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From ‘how to’ to ‘why bother?’: Michael Strassfeld writes a new guide to being Jewish

(JTA) — “What the son wishes to forget the grandson wishes to remember.” That’s known as Hansen’s Law, named for the historian Marcus Lee Hansen, who observed that while the children of immigrants tend to run away from their ethnicity in order to join the mainstream, the third generation often wants to learn the “old ways” of their grandparents.

In 1973, “The Jewish Catalog” turned Hansen’s Law into a “do-it-yourself kit” for young Jews who wanted to practice the traditions of their grandparents but weren’t exactly sure how. Imagine “The Joy of Cooking,” but instead of recipes the guide to Jewish living had friendly instructions for hosting Shabbat, building a sukkah and taking part in Jewish rituals from birth to death. Co-edited by Michael Strassfeld, Sharon Strassfeld and the late Richard Siegel, it went on to sell 300,000 copies and remains in print today.

Fifty years later, Rabbi Michael Strassfeld has written a new book that he calls a “bookend” to “The Jewish Catalog.” If the first book is a Jewish “how to,” the latest asks, he says, “why bother?” “Judaism Disrupted: A Spiritual Manifesto for the 21st Century” asserts that an open society and egalitarian ethics leave most Jews skeptical of the rituals and beliefs of Jewish tradition. In the face of this resistance, he argues that the purpose of Judaism is not obedience to Torah and its rituals for their own sake or mere “continuity,” but to “encourage and remind us to strive to live a life of compassion, loving relationships, and devotion to our ideals.” 

Strassfeld, 73, grew up in an Orthodox home in Boston and got his master’s degree in Jewish studies at Brandeis University. Coming to doubt the “faith claims” of Orthodoxy, he became a regular at nearby Havurat Shalom, an “intentional community” that pioneered the havurah movement’s liberal, hands-on approach to traditional practice. He earned rabbinical ordination from the Reconstructionist Rabbinical College when he was 41 and went on to serve as the rabbi of Congregation Ansche Chesed on the Upper West Side and later the Society for the  Advancement of Judaism, the Manhattan flagship of Reconstructionist Judaism. 

“To be disrupted is to experience a break with the past and simultaneously reconnect in a new way to that past,” writes Strassfeld, who retired from the pulpit in 2015. This week, we spoke about why people might find Jewish ritual empty, how he thinks Jewish practices can enrich their lives and how Passover — which begins Wednesday night — could be the key to unlocking the central idea of Judaism.

Our conversation was edited for length and clarity.

Jewish Telegraphic Agency:  I wanted to start with the 50th anniversary of the “Jewish Catalog.” What connects the new book with the work you did back then on the “Catalog,” which was a do-it-yourself guide for Jews who were trying to reclaim the stuff they either did or didn’t learn in Hebrew school?

Michael Strassfeld: I see them as bookends. Basically, I keep on writing the same book over and over again. [Laughs] Except no, I’m different and the world is different. I’m always trying to make Judaism accessible to people. In the “Catalog” I was providing the resources on how to live a Jewish life when the resources weren’t easily accessible. 

The new book is less about “how to” than “why bother?” That’s the challenge. I think a lot of people take pride in being Jewish, but it’s a small part of their identity because it doesn’t feel relevant. I want to say to people like that that Judaism is about living a life with meaning and purpose. It’s not about doing what I call the “Jewishly Jewish” things, like keeping kosher and going to synagogue. Judaism is wisdom and practices to live life with meaning and purpose. The purpose of Judaism isn’t to be a good Jew, despite all the surveys that give you 10 points for, you know, lighting Shabbat candles. It’s about being a good person. 

So that brings up your relationship to the commandments and mitzvot, the traditional acts and behaviors that an Orthodox Jew or a committed Conservative Jew feels commanded to do, from prayer to keeping kosher to observing the Sabbath and the holidays. They might argue that doing these things is what makes you Jewish, but you’re arguing something different. If someone doesn’t feel bound by these obligations, why do them at all?

I don’t have the faith or beliefs that underlie such an attitude [of obligation]. Halacha, or Jewish law, is not in reality law. It’s really unlike American law where you know that if you’re violating it, you could be prosecuted. What I’m trying to do in the book is reframe rituals as an awareness practice, that is, bringing awareness to various aspects of our lives. So it could be paying attention to food, or cultivating attitudes of gratitude, or generosity, or satisfaction. My broad understanding of the festival cycle, for example, is that you can focus on those attitudes all year long, but the festivals provide a period of time once in the year to really focus on, in the case of Rosh Hashanah and Yom Kippur, for example, saying sorry and repairing relationships.

In “Judaism Disrupted: A Spiritual Manifesto for the 21st Century,” Michael Strassfeld argues that the challenge of each generation’s Jews is to create the Judaism that is needed in their time. (Ben Yehuda Press)

Passover is coming. Probably no holiday asks its practitioners to do so much stuff in preparation, from cleaning the house of every trace of unleavened food to hosting, in many homes, two different catered seminars on Jewish history. Describe how Passover cultivates awareness, especially of the idea of freedom, which plays an important part thematically in your boo

The Sefat Emet [a 19th-century Hasidic master] says Torah is all about one thing: freedom. But there’s a variety of obstacles in the way. There are temptations. There’s the inner issues that you struggle with, and the bad things that are out of your control. The Sefat Emet says the 613 commandments are 613 etzot, or advice, that teach us how to live a life of freedom. The focus of Passover is trying to free yourself from the chains of the things that hold you back from being the person that you could be, not getting caught up in materiality or envy, free from unnecessary anxieties —  all these things that distract us or keep us from being who we could be. 

The Passover seder is one of the great rituals of Judaism. We’re trying to do a very ambitious thing by saying, not, like, “let’s remember when our ancestors were freed from Egypt,” but rather that we were slaves in Egypt and we went free. And at the seder we actually ingest that. We experience the bitterness by eating maror, the bitter herb. We experience the freedom by drinking wine. We don’t want it just to be an intellectual exercise.  

Unfortunately the seder has become rote. But Passover is about this huge theme of freedom that is central to Judaism. 

I think some people bristle against ritual because they find it empty. But you’re saying there’s another way to approach rituals which is to think of them as tools or instruments that can help you focus on core principles — you actually list 11 — which include finding holiness everywhere, caring for the planet and engaging in social justice, to name a few. But that invites the criticism, which I think was also leveled at the “Catalog,” that Judaism shouldn’t be instrumental, because if you treat it as a means to an end that’s self-serving and individualistic.  

Certainly rituals are tools, but tools in the best sense of the word. They help us pay attention to things in our lives and things in the world that need repair. And people use them not to get ahead in the world, but because they want to be a somewhat better person. I talk a lot these days about having a brief morning practice, and in the book I write about the mezuzah. For most Jews it’s become wallpaper, but what if you take the moment that you leave in the morning, and there’s a transition from home to the outside and to work perhaps, and take a moment at the doorpost to spiritually frame your day? What are the major principles that you want to keep in your mind when you know you’re gonna be stuck in traffic or a difficult meeting?

And a lot of traditional rituals are instrumental. Saying a blessing before you eat is a gratitude practice.   

But why do I need a particular Jewish ritual or practice to help me feel gratitude or order my day? Aren’t there other traditions I can use to accomplish the same things?

Anybody who is a pluralist, which I am, knows that the Jewish way is not the only way. If I grew up in India or Indonesia and my parents were locals I probably wouldn’t be a rabbi and writing these books. 

But a partial answer to your question is that Judaism is one of the oldest wisdom traditions in the world, and that there has been a 3,000-year conversation by the Jewish people about what it means to live in this tradition and to live in the world. And so I think there’s a lot of wisdom there.

 So much in Jewish tradition says boundaries are good, and that it’s important to draw distinctions between what’s Jewish behavior and what’s not Jewish behavior, between the holy and the mundane, and that making those distinctions is a value in itself. But you argue strongly in an early chapter that that kind of binary thinking is not Judaism as you see it. 

Underlying the book is the notion that Rabbinic Judaism carried the Jewish people for 2,000 years or so. But we’re living in a very different context, and the binaries, the dualities — too often they lead to hierarchy, so that, for example, men matter more than women in Jewish life. And we’ve tried to change that. We are living in an open society where we want to be more inclusive, not less inclusive. We don’t want to live in ghettos. Now, the ultra-Orthodox say, “No, we realize the danger of trying to live like that. We don’t think there’s anything of value in that modern world. And it’s all to be rejected.” And it would be foolish not to admit that in this very open world the Jews, as a minority, could kind of disappear. But I think that Judaism has so much value and wisdom and practices to offer to people that Judaism will continue to be part of the fabric of this world — the way, for example, we have given Shabbat as a concept to the world.  

You know, in the first 11 chapters of the Torah, there are no Jews. So clearly, Jews and Judaism are not essential for the world to exist. And that’s a good, humbling message.

OK, but one could argue that while Jews aren’t necessary for the world to exist, Judaism is necessary for Jews to exist. And you write in your book, “If the Jewish people is to be a people, we need to have a commonly held tradition.” I think the pushback to the kind of openness and permeability you describe is that Jews can be so open and so permeable that they just fall through the holes.

It certainly is a possibility. And it’s also a possibility that the only Jews who will be around will be ultra-Orthodox Jews.

But if Judaism can only survive by being separatist, then I question whether it’s really worthwhile. That becomes a distorted vision of Judaism, and withdrawing is not what it’s meant to be. I think we’re meant to be in the world.

Your book is called “Judaism Disrupted.” What is disruptive about the Judaism that you’re proposing?

I meant it in two ways. First, Judaism is being disrupted by this very different world we’re living in. The contents of the ocean we swim in is very different than in the Middle Ages. But I’m also using it to say that Judaism is meant to disrupt our lives in a positive way, which is to say, “Wake up, pay attention.” You are here to live a life of meaning and purpose, and to continue as co-creators with God of the universe. You’re here to make the world better, to be kind and compassionate to people, to work on yourself. In my mind it is a shofar, “Wake up, sleepers, from your sleep!” “Judaism Disrupted” says you have to pay attention to issues like food, and justice, and teshuva [repentance].

You were ordained as a Reconstructionist rabbi. Do you think your book falls neatly into any of our current denominational categories?

[Reconstructionist founder] Rabbi Mordecai Kaplan’s notion of Judaism as an evolving religious civilization is the one that I feel closest to. But I feel that the denominational structure isn’t particularly useful anymore. There’s basically two categories, Orthodox and the various kinds of liberal Judaism, within a spectrum. The modern world is so fundamentally different in its relationship to Jews and Judaism that what we’re seeing is a variety of attempts to figure out how to respond. And that will then become the Judaism for the next millennium. It’s time for a lot of experimentation. I think that’s required and out of that will come a new “Minhag America,” to use Isaac Mayer Wise’s phrase for the emerging custom of American Jews [Wise was a Reform rabbi in the late 19th century]. And we don’t need to have everybody doing it one way. As long as people feel committed to Judaism, the Jewish tradition, even if they’re doing it very differently than the Jews of the past, they will be writing themselves into the conversation.


The post From ‘how to’ to ‘why bother?’: Michael Strassfeld writes a new guide to being Jewish appeared first on Jewish Telegraphic Agency.

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Netanyahu deploys AI videos as political weapon, aimed at voter fears of Arab power

As election season in Israel heats up, Israeli Prime Minister Benjamin Netanyahu and members of his government are deploying a charged weapon against their political opponents aiming to overthrow them: AI-generated viral videos.

In recent weeks, Netanyahu and key allies have taken to social media to post satirical content on their social media accounts, depicting their leading opponents, Yair Lapid and Naftali Bennett, as being controlled by Arab-Israeli puppetmasters.

One viral video posted by the prime minister last week, with over a million views, is captioned “taking off the masks.” It shows a smiling Bennett and Lapid embracing before peeling off their faces to reveal those of prominent Arab-Israeli political leaders Mansour Abbas and Ahmad Tibi.

After Bennett and Lapid announced in April that they would run jointly against Netanyahu in the upcoming fall elections, Israeli political Twitter flooded with AI-generated content on this theme, which goes for the jugular on a political vulnerability for Bennett: his past inclusion of Abbas’ Arab Ra’am party in his governing coalition.

One image posted by Likud, Netanyahu’s party, featured Bennett and Lapid depicted as children sitting obediently in the back seat of a car as Abbas drives. The photo is accompanied by the caption: “In any case, Bennett and Lapid will go again with the Muslim Brotherhood, the terrorism supporters.”

These AI videos reflect a growing post–Oct. 7 trend in Israeli politics: accusing one’s political opponents of being aligned with Arab parties as a way to delegitimize them.

Dr. Arik Rudnitzky, a researcher in the Arab Society in Israel program at the Israel Democracy Institute, said the trauma Israelis experienced after Oct. 7 has left a profound mark on the Jewish public. That fear, he said, is now being actively mobilized in political messaging.

“The post–Oct. 7 discourse is so influential in Israeli politics that it dictates everything,” Rudnitzky said. On Tuesday, Finance Minister Betzalel Smootrich went as far as to say that Naftali Bennett’s decision to include the Islamist Ra’am party in the 2021-2022 government was worse than the Netanyahu government’s failures tied to Hamas’s attacks on Oct. 7. This, despite the fact that Mansour Abbas has said that Netanyahu tried to court him into joining his coalition in 2021, though Netanyahu has denied this.

According to Rudnitzky, the implicit message is that Israel’s Arab parties are dangerous. The argument is that they are not Zionist (and some Arab parties are even explicitly anti-Zionist). In the aftermath of Oct. 7, while some Arab-Israeli political leaders condemned violence from both Hamas and the Israel Defense Forces on civilians, they stopped short of referring to Hamas as a terror organization. Some also failed to condemn the murder of Israeli soldiers on that day.

Now, Netanyahu’s government has taken to framing the choice for voters as existential. “Either you are with the most experienced prime minister in Israel’s history, or you are willing to gamble and put Israel at risk by electing Bennett and Lapid,” said Rudnitzky.

The use of AI by Israeli politicians, Rudnitzky added, makes that message more visceral. “It looks real, it goes straight to the back of your mind, and it hits a nerve.”

Bennett, for his part, has tried to distance himself from this narrative, stating after he announced that he would be running against Netanyahu, “The Arab parties are not Zionist, and therefore we will not rely on them.”

But the videos are taking their toll. Earlier this year, Bennett filed a police report after the Likud X account posted a doctored image that depicted Bennett celebrating with Arab leaders, with the men all raising their clasped hands in celebration. Bennett called the image “malicious forgery.”

Other politicians have deployed similar messaging tactics — against Netanyahu. In February, Avigdor Liberman, a right-wing critic of the prime minister, posted an AI-generated image of Netanyahu holding hands with Abbas in front of a bouquet of heart-shaped flowers, captioned: “Happy Valentine’s Day.”

In response, Netanyahu posted an actual photo of Lieberman meeting with Abbas with the caption: “Lieberman published a doctored AI photo of the PM holding hands with Mansour Abbas. So, Avigdor, here’s a real, unedited photo of you and Mansour Abbas.”

Lieberman then shared 10 posts of Netanyahu meeting with various Arab leaders since the 1990s, including former PLO Chairman Yasser Arafat and current Palestinian Authority President Mahmoud Abbas.

According to Rudnitzky, such wrestling-ring attacks have become normalized since Oct. 7, aimed at Jewish politicians and voters. “This is not about delegitimizing Arab voters,” he said. “The target is Naftali Bennett — not Mansour Abbas.”

A controversial pragmatist

Arab parties have long represented Israel’s Arab minority in the Knesset but historically remained outside governing coalitions. For decades, this arrangement — Arab parties supporting from the outside or remaining in opposition — was broadly acceptable to both sides. Arab politicians often avoided joining coalitions for ideological reasons, while Jewish parties largely viewed their inclusion as politically untenable.

That changed in 2021, when Abbas made history by joining the winning coalition led by Bennett and Lapid. That decision positioned him as a pragmatist, willing to work with Jewish parties to secure gains for Arab citizens.

In the aftermath of Oct. 7, Abbas issued the most explicit condemnations of Hamas among Arab Israeli political leaders. He has also said that “the state of Israel was born as a Jewish state, and it will remain one,” a rare acknowledgment of Israel’s identity in those terms. Still, no Arab-majority party in Israel defines itself as Zionist.

While it is considered to be the most moderate of the Arab parties in Israel, Abbas’ Ra’am is an Islamist party that emerged from the Islamic Movement in Israel and the Shura Council — organizations tied to the Muslim Brotherhood. Abbas has increasingly sought to distance the party from those groups and has denied any affiliation with the Brotherhood.

Forming a governing coalition in Israel requires at least 61 seats out of 120, and several polls have suggested that any viable opposition to Netanyahu would likely need Arab party support to reach that threshold. But reliance on Arab parties to form a coalition has become more contentious since Oct. 7.

According to the Democracy Index poll, 72% percent of the Jewish public in Israel opposes the inclusion of Arab parties in the governing coalition. Opposition extends beyond the right: 43% of centrist voters and 20% of left-wing voters also oppose such coalitions. Support has declined significantly since before Oct. 7, when roughly 36% of Jewish Israelis backed including Arab parties in government, compared to just 27% today.

Hence the opening for Bibi and his video blitz. “We’ve seen an escalating political discourse over the past several years. There are no more holy cows,” said Rudnitzky. “If you want to mobilize the entire Jewish public and you know that you are in an inferior position in the polls … this is the way to take the demons out of the bottle.”

The post Netanyahu deploys AI videos as political weapon, aimed at voter fears of Arab power appeared first on The Forward.

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Man charged for two Toronto-area synagogue shootings

(JTA) — Police have arrested a man in connection with two Toronto-area synagogue shootings that occurred on the same night in March.

Nobody was injured in either attack, though two maintenance workers were inside Beth Avraham Yoseph when it was struck with bullets on March 6 after Shabbat services.

Toronto police did not share the name of the suspect, who is an 18-year-old man, because he was 17 at the time of the incidents. His photo was shared by police last week.

The suspect, who police said is “of no fixed address,” faces a number of charges, including mischief to property over $5,000, discharging a firearm into a place, unauthorized possession of a firearm, and possessing a “prohibited device.” He was not charged with a hate crime, though the investigation is still ongoing.

Toronto’s Jewish community has been roiled by a recent string of overnight gunfire attacks on synagogues and Jewish-owned restaurants, for which police had identified no suspects for months. A rock was also thrown through the glass window of a Judaica shop in April in broad daylight.

Similar attacks have targeted Jewish communities in places such as the United Kingdom and Australia. Police in London said recent arson attacks may have been carried out in exchange for payments from Iran, which has a long track record of sowing violence against Jewish and Israeli targets abroad. Australian authorities also suggested that assailants might have been paid amid arsons and an antisemitic terror plot there last year.

Wednesday marked the second arrest made by police related to Toronto’s string of attacks, after a suspect was charged on April 8 for shooting at the Jewish-owned Old Avenue Restaurant a week prior. No suspects have been publicly identified for a separate Old Avenue shooting, as well as another synagogue shooting, both in March.

“These attacks shook the sense of safety not only for those congregations, but for Jewish communities across the region,” the UJA Federation of Greater Toronto wrote following the arrest. “We thank the Toronto Police Service and York Regional Police for their diligence and coordination in advancing this investigation. Their work sends a clear signal that those who target our community will be identified and held accountable.”

B’nai Brith Canada thanked police in a statement, but said that “there is still more work to do.”

“It’s a stark reminder of why a whole‑of‑government response is long overdue. Confronting antisemitism requires our leaders to act with moral clarity,” the organization wrote.

The post Man charged for two Toronto-area synagogue shootings appeared first on The Forward.

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A Jewish Expressionist artist’s life, preserved in a brownstone

NEW YORK — Even inside a five-story brownstone crowded with paintings, sculptures and books, no single work can fully contain the spirit of Ukrainian-born artist Ben-Zion. Still, one painting comes close: a portrait of the healer and rabbi known as Baal Shem Tov, seated calmly beneath a tree. Rendered in ochre, gray and green, the canvas draws on Jewish mysticism and the natural world, themes that pulse through Ben-Zion’s life and work.

Perfectly preserved from the years Ben-Zion lived there, from 1965 until his death in 1987, the Ben-Zion House, located in Chelsea in Manhattan, is anything but a mausoleum. Instead, it feels like a living sanctuary — one that not only celebrates the Jewish artist’s life and work, but continues to inspire the writers, poets, architects, musicians and painters who pass through its rooms.

“Through the years many artists have been in the space and have expressed their awe and inspiration,” said Tabita Shalem, the house’s curator and manager while leading a tour on a drizzly Thursday in April. “The way Ben-Zion lived was intimately connected to the work he created, and artists and creatives feel that when they are in the home and studio.”.

Shalem worked closely with Ben-Zion during the last decade of his life, helping to organize exhibitions and maintain the vast collection. She continued those efforts with his widow, Lillian Ben-Zion, until her death in 2012. Through Shalem’s stories, the house emerges not simply as an archive, but as an extension of the artist himself.

A painting of the Baal Shem Tov by Ben-Zion. Photo by Ben-Zion

As one of “The Ten,” a cohort of artists who rejected realism in favor of experimental, expressionist work, Ben-Zion stood alongside Mark Rothko, Adolph Gottlieb and others who helped shape American Expressionism. Yet while many of his contemporaries became internationally renowned, Ben-Zion’s name lingers at the edge of obscurity — even as his work hangs in institutions such as the Smithsonian Institution, the Metropolitan Museum of Art and the Art Institute of Chicago.

In 1948, the Jewish Museum opened in Manhattan with an exhibition devoted to Ben-Zion’s work and later mounted two more shows, including a 1959 retrospective. But as Abstract Expressionism rose to dominance, interest in his work faded.

“He wasn’t interested in abstract art,” Shalem said. “He wasn’t a joiner.”

Still, his wife and friends held firmly to their belief in the value of Ben-Zion’s work, a conviction reflected in the preservation of the house itself. Funded by a private estate, the home allows artists and visitors to continue engaging with the work of this important, though largely forgotten, Jewish artist. His legacy is also kept alive through guided tours, often organized in partnership with community groups.

Born in 1897 in Staryi Kostiantyniv, Ben-Zion grew up in an observant Jewish home. His father, Hirsh Weinman, was a cantor who, in 1909, accepted a position at the largest synagogue in Galicia. For a time, Ben-Zion considered becoming a rabbi himself.

That changed at 16, when he read about the excommunication of Baruch Spinoza for challenging rabbinic authority and questioning Jewish doctrine.

“His brain was on fire,” Shalem said. “He never went to shul again.”

Yet Ben-Zion never abandoned Judaism. After his father’s sudden death in 1920, his mother moved the family to Boston. Among the belongings he carried with him was a handwritten Purim megillah he had calligraphed at age 14.

“His Jewish identity was always a part of him. The way I think of Ben-Zion is that he was deeply rooted in Judaism, but like the branches of the trees he painted, he was free and always reaching,” Shalem said.

Feeling out of place in Boston society, Ben-Zion moved less than a year later to the Bronx, where he immersed himself in poetry, prose, painting and sculpture. The move marked the beginning of a fiercely independent artistic life, one equally nourished by Jewish tradition, philosophy and the natural world.

The commandments, with a natural spin from smoothed pebbles. Photo by Cathryn J. Prince

That reverence for nature reveals itself throughout the brownstone, from monumental canvases of golden wheat beneath cerulean skies to delicate pen-and-ink drawings of thistles and poppies. Walking through the house, lit almost entirely by natural light, it becomes clear that Ben-Zion was as much a collector as a creator.

A bowl of prehistoric tools sits atop one table. Nearby, miniature statues of prophets and Buddhas line a curio cabinet. Conglomerates gathered from rivers and streams are interspersed on shelves. And in another corner, his paint-scarred palette rises from a wooden table like a small mountain streaked with copper and turquoise. Behind a leafy plant, a Ten Commandments tablet features smooth pebbles instead of words.

One of the tour’s highlights comes on the garden level, where visitors descend through a trapdoor and down a steep staircase into the cellar. During Ben-Zion’s lifetime, the stone-lined basement served primarily as storage for art materials. After his death, Lillian and Shalem transformed it into a gallery-like space filled with sculptures, tools and unfinished ideas.

Rows of scissors and metal implements hang against whitewashed walls. Four masks carved from tree bark rest on a wooden table nearby.

“He saw art in everything,” said Amy Levine-Kennedy, director of the Westchester Jewish Center Koslowe Gallery, which organized the private tour.

Against one wall stands an iron sculpture of a circus, while nearby the 1972 work “Apocalypse (or Devastation)” rises from the floor, reflecting Ben-Zion’s recurring fascination with destruction, memory and survival.

According to Shalem, a friend of Lillian’s who had been stationed in the South Pacific during World War II shipped crates of discarded munitions to Ben-Zion after learning of the artist’s love for forged iron. Ben-Zion transformed the remnants of war into sculpture.

Jewish man with tefillin, the final painting Ben-Zion created in the house now preserving his legacy. Photo by Ben-Zion

Though Ben-Zion studied briefly at an art school in Vienna during World War I, he was otherwise self-taught. A voracious reader, he consumed history, poetry, philosophy, Hebrew and Yiddish literature, and art history. Today the brownstone contains hundreds of books on art, history, spirituality, archaeology, and literature. “France in the Middle Ages” and “History of the Jewish Khazans” compete for shelf space with “Van Gogh in Arles” and “Jews and Arabs.”

Beyond making art and mentoring younger artists, Ben-Zion also taught through Franklin D. Roosevelt’s Works Progress Administration. At Cooper Union, where he taught from the 1930s up until the 1960s, he encouraged students to treat art not as decoration, but as a way of giving form to inner vision.

That vision lingers in the final work he created in the house. Resting on an easel on the second floor, the painting depicts a Jewish man wrapped in tefillin, his head tilted downward toward the prayer book in his hands. In broad strokes of orange, white, black, and blue, Ben-Zion distilled the themes that shaped his life: Jewish identity, learning, ritual and spiritual searching.

The post A Jewish Expressionist artist’s life, preserved in a brownstone appeared first on The Forward.

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