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‘Fabelmans’ flops at the Oscars, but Hollywood’s Jewish history gets a nod
(JTA) – With seven nominations for his most personal film ever, this could have been Steven Spielberg’s biggest year at the Academy Awards. But the hot-dog fingers had other plans.
“The Fabelmans,” the director’s highly personal dramatization of his Jewish upbringing, didn’t win a single one of the Oscars it was nominated for Sunday night. Spielberg’s film lost out on the biggest categories, including best picture, director, actress, and original screenplay, all to the same movie: chaos-theory multiverse comedy “Everything Everywhere All At Once,” where the aforementioned hot-dog fingers play a starring role.
But while the most Jewish movie came up empty-handed, other Jewish stories played out on the movies’ biggest night. Here’s what you need to know.
‘Fabelmans’ follies
Spielberg’s autobiographical opus may have come up empty-handed Sunday, but it got a booby prize: “The Fabelmans” was host Jimmy Kimmel’s favorite punchline. Kimmel used his monologue to drop a series of jokes about the film, including dubbing Spielberg and star Seth Rogen “the Joe and Hunter Biden of Hollywood”; speculating that nominated co-star Judd Hirsch was actually absentee Tom Cruise in a mask; and warning anyone plotting to slap him Will Smith-style, “You’re gonna have to go through the Fabelman to get to me.”
Later, Kimmel kept up the bit, introducing Paul Dano and Julia Louis-Dreyfus to present an award. Kimmel billed them as “Steven Spielberg’s dad and Jonah Hill’s mom,” referencing not only Dano’s role in “The Fabelmans,” but also Louis-Dreyfus’ part as a clueless white Jewish mother in the much-maligned Netflix film “You People.”
Getting loud for ‘All Quiet’
“All Quiet on the Western Front,” Netflix’s grueling drama about German soldiers on the frontlines of World War I, ended the night with four Oscars: international feature film, original score, cinematography and production design. In addition to having a Jewish producer, the movie was also adapted from a novel and 1930 film that both met the ire of the Nazi party and were tarred as Jewish plots to destroy the German state.
Another anti-dictator winner on Sunday was “Guillermo Del Toro’s Pinocchio,” which won the animated feature Oscar. Set in Fascist Italy, the Netflix film features a scene of Pinocchio mocking Il Duce himself, Benito Mussolini.
A Jewish ‘Goonies brother for life’
One of the most heartwarming moments of the evening was the best supporting actor win for Ke Huy Quan for “Everything Everywhere All At Once.” Quan, a former child actor, had abandoned his onscreen career for decades before his big comeback role last year. In his emotional acceptance speech, Quan gave a special shout-out to “my ‘Goonies’ brother for life,” Jeff Cohen — a Jewish former child star turned entertainment lawyer. Cohen and Quan appeared in “The Goonies” together in 1985, and when Quan landed his big “Everything Everywhere” role, Cohen negotiated the terms of his deal.
Jamie Lee Curtis and Sarah Polley
There were a couple big-name Oscar winners with Jewish parents. Immediately after Quan’s big moment, veteran actress Jamie Lee Curtis picked up her first-ever Oscar, also for “Everything Everywhere.” It was also a big moment for the “Halloween” star. “My mother and my father were both nominated for Oscars in different categories,” Curtis noted during her speech. Tony Curtis, Jamie Lee’s Jewish father, was one of the biggest stars of Golden Age Hollywood yet received only one Oscar nomination, in 1959 for “The Defiant Ones.”
Another winner with a Jewish father: the writer-director-actor Sarah Polley, who won best adapted screenplay for “Women Talking.” Polley explored the secret of her biological parentage in her 2013 documentary “Stories We Tell.” “Women Talking” is set inside a different religious community: an isolated Mennonite society in which the women have been systematically, sexually abused by the men.
Navalny and the neo-Nazis
The winner for best documentary went to a profile of Russian opposition leader Alexei Navalny, whose 2020 poisoning by KGB agents after he publicly criticized Vladimir Putin was an international scandal. Navalny is currently imprisoned in Russian solitary confinement; the filmmakers dedicated the award to him. The documentary also details an aspect of Navalny’s campaign more controversial to Western observers: his onetime support of the “Russian march,” a gathering of Russian neo-Nazi organizations.
Diane Warren’s no-win situation
Did you know the songwriter Diane Warren is a 14-time Academy Award nominee? Singer Sofia Carson reminded everyone in the middle of the evening’s first performance for best original song. Warren, who is Jewish, joined in the performance of “Applause,” her composition from the feminist documentary “Tell It Like A Woman.” She has never won an Oscar, and unfortunately for her, the streak continued Sunday night as the viral sensation “Naatu Naatu,” from the Indian film “RRR,” took the prize. (As a consolation, Warren received an honorary Oscar at the Governor’s Awards preceding the telecast.)
Another Jew-ish shutout
Also drawing blanks was “Tár,” the cerebral classical-music psychological drama with somewhat inexplicable Jewish themes.
Hollywood’s Jewish history gets a nod
The broadcast included a promotional video for the Academy Museum, which opened last year to celebrate the history of Hollywood. In the video, a curator named Dara Jaffe explains that one of the museum’s roles is to “bring important film histories to light, from the Jewish immigrants who founded the Hollywood studios to the early innovators of African-American cinema.” The inclusion is notable because the museum drew steep criticism when it first opened for giving short shrift to the industry’s robust Jewish history; Jaffe was appointed to put together a permanent exhibition about that history in response. The exhibition has not yet opened.
On this #Oscars night, we celebrate the incredible work of our team at the Academy Museum. This institution advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. pic.twitter.com/6DEM9TUXiG
— Academy Museum of Motion Pictures (@AcademyMuseum) March 13, 2023
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The cheesy way to do teshuvah
To Europeans, cheese culture in the United States is not quite ripe.
The Kraft company, for good and for ill, has defined American cheese in high-gloss orange. But if you’ve been to a grocery store or farmer’s market in recent decades, guided by tatted-up slicers ready to educate you on musky bouquets and runny rinds, you know this is only part of the picture.
Sara Joe Wolansky’s The Big Cheese follows Adam Moskowitz, a third-generation cheese importer as he coaches Team U.S.A. to compete at the Mondial du Fromage in France — the Olympics of cheesemongers. He’s the one in the cow suit, leading a group chant of barnyard noises he calls a “mooditation.” You might mistake his bootcamp in Queens as a joke, but he’s not kidding.
“For me this is redemption,” he says.
Moskowitz, equal parts Tevye the dairyman, George S. Patton and the Beastie Boys, credits cheese with saving his life. At first he was resistant to enter the family trade, begun by his immigrant grandfather, Ben, who started in the business as a kid with a pushcart in Washington Market in Tribeca and became one of the first Americans to import now familiar cheeses from abroad. Adam’s father, Joseph, expanded the market, debuting Jarlsberg and Boursin in our supermarkets.
An ambitious workaholic, Adam forged his own path, earning his first million dollars as a salesman at Yahoo! in the 1990s, and losing it almost immediately when the dot-com bubble burst. When his flirtation with a rap career fell flat (you’ll see why), he joined the world of cheese at the family firm, Larkin Cold Storage, and brought the party there, founding the Cheesemonger Invitational, a booze-soaked celebration he emceed, between bumps of coke in the bathroom.
The invitational Moskowitz founded in 2011 helped inspire the Mondial, a competition that pits the world’s best cheesemongers against one another in blind taste tests, oral presentations pitching a specific cheese and statue displays. By 2023, no American had ever placed in the competition. A newly sober Moskowitz was determined to crumble that Roquefort ceiling.
In Moskowitz’s journey is a tale of Tillamook teshuvah. He is indebted to the cheese community for letting him make amends. Throughout, he reflects on his behavior as an addict, leading to some heavy moments in an otherwise frothy endeavor.
The documentary is also focused on two competing cheesemongers, Sam Rollins and Courtney Johnson, who Moskowitz and a panel of experts picked to challenge the snooty Europeans. It’s a compelling look at a slice of an industry whose experts get shorter shrift than their oenological counterparts. (A monger is a cheese sommelier, make no mistake.)
I won’t spoil the ending, except to say events cooperated with the film’s feel-good vibe, though you may end up wishing Wolansky stayed on a bit longer for the following year’s competition, which saw a major win for the underdogs.
The film may just bring out the patriot in you, as you root for American soft (cheese) power to prevail. It could just be the perfect thing to watch this coming Shavuot.
Sara Joe Wolansky’s The Big Cheese makes its world premiere at DOC NYC. In person and online dates can be found here.
The post The cheesy way to do teshuvah appeared first on The Forward.
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Netanyahu, Touting Push Toward Greater Self-Reliance, Denies Report Israel Seeking 20-Year US Military Aid Deal
US President Donald Trump greets Israeli Prime Minister Benjamin Netanyahu at the White House in Washington, DC, US, Sept. 29, 2025. Photo: REUTERS/Kevin Lamarque
Israel Prime Minister Benjamin Netanyahu has denied reports that his country is seeking a new 20-year military aid deal with the US, insisting that the Jewish state is working to wean itself off American assistance.
“I don’t know what they’re talking about. My direction is the exact opposite,” Netanyahu said on “The Erin Molan Show” on Thursday when asked by the Australian journalist about a new Axios report saying Israel was pursuing the security agreement.
According to Axios, the deal under discussion would include “America First” provisions to win the Trump administration’s support. The current 10-year memorandum of understanding between the two countries — the third such agreement signed — expires in 2028. It includes around $3.8 billion of annual military aid to Israel, which spends nearly all the assistance in the US to purchase American-made weapons and equipment.
The report comes amid growing criticism in the US among progressives and, increasingly, some conservatives over American military support for Israel, especially among younger Americans.
“Now, I want to make our arms industry independent, totally as independent as possible,” Netanyahu said on Thursday. “I think that it is time to ensure that Israel is independent.”
Netanyahu added that US defense aid to Israel is a “tiny fraction” of what Washington spends in the Middle East.
“We have a very strong economy, a very strong arms industry, and even though we get what we get, which we appreciate, 80 percent of that is spent in the US and produces jobs in the US,” he continued, saying he wants to see “an even more independent Israeli defense industry.”
The Israeli premier went on to stress that his country has never asked a single American solider to fight for Israel.
“Israel does not ask others to fight for us,” he said. “Israel is the one American ally in the world that says, ‘We don’t need boots on the ground, we don’t need American servicemen fighting on the ground for Israel or around Israel. We’re fine.’ We fight our own battles, but in doing so, we serve important American interests, like preventing countries that chant ‘Death to America’ from having nuclear bombs to throw at America.”
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South African President Says ‘Boycotts Never Really Work’ Despite BDS Support
South Africa’s President Cyril Ramaphosa attends the 20th East Asia Summit (EAS), as part of the 47th ASEAN Summit in Kuala Lumpur, Malaysia, Oct. 27, 2025. Photo: REUTERS/Hasnoor Hussain
South African President Cyril Ramaphosa insisted that “boycott politics doesn’t work” following the Trump administration’s announced absence from a summit in his country later this month — despite his ruling party’s ongoing support for the boycott, divestment, and sanctions (BDS) movement against Israel.
On Wednesday, Ramaphosa urged US President Donald Trump to reconsider his decision to boycott the G20 Leaders’ Summit, scheduled for Nov. 22-23 in Johannesburg, northeastern South Africa.
Ramaphosa criticized Washington for “giving up the very important role that they should be playing as the biggest economy in the world” in its decision to skip the summit — the first to be held in Africa.
“It is unfortunate that the United States has decided not to attend the G20. All I can say in my experience in politics is that boycotts never really work. They have a very contradictory effect,” the South African leader told reporters outside parliament in Cape Town.
Trump, who has previously accused the South African government of human rights abuses against white minorities — including land seizures and killings — called the decision to host the G20 summit in the country a “total disgrace.”
“No US government official will attend [the summit] as long as these human rights abuses continue,” he wrote in a post on Truth Social.
However, the South African government has strongly rejected any claims of genocide, saying such accusations are “widely discredited and unsupported by reliable evidence.”
Ramaphosa reaffirmed that the summit will proceed as scheduled, regardless of Washington’s absence.
“The G20 will go on. All other heads of state will be here, and in the end, we will take fundamental decisions. And their absence is their loss,” he said.
“The US needs to think again whether boycott politics actually works, because in my experience, it doesn’t work. It’s better to be inside the tent rather than being outside the tent,” he continued.
Despite such claims, Ramaphosa’s ruling African National Congress (ANC) party has officially endorsed the BDS campaign against Israel for years.
The BDS movement seeks to isolate the Jewish state internationally as a step toward its eventual elimination. Leaders of the campaign have repeatedly stated their goal is to destroy the world’s only Jewish state.
In 2012, the ANC announced its full backing of the BDS movement, urging “all South Africans to support the programs and campaigns of the Palestinian civil society which seek to put pressure on Israel to engage with the Palestinian people to reach a just solution.”
Following Ramaphosa’s comments this week, it remains unclear why he continues to back anti-Israel boycotts if he believes they don’t work.
Since the start of the war in Gaza, the South African government has been one of Israel’s fiercest critics, actively confronting the Jewish state on the international stage.
Beyond its open hostility toward Israel, South Africa has actively supported Hamas, hosting officials from the Palestinian terrorist group and expressing solidarity with their “cause.”
In one instance, Ramaphosa led a crowd at an election rally in a chant of “From the river to the sea, Palestine shall be free” — a popular slogan among anti-Israel activists that has been widely interpreted as a genocidal call for the destruction of the Jewish state, which is located between the Jordan River and the Mediterranean Sea.
Since December 2023, South Africa has also been pursuing its case before the International Court of Justice accusing Israel of committing “state-led genocide” in its defensive war against Hamas in Gaza.
Israeli leaders have condemned the case as an “obscene exploitation” of the Genocide Convention, noting that the Jewish state is targeting terrorists who use civilians as human shields in its military campaign.