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How Jewish comedy found religion, from Philip Roth to ‘Broad City’
(JTA) — In the 2020 comedy “Shiva Baby,” a 20-something young woman shows up at a house of Jewish mourners and gently offers her condolences. When she finds her mother in the kitchen, they chat about the funeral and the rugelach before the daughter asks, “Mom, who died?”
While “Shiva Baby” explores themes of sexuality and gender, the comedy almost never comes at the expense of Jewish tradition, which is treated seriously by its millennial writer and director Emma Seligman (born in 1995) even as the shiva-goers collide. It’s far cry from the acerbic way an author raised during the Depression like Philip Roth lampooned a Jewish wedding or a baby boomer like Jerry Seinfeld mocked a bris.
These generational differences are explored in Jenny Caplan’s new book, “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials.” A religion scholar, Caplan writes about the way North American Jewish comedy has evolved since World War II, with a focus on how humorists treat Judaism as a religion. Her subjects range from writers and filmmakers who came of age shortly after the war (who viewed Judaism as “a joke at best and an actual danger at worst”) to Generation X and millennials, whose Jewish comedy often recognizes “the power of community, the value of family tradition, and the way that religion can serve as a port in an emotional storm.”
“I see great value in zeroing in on the ways in which Jewish humorists have engaged Jewish practices and their own Jewishness,” Caplan writes. “It tells us something (or perhaps it tells us many somethings) about the relationship between Jews and humor that goes deeper than the mere coincidence that a certain humorist was born into a certain family.”
Caplan is the chair in Judaic Studies at the University of Cincinnati. She has a master’s of theological studies degree from Harvard Divinity School and earned a Ph.D. in religion from Syracuse University.
In a conversation last week, we spoke about the Jewishness of Jerry Seinfeld, efforts by young women comics to reclaim the “Jewish American Princess” label, and why she no longer shows Woody Allen movies in her classrooms.
Our conversation was edited for length and clarity
[Note: For the purpose of her book and our conversation, this is how Caplan isolates the generations: the Silent Generation (b. 1925-45), the baby boom (1946-65), Generation X (1966-79) and millennials (1980–95).]
Jewish Telegraphic Agency: Let me ask how you got into this topic.
Jenny Caplan: I grew up in a family where I was just sort of surrounded by this kind of material. My dad is a comedic actor and director who went to [Ringling Bros. and Barnum & Bailey’s] Clown College. My degrees were more broadly in American religion, not Jewish studies, but I was really interested in the combination of American religion and popular culture. When I got to Syracuse and it came time to start thinking about my larger project and what I wanted to do, I proposed a dissertation on Jewish humor.
The key to your book is how Jewish humor reflects the Jewish identity and compulsions of four sequential generations. Let’s start with the Silent Generation, which is sandwiched between the generation whose men were old enough to fight in World War II and the baby boomers who were born just after the war.
The hallmark of the Silent Generation is that they were old enough to be aware of the war, but they were mostly too young to serve. Every time I told people what I was writing about, they would say Woody Allen or Philip Roth, two people of roughly the same generation.
In “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials,” Jenny Caplan explores how comics treated religion from the end of World War II to the 21st century. (Courtesy)
The Roth story you focus on is “Eli, the Fanatic” from 1959, about an assimilated Jewish suburb that is embarrassed and sort of freaks out when an Orthodox yeshiva, led by a Holocaust survivor, sets up in town.
Roth spent the first 20 to 30 years of his career dodging the claim of being a self-loathing Jew and bad for the Jews. But the actual social critique of “Eli, the Fanatic” is so sharp. It is about how American Jewish comfort comes at the expense of displaced persons from World War II and at the expense of those for whom Judaism is a real thriving, living religious practice.
That’s an example you offer when you write that the Silent Generation “may have found organized religion to be a dangerous force, but they nevertheless wanted to protect and preserve the Jewish people.” I think that would surprise people in regards to Roth, and maybe to some degree Woody Allen.
Yeah, it surprised me. They really did, I think, share that postwar Jewish sense of insecurity about ongoing Jewish continuity, and that there’s still an existential threat to the ongoing existence of Jews.
I hear that and I think of Woody Allen’s characters, atheists who are often on the lookout for antisemitism. But you don’t focus on Allen as the intellectual nebbish of the movies. You look at his satire of Jewish texts, like his very funny “Hassidic Tales, With a Guide to Their Interpretation by the Noted Scholar” from 1970, which appeared in The New Yorker. It’s a parody of Martin Buber’s “Tales of the Hasidim” and sentimental depictions of the shtetl, perhaps like “Fiddler on the Roof.” A reader might think he’s just mocking the tradition, but you think there’s something else going on.
He’s not mocking the tradition as much as he’s mocking a sort of consumerist approach to the tradition. There was this sort of very superficial attachment to Buber’s “Tales of the Hasidim.” Allen’s satire is not a critique of the traditions of Judaism, it’s a critique of the way that people latch onto things like the Kabbalah and these new English translations of Hasidic stories without any real depth of thought or intellect. Intellectual hypocrisy seems to be a common theme in his movies and in his writing. It’s really a critique of organized religion, and it’s a critique of institutions, and it’s a critique of the power of institutions. But it’s not a critique of the concept of religion.
The idea of making fun of the wise men and their gullible followers reminds me of the folk tales of Chelm, which feature rabbis and other Jewish leaders who use Jewish logic to come to illogical conclusions.
Yes.
You write that the baby boomers are sort of a transition between the Silent Generation and a later generation: They were the teenagers of the counterculture, and warned about the dangers of empty religion, but also came to consider religion and tradition as valuable. But before you get there, you have a 1977 “Saturday Night Live” skit in which a bris is performed in the back seat of a luxury car, and the rabbi who performs it is portrayed as what you call an absolute sellout.
Exactly. You know: Institutional religion is empty and it’s hollow, it’s dangerous and it’s seductive.
Jerry Seinfeld, born in 1954, is seen as an icon of Jewish humor, but to me is an example of someone who never depicts religion as a positive thing. (Not that there’s anything wrong with that.)
“Seinfeld” is more a show about New York than it is necessarily a show about anything Jewish. The New York of Seinfeld is very similar to the New York of Woody Allen, peopled almost entirely by white, middle-class, attractive folks. It’s a sort of Upper West Side myopia.
But there’s the bris episode, aired in 1993, and written by Larry Charles. Unless you are really interested in the medium, you may not know much about Larry Charles, because he stays behind the camera. But he also goes on to do things like direct Bill Maher’s anti-religion documentary “Religulous,” and there’s a real strong case for him as having very negative feelings about organized religion which feels like a holdover from the Silent Generation. And so in that episode you have Kramer as the Larry Charles stand-in, just opining about the barbaric nature of the circumcision and trying to save this poor baby from being mutilated.
The few references to actual Judaism in “Seinfeld” are squirmy. I am thinking of the 1995 episode in which a buffoon of a rabbi blurts out Elaine’s secrets on a TV show. That was written by Larry David, another boomer, whose follow-up series, “Curb Your Enthusiasm,” is similarly known for its irreverence toward Judaism. But you say David can also surprise you with a kind of empathy for religion.
For the most part, he’s classic, old school, anti-organized religion. There’s the Palestinian Chicken episode where the Jews are rabidly protesting the existence of a Palestinian-run chicken restaurant near a Jewish deli, and where his friend Funkhouser won’t play golf on Shabbos until Larry gets permission by bribing the rabbi with the Palestinian chicken. There, rabbis are ridiculous and can be bought and religion is hollow and this is all terrible.
But then there’s this bat mitzvah montage where for one moment in the entire run of this show, Larry seems happy and in a healthy relationship and fulfilled and enjoying life.
That’s where he falls in love with Loretta Black during a bat mitzvah and imagines a happy future with her.
It’s so startling: It is the most human we ever see Larry over the run of the show, and I believe that was the season finale for the 2007 season. It was much more in line with what we’ve been seeing from a lot of younger comedians at that point, which was religion as an anchor in a good way — not to pull you down but to keep you grounded.
So for Generation X, as you write, Judaism serves “real, emotional, or psychological purpose for the practitioners.”
I wouldn’t actually call it respect but religion is an idea that’s not just something to be mocked and relegated to the dustbin. I’m not saying that Generation X is necessarily more religious, but they see real power and value in tradition and in certain kinds of family experiences. So, a huge amount of the humor can still come at the expense of your Jewish mother or your Jewish grandmother, but the family can also be the thing that is keeping you grounded, and frequently through some sort of religious ritual.
Who exemplifies that?
My favorite example is the 2009 Jonathan Tropper novel, “This Is Where I Leave You.” I’m so disappointed that the film adaptation of that sucked a lot of the Jewish identity out of the story, so let’s stick with the novel. In that book, where a family gathers for their father’s shiva, the characters are horrible people in a dysfunctional family writ large. They lie to each other. They backstab each other. But in scene where the protagonist Judd describes standing up on the bimah [in synagogue] to say Kaddish [the Mourner’s Prayer] after the death of his father, and the way he talks about this emotional catharsis that comes from saying the words and hearing the congregation say the words — it’s a startling moment of clarity in a book where these characters are otherwise just truly reprehensible.
Adam Sandler was born in 1966, the first year of Generation X, and his “Chanukah Song” seems like such a touchstone for his generation and the ones that follow. It’s not about religious Judaism, but in listing Jewish celebrities, it’s a statement of ethnic pride that Roth or Woody Allen couldn’t imagine.
It’s the reclamation of Jewish identity as something great and cool and fun and hip and wonderful and absolutely not to be ashamed of.
From left, Ilana Glazer, Abbi Jacobson and Seth Green in an episode of “Broad City” parodying Birthright Israel. (Screenshot from Comedy Central)
Which brings us to “Broad City,” which aired between 2014 and 2019. It’s about two 20-something Jewish women in New York who, in the case of Ilana Glazer’s character, anyway, are almost giddy about being Jewish and embrace it just as they embrace their sexuality: as just liberating. Ilana even upends the Jewish mother cliche by loving her mother to death.
That’s the episode with Ilana at her grandmother’s shiva, which also has the B plot where Ilana and her mother are shopping for underground illegal handbags. They spend most of the episode snarking at each other and fighting with each other and her mother’s a nag and Ilana is a bumbling idiot. But at the moment that the cops show up, and try to nab them for having all of these illegal knockoff handbags, the two of them are a team. They are an absolute unit of destructive force against these hapless police officers.
I think all of your examples of younger comics are women, who have always had fraught relationships with Jewish humor, both as practitioners and as the target of jokes. You write about “The JAP Battle” rap from “Crazy Ex-Girlfriend,” which both leans into the stereotype of the Jewish-American Princess — spoiled, acquisitive, “hard as nails” — and tries to reclaim it without the misogyny.
Rachel Bloom’s character Rebecca in “Girlfriend” self-identifies as a JAP, but she doesn’t actually fit the category. It’s her mother, Naomi, who truly is the Philip Roth, “Marjorie Morningstar,” Herman Wouk model of a JAP. So Bloom is kind of using the term, but you can’t repurpose the term when the original is still there.
So as an alternative, I offer up a new term: the Modern Ashkenazi American Woman. It’s very New York, it’s very East Coast, it’s very particular to a type of upbringing and community that in the 1950s and ’60s would have been almost exclusively Conservative Jews, and then may have become a bit more Reform as we’ve gotten into the ’90s and 2000s. They went to the JCC. They probably went to Jewish summer camp.
But even that doesn’t even really speak to the American sense of what Jewish is anymore, because American Jews have become increasingly racially and culturally diverse.
There is also something that’s happening historically with Generation X, and that’s the distance from the two major Jewish events of the 20th century, which is the Holocaust and the creation of Israel.
The Silent Generation and baby boomers still had a lingering sense of existential dread — the sense that we’re not so far removed from an attempted total annihilation of Jews. Gen X and millennials are so far removed from the Holocaust that they don’t feel that same fear.
But the real battleground we’re seeing in contemporary American Judaism is about the relationship to Israel. For baby boomers and even for some older members of Gen X, there’s still a sense that you can criticize Israel, but at the end of the day, it’s your duty to ultimately support Israel’s right to exist. And I think millennials and Zoomers [Gen Z] are much more comfortable with the idea of Israel being illegitimate.
Have you seen that in comedy?
I certainly think you can see the leading edge of that in some millennial stuff. The “Jews on a Plane” episode of “Broad City” is an absolute excoriation of Birthright Israel, and does not seem particularly interested in softening its punches about the whole idea of Jews going to Israel. I think we can see a trend in that direction, where younger American Jewish comedians do not see that as punching down.
You’re teaching a class on Jewish humor. What do your undergraduates find funny? Now that Woody Allen is better known for having married his adoptive daughter and for the molestation allegations brought by another adoptive daughter, do they look at his classic films and ask, “Why are you teaching us this guy?”
For the first time I’m not including Woody Allen. I had shown “Crimes and Misdemeanors” for years because I think it’s his most theological film. I think it’s a great film. And then a couple years ago, I backed off, because some students were responding that it was hard to look at him with all the baggage. He’s still coming up in conversation because you can’t really talk about the people who came after him without talking about him, but for the first time I’m not having them actually watch or read any of his stuff.
They have found things funny that I didn’t expect them to, and they have not found things funny that I would have thought they would. They laughed their way through “Yidl mitn fidl,” the 1936 Yiddish musical starring Molly Picon. I also thought they’d enjoy the Marx Brothers’ “Duck Soup” and they did not laugh once. Some of that is the fact that Groucho’s delivery is just so fast.
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Most Jewish voters rate Mamdani poorly, new poll finds
As New York City Mayor Zohran Mamdani marks four months in office, a new survey of New York City’s Jewish voters suggests he has done little to ease concerns among a community that overwhelmingly did not support his election and remains uneasy about his handling of antisemitism and Israel.
A Mercury Public Affairs poll of 665 Jewish voters who cast ballots in last year’s mayoral election found that 58% rate his performance as “poor” or “fair,” compared to 32% who say “excellent” or “good.” Among the 18% who described his performance as “fair,” a majority — 56% — said they disapprove, while 24% approve.
The poll sponsored by The Jewish Majority, an advocacy group led by AIPAC veteran Jonathan Schulman, was conducted from Feb. 17 to 28 in English and Yiddish via landline and cell phone. The sample has a reported margin of error of plus or minus 3.7%. It included a diverse cross-section of the city’s Jewish electorate: 30% Orthodox; 32% Reform, Conservative, and Reconstructionist; and 20% unaffiliated.
The results published Sunday underscore a political reality that has shadowed Mamdani since taking the helm of the city that is home to the largest concentration of Jews in the U.S. He won just 26% of the Jewish vote in the 2025 election, compared to 55% for Andrew Cuomo and 8% for Curtis Sliwa, according to the poll. His support was strongest among younger voters ages 35-44 (34%) and unaffiliated Jews (42%). He drew just 7% among Orthodox voters.
Antisemitism and Israel loom large
A central tension in Mamdani’s relationship with Jewish groups has been his effort to separate his views critical of Israel from his repeated commitment to protect Jewish New Yorkers.
Mamdani, who rose to power aligned with pro-Palestinian activism, has so far declined calls from Jewish leaders to acknowledge the community’s connection to Israel more directly. That comes into sharper focus now as the Jewish community marks Jewish American Heritage Month. Mamdani is not expected to march in the annual Celebrate Israel Parade on Fifth Avenue on May 31, a choice likely to reinforce perceptions of that distance. This year’s parade theme is “Proud Americans, Proud Zionists.”
Last month, Mamdani vetoed a City Council bill requiring safety plans for protests near schools, while allowing a separate measure protecting houses of worship to become law. Mamdani said he shared concerns raised by progressive groups and labor unions that the legislation could impact their ability to organize and potentially limit demonstrations, particularly on campuses. He also faced backlash from Zionist Jewish organizations on his first day in office after revoking executive orders tied to antisemitism and campus protests.
At the time the poll was taken, an overwhelming 84% of respondents said they had supported the Council’s initial proposal to establish a safe perimeter around houses of worship to prevent harassment and intimidation, while preserving First Amendment rights. Only 7% opposed it.
According to the survey, 82% of respondents said they are concerned about the rise in antisemitism in New York City, and 58% said they believe the increase is linked to the normalization of anti-Zionism.
A majority — 61% — said Mamdani’s refusal to outright condemn the slogan “globalize the Intifada” has emboldened pro-Hamas protesters. Nineteen percent disagreed.
Mamdani stands firm
The Jewish Majority spearheaded an open letter during the mayoral election, signed by more than 1,100 Jewish congregational leaders opposing what it described as “rising anti-Zionism and its political normalization” among figures like Mamdani.
Four months in, Mamdani is showing little sign of changing course, sticking with the coalition that brought him to power even as many Jewish New Yorkers say their concerns remain unresolved.
“I am deeply committed to protecting Jewish New Yorkers,” Mamdani told the Forward last week. “It’s part of a commitment to ensure that public safety is delivered for each and every New Yorker. And I also believe that as we deliver that public safety, as we show an absolute rejection of antisemitism across the five boroughs, we can also do these things while protecting our fundamental constitutional rights.”
The post Most Jewish voters rate Mamdani poorly, new poll finds appeared first on The Forward.
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After a Maryland teacher’s death, her 200-piece Judaica collection finds new life in a Jewish museum
(JTA) — As Rae Ann Kaylie sat on her mother’s couch in the wake of her death, the Judaica felt overwhelming.
Over 50 menorahs adorned the shelves. A dozen seder plates had been meticulously hung alongside a trove of Jewish art on each wall. And countless dreidels, kiddush cups and shofars filled every corner of the 1,100-square-foot home in Rockville, Maryland.
There were so many hamsas hanging near the entrance, Kaylie joked, “Whoa, Mom, what on earth? Like, how much evil eye do we have in here?”
For 35 years, Kaylie’s mother, Deborah Brodie, had amassed a collection of over 200 Jewish ritual objects, which she had used as a hands-on classroom for her Hebrew school students with special needs. Among the collection, Brodie had also obtained a Torah from Ebay, which her students used to practice for their b’nai mitzvah.
“She wasn’t the one who was like, ‘Oh, don’t touch it. You’re going to break it,’” Kaylie said. “She was like, ‘Touch it, here, take a bunch,’ you know what I mean, and that was really cool about her entire collection.”
Brodie — known as “Bubbie Cookie” to her family — had not built the collection alone. Her longtime partner, Jay Brill, whom she met through a Washington Jewish Week personals ad in 1986, was alongside her throughout the journey, traveling with her to all 50 states to sell Jewish jewelry and a computerized Hebrew-learning program they created together.
Over the years, the couple attended both B’nai Shalom and Shaare Tefila Congregation, two Conservative synagogues in Olney, Maryland. Toward the end of their lives, they attended Chabad of Olney, whose rabbi officiated their funerals.
But after Brodie, 76, and Brill, 74, died in February just 19 days apart, Kaylie said she and her family were faced with a painful question: What would happen to the couple’s lifetime of Jewish devotion in their absence?
“We all picked something we wanted, but then, you know, you don’t want to sell it, you don’t want to make any money off of it,” Kaylie said. “It was just trying to figure out, like, what can we do to further her passion, her vision?”
The answer, Kaylie said, arrived through Instagram.
Earlier this month, Kaylie sent a simple message to Nick Fox, who operates a social media series titled “Millennial Inheritance,” writing, “Hey, you want to see a lot of menorahs?”
Since October, Fox has documented dozens of inheritance stories across his social media channels, featuring people grappling with their late parents’ vast collections of Breyer Horse figurines, salt and pepper shakers and Christmas decorations.
But while Fox said the mission of his page is not necessarily to help people find homes for inherited collections, Kaylie’s story felt different.
As he viewed images of Brodie and Brill’s home, Fox, who is Catholic, said that he immediately flashed back to childhood memories attending his classmates’ bar mitzvahs and receiving souvenir hamsas from their trips to Israel.
“It was the fact that she was actively grieving and really had no idea what to do, and I think the fact that I was raised how I was, where I was, that I had a knowledge of what this stuff was and what it meant,” Fox said.
Just days later, Fox posted a short video for his 200,000 followers featuring snippets of the sprawling collection along with a call to help find it a permanent home that would “love it the way Rae Ann’s mom did.”
As the post garnered hundreds of comments offering ideas for the collection’s future and tributes to Brodie’s contributions to Jewish education, it was also making its way through Washington’s Jewish community.
The morning after the post, Jonathan Edelman, the collections curator for the Lillian and Albert Small Capital Jewish Museum, said he woke up to dozens of messages from people urging the museum to find a home for the collection.
“It was so meaningful that so many people in the broader community, and who have never stopped in our museum, tagged us and said, you know, this should be the home of this sort of wild story and this amazing collection,” Edelman said.
By the following weekend, Edelman had travelled to Brodie’s home to meet with Rae Ann to view the collection himself. But even after seeing Fox’s post, Edelman said he was unprepared for what awaited him inside.
“It was incredible, floor-to-ceiling Judaica like I’d never seen in anyone’s home before,” Edelman said. “It wasn’t just thrown on a shelf. It was so thoughtfully laid out. I mean, she had seder plates and hanukkiot hanging on the wall, which is no easy task to do…it felt like a museum quality display. It was really impressive.”
Edelman quickly reported back to the museum, which opened in June 2023, telling them that he believed he had stumbled upon an “incredible opportunity” to launch its inaugural education collection.
Now, the Capital Jewish Museum has plans to house the entirety of Brodie and Brill’s collection in its second-floor education and program space, the Community Action Lab, where visitors will be able to interact with the Judaica firsthand, just as Brodie encouraged her students to do in her home.
The museum also plans to photograph the collection so it is accessible online, and lend individual pieces to schools and organizations in the area for educational use.
“When I heard her mother’s story, you know, we were doing the same thing. Our goal was Jewish education, and she did it as an individual, we’re doing it as an institution,” Edelman said. “It means so much for us to honor her mother’s memory by doing the work that she dedicated her life to…it feels particularly special.”
But while Fox said he was not surprised by the outpouring of support and suggestions from the Jewish community, he said other Jews that inherit large quantities of Judaica should not look to Kaylie’s story as a roadmap.
“This is absolute best-case scenario, but it also makes it so very unique, because there aren’t going to be a lot of collections that museums usually are going to take on,” Fox said, adding that people should not assume that inheritances will find a place in a museum.
Instead, Fox said he encouraged people that inherit Jewish collections to consult their local Jewish community centers or synagogues to see if they might have a use for them.
“In the case of someone having a tremendous amount of Judaica, I think the best way would be to tap into your network, first, talk to people that you know that are in your community,” Fox said. “And then if it goes nowhere, then you have every right to, you know, if you’re looking to sell it, or if you’re looking to donate it, I think the big ask would be, what would your relatives want done with that stuff?”
Rachel Steinhardt, a California resident who organized a large-scale Judaica drive for people impacted by the Palisades and Eaton fires last year, recommended that people who find themselves with inherited Judaica they cannot keep turn to local Facebook groups or Judaica rehoming communities such as L’dor V’dor Judaica or Heritage Judaica.
“New Judaica is great, but people definitely value something that has been touched and loved and appreciated over the years…you want something that has a little soul in it,” Steinhardt said. “So I think that even something that’s not of value, other people can appreciate that it has been loved and want to acquire it.”
Reflecting on Fox’s decision to spotlight her mother’s collection, Kaylie said that he had been a “guardian angel.”
“He didn’t have to do that, and really, it’s because of him that we’re able to have my mom’s legacy be how we could have wanted it,” Kaylie said.
Edelman said he expects the collection to be installed in the museum sometime this summer, where it will be displayed alongside a plaque honoring “Bubbie Cookie” and “Zayde Jay,” names the couple were referred to by their families.
For Kaylie, imagining the future museum visitors handling her mother’s kiddush cups and menorahs felt like “exactly how she would have wanted it.”
“When we lost Bubbie Cookie, we said the legend of Bubbie Cookie was over,” Kaylie said. “And now, for the legend and the legacy to move on, I mean, it’s unreal. It’s, I have no words, I can’t even articulate it. It’s just amazing.”
This article originally appeared on JTA.org.
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British Green Party candidate tweeted about killing Zionists from Anne Frank parody account
(JTA) — A candidate in the United Kingdom’s Green Party is under fire after posting under that social media handle “thereal.anne.frank” that “every single Zionist” should be killed, marking the latest antisemitic scandal to hit the party in a matter of days.
Two other candidates have been charged with spreading hate online in relation to anti-Israel social media posts, while the party’s Jewish leader, Zack Polanski, is fending off allegations of deep-seated antisemitism.
The latest scandal came after the Jewish News revealed that in a series of posts on Threads, Tina Ion, a Green party candidate in Newcastle, referred to “Zionists” as “vermin” and “rats” and posted an image of an industrial shredding machine, which she called a “Zionist juicer.” She also referred to “Jewish Nazis” as “money grubbing thieves” who “have built mountains of money over centuries,” according to the newspaper.
The profile photo for the account, titled “thereal.anne.frank,” featured an image of a young woman wearing a keffiyeh, the traditional Palestinian headscarf. In one post referencing the image, Ion allegedly wrote that it was used “because Ann Frank wearing a keffieh pisses Zionists off.”
Ion’s rhetoric, which was first surfaced by Labour party activist Steve Cooke, was quickly condemned by a host of Green Party lawmakers, who wrote in a joint statement posted on X Friday that the party was “reviewing our vetting processes.”
“We are appalled by the racist material written and shared by Tina Ion,” the statement read. “We are anti-racists and are clear that antisemitism has no place in our party or society. We do not support her candidacy.”
Ion defended her posts in a statement posted on Facebook, writing that “isolated fragments” of her statements had been used to “distort” her core values and that she “absolutely reject any accusation of antisemitism.”
“My criticism is not directed at an ethnicity or a religion; it is directed at a political ideology and a set of state actions,” Ion wrote. “The common denominator among those I criticise – from Zionist Jewish hardliners to Western supporters and our own government – is not their culture, but their active support for what the International Court of Justice has deemed a ‘plausible risk of genocide.’”
She added, “I acknowledge that in moments of raw, unshielded grief, witnessing live-streamed images of children being torn to pieces, I have used dehumanising language toward those supporting these acts.”
Ion is not the only Green Party candidate facing scrutiny for posting antisemitic content online.
Sabine Mairey and Saiqa Ali, who are both running for seats in the Lambeth borough of London, were detained by the Metropolitan police Thursday “on suspicion of stirring up racial hatred online,” an offense under the UK’s Public Order Act. Mairey and Ali were taken into custody for questioning.
Mairey posted an image on Facebook with text that read, “Ramming a synagogue isn’t antisemitism, it’s revenge,” according to a screenshot from The Telegraph. The post referenced Ayman Mohamad Ghazali, a U.S. citizen and Lebanese immigrant who drove an explosives-laden truck into a synagogue in Michigan in March, shortly after losing several of his family members to Israeli attacks on Lebanon.
Ali has shared an image on Instagram of an armed man wearing a Hamas headband, together with the slogan, “Resistance is freedom,” according to another screenshot.
Other Facebook posts by Ali, which have now been deleted, allegedly claimed that 9/11 was a “false-flag attack” engineered by Israel. She also allegedly posted an image of a serpent marked with a Star of David choking the Earth, and a caricature of a Jew with the caption, “We went through the Holocaust, and now we get to kill everyone, forever!”
The arrests came hours after the stabbing of two Jewish men in London’s heavily Jewish neighborhood of Golders Green, which police are investigating as terrorism. London has also recently seen a string of arson attacks on synagogues and other Jewish sites. And in October, a man drove his car into people gathered outside a synagogue in Manchester and fatally stabbed one man.
The left-populist Green Party seized major gains in recent months, riding issues that have animated the global left — including affordability, the environment and widespread anger over Israel’s military campaign in Gaza. Polanski, the party’s Jewish leader who hopes to topple the Labour government’s power in local elections next week, has accused Prime Minister Keir Starmer of complicity in “the very obvious genocide in Gaza.”
Amid the Green Party’s sudden growth, it has faced mounting scrutiny over its candidates. Polanski admitted during the selection process that vetting was a “real challenge” for the Greens, though he has since said he has confidence in “99%” of his candidates.
Several other candidates have been accused of making antisemitic comments. A candidate in Newcastle, Philip Brookes, said in a Facebook post about Gaza that it “takes serious effort not to be a tiny bit antisemitic.” Aziz Hakimi, a candidate in Camden, has shared content blaming “Zionists” for 9/11 and claiming that Israel orchestrated an arson attack on ambulances owned by the Jewish charity Hatzolah in Golders Green. Other candidates have posted comments that appeared to sympathize with the Hamas attack on Israel or promote tropes about the global influence of Jewish people.
The deputy leader of the Greens, Mothin Ali, privately told the Greens for Palestine group that candidates who were accused of antisemitism should seek “serious legal advice,” The Times of London reported. Ali suggested a “class action” against his own party over its handling of suspensions as “they’re coming after more and more people.”
Polanski has said that some of his candidates were falsely accused of antisemitism because they challenged the Israeli government or supported Palestinians.
“It is really important that we do not conflate genuine antisemitism with legitimate criticism of an Israeli government which is committing war crimes,” Polanski told the BBC, adding that complaints of antisemitism were taken seriously.
“Where you have 4,500 candidates, to have a handful of cases I would say is not some kind of big scandal,” he said.
Polanski has also accused Starmer of weaponizing fears about antisemitism to stifle criticism of Israel. “We’ve got into a bizarre situation in this country where a non-Jewish prime minister is attacking the one Jewish leader on a case of antisemitism,” he told The Guardian.
Since the nomination deadline for the upcoming elections has passed, even if parties withdraw support from candidates, their names cannot be legally removed from ballots even if they are suspended.
This article originally appeared on JTA.org.
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