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How Germany’s Holocaust remembrance culture kicked off a democratic crisis

WEIMAR, Thuringia, Germany — Walking through Weimar, Germany, the legacy of the Holocaust seems inescapable. Stolpersteine — German for “stumbling blocks” — are placed outside the homes of people killed during the Shoah, essential evidence of Erinnerungskultur, or memory culture, a national commitment to memorializing, and learning from, the Nazis’ atrocities.

But this commitment is being challenged. Alan Bern, a Yiddish musician described to me as “the man who solved the Shoah,” had just returned from a press conference when I met him, where he spoke alongside local law enforcement officials about a 51-year-old man charged with the 33rd case of vandalism of the memorial stones in the Eastern German city this year.

Bern, 70, an American who came to Germany nearly 40 years ago and holds the nation’s highest civilian honor, said, “Attacks on Stolpersteine ​​are not primarily attacks against Jews, but rather against society and, not least, against human dignity.”

An old man in a red shirt stands next to a long door in a dark building
Alan Bern stands next to a door from Weimar’s Deutsches Nationaltheater inside of the Other Music Academy. Photo by Jake Wasserman

Bern, a composer, founded a school called the Other Music Academy, where he and his colleagues are creating encounters critical to the fight against Jew-hatred in Germany.

They bring together Jews and the descendants of Nazis, Israelis and Palestinians, and Germans and Syrian migrants in an attempt to apply the lessons of the Holocaust forward to the issues facing Germany today. Democracy is in the center’s DNA both in ethos and architecture — the entrance to their dance hall is a 100 year-old door from the Deutsches Nationaltheater in Weimar, where Germany’s first constitution was written and ratified.

“I believe that the encounter with otherness,” Bern said, “is essential to transforming yourself and transforming society.”

Bern’s work helps extend Germany’s memory culture, applying its lessons beyond the Holocaust to address threats against democracy posed by the far-right, which is gaining popularity around the country.

Although not all incidents of antisemitism in Germany are coming from the right, the rise of the far-right Alternative für Deutschland (AfD) party has forced a new debate over Germany’s commitment to remembering the Holocaust and other Nazi atrocities. AfD holds a plurality in Thuringia’s state parliament, and, after this year’s February elections, became the main opposition party in Germany’s federal parliament. The party’s most radical wing says that memory culture is a “guilt cult” and calls for a “180 degree turnaround” in the nation’s approach to remembering its history.

And while many Jews are deeply concerned about the right’s desire to abandon memory culture, some Jews in Germany, particularly those on the left, feel that the societal commitment to preventing another Holocaust has caused the state to police their ability to act and think freely, particularly when critiquing Israel. Since Oct. 7, 2023, Jewish activists have lost awards and speaking engagements, and have even been labeled extremists and put under surveillance by Germany’s state intelligence service.

Memory culture is not just essential to Germans, however; it’s a key for Jews around the world, who take heritage trips to concentration camps and ancestral homes there as part of memorializing the Holocaust. And worldwide, memory culture is essential to remembering global atrocities — yet its tenets are under attack. The Trump administration has criticized the Smithsonian’s approach to slavery, while Turkey refuses to acknowledge the existence of the Armenian genocide.

I went to Germany to speak with both Jews and non-Jewish Germans who are doing the work of bringing memory culture to life, to see how their work is being impacted by these political shifts, and to find out: What is lost if Germany loses its memory?

A brief history of memory culture

After the Berlin Wall fell, in 1989, the newly reunited and democratic Germany defined its national identity as a state committed to learning from the atrocities it committed in the past, thus preventing them from ever happening again.

But this devotion to the Holocaust wasn’t always the case. At the end of World War II, fewer than 15,000 Jews remained in Germany, the majority of whom went to West Germany when the country was partitioned after World War II. West Germany largely avoided accepting responsibility for the Holocaust until 1970, when Chancellor Willy Brandt visited the Warsaw Ghetto, in Poland, and laid a wreath at its memorial.

Meanwhile, under East Germany’s Soviet-style system, Nazi crimes were stripped of their antisemitic motivations and recast as offenses to communism; the small Jewish community of less than 1,000 people who remained there continued to be persecuted by the Stasi for perceived opposition to socialist values.

After the Berlin Wall came down and Germany reunified the following year, Chancellor Helmut Kohl oversaw the immigration of some 200,000 Jews from the former Soviet Union. The majority of Germany’s new Jews moved to Berlin, but others repopulated Jewish communities in the former East.

With the formation of the new German republic, the government moved back to Berlin, and in 1999, voted to construct the Memorial to the Murdered Jews of Europe in the heart of the city — next to Berlin’s famous Brandenburg Gate. They expanded concentration camp memorials to include details about the Holocaust and built a world-renowned Jewish museum designed by Daniel Libeskind. Visits to these sites became a regular part of German school curricula. A centralized national Jewish council — The Zentralrat der Juden in Deutschland, or the Central Council of Jews in Germany — today receives €22 million in government funding to serve as the official voice of Jewish people and to advocate against antisemitism across society.

Memory culture is palpable everywhere in Germany, whether in large memorials and historical sites like concentration camps, or the small plaques and reminders, like the stumbling blocks, about the Jews who once lived there.

People walk into a large 19th century train station. On the right, a sign displays the names of Holocaust concentration camps
A sign outside of the Wittenbergplatz U-Bahn station in Berlin lists the names of concentration camps. Photo by Jake Wasserman

For years, however, shame over the Holocaust has muted national pride. Many Germans avoided flying their flag for fear of invoking the kind of nationalism that led to the rise of the Nazi party. (Though in the past two decades, flags have become more common at German sporting matches and events.)

That has led some, such as the far-right AfD party, to claim that memory culture has harmed Germany. Former party leader Alexander Gauland referred in 2018 to the Nazi era as a speck of “bird shit” in an otherwise grand national history, a speck that was given outsize importance.

And more recently, memory culture has become complicated by modern political concerns. In 2008, Chancellor Angela Merkel declared that supporting Israel was Germany’s “reason of state,” and the government has consistently operated with an iron-clad support for Israel as a form of reparations for the Holocaust.

But as Israel’s actions have come under increasing international condemnation since Oct. 7, Germany’s memory culture too has come under broader criticism by Jews and non-Jews alike. Some Jews in Germany are concerned over what they see as Germany abandoning Israel after Chancellor Friedrich Merz halted weapons exports to the Jewish state in August to curb the supply that could be used in Gaza. Other Jews, meanwhile, feel unable to speak out against the war given the national devotion to Israel.

And the Central Council, the state Jewish voice, believes that AfD is taking advantage of the war to inflame tensions between a new wave of Muslim immigrants and Germany’s Jews — and, in turn, win Jewish support for their party, including their belief in dismantling memory culture. Before this year’s elections, the Council circulated a letter signed by the leaders of every Jewish state organization warning that the AfD “uses Jews as an excuse to spread its racist and anti-Muslim slogans.”

The right-wing critique of memory culture in Germany

The AfD was officially designated a ‘rightwing extremist’ force by Germany’s intelligence agency, a status the far-right party is contesting in court. Still, it is the largest party in Thuringia and is poised to take over at least one state in  next year’s elections. This would give it control over the educational and cultural agencies that fund memory culture in Germany, agencies it hopes to defund. Clearly, the AfD is not a fringe group.

And it is gaining increasing influence nationally and visibility internationally. Prior to their strong showing in February’s elections, both vice president JD Vance and President Trump’s ally Elon Musk encouraged German voters to vote for AfD.

The official voice of the Jewish community in Germany unambiguously says that the AfD is a growing threat to German Jews, and Jews around the world. In their 2024 annual report, the Council called the AfD a “legitimizing bridge” between the political mainstream and extremist actors — like the man who livestreamed himself ranting about the Great Replacement Theory before trying and failing to break into the synagogue in Halle with a gun in 2019, killing two people outside its doors.

“There is a will in this party to change the remembrance and the memory of National Socialism in focusing on the positive parts of German history,” said Shila Erlbaum, the Council’s director of policy. “This is an attack on Jewish history and Jewish memory.”

But not all Jews agree the AfD is such a threat. In 2018, a group of Jewish party members founded the Federal Association of Jews in the AfD (JAfD), a small caucus within the party’s 70,000 members. Today, JAfD has only 25 members, along with another 80 supporters who are not full members.

Artur Abramovych, the JAfD’s 29-year-old chairman, told me that they established the caucus after anti-immigrant demonstrations broke out in the eastern city of Chemnitz, when two Kurdish immigrants stabbed and killed a man.

Like the party’s leaders, the JAfD believes, according to its website, that “the greatest threat to Europe in the 21st century is the growth of the Muslim population” and adds that “the rise of political Islam is also primarily a threat to Jews.” While party leaders’ statements contradict AfD’s official support for Israel, the JAfD is strongly and unequivocally pro-Israel.

In January 2024, the German investigative newsroom Correctiv reported that AfD members secretly met with neo-Nazis and wealthy businessmen to plan the mass deportation of immigrants from Germany in a plot called “remigration.” The news brought hundreds of thousands of Germans into the streets in protest.

AfD initially disputed what was discussed at the meeting, though eventually party leader Alice Weidel embraced remigration as the official party platform. Though the party is once again trying to distance itself from the controversial remigration concept to create a broader appeal among the mainstream electorate, JAfD still believes that the plan is essential. Abramovych himself is an immigrant — from Ukraine — but claimed that immigration is threatening German society due to Muslim fertility rates.

Like the party’s hardliners, JAfD is also critical of Germany’s memory culture. Abramovych said that it didn’t originally hurt Jewish people, but now does “because people are forcing German politics to keep the borders open and let millions of Jew haters into the country” due to the state’s Holocaust guilt.

Germany’s immigration politics have moved to the right since Oct. 7, 2023. In an interview with Der Spiegel after the Hamas attack, former Chancellor Olaf Scholz told the magazine, “We have to deport people more often and faster.” Earlier this year, Merz’s government tightened border controls, and in October the Bundestag, analogous to the U.S. House of Representatives, voted to revoke a fast-track to citizenship law passed by Scholz.

While he smoked handrolled cigarettes and drank a cup of black coffee outside of a Ukrainian cafe in Berlin’s Friedrichshain-Kreuzberg neighborhood, I asked Abramovych if he was concerned that Jewish immigrants like himself could be deported from Germany in the future if the AfD gained power and remigration became government policy.

“What? Who would deport the Jews? That’s ridiculous,” Abramovych said.

An alternative critique of memory culture from the left

AfD had its first electoral win in the Bundestag, Germany’s lower parliamentary house, in 2017, becoming the third-largest party in the parliament. Shortly after, poet and political scientist Max Czollek published the best-selling De-Integrate!: A Jewish Survival Guide for the 21st Century, a polemic about Jewish assimilation into German culture. As a result of his edgy take on memory culture in Germany, Czollek has become something of a celebrity, and a bit of a pariah.

For Czollek, AfD is the symptom of a greater problem in Germany where the nation’s guilt over the Holocaust creates a “theater of memory” — a term borrowed from the late sociologist Y. Michal Bodemann — in which Jews play out their dutiful role on the national stage, held up by the state as model minorities, but are subject to losing its protection if they deviate from accepted norms.

Thuringian AfD leader Bjorn Höcke gained infamy when he called Berlin’s Holocaust memorial a “monument of shame,” but Czollek wrote that the idea was not new; in 1998, famed German left-wing intellectual Martin Walser called Germany’s Holocaust remembrance culture “monumentalization of shame” in his acceptance speech for the Peace Prize of the German Publishers’ Association.

People wearing sunglasses and looking towards the sun walking through the stone slabs of Berlin's Memorial to the Murdered Jews of Europe.
Visitors walking through Berlin’s Memorial to the Murdered Jews of Europe in September 2024. Photo by Jake Wasserman

To Czollek, AfD is just the latest step in a proud German tradition of tacitly accepting Nazism, albeit by a different name, in the East.

Behind Balenciaga sunglasses outside of a Kreuzberg cafe, Czollek described his family’s life in the former East Germany, part of a very small community of Jews who stayed after the war instead of departing for West Germany, America or Israel.

“The Jewish rituals I grew up with when my father started to reconnect to this tradition is more like the old, dark, empty synagogue singing of 20 people,” he explained. “And it’s like, ‘Why are there no people?’”

Czollek was born just before the Berlin wall came down, but for his family in East Germany, the Shoah was ever present in the absence of Jews. And it was magnified by what he described as a betrayal by the communist government that took over, which declared itself, its state and all of its citizens to be anti-Nazi — even if they had previously been active members of the Nazi party.

A report by the CIA in 1959 identified over 150 former high-ranking Nazi officials then working in positions of power within the communist East German government, and called it “doubtful” that they were sincere in the “change of political thinking.”

“You have this first generation of Jewish communists who came to Germany to build a better Germany and build up on this idea of anti-fascism as a proper fighting position,” he explained. “Suddenly, a lot of former Nazis were declared anti-fascist. So this is where the memory work fails.”

After the wall came down, Czollek argues that memory culture became a branding tool for Germany to prove itself as a democracy on the international stage — a tool that never offered anything meaningful to the few East German Jews like him, and that has proved ineffective at preventing the revival of a new ethno-nationalist right.

“Memory culture has become a tool in legitimizing and justifying the pride in Germany,” he said. But, he noted, memory culture is a relatively young part of German life; its widespread adoption came, ironically, during the “Years of the Baseball Bat” in the ‘90s, when neo-Nazi violence against migrants escalated severely.

After Oct. 7, Czollek believes that memory culture warped into something else entirely; today, anyone who speaks out against Israel’s response to the attacks in Gaza faces cancellation, disinvitation or even arrest.

“Memory culture used to be a pretty self-centered process of German self-improvement and reinvention,” Czollek said. “By now, it has become a tool of dominance and hegemony.”

“It’s almost like we have done the worst, and we have remembered the best,” he continued, opining that Holocaust and concentration camp memorials boost Germany’s national self-esteem and identity as a moral actor. Then, “you can start accusing migrants of not being as good as you are.”

And Jews who criticize the government’s version of memory culture risk losing state protection.

“There’s a tempting quality to playing along with the theater of memory, because being Jewish is rewarded if you do it in a specific way,” he continued. “Being a non-aligned Jew comes with a price.”

Although solidarity between Germany’s minorities — particularly Jews and Muslims — has become strained post-Oct. 7, exacerbated by the AfD, Czollek believes it’s the only way through the crisis brought about by memory culture and the rise of the far-right.

That’s why Czollek’s new book is called Alles auf Anfang — or, Everything Back to the Beginning. It’s a search for a new culture of remembrance in German life that includes not just Jews, but recognition of other migrant victims in German society.

Currently, much of Germany’s memory culture, exemplified in memorials like the Buchenwald concentration camp, keep their focus firmly in the past. But Czollek believes that, to address the current era, Germany needs to also find ways to commemorate violence perpetrated against its other minority groups.

“If you want to have memory culture as a living, active and productive thing today, it has to be updated every generation,” he said. “Sadness or grief is not a limited resource. We can all grieve together.”

The weaponization of memory culture against Jews

Immediately after Oct. 7, Wieland Hoban, a Jewish German living in Frankfurt am Main, began demonstrating against Germany’s support for Israel, and was arrested multiple times — the first time for wearing a shirt displaying a revolutionary fist logo, which is associated with the pro-Palestinian and anti-Israel organization Samidoun that was banned in Germany a few days following the attack.

The next month, Hoban gave a speech where he said, “Germany can’t wash away its Holocaust guilt with the blood of Palestinians.” Afterwards, he was taken aside by police and charged on suspicion of Volksverhetzung — “incitement to hatred” — a charge that has been used by the German government to prosecute neo-Nazis and far-right extremists, and carries a sentence of up to five years in prison.

In Hoban’s view, memory culture had extended past its logical limits to charge him, a Jew, with a violation of the German criminal code for invoking his own history.

“They explained to me that I had mentioned the Holocaust and that in Germany, they take the Holocaust very seriously,” Hoban said. “This was a bit surreal.”

Hoban, a composer and translator, has been chairman of Jüdische Stimme für gerechten Frieden in Nahost (Jewish Voice for Just Peace in the Middle East) since 2021. He told me that, like many artists in Germany, the cause of Palestinian self-determination has been important to him.

“This occupation of Judaism, through Zionism, had just pushed me away from any identification with Jewishness,” Hoban said. But joining Jüdische Stimme helped him resolve “an inner contradiction” he felt in being Jewish and also supporting Palestinians.

People in row boats hold of keffiyehs and Palestinian flags
Pro-Palestinian demonstrators protest on a lake in Berlin’s Tiergarten on September 20, 2025. Photo by Jake Wasserman

This June, Hoban received a text from a journalist asking him if he’d seen the latest report from the BfV, Germany’s domestic intelligence agency, on extremist groups in Germany. He hadn’t, but when he looked it up, Hoban learned that his organization had been labeled as a “foreign-related extremist” group.

While AfD is using the courts in an attempt to clear their domestic extremist label, Jüdische Stimme is not pushing back. Hoban doesn’t dispute the reasons for the label — he does criticize Israel and Germany’s memory culture — so his group sees no way to clear its name.

“I wish more people would just have the balls to say, ‘I don’t care if you call me antisemitic, I’m sticking to my guns here,’” Hoban said.

With the BfV’s extremist designation, Jüdische Stimme is now vulnerable to surveillance by the intelligence agency, as well as infiltration by informants.

But while the state is adamantly opposed to their cause, Hoban believes that public opinion is changing. The week that we spoke in September, a poll showed that 62% of all German voters believe Israel is committing genocide in Gaza, including a majority of both Christian Democratic Union and AfD voters. A report by the International Federation for Human Rights also found in October that Germany, among other nations, has weaponized the fight against antisemitism to suppress dissent.

And, over a year after Hoban was charged with incitement to hatred, he received a letter from the public prosecutor’s office informing him that the charge against him had been dropped.

A concentration camp gets political

The Buchenwald Memorial was established in 1958 on the site of the former concentration camp by the government of East Germany to commemorate communist resistance fighters; it did not memorialize the dead Jews. But after reunification, the Memorial’s focus expanded to include the more than 56,000 people killed and 280,000 who were imprisoned at the site, becoming a centerpiece in Germany’s tapestry of memory.

Today, Buchenwald — one of the centerpieces of Germany’s memory culture — finds itself caught in the middle of the debate over how to remember the Holocaust. It’s using its mission to confront its dark history in a new way: fighting back against politicians who distort the Holocaust.

Stones of Hebrew letters lay in the ground in front of a destroyed bunk filled with debris. In the far background is a Holocaust-era crematorium.
The Jewish bunk memorial at the Buchenwald Memorial. The inscription from Psalms 78:6 reads: “So that the generation to come might know, the children, yet to be born, that they too may rise and declare to their children.” In the background is the crematorium. Photo by Jake Wasserman

When an AfD member ran for mayor of Nordhausen, a city in Thuringia, in 2023, the Memorial’s official social media pages called him out online for dog whistling to right-wing extremists, invoking a false Holocaust-distorting conspiracy theory. The post changed the course of the election; in the first round of elections, the candidate had more than 45% of the vote, but after the Memorial’s statement, he failed to win in the second round.

“Many older inhabitants of Nordhausen who had not voted for many years said, ‘No, we don’t want to have a Holocaust denier as a mayor,’” the memorial’s director, Jens-Christian Wagner, said in an interview.

Last year, Wagner pursued a more extensive outreach with 300,000 letters mailed to seniors in Thuringia ahead of the state’s elections. The letters warned of the ways in which AfD party leaders have used Nazi language and distorted history.

The AfD fought back, taking the Memorial to court and accusing the Memorial of interfering in “political decision-making.” They lost.

“The court says explicitly that we can’t be neutral against any kind of Holocaust distortion,” Wagner explained to me.

With that mandate, Wagner now considers it his duty and the mission of the Memorial to combat Holocaust distortion, especially when it might affect elections. The Memorial has a particular interest; it’s located in Thuringia, where the AfD is gaining power, and it could lose its funding if the party wins control.

“With our interventions, we don’t think that we can change the positions of the AfD,” Wagner said. “We want to reach all these people who are not specifically voting for the AfD, who are in the gray zone, who can be rescued for democracy.”

Looking towards Germany’s future generations

The AfD has lately focused on reaching youth voters, spending heavily on digital outreach. As a result, young people in Germany are becoming increasingly anti-migrant, embracing far-right political ideas that were once verboten in Germany for being too close to Nazism.

Despite the Memorial’s successful interventions to deter adults from voting for AfD, Wagner is concerned about the rightward shift of younger generations, who are less likely to treat information from a Holocaust memorial with reverence — or even respect its history.

The director described young people who visit the Memorial on school trips displaying the Hitler salute, shouting “Sieg Heil” and photographing each other in front of crematory ovens.

“There were some right-wing young people in every school class for years, but these were only one or two, and the majority was against them, and this has completely changed,” Wagner said. “Now, spreading Holocaust distortion, being right-wing, is common sense in these school classes, and it’s very, very difficult for our educators to have a discourse with them.”

The Memorial has been attempting to revise their educational programming to make visits longer and more in-depth, and even built a youth hostel on the site so that school groups can stay and have extended experiences that they hope will make a lasting impact.

Alan Bern, of the Other Music Academy, also is also worried about the younger generations; he sees resonating with Germany’s youth as one of his most urgent and important challenges.

“Young people in Weimar have almost no real relationship to what it is that we’re doing,” Bern said. “So when they’re told ‘You shouldn’t be antisemitic,’ it’s just some adult telling them ‘Don’t do this.’”

A prison sits behind a barbed wire fence and high exterior wall, which is covered in colorful paintings and graffiti on the outside.
A former East German youth prison next to the Other Music Academy in Weimar. The courtyard behind the prison was once used by the Nazis for executions by guillotine. Photo by Jake Wasserman

Like at Buchenwald, where the education department has placed its hopes for the future into its youth hostel, Bern wants to transform the former youth prison next to Other Music Academy into a dormitory of sorts where young people can stay for several days. The dichotomy of the prison’s barbed wire courtyard and its painted exterior wall, which artists have covered with colorful Keith Haring murals, pose a striking question about the direction of Germany’s future: Which way?

Pointing towards the floor and then to the prison across the driveway, Bern said, jokingly: “It’s either this or that.”

Challenged from both the left and the right, it’s unclear what is next for Germany’s memory culture. For now, the younger generations are caught in the middle.

While waiting at the bus stop to head back from Buchenwald, I found myself unexpectedly sandwiched in the middle of a high school tour group as they posed for a class photo. After we all boarded the bus, about half of them sat quietly —  maybe contemplating the horrors they’d just seen, maybe dozing off. But as we drove down the hill toward Weimar, the bus also filled with the sound of laughter.

The future of memory culture, ultimately, will be up to them.

The post How Germany’s Holocaust remembrance culture kicked off a democratic crisis appeared first on The Forward.

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Yiddishkayt LA and New Lehrhaus merge — but is this good for Yiddish?

For most Jewish institutions, “partnership” might mean a shared event or a guest lecture. But for Yiddishkayt LA and the Bay Area’s New Lehrhaus — two organizations separated by 370 miles and decades of distinct histories — this merger represents something far bolder. They are fusing identities, communities and visions of what West Coast Jewish culture can become.

Rob Adler Peckerar, formerly a key figure at Yiddishkayt LA, has now been appointed director of New Lehrhaus. In an interview he said that the merger strengthens both institutions rather than diluting either one.

Aaron Paley, the founder of Yiddishkayt LA, agrees. “We’re not amplifying one approach at the expense of the other; we’re amplifying both,” he said, adding that he first encountered the Lehrhaus tradition as a UC Berkeley student in the 1970s. The merger, he added, “immediately felt like a homecoming.”

Officially launched November 1, the merger wasn’t born of crisis. It grew from two organizations with parallel instincts: Yiddishkayt LA’s eclectic cultural programming and New Lehrhaus’s commitment to text, dialogue, and community learning.

A celebration — but not without concerns

But some Yiddish fans are concerned about the merger. “We’re 114 neighborhoods in a trench coat pretending to be a cohesive city,” said Aaron Castillo-White, director of the Yiddish culture organization Kultur Mercado and a former member of the Forward’s development staff.

“Yiddishkayt LA was one of the few forces stitching its Yiddish community together.” Now that it will no longer be a separate institution, he’s worried that the “already fragile cohesion” might suffer even more.

The question is: If Yiddishkayt LA becomes absorbed into New Lehrhaus’s broader educational framework, what will happen to LA’s uniquely local Yiddish culture — the concerts, neighborhood pop-ups, cross-art collaborations, and street-level programming? They may not easily transplant into a text-centered institution.

But Adler Peckerar isn’t worried, noting that, in recent years, newer groups like  Der Nister and Kultur Mercado have already begun organizing on-the-ground Yiddish programming. Yiddishkayt LA, on the other hand, had moved away from local, place-based events toward livestreamed programs, online archives, virtual learning and broader national audiences who would never attend in-person Los Angeles events.

To understand the stakes, it’s important to understand who these two merging organizations are.

Two genealogies, one experiment

Yiddishkayt LA, founded by Paley in the 1990s, helped define a distinct West Coast model of Yiddish culture: contemporary, experimental and rooted in doikayt — “being present” in one’s milieu. Its Helix Fellowship shaped young artists who saw Jewish culture not as nostalgia, but as creative raw material.

New Lehrhaus, launched in 2021 by Rachel and David Biale, has different roots: In the early 20th century, the Jewish philosopher Franz Rosenzweig founded an informal educational institution in Frankfurt, Germany, called Lehrhaus, that brought assimilated German Jews into engaging Judaic study without demanding any background knowledge or religious observance.

In the new incarnation, based in the Bay Area, the New Lehrhaus became a home for Jews seeking text and dialogue across denominations and backgrounds.

Last year, after Rachel Biale stepped down as director of the New Lehrhaus, the incoming director, Adler Peckerar, saw the joining of forces as a natural evolution. “Merging two strong organizations isn’t about defeat or one absorbing the other,” he said. “It’s strategic thinking about how to build something that can weather today’s volatile nonprofit landscape.”

But that innovation also sharpens Castillo-White’s concern: What disappears when two distinct ecosystems become one?

Diverging visions of the merger’s impact

Castillo-White described Yiddishkayt as “one of the only cultural bridges” in Los Angeles. He worries that a merger, even one made in good faith, could dilute that hyper-local energy.

Adler Peckerar disagrees. Unlike Castillo-White,  he argued the merger will expand — not shrink — opportunities for Yiddish. “We’re broadening the ecosystem,” he said.

Biale framed the merger around a larger question facing Jewish institutions: How do they stay relevant without losing depth? She believes that the merger could bring Yiddishkayt LA fans into a much larger orbit of learning, featuring sessions with scholars like the University of Toronto professor Naomi Seidman who writes about the relationship between Judaism, literature, gender studies, translation studies and sexuality.

The new organization plans to dive into an eclectic range of fields in contemporary culture — physics, poetry, Leonard Cohen — as a doorway into Jewish texts. Adler Peckerar believes this approach could make Jewish learning feel relevant for Jews who may otherwise have little or no connection to Jewish learning.

They’re also planning intimate reading circles on radical Jewish thinkers such as Isaac Deutscher, Rosa Luxemburg and Gustav Landauer; classes on endangered Jewish languages and Hasidic history and experimental Yiddish theater and new one-act plays.

What remains to be seen is how the new Lehrhaus-Yiddishkayt will balance its broadened reach with the local energies that shaped each institution. Many in the community will be watching to see which parts of the old ecosystems endure, and what new forms of Yiddish culture might emerge.

 

The post Yiddishkayt LA and New Lehrhaus merge — but is this good for Yiddish? appeared first on The Forward.

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At long last, a TV show captures the experience of multi-racial Jewish families like mine

The new CBS television series Boston Blue has achieved what I long thought impossible — something close to an accurate portrayal of a multi-racial Jewish-American family.

The show, which quietly debuted last month as a spinoff of the hit series Blue Bloods, centers around the Silver family — a clan of police officers and elected officials helping to maintain safety and order across Beantown. They include siblings Lena, who is Black, Sarah, who is white, and Jonah, who is bi-racial.

“We’re just one big happy kinda confusing family,” Lena declares in the pilot episode, as she explains that her mother married Sarah’s father — with Jonah arriving shortly thereafter. And by establishing the Silver family tree so early on, Boston Blue softens the audience up for its real wild-card: The Silvers are all loudly, proudly and unapologetically Jewish.

Their family reminds me of my own. And I think the show got just about everything about our experience right.

In the pilot episode, Detective Danny Reagan (Blue Bloods veteran Donny Wahlberg) arrives in Boston to care for his injured son — who happens to be Jonah Silver’s partner — and is invited by family matriarch, District Attorney Mae Silver, to the type of “family dinner” made famous by Reagan’s own family on Blue Bloods.

Which is how Reagan unexpectedly finds himself at a Shabbat dinner.

When Mae married Sarah’s father — District Judge Ben Silver — she and Lena converted to Judaism, Reagan learns. Jonah was raised in the faith. But Judge Silver was killed a year earlier, leaving Mae’s father, Rev. Edwin Peters, as the de-factor paterfamilias — a Black pastor at one of Boston’s oldest Black churches, kippah-clad and leading a family of Jews as they light Shabbat candles and recite traditional prayers.

It might all seem a bit far-fetched. Unless you know my own family.

We have white Jews, Black pastors, Asian uncles, Latino ex-husbands and mixed-race Jewish twins — that would be my sister and I. Separated on both coasts, it’s been awhile since we all came together for Shabbat like the Silvers. But if we did, our gathering would look a lot like theirs — minus the mansion on Beacon Hill.

This is what makes Boston Blue so refreshing and unexpected. The Silvers’ Jewishness never feels confrontational or contrived.

There are close to 1 million “Jews-of-color” in the United States today, but Boston Blue accurately understands that the family would still be an enigma to most American viewers. But rather than dwell on this potential narrative hiccup, the show’s writers cannily deployed it as a narrative device instead. These are folks who understand they must often explain their unique family dynamics, but ultimately have nothing to prove. They are both confident and casual in their faith.

As a Jew whom many other Jews often fail to recognize as one of their own, I’ve too often felt I’m not allowed to just be Jewish. So it thrills me to see the Silvers so matter-of-fact and well-adjusted in their Judaism — even if it’s only onscreen.

Two years after the Hamas attack of Oct. 7, 2023, and Israel’s subsequent war with Hamas in Gaza, I went into Boston Blue worried about how Israel, antisemitism, Zionism and anti-Zionism might unfold within the show. Owing to the burdens of identity politics and intersectionality, Jews of color are often tasked with bridge-building amid these fractious and conflicted arenas.

Would they be forced to do the same on TV?

Former Law and Order star Ari’el Stachel — whose Israeli father is of Yemenite heritage — speaks of this duty in his new one-man show Other, now playing in New York. Stachel’s parents are both Jewish. But owing to his darker skin, he possesses a fluency in the optics of ethnicity that often sees him forced to field questions about cross-cultural discourse — even when, like me, he so often wishes the askers would just leave him alone.

I think Stachel would be satisfied by Boston Blue, whose showrunners aptly decided to keep war and hate away from the Shabbat table. Rather than try to shoe-horn the current political climate into the narrative, they avoided it all together. I, for one, was relieved: it’s a gift to see a family like mine onscreen, just being together, without being forced to try and solve all our myriad cultural problems at the same time.

I’ve always been leery of the entire concept of “Jews of color”; I worry it can impede us from understanding that all Jews are equally Jewish. So I was nervous heading into Boston Blue. For so long, so many in Hollywood have gotten our stories wrong at best, and been downright offensive at worst. They’ve tokenized and politicized and fetishized our experiences, while failing to actually humanize families like the Silvers and my own. But Boston Blue got it right — and it’s a step, long overdue, in the right direction.

The post At long last, a TV show captures the experience of multi-racial Jewish families like mine appeared first on The Forward.

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Mamdani: Israel immigration event at NY synagogue misused ‘sacred space’

(JTA) — Mayor-elect Zohran Mamdani’s team has responded to a protest targeting an event promoting migration to Israel at an Upper East Side synagogue on Wednesday night, suggesting that the event was an inappropriate use of a “sacred space.”

The protest was organized by a group called Palestinian Assembly for Liberation has drawn allegations of antisemitism from Jewish leaders in the city. During it, participants shouted phrases including “globalize the intifada” and “death to the IDF” as well as insults toward pro-Israel counter-protesters like “f—king Jewish pricks,” according to reports from the scene. Police separated the protesters and counter-protesters but did not halt the demonstration.

“The Mayor-elect has discouraged the language used at last night’s protest and will continue to do so,” Mamdani’s press secretary, Dora Pekec, said in a statement Thursday afternoon.

She went on, “He believes every New Yorker should be free to enter a house of worship without intimidation, and that these sacred spaces should not be used to promote activities in violation of international law.”

Pekec did not offer further comments about whether or why Mamdani believed the event at Park East Synagogue, a prominent Orthodox congregation, violated international law.

The event was organized by Nefesh B’Nefesh, the nonprofit that facilitates immigration to Israel for North American Jews. The organization bills its open house events as a chance to “get your questions answered, learn about the process, and discover what life in Israel could look like for you and your family.”

The group is considered a semi-governmental agency in Israel, receiving funding from the Israeli government and works closely with its ministries. It does not assign immigrants to particular communities, but has showcased West Bank settlements — which most of the world, though not Israel or the United States, considers illegal under international law — in events and on its website as possible destinations for new immigrants. (Previous protests in New York and beyond have targeted events at synagogues advertising real estate for sale in the West Bank.)

The organizing group suggested that all of the Jews who have moved to Israel with Nefesh B’Nefesh’s support are “settlers,” a term that some pro-Palestinian activists apply to all Israelis, not just those living in the West Bank.

“Nefesh b Nefesh is an affiliate of the Israeli government and the Jewish Agency for Israel, mainly responsible for the recruitment of settlers to Palestine from North America. Since 2003, they have recruited over 80,000 settlers of which over 13,000 served in the IOF,” Palestinian Assembly for Liberation said in an Instagram post advertising its demonstration, using an acronym by which anti-Israel activists refer to the Israeli army as the “Israel Occupation Forces.” It also called El Al “Genocide Settler Airlines.”

The demonstration is providing an early window into how Mamdani’s long- and deeply held pro-Palestinian views might influence his leadership of the city.

As a state Assemblyman, he sponsored legislation aimed at blocking nonprofits from funding Israeli settlements in the West Bank that some, including critics of the settlement movement, decried as casting an overly broad net.

During the campaign, he initially declined to condemn the protest phrase “globalize the intifada,” drawing allegations of antisemitism. He later shifted to say that he would “discourage” the phrase’s use in New York City, saying that he had learned from a rabbi that many Jews interpret it as a call to violence against them.

Now, Mamdani’s response to the Park East demonstration offers a stark contrast to two robust condemnations of antisemitism he has offered up since being elected, after a swastika was painted on a Brooklyn yeshiva and after the words “F–k Jews” were painted on a Brooklyn sidewalk. Both times, he quickly offered a full-throated denunciation on social media.

This time, even as prominent Jewish voices in the city alleged antisemitism on the part of the pro-Palestinian demonstrators, Mamdani did not make a public comment himself. His office’s statement did not address allegations of antisemitism.

Mayor Eric Adams, who is in Uzbekistan after a visit to Israel this week, said in a statement that he planned to visit Park East upon his return to the city. Calling the rhetoric shouted there “desecration,” he suggested that the protest augured a grim future for the city under Mamdani.

“Today it’s a synagogue. Tomorrow it’s a church or a mosque. They come for me today and you tomorrow,” Adams tweeted. “We cannot hand this city over to radicals.”

The event came the same day that Mamdani announced that Adams’ police commissioner, Jessica Tisch, would stay on once he becomes mayor. Tisch, who is Jewish, has previously criticized the conduct of pro-Palestinian protesters in the city.

Rabbi Marc Schneier, who has been staunchly critical of Mamdani and whose father is the longtime senior rabbi at Park East Synagogue, said he was distressed by how the police allowed the confrontation to unfold.

“What I find most disturbing is that the police, who knew about this protest a day in advance, did not arrange for the protesters to be moved to either Third or Lexington Avenues,” he said. “Instead, they allowed the protesters to be right in front of the synagogue, which put members of the community at risk.”

One of the demonstrators repeatedly shouted about the Nefesh B’Nefesh event attendees, “We need to make them scared,” according to video from the scene.

“This kind of intimidation of Jewish New Yorkers is reprehensible and unacceptable,” tweeted Mark Levine, the Jewish comptroller-elect. “No house of worship, of any faith, should be subjected to this.”

Mark Treyger, CEO of the Jewish Community Relations Council of New York, decried the demonstration as “reprehensible.”

“It is not a violation of any law, international or otherwise, for Jews to gather in a synagogue or immigrate to Israel,” he said.

“Using violent rhetoric and hurling antisemitic insults in front of a crowded synagogue was a direct threat to our community’s safety,” he added. “JCRC-NY reached out to city officials and we have confidence that the NYPD will thoroughly investigate this serious matter. No one should ever have to fear entering or leaving their house of worship and that includes our Jewish neighbors. We stand with the Park East community and with all New Yorkers who reject hate.”

In a statement from a spokesperson, UJA-Federation New York said they were “outraged by the demonstration outside Park East Synagogue.”

“We’ve been in contact with our partners at the NYPD, and they are taking this matter very seriously,” the statement reads. “Calls to ‘globalize the intifada’ and ‘death to the IDF’ are not political statements—they are incitements to violence against Jewish people. Every leader must denounce this heinous language, and the choice to target a house of worship makes it especially vile.”

The post Mamdani: Israel immigration event at NY synagogue misused ‘sacred space’ appeared first on The Forward.

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