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‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.
(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.
“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.
Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.
On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.
Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”
As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)
“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.
Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?
“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”
The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.
“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.
RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’
We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)
Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.
“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”
After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.
“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.
Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.
“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.
Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.
“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”
To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.
Lizzy Caplan plays Toby’s friend Libby. (FX Networks)
“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”
Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.
“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.
Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.
Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”
About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.
“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.
Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.
No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?
“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”
“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays.
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We Should Be Welcoming All Jews and Bringing Them Closer — Despite Religious Differences
Reading from a Torah scroll in accordance with Sephardi tradition. Photo: Sagie Maoz via Wikimedia Commons.
We Jews have always liked to argue about religion, and everything from kashrut to conversion. Often these differences are far from polite. In every branch and variation of Judaism (as elsewhere), there are sects and extremes, iconoclasts and revisionists, insiders and outsiders. It pains me that we seem so incapable of overcoming such differences and conflicts amicably.
There is an axiom in religious life (all religions, not just Judaism) that those more religious than you are fanatics, and anyone less religious is a doomed sinner. The joke may be extreme, but I think we can all relate to the sentiment.
I could never understand why, for many years, the established Orthodoxy was opposed to going to and teaching at Jewish conferences simply because there might also be people there whose ideas about Judaism they did not share. Neither could I understand the argument that one should not go to Reform communities to teach Torah. On the contrary, if they are so misled by their heretical rabbis, surely it would only be beneficial to go and share another point of view — unless one is so insecure that there might be a risk of backsliding.
The Lubavitch movement is successful precisely because it does not prejudge, and regards every Jew as worthy of attention, regardless of background. And on the other side, anyone vaguely familiar with Reform Judaism in Israel and much of the Diaspora knows that much (not all) of it is seriously trying to come to terms with how to get back to a more traditional way of life with more Hebrew and study.
Of course, as a traditionalist, I disagree with those who make light of our religious traditions and laws. But to some extent, we all choose what to focus on and what not to. I can understand communities that want to preserve their specific identities by excluding those who wish to undermine them. But we can still treat others with tolerance and understanding out of simple good manners. We are such a small people, we cannot afford to lose even more people than we do through ignorance and defection. And thank goodness for those of all variations we welcome in with open doors.
I may not agree with much of Reform ideology and ritual, but I also believe Orthodoxy could have and should be much more flexible. I admire a great deal in the Haredi world, but I think they are seriously mistaken over their attitude to serving Israel’s military needs. And I deplore Neturei Karta’s support of Iranian mass murderers, as I do secular Israelis who want to undermine the Jewish State. Opposition comes from both sides.
There is a Talmudic principle that a Jewish child captured by non-Jews, a Tinnok SheNishba, could not possibly be found guilty of breaking Jewish law since he (or she) would have had no positive experiences of it to be able to make a positive decision. The saintly rabbi known as the Chafetz Chaim (Yisrael Meir Kagan 1838-1933) used this to argue that most modern Jews have never experienced the passion and intensity of genuine Torah spirituality, and therefore cannot be blamed for rejecting something they know nothing of. You can only be a genuine heretic if you really know what it is you are rebelling against!
I would welcome anyone, no matter who, from whatever background, who wanted to identify as a Jew, study and participate. They should be welcomed and encouraged to explore the varieties of Jewish experience and decide where they fit in. And we should do our best to draw them closer and help with any problems of integration they might face.
On Pesach, we will read about the four different sons including the “bad one” with different approaches to Torah. But at least they sat around the same table and were participating in the Seder.
We should use Torah to bring Jews closer — including those who have drifted, and the misguided ones — not to insult them and push them further away just because they have a different view than ours.
The author is a writer and rabbi, based in New York.
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Tehran’s Escalation Doctrine: Why Iran Is Targeting the Entire Middle East
Smoke rises after reported Iranian missile attacks, following United States and Israel strikes on Iran, as seen from Doha, Qatar, March 1, 2026. Photo: REUTERS/Mohammed Salem
Iran’s latest missile and drone strikes across the Gulf signal a dangerous strategic shift. What once appeared to be a confrontation primarily between Tehran, Israel, and the United States is rapidly transforming into a wider regional conflict. By conducting military assaults on Saudi Arabia, Qatar, the United Arab Emirates, and Bahrain, the Islamic Republic has effectively widened the battlefield and placed the stability of the entire Middle East at risk.
On March 7, 2026, Iranian President Masoud Pezeshkian publicly apologized to Iran’s Gulf neighbors after Iranian missile and drone strikes triggered air defense alerts in those states. In a televised statement, he expressed regret for the attacks and claimed that Tehran would halt strikes on neighboring countries unless attacks against Iran originated from their territory. But even as he spoke, air defense sirens and missile interceptions were continuing across the Gulf region. Then the government walked the statement back.
For many countries in the Middle East, the contradiction is glaring. Iran’s apology appeared less a genuine effort at de-escalation and more a familiar Iranian tactic: spinning rhetorical damage control while continuing its aggression.
This pattern is hardly new. For decades, the Islamic Republic has pursued a strategy that blends diplomacy, denial, and deception with relentless expansionism. The result is a geopolitical doctrine aimed not merely at confronting Israel or the United States, but at reshaping the entire Middle East under Tehran’s ideological and strategic dominance.
Iranian leaders have long framed their military posture as defensive, but the reality unfolding across the Middle East tells a very different story. Missiles fired toward Saudi territory, drones intercepted over Gulf cities, and attacks linked to Iranian proxies across multiple theaters point to a broader strategy of coercion. Rather than confining its conflict to direct adversaries, Tehran is increasingly pressuring neutral or semi-neutral states in order to expand the battlefield.
The remarks of Muhammad‑Bagher Ghalibaf, speaker of Iran’s parliament, made this explicit. Ghalibaf declared on social media that Iran’s defense doctrine follows the ideological guidance of the Islamic Republic’s revolutionary leadership and warned that peace will remain impossible as long as American military bases exist in the region.
This statement was effectively a strategic threat to every Middle Eastern state hosting American forces. It confirmed what regional leaders have long suspected: Iran views the entire Gulf security architecture, not merely Israel, as a legitimate target.
One of the most striking aspects of Iran’s recent escalation is that it has drawn states into the conflict that were actively attempting to avoid confrontation. Countries across the Gulf Cooperation Council had pursued diplomatic efforts to reduce tensions between Iran and its adversaries. Oman, for example, had played a leading mediating role in discussions surrounding Iran’s nuclear program.
Yet Iranian missiles and drones have now placed these very states directly in the line of fire. Strategically, this approach is baffling. By striking Gulf territories or allowing projectiles to fall near critical infrastructure, Tehran risks transforming potential mediators into determined adversaries. Analysts have long warned that attacks on Gulf states could collapse the region’s delicate neutrality and push Arab governments into closer alignment with the United States and Israel. In other words, Iran’s escalation may be strengthening the very coalition it claims to oppose.
The Islamic Republic’s behavior cannot be understood purely in military terms. At its core lies an ideological framework embedded in the doctrine of Vilayat-e-Faqih: “Guardianship of the Islamic Jurist.” This system, created after the Iranian Revolution, grants ultimate political authority to the clerical leadership rather than elected institutions. The result is a hybrid regime in which electoral politics exist but real power rests with a religious elite that defines foreign policy through ideological confrontation.
For this leadership, regional dominance is not merely a strategic ambition. It is a revolutionary obligation. From Iraq to Syria, Lebanon, and Yemen, Tehran has cultivated proxy networks that extend its influence far beyond its borders. These networks allow Iran to wage asymmetric warfare while maintaining plausible deniability. The expansion of this strategy into the Gulf itself marks a new and dangerous phase.
Iran’s confrontation with Gulf states is not only militarily reckless. It is economically self-destructive. The Persian Gulf and the Strait of Hormuz form one of the most vital arteries of global commerce. Disruptions in the region affect energy markets, maritime trade routes, and strategic industrial supply chains.
Iranian actions that threaten shipping lanes risk destabilizing not only regional economies but also global technological industries. Qatar, for example, plays a significant role in the export of helium, a critical resource used in semiconductor manufacturing and advanced technologies. Any disruption in Gulf logistics reverberates across industries ranging from artificial intelligence to aerospace.
If Tehran’s objective is to impose costs on its adversaries, it must recognize that such disruptions will also inevitably damage Iran itself. Economic isolation, sanctions pressure, and investor flight are predictable consequences of escalating regional conflict. In strategic terms, Iran’s current approach resembles an “economic own goal” — a policy that undermines its own long-term stability.
The Islamic Republic’s external aggression reflects deep internal vulnerabilities. Years of economic hardship, corruption scandals, and political repression have eroded public confidence in the ruling establishment. Anti-government protests have repeatedly shaken the regime, revealing widespread dissatisfaction across Iranian society. The leadership in Tehran therefore faces a familiar dilemma.
Authoritarian systems often attempt to consolidate power by redirecting domestic frustration toward external enemies. Foreign confrontation becomes a tool for internal cohesion. In this context, escalation abroad may serve a political purpose at home: reinforcing the narrative that Iran is surrounded by hostile forces and must rally behind its revolutionary leadership. Yet such strategies carry enormous risk. History demonstrates that regimes relying on external conflict to sustain legitimacy often accelerate their own downfall.
The Middle East now faces a critical strategic question: Will Iran’s campaign of intimidation continue unchecked, or will the threatened regional states coordinate a collective response? The growing convergence of security interests between Israel and several Arab states represents one possible outcome. Iranian escalation may inadvertently accelerate regional cooperation against Tehran’s ambitions. The normalization processes that began in recent years could gain renewed urgency if the Gulf states conclude that Iran’s threats are directed not only at Israel but at the entire regional order.
At the same time, the United States remains a central factor in the strategic equation. In Tehran’s calculus, American military installations across the Gulf serve as both deterrents and potential targets. Iran’s repeated warnings about these bases indicate that the regime views the broader American security architecture as a critical obstacle to its regional ambitions.
Another factor shaping Iran’s future is the question of leadership. The Islamic Republic now faces a profound political vacuum. Despite widespread dissatisfaction with the regime, no unified opposition figure has yet emerged capable of mobilizing the population around a coherent alternative vision. This absence of leadership allows the ruling clerical establishment to maintain its grip on power even as public frustration grows. Yet history suggests that such conditions rarely remain static. The pressures created by economic stagnation, international isolation, and internal dissent can eventually converge to bring about transformative political change.
For Iran, the central challenge is whether a new leadership capable of reconciling the country with its neighbors and the international community will emerge before the current system pushes the region into wider conflict.
The Iranian regime’s recent missile and drone attacks across the Gulf reveal a dangerous strategic reality: Tehran’s confrontation is no longer limited to Israel or the United States. It is evolving into a broader campaign of intimidation against the entire Middle Eastern order.
By targeting or threatening Gulf states that had sought neutrality, the Islamic Republic risks uniting the region against it. By escalating military pressure while offering hollow diplomatic apologies, it exposes the contradiction at the heart of its strategy. And by prioritizing ideological confrontation over economic stability, it places the welfare of the Iranian people at risk.
If the current trajectory continues, Iran will not succeed in dominating the Middle East. Instead, it may accomplish the opposite — driving its neighbors, the United States, and Israel into an increasingly unified coalition determined to contain the ambitions of a regime whose revolutionary ideology has turned regional leadership into a permanent state of war.
Salah Uddin Shoaib Choudhury is editor of the Bangladesh-based publication Blitz and a commentator on Islamist extremism, terrorism, and South Asian geopolitics. A version of this article was originally published by The BESA Center.
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The Truth About Israel’s Wartime Censorship
Fire ignited at the impact site following an Iranian missile strike, amid the US-Israeli conflict with Iran, in central Israel, March 13, 2026. Photo: REUTERS/Gideon Markowicz
“There are censorship laws in Israel.” (NPR)
“Israel has imposed strict military censorship … for decades, but has tightened its restrictions.” (AFP)
“‘We have a partial understanding of the reality on the ground,’ the senior manager admitted. ‘Our coverage of the war is not truthful.’” (+972 Magazine)
Since the US-Israel war against the Islamic Republic of Iran broke out at the end of February 2026, one aspect of media coverage has drawn particular attention — Israel’s military censorship regulations and their effect on what journalists can publish.
While some have claimed that these restrictions are designed to hide the damage caused by Iranian missile strikes, the reality is far less conspiratorial.
As explained by CNN correspondent Oren Liebermann in a recent report, the purpose of Israel’s censorship rules is to prevent the release of sensitive military information that could assist Iran in its ongoing missile campaign.
This includes details such as the precise locations of missile impacts or the positioning of Israeli interceptor systems — information that could help Iranian forces adjust their targeting.
Liebermann notes that the regulations have not prevented CNN or other outlets from publishing footage of attacks, but they do prohibit livestreaming during missile strikes, which could inadvertently reveal operational details in real time.
This aspect of military censorship is separate from Israel’s policy restricting foreign journalists’ independent access to Gaza, allowing entry primarily through embedded tours with the IDF.
In this latter instance, the stated reasoning has not been the risk of publishing sensitive military information, but rather concerns about journalist safety and the potential disruption to ongoing military operations.
As former IDF spokesperson Lt. Col. (res.) Peter Lerner explained:
Indeed in Israel there’s a military censorship that gives guidelines to media on what can or cannot be broadcasted. Mostly around force protection and specific impacts of missile locations so that Islamic Republic cannot confirm targeting.
Here’s how CNN detailed it.
No…— Lt. Col. (R) Peter Lerner (@LTCPeterLerner) March 7, 2026
It should also be noted that Israel’s wartime censorship rules are not limited to journalists. In theory, they apply to civilians as well.
At the beginning of the war, the IDF issued a public warning on X urging Israelis not to share the locations of missile impacts online because such information could assist the enemy (a modern Israeli version of the classic “loose lips sink ships”).
The only difference is that enforcing such restrictions on millions of civilians posting on social media is far more difficult than regulating a much smaller number of professional news organizations.
Israel is not alone in enforcing military censorship of sensitive information during wartime.
As noted by AFP, the Gulf states facing missile and drone threats from Iran have implemented similar censorship measures, with some banning the spread of images of sensitive sites such as missile impact locations, while others restrict the spread of demoralizing or false reports online.
Outside of the Middle East, censorship rules exist in other modern conflict zones, including Ukraine and the Kashmir region between India and Pakistan.
In other words, Israel’s wartime censorship regulations are not an attempt to conceal damage from Iranian strikes or manipulate the narrative of the war.
They are a standard wartime measure designed to prevent sensitive information from helping the enemy — a practice widely used by countries facing active military threats.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
