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How on-the-rise Jewish indie rocker Blondshell takes inspiration from Larry David and Sarah Silverman
(JTA) — When she sits down to write song lyrics, Sabrina Teitelbaum, who records music under the moniker Blondshell, doesn’t plan to reference her Jewishness. It just spills out in subtle turns of phrase.
In her song “Sepsis,” for instance, the quickly-rising 25-year-old rocker sings: “I think I believe in getting saved/Not by Jesus validation/In some dude’s gaze.”
In “Salad,” her latest track, which she debuted on Jimmy Fallon’s late-night show Tuesday night, she flirts with the idea of poisoning a friend’s abuser. She sings: “Look what you did/You’ll make a killer of a Jewish girl.”
“I was bat mitzvahed and the whole thing, but I don’t know — I think, culturally, my Judaism finds its way into my music, even in ways that I haven’t really been aware of until somebody brought it up,” she said on Zoom last week from her home in Los Angeles.
Jewish-tinged dark humor is rarely seen in indie rock, especially in the woman-dominated subsets of the genre that Blondshell is being associated with, alongside the likes of Snail Mail, Soccer Mommy and Mitski. And she’s not afraid of putting it out there — the press release for “Salad” notes the song’s “nod” to her Jewishness and the fact that it came out on the first night of Passover.
Teitelbaum’s self-titled album, which is getting rave reviews in advance of its release on Friday, is full of the coming-of-age stories and feelings found in shows like “Girls” and “Broad City.” On “Kiss City,” she sings, “I think my kink is when you tell me that you think I’m pretty.” On “Joiner”: “You’ve been running around LA with trash/Sleeping in bars with a gun in your bag/Asking can I be somebody else.”
The constant undertone is one of personal trauma — from unhealthy relationships, bad sex and other dark things in her personal life that she didn’t want to elaborate on.
“There are just ways of talking about trauma that I think are kind of distinctly Jewish,” she said, “and that comes up in my music for sure.”
It’s all accompanied by earworm pop melodies and the thick guitar sounds found in some of her biggest influences from the ’90s, like Hole (Courtney Love’s main outfit) and PJ Harvey.
Teitelbaum was born in New York to a Jewish dad and a mom who converted to Judaism. She spent a lot of time watching “Curb Your Enthusiasm” and clips of Sarah Silverman standup on YouTube with her sister. The family attended a Reform synagogue and celebrated the major holidays.
She spent two years in USC’s music writing program before dropping out to fast-track her career. Before the COVID-19 pandemic, she wrote electronic pop under the name BAUM. But during lockdown, she dug deep back into ’90s rock and set out at first with just a goal of improving her guitar skills.
“I was like, ‘OK, I’m going to get better. And I’m going to sit down and practice for an hour a day,’ or whatever it was. And I would procrastinate by writing,” she said. “Because I was like, I don’t want to do scales and get better at chord structure, those things. So yeah, it was me trying to get better at guitar that led to everything.”
After finishing a batch of songs as Blondshell, she signed to the buzzy Partisan Records — home to a slew of acclaimed rock groups, such as Fontaines, D.C., Idles and The Black Angels — and began releasing songs last summer. She was quickly grouped together with the vanguard of other female alt-rockers, who have been relentlessly talked about in music journalism for about a decade. The comparisons bring up mixed feelings.
“It can be flattening. People are like, ‘You’re the wave of songwriters, Phoebe Bridgers and Soccer Mommy,’” she said. “My music doesn’t sound anything like Phoebe Bridgers.”
But she added that she is prone to do some categorizing, too.
“There are a lot of women in rock. And so I also get it and I myself have done it when I’m talking about who had been influenced by — I’m like, you know, women in rock in the 90s, PJ Harvey and Courtney Love. I’m also grouping them together.”
Heading out to tour last year across the heart of the country in a van was a startling experience. It was the first time in a while — possible ever — where, as a Jew, she felt like a minority.
“I’m always surrounded by other Jews — like everybody I work with is Jewish,” she said, referencing her manager (Shira Knishkowy), her producer (Yves Rothman) and others she has met in the industry. She mentioned other Jewish rockers she has looked up to, too, including Jeff Tweedy of Wilco and the sisters of Haim.
“[Now] this thing keeps happening where I’m like the only Jew on a tour… It’s a new experience that I’m having,” she said. “It kind of gives a different context to my upbringing, and to who ends up feeling familiar to me.”
In a recent conversation with her Jewish grandmother, Teitelbaum was asked a familiar question.
“She was like, ‘What’s your manager’s name?’ I said ‘Shira.’ She said, ‘Oh, a nice Jewish girl. Does she know her name means song?’ And I was like, ‘she knows,’” Teitelbaum said with a laugh.
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The post How on-the-rise Jewish indie rocker Blondshell takes inspiration from Larry David and Sarah Silverman appeared first on Jewish Telegraphic Agency.
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The Science Behind Streak-Free Windows: What Professionals Do Differently
When it comes to window cleaning, nothing beats the satisfaction of streak-free, crystal-clear glass. But achieving this pristine finish isn’t as simple as grabbing a cloth and some spray. Professional window cleaners have mastered the science behind streak-free windows, using specific techniques and tools to deliver flawless results. Here’s what they do differently and why their methods are so effective.
1. Using the Right Tools for the Job
Professionals don’t rely on standard cleaning products or paper towels to get the job done. Instead, they use high-quality tools specifically designed for window cleaning. Key items in their arsenal include:
- Squeegees: The cornerstone of any professional’s toolkit, squeegees ensure even water removal, leaving no streaks behind. The rubber blades are replaced regularly to maintain their effectiveness.
- Microfiber Cloths: Unlike traditional rags, microfiber cloths are lint-free and highly absorbent, making them perfect for detailing and edge cleaning.
- Specialized Cleaning Solutions: Professionals often use eco-friendly, ammonia-free solutions that dissolve dirt and grease without leaving residues.
- Water-Fed Poles: For high-rise or hard-to-reach windows, water-fed poles equipped with purified water systems are used to clean without streaking.
2. The Importance of Purified Water
One of the secrets to streak-free windows lies in the water itself. Tap water contains minerals, salts, and impurities that can leave behind spots and streaks when it dries. Professionals use purified water systems that remove these contaminants, ensuring a spotless finish.
Purified water also has a natural ability to dissolve dirt and grime more effectively than regular water. When combined with the right tools, it creates the perfect formula for crystal-clear windows.
3. Perfecting the Technique
The way professionals clean windows is just as important as the tools they use. Here are some techniques they employ to achieve streak-free results:
- Pre-Cleaning: Before tackling the glass, professionals remove loose dirt and debris from the surface to prevent scratches.
- Systematic Movements: Using a squeegee, they clean in overlapping strokes, starting at the top and working their way down. This ensures no spots are missed and prevents water from dripping onto already cleaned areas.
- Edge Detailing: Professionals pay special attention to the edges and corners of the glass, where streaks are most likely to form. Microfiber cloths are often used for this step.
- Drying Techniques: Any remaining water is carefully wiped away to prevent streaking. This step is crucial, especially in areas with high humidity.
4. Timing Matters
Professional window cleaners know that timing can make or break the outcome. Cleaning windows on a sunny day might seem like a good idea, but direct sunlight causes cleaning solutions to dry too quickly, leaving streaks behind. Professionals prefer overcast days or cooler parts of the day to ensure optimal results.
5. Safety First
For high-rise buildings or windows in hard-to-reach places, safety is a top priority. Professionals use specialized equipment like harnesses, ladders, and scaffolding to ensure they can clean effectively without compromising safety. This expertise allows them to tackle challenging jobs while maintaining streak-free quality.
6. Experience and Training
What truly sets professionals apart is their experience. Years of practice have honed their skills, allowing them to identify and address potential issues, like hard water stains or stubborn grime, before they become a problem. Their training ensures they can adapt to different types of glass and environments, delivering consistent results every time.
A Trusted Name in Toronto
When it comes to achieving streak-free windows, Toronto Window Cleaners has perfected the art. With over 20 years of experience, their team of fully trained and certified professionals uses advanced techniques and tools to deliver exceptional results. Whether it’s a residential property or a high-rise building, they’ve built a reputation for excellence across the Greater Toronto Area.
In conclusion, the science behind streak-free windows is a blend of using the right tools, employing expert techniques, and understanding the conditions that impact cleaning results. By trusting professionals, you’re not just ensuring sparkling windows—you’re investing in a methodical process that guarantees perfection every time.
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Memoir of child of Holocaust survivors takes riveting twists
Book Review by Julie Kirsh (former Sun Media News Research Director)
Exclusive to The Jewish Post
“We used to Dream of Freedom, A Memoir of Family, the Holocaust, and the Stories We Don’t Tell”
By Sam Chaiton (Dundurn Press) 2024
Sam Chaiton’s memoir of growing up with Holocaust survivor parents in downtown Toronto in the 1950s is a compelling read.
Jeanne Beker, a well known Toronto fashion writer, mentions in her praise for “We used to Dream of Freedom” that her survivor parents talked incessantly about their war experiences.
My own parents, both survivors, would drop tidbits of their stories now and again. I learned to be watchful and vigilant for these rare moments of revelation. However, questioning my parents about the Holocaust, would cause them pain. I knew when to stand down.
In his memoir, Sam Chaiton tells the reader that his parents chose to remain completely silent about their wartime experiences. Poignantly their son was left with a silence that he interpreted as huge empty sound. Although the son could understand some Yiddish, his parents turned to Polish in order to keep the “kinder safe”. Outright denial of illness and death was part of his parents’ way of coping.
Born in the 1950s on Palmerston Boulevard in downtown Toronto, Chaiton paints a vivid picture of his youth as the middle son of five boys. He describes the mayhem of a household of barked orders and punishment by his father’s belt. His mother, as with many other survivors, was obsessed with eating and food. Chaiton learned early that rejecting his controlling mother’s food was one of his few weapons. “It’s hard not to do what a Holocaust survivor wants you to”, he says. Chaiton had to stare down two parents both with tattoos.
Dance proved to be a saving grace for Chaiton. On the dance floor, with a partner, the gates of happiness and permission to be oneself, opened. The Toronto Dance Theatre in Yorkville was a salvation and home for Chaiton. Also important to Chaiton was a family – not his troubled blood family but a chosen one – a commune.
In 1973, after a sojourn in New York, Chaiton decided that he was not a performance dancer. Back in Toronto as he pointedly danced with his mother at his brother’s wedding, she told him that he was her favourite child, imposing “the psychological damage that parental favouritism caused”.
Living in a commune with a chosen family afforded Chaiton the freedom to dig deep into his psyche, face his traumatic upbringing and tear down the rigid rules of society and the biological family. At a certain point, for reasons he explains in the book, Chaiton made the decision to vanish from the lives of his parents and brothers.
In 1980 the commune took up the cause of the injustice and illegal jailing of Rubin “Hurricane” Carter. Carter had been exonerated, released from prison and then reconvicted and sent back to prison.
In hindsight Chaiton wonders if his disengagement from his family caused them the same wounds and feelings of emptiness that Carter had to face when he was reincarcerated.
In 1985 while sitting in a New Jersey prison yard with friends and Carter, Chaiton had the riveting vision that he was in a concentration camp, “on a mission to liberate (his) parents – the dream of every Holocaust survivor’s child.”
In the summer of 1985, Chaiton received the news from Toronto that his parents were involved in a fatal car accident. Only after his mother’s death, was Chaiton able to acknowledge that in spite of her smothering, she gave him a sense of self worth and strength.
In 1988 Chaiton co-wrote the story of freeing Carter. One of his brothers saw him on a news broadcast, contacted him and the 20-year silence between Chaiton and his blood family was over.
Riding on the coattails of the successful release of Carter, Chaiton and some friends established an organization that continues to exist today. Innocence Canada has helped wrongfully convicted people like Guy Paul Morin, David Milgaard and Steven Truscott.
In chapter 16, entitled Wierzbnik, Chaiton finally learns about his father’s testimony published in a book, “Remembering Survival”, by a university professor. Reading about his father’s history helped Chaiton to understand the damage done to survivors, his parents’ trauma and why the home that they created for their sons after the war was so fraught.
Chaiton remarks on the interconnectedness of learning about the sufferings of his parents, his own personal struggles and the gift his father left him of being able to tell his own story.
Sam Chaiton’s profound memoir took courage and brutal honesty to write.
His book teaches that the legacy left by Holocaust survivors, along with a deep sadness, is the innate need of the children to persevere and find their own path of survival and growth.
Obituaries
CAROL SLATER (née GENSER)
With great courage on Wednesday, November 6, 2024, surrounded by her family.
Treasured daughter of the late Esther and the late Percy. Beloved wife of Ron for 69 years. Loving mother and mother-in-law of Charles and Dina Slater, Erin and Joe Battat, Adam and Kit, Claudia and the late David. Cherished grandmother of Zach, Robert and Hydi, Ben and Martha, Liam and Addison, Thom and Emeline, Max, Ilai, Emanuelle and Eli. Proud great-grandmother of Rafael, Lily, Maya, and Jojo. Special sister and sister-in-law of David and Joan Genser, Roberta and Mayer Lawee; and sister-in-law of Joel and Sheila Slater. Greatly missed by her nieces, nephews, family, friends and by all who knew her.
The family would like to thank Drs. Shamy, Lipes, Chang, the doctors, nurses and staff at the Jewish General Hospital Palliative Care Unit as well as DeyDey, Linette and everyone who took such wonderful care of our Mom.
Funeral service from Paperman & Sons, 3888 Jean Talon St. W., on Sunday, November 10 at 9:30 a.m. Livestream available. Burial in Israel.
Donations in her memory may be made to the “Carol and Ron Scholarship” c/o Mothers Matter Canada 1-604-676-8250
Publish Date: Nov 9, 2024
CAROL SLATER
(née GENSER)
With great courage on Wednesday, November 6, 2024, surrounded by her family.
Treasured daughter of the late Esther and the late Percy. Beloved wife of Ron for 69 years. Loving mother and mother-in-law of Charles and Dina Slater, Erin and Joe Battat, Adam and Kitt, Claudia and the late David. Cherished grandmother of Zach, Robert and Hydi, Ben and Martha, Liam and Addison. Proud great-grandmother of Rafael, Lily, Maya, and Jojo. Special sister and sister-in-law of David and Joan Genser, Roberta and Mayer Lawee; and sister-in-law of Joel and Sheila Slater. Greatly missed by her nieces, nephews, family, friends and by all who knew her.
The family would like to thank Drs. Shamy, Lipes, Chang, the doctors, nurses and staff at the Jewish General Hospital Palliative Care Unit as well as DeyDey, Linette and everyone who took such wonderful care of our Mom.
Funeral service from Paperman & Sons, 3888 Jean Talon St. W., on Sunday, November 10 at 9:30 a.m. Live stream available. Burial in Israel.
Donations in her memory may be made to the “Carol and Ron Scholarship” c/o Mothers Matter Canada 1-604-676-8250
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