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For Ethiopian Israeli Pnina Agenyahu, celebrating diversity is about speaking up and representing
As director of Partnership2Gether of the Jewish Agency for Israel, it’s Pnina Agenyahu’s job to bring together disparate Jewish communities from around the world and celebrate their diversity. It’s a role for which Agenyahu has spent a lifetime preparing — ever since she made aliyah at the age of 3 on the back of her mother, who had walked for two weeks from Ethiopia. Agenyahu was among the early wave of Ethiopian immigrants to Israel back in 1984 and, from a young age, found that she had a gift for being a leader and spokesperson for her community.
In this interview, she discusses the challenges and promises that come with a diverse Israel and wider Jewish community.
Tell us about your childhood and how you adjusted to life in Israel.
I grew up in Israel, but I was born in Ethiopia. And I came in Operation Moses when I was 3 years old. My experience is a bit different from the current aliyah because in our aliyah, in the ’80s, we were quite new to society as a Jewish group. It was the first time that black Jews had arrived in Israel. I was the first Ethiopian—the only one—in my elementary school. I grew up in Haifa, and then I moved to Jerusalem for high school. In Israel, as an Orthodox girl, you don’t go into the army; you go to national service. But I really, really wanted to wear a uniform and wanted the army experience as well. They asked me to move to Rehovot because there was a neighborhood that was 95 percent Ethiopian Jews, and they needed a role model. I accepted the challenge because it really kind of blew my bubble to see the entire community living in a ghetto. It was miserable. Parents didn’t know how to communicate with their kids and couldn’t figure out how to integrate into society. And it really broke my heart. So, I was really into that challenge. That experience defined where I am today.
Because you were the first Ethiopian Jew in many situations in your life, did you feel that you were representing something more than just yourself?
Sometimes it feels like a burden. I’m not saying that I’m famous, but the minute that you become present in some places, you are automatically the representative of the community—especially with our skin color. So, I always felt responsible to not shame my own community and be proud of representing who we are. But at the end of the day, I also feel like it’s kind of a secret mission that I have in my life—to educate about us and challenge us to be more diverse. You will not find so many Ethiopian people, unfortunately, in senior positions in the government.
In 2019 you wrote a piece in Haaretz about police violence against the Ethiopian community. Have things improved since then?
I think it’s improved a lot. First of all, they’re hiring more and more Ethiopian people to serve in the police department, which is important. But I think it’s also about awareness. Before, it was our community’s issue. We knew about the data. We knew that there were around 10 or 11 teens that, unfortunately, had been shot by policemen in Israel. But the majority of Israeli society, I don’t think, had ever been exposed to police profiling or understood what it means. Today, people are more aware, more sensitive about it, and there’s more tolerance.
Do you feel like there’s a juggling act you need to perform when you point out what’s wrong in Israeli society because Israel’s enemies are always quick to pounce on imperfections?
I got that question a lot when I was in Washington. People reached out with questions like, “How can you be a pro-Israel because of what your government is doing to you people?” First of all, we put in a lot of effort as individuals to come to Israel. My mother walked 400 kilometers to come to Israel. Not everything is perfect. I mean, there are so many things that I would love my government to change, especially in education to learn more about diversity. If you ask random Ethiopians on the street here, they’ll tell you they feel solidarity with a black person that’s been profiled by the police in the States because we, as a minority of the same color, can feel the same thing. But you can’t judge using the same perspective, the same history. In the States, it was driven by slavery. In Israel, we’re here by choice. We are here because we are a part of the Jewish people.
You’re very strong and positive in your own identity. But in the United States, college kids are under pressure to denounce Israel or minimize their Jewishness. What advice would you give to college kids?
Oh, wow, good question. The moments that really excite me are when I think that every Jew can feel part of the Jewish people. And I think we are much more diverse today than ever and able to embrace this diversity. I mean, one of the things that I’m running today in the Jewish Agency is a global partnership for Jews of different ethnic backgrounds. And it’s fascinating to see individuals that come in from different countries — from Nigeria, South Africa, New York, India, Canada, U.K., and they’re all not Ashkenazi. And I think that’s what makes me proud, when you see how colorful we are and that each of us can bring his own voice to the table.
What do you plan to speak about at the Z3 conference?
We’re going to speak about the different voices in Israeli society and how these voices create more diversity and visibility for the people around us. The Torah doesn’t say, “hear the voices,” it says, “and all the people see the voices.” So, it’s a lot about visibility of the voices that we create and making that more familiar to all of us.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey
(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.
The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.
“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”
The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.
“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”
Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.
The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.
The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.
Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.
Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”
Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”
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