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Event in Berlin marks one of Germany’s largest-ever gatherings for its ex-Soviet Jewish community
BERLIN — It was hard to overlook the symbolism: the city that once was the epicenter of Nazi Germany hosting a massive celebration by Jews with roots in the Communist Soviet Union, which for decades tried to stamp out any hint of Jewish practice or identity.
Over three days, some 750 Jews with ties to the former Soviet Union gathered in Berlin to celebrate Jewish culture, play Yiddish music, take part in conversations about everything from current events to Jewish and Israeli history, and eat, sing and learn together.
The March 31-April 2 conference in Berlin organized by Limmud FSU marked the organization’s first-ever event held in Germany — and its first pan-European conference since a February 2020 event in Vienna held on the eve of the global coronavirus pandemic.
For this weekend, participants from 24 countries converged on a hotel in the German capital, including 50 or so who made the difficult trip from war-ravaged Ukraine. Among them was Olena Kolpakova, 41, who had traveled nearly 48 hours by bus and train to Berlin with her 9-year-old daughter, Anastasia, from Dnipro in eastern Ukraine.
“Our house isn’t destroyed, and our city isn’t occupied. But we still have 10 to 12 air-raid sirens a day,” said Kolpakova, a lawyer and Limmud FSU Ukraine volunteer since 2009. “These people are more than friends for me. I love Limmud and I know everyone.”
The packed program was held mostly in Russian with a smattering of sessions in English.
“This first-ever Limmud FSU conference in Germany is an opportunity to celebrate our rich cultural heritage, learn from one another and strengthen our connections across borders,” said Limmud FSU Founder Chaim Chesler.
Since its creation in 2005 to bolster Jewish connections and identity among Jews from the former Soviet Union, Limmud FSU has held dozens of conferences around the globe that collectively have drawn over 80,000 participants.
Holding a Jewish festival in Berlin was particularly significant, organizers noted. Following the collapse of the Soviet Union in 1991, over 170,000 Soviet Jews emigrated to Germany. That wave of immigration more than doubled the size of the country’s Jewish community, which is now comprised mostly of Jews with roots in the Soviet Union.
Germany is the only country in Europe that has seen such significant Jewish population growth in the last half-century.
Volunteers in Berlin made up a big part of the organizers of the Limmud FSU conference in Germany on March 31-April 2, 2023. (Alex Khanin)
The conference in Berlin was a mixture of celebration, study and culture. Fo Sho, a hip-hop band comprised of three Jewish-Ethiopian-Ukrainian sisters, delivered a rousing performance. Israeli celebrity chef Gil Hovav talked about his famous great-grandfather, Eliezer Ben-Yehuda, the Yiddish-speaking yeshiva student who became the father of modern Hebrew. World Jewish Congress official Lena Bakman spoke of the 400-strong WJC Jewish Diplomatic Corps as the “unofficial foreign affairs ministry for the Jewish people.”
For some participants, such as Dora Haina of Riga, Latvia, the weekend in Berlin marked their first exposure ever to Limmud FSU.
“It’s an unbelievable feeling that everything here is in my language, and that all these people are Jews,” said Haina, 24, who speaks Russian. “I came to socialize and meet new people.”
That’s the point, said Limmud FSU’s longtime chairman, Matthew Bronfman.
“Our inaugural conference in Berlin is a momentous occasion for our organization and the entire community of FSU Jews in Europe,” Bronfman said. “It serves as a symbol of our continued dedication to preserving and celebrating Jewish culture and heritage, while also promoting a sense of unity and connection among our community members across borders and generations.”
Key supporters of Limmud FSU Europe include the Conference on Jewish Material Claims Against Germany (the Claims Conference), Genesis Philanthropy Group, the World Zionist Organization, Nativ-Israeli Prime Minister’s Office, the Jewish National Fund-Keren Kayemet LeIsrael, the Dutch Jewish Humanitarian Fund, the Jewish Agency for Israel, philanthropist Diane Wohl, Bill Hess and others.
“It was a major, successful and very important event for FSU Jews in Europe in general and in particular for the hundreds of refugees from Ukraine,” Alex Mershon, director of Nativ’s Department of Culture and Education, said of the conference in Berlin.
“The resilience and vitality of Jewish heritage were on full display, reminding us that when we come together with open minds and open hearts, there is much we can achieve,” said Marina Yudborovsky, CEO of the Genesis Philanthropy Group. “Let the spirit of this event inspire us to continue to overcome challenges and create positive change in the world together.”
One of the highlights of the Berlin conference was a lecture by Nazi hunter Efraim Zuroff, director of the Simon Wiesenthal Center’s office in Jerusalem. He spoke about his work catching Nazi war criminals in countries where locals often collaborated with their German occupiers and noted that even today nationalism and antisemitism impedes justice for the Holocaust’s victims and their descendants.
“Without political will, there will never be any justice,” Zuroff said.
There was also a lot of talk at the conference about the turmoil in Israel, where a government plan to overhaul the judiciary has prompted protests by hundreds of thousands, including many leading national figures.
“I can’t believe I’m demonstrating against my own government,” said Justice Elyakim Rubinstein, a former Israeli attorney general and vice president of the Supreme Court. “It’s very unusual and heartbreaking in a way, having been a public servant all these years.”
Over three days on March 31-April 2, 2023, some 750 Jews with ties to the former Soviet Union gathered in Berlin to celebrate Jewish culture, play music and take part in conversations about everything from current events to Jewish and Israeli history. Children were among the attendees. (Alex Khanin)
One of the weekend’s most riveting testimonies came from Sonia Tartakovskaya, an 84-year-old Holocaust survivor who last year witnessed the Russian bombardment of Irpin, on the outskirts of Kyiv.
“I don’t remember the war, because I was born in 1939. And in 1941, I was sent to Tajikistan. But this war of 2022 I remember, because I saw the burning houses and I was completely alone,” Tartakovskaya said through a translator.
“On March 17, my neighbor took me to her relatives in western Ukraine, and on March 31, I came to Berlin,” she said. “Today marks one year I’m here, and I deeply appreciate everything the Jewish Agency, the Claims Conference and all other Jewish organizations have done for me.”
Tartakovskaya is among 94 Holocaust survivors who were spirited out of Ukraine and brought to Germany via Poland since Russia launched its war 13 months ago, said Ruediger Mahlo, who heads the German office of the Claims Conference. Before the war Ukraine was home to some 10,000 Holocaust survivors; today, barely 6,500 remain, according to Mahlo.
“Imagine the paradox,” Mahlo said. “Survivors who at a young age had to flee, and now at the end of their lives they have to flee again, from Russia — a country that liberated them — to a country that over 75 years ago wanted to annihilate them.”
Limmud FSU’s co-founder, Sandra F. Cahn, said the participation in the conference of Jews from Ukraine was inspiring.
“Despite the ongoing war in Ukraine, we are heartened to see so many participants from that country joining us for this historic event,” Cahn said. “This conference serves as a powerful reminder of the importance of building bridges between communities and promoting cultural exchange, even in the face of hardships.”
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Gaza Talks at Critical Moment, Ceasefire Not Complete, Qatar’s Prime Minister Says
Qatar’s Prime Minister and Minister for Foreign Affairs Sheikh Mohammed bin Abdulrahman bin Jassim Al-Thani speaks on the first day of the 23rd edition of the annual Doha Forum, in Doha, Qatar, December 6, 2025. Photo: REUTERS/Ibraheem Abu Mustafa
Negotiations on consolidating the US-backed truce in the war in Gaza are at a “critical” moment, Qatari Prime Minister Sheikh Mohammed bin Abdulrahman al-Thani said on Saturday.
Mediators are working to force the next phase of the ceasefire forward, al-Thani, whose country has been a key mediator in the war, said during a panel discussion at the Doha Forum conference in Qatar.
Violence has subsided but not stopped since the Gaza truce took effect on October 10, and at least seven people were reported killed on Saturday.
“We are at a critical moment. It’s not yet there. So what we have just done is a pause,” al-Thani said.
“We cannot consider it yet a ceasefire. A ceasefire cannot be completed unless there is a full withdrawal of the Israeli forces – (until) there is stability back in Gaza, people can go in and out – which is not the case today.”
TALKS ON INTERNATIONAL SECURITY FORCE
Negotiations on the next stages of US President Donald Trump’s plan to end the two-year war in the Palestinian enclave have been continuing.
On Thursday, an Israeli delegation held talks in Cairo with mediators on the return of the last hostage held in Gaza, which would complete an initial part of Trump’s plan.
Since the truce started, Hamas has returned all 20 living hostages and 27 bodies in exchange for around 2,000 Palestinian detainees and convicted prisoners.
Israel said this week it would open the Rafah Crossing for exit through Egypt soon, and that it would allow entry through Rafah into Gaza once the last remaining deceased hostage was returned.
Trump’s plan calls for an interim technocratic Palestinian government in Gaza, overseen by an international “board of peace” and backed by an international security force. Agreeing on the makeup and mandate of that force has been particularly challenging.
Although fighting has diminished, Israel has continued to attack Gaza and demolish what it says is Hamas infrastructure. Hamas and Israel have traded blame for violations.
The Israeli military said that in two separate incidents on Saturday, forces deployed in northern Gaza behind the so-called yellow line of withdrawal agreed in the ceasefire had fired on Palestinian terrorists who crossed the line, killing three.
The military was unaware of any drone strike, a spokesperson said.
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Trump’s new White House ballroom architect is a Jewish immigrant who has advocated for refugees
(JTA) — After parting ways with the first architect hired to carry out his vision for the White House’s East Wing, President Donald Trump has picked a replacement — turning to a firm run by prominent Jewish architect who once called on Trump to keep the country’s doors open to refugees and immigrants.
Shalom Baranes was born soon after his parents fled Libya amid antisemitic sentiment there, coming to the United States as a child with the help of the Hebrew Immigrant Aid Society, now known as HIAS. He rose to prominence as an architect in Washington, D.C., where he has designed both private and government buildings, including the Pentagon, that trend toward the modern.
The White House confirmed on Friday that it had chosen his firm, Shalom Baranes Associates, to continue the East Wing project, centered around the ballroom that Trump wishes to construct. Trump clashed with the first architect on the job over the ballroom’s size.
“Shalom is an accomplished architect whose work has shaped the architectural identity of our nation’s capital for decades, and his experience will be a great asset to the completion of this project,” a White House spokesman, Davis Ingle, said in a statement on Friday.
The firm did not immediately publicly confirm its attachment to the project, and Baranes did not reply to a Jewish Telegraphic Agency request for comment.
Baranes’ selection stands out in an administration that has typically favored partisan and ideological loyalists. Baranes is a repeated donor to Democratic candidates who has openly advocated against one of Trump’s signature policies, his efforts to limit refugee admissions.
In 2017, two months into Trump’s first term, Baranes penned an op-ed for the Washington Post about the new president’s travel ban. Trump had declared a ban on migrants from seven mostly Muslim countries and refugees from around the world soon after taking office, igniting wide opposition including from Jewish groups.
“The anti-immigrant sentiment I feel today is nothing new to me,” he wrote. “When my Jewish parents arrived in the United States just a few years after fleeing persecution in an Arab regime, it was as difficult for them to be accepted here as it is for Muslims now.”
Baranes laid out his criticism gingerly while saying he hoped the travel ban would be short-lived.
“As I watch the news and see families struggling to leave their countries and escape tyranny, I wonder who among them will make it to our shores and become part of the next generation of researchers, teachers, inventors, real estate developers and, yes, architects,” he wrote. “My hope is that the Trump administration will take actions to ensure that the travel ban is indeed temporary, so that good, hard-working individuals fleeing tyranny can find a new home as I did — and that each of them will be given the same opportunity to help build this great nation that I had.”
Among the Jewish groups to lobby against Trump’s travel ban was HIAS, the organization that had helped Baranes and his family come to the United States. HIAS declined to comment on his selection as White House architect but said through a spokesperson that the organization was working to respond to Trump’s crackdown on refugees, which the president renewed last week after an Afghan refugee shot and killed a member of the National Guard in Washington.
To those who are familiar with Baranes’ style, he is a surprising pick for more than just because of his personal politics. His designs typically trend toward the modern, not the gilded classical style that Trump favors. He also has said he prefers to think carefully before tackling a project — an impossibility when it comes to the White House ballroom, which is already mid-construction.
“You have to wonder why he would risk a stellar career and near pristine reputation for a project that could possibly end up in disaster. He could be publicly fired and castigated by the developer-in-chief or ostracized among his colleagues and clients,” wrote Douglas Freuhling, the editor in chief of the Washington Business Journal, on Friday.
But Fruehling noted that a successful build at the White House — one that balances Trump’s tastes with the gravitas of the White House — would be a defining capstone for any architect’s career. “He may just be the perfect architect for the job. For his sake, I hope it turns out that way,” he wrote of Baranes.
Baranes’ portfolio includes multiple synagogue renovations. He donated his services to restore the interior of Sixth & I, the Jewish center in downtown Washington, D.C., when it was reconstructed just over two decades ago.
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It’s time to reconsider what we know about Jewish birthing rituals
For all living things, birth is our introduction to the world. So it’s a fitting theme for the first exhibit in the Museum at Eldridge Street’s new initiative, “Opening Doors to Intercultural Understanding.”
The multiyear project is centered around three themes: sacred space, sacred community and sacred time. First Light is inspired by sacred time, which focuses on lifecycle events and holidays in the Jewish calendar. The museum staff worked with curator Warren Klein, the director and curator at Herbert & Eileen Bernard Museum of Judaica, to come up with the idea for an exhibit on birth.
“Of course, there’s a universal resonance there,” Amanda Gordon, the museum’s director of public engagement, said. “But really First Light is all about examining Jewish birth traditions and different observance practices, how they’ve evolved, but also different kinds of aesthetic craftsmanship ideas.”
Visitors are first greeted with contemporary paintings from artists Tobi Kahn and Mark Podwal that depict the significance of birth both personally and biblically. Kahn’s abstract painting evokes one of his children’s sonograms through its textured exploration of rounded shapes. This is juxtaposed with Podwal’s depiction of Pharaoh’s daughter finding Moses in the Nile, using a classic Egyptian style to depict the female face looming over baby Moses, almost protectively. Further along in the exhibit are older examples of birth-related rituals both in art and in historic objects.
“These rotating exhibitions,” Gordon said. “They give us a chance to showcase not only cultures outside of Ashkenazi Jewish culture, but also contemporary work. So to have, you know, Tobi’s work and Mark Podwal’s work here in conversation with these pieces from the 19th and 18th century.”
One of the first photographs in the exhibit is of a two-seater bench; one seat is for the sandek, who holds the baby during the bris, and the other is for Elijah the Prophet.
Klein explained that Elijah is imagined to be at every circumcision ceremony, and some communities reserve a seat for him, much like how many families save him a glass of wine during a Passover seder.
“It’s hard to kind of pinpoint where the custom was created,” Klein said. “Across the board, Ashkenazi and Sephardic communities will have a chair reserved for Elijah.”
The exhibit also explores lesser-known traditions; though most people think that Jewish birthing customs are limited to “circumcision or bris milah and that’s it,” Klein said. “It’s truly not.”
For example, there is Pidyon haben, the redemption of the first born son, a tradition that dates back to the days of the high priest, when Israelites had to offer their firstborn sons as priestly assistants. In the era of rabbinic Judaism, the redemption became more symbolic, and families would offer coins on a platter to “purchase” their child back from the rabbi. In the exhibition, a photo of an ornate silver platter filled with coins illustrates the practice.
Although the exhibit could house only a limited number of physical objects, it displays a wide range of customs. There’s a decorative amulet case from the 19th century that once held a prayer to protect its holder from Lilith, a demon — or, according to some stories, Adam’s first wife before Eve — thought to harm the mother and child during labor or right after birth. One glass case hosts a printed prayer book for a German mohel, or ritual circumciser, dated to 1744. What makes this facsimile particularly interesting, Klein explained, is its depiction of women, who are usually not seen in the visual images of the bris.
Klein wanted to make sure women were more represented in this exhibit than they usually are in discussions of Jewish birthing customs. One photograph shows a girl’s baby naming in 20th-century Morocco and another depicts the outfit worn by a female baby at a Greek ceremony.
The exhibit also features a wimpel, a long piece of cloth used to tie the Torah scroll. Traditionally, wimpels are made from the cloth that swaddled a baby during his bris, and are decorated with prayers for the boy to grow strong, learn Torah and get married.
“These then would be deposited or used in the synagogue, maybe on his bar mitzvah, maybe on special occasions, and then given to the synagogue almost as a census that this person was a part of the community,” Klein said. “There would be communities that had truly thousands of these.”
“Unfortunately, this is a custom that almost died out after the Holocaust,” Klein said. “There was a resurgence in the 20th century and certain communities still practice it. But it is very rare to find.”
Both Gordon and Klein expressed hope that visitors of all backgrounds would gain something from the exhibit.
“It was my hope that, you know, visitors would come in with their traditions or their kind of preconceived notions on what maybe Jewish birth traditions and customs are,” Klein said. “And to also kind of have some ideas to take with them into their own communities.”
The exhibit First Light: Birth in the Jewish Tradition will be on view at the Museum at Eldridge Street until April 26, 2026.
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