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‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.
(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.
“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.
Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.
On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.
Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”
As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)
“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.
Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?
“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”
The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.
“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.
RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’
We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)
Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.
“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”
After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.
“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.
Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.
“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.
Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.
“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”
To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.
Lizzy Caplan plays Toby’s friend Libby. (FX Networks)
“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”
Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.
“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.
Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.
Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”
About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.
“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.
Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.
No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?
“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”
“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays.
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Norman Podhoretz, Commentary editor and archetypal Jewish neoconservative, dies at 95
(JTA) — Norman Podhoretz, the journalist and public intellectual who charted a path from Jewish liberal to pro-Israel neoconservative that would become well worn, has died at 95.
Podhoretz was the influential editor of Commentary magazine for 35 years, after being appointed to run the American Jewish Committee’s thought journal at 30 in 1960.
He initially continued in the magazine’s liberal tradition. But over the course of the 1960s, he became disillusioned by the left. He lamented the radicalism that became prevalent in campus antiwar activism. He also objected to a mounting critique of Israel and its occupation of Palestinian territories within the New Left following the Six-Day War in 1967.
By the decade’s end, Podhoretz had openly refashioned himself as what would become known as a neoconservative — someone his friend and intellectual ally Irving Kristol would describe as “a liberal who has been mugged by reality.”
Many of the most prominent neocon intellectuals were Jewish and, like Podhoretz, from New York City. Commentary became a central platform for their outlook on civil rights, the threat of communism and especially foreign policy, where Podhoretz was known as a particular expert. He argued strenuously against the Soviet Union and expressed steep concern about the U.S. detente with Russia as communism collapsed. He also advocated an interventionist U.S. foreign policy in support of promoting democracy abroad, causing him to support foreign wars that many liberals opposed.
Israel was a focus for Podhoretz, an observant Jew who was a longtime member of Manhattan’s Congregation Or Zarua. He believed that Israel was essential for both Jewish safety and U.S. interests and argued in support of its military pursuits. He soured early on the prospects for a peaceful resolution of the Israeli-Palestinian conflict. He also warned early — and seemingly presciently — that Jews could not rely on left-wing values to keep them or their homeland safe.
Podhoretz made waves in 2016 for endorsing Donald Trump in his first run for president, at a time when many traditional Republicans could not countenance him. He argued that Hillary Clinton would continue Barack Obama’s policies including the Iran nuclear deal that Obama struck, which Podhoretz called “one of the most catastrophic actions that any American president has ever taken.”
By the time he retired as Commentary’s editor in 1995, Podhoretz had embraced mainstream conservative views on a range of social issues, too, opposing abortion and gay rights. He also rejected his early liberal views on immigration, saying in 2019 that contemporary immigrants did not want to assimilate the way his parents’ generation had sought to.
“I was always pro-immigration because I’m the child of immigrants,” he told the Claremont Review, a leading journal of contemporary conservatism. “And I thought it was unseemly of me to oppose what not only had saved my life, but had given me the best life I think I could possibly have had.”
Born in 1930 in Brooklyn to parents who immigrated from Galicia, now Poland, Podhoretz attended public schools but also got a rich Jewish education at the urging of his father, a Yiddish-speaking immigrant who worked as a milkman. In addition to learning Hebrew, Podhoretz worked at Camp Ramah and took classes at the Jewish Theological Seminary while attending Columbia University, from which he graduated in 1950.
The final of his dozens of books, published in 2009, attempted to explain why most U.S. Jews are liberals — and why they should not be.
“He was a man of great wit and a man of deep wisdom and he lived an astonishing and uniquely American life,” his son John Podhoretz, who succeeded him as Commentary’s editor, wrote in a remembrance for the magazine announcing his father’s death. “And he bound himself fast to his people, his heritage, and his history. His knowledge extended beyond literature to Jewish history, Jewish thinking, Jewish faith, and the Hebrew Bible, with all of which he was intimately familiar and ever fascinated.”
Norman Podhoretz is survived by four children, 13 grandchildren and 16 great-grandchildren, according to the remembrance. His wife, the social commentator and critic of feminism Midge Decter Podhoretz, died in 2022.
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I’m a neuroscientist. Here’s why Ahmed al Ahmed’s bravery at Bondi Beach strains our narratives.
(JTA) — We tend to think of human behavior as deeply shaped by group lines. Again and again, research in social psychology and social neuroscience, along with everyday experience, shows how easily people come to see themselves as members of distinct groups, how quickly an “us” and a “them” emerge, and how rapidly loyalty on one side gives way to suspicion on the other, sometimes even when those divisions are thin or arbitrary.
As a fiction writer and a doctoral student in cognitive neuroscience who studies how narratives shape our perception of the world, I think often about how events like this strain the explanatory stories we rely on to make sense of why people act as they do. These patterns of group loyalty are familiar and empirically robust. People genuinely experience themselves through group identities.
And yet sometimes a single human action cuts across these categories, exposing the limits of the narratives we use to understand how people act in the world.
That is what we have experienced this week in the story of Ahmed al Ahmed, the Muslim fruit-seller who intervened, at great personal risk, to try to stop a deadly attack on Jews celebrating Hanukkah in Sydney.
Al Ahmed’s action was not only an act of exceptional bravery, but a direct challenge to the worldview advanced by so many figures today. By knowingly risking his life to protect Jews outside his own group and identity, he crossed the very boundary that many insist cannot be crossed, revealing a simple truth: that human moral action cannot be reduced to rigid theories of group loyalty alone.
Perhaps one of the most prominent proponents of a growing online current that frames human life as fundamentally governed by group identity is the white supremacist livestreamer Nick Fuentes. He has repeatedly advanced antisemitic claims, arguing that Jews are incapable of full civic loyalty, that they put their own group first, and that Jewish Americans are ultimately more loyal to Jews as a group or to Israel than to the United States itself. He has said about Jews, “They have this international community across borders, extremely organized, that is putting the interests of themselves before the interests of their home country.” In Fuentes’ framing, human existence is a competition between groups, and moral loyalty is by definition exclusive. He is careful to insist that these claims are not antisemitic, presenting them instead as a hard-headed and honest description of human nature.
A similar logic appears in the rhetoric of Thomas Rousseau, the leader of the extremist group Patriot Front, who describes the United States as being locked in an inevitable racial struggle. Rousseau has framed this worldview in stark terms, declaring that white people are “being relentlessly erased on all sides, by the Jew, by non-whites who hate us,” a statement that casts social and political life as an existential battle between fixed identities.
But the worldview advanced by figures like Fuentes and Rousseau collapses when confronted with a single human act such as that of Ahmed Al Ahmed. If human life were truly governed only by intergroup competition and instinct, there would be no room for a person to knowingly risk his life for strangers from another group, let alone in the midst of mortal danger. Yet this is precisely what happened. Al Ahmed risked his life to protect members of a group to which he did not belong. This altruistic act directly contradicts the theories advanced by Fuentes and Rousseau and exposes them for what they truly are, not neutral descriptions of reality but ideological narratives imposed upon it. Beneath the edgy aesthetics, viral memes, and provocative social media packaging, these claims amount to recycled pseudo-intellectual arguments, longstanding tropes of racism and antisemitism that have circulated throughout history under different guises.
Understanding Al Ahmed’s act, however, requires moving beyond abstract theory to the explanations offered by those closest to the event. Two interpretations have emerged in media accounts of why he risked his life. One, expressed by his father, presents the act in simple and universal terms. His father said that “Ahmed was driven by his sentiment, conscience and humanity.” The other explanation, voiced by Lubaba Alhmidi AlKahil from within the Muslim and Syrian community after visiting Al Ahmed in the hospital, situates the act within a specific moral culture and identity. As she put it, this kind of response is “not strange for a Syrian individual,” coming from a community with strong bonds that has learned to refuse injustice. What is striking is that these two explanations can exist side by side without canceling one another, a possibility that figures like Nick Fuentes and those who share his worldview struggle to grasp because they are locked into a rigid, binary understanding of human motivation.
One might argue that Al Ahmed’s act was a rare exception in a world otherwise governed by group conflict and self-interest. But the reality is that every day, people risk their lives to protect others across lines of identity. Adam Cramer dove into the water to save a drowning girl. Lassana Bathily hid Jewish shoppers during the Hyper Cacher attack in Paris. Mamoudou Gassama saved a child he did not know. Wesley Autrey jumped onto subway tracks to rescue a stranger, and Henri d’Anselme confronted a knife attacker to protect children. Seen in this light, Ahmed Al Ahmed stands within a long human tradition that includes, even in more distant history, figures such as Raoul Wallenberg and Chiune Sugihara, who risked their lives to save others during the Holocaust.
Evolutionary research itself points in the same direction. Across species, altruistic behavior appears again and again, from dolphins that keep injured companions afloat so they can breathe, to rats that will free trapped cage mates. Far from an anomaly, altruism is a recurrent feature of social life, and our brains have a remarkable capacity for empathy and for understanding the experiences of others, far beyond the lines of group identity and social belonging. Fuentes and those like him may insist that people are loyal only to their own group, but reality erodes this impoverished and intellectually lazy theory on a daily basis.
Crucially, these acts do not testify only to universal altruism abstracted from identity. In many cases, they emerged from deeply held group identities and moral traditions. Cultural, religious, and national affiliations did not prevent these individuals from acting on behalf of others. They often supplied the very moral language and sense of responsibility that made such action possible. Universal concern and particular identity therefore do not stand in opposition. They coexist, with specific histories serving not as barriers to moral action but as sources from which it can arise.
That is precisely what figures like Nick Fuentes and those who share his worldview fail to account for. Their politics rests on a rigid vision of identity as a closed framework, one that leaves no room for moral action that crosses its prescribed boundaries. The horrific attack at Bondi Beach, and the courage of Ahmed Al Ahmed within it, remind us that moral action often arises neither from abandoning identity nor from clinging to it defensively, but from inhabiting it fully while remaining open to others.
In an age shaped by clickbait, algorithms and relentless simplification, such moral complexity is difficult to sustain. Political arguments reward camps and slogans. But the actual behavior of people like Ahmed Al Ahmed escapes the internet’s simplified categories and points instead toward a richer form of conduct, one that can be called, quite simply, humanity.
The views and opinions expressed in this article are those of the author and do not necessarily reflect the views of JTA or its parent company, 70 Faces Media.
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The Israel news we don’t hear – and the forces that silence us
I spent part of Shabbat reading about the stunning performance of the Israeli stock market — which is up dramatically since Oct. 7, outpacing the gains of the S&P by a significant margin.
The 35 Israeli stocks with the largest market capitalizations are up a whopping 90 percent since Oct. 7. Meanwhile, the S&P 500 was up 60 percent during that same time period.
I wondered why I had not read more about this, and was struck by what Eugene Kandel, the chairman of the Tel Aviv Stock Exchange, told Investors Business Daily.
“Israel was, and still is, under a PR attack from ideological actors, who finance huge campaigns against us,” Kandel said. “But even during these two years, the collaboration with so many organizations, companies, governments and investors did not stop despite threats and protests.”
Why aren’t we hearing about those collaborations?
Then the news of the Bondi Beach Hanukkah shooting broke. Instantly, all the peace of Shabbat dissipated, along with all the thoughts of collaborations — and who is covering what and why, and in which language.
Instead, I thought again of how terrorists worldwide seem to own a well-thumbed Jewish calendar. The date and timing of this massacre — on yet another Jewish holiday — was no accident, and Jews around the world know this.
We are living through a sustained campaign to make Jews afraid to be Jews. Attacks on Jewish holidays are an effort to erase Jewish joy, Jewish observance, and in the case of Hanukkah, Jewish history.
And perhaps we are also under a sustained campaign to minimize Jewish achievement.
Some politicians take notice
Some politicians are making efforts to look at the often-exhausting layers of what is happening and find ways to name them.
I appreciate the effort to find language for all of this. Representative Brian Mast, the chair of the House Foreign Affairs Committee and a Florida Republican, commented that he discerns a “very specific network that is in place that works together to sow antisemitism that is now, in many cases, working on the left and right across the media, to go out there and put this wedge in this relationship.”
He was referring to the U.S.-Israel connection.
Speaking at a Hudson Institute conference on antisemitism, he called this network a “very, very serious global threat across multinational organizations, media across the globe and adversaries and terrorist organizations.”
When he said “media,” I thought of the minimal coverage of the Israeli stock exchange and the strength of Israeli stocks.
The relief of acknowledgment
I felt a strange sigh of relief as I read Mast’s comments. It was the relief of actual acknowledgment. It was the relief of hearing someone trying to name things, even though I’m not sure if “network” is the best possible word.
Because something must be said.
What I noticed the day after the Bondi Beach massacre was the deep silence. The silence came from so many people that maybe “network” was the right word for it.
I went to a non-denominational holiday party this week, and no one mentioned what had happened in Australia. I wondered what the conversation would have been like if the shooting had happened at a Christmas tree lighting, or a drag story hour that turned into carnage. What would the conversation have been if any other group, but the Jewish community, had been targeted?
It’s unlikely that there would be total silence. Total non-acknowledgment. No words in a room of people who work with words.
The threat we face is not just the threat Representative Mast detailed, or the PR threat Kandel described. It’s also the silence, a silence so loud that it is visible as candlelight in the darkness.
How to respond to silence
I don’t know how to answer silence, but maybe some wiser people out there do.
Late last night, I saw a reel of a very long line of cars with menorahs on their roofs driving along the New York State Thruway, not far from the Palisades Mall, just a short drive from where I grew up.
The line of cars went on and on. The silent message was Do not be afraid. And I saw it as a response to Bondi Beach.
I hope there are more Hanukkah menorahs lit tonight, not less. And I also hope that we can consider bringing layers of truth into the light. Sometimes, layers represent both a dose of reality and an antidote against despair.
Yes, a father and son attacked the Jewish community on a holiday. But it is deeply important and also true that an unarmed Muslim father and fruit seller named Ahmed al Ahmed jumped on one of the gunmen and undoubtedly saved many lives.
The video of that heroic act should be watched by all.
It is a reminder that perhaps there is another “network” out there, a network of those who object to hatred. And it is a reminder that generalizations can only take us so far; as my mentor James Alan McPherson taught me, a story is about an individual at an individual moment in time.
Ahmed al Ahmed showed us all the power of an individual. And the power of a single layer in any truth, and in any story.
As for all those under-discussed Israeli companies holding on in wartime, through boycotts, pushing up the index by 90 percent since the worst day in Israeli history, continuing to collaborate with partners around the globe despite a PR onslaught to isolate them — even in this darkness, and in this silence, we see you.
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