian villagers under siege by armed settlers, shielded by Israeli soldiers, and backed by state institutions. The tone is stark and accusatory. But the apparent coherence of this narrative depends on three elements that are completely biased.
1/
The New York Times doesn’t use the phrase “ethnic cleansing” in its West Bank project.It doesn’t have to.
Selective imagery, distorted data & erased Palestinian terrorism lead to one conclusion: Israel is driving Palestinians off their land.
That claim is false.
pic.twitter.com/a4boarQwVq
— HonestReporting (@HonestReporting) December 22, 2025
Casualty Statistics
The first is the use of casualty statistics. The Times relies extensively on data from the United Nations Office for the Coordination of Humanitarian Affairs (UNOCHA) to demonstrate a dramatic rise in settler violence.
What readers are not told is how those numbers are assembled. UNOCHA does not consistently distinguish between civilians and terrorists killed while carrying out attacks. Palestinians who die while attempting stabbings, shootings, or vehicular assaults, are frequently recorded simply as casualties.
This methodology matters. It collapses perpetrators and victims into the same category and inflates the appearance of civilian harm. When such figures are presented without explanation, they create a misleading picture of violence divorced from context. The New York Times adopts these numbers uncritically, allowing a flawed dataset to underpin its central claim.
Ignoring Palestinian Terrorism
Second, the article ignores Palestinian terrorism. Over the past year, according to Israel Security Agency data, thousands of attacks have targeted Israelis in the West Bank, ranging from shootings and stabbings to Molotov cocktails and explosive devices. Many were intercepted before civilians were harmed. This sustained campaign is essential to understanding Israeli military operations and security measures. Yet it appears only faintly, if at all, in the article.
HonestReporting visualization based on B’Tselem data of Palestinians killed by Israeli forces from October 7, 2023, to October 31, 2025.
The absence extends further. Palestinians killed during Israeli counterterror operations are frequently affiliated with armed groups such as Hamas or Islamic Jihad, particularly in hotspots like Jenin and Nablus. These affiliations are rarely acknowledged. Readers are left with an image of indiscriminate force rather than targeted security activity.
Visual Storytelling
The third biased element in the article is the visual storytelling, which reinforces the narrative.
Images of demolished homes and emptied landscapes suggest deliberate displacement. But the legal framework governing much of the territory is barely explained.
Many demolitions occur in Area C, which, under internationally recognized agreements, falls under Israeli civil and security authority. Construction there requires permits. Unauthorized structures, whether Palestinian or Israeli, are subject to enforcement. By omitting this context, regulation is reframed as expulsion.
The article also implies that Israeli institutions tolerate or even enable extremist settler violence. This claim overlooks documented realities.
Israeli political and military leaders have repeatedly condemned such acts, warning that they undermine security and divert resources. Extremist settlers have been arrested, prosecuted, and in some cases have violently clashed with Israeli soldiers themselves. Internal accountability exists, but it is erased from the story.
Criticism of Israeli policy is legitimate and necessary. But journalism carries an obligation to present complexity honestly. When context is stripped away, when flawed data is treated as fact, and when terrorism is sidelined, reporting stops informing and starts directing. The New York Times’ project offers readers a powerful story, but not a complete one. And when narrative takes precedence over evidence, the public is misled.
HonestReporting is a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Israel, Greece, and Cyprus: In Search of New Synergies
Israeli Prime Minister Benjamin Netanyahu (center), Cyprus President Nikos Christodoulides (left), and Greek Prime Minister Kyriakos Mitsotakis hold a joint press conference after a trilateral meeting at the Citadel of David Hotel in Jerusalem, Dec. 22, 2025. Photo: ABIR SULTAN/Pool via REUTERS
The 10 trilateral summit of Israel, Greece and Cyprus, which took place in Jerusalem on December 22, showcased the continuing commitment of the three countries to the expansion of their collaboration. Prime Minister Benjamin Netanyahu hosted his Greek counterpart Kyriakos Mitsotakis and Cypriot President Nikos Christodoulides in an effort to revitalize the trilateral mechanism. The ninth trilateral summit took place on September 4, 2023 in Nicosia, and the regional order has changed a great deal in the two years since. Israel responded to the terrorist invasion of October 7, 2023 by engaging in wars on multiple Middle East fronts, including a 12-day war with Iran. Despite the multidimensional and complex character of all these conflicts, Israel managed to show its power and resilience.
Both Greece and Cyprus continued to value their strategic partnership with Israel even as the Jewish State was being roundly condemned and vilified. Unlike the EU member states that chose to condemn Israel for the war in Gaza, Athens and Nicosia took a mild and balanced approach. Premier Mitsotakis has been able to prioritize what he perceives as Greece’s national interests and fend off criticism from other parties. Nikos Androulakis, the leader of the main opposition PASOK party, did not hold back in his excoriation of Israel in the context of the war in Gaza, inaccurately using the terms “ethnic cleansing” and “genocide” to describe Israel’s conduct during the war and denying that both terms in fact apply to Hamas’s assault on Israel, as well as to its ongoing plans for that country. On October 16, 2025, Androulakis called Netanyahu a “butcher” and demanded that Mitsotakis apologize for aligning Greece’s interests with those of Israel. Similarly, the parliamentary spokesperson of PASOK, Dimitris Mantzos, spoke of a “live-streamed genocide” and wondered “what strategic partnership might endure the pain of this bloodshed.”
Interestingly, it was the former leader of PASOK, George Papandreou, who laid the foundations for the Greek-Israeli friendship while serving as prime minister in 2010.
During the Israel-Iran war of June 2025, Greece and Cyprus served as hubs for Israeli civilians unable to return to their country. Planes belonging to Israeli airlines were stationed at Greek and Cypriot airports, and the aircraft serving Prime Minister Netanyahu and President Isaac Herzog departed for Athens after Operation Rising Lion was launched on June 13. When the conflict ended, the Greek and Cypriot authorities coordinated with the Israeli government to implement Operation Safe Return to facilitate the repatriation of Israelis. Former Knesset member Gadeer Kamal-Mreeh praised Greece and Cyprus in a Jerusalem Post commentary in which he argued that the two countries had stepped up to help Israel – with actions, not just with words – at a time of serious crisis.
In the sphere of defense, Greece and Cyprus have looked favorably towards the Israeli market for years. Greece is now finalizing an agreement with Israel to purchase 36 PULS rocket artillery systems for $757.84 million. The Greek Parliament and the Government Council for National Security have approved the budget for the purchase, according to a press release from Elbit, the PULS manufacturer. Cyprus reportedly deployed Israel Aerospace Industries’ Barak MX air defense system last September and is eyeing new military deals with Israel to equip its National Guard. In addition to the arms transactions, Jerusalem, Athens and Nicosia are expected to conduct joint drills in 2026. In the past, Greek-Israeli exercises in the area between Israel and the island of Crete have allowed Israeli pilots to engage in bombing exercises and to rehearse the kind of aerial refueling necessary to cover a distance equal to that separating Israel from Iran’s Natanz nuclear enrichment facility.
Israel, Greece and Cyprus are all apprehensive about Turkish tactics in the Middle East and the Eastern Mediterranean, a common concern that facilitates dialogue. Jerusalem is of course primarily concerned about Ankara’s attitude toward Hamas and presence in Syria, while Athens and Nicosia are more focused on Ankara’s policies in the Aegean and the Eastern Mediterranean as well as on the Cyprus question. Israel, Greece and Cyprus support the India-Middle East-Europe Economic Corridor (IMEC), which bypasses Turkey, though IMEC will inevitably have limitations. The Turkish market is too big to be ignored, and the Corridor is still lacking tangible investments.
Energy also brings the three countries closer. Last November, Israeli Energy and Infrastructure Minister Eli Cohen put the idea of the East Med pipeline back on the table. Cohen made the comment on the sidelines of a ‘3+1’ Energy Ministerial Meeting in Athens that was also attended by US Energy Secretary Chris Wright. Although the East Med pipeline project remains expensive and technically difficult, attention is being directed towards a connecting of Israeli gas fields and LNG facilities in Cyprus. Israel is keen on selling its natural gas to Cyprus. The Energean company, which is drilling in Israeli waters, has proposed the construction of a subsea pipeline from its Floating Production Storage and Offloading (FPSO) to Cyfield’s planned power generation facility in Cyprus. According to Reuters, the cost will be around $400 million, while the capacity of the new pipeline will be 1 billion cubic meters a year. Theoretically, Israel, Greece and Cyprus remain committed to the Great Sea Interconnector project, but the Cypriot government seems to be having second thoughts about its viability. Athens and Nicosia have openly disagreed on this matter over the past few weeks.
Last but not least, Israel, Greece, and Cyprus are expected to improve coordination in accessing EU Horizon programs and other external funding sources. When the European Commission proposed, in July 2025, to partially suspend Israel’s integration into the European Innovation Council, Greece and Cyprus were among the EU member states to oppose the idea.
The trilateral Jerusalem summit welcomed the Cypriot presidency of the Council of the EU for the first semester of 2026, and Greece will hold the EU presidency in the second semester of 2027. The next two years should be a good opportunity to recalibrate EU-Israel relations under the aegis of Cyprus and Greece as well as to intensify the European fight against antisemitism.
Dr. George N. Tzogopoulos is a BESA contributor, a lecturer at the European Institute of Nice (CIFE) and at the Democritus University of Thrace, and a Senior Fellow at the Hellenic Foundation for European and Foreign Policy. A version of this article was originally published by The BESA Center.
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Greta Thunberg’s Terrorist Friends
Greta Thunberg and UN special rapporteur Francesca Albanese in an embrace with a Hamas terrorist in the artwork “Human Shields” by AleXsandro Palombo. Photo: Provided
In late December, perennial protester Greta Thunberg was arrested in London while holding a sign that read, “I SUPPORT PALESTINE ACTION PRISONERS” and “I OPPOSE GENOCIDE.”
Thunberg was quickly released and was later seen at another protest that evening, where she was reportedly shouting, “support the hunger strikers.” Palestine Action radicals began a hunger strike in jail on November 2.
News reports did little to explain what Palestine Action is and what crimes their extremists had committed.
Far too many in the UK have also seemed eager to give Palestine Action a pass. This has led to serious frustration from those who have taken the time to understand what Palestine Action is really all about.
For example, Security Minister Dan Jarvis stated the following to the House of Commons on September 8:
Some of those holding placards in support of Palestine Action may not know the extent of its activities. It has conducted an escalating campaign involving intimidation and sustained criminal damage, including to Britain’s national security infrastructure. Some of its attacks have involved the use of weapons, resulting in alleged violence and serious injuries to individuals. Palestine Action’s members have been charged with violent disorder, grievous bodily harm with intent, actual bodily harm, criminal damage and aggravated burglary — charges that include, in the assessment of the independent Crown Prosecution Service, a terrorism connection.
A June news report from the London Telegraph stated that “members of the organisation were ‘spreading intifada,’ an Arabic word for uprising. This week, The Telegraph revealed that Palestine Action was plotting to target RAF bases across the country in a wave of attacks.”
Palestine Action knows exactly what it means when they say “spreading intifada.” During a now notorious Palestine Action attack on police during a 2024 break-in, one Palestine Action militant hit a female police sergeant named Kate Evans with a sledgehammer in the back, causing a severe spinal injury. A second policeman, named Aaron Buxton, was also hit with a sledgehammer.
Greta Thunberg’s blood libel that Israel is committing genocide also needs addressing. The lie on her sign is a fabrication that Palestine Action extremists traffic in. The Palestine Action website also features Holocaust inversion, which is a particularly disgusting form of Jew-hatred that falsely portrays Israel and Jews as Nazis, diminishes the historical nature of the Holocaust, and spreads the blood libel that Israel is committing genocide.
Kamran Ahmed is prominently featured on the Palestine Action website, and is in a British jail for reportedly causing over $1.3 million in damage at an Israeli company’s research facility in South Gloucestershire in August 2024 after committing an illegal break-in. Palestine Action portrays its terrorism and property destruction as necessary to stop what they label as Israeli war crimes. The Palestine Action site quotes Ahmed as saying, “You spit on the face of Anne Frank, who wished someone would put a halt to that genocide (Holocaust).”
Palestine Action and Kamran Ahmed did not develop their Holocaust denial on their own. Palestinian Authority President Mahmoud Abbas was a key initiator of Holocaust distortion, Holocaust inversion, and Holocaust denial in the Arab world.
In 2022, German Chancellor Olaf Scholz sharply criticized Abbas after he claimed that Israel had committed “50 Holocausts.” Scholz stated that he was “disgusted by the outrageous remarks” and that “for us Germans, in particular, any relativisation of the singularity of the Holocaust is intolerable and unacceptable.” Going further, Scholz said, “I condemn any attempt to deny the crimes of the Holocaust.”
From Mahmoud Abbas’ Holocaust distortion to Greta Thunberg’s reckless endorsement, influential figures are lending cover to a movement that thrives on violence and lies. Palestine Action’s activists are not victims or “political prisoners” — they are criminals, and they are exactly where they belong: in jail. Excusing their actions only rewards Jew-hatred and undermines the rule of law.
Moshe Phillips is national chairman of Americans For A Safe Israel, AFSI, (www.AFSI.org), a leading pro-Israel advocacy and education organization.