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Hitler is alive and in hiding in final season of ‘Hunters,’ Amazon’s series about Jews killing Nazis
Spoilers for the first and second seasons of “Hunters” follow.
(JTA) – When Amazon Prime released the first season of “Hunters” in 2020, it advertised its Nazi-hunting TV show as “Inspired By True Events.”
That was true only in the loosest possible sense of the term. Starring Al Pacino and Logan Lerman and produced by Jordan Peele, “Hunters” told a bloody, souped-up, almost entirely embellished story of a Jewish-led team of multiracial Nazi hunters in the 1970s trying to stop a “Fourth Reich” from rising in the United States.
The show was immediately controversial: Series creator David Weil, the grandson of Holocaust survivors, had to defend his show from the Auschwitz Memorial, which harshly criticized “Hunters” for — among other scenes — depicting a human chess game at Auschwitz that never took place.
Despite all that, “Hunters” still had some basis in reality. There were, in fact, a handful of Jewish Nazi hunters active across the Americas at that time, most famously Simon Wiesenthal (played in the series by Judd Hirsch), who did succeed in bringing several prominent Nazis to justice.
Three years later, “Hunters” has, similarly, used the historical record as a mere suggestion for its second and final season, which debuts Friday and tells an outrageous story about hunting Hitler himself. Here’s how viewers can separate fact from fiction in season 2.
Hitler in Argentina
The end of the first season hinted that things were about to go seriously off the rails, as the “real” Hitler and Eva Braun were revealed to be happily alive and hiding out in Argentina — seemingly validating decades’ worth of baseless conspiracy theories about the Nazi leader’s supposed escape from his Berlin bunker in 1945. (Also throwing things for a loop: the reveal that Pacino’s character, who had presented himself as the hero’s Holocaust-survivor grandfather, was secretly the Nazi “butcher” they had been hunting in disguise, and the man they killed after a season-long hunt was the real survivor.)
In the second season, the disbanded Hunters reunite in 1979 to follow Hitler’s trail to Argentina, where many real-life Nazis did hide out. Meanwhile, in flashbacks to 1975, Pacino’s Nazi “butcher” works furiously to cover his tracks as he poses as a successful Jewish businessman and philanthropist in the United States.
Hitler-survival conspiracy theories seem to, well, keep surviving. In the decades since the war’s end, many conspiracy theories regarding Hitler’s fate have proliferated, and a good number of them coalesce around the unsupported claim that he, like other top Nazi commanders, was ferreted out of Germany and into South America via a secret underground network. “Hunting Hitler,” a recent top-rated History Channel docuseries, milked three seasons out of the idea.
But of course there were Nazis who successfully escaped persecution at Nuremberg by fleeing to South America, and “Hunters” crafts its Hitler narrative on the scaffolding of their real-life stories. The most infamous case involved death camp commander Adolf Eichmann, who hid in Argentina until Mossad agents uncovered his location and kidnapped him in 1960’s Operation Finale to stand trial in Jerusalem.
The Kreisky-Peter-Wiesenthal Affair
In the universe of the show, the fake Meyer played by Pacino is friends with Wiesenthal, a seasoned Nazi hunter. When the two meet in 1975 in an early episode of the second season, Meyer congratulates Wiesenthal on his recent success in Austria.
This is a reference to a real-life 1975 political scandal, in which Wiesenthal and a team of researchers revealed the past Nazi activities of Austrian politico Friedrich Peter as the country’s Jewish chancellor, Bruno Kriesky, prepared to offer Peter’s right-wing party a role in his ruling coalition.
Wiesenthal’s actions led to a falling-out between him and Kriesky, who variously called him a “Jewish fascist” and a member of the Gestapo. But the Nazi hunters declared victory over having rooted out the S.S. past of a prominent postwar politician. (Peter’s party never joined the coalition.)
‘Reclaiming’ Jewish-owned businesses in Europe
In an early scene of the second season, one of the disguised hunters walks into an Austrian candy shop in 1979 and innocently inquires how long the shopkeeper has owned it. The store has been in his family for generations, comes the reply.
But, the hunter muses, there is a strange indentation on the doorpost — almost like a mezuzah. Could the shop have, in fact, been Jewish-owned before the Nazis came to power?
It turns out the hunter is right, and the shopkeeper will pay dearly for his denials. Again, the general arc of this narrative starts with real history, as there are countless examples of Nazis having seized Jewish-owned properties and businesses and destroyed the records of Jewish ownership, making it nearly impossible for surviving Jews after the war to reclaim their properties.
Author Menachem Kaiser recently explored how Nazi property seizures altered his own family history in the nonfiction book “Plunder,” which won the Sami Rohr prize for Jewish literature.
Frank Sinatra’s Jewish activism
As part of Al Pacino’s character’s disguise as a Holocaust survivor in postwar America, he becomes an active philanthropist to Jewish causes. At one point, he can’t help but brag that he convinced Frank Sinatra to make a hefty donation.
In fact, the famous crooner, despite not being Jewish himself, was a vocal and documented supporter of Jewish causes. He was presented with awards from Hebrew schools; visited Israel many times and helped build a youth center in Nazareth; owned a $10,000 yarmulke; and even gave his son, Frank Sinatra Jr., the Jewish middle name of Emmanuel. After Sinatra’s death, to avoid paparazzi, his body was hidden in a Los Angeles Jewish funeral home for decades.
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Poland returns 91 Jewish objects to Greece, decades after they were stolen by the Nazis
(JTA) — A trove of sacred Jewish objects from Greece that was stolen by the Nazis and displaced for decades in Poland is finally heading back home.
Poland returned 91 religious and ceremonial artifacts to the Greek government at a ceremony in Warsaw on Wednesday. Among them were Torah scrolls, a Torah mantle and silver finials that adorned a scroll’s wooden rollers — fragments of a rich Greek Jewish heritage that was nearly wiped out.
This marks the first time Poland has repatriated cultural property held under its care that was illegally taken from another country.
The Nazis stole the objects from synagogues in Thessaloniki, a port city once known as the “Jerusalem of the Balkans.” Jews made up half of Thessaloniki’s residents in 1919. Some 59,000 Greek Jews, over 83% of the country’s Jewish population, were killed in the Holocaust.
These items were seized by the Einsatzstab Reichsleiter Rosenberg, a Nazi agency dedicated to looting Jewish valuables, as it plundered homes, synagogues, cemeteries and cultural institutions across Greece in 1941. The objects were transferred to Nazi depots in southwestern Poland and rediscovered at a castle in Bożków after the war. In 1951, the Polish Ministry of Culture moved them to the Jewish Historical Institute in Warsaw, where they remained until now.
This return follows years of advocacy and provenance research. The Greek government formally requested the collection’s restitution in 2024, and the World Jewish Restitution Organization coordinated with Greek and Polish authorities to facilitate it. Now, the objects are headed to the Jewish Museum of Greece in Athens.
About 5,000 Jews live in Greece today.
Poland is the only member of the European Union with no comprehensive legislation to address the restitution of property seized by the Nazis and later nationalized by the communist regime. Since the country became a democracy in 1989, several bills have been proposed to return private property to Holocaust survivors and their descendants, but none became law.
In 2021, Poland passed a law that prevented people who sought to claim property from challenging administrative decisions more than 30 years old. This time limit made it virtually impossible for former owners, including Holocaust survivors and their descendants, to recover properties that were appropriated during the communist era.
In a statement, WRJO president Gideon Taylor and COO Mark Weitzman said the return of the Greek Jewish collection represented a milestone in international cooperation for Holocaust-era restitution.
“While Poland has broader restitution issues to address, we hope this historic act marks the beginning of a consistent, systematic approach to historical justice,” they said.
The post Poland returns 91 Jewish objects to Greece, decades after they were stolen by the Nazis appeared first on The Forward.
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Israel shoots down Iranian fighter jet; Iranian drone targets Turkey as war enters 5th day
(JTA) — Two unprecedented developments took place in the U.S.-Israel war against Iran on Wednesday, as fighting entered its fifth day.
First, Israel said its forces had shot down an Iranian plane over Iranian territory, in the first-ever direct combat between the two nations.
Second, Turkey says an Iranian drone headed toward its airspace was shot down by NATO’s missile defense system, marking the first apparent attack on a NATO country other than the United States.
In an apparent effort to ignite Arab and Muslim countries against Israel, Iran has struck even countries that historically have shared elements of its opposition to Israel, including in Qatar, which has housed Hamas leaders, and Turkey, which cut off trade with Israel as it sided with the Palestinians in the war in Gaza. It has also struck Oman, which was brokering negotiations between Iran and the United States until hours before the war began.
“They were actually acting in a way that would have benefited Iran. Despite this, Iran’s bombing of Oman as a mediator, Qatar, Kuwait, Bahrain, Saudi Arabia, the United Arab Emirates, Jordan — all of these places without making any distinction — is, in my view, an incredibly wrong strategy,” the Turkish foreign minister, Hakan Fidan, said on Tuesday.
The developments come as Israelis continue to experience intermittent sirens warning them of incoming missiles — including, on Wednesday, at the same time from Iran and its proxy in Lebanon, Hezbollah. Two people were injured in a strike in central Israel on Wednesday.
Iran has said it plans to name a successor imminently to its supreme leader, Ayatollah Ali Khamenei, whom Israel assassinated on Saturday. His son is reportedly a top contender, a signal that that hard-line forces that survive in the government are prevailing. President Donald Trump, meanwhile, indicated that airstrikes had killed some of the leaders the United States thought could take over and also pooh-poohed support inside Iran for Reza Pahlavi, the son of the king deposed in the 1979 Islamic Revolution who has sought to return. Many Iranian Jews who fled at the time of the revolution have backed Pahlavi.
Both Israeli and U.S. officials say the war is advancing faster than they expected though that they cannot put a timeline on its completion. But Secretary of Defense Pete Hegseth dismissed reports that Iran might be parceling out its missiles judiciously in an effort to ride out the U.S.-Israeli barrage and emerge with an arsenal intact.
“Iran cannot outlast us,” Hegseth during a press briefing on Wednesday morning in Washington, D.C.
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Tensions in Israel loom large in these Oscar-nominated shorts
Despite a ceasefire between Israel and Hamas, two Oscar-nominated short films show that the deep division that the war sowed in Israeli society will take a long time to mend.
Butcher’s Stain, a nominee for Best Live Action Short Film, is the debut of Israeli director Meyer Levinson-Blount, who based it on an experience he had working at a supermarket. Samir, a Palestinian employee at an Israeli grocery store, is accused of tearing down hostage flyers in the breakroom. A single dad who can’t afford to lose his job, he sets out to find the real culprit, only to find himself betrayed by his Israeli friends.
The 36-minute documentary Children No More: “Were and Are Gone,” directed by Israeli filmmaker Hilla Medalia, follows a group of Israeli activists who silently protest the war by going to public spaces and holding photos of Palestinian children killed by the Israel Defense Forces. At the beach and on the street, they are yelled at and physically threatened by passersby who call their acknowledgement of Palestinian death an endorsement of Hamas.
Neither movie particularly stands out in its style or structure as something revolutionary. However they both capture how difficult — and sometimes impossible — it has been to have civil discourse since Oct. 7. People are quick to make assumptions about others’ motivations for sympathizing with either or both sides. Friendships fall apart. Blanket statements alienate people from one another.
The shorts also demonstrate how emotionally charged images have been during the conflict. Both the Israeli hostage posters and the Palestinian flyers showcase the victims’ humanity, hoping viewers will empathize with the subjects regardless of their politics.
But protesters across the world have called the hostage posters Zionist propaganda and tearing them down has been likened by some to a form of anti-colonial resistance. In Children No More, some Israelis respond to the faces of dead Palestinians with the middle finger. In Butcher’s Stain, Samir is accused of supporting terrorism because he posted about children dying in Gaza on social media. To recognize the humanity of someone you may not agree with has become a politically incorrect act.
Reactions to the shorts have further demonstrated the polarizing climate they capture. Israeli culture minister Miki Zohar lambasted both films as being “against Israel,” saying they “amplify our enemies’ narratives.” When I watched Butcher’s Stain at the IFC Theater in New York, the woman two seats down from me became visibly agitated, her knee bouncing up and down as she scoffed disapprovingly before loudly whispering to her partner that the “fucking film” was “antisemitic” for portraying the Israeli employees as bigoted.
There were similar reactions when the Israeli-Palestinian documentary No Other Land won best documentary last year. The film about Israeli forces destroying the Palestinian village of Masafer Yatta was accused of being anti-Israel propaganda. Conservative commentator John Podheretz congratulated “Hamas for its Oscar win” on social media.
Clearly, the Academy was not swayed by last year’s critics to back away from films about Palestinian suffering. In fact, Butcher’s Stain’s selection feels pointed, as it’s the only political drama among the five live action short competitors this year (compared to last year’s lineup that included films about poaching, immigration, child labor, and the Bosnian War). Another Oscar nominee is The Voice of Hind Rajab, a dramatization of Palestinian emergency workers efforts to save the titular five-year old, up for best international feature.
Regardless of whether or not the shorts take home trophies on March 15, they leave audiences with pressing questions about the future now that there is a ceasefire: Can people with different views — in Israel and elsewhere — learn to talk to each other again? Will images of human suffering always be seen as political propaganda? And will Israeli society ever be able to move on?
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