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From Mel Brooks to Elaine May to Ethan Coen: Producer Julian Schlossberg writes memoir about working with Jewish stars over 6 decades
(JTA) — On a couple of occasions in Julian Schlossberg’s early life, he found himself in parts of the United States where some people he talked to had never met a Jewish person. The first was a stint in the Army, the second was while selling movies to rural television stations.
But over the next six decades — once Schlossberg embarked on a long and successful career that included stops as a Hollywood studio executive with Paramount Pictures and later as a prolific distributor of movies and producer of off-Broadway and Broadway shows — he was rarely the only Jew in the room ever again.
Schlossberg tells those stories and many more in his new memoir “Try Not to Hold It Against Me: A Producer’s Life” (Beaufort Books). He writes about how he went from a child in the Bronx to an influential show business figure who mingled and worked with countless movie stars, having enjoyed a long career that shows no signs of being over at age 81.
Schlossberg was born in 1941, and grew up in what he describes as a middle class family, in a Bronx neighborhood that at the time was heavily Jewish and Irish. His father Louis played semi-pro baseball, but as Schlossberg writes in the book, turned down the chance to play for a team in Kansas City in part because “there were almost no Jews in baseball.” Instead, Louis spent most of his professional life working in Manhattan’s Garment District.
The family lived near the Kingsbridge Armory, then likely the largest of its kind in the world, which hosted conventions, car shows and rodeos that came through the city at the time. Those rodeos, in fact, were Schlossberg’s introduction to showbiz.
“I would go as a kid and just revel in the fact that I was meeting these incredible stars,” he said.
Schlossberg with Jewish star Michael Douglas. (Courtesy of Julian Schlossberg)
Meeting stars would eventually become commonplace. Before and after his time in the Army in the early 1960s, Schlossberg worked as a cab driver, a busboy, a waiter, a counselor, a typist and more while taking college classes at night. He got a job at the ABC in 1964 and worked his way up the company’s ranks.
“I had decided, as a very young man, that since I didn’t have a law degree or a dental degree or a medical degree, I was going to learn every aspect of show business that I could,” he said. “I didn’t know what it was going to do, but I knew that knowledge was power, and that if I had knowledge, maybe I’d get some power.”
He would live out that goal, working in just about every area of entertainment, from radio to movie distribution to theater producing. (He goes back and forth on which one he likes best.)
In the 1970s, he hosted an AM radio show called “Movie Talk,” for which he interviewed hundreds of movie stars. WMCA station executives wanted Schlossberg to use a different stage name, to sound less Jewish.
“They didn’t want it to be ‘a Jewish name,’ and I said ‘Wait a second — if I’m going to be on the air in New York City, I can’t be a Jew?’ So they gave in, and I kept my name,” he said. “You kind of want to remember the times you did stand up, I guess. Not that it was a giant standing up, but I would have not done the show if they had asked me to change my name, because it made no sense to me.”
Speaking of Jews, Schlossberg has worked with a virtual who’s-who of famous Jewish entertainers over the years, from Neil Simon to Lillian Hellman to Sid Caesar to Mike Nichols to Peter Falk to Ethan Coen. And the ones he didn’t work with, he hung out with socially. Barbra Streisand invited him to a famous birthday party (that ended up taking place at Liza Minnelli’s house), and Mel Brooks has always greeted him as “Schloss Berg,” as if his name were two words.
Schlossberg with Barbra Streisand, right, and Merryn Jose. (Courtesy of Julian Schlossberg)
Schlossberg’s film production credits range from the 1994 British mystery “Widows’ Peak,” starring Natasha Richardson and Mia Farrow; to the 1980 “No Nukes” documentary that filmed an anti-nuclear weapons concert with the likes of Bruce Springsteen and Jackson Browne; to a revival of the long-buried version of Orson Welles’ “Othello.”
In 1995, Schlossberg worked with three prominent Jews on one off-Broadway production: a set of one-act plays performed together each night, called “Death Defying Acts,” written by Woody Allen, David Mamet and Elaine May. Schlossberg later produced the Broadway adaptation of Allen’s movie “Bullets Over Broadway,” while May, whom Schlossberg likens to a sister, contributed the forward to his book.
“Elaine is, as I’ve written, the smartest person I’ve ever met, and probably one of the most talented if not the most talented, because there is nothing that she cannot do,” Schlossberg said of the now 90-year-old Oscar, Tony and Grammy winner. “She’s a great actress, she’s a great writer, and she’s a great director. And she’s a hell of a friend.”
At one point in his career, as he details in one chapter, Schlossberg crossed paths with another Jewish producer: Harvey Weinstein. When Weinstein was young, the now-disgraced serial sexual harasser approached Schlossberg and asked him to teach him the movie business. The two men worked together for a time, although eventually they fell out.
“I never in my wildest dreams thought he would hit the heights that he hit, or the depths that he sunk to. Never,” Schlossberg said.
Another of Schlossberg’s mentoring experiences ended on a more positive note. Mark S. Golub, a rabbi, came to Schlossberg for advice in the late 1990s on learning the theater business. Golub, who died late last month at 77, went on to become a prolific Broadway producer and the founding president of the Jewish Broadcasting Service channel.
It was a fruitful partnership: Golub learned about the industry, and Schlossberg absorbed lessons about Judaism.
“It was a very interesting combination, of somebody who certainly knew a great deal about Judaism, and myself, who was learning a lot by that time about [Judaism],” Schlossberg said. “It was interesting to me to be partners with a rabbi.”
Schlossberg had several projects set to go at the start of the coronavirus pandemic, but when the industry shut down, he wrote his memoir instead. Now he’s looking to rev up some of those projects. Next up on the docket is “Tales From the Guttenberg Bible,” an autobiographical, four-character play written by and starring the Jewish actor Steve Guttenberg. It is now set for its world premiere in April, at the George Street Playhouse in Rutherford, New Jersey.
“I think audiences will respond to it, because he’s so kind and personable and living… a nice Jewish boy,” Schlossberg said of Guttenberg.
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The post From Mel Brooks to Elaine May to Ethan Coen: Producer Julian Schlossberg writes memoir about working with Jewish stars over 6 decades appeared first on Jewish Telegraphic Agency.
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Dutch Arrest 15 Suspected of Spreading Islamic State Propaganda on TikTok
Islamic State slogans painted along the walls of the tunnel was used by Islamic State militants as an underground training camp in the hillside overlooking Mosul, Iraq, March 4, 2017. Photo: via Reuters Connect.
Fifteen people were arrested in the Netherlands on Tuesday on suspicion of spreading propaganda for Islamic State on TikTok and trying to persuade people to commit terrorist attacks, Dutch prosecutors said.
The arrests were triggered by a TikTok account that spread large amounts of IS propaganda with Dutch subtitles, the prosecutors said.
The TikTok posts, some with more than 100,000 views, encouraged people to join Islamic State and glorified becoming a martyr for the violent Islamist group, they said.
Thirteen of the suspects are Syrian, and four have Dutch nationality, prosecutors said, implying that some were dual nationals. Four are minors.
The suspects, aged 16 to 53, were detained in raids across the Netherlands, following the arrest last month of a person who the prosecutors said was the main suspect.
TikTok is owned by China’s Bytedance.
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US Used Mobile Launchers for Missiles at Qatar Base as Iran Tensions Rose, Satellite Pictures Show
Satellite image shows F-15E, A-10 Thunderbolt, and C-130 Hercules at the Muwaffaq Salti Air Base, in Al Azraq, Jordan, Feb. 2, 2026. Photo: 2026 PLANET LABS PBC/Handout via REUTERS
US forces in Qatar‘s al-Udeid, the biggest US base in the Middle East, put missiles into truck launchers as tensions with Iran ratcheted up since January, analysis of satellite images showed, meaning they could be moved more quickly.
The decision to keep the Patriot missiles in mobile trucks rather than semi-static launcher stations — meaning they could rapidly deploy to strike or be moved defensively in case of an Iranian attack — shows how risks heightened as frictions grew.
US President Donald Trump has threatened to bomb Iran over its nuclear and ballistic missile programs, its backing for allied terrorist groups in the Middle East, and crushing of internal dissent, though talks to avert a war continue.
There are also US bases in Iraq, Jordan, Kuwait, Saudi Arabia, Qatar, Bahrain, the United Arab Emirates, Oman, Turkey, and on Diego Garcia in the Indian Ocean.
Iran‘s Revolutionary Guards have warned that in case of strikes on Iranian territory, they could retaliate against any US base.
A comparison of satellite photographs in early February with those taken in January shows a recent build-up of aircraft and other military equipment across the region, said William Goodhind, a forensic imagery analyst with Contested Ground.
At al-Udeid, the Patriot missiles were visible parked mounted into M983 Heavy Expanded Mobility Tactical Trucks (HEMTT) at the start of February, Goodhind said.
“The decision to do so gives the Patriots much greater mobility, meaning they can be moved to an alternative site or repositioned with greater speed,” he said.
It was not clear on Tuesday whether the missiles were still in the HEMTTs.
A spokesperson for the Pentagon was not immediately available for comment.
Iran says it has replenished its missile stocks after two weeks of conflict last summer when Israel bombed its nuclear facilities and some other military targets, a campaign that the United States joined late on.
Iran has underground missile complexes near Tehran, as well as at Kermanshah, Semnan and near the Gulf coast.
The Iranian naval drone carrier IRIS Shahid Bagheri was visible in satellite photographs on Jan. 27 at sea some 5 km from Bandar Abbas. It was also visible near Bandar Abbas on February 10.
Here are changes at US Middle East bases observed in satellite pictures:
AL-UDEID, QATAR:
Images from February 1 showed an RC-135 reconnaissance aircraft, three C-130 Hercules aircraft, 18 KC 135 Stratotankers, and seven C-17s. On Jan. 17 there had been 14 Stratotankers and two C-17s.
Up to 10 MIM-104 Patriot air defense systems were parked in HEMTTs.
MUWAFFAQ, JORDAN:
Images from Feb. 2 of one location in Muwaffaq showed 17 F15-E strike aircraft, 8 A-10 Thunderbolt aircraft, four C-130s, and four unidentified helicopters. Images from Jan. 16 were low resolution and it was not possible to identify all aircraft there.
Feb. 2 images of a second location in Muwaffaq showed a C-17 and a C-130, as well as four EA-18G Growler electronic warfare aircraft. Pictures of that location on Jan. 25 had not shown any aircraft.
OTHER BASES:
At Prince Sultan base in Saudi Arabia, images on Feb. 2 showed a C-5 Galaxy and a C-17 aircraft. Images on Dec. 6 showed five aircraft that appeared to be C-130s.
Satellite images from Feb. 6 showed seven more aircraft than had been observed on Jan. 31 at Diego Garcia in the Indian Ocean.
Images taken on Jan. 25 and Feb. 10 showed an increase in aircraft at Dukhan base in Oman.
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US Vice President Vance’s Office Backtracks After Statement on ‘Armenian Genocide’
US Vice President JD Vance speaks to the media before boarding Air Force Two upon departure for Azerbaijan, at Zvartnots International Airport in Yerevan, Armenia, Feb. 10, 2026. Photo: REUTERS/Kevin Lamarque/Pool
The White House on Tuesday deleted a post from Vice President JD Vance’s account that commemorated massacres of Armenians as a “genocide,” saying the message that was likely to irk US-allied Turkey was posted in error.
Vance, who was on a two-day trip to Armenia, visited the Tsitsernakaberd Armenian Genocide Memorial in Yerevan during the first-ever visit by a US vice president to the South Caucasus republic.
There, he and wife Usha Vance participated in a ceremonial laying of a wreath of carnations, chrysanthemums, and roses at the site, which honors the 1.5 million Armenians who lost their lives in the final years of the Turkish-led Ottoman Empire.
Vance’s official account on X later described the visit as designed “to honor the victims of the 1915 Armenian genocide.”
After that post was deleted, a Vance aide who declined to be named said the message was posted in error by staff who were not part of the traveling delegation.
“This is an account managed by staff that primarily exists to share photos and videos of the Vice President’s activities,” said a spokesperson for Vance, referring to his own comments, which did not include the phrase “genocide.”
TRUMP’S TIES TO TURKEY
Turkey is a NATO ally of the United States and President Tayyip Erdogan has maintained close ties with President Donald Trump, including supporting the US diplomatic initiative on Gaza.
Turkey accepts that many Armenians living in the Ottoman Empire were killed in clashes with Ottoman forces during World War I, but contests the figures and denies the killings were systematically orchestrated and constitute a genocide.
Although the US Congress and Trump’s predecessor, Joe Biden, have both recognized the 1915 massacres as a genocide, Trump avoided that language in his own statement on the killings last year.
The social media deletion came four days after the White House defended, and then deleted, a racist depiction of former President Barack Obama and first lady Michelle Obama as apes posted to Trump’s Truth Social account.
Trump later told reporters that he had not watched the entire video before a White House aide posted it to his account.
Asked by a reporter whether his visit to the memorial was intended to recognize a genocide, Vance said, “Obviously, it’s a very terrible thing that happened little over 100 years ago, and something that was just very, very important to them culturally.”
“So, I thought out of a sign of respect, both for the victims, but also for the Armenian government that’s been a very important partner for us in the region, to Prime Minister Pashinyan, I wanted to go and pay a visit and pay my respects.”
Vance’s visit was aimed at promoting agreements the Trump administration struck with Armenia and Azerbaijan to build toward peace after nearly 40 years of war between the Caucasus rivals. Trump has presented those diplomatic efforts as among the chief accomplishments of his time in office.
In Armenia, Vance signed a deal with Prime Minister Nikol Pashinyan that could pave the way for the US to build a nuclear power plant there.
On Tuesday, he traveled to Azerbaijan and signed a strategic partnership deal encompassing economic and security cooperation, as Washington seeks to expand its influence in a region where Russia was once the main power broker.