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How an ‘all-American boy’ became a Mississippi synagogue arson suspect
JACKSON, Mississippi — Parishioners pass under large banners reading “Embrace Diversity” and “Serve Others” as they file into Sunday mass at St. Francis of Assisi Catholic Church just north of town.
The church is where Stephen Spencer Pittman, the 19-year-old arrested for starting a fire at Beth Israel Congregation, was confirmed and where his parents and younger brother still belong.
“Nobody had any idea what was going on or what would happen,” Monsignor Elvin Suds said during his sermon a week after the attack on Beth Israel. “He and his family were altar servers and very normal in all respects.”
That sentiment — that the arson against Jackson’s only synagogue came out of nowhere — has been prevalent among the city’s Jews, who say they’ve experienced little antisemitism and that the crime did not seem to fit neatly into the white supremacist violence that has historically afflicted Jews in Mississippi.
Sarah Thomas, a vice president at Beth Israel, said she was shaken by Pittman’s everyman appearance. “When I first saw his picture, I did start to cry because I was like, ‘This could be anyone,’” Thomas recalled as she stood outside the synagogue library where Pittman allegedly broke through a window with a hatchet. “People can be radicalized in so many ways — but knowing it could be anyone is really scary.”
Even as a team of investigators have pieced together Pittman’s drive from his home in a gated community in nearby Madison to a run-down gas station where he purchased the fuel and removed the license plate, the question of why someone would try to burn down the city’s lone synagogue has remained murkier.
That was the main question Rachel Myers’s Hebrew school students at Beth Israel had the day following the attack; she encouraged them to wait for more information.
The details that trickled out in the days that followed suggested Pittman was driven by antisemitism, telling police that Beth Israel was “the synagogue of Satan.”
But that didn’t explain how a white honor roll student from the local Catholic high school, who had just finished his first baseball season at one of the state’s historically Black colleges, had landed on the antisemitic slogan, decided to strike and found himself in federal court Tuesday clutching a Bible in his heavily bandaged hands after allegedly spilling gasoline on himself while starting the fire.
“Anybody who’s in this area will tell you that if he belonged to a Klan branch and did all that, then you got it, right?” Rep. Bennie Thompson, who has represented Jackson in Congress for the past 30 years, mused during a tour of the damaged synagogue. “But if he played baseball? Went to St. Joe’s? I mean for all intents and purposes that’s an all-American boy.”
A ‘spiritual psychosis’
Most perpetrators of major violence against Jews in recent years have been guided by at least a loose ideology. The shooter at Pittsburgh’s Tree of Life synagogue in 2018 had long kept a shotgun by his front door that he trained to aim at the government jackboots he feared would bust down his door, before eventually embracing white supremacist views that blamed Jews for mass immigration. And the man who shot four people at a Chabad in southern California the next year had been radicalized more quickly, but his extremism began with visiting fringe online forums and setting a local mosque on fire after being inspired by the white nationalist who massacred Muslims in New Zealand.
Less is known about the perpetrators of last year’s deadly attacks in Colorado and Washington, D.C., but both suspects allegedly shouted anti-Zionist slogans during the incidents and the suspect charged in the Capital Jewish Museum shooting posted a manifesto justifying violence against supporters of the Israeli government.
Investigators have released little information about Pittman, and law enforcement did not respond to interview requests. But a review of Pittman’s social media presence and conversations with those who know him suggest an extremely rapid turn toward extremism sparked by a mental health crisis that had led him down an erratic online path that included attempts to sell a Bible-inspired fitness plan.
“It just seemed like he had started to go into spiritual psychosis,” said a friend who met Pittman during high school at St. Joseph’s Catholic Academy. “He was a really normal person until a few months ago.”
It’s a profile that defies the simplest political explanations offered by figures like Deborah Lipstadt, the Holocaust scholar, who initially said the attack was “another step in the globalization of the intifada,” or Derrick Johnson, the NAACP president who said during a prayer vigil in Jackson after the attack that the White House had enabled Pittman’s violence by “other-izing our communities.”
Pittman, though, expressed little interest in politics, according to both his high school friend and his social media activity, which until recently was almost exclusively focused on baseball and hanging out with friends.
“He was actually a really great guy, very genuine, honest,” the high school friend said. “Guy you could talk to about anything and he would listen.”
But another friend told Mississippi Today that Pittman had started to change over the course of several years, beginning to post 10-15 times per day on social media, including images of him speeding down the highway in a Porsche and injecting steroids.
Pittman’s parents first noticed a change at the start of winter break in early December when he arrived home from community college and began behaving in “erratic” ways, according to interviews they gave to the FBI.
Tricia, Pittman’s mother, told police that her son had been scaring the family pets and that she and her husband, Steve, were considering starting to lock their bedroom door at night because they were afraid of their son.
But it wasn’t until around a week before the arson that Pittman began making antisemitic comments, according to FBI Special Agent Ariel Williams, who testified at a court hearing Tuesday during which Pittman pleaded not guilty to the arson.
One friend who worked out with Pittman at a local gym called police after seeing news of the fire at Beth Israel to say that Pittman had said he “wanted to burn down a synagogue” the day before the attack.
A new kind of violence
Shortly after Beth Israel opened a new synagogue building in 1967, with two long wings and an elevated roof at the center meant to evoke the Israelites’ tents, it was bombed by the Ku Klux Klan as part of a violent campaign against school integration.
As antisemitic violence in Mississippi mounted the following year, the Jewish community raised funds at the behest of the FBI to pay Klan informants, which ultimately helped successfully break up the ring of nighttime bombers.
The 1967 bombing, and a subsequent attack on the rabbi’s house, have become an integral part of Beth Israel’s history and are memorialized on a plaque outside the synagogue that describes Jewish support for the Civil Rights Movement.
But today Jews in Jackson say they experience little to no antisemitism and, at least locally, there’s no organized political movement aligned against them like there was in the 1960s, making the arson especially bewildering.
The members of Beth Israel are committed to rendering the arsonist’s attack irrelevant. The fire, fueled by five gallons of gasoline, destroyed the library and caused structural damage to one wing of the building. And yet W. Abram Orlansky, a former synagogue president, said that no services had been scheduled the Saturday when the fire took place and a local church quickly offered space to hold all of Beth Israel’s scheduled programming while repairs took place. “This guy succeeded at canceling literally zero planned events,” said Orlansky, who grew up in Jackson. “I’m pretty proud of that.”
Some have pondered what Pittman’s motives may have been, though, and they generally figure that whatever drove Pittman to violence must have come from elsewhere — and people had a good hunch as to where.
“It’s that damn phone,” said Vivienne Diaz, a teacher who belongs to Beth Israel.
Pittman certainly spent a lot of time on his phone. He was a prolific social media user with accounts on X, Instagram, TikTok, Facebook, Snapchat and YouTube. According to a Forward review of his public posts, he did not share any antisemitic content until hours before police say he started the fire at Beth Israel, when he reposted a meme of a cartoon character shoving a Jew into a swimming pool.
His high school friend said that Pittman had never discussed Jews or Judaism until the week leading up to his arrest.
But Pittman followed several Instagram accounts that promoted a forceful brand of Christianity, including The Christianity Pill, which declares “CHRIST IS KING” in its bio — Pittman told the judge “Jesus Christ is Lord” during his initial court hearing — and claims that “Christianity is the most persecuted religion in the world.”
He followed another account called The Final Stand that boasts it is “spreading what is labeled ‘misinformation’” and warns against a plot by an unnamed group seeking to wipe out Christians. “But we are HEALING,” the account posted in July. “We are waking up from this deep coma we’ve been in since WW2.”
(Pittman’s father told police that he “finally got them” after being confronted about the burns on his hands and ankles the morning after the fire.)
In court Tuesday, Pittman carried a jailhouse Bible and crossed himself several times during the proceeding and bit his nails.
In addition to the Christian content, Pittman engaged with accounts promoting conspiracy theories, like Conspiracy Theories, Inc. and Whispers of Truth, which shares claims that NASA faked the moon landing alongside a defense of Mel Gibson and critique of the World Trade Center’s Jewish owner.
It’s not clear exactly when Pittman began following these accounts or engaging with more overt antisemitic content, like the meme he shared shortly before the attack, but friends and acquaintances say the change appeared to happen sometime over the summer after his first year at college.
During that time, he created a new social media account focused on fitness that he populated with shirtless videos and pleas to help his followers “get shredded” and earn $7,000 per week. He abandoned the account a couple weeks later, around the time he started his second year at Coahoma Community College, a school in the Mississippi Delta where 92% of the students are Black.
On the last day of classes at Coahoma, he registered One Purpose, a website advertising “scripture-backed fitness” that mixed Hebrew terms with advice to limit your diet to “God-made fats.”
Pittman told police that around the same time he began earning money through day trading stocks, though his lawyer dispelled that this was generating any income for his client in court Tuesday: “There is no income.”
An unnamed family friend told a local radio station that Pittman had started struggling with mental health during his third semester at Coahoma this fall and was not planning to return after winter break, a break that his parents — who both work at the University of Mississippi Medical Center in Jackson — hoped to use to get him psychiatric help.
“They condemn the terrible sin of this incident,” Suds, the priest, said in his sermon. “They’ve lost the son that they knew and loved.”
Pittman’s parents were not at Tuesday’s hearing and did not respond to a request for comment sent to the lawyers representing their son, who goes by Spencer, or to a call at the entrance to their gated community in Madison.
Pittman’s trial is set for Feb. 23. Until then, he was remanded to federal custody.
A difficult crime to prevent
Lone offenders, as investigators have described Pittman, are especially difficult to thwart. But other antisemitic perpetrators have left longer trails that offered the possibility of an earlier intervention. John T. Earnest’s 18-month timeline from his initial radicalization to the shooting at Poway Chabad appears to be common.
The Anti-Defamation League recently traced the radicalization of two school shooters and found that both had followed almost identical online paths leading up to the shooting. One took 18 months, the other 19 months.
Pittman appeared to move faster, although his attack on Beth Israel was limited to property damage.
“We thought it took 19 months,” Lindsay Baach Friedman, the ADL’s regional director covering Mississippi, said in an interview. “But it’s not a far cry to go from 19 months to three months.”
The contraction in time from when a perpetrator of violent extremism starts becoming radicalized to when they act has been shrinking for decades, which can make it harder for the network of organizations that seek to monitor antisemitic threats and prevent them.
“We need to move faster, and we need to be smarter about how we move,” said Michael Masterson, CEO of Secure Community Network. He said one of the most reliable ways to prevent attacks like the Beth Israel arson was for people to report friends or family making suspicious comments or threats, but that can be harder to do when a suspect attacks less than 24 hours after telling someone their plan — in Pittman’s case, telling a workout buddy that he wanted to burn a synagogue.
Masters added that there are growing attempts by online actors to encourage vulnerable people, especially those suffering from mental health issues, to commit violence. “The material we see online increasingly is designed to reach those individuals and motivate them to act,” he said.
Organized antisemitism in Mississippi is much lower than it was the last time Beth Israel was burned in the 1960s, when elements of the state’s powerful white supremacist movement of the era often blamed Jews for desegregation; the ADL tallied just a few dozen incidents in the state over the past few years, mostly stickers placed by a white nationalist organization.
The more diffuse path Pittman took toward allegedly striking the synagogue does not seem to have centered on the kinds of specific arguments about Jews that often animate antisemitic perpetrators — instead it drew more loosely on what Masters described as a “salad bar” of misinformation and conspiracy theories that often includes antisemitism but is much harder to pin down than the ideologies that motivate organized hate groups.
Orlansky, Beth Israel’s former president, said the synagogue had close ties with law enforcement and had been alerted in the past when the FBI noticed warning signs that might have signaled a threat to the congregation.
But Pittman, whose antisemitism only broke into the open in the days before the attack, never seemed to be on their radar.
“I think we did everything that a congregation can reasonably do,” said Orlansky, the former Beth Israel president. “Hate can come from anywhere — that’s my main takeaway.”
The post How an ‘all-American boy’ became a Mississippi synagogue arson suspect appeared first on The Forward.
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He was a privileged Jewish kid from NYC’s Upper East Side. Donald Trump was his greatest invention.
American Scoundrel: Roy Cohn’s Dark Journey from Joe McCarthy to Donald Trump
By Kai Bird with Susan Goldmark
Scribner, $32, 528 pages
By the beginning of the new millennium, Roy Cohn, the red-baiting scourge of the McCarthy hearings, lived largely in the pages of U.S. history books, trotted out on occasion to illustrate how America always manages to overcome its worst nativist impulses. But just in case someone never knew or had forgotten about Cohn’s malign influence on U.S. politics, Tony Kushner brought him back as a villain in his brilliant drama of the early 1990s, Angels in America.
Then, in 2016, Donald Trump was elected president and suddenly, Cohn was breaking news again. The very next year, when Trump was furious at then-Attorney General Jeff Sessions for recusing himself from an investigation into whether Russia meddled with the election, the president cried out to his advisers, “Where’s my Roy Cohn?”
Now, as if in answer to that question, Kai Bird has written a magisterial biography of the notorious lawyer and Trump whisperer that is indispensable reading for anyone who wants to understand the current political moment. Bird, the co-author of American Prometheus, the Pulitzer Prize-winning biography of Robert J. Oppenheimer and inspiration for the Oscar-winning movie, began it in 2022, a couple years before Trump’s re-election. He collaborated with his wife, Susan Goldmark, who did the research for this riveting account of the unseemly, outrageous life of the hustler and con man about whom Trump once said, “If you need somebody to get vicious, hire Roy Cohn.”
Though Cohn has been long gone from public life — he died of AIDS at age 59 in 1986, insisting to the very end that he had succumbed to liver cancer — Bird demonstrates how he practically invented the dark political arts of resentment and division adopted by his former client, protégé and future president of the U.S.
Indeed, over the recent 4th of July weekend — decades after the collapse of the Soviet Union — Trump used Cohn’s divisive, inflammatory rhetoric in back-to-back speeches, including one at Mount Rushmore, branding his political opponents as evil, godless communists.
Bird walks us through Cohn’s life decade by decade. He grew up as an only child in a wealthy Jewish family on the Upper East Side and attended elite private schools, where his boyhood friends included Si Newhouse Jr., heir to the Condé Nast media empire, Gene Pope Jr., who would go on to found the National Enquirer, and, improbably, Al Lowenstein, later a well-known liberal Democratic activist and politician.
After Cohn graduated from Columbia Law School, his father, a judge, pulled strings to get him a job in the U.S. attorney’s office for the Southern District of New York, where he made a name for himself as the boy prosecutor who sent Julius and Ethel Rosenberg to the electric chair in 1953 for passing nuclear secrets to the Soviets. His tactics were highly irregular, including private meetings with the trial judge.
Not long after that, he went to work as chief counsel to Wisconsin Senator Joe McCarthy, using his position to force U.S.-funded libraries abroad to purge 30,000 books on the flimsy pretext that the authors were communists or Soviet sympathizers. He was also a central figure in the so-called Lavender Scare, when hundreds of federal employees thought to be gay lost their jobs because they were deemed a security risk.
By the 1960s, Cohn was back in New York, hanging out at the Stork Club and 21, squiring Barbara Walters around town, and representing mobsters though still living at home with his mother at 1165 Park Avenue. Over the next decade he would be indicted three times by U.S. Attorney Robert Morgenthau Jr. for bribery, perjury, extortion and other white-collar crimes. In each case, he managed to beat the rap though months before his death he was finally disbarred for unethical conduct.
After Cohn’s mother died in 1967, he moved into a stately townhouse on East 68th Street, where he established his law practice and stopped the pretense of dating women though he never publicly came out as gay. Then, in 1973, Cohn met his most consequential client. At the time, Trump was the 27-year-old son of a Queens real estate mogul trying to break into the Manhattan market and living in a rent-controlled studio on East 75th Street with a view of a water tank on an adjacent building.
Cohn advised the family on how to fight a Justice Department lawsuit accusing the real estate company of violating the Fair Housing Act by refusing to rent to Black tenants. Over the course of the litigation, Cohn taught Trump his signature moves: Keep your name in the paper. Never settle. Countersue. Claim victory. Don’t pay the bills.
Cohn also advised Trump on his first major real estate deal in Manhattan — buying the dilapidated Commodore Hotel on East 42nd Street, next to Grand Central Terminal. To get the deal done, Cohn worked his extensive connections to New York’s first Jewish mayor, Abraham Beame, a player in Democratic machine politics and an old friend of Cohn’s father.
For more than a decade, Trump continued to model himself after his mentor, adopting his penchant for personalized license plates and his snarling, scowling demeanor. Bird argues that in the decades since Cohn died, the McCarthyism of the 1950s has morphed into a nativist, America Firster politics that transformed the Republican Party into one of resentments against the old establishment, multiculturalism, globalization and liberal culture — in other words, the MAGA movement of today.
Cohn’s “values, his unethical behavior, and his political mindset have survived and replaced the values of the establishment he so resented,” Bird writes. “Perhaps his life is proof of the ability of one individual to change the arc of history. Certainly, he gave us the narcissistic politics of Donald Trump.”
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Trump wants to remake Washington — Hitler tried to do the same to Berlin
“It was natural that I also followed my passion for architecture. My faith increased that after many years my dreams would become reality. I was firmly convinced that I would win fame as a builder.”
–Adolf Hitler
“I own buildings. I’m a builder; I know how to build. Nobody can build like I can build.”
–Donald Trump
Adolf Hitler personally drew up architectural plans to remake Berlin into a 1,000-year monument to himself with a three-mile-long “Avenue of Splendors,” on one end an Arch of Triumph that would dwarf the Paris original, and on the other, the domed Hall of the People, which would have been the largest enclosed structure in the world.
Hitler’s grandiose remodeling schemes were suspended in 1943, in order to redirect resources to the war he had begun.
Like Hitler, Donald Trump is also busy designing and creating monuments to himself, including an arch even larger than the one Hitler had planned for Berlin. Unlike Hitler, Trump is proceeding at a fevered pace on completing his legacy projects despite the soaring costs of a war he began.
History is replete with monarchs, emperors, pharaohs and tyrants who sought to immortalize themselves with monuments. In modern times, what sets Trump and Hitler apart is their decision to personally draw up a plan to entirely change the look of a capital city to project their powers.
Hitler began sketching his plans to remake Berlin in the 1920s, years before he came to power. In his postwar book Inside the Third Reich, Hitler architect Albert Speer recalled Hitler showing him two sketches the Nazi leader had already made of his own concept, hoping to recruit the architect to the project. In 1937, the Hitler tasked Speer with making it happen.
Speer started by making a model of the redesigned city, to be renamed Germania. In his book, Speer wrote of Hitler’s glee while inspecting the scaled model.
“He bent down, almost kneeling, his eye an inch or so above the level of the model, in order to have the right perspective, and while looking he spoke with unusual vivacity. These were the rare times when he relinquished his usual stiffness. In no other situation did I see him so lively, so spontaneous, so relaxed,” Speer wrote.
Hitler admired the imperial architectural styles of Rome, Vienna and Paris, but came up with designs for Berlin that were meant to surpass those cities not in elegance, but in expressions of Teutonic power.
The Germania model designed by Speer looks like an elaborate Wagnerian stage set: Visitors disembarking from a new train station would immediately see the 380-foot-tall Arch of Triumph, and as they passed beneath they would follow a wide boulevard lined with about a dozen monumental ministry buildings made of hand-hewn stone, a Soldiers’ Hall with a crypt for the tombs of German field marshals, and, at the terminus of the avenue, the monstrous centerpiece of the whole project — the domed Hall of the People, with enough space to hold 150,000 people.
“He wanted the biggest of everything to glorify his works and magnify his pride,” Speer wrote.
The New Reich Chancellery went up, and some other pieces of Germania were completed. But as Hitler’s regime focused on building concentration camps and death camps, and German invasion forces spread across Europe and the Soviet Union, Hitler had to divert resources to pay for his war crimes.
The Reich suspended work on Germania in 1943. Hitler’s original idea was to complete the transformation in 1950, creating Germania as a new Rome, capital of a vanquished continent. But when the Soviet army entered Berlin, the city had been reduced to ruins. Hitler’s Germania fantasy came to a bloody end on April 30, 1945 when he put a bullet in his head inside the Führerbunker.
Like Hitler, Donald Trump seems to favor classical architectural styles for public buildings, although his love of gaudy glitter – on display inside the White House and at Trump’s own properties — contrasts with Hitler’s preference for a Teutonic austereness.
A few days ago Trump gave the White House press pool a tour of work that he has directed to be done on and around the White House. It reminded me of Speer’s description of Hitler’s glee while inspecting Speer’s model of Germania.
“I’m fixing the country. We’re fixing the White House too. One thing I know how to do is build,” said Trump, who spoke of having columns of the White House repaired, its exterior cleaned, of work on his ballroom and the “military complex” that would be built beneath it. He staged the dog-and-pony show to show off a helipad that was under construction.
“It’s ridiculous the way this place was taken care of. Nobody, including presidents, they didn’t see it. But I see it because I was very good at real estate, like maybe the best in a lot of ways,” said the man who went through multiple bankruptcies and has a history of failed business ventures: Trump University, Trump Steaks, and Trump’s airline, to name only a subset of available examples.
Despite Trump’s boasts, his vanity projects have hit some rough patches. There’s the reflecting pool debacle, a court ruling that his name had to come off the John F. Kennedy Center for the Performing Arts. Some Senate Republicans tried to stop him from spending taxpayer money on his garish ballroom.
But because of a Supreme Court ruling, it looks like the ballroom will go up after all. And Trump is not about to abandon other legacy projects – like his Triumphal Arch, and a National Garden of American Heroes.
Trump’s powers are cracking faster than he can build these monuments to himself. His approval ratings are abysmal. Global respect for America is tanking. Allies who have tried to mollify him are beginning to defy him. Iran has outsmarted him. Former MAGA loyalists like Marjorie Taylor Greene and Tucker Carlson have abandoned him. Trump is increasingly looking like an empty shell – a man who has chosen building narcissistic monuments, and corruptly enriching himself and his family, over paying heed to Americans who are suffering because of his self-aggrandizing rule.
Economist Paul Krugman just released a video titled Der Untergang, and subtitled “How badly will Trump punish America?” Der Untergang, German for “downfall,” is the title of a 2004 movie about Hitler’s last days in the Führerbunker. Krugman says that Trump’s obsession with his vanity projects is an indication that Trump knows his powers are rapidly vanishing, and that Trump is becoming perilously desperate.
“In many ways he is behaving like somebody who knows that his days of supreme power are about to end,” Krugman said.
Krugman argues that Trump is showing a deranged proclivity to tear things down rather than preserve them, as evidenced by his demolition of the beloved East Wing. And now Trump is threatening to raze the Kennedy Center for the Performing Arts, simply because he can’t get his name on it.
History has shown how perilous things can become when a despot finds himself backed into a corner. As we approach the mid-term elections, we should all worry about the wreckage Trump is capable of wreaking while watching his powers vanish. Trump’s downfall, whenever and however it may come, must not also be America’s.
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John Galliano bows out of Met exhibition as backlash over antisemitism mounts
(JTA) — John Galliano withdrew from a planned exhibition of his work at the Metropolitan Museum of Art in response to a rapidly escalating controversy over the museum’s decision to honor the fashion designer despite his history of antisemitic and racist remarks.
Galliano said Monday that, after discussions with the Met and others involved in the exhibition, he had decided that it was best for the show not to take place “at this time.” He said he remained accountable for the pain caused by his past words, particularly to Jews and Asians, and recognized that an exhibition honoring his work could be painful for some. The Met said it agreed with his decision.
The reversal came less than a month after the Met announced that Galliano would be the subject of its spring 2027 Costume Institute exhibition, a rare honor that would have made him only the third living designer to receive a solo show there. The exhibition was to open in conjunction with the Met Gala, one of New York’s biggest annual cultural and celebrity events.
Opposition to the exhibition appeared to mount steadily in recent weeks. Early public pushback came from Dana Thomas, Galliano’s biographer, who wrote in an Aug. 6 New York Times guest essay that the Met had made a serious error in choosing to honor him. The criticism then broadened, with Jewish leaders, museum donors and New York politicians publicly urging the museum to reconsider.
Those criticizing the exhibition were New York City Council Speaker Julie Menin, who called the decision deeply painful for Jewish New Yorkers. Prominent Met donor Alice Tisch described the planned exhibition as a “whitewash,” according to the Times.
The reversal is also a setback for Anna Wintour, Condé Nast’s chief content officer and the driving force behind the Met Gala. She had championed Galliano for decades and was among the Met figures most closely associated with bringing the exhibition to the museum.
The controversy was complicated by the fact that some prominent rabbis had actually met with Galliano before the exhibition was announced and had come away believing that his repentance was sincere, as JTA reported earlier this month.
Rabbi Rick Jacobs, president of the Union for Reform Judaism, said Galliano had shown the contrition necessary to earn his return to the fashion world. Rabbi Joshua Davidson of Congregation Emanu-El, a Reform synagogue in New York, likewise said he was convinced by Galliano’s statements of remorse and his efforts to educate himself about Judaism and the Holocaust. Neither rabbi endorsed the Met’s decision to honor Galliano, however. Rather, both told the museum that if it proceeded, it had a responsibility to make Galliano’s antisemitic conduct and the lessons of his repentance an explicit part of the exhibition.
That distinction was reflected in the Met’s original plans. Andrew Bolton, the Costume Institute’s curator, said in announcing the exhibition that it would address Galliano’s antisemitic and anti-Asian conduct, as well as his firing from Dior, a hate speech conviction in France and his subsequent treatment for addiction and public acknowledgment of his actions.
Galliano, among the most celebrated designers in the world, was fired by Christian Dior in 2011 after a video surfaced showing him praising Hitler and making antisemitic remarks in a tirade in a Paris cafe, and directing an anti-Asian slur at the partner of a Jewish woman. A French court convicted him of making public insults based on race, religion and ethnicity.
After entering treatment for substance abuse, he embarked on a process of rehabilitation and eventually returned to the fashion industry. Abraham Foxman, then national director of the Anti-Defamation League, met privately with Galliano repeatedly; in 2013 the ADL said that Galliano had demonstrated “true contrition.”
After the initial announcement of the exhibition, Jonathan Greenblatt, CEO and national director of the ADL, noted that the organization had “long since accepted his apology,” but added that he understood “why some Jews may question the decision to include Galliano’s work in an exhibit given the massive spike in antisemitism in recent years.”
In a statement Monday, Greenblatt appeared to take a harder line in welcoming Galliano’s withdrawal.
“With antisemitism at crisis levels, the Met honoring John Galliano at this moment was misguided, and even Galliano ultimately recognized what the Met should have done from the start,” Greenblatt wrote on X. “This was the wrong move at the wrong moment. Timing matters.”
Galliano’s withdrawal leaves the Met without a planned spring 2027 Costume Institute exhibition. The museum said information about a replacement exhibition and the 2027 Met Gala will be announced later.
This article originally appeared on JTA.org.
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