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Far-right Israeli minister urges loyalty as his US visit draws protests, boycotts and arrests
WASHINGTON (JTA) — For more than a week, American Jewish groups have debated how and whether to welcome Israel’s far-right finance minister, Bezalel Smotrich, as he visits Washington, D.C.
On Sunday night, that debate culminated in protests, arrests, boycotts — and a speech by Smotrich urging American Jews to remain loyal to the Jewish state.
Inside the Grand Hyatt Washington, Smotrich spoke to Israel Bonds, a U.S. organization that encourages investment in Israel. In the lobby of the hotel, left-wing groups protested, sang songs and, in some cases, were escorted out in handcuffs. And outside the hotel, in the cold rain, hundreds of liberal Jews gathered to declare their dedication to the Jewish community — and to protest Smotrich and Israel’s government.
“This is a moral emergency,” said Sheila Katz, CEO of the National Council of Jewish Women, in a speech at the protest. “We must name this deep pain that so many of us feel for what’s happening in Israel right now, a place that we love. It is with that love that we come here tonight, standing with our Israeli siblings, saying there is nothing normal, nothing acceptable about this moment.”
The Israeli government is advancing legislation that would transform Israel’s system of government and has drawn sweeping protests across the country as well as concern by foreign investors and financial watchdogs. But little sense of emergency was present in the remarks given by Smotrich, who called on his audience to stay the course. The event was closed to press.
“This moment in the history of Israel is a miracle,” he said in remarks released by his office. “And for more than 70 years, Israel Bonds investors like you have helped make our Jewish State a reality. But, there is still work to be done, so don’t stop investing!”
Outside the conference room where Smotrich spoke, the left-wing Jewish group IfNotNow protested by singing and reciting maariv, the Jewish evening prayers. The group said seven of its members were arrested by police. The anti-Zionist group Jewish Voice for Peace also protested.
The dueling speeches and actions on Sunday came at a time when even the staunchest advocates for Israel are publicly criticizing its government. They serve as the latest evidence that the coalition led by Prime Minister Benjamin Netanyahu is upending the Diaspora’s relationship with Israel like no government before it.
Much of the criticism has surrounded the government’s signature legislative effort, which would sap the Supreme Court of much of its power and independence. And a fresh round of criticism came this month after Smotrich called for a Palestinian village to be wiped out — a statement he has since walked back repeatedly and at length, including during his Israel Bonds address. In the past, Smotrich has also made statements denigrating LGBTQ people and Arabs.
Major Jewish establishment organizations and leaders, once loath to publicly criticize Israel, are expressing alarm about the judicial legislation as well as Smotrich’s incendiary rhetoric. They are watching as the country is roiled by frequent massive demonstrations that have brought hundreds of thousands of Israelis into the streets.
That criticism has manifested itself in a widespread boycott of Smotrich’s visit — a change of pace for Jewish organizations that are generally eager to meet with senior Israeli officials. The American Israel Public Affairs Committee is snubbing Smotrich, and so is the Biden administration. His only known quasi-governmental interaction this week will be a guided tour of the U.S. Holocaust Memorial Museum.
Aside from his Israel Bonds appearance, Smotrich is meeting with officials from just two Jewish organizations, the Orthodox Union and the right-wing Zionist Organization of America, one of the few U.S. groups to support the judicial reform.
“The hateful views long expressed by Minister Smotrich are abhorrent, are opposed by a majority of Israeli citizens, and run contrary to Jewish values,” the Jewish Community Relations Council of Greater Washington said in a statement. “No public servant should ever condone or incite hatred or hate-motivated violence, and when they do, they will be fiercely condemned by a wide swath of American Jewry.”
Those comments were echoed by the speakers at the protest outside the Grand Hyatt, which was organized by an array of progressive Jewish groups. Despite their attitude toward the Israeli official speaking inside the hotel, the event was suffused with patriotic fervor, with piles of Israeli flags for protesters to wave. It finished with a rendition of the Israeli national anthem, “Hatikvah.”
“Anybody who has authority in the community has to be ne’eman, to be faithful, has to be somebody who the community can trust like Moshe,” said Rabbi Jill Jacobs, CEO of the liberal rabbinic human rights group T’ruah, using the Hebrew name for Moses and quoting a rabbinic teaching.
Jacobs, who is a longtime proponent of curbing Americans’ giving to right-wing extremist groups in Israel, went on: “We’re here to say that the current leadership of Israel — including, of course, Bezalel Smotrich, speaking inside this hotel — they are not ne’eman, they are not people we can trust, they are not people who are leading Israel in the right direction.”
Israeli Finance Minister Bezalel Smotrich addresses Israel Bonds in Washington D.C., March 12, 2023. (Office of the Finance Minister)
Smotrich emphasized the same themes — Jewish unity and mutual responsibility — but toward different ends. He thanked his audience of investors in Israel bonds “for the unquestionable connection between Israel and Diaspora Judaism.”
“We must not forget that we are brothers,” he said. “Despite all of the differences, despite the many colors that make up the Jewish mosaic, we are one.”
He also once again apologized for his call to “wipe out” Huwara, a Palestinian West Bank village where Israeli settlers rioted recently after a Palestinian gunman there killed two Israelis. He said his words “created a completely mistaken impression.”
“I want to say a few words about the elephant in the room,” Smotrich said. “I stand before you now as always committed to the security of the state of Israel, to our shared values, and to the highest moral commitment of our armed forces to protect every innocent life, Jew or Arab.”
If anyone is finding new allies, it is not Smotrich but his opponents, who run the gamut from the Jewish left to once-reliable mainstays of the right. Miriam Adelson, the widow of casino magnate, Republican kingmaker and pro-Israel donor Sheldon Adelson, said on Sunday that Netanyahu’s rush to enact judicial reform was “hasty, injudicious and irresponsible.”
Those changes galvanized the protesters. “We are the Jewish establishment!” Jacobs said.
Jacobs said later in an interview that the “grounds are shifting” among American Jews. “Some of us here and in Israel have been on the ground fighting against the occupation and the attacks on democracy for years and years, and now it’s becoming clear to more and more American Jews and Israeli Jews that that was the right message,” she said.
The issue of whether to raise Israel’s occupation of the West Bank has been a matter of debate amid the protests in Israel, where there have been reports that organizers have discouraged the display of Palestinian flags, fearing that Netanyahu will weaponize any sign of solidarity with the Palestinians.
The tension over whether the Palestinians should be mentioned played out before the protest in Washington as well, at a press conference featuring philanthropists and Israeli businessmen who said the judicial reforms were threatening Israel’s economic standing.
The event started with a rendition of “Oseh Shalom,” the Jewish prayer for peace, composed by the Israeli Jewish Renewal group Nava Tehila.
Susie Gelman, a philanthropist who chairs the Israel Policy Forum, which supports the establishment of a Palestinian state alongside Israel, said one of the key roles of the Israeli Supreme Court in recent years has been to protect some Palestinian rights and slow Israeli efforts to increase sovereignty in the West Bank.
“You can’t entirely separate judicial overhaul from the question of what’s happening with Palestinians in the West Bank in particular,” she said.
But Offir Gutelzon, a Silicon Valley tech entrepreneur who helped found UnXeptable, an anti-Netanyahu protest movement by Israelis living abroad, differed, saying the protesters’ top priority should be to save the courts’ independence. Achieving that goal, he said, required maintaining unity across the Israeli political spectrum.
“We have to save our Israeli democracy and then we can move on and talk about” the Palestinians, Gutelzon said.
Still, at the protest, speakers spoke of the occupation and its effect on the Palestinians, and there were no objections. Gutelzon led an Israeli contingent in registering cheers for every pronouncement by American liberals.
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At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption
(JTA) — BERLIN — They stood outside Berlin’s Babylon theater, bundled against the cold, laughing and dragging on cigarettes: the Cunio twins David and Eitan, and their younger brother Ariel.
David and Ariel were among the last Israeli hostages released in October from Hamas captivity, after 738 days. Their presence in Berlin — for a screening of a film about them, now recut with a redemptive ending — felt almost like an apparition. On the other side of two heavy glass doors were hundreds of theatergoers, people who had long waited for this moment.
The brothers and their extended family were in Berlin for a second premiere of Tom Shoval’s film “Letter to David.” The original film, shown in 2025 at the Berlin International Film Festival, or Berlinale, dove deep into the struggles of a family whose members had been abducted from Kibbutz Nir Oz on Oct. 7, 2023. By then, six kidnapped members of the family, including three children, had been freed. But David and Ariel remained in captivity.
“Last year I was standing before the screening with a poster of David and Ariel. I was determined, every time I showed the film, to say that it’s an unfinished film,” Shoval told the sold-out audience at the theater in former East Berlin.
“And now I’m standing here. I have David in the audience, and I have Ariel in the audience,” he continued. “This is a precious, precious moment.”
The film “is a testament to love, hope and all the people who did not give up during the two years I was in captivity,” David Cunio said in Hebrew, standing on the stage with his extended family. “You gave me a voice when I could not be present. You were there for me.”
The film’s second showing came as tensions over the war in Gaza and Germany’s support for Israel roiled the Berlinale. After the jury’s president, director Wim Wenders, brushed off a journalist’s exhortation for the festival to take a stand against Israel, the Indian author Arundhati Roy announced she would not attend, and some 80 filmmakers and stars signed an open letter of protest.
Festival director Tricia Tuttle issued a statement saying that “artists should not be expected to comment on all broader debates about a festival’s previous or current practices over which they have no control. Nor should they be expected to speak on every political issue raised to them unless they want to.”
Journalists and filmmakers continued to raise the issue, even on the festival’s final weekend, when some award winners — including the Syrian-Palestinian director Abdullah Al-Khatib, who won best debut film — swatted back at the festival jury, criticizing what they see as Germany’s general support for Israel. Al-Khatib’s allegation that Germany has been “partners in the genocide in Gaza by Israel” prompted a German minister to walk out of the awards ceremony on Sunday.
Friday’s screening of “Letter to David” was by contrast a love fest, and the two police cars out front and uniformed officers circulating inside appeared to have little to do. The audience gave the entire family a standing ovation before the screening.
“I think this is a piece of history,” audience member Nirit Bialer, an Israeli who has lived for years in Berlin, said in an interview. “Just seeing the family, and just following the story about this family on the media, going to the Hostages Square in Israel every time I was there in the last two years: Wow, I’m speechless.”
The film’s original ending showed twins David and Eitan Cunio as actors, grappling with each other in an embrace that is both tender and violent, in a scene from Shoval’s feature film, “Youth,” screened at the Berlinale in 2013.
That ending now segues into a new conclusion, in which the reunited Cunio family embraces. They also view the film together, and Shoval captures their faces as the projector beams from behind.
Shoval said in an interview that he had not changed anything in the first part of the film. “I wanted to leave it as a time capsule, in a way, of how we perceived it back a year ago,” he said.
Though he had been invited to be with the family at their reunion, he chose not to, explaining, “I thought it’s a moment that belongs to them and not to me.”
But he spoke with David soon after he was released. And shortly afterward, he visited Sharon and David Cunio at their home. “I came in the morning and we sat until sunset together and we talked. Even when I’m thinking about it now, I’m getting emotional, because it was really…” He paused. “You’re waiting for a moment for this for so long.”
The Friday screening was not an official part of the Berlinale, but the beleaguered festival director Tuttle made a point of taking the stage herself. The film has been “finished in the way that Tom only hoped and dreamed and believed that he would be able to finish it,” she told the audience.
“We were horrified along with the world and all of you when David Cunio and many members of his family were abducted by Hamas,” she said. And on their release “we rejoiced with everyone as well.”
Saying that the new version was completed too late to be included in the festival schedule, Tuttle thanked two co-production companies that work closely with Israeli artists for backing Friday’s screening: the Israel-based Green Productions and the Berlin-based Future Narrative Fund.
Audience members seemed loath to leave the theater after the screening, lingering over what some described as mix of happiness and worry.
“The fact that David is able to see the movie makes us see the movie in a different way,” commented Konstantin, who had seen the original version last year. A young Jewish actor who lives in Berlin, he asked that his full name not be used, out of concerns about antisemitism. “With the ending, it’s like a full circle, completed.”
Seeing the film again with the Cunio family present “was very uplifting and very happy,” said Berliner Julia Kopp, who also saw the film last year. “But at the same time, it’s not a happy ending … I also have a bit of a heavy heart,” worrying about “how life will go on for them.”
Both brothers have indicated that reentry into everyday life has been challenging after two years of captivity for them and two years of traumatized advocacy by their loved ones. And Ariel Cunio and his partner Arbel Yehud, who was held in captivity until January, have raised nearly $1.8 million since launching a crowdfunding campaign last week aimed at allowing them the time and space to “come back to life.”
A crowdfunding campaign launched on behalf of David and Sharon Cunio their twin daughters, also former hostages, says, “The family not only has to deal with the trauma that follows being held hostage and the events that transpired on October 7th, but also needs to rebuild their entire lives from scratch.”
Shoval said the film — and the screening — offered a vision for what a more settled future might look like.
“For me, the film is about the unification of the brotherhood, and what that means to be torn apart from each other, but also to get back,” Shoval said. “They can sit in the theater and they can see themselves. They can see what they missed, what happened. They can project about the past, about the present. This is a power of cinema, I feel. It felt natural for me to do that: to bring them back.”
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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