Uncategorized
Hillel Silverman, longtime rabbi whose congregant killed JFK’s assassin, is dead at 99
(JTA) — “If you want to know about my brother, Jack Ruby, you should talk to Hillel Silverman. He was our rabbi in Dallas for 10 years before President Kennedy’s assassination, and he knew Jack very well.”
It was 1976, and I had convinced Eva Rubenstein Grant — a loud woman with an even louder red wig — to appear on an ABC program to speak about her brother, who fatally shot John F. Kennedy’s alleged assassin Lee Harvey Oswald on live television 13 years earlier.
It was years, however, before I was able to speak to Rabbi Silverman, for a TV program I was producing about the JFK assassination. Our conversation in 1991 was the first of several chats we had about Ruby (and other topics) and the glancing role Silverman played in the national trauma surrounding the president’s murder. He was one of the last surviving witnesses who testified in 1964 before the Warren Commission, which investigated the assassination.
The Kennedy assassination was a relatively minor aspect of a 70-year career in the rabbinate, during which Silverman served as the founding rabbi of Congregation Shearith Israel in Dallas, and then as the senior rabbi at Sinai Temple in Los Angeles for 16 years, among other pulpits.
Silverman, the son of a prominent Conservative rabbi, died in Los Angeles this week of pneumonia at the age of 99. It was one month after he celebrated his birthday — and the birth of a great-grandson and the upcoming wedding of a grandchild — at Valley Beth Shalom in Los Angeles, where in his last official role he served as a visiting scholar.
Silverman was spiritual leader of Shearith Israel in Dallas from 1954 to 1964; Jack Ruby, a nightclub owner with links to the Mafia, was one of his congregants. Silverman told me in 2013, on the 50th anniversary of the Kennedy and Oswald murders, that Ruby would attend services to say Kaddish, the memorial prayer, for his father.
“He came to the minyan one day with a cast on his arm,” Silverman recalled. “I said, Jack, what happened? He said, ‘In my club, somebody was very raucous, and I was the bouncer.’”
Nov. 22, 1963, the day Oswald shot and killed Kennedy, was a Friday. Evening services at the synagogue “became a memorial service for the president,” Silverman said. “Jack was there. People were either irate or in tears, and Jack was neither. He came over and said, ‘Good Shabbos, rabbi. Thank you for visiting my sister Eva in the hospital last week.’ I thought that was rather peculiar.”
Two days later, Silverman switched on the radio and heard that a “Jack Rubenstein” had just killed the alleged assassin. The Warren Commission would later come to the still-disputed conclusion that Ruby acted alone — quashing rumors of a conspiracy — and shot Oswald on impulse and out of grief over Kennedy’s assassination.
“I was shocked. I visited him the next day in jail, and I said ‘Why, Jack, why?’ He said, ‘I did it for the American people.’”
I interrupted Silverman at that point, as I’d read other reports in which Ruby said he did it “to show that Jews had guts.” The rabbi sighed. “Yes, he mentioned that. But I don’t like to mention it. I think he said, ‘I did it for the Jewish people.’ But I’ve tried to wipe that statement from my mind.”
Silverman vividly described his weekly jailhouse visits to his now-notorious congregant, who was found guilty of murdering Oswald and who died in prison from lung cancer four years after the assassination. “In prison, Jack deteriorated psychologically,” Silverman recalled. “One time I walked in and he said, ‘Come on, rabbi, duck underneath the table. They’re pouring oil on the Jews and setting it on fire.’ He was quite psychotic.”
Jack Ruby, right, shoots Lee Harvey Oswald in Dallas, Nov. 25, 1963. (Dallas Times Herald)
Hillel Emanuel Silverman was born in Hartford, Connecticut, in 1924 to Althea, a prolific author, and Rabbi Morris Silverman, a prominent Conservative rabbi who edited the Shabbat and High Holiday prayer books used by the movement for more than half a century.
Hillel was ordained as a Conservative rabbi after graduating from Yale University. Following his service as a Navy chaplain during the Korean War, he led the congregations in Dallas and Los Angeles, and served 20 years as a spiritual leader of Temple Sholom in Greenwich, Connecticut.
He and his first wife Devora had three children: Gila Rutta, Dr. Sharon Pollock and Jonathan Silverman, the actor best known for films such as “Weekend at Bernie’s” and “Brighton Beach Memoirs.” He is survived by his wife of over 40 years, Roberta Silverman, his three children, three step-children (David Smotrich, Debbie Diamond and Arona Smotrich), 12 grandchildren and three great-grandchildren.
Silverman wrote or co-edited a dozen books, and during a visit when he was 95 told me, “I think I still have one more in me.” He was the recipient of numerous awards, including a Medal of Honor from Israel’s then-Prime Minister Menachem Begin for his “distinguished service to Israel and the Jewish people.” He was past president of the Zionist Organization of America, Southwest Region.
In his 90s, he continued to officiate at High Holiday services in southern California, at times with one of his grandchildren, Rabbi Matt Rutta.
When the COVID pandemic shut down in-person classes, Silverman conducted weekly online Torah study sessions with Rabbi Ed Feinstein of Valley Beth Shalom synagogue. Sharp-eyed participants would notice a movie poster on the wall behind Silverman for “Weekend at Bernie’s II,” in which he appeared briefly as a restaurant maitre d’.
My final visit with Rabbi Silverman took place last October. He was in a wheelchair, living with his daughter Sharon and son-in-law Mark, and his mind and sense of humor remained as sharp as ever. Last month, I was thrilled to receive a birthday email from him, recalling our discussions about Ruby and wishing me continued success in my career. “Since I am thirty years ahead of you, I can guarantee many more productive, enjoyable years!” he wrote.
During his final hospitalization, a family member at his bedside asked about the rabbi’s former congregant one last time: Did Ruby have anything to do with a conspiracy?
The family shared a video of that moment with me, in which Silverman adjusts his oxygen mask, shakes his head and firmly says, “No!”
—
The post Hillel Silverman, longtime rabbi whose congregant killed JFK’s assassin, is dead at 99 appeared first on Jewish Telegraphic Agency.
Uncategorized
VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
Uncategorized
Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
Uncategorized
‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
