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Historic church being housed by a synagogue gets green light for restoration
(New York Jewish Week) — When a fire devastated the Middle Collegiate Church in the East Village two years ago, East End Temple, a nearby Reform synagogue, welcomed church-goers to worship in their sanctuary.
Since then, a relationship has blossomed between the synagogue and the church, which has remained homeless due to the six-alarm fire that destroyed most of the historic building in 2020.
But this weekend, when the congregations get together for a planned Martin Luther King Jr. Teach-In this Sunday, they’ll have something additional to celebrate: The NYC Landmarks Preservation Commission cleared the way for the church to build a new home.
Rev. Dr. Jacqui Lewis of Middle Church said on Wednesday that the Landmarks Commission voted to allow the church to remove the burnt remains of its facade, allowing the congregation to rebuild.
According to Lewis, East End’s Rabbi Josh Stanton was one of the first people who reached out to her after the fire, which started next door. The synagogue has since supported the church in its efforts to win approval for its renovation so that it can return home.
“Truly, God is good,” Lewis wrote on Twitter. “Out of this fire, fierce love is rising.”
Yesterday, the NYC Landmarks Commission voted to let us remove the destroyed remnants of our facade, so we can build a new home.
As Christian fascism rises, the world needs churches like Middle. As unapologetically antiracist, prochoice, and queer as God. pic.twitter.com/EChCv6qqCx
— Middle Church (@middlechurch) January 11, 2023
Stanton welcomed the Landmarks Commission’s decision.
“I am relieved by the decision and elated that Middle Collegiate Church will be able to rebuild,” Stanton said. “Buildings are meant to serve human needs and higher purposes — and the new church building will do so in transformational ways.”
He told the New York Jewish Week that the relationship between the two congregations builds upon King’s legacy. “We view each other as kindred spirits as opposed to feeling a sense of animus,” Stanton said, adding that some 300 people from both congregations are planning to attend Sunday’s teach-in, which is about strengthening the bond between black and Jewish communities.
“We are, as a Jewish community, going to church with our wonderful friends and colleagues at the leading multicultural church in New York City,” Stanton said.
He added that the church will continue to use the synagogue sanctuary for the ‘foreseeable future,’ unless it should outgrow the space.”
In a time of rising antisemitism, he added, this type of joint learning is “essential work,” he added. “This is one of those opportune moments, probably the most opportune since the Civil Rights era, for Black folks, Jewish folks, and Black and Jewish folks, to work together in a concerted way.” Last year, a number of African-American celebrities — notably the rapper Kanye West and the New York Nets star Kyrie Irving — were criticized for sharing antisemitic tropes with their millions of social media followers, stoking tensions between the Black and Jewish communities.
Both Lewis, Stanton and others will speak at the King event. After church services, the community will break bread, take part in community organizing work and learn more about their shared history.
Middle Church has served the East Village community since 1892. Before the fire, it was a community hub for other social programs — some run by other synagogues — including soup kitchens and Alcoholics Anonymous meetings. It has also played a role in supporting people during the AIDS crisis, helping people pay rent during Covid and more recently, supporting Ukraine in its war with Russia.
Since Easter of 2021, the church has prayed at the synagogue’s sanctuary on East 17th Street every Sunday.
It’s not all bleak out there.
I went to church last Sunday, where East End Temple, a Jewish synagogue in the East Village, has been hosting @middlechurch for almost two years after a fire destroyed their historic building. pic.twitter.com/0FjtlXr7TA
— Jacob Henry (@jhenrynews) December 8, 2022
The Temple covered upwards of 95% of the cost for the church to rent the space.
“Josh was offering me a tabernacle,” Lewis told the New York Jewish Week last month. “This big-hearted rabbi opens the door to a church, in a time of rising antisemitism, that’s just bold, fierce love at work.”
In her tweet announcing the Landmark Commission’s approval, Lewis also thanked multiple elected officials who helped fight for the church, including Council Member Carlina Rivera, Manhattan Borough President Mark Levine, Assembly Members Harvey Epsteim and Deborah Glick, and the NYC Mayor Faith Advisor Pastor Gil Monrose.
“We are forever in your debt,” Lewis wrote.
The MLK event is taking place this Sunday, Jan. 15 at East End Temple in the East Village. The church is also accepting donations to support its rebuilding efforts.
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The post Historic church being housed by a synagogue gets green light for restoration appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

