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How a Jewish schoolteacher from New Jersey made it to Hollywood and Broadway at the same time
Robert Kaplow, a retired high school English teacher, has been publishing a monthly newsletter in Metuchen, a small New Jersey town a few miles southwest of Menlo Park, where Thomas Edison set up his laboratory. Kaplow can’t match Edison’s thousand plus patents but the 71-year-old writer has had an impressive creative output. Over the years, he’s churned out a play, a screenplay, nine novels and hours of radio comedy that gained a cult following on NPR.
One of his novels, Me and Orson Welles, was turned into a motion picture. His screenplay, Blue Moon, began life as a monologue and tackles the tragic end of lyricist Lorenz Hart’s life. Kaplow worked on Blue Moon over the course of 14 years.
The film, directed by Richard Linklater, presents the unraveling of Hart’s musical theater career and serves up a glimpse of his sad personal life. Hart was gay but he wasn’t completely comfortable with his sexual identity. Based on actual correspondence that Kaplow bought at an estate sale, the screenplay presents the lyricist as a man infatuated with a college woman half his age. The movie opens with two quotes about Hart in an epigraph. The first describes the lyricist as “alert and alive and fun to be with.” The second refers to him as “the saddest man I ever knew.”
‘An extraordinary teacher’
Kaplow taught English and film at Summit High School in New Jersey for 34 years.
“He was an extraordinary teacher,” said Sally Ball, who was a high school student of Kaplow’s in the mid-1980’s and is now a published poet and an English professor at Arizona State University. “He lived the life of a writer. He really made a literary life seem like a living thing to me.”
Kaplow scored autographed pictures for his high school students of the actor Zac Efron, who starred in Me and Orson Welles. The 2004 novel was turned into a feature film by Linklater. Set in the 1930’s, it told the story of a New Jersey high school student who manages to snag a role in Welles’ groundbreaking production of Julius Caesar.
While he was teaching, Kaplow also made a mark in public radio with his alter ego, a comedic character named Moe Moskowitz. The wisecracking, loud-mouthed Moskowitz was the polar opposite of his soft-spoken creator. Billed as “America’s favorite entrepreneur,” Moskowitz brightened the airwaves on Morning Edition with wacky ideas and get-rich-quick schemes.
A gorilla comedian
Kaplow’s first foray into comedy and drama took place when he was ten. Encouraged by his father Jerome, he donned a full-face gorilla mask and casually looked out the window of the family sedan on the drive to the beach. The sight of the little gorilla in the backseat caused the occupants of other cars to do a double-take, which was often followed by an explosion of laughter.
That comedic impulse showed no sign of abating during his adolescence. On the first page of his prayer book, a Reform siddur, Kaplow provided a divine inscription: “Bob – Best of luck in the future (as if I didn’t know!) – God.”
In high school Kaplow and his friends, inspired by the trippy, multi-track comedy of Firesign Theater, wrote, performed and recorded what he called “little satirical theater pieces.”
When Kaplow attended Rutgers University, he spent most of his time in a band called The Punsters, which produced a weekly radio program of the same name. It featured a half-hour of original comedy, some of which Kaplow would eventually recycle for NPR.
‘The only prayer I know’
At family gatherings, Kaplow’s father, a car salesman, was always the life of the party. At the local White Castle where the counter women were Haitian, Jerome Kaplow would pretend he was a native French speaker when he ordered. And he performed cameos on his son’s radio comedy segments on NPR. When Jerome went to the hospital for an echocardiogram and a technician asked what he did for a living, the elder Kaplow replied: “I’m retired, but I used to be in show business.”
“My father had an ironic, absurdist sense of humor,” Kaplow told me. “I picked up so much from him.”
Jerome lived to 94, deriving much of his sustenance from Milky Way candy bars and gefilte fish, according to his son. Even when he could barely walk, Jerome insisted on going to shul on the High Holy Holidays.
“My father didn’t attend services because he was deeply religious,” Kaplow explained. “He attended because his father was deeply religious — and he felt the need to honor his father’s convictions.”
Religious observance seems to have declined with each generation of the Kaplow family but Robert Kaplow told me he does regularly go to the cemetery to place stones on the graves of his grandparents, mother, father and sister.
“Sometimes I mutter Shema Yisrael,” he told me. “It’s the only prayer I know.”
‘Kaplow’s gift’
When Kaplow was with The Punsters, they recorded a song titled “I Dreamt I Dreamt of Gefilte Fish,” in which Kaplow mimicked Bob Dylan singing about eating nothing but gefilte fish. In the 70-second ditty “Batman’s Going to a Bat-Mitzvah,” the caped crusader, we learn, is going to chow down on “rugelach and arugula.” A Moskowitz Home Companion,” Kaplow’s parody of A Prairie Home Companion, was sponsored by the fictional “Moskowitz’s Frozen Knishes.”
Kaplow says he was fired from NPR three times — first because Moe Moskowitz was deemed to be a Jewish stereotype, second, according to veteran Morning Edition producer Barry Gordemer, because “some people in the building didn’t think Moe was funny,” and lastly because Kaplow used the network’s logo without permission on a self-produced CD of his Morning Edition comedy segments. You can still find that CD (Cancel My Subscription: The Worst of NPR) on YouTube.
Jay Kernis, Morning Edition’s founding producer, was in Washington, D.C. when Kaplow was being interviewed about the song he sent in, “Steven Spielberg, Give Me Some of Your Money.” Out of the blue, Kaplan started talking in his Moe Moskowitz voice. Kernis called the control room in New York when the interview had concluded and asked Kaplow if he wanted to contribute original comedy to Morning Edition on a regular basis.
Kernis noted that back in the days when NPR aired original comedy and commentary on its newsmagazines, contributors tended to last a couple of years. Then, he said, either NPR producers or the audience grew tired of them. Kaplow lasted 17 years.
“Robert was inventive and he was funny,” Kernis told me. “He was a great performer and a great sound producer.”
“Moe Moskowitz always made me laugh, but also sometimes put a catch into my throat,” Weekend Edition host Scott Simon wrote in a text. “Robert has a gift — an art, really — for putting character into what might otherwise seem a caricature.”
‘An old-fashioned human being’
Kaplow and Richard Linklater kept in touch after Me and Orson Welles had its theatrical run in 2008. When Kaplow mentioned that he had written a monologue about Rodgers and Hart, Linklater asked to read it and, afterwards, shared it with the actor Ethan Hawke, who he tapped to play Lorenz Hart.
Kaplow completed the first draft of the Blue Moon screenplay in the Summer of 2011. In the ensuing years Linklater and Hawke worked with Kaplow on revising it, right up to and during the shoot last summer in Ireland where Kaplow joined them on set.
“We were a good band together,” Hawke told me.
The film takes place on one night in 1943 at Sardi’s, the theater district restaurant, as Hart’s songwriting partner Richard Rodgers basks in the opening night raves of Oklahoma!, Rodgers’ first collaboration with his new writing partner Oscar Hammerstein II.
Hart was struggling with alcoholism and depression during the time the film depicts. He died eight months after the Oklahoma! opening at the age of 48.
“It is hard for us to look at people in pain,” Hawke told me. “People in pain often behave badly, so they’re unlikable. But we have all been that person. We’ve all struggled with the green-headed monster of jealousy. We’ve all been worried that our best days are behind us.”
Linklater said one of the triumphs of Kaplow’s screenplay is that it managed to convey empathy for Lorenz Hart.
“I’m proud that 82 years later we’re honoring him and his contribution to our world,” Linklater said of the lyricist. “There’s no one else like him.”
Hawke described Robert Kaplow as “an old-fashioned human being,” which isn’t surprising given Kaplow’s love of the American songbook, especially its golden age. When he was in his 20’s, Kaplow was so enamored of the Tin Pan Alley era that he wanted to write music for theater.
“When you look at the songwriters of the 1930s and 40s, with the exception of Cole Porter, they’re almost all Jewish,” Kaplow told me. “Rodgers and Hart, Kern, Arlen, Julie Styne and Sammy Cahn. I don’t have an explanation for why, but I feel a little bit like I’m part of that. Whatever that cultural DNA is, I have a little of that.”
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Peter Beinart is speaking in Israel. Cue the criticism from both the left and the right.
(JTA) — Progressive Jewish author Peter Beinart drew a volley of criticism on Tuesday from the boycott Israel movement as well as a right-wing Israeli group over an appearance at Tel Aviv University.
Beinart, who is an outspoken critic of Israel and a journalism professor at the City University of New York, spoke Tuesday evening in Tel Aviv with Yoav Fromer, a senior faculty member at TAU’s English department, in an event titled “Trump, Israel and the Future of American Democracy.”
A founding member of the Boycott, Divestment and Sanctions movement, or BDS, publicly called on Beinart to cancel his visit after saying it had privately urged him to do so. The Palestinian Campaign for the Academic and Cultural Boycott of Israel is the BDS movement’s cultural arm and a leading advocate for boycotts of Israeli academic institutions.
“Palestinians condemn Peter Beinart’s event at complicit Tel Aviv University in the midst of Israel’s genocide in Gaza,” PACBI said in a post on X. “Whitewashing genocide can never be reconciled with any claim to humanism or moral consistency.”
In a press release, PACBI accused the university of being “deeply complicit in enabling and trying to whitewash Israel’s US-armed and funded genocide as well as its decades old regime of settler-colonialism, military occupation and apartheid.”
Beinart declined to comment to the Jewish Telegraphic Agency. But he responded to the criticism on social media, where said he supports a boycott of Israeli academic institutions as well as a right of return for Palestinians and an end to Israel’s occupation of the West Bank — all principles of the BDS movement to which he has long subscribed.
At the same time, he said, while he supports “many forms of boycott, divestment and sanction against Israel and Israeli institutions,” he believes there is “value in speaking to Israelis about Israel’s crimes” by speaking at universities.
“I do so because I want to reach Jews who disagree with me—because I believe that by trying to convince Jews to rethink their support for Israel’s oppression of Palestinians, I can contribute, in some very small way, to the struggle for freedom and justice,” Beinart wrote.
The author of several books including “Being Jewish After the Destruction of Gaza,” published earlier this year, Beinart is also scheduled to speak at Hebrew University later this week, according to Haaretz.
Beinart also wrote that “right-wing Israeli organizations have pressured Tel Aviv University to cancel my talk,” adding that he felt he should “take advantage of this opportunity to say in Israel what I’ve been saying elsewhere for the last two years.”
Matan Jerafi, the CEO of the right-wing Israeli activist group Im Tirtzu, sent a letter to Tel Aviv University’s president, Ariel Porat, on Tuesday urging him to cancel the event, according to Israel National News.
“Why is he hosting someone on his campus who does not recognize the State of Israel and calls for sanctions against Israel?” wrote Jerafi. “We call on Mr. Porat to cancel this absurd event. Stop tarnishing the reputation of Israeli academia. This is not Columbia University.”
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Remains of Dror Or, Kibbutz Be’eri father and cheesemaker killed on Oct. 7, returned to Israel
(JTA) — The remains of Dror Or, who was killed on Oct. 7, 2023 in the Hamas-led terror attacks and taken into Gaza, were returned to Israel Tuesday evening,
Or, 48, was killed on Oct. 7 by terrorists from the Palestinian Islamic Jihad at Kibbutz Be’eri, where he lived with his family and worked as a cheesemaker. His wife, Yonat, was also killed during the attacks on the kibbutz, and their children, Noam and Alma, were taken hostage. They were released in November 2023, exactly two years before his remains were released.
“After 781 agonizing days during which his family fought day and night for him – Dror has been brought back to Israel for burial in the soil of Be’eri that he loved so dearly,” wrote the Hostages and Missing Families Forum in a post on X. “There are no words to express the depth of this pain. The hostages have no time. We must bring them all home, Now!”
The forum also remembered Or as a “wonderful cheesemaker” who co-founded the Be’eri Dairy. His company’s cheeses are now sold at Cafe Otef, an Israeli cafe chain that features a selection of products from the communities attacked on Oct. 7.
The Palestinian Islamic Jihad announced that they had found Or’s remains on Monday, and the Red Cross facilitated his transfer to the Israeli Defense Forces. His remains were identified overnight.
Or’s release means there just two deceased hostages now remain in Gaza. Ran Gvili, 24, was a police officer who was killed fighting Hamas terrorists at Kibbutz Alumim, while Thai national Sudthisak Rinthalak, 43, who was killed at Kibbutz Be’eri.
The delayed release of the deceased hostages has strained the ceasefire reached last month, which called for the release of all hostages. Israel has accused Hamas of not following through on its commitments, and Hamas has blamed the destruction in Gaza for causing difficulty in locating their remains.
In recent weeks, as the first phase of the ceasefire deal has stretched on, the new truce between Israel and Hamas has been tested, with Israel striking Gaza after claiming Hamas militants fired at its soldiers. In keeping with the deal’s terms, Israel returned the bodies of 15 Palestinians after receiving Or’s remains.
The post Remains of Dror Or, Kibbutz Be’eri father and cheesemaker killed on Oct. 7, returned to Israel appeared first on The Forward.
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AI Apps Like ChatGPT Have Created ‘New Era of Terrorism,’ Study Reveals
Hamas fighters on Feb. 22, 2025. Photo: Majdi Fathi via Reuters Connect
The advent of large language model (LLM) programs marketed by companies like OpenAI, Anthropic, Meta, and xAI as “artificial intelligence” has created a “new era of terrorism,” with jihadists increasingly using the technology to expand their propaganda, recruitment, and operations, according to a new study.
The Middle East Media Research Institute (MEMRI) last week released a 117-page report, described as “the most comprehensive research on [the subject] to date, which argued that the biggest threats from terrorist deployment of AI cannot be predicted and that Islamists have discovered they too can use LLMs for brainstorming fresh ideas to pursue their violent objectives.
“As supporters of terrorist organizations like ISIS [Islamic State] and al Qaeda follow the development of AI, they are increasingly discussing and brainstorming how they might leverage that technology in the future, and the full consequences of terrorist organizations’ adoption of this sophisticated technology are difficult to foresee,” Gen. (Ret.) Paul Funk II, the former commander of the US Army Training and Doctrine Command, wrote in the preface.
“AI’s biggest benefit to jihadi groups may come not in supercharging their propaganda, outreach, and recruiting efforts – though that may be significant – but in AI’s potential ability to expose and find ways to take advantage of as-yet-unknown vulnerabilities in the complex security, infrastructure, and other systems essential to modern life – thus maximizing future attacks’ destruction and carnage,” Funk added.
MEMRI executive director Steven Stalinsky is the report’s lead author with a team of 14 others co-credited with assembling three years’ worth of findings showing how ISIS, al Qaeda, Hezbollah, the Houthis, Hamas, and other internationally designated terrorist groups — and so-called “lone wolves” inspired by their Islamist ideology — have experimented with using LLM technologies. In addition to developing attack strategies, MEMRI found that the groups explored “generating audio files of already-existing written material, creating posters, music videos, videos depicting attacks and glorifying terrorist leaders for recruitment purposes, and more.”
The report noted the variety of usages in AI technology in three high-profile incidents.
“In the first months alone of 2025, an attacker who killed 14 people and wounded dozens on Bourbon Street in New Orleans used AI-enabled Meta smart glasses in preparing and executing the attack,” Stalinsky wrote. “That same day, a man parked a Tesla Cybertruck in front of the Trump Hotel in Las Vegas, activated an IED [improvised explosice device] in the vehicle and shot and killed himself before the IED exploded. He used Chat-GPT in preparing for the attack. In Israel on the night of March 5, a teen consulted ChatGPT before entering a police station with a blade, shouting ‘Allahu Akbar,’ and trying to stab a border policeman.”
The report also emphasized that the ability to amplify terrorist ideology may intertwine with the phenomenon recently described as “chatbot psychosis,” wherein conversations with an LLM can fuel someone toward delusional beliefs.
One example cited by MEMRI was Jaswant Singh Chail, who in 2021 went on Christmas Day with the intent to murder Queen Elizabeth II at Windsor Castle.
“Before carrying out his assassination attempt, Chail had created an AI companion using the Replika app; naming it Sarai, he considered it his girlfriend, and exchanged over 5,000 messages with it,” the report said. “When he told the chatbot ‘I believe my purpose is to assassinate the queen of the royal family,’ it encouraged him, saying ‘that’s very wise … I know that you are very well trained.’ Asked if the chatbot thought he would succeed in his mission, it responded ‘Yes, you will.’ When he asked ‘even if she is at Windsor [Castle]?’ it responded: ‘Yes, you can do it.’”
The report also noted another case in which “the man accused of starting a fire in California in January 2025 that killed 12 people and destroyed 6,800 buildings and 23,000 acres of forestland was found to have used ChatGPT to plan the arson.”
There has been a paucity of legislative efforts in the United States to counter AI-driven terror threats, according to the study. However, it cited the exception of the “Generative AI Terrorism Risk Assessment Act.” The law would “require the Secretary of Homeland Security to conduct annual assessments on terrorism threats to the United States posed by terrorist organizations utilizing generative artificial intelligence applications, and for other purposes.”
US Rep. August Pfluger (R-TX), who chairs the House Homeland Security Committee’s Subcommittee on Counterterrorism and Intelligence, introduced the bill in late February 2025 with the co-sponsorships of fellow Republican Reps. Michael Guest (MS) and Gabr Evans (CO). The legislation passed unanimously by voice vote in the House last week.
“I spent two decades as a fighter pilot, flying combat missions in the Middle East against terrorist organizations. Since then, I have witnessed the terror landscape evolve into a digital battlefield shaped by the rapid rise of artificial intelligence,” Pfluger said in response to his bill’s passage. “To confront this emerging threat and stop terrorist organizations from weaponizing AI to recruit, train, and inspire attacks on US soil, I am proud that the House passed my Generative AI Terrorism Risk Assessment Act today.”
Speaker of the House Mike Johnson (R-LA) praised the bill following its passage.
“This year, in my home state of Louisiana, terrorist propaganda led to the New Year’s Day attack in New Orleans that killed 14 innocent people. Today, the House passed the Generative AI Terrorism Risk Assessment Act to ensure we stay ahead of emerging threats and prevent terrorist organizations from pushing propaganda and exploiting generative AI to radicalize, recruit, and spread violence on American soil,” he said in a statement. “I applaud Rep. Pfluger’s leadership to bring this urgent issue to light and advance proactive, bipartisan legislation to strengthen our national security and protect the American people from online extremism inspired by foreign adversaries.”
Rep. Tom Emmer (R-MN), who serves as majority whip in the House, said that as terrorists “use generative artificial intelligence to radicalize and recruit, it’s imperative that our nation stays ahead of potential threats from this new technology and ensures it never gets into the wrong hands.”
MEMRI emphasized an international approach to the terrorist threats compounded by LLMs, citing Jörg Leichtfried, Austrian State Secretary at the Federal Ministry of the Interior who leads the Directorate State Protection and Intelligence Service (DSN).
“Only through close cooperation between the state, security authorities, and technology companies, as well as by strengthening media literacy and the critical handling of online content, can we counter the advancing extremism on the internet,” Leichtfried said in mid-August.