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How on-the-rise Jewish indie rocker Blondshell takes inspiration from Larry David and Sarah Silverman
(JTA) — When she sits down to write song lyrics, Sabrina Teitelbaum, who records music under the moniker Blondshell, doesn’t plan to reference her Jewishness. It just spills out in subtle turns of phrase.
In her song “Sepsis,” for instance, the quickly-rising 25-year-old rocker sings: “I think I believe in getting saved/Not by Jesus validation/In some dude’s gaze.”
In “Salad,” her latest track, which she debuted on Jimmy Fallon’s late-night show Tuesday night, she flirts with the idea of poisoning a friend’s abuser. She sings: “Look what you did/You’ll make a killer of a Jewish girl.”
“I was bat mitzvahed and the whole thing, but I don’t know — I think, culturally, my Judaism finds its way into my music, even in ways that I haven’t really been aware of until somebody brought it up,” she said on Zoom last week from her home in Los Angeles.
Jewish-tinged dark humor is rarely seen in indie rock, especially in the woman-dominated subsets of the genre that Blondshell is being associated with, alongside the likes of Snail Mail, Soccer Mommy and Mitski. And she’s not afraid of putting it out there — the press release for “Salad” notes the song’s “nod” to her Jewishness and the fact that it came out on the first night of Passover.
Teitelbaum’s self-titled album, which is getting rave reviews in advance of its release on Friday, is full of the coming-of-age stories and feelings found in shows like “Girls” and “Broad City.” On “Kiss City,” she sings, “I think my kink is when you tell me that you think I’m pretty.” On “Joiner”: “You’ve been running around LA with trash/Sleeping in bars with a gun in your bag/Asking can I be somebody else.”
The constant undertone is one of personal trauma — from unhealthy relationships, bad sex and other dark things in her personal life that she didn’t want to elaborate on.
“There are just ways of talking about trauma that I think are kind of distinctly Jewish,” she said, “and that comes up in my music for sure.”
It’s all accompanied by earworm pop melodies and the thick guitar sounds found in some of her biggest influences from the ’90s, like Hole (Courtney Love’s main outfit) and PJ Harvey.
Teitelbaum was born in New York to a Jewish dad and a mom who converted to Judaism. She spent a lot of time watching “Curb Your Enthusiasm” and clips of Sarah Silverman standup on YouTube with her sister. The family attended a Reform synagogue and celebrated the major holidays.
She spent two years in USC’s music writing program before dropping out to fast-track her career. Before the COVID-19 pandemic, she wrote electronic pop under the name BAUM. But during lockdown, she dug deep back into ’90s rock and set out at first with just a goal of improving her guitar skills.
“I was like, ‘OK, I’m going to get better. And I’m going to sit down and practice for an hour a day,’ or whatever it was. And I would procrastinate by writing,” she said. “Because I was like, I don’t want to do scales and get better at chord structure, those things. So yeah, it was me trying to get better at guitar that led to everything.”
Teitelbaum performs on “The Tonight Show Starring Jimmy Fallon,” April 5, 2023. (Todd Owyoung/NBC)
After finishing a batch of songs as Blondshell, she signed to the buzzy Partisan Records — home to a slew of acclaimed rock groups, such as Fontaines, D.C., Idles and The Black Angels — and began releasing songs last summer. She was quickly grouped together with the vanguard of other female alt-rockers, who have been relentlessly talked about in music journalism for about a decade. The comparisons bring up mixed feelings.
“It can be flattening. People are like, ‘You’re the wave of songwriters, Phoebe Bridgers and Soccer Mommy,’” she said. “My music doesn’t sound anything like Phoebe Bridgers.”
But she added that she is prone to do some categorizing, too.
“There are a lot of women in rock. And so I also get it and I myself have done it when I’m talking about who had been influenced by — I’m like, you know, women in rock in the 90s, PJ Harvey and Courtney Love. I’m also grouping them together.”
Heading out to tour last year across the heart of the country in a van was a startling experience. It was the first time in a while — possible ever — where, as a Jew, she felt like a minority.
“I’m always surrounded by other Jews — like everybody I work with is Jewish,” she said, referencing her manager (Shira Knishkowy), her producer (Yves Rothman) and others she has met in the industry. She mentioned other Jewish rockers she has looked up to, too, including Jeff Tweedy of Wilco and the sisters of Haim.
“[Now] this thing keeps happening where I’m like the only Jew on a tour… It’s a new experience that I’m having,” she said. “It kind of gives a different context to my upbringing, and to who ends up feeling familiar to me.”
In a recent conversation with her Jewish grandmother, Teitelbaum was asked a familiar question.
“She was like, ‘What’s your manager’s name?’ I said ‘Shira.’ She said, ‘Oh, a nice Jewish girl. Does she know her name means song?’ And I was like, ‘she knows,’” Teitelbaum said with a laugh.
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The Gaza hostage crisis could forever change how American Jews relate to Israel — but it’s not too late to fix that
In the aftermath of the deadly terror attack at a Hanukkah party on Australia’s Bondi Beach, Jews who have watched the global surge in antisemitism with growing dread are once again considering the need to seek refuge in the Jewish state.
It’s a conclusion many native Israelis find bewildering. Oct. 7 and everything that followed has left them feeling deeply abandoned by a government they no longer trust to protect – or rescue – them. In the past two years, they are quick to note, more Jewish lives have been lost in Israel than anywhere else in the world. This disconnect over Jewish safety was shaped in no small part by the 251 men, women, and children taken hostage on Oct. 7 — and, perhaps even more profoundly, by the long, agonizing struggle to bring them back.
What began as a unified call to “Bring Them Home” soon split into two very different narratives. In Israel, public consensus collapsed as families increasingly blamed the government for sacrificing their loved ones on the altar of political survival, creating rifts that would eventually splinter not only the hostage movement but Israeli society itself.
In the United States, that dynamic played out very differently. Amidst rising hostilities coming from outside the Jewish community and deepening divisions forming within, the hostage rallies remained a source of solidarity, a respite from conflict rather than the source. But it also left many with a distorted view of events, further widening the already-existing gap between how American Jews relate to Israel and how Israelis understand themselves.
Few people are better positioned to explain that gap than one of the people who helped create it. Israeli-born Shany Granot-Lubaton is a longtime pro-democracy activist. After moving to New York City three years ago, she led protests there against the Israeli government’s 2023 judicial overhaul. On Oct. 7, Granot-Lubaton pivoted abruptly to hostage advocacy, eventually co-founding the American version of Israel’s Hostages and Missing Families Forum.
“Right away, I understood we would need a different approach from the way we spoke during the judicial overhaul protests,” Granot-Lubaton told the Forward. Her first priority, she said, was honoring the wishes of the families themselves. While far from a monolith, the majority believed messaging outside Israel should avoid overt confrontation with the government, even as some of those same family members were among its fiercest critics at home.
One of them was Udi Goren, whose cousin Tal Haimi was killed defending Kibbutz Nir Yitzhak on Oct. 7, his body abducted to Gaza. In Israel, Goren became one of the most active figures in the struggle, managing the Forum’s Knesset operations and confronting lawmakers directly. However, he fully supported taking a more restrained approach abroad.
“An effective public campaign is about leverage,” Goren said, in an interview with the Forward. “I didn’t see how attacking the Israeli government in the U.S. would motivate anyone with power to secure a deal to do it faster.”
With American politics becoming more polarized and the prospect of a second Trump term looming, the goal was to keep the tent wide and bipartisan — without completely absolving Netanyahu of responsibility.
“It was a fine line,” Granot-Lubaton recalled. “At every rally, we made sure to say — from the stage — that the Israeli government must do everything they can to bring them home. But we didn’t want to delve too deeply into accusations.”
There were other challenges as well. An open-tent structure inevitably included voices whose priorities did not fully align with the organizers’ carefully calibrated messaging. This included a new crop of influencers who positioned themselves as champions of the hostage cause, filling their feeds with “on-the-ground reporting” from rallies, vigils, and reunions. But their content also reflected personal worldviews and financial interests, dictating which parts of the story were amplified and which were left out. While some managed to remain politically neutral, others co-opted the cause to advance their own agendas.
For Goren, those tensions mattered less than the mission. Anyone advocating for the hostages was an ally — with one red line. “If you’re using this to spread Islamophobia or hatred against Arabs, you’re damaging the cause,” he said. “But beyond that, even if you were very conservative or right-wing — as long as your priority was bringing the hostages home — then for this campaign, you and I were in the same camp.”
The approach appeared to have worked. In the United States and across much of the diaspora, the hostage campaign remained unified.
But when Granot-Lubaton moved back to Israel with her family in 2024, she came face to face with a very different reality. Unlike the apolitical movement she and others had carefully cultivated back in the States, here the hostage struggle had become deeply politicized. Netanyahu and his allies, aided by sympathetic media outlets and an ideologically entrenched base, managed to paint the Bring Them Home campaign as a “leftist” project.
Families were forcibly removed from Knesset meetings, publicly attacked and delegitimized by ministers, harassed online and confronted in the streets; some were manhandled by police or even arrested. Conspiracy theories proliferated — including claims that some families were paid agents of the anti-government movement. In one particularly bizarre case, rumors circulated that hostage Matan Zangauker was not in captivity, but hiding out in Egypt.
On Oct. 13, 2025, the infighting briefly gave way to collective joy, as Israel welcomed home the last 20 living hostages. But the unity did not last. Before the hostages had even been released from the hospital, they and their families came under renewed vitriol — criticized for speaking against Netanyahu, for failing to sufficiently praise the IDF, and for asking the public for financial assistance.
It was a bitter twist of irony. The same acts that had come to symbolize anti-Israel extremism abroad — tearing down hostage posters, accusing hostages of lying — were now being carried out by Israelis themselves. And yet, so much of that derision has remained largely unacknowledged outside of Israel.
While Hamas is still holding the body of Master Sgt. Ran Gvili, the official campaign is over. Hostage Square has been dismantled. The Forum has shuttered its Tel Aviv headquarters and ended the weekly rallies. Goren, finally able to bury his beloved cousin, and Granot-Lubaton, now resettled in Israel, have begun new chapters in their lives.
Both stand by the strategy that shaped the movement abroad — but agree that what comes next must look different. The version of Israel that proved effective in mobilizing support overseas during the crisis now risks reinforcing a status quo many inside the country are fighting to change. And they are asking the same communities that rallied so powerfully for the hostages to engage just as seriously with the struggle over Israel’s future.
For Goren, that means pushing progressive Jews past their long-standing reluctance to “get their hands dirty” with Israeli politics. “Conservative and right-wing American Jews don’t hesitate for a second to get involved,” he asserted. “They get close to the government and the people in power. And they put their money where their mouth is.” He points to the Kohelet Policy Forum, whose American donors helped drive the judicial overhaul in Israel. “These are people that never lived in Israel a day in their lives, pushing the country towards a judicial coup,” he said. “We cannot afford to have Jews who care about Israeli democracy sit this one out.”
Granot-Lubaton shares the urgency, albeit with added empathy. “I don’t judge anyone who is uncomfortable speaking out loudly right now,” she noted. “You don’t need to be protesting in the streets. But you have to educate yourself. You have to talk to one another. Reach out to people who understand what’s happening here, invite them to speak in your synagogues.”
Responsibility, she added, cuts both ways. Israel’s pro-democracy movement must do more to meet American Jews where they are. “It’s not just translating content into English,” she said. “It’s understanding what Jewish communities are experiencing — and why challenging Israel feels so risky.”
But she categorically rejects the idea that Zionism and criticism are at odds. “I chose to come back and raise my children here,” she said. “Clearly I believe in this place. But the only way we can truly flourish is if we’re honest about what we’ve done and what we’re doing. I hope American Jews will join that movement. Unconditional love and support are no longer enough.”
The post The Gaza hostage crisis could forever change how American Jews relate to Israel — but it’s not too late to fix that appeared first on The Forward.
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VIDEO: Historian Vivi Laks tells history of the London Yiddish Press
די ייִדיש־ליגע האָט לעצטנס אַרויפֿגעשטעלט אַ ווידעאָ, וווּ די היסטאָריקערין וויווי לאַקס דערציילט וועגן דער אַמאָליקער ייִדישער פּרעסע אין לאָנדאָן.
צווישן 1884 און 1954 האָט די לאָנדאָנער פּרעסע אַרויסגעגעבן הונדערטער פֿעליעטאָנען פֿון אָרטיקע שרײַבערס וועגן אָרטיקן ייִדישן לעבן.
די קורצע דערציילונגען זענען סאַטיריש, קאָמיש און רירנדיק, אויף טשיקאַווע טעמעס ווי למשל קאַמפֿן אין דער היים צווישן די מינים; פּאָליטיק אין די קאַפֿעען, און ספֿרי־תּורה אויף די גאַסן. די דערציילונגען האָבן געשריבן סײַ גוט באַקאַנטע שרײַבער (למשל, מאָריס ווינטשעווסקי, יוסף־חיים ברענער און אסתּר קרייטמאַן), סײַ היפּש ווייניקער באַקאַנטע.
שבֿע צוקער, די ייִדיש־לערערין און מחבר פֿון אַ ייִדישן לערנבוך, פֿירט דעם שמועס מיט וויווי לאַקס. זיי וועלן פֿאָרלייענען אַ טייל פֿון די פֿעליעטאָנען אויף ענגליש און ייִדיש, און אַרומרעדן די טעמעס וואָס די פּרעסע האָט אַרויסגעהויבן.
וויווי לאַקס איז אַ היסטאָריקערין פֿון לאָנדאָנס ייִדישן „איסט־ענד“, ווי אויך אַן איבערזעצער און זינגערין. זי איז די מחברטע פֿון Whitechapel Noise און London Yiddishtown, ווי אויך אַקאַדעמישע און פּאָפּולערע אַרטיקלען. זי איז אַ קולטור־טוערין אין לאָנדאָן און האָט מיטאָרגאַניזירט סײַ דעם גרויסן ייִדישן פּאַראַד, סײַ דעם Yiddish Café Trust. זי זינגט פּאָפּולערע לידער אויפֿן „קאָקני־ייִדיש“ מיט די גרופּעס קלעזמער־קלאָב און קאַטשאַנעס, און פֿירט שפּאַצירטורן איבער דעם „איסט־ענד“.
The post VIDEO: Historian Vivi Laks tells history of the London Yiddish Press appeared first on The Forward.
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Puppet Monty Pickle is guest on the Forward’s ‘Yiddish Word of the Day’
It’s not every day that a kosher dill pickle puppet gets a chance to learn some Yiddish.
Monty Pickle, star of the children’s series The Monty Pickle Show, recently joined Rukhl Schaechter, host of the Forward’s YouTube series Yiddish Word of the Day, for an episode teaching viewers the Yiddish words for various wild animals.
Or as they’re called in Yiddish: vilde khayes.
The Monty Pickle Show, a puppet comedy on YouTube and TikTok, aims to show young viewers what it means to be Jewish in a fun, lively way. The series was created by the Emmy Award-winning producers of Sesame Street and Fraggle Rock.
So far, he’s met a number of Jewish personalities, including rabbis, musicians and chefs, and explored holidays like Rosh Hashanah, Hanukkah and Passover.
Sitting alongside Rukhl during the lesson, Monty eagerly tries to guess what each word means, providing for some very funny moments.
The post Puppet Monty Pickle is guest on the Forward’s ‘Yiddish Word of the Day’ appeared first on The Forward.
