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How a deeply religious Christian artist captured the spirit of the Jewish holy land
I was briskly walking down the main drag of a swanky neighborhood in Seattle when I saw a faded, old-timey lithograph in the window of an art store. It was a landscape with a fortress built into the cascading side of a massive, dry and desolate canyon. The location was as far from green and leafy western Washington on that drippy spring day as one could imagine. In the foreground, a group of men wearing exotic clothes were standing and sitting outside the fortress.
I did a doubletake — I knew that place; it was Mar Saba, an ancient monastery in the middle of nowhere.
I went into the store and talked with the owners who told me the artist’s name was David Roberts. He was a contemporary of a couple of men named Charles: Dickens and Darwin. David Roberts started his career by painting sets for the London theater. After that, he developed an interest in landscapes and toured western Europe drawing historic churches and later found his way to southern Spain where he drew the famous sites of Moorish architecture.
Then, he did something truly extraordinary, especially for someone living in London at that time. In 1838, he sailed from England all the way to Egypt. Almost no one in Europe had traveled there since Napoleon and his army invaded in 1798. He toured Cairo and sailed up the Nile to the temples, tombs and relics of the pharaohs, detailing them in his sketches.
After returning to Cairo, Roberts embarked upon another excursion even more daring than his Egyptian adventure. A deeply religious Christian, he succumbed to the urge to see the Holy Land. The easiest way to do that would have been to sail down the Nile to the Mediterranean and follow the coast to the east. Or, he could have gone by horse or camel along the Via Maris, the ancient road that follows the coast. Both routes would have taken him only a few days to complete.
Instead, Roberts made a totally radical and potentially dangerous choice. He hired Bedouin tribal guides to take him by camel across the eastern desert of Egypt and through the length and breadth of the Sinai Desert, following the route the Hebrews took during their 40-year journey we now refer to as the Exodus. In the Torah, the book of Exodus is called BaMidbar which means “In the Wilderness,” which is exactly what the forbidding Sinai is like. Life can easily be lost if one is not careful due to lack of water or the threat of bandits.
Once Roberts finally reached Israel, he toured almost all the places mentioned in the Bible and continued on to Lebanon, drawing everything he saw. Upon his return to England, Roberts made lithographs of his drawings and collected them into three jam-packed volumes. Being a shrewd businessman, the artist sold his collection to subscribers. It was an instant hit. His first subscription was purchased by Queen Victoria.
A refuge from the outside world
Years ago, when my wife and I were visiting Israel, we took a bus from Jerusalem to Bethlehem. After visiting the popular sites in that city, we hired a taxi which took us down a one-lane, dusty, rutty, partially paved “road” atop a narrow, steep ridge to its literal end. This road led us deep into the Judean Desert where Jesus spent time and where King David hid from his rebellious son, Absalom, who almost succeeded in having his father assassinated.
Mar Saba sits precariously on the shoulder of the canyon, called a wadi by the locals, in the hills above the nearby Dead Sea. Even though it was mid-October, the air was so hot that a local shepherd and his goats were sheltering in the shade of one of the high walls of the fortress.
We approached the main gate and knocked. A low voice inside answered. It was one of the monks. We were lucky he spoke English. However, we were not so lucky with what he said. He told us my wife could not enter because she was the wrong gender and would have to wait outside. However, he let me in.
Inside the main gate, the compound was crowded with ancient sand-colored stone structures. The monk first showed me the chapel, which was cool and dark in striking contrast to the veritable furnace outside. What it lacked in size, it made up for in ornamentation. The floor had a complex pattern of symmetrical pieces of colored marble. The altar had an elaborate filigree of gold. Most impressive were the walls up to the domed ceiling which were completely covered with icons of various saints, all of which appeared to have been made a very long time ago. Even the inside of the dome was covered with painted images of saints.
I followed my guide to a nearby stone building and was dumbfounded by what I saw. This was the monastery’s sepulcher room. On display on wooden tables under glass were dozens of skulls and bones. The monk explained that when a monk dies, he is buried in the monastery’s cemetery and remains there for several years. After that, the bones and skull are removed and placed on display in this room. He said that many of the remains belonged to martyred monks who were murdered when the Persians invaded in 614 CE.
In what I supposed to be the dining hall, the monk gave me a drink and proceeded to tell me he was from Greece. He seemed to feel free enough to unload his feelings because he went on to elaborate about the corruption and iniquity of the outside world and how his community of believers cherish their refuge from all of that behind the high walls of their little world.
Once I exited the main gate, I found my wife sitting on a rock in the shade waiting for me. Her only company was an old Arab man who was likewise escaping the withering glare of the sun. Her only consolation was that I had taken so many photos of the interior of Mar Saba that I had made a visual record of everything I saw inside the walls.
An island at the end of the world
When I was in the art store in Seattle two years later, the experience of Mar Saba came flooding back and I wound up purchasing the lithograph. I can tell you it is a pretty accurate depiction of what we saw. The place has not changed at all in more than 175 years since the artist was there. I doubt the place has changed much at all since its founding in the fifth century CE.
After learning more about Roberts, where he traveled and what he did, I began collecting more of his lithographs, including a drawing of the Tower of David, which I saw regularly when I was a college student in Jerusalem.
The Tower of David, next to the Jaffa Gate in the Old City of Jerusalem, functioned in ancient times as the citadel of the city. It was originally built during the Hasmonean dynasty who descended from the Jewish Maccabees of Hanukkah fame. I should mention that the Tower had nothing to do with King David as it was constructed by the Romans after their conquest hundreds of years later. When Roberts made his drawing, the road outside the Tower was just a narrow, dusty, dirt path. Now, it is a busy, well-paved, four-lane highway leading from Jerusalem to Bethlehem and Hebron.
Roberts also drew a panorama of the Old City viewed from high atop the Mount of Olives. After my wife and I climbed the steep road up the Mount, past the old Jewish cemetery, which is where legend says the Messiah will appear and raise the dead on Judgment Day, we saw the same precise view that Roberts recorded for posterity. I believe Roberts took some artistic license with his work since he sketched a bridge over the Kidron Valley, even though there never was one.
Roberts drew the Isle of Graia where I traveled with a friend, Andy, when we were on spring break and took a trip to Eilat. At that time, Eilat was extremely remote, and it took hours to get there. The only other passengers on our bus from Jerusalem were workers headed to construction jobs building new hotels. As we got close to our destination, the other passengers pulled knives and guns out of their luggage.
Eilat, located where the Negev desert ends and the Sinai begins, was not much of a town back then. Surrounded by high hills, it is not a pretty landscape of undulating sand dunes; the terrain is rocky and almost completely devoid of any living thing. While Andy and I were there, we heard about an island further down the coast. We hitched a ride with some soldiers in a jeep who were headed down the coast. After about two dozen kilometers, they dropped us off at a place called Hof Almogim, or Coral Beach in English.
It was a beautiful beach without a soul there. It seemed as if we had reached the end of the world. The only thing on the beach was a small shack where the lone proprietor sold Cokes and rented snorkeling gear. Off in the distance was the island. On the opposite coast were the mountains of biblical Edom, in today’s kingdom of Jordan.
When Roberts was there, he was heading north with his local Bedouin guides in a caravan. I believe he included himself, dressed in Ottoman style-clothes, in the lower right corner of his picture drawing the scene; you can see him holding some kind of paper and his writing kit and an umbrella are on the ground in front of him.
When we showed up many, many years later, the weather was scorching, so we did what anyone else would do— we rented masks, pipes and fins and waded into the water. It didn’t matter that I had never gone snorkeling before. It took me a little time to get the hang of it, but I figured it out. The Red Sea’s temperature was like bath water, so we plunged right in and crossed into another world.
Not far from shore, we encountered a multi-colored coral reef that, from the shore, looks distinctly red, which is where the Red Sea gets its name. In stark contrast to the aridity of the land, the sea was alive. The reef was covered by lots of sponges that looked like colorful human brains. It was surrounded by swarms of shimmering, iridescent, palm-sized fish in different hues. As we maneuvered through them, they darted here and there, moving in unison liked flocks of birds.
The coral was razor sharp, so I was careful to keep my distance as we passed over it, at which point the sea floor dropped to 60 feet below us. Suddenly, it was devoid of life and it was hard to see the bottom.
It took almost an hour to reach the island. It has an impressive stone castle which was originally built by the invading Crusaders who wanted to protect the pilgrimage routes in the area and defend their kingdoms centered in Jerusalem. Later, during the Crusades, the Christians lost control of the fortress to Muslim forces. When we were there, Israel controlled the area, having conquered it in the Six-Day war. The Sinai now belongs to Egypt as a result of the 1979 Camp David peace agreement.
When Andy and I reached the beach, the weather was blistering. We could not explore the castle since our only footgear consisted of the fins we had on our feet. So, we did not stay long. On our return, the sun was sinking on the horizon. It was becoming noticeably colder. Sea creatures were emerging from their hiding places; a pink bubble the size of my fist floated directly toward me. It had tentacles that hung down from the body. Instinctively, I turned to avoid it. I later learned it was a Portuguese man o’ war, a type of jellyfish, which carries an evil sting.
Upon reaching the mainland, darkness smothered us, and Andy and I camped on the beach. The next morning, we checked our belongings for scorpions and caught a ride back to Eilat. Today, luxury resort hotels have sprouted on that once-lonely beach. The commercialization of that former paradise is heartbreaking.
Epilogue
Quite a few years have passed since those travels and David Roberts’ lithographs now hang in honored places in our home. Once in a while, I pause in front of one of them and marvel at the precision with which the artist captured the mood of his subject. Some of these locations, such as the ones in Jerusalem, I have been intimately familiar with. Others I merely passed through as a tourist just as Roberts did, albeit under far more primitive and dangerous circumstances. I almost wish I was able to go back in time and travel with him in that caravan.
The post How a deeply religious Christian artist captured the spirit of the Jewish holy land appeared first on The Forward.
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When Assassination Attempts Stop Shocking Us
US President Donald Trump takes questions from media at a press briefing at the White House, following a shooting incident during the annual White House Correspondents’ Association dinner, in Washington, D.C., U.S., April 25, 2026. Photo: REUTERS/Jonathan Ernst
The villagers of Chelm once faced a serious problem.
A wooden bridge at the edge of town had a loose plank in the middle. People kept stepping on it, falling through, and breaking their legs. The town elders gathered for an emergency meeting. Some said, “We should put up warning signs!” Others said, “We should add lights along the bridge!”
Then one leader stood up and said, “I have the answer! Let’s build a hospital at the bottom of the bridge!”
This, I fear, is where America stands today.
Just a few days ago, during the White House Correspondents’ Dinner in Washington, D.C., a gunman rushed past a security checkpoint and opened fire. The President, the First Lady, and members of the Cabinet were evacuated. The suspect, a 31-year-old teacher with an engineering degree, had written a manifesto targeting administration officials, and investigators later found anti-Trump and anti-Christian rhetoric on his social media accounts.
Regardless of where one stands politically, this news should shake our very core. A civilized society cannot become comfortable with such evil acts of violence. And yet, by morning, the conversation had already shifted: More security. Stricter gun laws. Better screening.
All of it sounded like building another hospital at the bottom of the bridge — because while some of these ideas are worthy and necessary, they do not answer the deeper question that should be at the forefront of our minds: How did we arrive at a moment when evil has become so banal that it no longer shocks us?
Many blame all sorts of reasons — from political extremism to mental illness, from social media to economic anxiety — and while each of these may contain parts of the truth, none addresses the root of the problem. Because the broken plank is not only political. It is a crisis of the nation’s soul.
Shortly after the attempted assassination of President Ronald Reagan in 1981 at the same Washington Hilton in Washington D.C., the Lubavitcher Rebbe addressed the nation with remarkable clarity. The Rebbe rejected the explanation that crime grows from deprivation and poverty, as some suggested. The Rebbe noted that Reagan’s attacker lacked nothing materially. The real issue, the Rebbe said, was that he lacked education. Not education of the mind alone, but education of the conscience.
A child must grow up knowing that there is “an Eye that sees and an Ear that hears,” that human life is sacred, that actions matter even when no one is watching, and that freedom is not permission to do whatever one wishes, but responsibility to do what is right.
Without that foundation, a society may produce people of dazzling intellectual brilliance, but with almost no goodness to guide it.
Alas, history has already shown us where that road leads. The Nazi era proved that reason alone can rationalize anything, even evil. Germany of the 20th century produced philosophers, scientists, poets, and composers. And yet, it also produced Auschwitz.
In Schindler’s List, there is a haunting scene during the liquidation of the Krakow Ghetto in which a little girl, hiding near a piano, is shot by an SS guard. As her tiny body lies in blood, another guard sits down and begins to play the piano. One guard asks the other, “Is that Bach?” His friend replies, “No. Mozart.” And they continue to discuss the music as if nothing had happened. That was Nazi Germany: murder alongside Mozart.
Elie Wiesel once asked the Lubavitcher Rebbe how he could still believe in God after Auschwitz. The Rebbe responded with a question of his own: “In whom do you expect me to believe after Auschwitz? In man?”
Because without God and the absolute truth of His Bible, morality becomes negotiable. Without grounding ourselves in Divine commandments such as “Do not murder,” even cultured and educated people can descend into evil.
We must act responsibly in the face of real threats, increase security, and pass legislation where needed. But if we truly want to prevent the next attack, we must repair the bridge itself. And that repair begins with teaching our children not only how to think, but how to live. Not only how to succeed, but how to serve. Not only how to respect life, but how to recognize “the Lord your God” Who gives us life and Who commands us to protect it in ourselves and in others.
A few years ago, here in Arizona, I had the privilege of working with Governor Doug Ducey and others to help bring a statewide Moment of Silence to the beginning of the school day. Just one quiet minute in which students can pause and remember that life has purpose, that actions have meaning, and that there is something greater than themselves.
This responsibility belongs to all of us. Adults and children alike must know that kindness is not optional, that words matter, and that every human being — even those who are different from us — is created in the image of God. And the simple moral truths that built our civilization must once again guide the way we live: “Honor thy father and thy mother.” “Love your fellow as yourself.” “Do not stand idly by while your fellow’s blood is being shed.”
Let us repair the bridge. Let us return to God and His guidance, and strengthen the soul of our country. For when a nation strengthens its soul, it not only survives. It rises.
Rabbi Pinchas Allouche is the founding Rabbi of Congregation Beth Tefillah and the founding dean and spiritual leader of the Nishmat Adin High School in Scottsdale, Arizona, where he resides with his wife, Esther, and 10 children.
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The Conspiracy Architecture Doesn’t Need Jews: It Just Prefers Them
A 3D-printed miniature model of Elon Musk and the X logo are seen in this illustration taken Jan. 23, 2025. Photo: REUTERS/Dado Ruvic/Illustration
Within hours of the shooting at the White House Correspondents’ Dinner (WHCD), a comment on The Young Turks’ social media pages offered one theory of the case.
The shooting, the commenter explained, was the work of “the family that owns and brags it founded that country and stole our fed and our way of tying our currency to its value in gold.”
Another, on the same channel, called it “another convincing Mossad-CIA joint charade.”
A sitting president had nearly been shot at a press dinner in Washington. The shooter, a 31-year-old California tutor named Cole Tomas Allen, was already in custody. None of this had any plausible connection to Israel, Jews, or the Federal Reserve. The audience supplied that connection anyway.
At NYU’s Center for the Study of Antisemitism, my colleagues and I collected and annotated 2,000 YouTube comments from 10 major US news outlets in the first 24 hours after the attack — left, center, and right — and compared them to our earlier work on the Charlie Kirk killing in September 2025 and on the saturation of antisemitic conspiracy during last summer’s US-Israeli campaign against Iran.
What we found is a structural shift in how online publics process political violence in real time. It is not, on its surface, what a Jewish reader might expect. It is more troubling than that.
At first glance, what I am about to describe might look like a decline in antisemitism. It is not.
In the Kirk corpus, roughly three in 10 comments performed conventional blame attribution: it was the Left’s fault, the Right’s fault, the media’s fault, Kirk’s own rhetoric. At the WHCD, that figure collapses to one in 20. Conspiracy theories — false flag claims, staged-event narratives, claims that Trump himself or the security state orchestrated the shooting — jump from a marginal six percent to roughly one in four. Within a single news cycle, the question being answered shifted from *who is responsible?* to *did this even happen?*
And it shifted across the entire spectrum.
At CBS, the most-engaged comment in the entire corpus — 1,887 likes — read: “That’s a helluva way to get out of the dinner berating.” The second most-engaged, 1,875 likes: “And the band played on.” A Titanic metaphor, Trump as the doomed captain.
One-word assertions reached the engagement-leading tier without any humor cover at all: “STAGED” at CBS, 659 likes. “Faker than 3 dollar bill BS” at CNN, 1,233 likes.
The same logic ran in the opposite direction at Fox News, where the staging frame was inverted into “MAGA-HOAX” — left-leaning commenters arriving on the Fox thread accused MAGA itself of having staged the attack. Different villain, identical architecture: a manufactured event, a hidden orchestrator, a perpetrator framed as a patsy, security-camera footage read as evidence of staging.
The motives stacked on top of one another — mutually exclusive, but co-existing without friction. Trump staged it to escape being roasted at the dinner. Trump staged it to manufacture sympathy for his $400 million ballroom expansion. Trump staged it to distract from issues like the Iran war, or from his collapsing poll numbers.
This is what a comment section now looks like in the hours after a political-violence event in the United States. Not partisan blame. Not grief. Not even shock. Instead, we see conspiracy as the default register of interpretation, stable across editorial positions.
What does this have to do with Jews?
Six weeks ago, during the US-Israeli campaign against Iran, the same architecture was running through the same comment sections — and the orchestrator slot was filled by Israel, by Mossad, by AIPAC, by “the family that founded that country,” by Trump-as-Israeli-asset. The mechanics were identical. What rotated was the villain.
This is what Jewish readers need to see clearly. The conspiratorial machinery that saturates American comment sections after political violence is not ideologically fixed. It is a template. It takes whatever villain the moment makes available — Israel during Iran coverage, Trump and the CIA at the WHCD, regardless of context, because that audience already carries the frame.
Antisemitism, in other words, has become structurally optional but instantly available. The infrastructure no longer needs a Jewish orchestrator to function. It still has a slot ready for one.
That is why a comparatively low antisemitism rates at most outlets this week is not a reprieve. It is a measurement of which villain the architecture happened to reach for. The infrastructure built up during the Iran coverage has not gone away. It has gone latent. The next event that supplies a Jewish or Israeli connection will reactivate it instantly, because the architecture itself was never dismantled.
One qualifier. Our corpus closed on April 26, before reports surfaced of writings recovered from Allen’s hotel room. What those documents revealed about his motive, they cannot affect the finding here. We are not diagnosing the shooter. We are diagnosing the commentariat.
Two things follow.
For those tracking online antisemitism: monitoring systems calibrated only to antisemitic markers will systematically miss what is actually happening. The threat to Jews is not located only in explicitly antisemitic comments. It is located in the universalization of the conspiratorial template that produces them whenever the conditions are right.
For those thinking about platform governance: we already know how to see this in close to real time. The bottleneck is not technical. It is institutional. Moving from documentation to early warning and intervention is a political choice, not a research problem.
The empty chair after the evacuation was Trump’s. The chair where antisemitism used to sit in this kind of discourse is, at most outlets this week, also empty. Neither absence is permanent.
Dr. Matthias J. Becker is AddressHate Research Scholar at New York University’s Center for the Study of Antisemitism. He is the founder and lead of Decoding Antisemitism, the largest study of online antisemitism conducted in Europe, and now directs its successor project, Decoding Hate, at NYU’s Center for the Study of Antisemitism.
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‘Aliyah Buddies’: How Moving to Israel Helped Me Find My People, My Community, and My New Life
Illustrative: New olim disembark at Tel Aviv’s Ben Gurion Airport on the first charter aliyah flight after he Oct. 7, 2023, Hamas attacks, arriving to begin new lives in Israel. Photo: The Algemeiner
When I made Aliyah to Israel last September, I knew another war with Iran was possible. So, on February 28th, when we all woke up to sirens, I wasn’t shocked. But I was surprised at how quickly ballistic missile attacks became almost a normal, routine part of reality.
Even so, as attacks continued with multiple impacts near where I live in Tel Aviv, I was still so glad that I had moved to Israel. Despite everything going on, I still wish I had done it 10 years ago. Now that I am here, I can’t even remember the fears that held me back for so long.
Part of the reason I feel this way comes from the support and community I have built here in Tel Aviv, largely with olim, and specifically those who were on my Aliyah flight.
Nearly seven months later, a group of us from the flight, organized by Nefesh B’Nefesh, in partnership with the Ministry of Aliyah and Integration, the Jewish Agency for Israel, Keren Kayemeth LeIsrael, and Jewish National Fund-USA, are in touch almost daily in an online chat group.
The group was born out of what I call “the Israel effect,” the phenomenon of people gravitating toward each other, looking for ways to help or get to know new people.
This happens in bomb shelters, at the grocery store, in the street — and it happened on our flight. Pretty immediately, I started talking to another olah who was sitting next to me on the plane. When we landed, we ended up in the airport waiting to complete the process of immigration with several other olim our age. We discussed everything from where we were from to where we were going to live and work, to our reasons for moving across the world and our army processes. Because we were starting a similar chapter of life, the connection was natural.
Eleven of us opened a group chat that day called “Aliyah Buddies.” At first, our questions revolved around finding ulpans and learning how to settle bureaucratic matters like converting our drivers licenses. Even though I had plenty of Israeli relatives on my father’s side of the family who were excited to accompany me to the Interior Ministry or the bank, this group was still a lifeline.
It was a place for us to put all of our worries, our doubts, and our struggles, and to be supported by the other people in the group who were experiencing the same problems. We moved from practical matters to inviting people out to events, planning reunions, asking for help choosing LinkedIn pictures, and giving general life updates. No matter what time of day or what the topic was, there was always somebody willing to help, encourage, or commiserate.
“I love this chat,” one member wrote in the Fall after a fellow group member posted photos of a single friend looking for a relationship. Just recently, a friend in the group chat got engaged and invited us all to her engagement party.
Under missile fire, this feeling is amplified. Shortly after the war’s first sirens, someone posted “Everyone good?” with a heart emoji. That led to everyone checking in from places across the country, then discussing the Home Front Command’s system of early warnings, alerts, and all-clears. In the weeks since, there have been constant check-ins along with photos from shelters, sharing fears and stress as well as more humorous stories about missile alerts interrupting showers.
In a post October 7th world, these connections are more meaningful to me, especially after I, like so many others, went through several friendship losses in the wake of the attacks. Friends who I had known for years unfollowed me or blocked me without so much as a single word. It doesn’t compare to what the State or people of Israel went through, but I definitely lost my spark for months, and felt guilty that I was living a safe, comfortable life in the Diaspora while so many were fighting and losing their lives here in Israel. Now, being here and building new communities like we’ve done in our group chat means everything to me.
Aliyah has shown me, more than anything, how deeply we as Jewish people care for one another — even if we don’t fully know them yet. What I didn’t fully understand before I moved to Israel was the strength of the community here. The sense of camaraderie among immigrants, the way people show up for each other — it makes the challenges of building a life here seem doable.
Anyone considering aliyah should understand that coming to Israel doesn’t solve all of your problems. But I’m finally in the right place, the place that feeds my soul, and where everything comes together. It is exhausting, frustrating and has challenged me in countless ways, but it is more amazing and fulfilling than I could have hoped — and at the end of the day, that’s what counts.
Arielle Gur made Aliyah to Tel Aviv in September 2025 out of love for her family, the country, and the people of Israel.