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Hillel Silverman, longtime rabbi whose congregant killed JFK’s assassin, is dead at 99
(JTA) — “If you want to know about my brother, Jack Ruby, you should talk to Hillel Silverman. He was our rabbi in Dallas for 10 years before President Kennedy’s assassination, and he knew Jack very well.”
It was 1976, and I had convinced Eva Rubenstein Grant — a loud woman with an even louder red wig — to appear on an ABC program to speak about her brother, who fatally shot John F. Kennedy’s alleged assassin Lee Harvey Oswald on live television 13 years earlier.
It was years, however, before I was able to speak to Rabbi Silverman, for a TV program I was producing about the JFK assassination. Our conversation in 1991 was the first of several chats we had about Ruby (and other topics) and the glancing role Silverman played in the national trauma surrounding the president’s murder. He was one of the last surviving witnesses who testified in 1964 before the Warren Commission, which investigated the assassination.
The Kennedy assassination was a relatively minor aspect of a 70-year career in the rabbinate, during which Silverman served as the founding rabbi of Congregation Shearith Israel in Dallas, and then as the senior rabbi at Sinai Temple in Los Angeles for 16 years, among other pulpits.
Silverman, the son of a prominent Conservative rabbi, died in Los Angeles this week of pneumonia at the age of 99. It was one month after he celebrated his birthday — and the birth of a great-grandson and the upcoming wedding of a grandchild — at Valley Beth Shalom in Los Angeles, where in his last official role he served as a visiting scholar.
Silverman was spiritual leader of Shearith Israel in Dallas from 1954 to 1964; Jack Ruby, a nightclub owner with links to the Mafia, was one of his congregants. Silverman told me in 2013, on the 50th anniversary of the Kennedy and Oswald murders, that Ruby would attend services to say Kaddish, the memorial prayer, for his father.
“He came to the minyan one day with a cast on his arm,” Silverman recalled. “I said, Jack, what happened? He said, ‘In my club, somebody was very raucous, and I was the bouncer.’”
Nov. 22, 1963, the day Oswald shot and killed Kennedy, was a Friday. Evening services at the synagogue “became a memorial service for the president,” Silverman said. “Jack was there. People were either irate or in tears, and Jack was neither. He came over and said, ‘Good Shabbos, rabbi. Thank you for visiting my sister Eva in the hospital last week.’ I thought that was rather peculiar.”
Two days later, Silverman switched on the radio and heard that a “Jack Rubenstein” had just killed the alleged assassin. The Warren Commission would later come to the still-disputed conclusion that Ruby acted alone — quashing rumors of a conspiracy — and shot Oswald on impulse and out of grief over Kennedy’s assassination.
“I was shocked. I visited him the next day in jail, and I said ‘Why, Jack, why?’ He said, ‘I did it for the American people.’”
I interrupted Silverman at that point, as I’d read other reports in which Ruby said he did it “to show that Jews had guts.” The rabbi sighed. “Yes, he mentioned that. But I don’t like to mention it. I think he said, ‘I did it for the Jewish people.’ But I’ve tried to wipe that statement from my mind.”
Silverman vividly described his weekly jailhouse visits to his now-notorious congregant, who was found guilty of murdering Oswald and who died in prison from lung cancer four years after the assassination. “In prison, Jack deteriorated psychologically,” Silverman recalled. “One time I walked in and he said, ‘Come on, rabbi, duck underneath the table. They’re pouring oil on the Jews and setting it on fire.’ He was quite psychotic.”
Jack Ruby, right, shoots Lee Harvey Oswald in Dallas, Nov. 25, 1963. (Dallas Times Herald)
Hillel Emanuel Silverman was born in Hartford, Connecticut, in 1924 to Althea, a prolific author, and Rabbi Morris Silverman, a prominent Conservative rabbi who edited the Shabbat and High Holiday prayer books used by the movement for more than half a century.
Hillel was ordained as a Conservative rabbi after graduating from Yale University. Following his service as a Navy chaplain during the Korean War, he led the congregations in Dallas and Los Angeles, and served 20 years as a spiritual leader of Temple Sholom in Greenwich, Connecticut.
He and his first wife Devora had three children: Gila Rutta, Dr. Sharon Pollock and Jonathan Silverman, the actor best known for films such as “Weekend at Bernie’s” and “Brighton Beach Memoirs.” He is survived by his wife of over 40 years, Roberta Silverman, his three children, three step-children (David Smotrich, Debbie Diamond and Arona Smotrich), 12 grandchildren and three great-grandchildren.
Silverman wrote or co-edited a dozen books, and during a visit when he was 95 told me, “I think I still have one more in me.” He was the recipient of numerous awards, including a Medal of Honor from Israel’s then-Prime Minister Menachem Begin for his “distinguished service to Israel and the Jewish people.” He was past president of the Zionist Organization of America, Southwest Region.
In his 90s, he continued to officiate at High Holiday services in southern California, at times with one of his grandchildren, Rabbi Matt Rutta.
When the COVID pandemic shut down in-person classes, Silverman conducted weekly online Torah study sessions with Rabbi Ed Feinstein of Valley Beth Shalom synagogue. Sharp-eyed participants would notice a movie poster on the wall behind Silverman for “Weekend at Bernie’s II,” in which he appeared briefly as a restaurant maitre d’.
My final visit with Rabbi Silverman took place last October. He was in a wheelchair, living with his daughter Sharon and son-in-law Mark, and his mind and sense of humor remained as sharp as ever. Last month, I was thrilled to receive a birthday email from him, recalling our discussions about Ruby and wishing me continued success in my career. “Since I am thirty years ahead of you, I can guarantee many more productive, enjoyable years!” he wrote.
During his final hospitalization, a family member at his bedside asked about the rabbi’s former congregant one last time: Did Ruby have anything to do with a conspiracy?
The family shared a video of that moment with me, in which Silverman adjusts his oxygen mask, shakes his head and firmly says, “No!”
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Jonah Hill’s cancel culture dramedy makes an antisemitism exception — all about Kanye
Ye, the rapper formerly known as Kanye West, is having an interesting April.
Fans are hailing his new album Bully as a return to form. (Critics are more mixed.) He reportedly made $33 million from two sold-out shows in Los Angeles, but he was also banned from entering the U.K. owing to a pressure campaign by Jewish groups over a scheduled headlining performance at the Wired music festival, even as the artist, who recently attributed his antisemitic behavior to a brain injury and bipolar disorder, offered to have “meet and listen” sessions with the Jewish community.
On top of this mixed reception, add a movie premiere. Ye has a memorable cameo in Jonah Hill’s new AppleTV+ film The Outcome, about an A-list actor’s teshuvah tour. And that moment has something to say about what to do with the artist’s outbursts.
Hill’s character, a crass crisis lawyer named Ira, assembles a dream team to protect his client, Reef Hawk (Keanu Reeves), who is awaiting the release of an incriminating video. The nature of this video is unknown beyond its potential to derail his comeback after a five-year sabbatical to treat a secret heroin addiction. Among Reef’s potential defenders are a Gloria Allred-style lawyer (Laverne Cox), a Black minister legendary for his work on civil rights (Roy Wood Jr.) and an ambassador from the Asian-American community (Atsuko Okatsuka). Ira notes someone missing from the mix, one “Moshe, from the Antisemitism Committee,” perhaps a poorly-named stand-in for the ADL.
“We ran the numbers,” Ira’s assistant says by way of explanation. “It turns out that hating Jews doesn’t negatively affect a person’s career. In fact, it could help.”
And we cut to a black-and-white headshot of Ye, occupying the whole screen.
Hill explained this choice in an interview with TMZ, saying the scene wasn’t just there to score a cheap shot at Ye, who publicly (and compellingly) apologized in an ad in the Wall Street Journal in January.
“In the midst of all this Jew stuff, he did Instagram a picture of me in the 21 Jump Street poster,” Hill recalled. “And he said something along the lines of ‘I don’t hate Jews anymore because I love Jonah Hill.’”
“Me and him got no beef,” Hill continued.” I just put that in there like, ‘Yo, you’re gonna f—ing put the 21 Jump Street poster up there and say you don’t hate Jews anymore. That’s pretty wild. I’m gonna put a picture of you saying that like, hating Jews helps your career.’”
Clearly a sight gag and a bit of an inside joke. But is it true?
Running my own numbers, and not even accounting for this last week of ups and downs, Ye took a major hit to his net worth when he lost his Adidas partnership, backsliding all the way from billionaire to mere multimillionaire. Fans still turn up for Ye, and some even seem to like what I’ll call his Hitler catalogue. That said, it’s hard to imagine him making a full recovery, once again gracing the stage at the Grammys or headlining a major festival or getting a shot at the Super Bowl halftime show.
The difference between Ye’s transgression and that of others is instructive. There’s plenty of arguable antisemitism in the case of celebrities whose pro-Palestinian advocacy has crossed the line into something unsavory. Rappers Bob Vylan of “death, death to the IDF” fame and Kneecap, who chanted “up Hamas, up Hezbollah,” come to mind. They have had their own brushes with cancellation and been denied visas because of their antics — but also strong support from those who believe they are simply speaking up for Palestinians. The ascendancy of Israel conspiracies, echoing age old canards, has recently produced an odd coalition between pundits on the far-left and far-right, and hasn’t put a dent in their audience.
(Hill, though Jewish, was accused of dabbling in Jewish stereotypes his last film, You People, and he will likely get some flack for this movie, both for his character — a kind of grubby fixer who calls his client “Bubbie” — and for a joke where Man’s Search for Meaning is referred to as “the most lit Holocaust book.”)
Even in this environment, Ye is toxic for mainstream consumption, because when he went “death con 3” on the Jews, his words had no agenda beyond delusion-fueled animus about Jewish control of the media. Ye’s awareness of the Middle East was best expressed on the occasion he used a fish tank net and Yoo-hoo bottle to represent the Israeli prime minister. Vylan and Kneecap’s slogans are more subtle and plausibly deniable than one of Ye’s latest tracks, literally called “Heil Hitler.”
There was no hedging it, try as Candace Owens might. It was Jew Hate Classic, the original recipe. And it wasn’t, in the case of Mel Gibson, a pattern that emerged over relatively wide gaps of time with only one incident widely known to the general public. It was an endless, often marathon torrent of invective and odd tangents care of an unmedicated bipolar insomniac. It went on for months. Then died off. Then came back swinging in the form of an album the concept of which could, charitably, be defined as spiritually Hitlerian.
The sheer concentration of vitriol seems like proof that the outburst was the result of a manic episode, which could afford the rapper some grace. Instead, he now lives in a liminal space between relevance and punchline. This strain of antisemitism doesn’t boost careers — yet — but the man behind it can sell out stadiums in spite of it.
All the while, the question of what to do with Ye’s mental health, and how it factors into his cancellation makes him a conundrum, even if it should by rights be a better excuse than Mel Gibson’s squad car in vino veritas. (Gibson is mentioned in the film, in the context of a poppers-related Weekend at Bernie’s scenario, not his own scandal.) Before we render a judgment, we need commitments he won’t repeat his tirades and so continue to influence looksmaxxers, incels and their overlapping Venn Diagram of Nazi revivalists.
Hill’s belief that Ye’s antisemitic streak was good for business is symptomatic of something fundamentally off with the director’s treatment of cancel culture. It feels out-of-touch even — or maybe because — it draws from experience. Hill himself was the victim of cancellation some years ago, when his ex leaked texts in which he weaponized “therapy talk.” Hill’s project, with a cast that includes Reeves, Van Jones, Martin Scorsese, Drew Barrymore and a rare appearance from Cameron Diaz, is itself proof of how not all cancellations are created equal or indefinite.
The Outcome is in tension with itself, part Hill’s version of Don Henley’s “Dirty Laundry” and Seth Rogen’s The Studio, part earnest penance that may or may not be coming from the director-writer himself.
One of the lines, delivered by Reef’s reality star mother (soap opera icon Susan Lucci), as a crew films their rapprochement for Bravo, sums the film up nicely: “Just because it’s performative doesn’t mean it’s not the truth.” We’ll have to take her word for it.
When it comes to Ye, there is some truth that antisemitism alone can’t crater a career — with the exception of lesser talents, it never could. We need not wonder how it has affected Ye’s popularity with Hill, who cited him on TMZ as “probably the greatest artist whoever lived.”
As Ira departs the film, we see his bumper sticker: “Honk if you can separate the art from the artist.” Hill would blow out the horn, and hopes you might too.
Jonah Hill’s The Outcome debits April 10 on AppleTV+.
The post Jonah Hill’s cancel culture dramedy makes an antisemitism exception — all about Kanye appeared first on The Forward.
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Dollar Struggles to Rebound as Fragile US-Iran Ceasefire Keeps Markets Wary
U.S. $100 bills. Photo: Wikimedia Commons.
A fragile calm reigned across currency markets on Thursday as traders kept their eyes fixed on whether the ceasefire between the US and Iran would hold, a day after its announcement sent the dollar tumbling across the board.
The deal appeared to be on thin ice, as Israel bombed more targets in Lebanon, and there was no sign Iran had lifted its blockade of the Strait of Hormuz, which has caused the worst disruption to global energy supplies in history.
Iranian negotiators were expected to set off later on Thursday for Pakistan for the first peace talks of the war, but Tehran said there would be no deal as long as Israel was striking Lebanon.
President Donald Trump said all US ships, aircraft, and military personnel would stay in place in and around Iran until it fully complied with a deal.
The uncertainty left currency markets on edge.
The euro was up 0.17 percent at $1.1683. It had gained 0.6 percent on Wednesday, but retreated late in the day having touched a one-month high of $1.1721 earlier in the session.
Sterling similarly was 0.21 percent higher at $1.342, after gaining 0.77 percent on Wednesday, but retreating from as high as $1.348.
Meanwhile, the Japanese yen lost some ground, with the dollar up 0.3 percent at 159.055 yen, having briefly dropped below 158 on Wednesday.
With the Strait of Hormuz closed, “the entire ceasefire remains tenuous,” said Derek Halpenny, head of research global markets EMEA at MUFG. But, he added, “while the US dollar has rebounded, the moves in general have been modest.”
He said the fact that further talks scheduled in Pakistan were still going ahead was keeping any retracement of Wednesday’s moves in check.
Elsewhere, new personal spending data released on Thursday showed that US inflation increased as expected in February and likely rose further in March amid the war with Iran, a trend that is expected to discourage the Federal Reserve from cutting interest rates for a while.
The personal consumption expenditures price index climbed 0.4% after an unrevised 0.3 gain in January, the Commerce Department’s Bureau of Economic Analysis said on Thursday.
Japan’s consumer confidence worsened in March for the first time in three months, a government survey showed on Thursday, adding to a recent string of data pointing to the potential economic hit from the Middle East war, which would complicate the Bank of Japan’s rate-hike decision. The yen showed little reaction to the data.
Speaking in parliament, BOJ Governor Kazuo Ueda said real interest rates were clearly negative and were keeping the country’s financial conditions accommodative.
Other currencies were also broadly steady. The Australian dollar was 0.15 percent higher at $0.7054, while the New Zealand dollar was 0.46 percent higher at $0.585. In cryptocurrencies, bitcoin was last down 0.97 percent at $70,680.
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Opposition Leader Lapid Calls the Ceasefire with Iran a ‘Political Disaster’
FILE PHOTO: Israeli opposition leader Yair Lapid delivers a statement at the Knesset, Israel’s parliament,, in Jerusalem, February 13, 2023. REUTERS/Amir Cohen/File Photo
i24 News – Israeli opposition leader Yair Lapid on Wednesday launched a sharp attack on the ceasefire agreement reached between the United States and Iran, calling it a “political disaster” and directly blaming Prime Minister Benjamin Netanyahu.
In a post on X, Lapid said the agreement sidelined Israel from critical decisions affecting its national security. “Never in our entire history have we experienced such a diplomatic disaster,” he wrote, adding that “Israel wasn’t even at the table when decisions were made regarding the core of our security.”
Lapid accused Netanyahu of failing to translate military achievements into strategic gains, despite praising the performance of the Israeli military and the resilience of the public during the conflict. “The army has accomplished everything that was asked of it, and the citizens have shown remarkable strength,” he said.
However, he argued that those efforts were not matched by political leadership. “Netanyahu has failed politically, failed strategically, and has not achieved any of the goals he set for himself,” Lapid added.
The opposition leader also warned of long-term consequences stemming from the agreement, saying the fallout could take years to repair. He criticized the government’s handling of the crisis, citing what he described as “arrogance, negligence, and a lack of strategic vision.”