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In a Ukrainian city liberated from Russia, local Jewish leaders are being accused of collaboration
(JTA) — When Russian troops poured across the Ukrainian border in March, thousands fled from the cities that would be first in their path. But in Kherson, the southern port city with strategic value to the Russians, Rabbi Yosef Itzhak Wolff decided to stay put.
His decision to remain put him in line with the philosophy of his Jewish movement, Chabad, whose rabbis typically commit to the cities where they are stationed and stay there through thick and thin.
But his decision could also cost him the ability to serve Kherson’s Jews. According to a report this week in the New York Times, Wolff is now in Germany, concerned because some in Kherson accuse him of collaborating with the Russian forces.
Meanwhile, a member of his Jewish community is facing life in prison over his actions during the chaotic early days of the war, according to the New York Times report.
Russia captured Kherson on March 2, 2022, and for months, the city suffered a brutal occupation that resulted in hundreds dead and scores more “disappeared” or tortured, according to Human Rights Watch.
Among those living in the occupied city was Wolff, an Israel-born rabbi who arrived in Ukraine nearly 30 years ago, just after the fall of the Soviet Union and Ukraine’s independence. For the past 13 years, he had presided over a Jewish community in Kherson estimated before the war at 8,000 people.
In the early days of the war, Wolff’s work to supply food, medicine and at least some semblance of a joyous Purim to his community was highly publicized.
During one trip, the Times of Israel reported, he dodged bullets shuttling food back to the city from the border with Crimea, where his brother is also a rabbi. In another, according to Chabad.org, he went out to deliver food even as Russian tanks rolled through the town.
“Despite heavy fighting in the streets of Kherson, Rabbi Yosef Wolff did not abandon his community for a moment, remaining in the war-torn city through it all and serving the local population,” Rabbi Motti Seligson, a spokesperson for the Chabad movement, told the Jewish Telegraphic Agency. He called Wolff a “true hero of the Jewish people and for people of good conscience everywhere.”
Before the Holocaust, Kherson was a major center of Jewish life, with some 26 synagogues, but now, there is only Wolff’s. And before the war, it was like Chabad centers around the world: serving a local community, but also famously welcoming to unfamiliar faces, including foreign visitors.
Rabbi Yosef Yitzchak Wolff and mayor of Kherson Volodymyr Mykolaienko light Hanukkah candles, Dec. 19, 2017, in Kherson, Ukraine. (PLes Kasyanov/Global Images Ukraine via Getty Images)
Opening the doors to newcomers took on added gravity after the war began and Russians streamed into Kherson. For much of the year, it was unclear whether Ukraine would regain control of the city, or whether it would become like Crimea and remain under Russian occupation. But last month, Ukraine liberated Kherson, generating scenes of jubilation — and putting anyone perceived as collaborating with the Russian army under suspicion.
Some of that suspicion landed on Wolff, who had allowed Russian soldiers to pray in his synagogue. The soldiers were Jewish officers who had arrived with armed guards, he told the New York Times.
In the days after liberation, he left Kherson, and Ukraine, for Germany. Now, with efforts to penalize collaborators underway, he told the newspaper that he is not sure when or if he will return.
Among those who remained in Kherson was a prominent member of the Jewish community who is now being prosecuted for his choices amid the messy reality of occupation.
Illia Karamalikov, a nightclub owner and member of Kherson’s city council, was close to Wolff, frequently allowing Chabad to use his nightclub’s space for events, the rabbi told the New York Times.
In the early days of the occupation, Kherson descended into a state of lawlessness. The Ukrainian civil administration fled ahead of the Russian forces and, after conquering the city without much resistance, Russia took little responsibility for its administration, instead sending soldiers on to other targets such as neighboring regions of Odessa, Mykolaiv, Kryvyi Rih — Ukrainian president Voldymyr Zelensky’s hometown — and ultimately, Kyiv.
Looting was rampant, and cut off from power and supply lines, the thousands of people who remained in the city faced a real risk of starvation.
It was locals who managed to bring back some semblance of order. Karamalikov helped organize a 1,200-strong community patrol to enforce curfews and watch for looters.
A boy stands with Ukrainian flag in the central square of Kherson after the city was liberated from Russian occupation, Nov. 19, 2022. (Oleksii Samsonov/Global Images Ukraine via Getty Images)
It was in that role, according to the New York Times report, that he found himself face to face with a lost and confused Russian pilot, whom his men had taken into captivity. Karamalikov held the prisoner in a utility closet in his home for a night, before ultimately making the decision to return him to the Russian forces unharmed.
That earned him a 12-page indictment from Ukraine, as he ran afoul of new laws enacted at the outbreak of the war that stipulate that “cooperation with the aggressor state, its armed formations, or its occupation administration;” are punishable as acts of collaboration under Ukraine’s criminal code.
Many of those who spoke to the New York Times said the laws don’t account for the reality of living under occupation.
“All these people who ran away are judging us,” Wolff told the newspaper. “These are cruel times.”
Through returning the soldier, Karamalikov allegedly “organized the further participation of a Russian serviceman in aggression against Ukraine,” according to his indictment.
But many in Kherson are not sure what other option they had. Karamalikov’s community watch organization was a volunteer and non-military force whose limited power involved pressing looters into doing community service. To have harmed the soldier would have made them combatants against Russia.
“We wondered later: Should we have killed the soldier and kept it secret?” one of Karamalikov’s watchmen, Andriy Skvortsov told the New York Times. “But I’ve decided no, that wouldn’t have been good.”
“With a life in his hands, I can’t imagine Illia ever killing anyone,” Wolff told the newspaper. “What he did was the most humane decision he could make.”
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At Eurovision, Israel’s near triumph shows the limits of tolerance
VIENNA — A keffiyeh was blocking my view, and it bothered me less than I would have expected.
It was around 9:45 pm, and I was standing outside Vienna’s city hall, where the city had erected a “Eurovision village.” The pan-European singing competition was taking place in the former Habsburg capital, grand architecture framing massive public viewing screens.
Security was tight. Visitors weren’t allowed to bring bags inside the area, and we were patted down by two separate guards before we were allowed to enter. In August 2024, a foiled terror attack led to the cancellation of three Taylor Swift concerts, an international embarrassment authorities were keen not to repeat.
And then there were the protests over Israel’s participation.
The day before, an anti-Israel solidarity concert had featured a video call with Unorthodox author Deborah Feldman, who said she was protesting the “whitewashing” of a genocide. A separate “song protest” reportedly escalated from chants of “One love” to “Death, death IDF.” Earlier that day, demonstrators had marched along Vienna’s main shopping boulevard. By the time evening rolled around, a group of clowns had gathered outside the parliament, practicing creepy, Joker-like laughs and holding signs that said “United by Genocide,” a play on the Eurovision Song Contest’s slogan. “United by Music.”
For a contest that insists on being apolitical, Eurovision had become unmistakably political.
I didn’t care much for the music, but world events were unfolding here in Vienna, and I wanted to see them up close.
Israeli singer Noam Bettan was the third to perform. As he got on stage and started singing “Michelle,” a couple of people in the crowd I was standing in started shouting “Free Palestine” at the screen. The chants weren’t loud enough to drown out the performance
Then, someone in front of me raised a keffiyeh, stretching it between both hands and waving it in the air. It blocked my view. I considered asking him to lower it. But did I really want to risk a confrontation? Instead, I stepped sideways – slightly annoyed, but telling myself this was the price of tolerance.
Only later that night did I begin to wonder whether tolerance was, in fact, a shared value.
Back home, I watched the voting. Just before 1 a.m. the audience vote catapulted the Israeli act into the lead. In the previous two years, Israeli entries had also performed strongly with viewers, placing first and second in the public vote without winning overall. The reasons have been debated: diaspora support, savvy promotion, or simply songs that fit the Eurovision formula — catchy, theatrical, sung with a powerful voice. (Israel has won the competition four times, most recently in 2018.)
Israel’s promotional efforts have drawn criticism, but no evidence of manipulation has emerged, and the public broadcaster KAN has responded quickly to European Broadcasting Union reprimands.
It didn’t matter. Social media filled with accusations that Israel had cheated. In the arena, just before Bulgaria’s points were announced, the booing aimed at Israel’s entry grew so loud it was clearly audible on the broadcast.
Bulgaria won, Israel came in second, and I felt something close to relief. At a time when several countries had already stayed away and others were wavering, it seemed less like a celebration than a breaking point. I wouldn’t want to witness what would happen if Eurovision were to be held in Israel next year.
It had been easy to move when the keffiyeh blocked my view. One step to the side, and the problem was gone. However, there was no stepping aside from what came later. Freedom of speech is about making space, but it can also be used to close it.
The post At Eurovision, Israel’s near triumph shows the limits of tolerance appeared first on The Forward.
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Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote
(JTA) — The Israeli contestant in the Eurovision Song Contest won second place for the second year in a row, drawing a strong public vote despite protests over Israel’s inclusion in the contest.
Noam Bettan and his song “Michelle” ranked third in the public vote and eighth in the jury vote, which combined to give him second place behind the entry from Bulgaria, which won the contest for the first time.
Bettan thanked his fans in a post on Instagram after leaving the stage.
“I’m still processing everything and trying to find the words for this incredible journey. You guys are amazing and this is all because of you. I love every single one of you!” he wrote. “This is just the beginning, there are so many amazing things in the way! 🤍Am Israel Chai!!!”
Five countries boycotted the contest this year over Israel’s inclusion, citing Israel’s military operations in Gaza. After the competition, a spokesperson for VRT, Belgium’s national broadcaster, said the country was unlikely to participate next year unless the European Broadcasting Union, which runs the contest, makes “a clear statement against war and violence and for respect for human rights.” Belgium came in 21st of 25 competitors in the final.
Bettan faced a smattering of boos both during the semifinal on Tuesday and during the final on Saturday in Vienna, as well as when Israel briefly led the leaderboard during the announcement of the audience votes. He told the Jewish Telegraphic Agency ahead of the final that he believed he had more fans than detractors and that he would focus on them.
Israel scored 220 points in the public vote after drawing a formal warning from the EBU for its campaign urging supporters to send all 10 of their votes to Bettan. Israel’s broadcaster called off the campaign after being told it was “not in line with our rules nor the spirit of the competition.”
Israel also drew 123 points from national juries, more than twice what it earned last year when 22 countries awarded Israel no points at all in a result seen as driven in part by political tensions.
This article originally appeared on JTA.org.
The post Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote appeared first on The Forward.
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It looks like a kaffiyeh, but this pro-Israel influencer wants you to wear a sudra
In a recent viral Jubilee video viewed more than 1.5 million times, pro-Israel activist Rudy Rochman sits across from a group of 20 pro-Palestinian activists, debating the Israeli-Palestinian conflict. Draped around his neck is a black-and-gray checkered scarf that looks almost identical to a kaffiyeh.
Look closer, and the pattern resolves into something else: tiny Stars of David clustered together, alongside Hebrew lettering spelling out Am Yisrael Chai — “the people of Israel live,” which has became a mantra after Oct. 7 and the hostage crisis. It’s not a kaffiyeh, Rochman says, but a modern twist on the sudra, a cloth head covering once worn by Jews across the Middle East — and he wants to bring it back.
Since the Gaza War, the kaffiyeh has become an increasingly visible symbol of pro-Palestinian activism. Now, Rochman is part of a small but growing effort to revive the sudra as a marker of Jewish identity rooted in the Middle East. He runs the company My Sudra, promoting and selling the garment online. It has been embraced by a niche but visible group of young pro-Israel influencers.
Rochman, a 32-year-old Jew of Moroccan and Algerian descent, said he and his family wore sudras during celebrations like bar mitzvahs and weddings. In old family albums, Rochman says most photos of his grandfather and great-grandfather show them donning the garment in Morocco.
As a child, Rochman understood the head covering as Middle Eastern rather than distinctly Jewish. Once he learned about its connection to Judaism, he set out to revive it, beginning to create sudras in 2016 while a student at Columbia University.
The term sudra appears in rabbinic literature, including the Mishnah and Talmud, as a general term for a cloth typically worn as the religiously prescribed head covering, though some sources describe Jews wearing it around their necks. Experts say Jews across the Middle East wore sudras, likely before the Middle Ages, with styles varying by region and period.
From the Middle Ages into the modern era, Jews in the Middle East, classified as dhimmis, sometimes faced legal restrictions on dress. One notable prohibition during certain periods was the wearing of a headscarf or turban by Jews, including the sudra.
“This form of headgear by Jewish men was not tolerated in many communities,” said Gillian Vogelsang-Eastwood, a textile historian specializing in Middle Eastern dress. “Men could wear the kippah, but nothing significant in public on the head.”
Over time, she said, those constraints contributed to the fading of the custom.
“For me, it’s about reviving an aspect of our culture that was beaten out of us by force,” said Rochman. “It’s not like we consciously made a decision. ‘Hey, we want to stop wearing sudras.’ We were forced to stop wearing it.”
Historically, sudras did not usually feature identifiably Jewish symbols. The Kurdish sudra is an exception, incorporating circles and dots with religious meaning. Even in Rochman’s own family photos, his ancestors typically wore plain white sudras.
Rochman, however, has deliberately added Jewish symbols to make the garment legibly Jewish to contemporary eyes.
Rochman sells sudras in various colors, including a black and white version that looks exceptionally similar to the Palestinian version of the kaffiyeh. Instead of the pattern of zig-zag stripes and criss-crossed squares that can be found on that kaffiyeh, Rochman’s sudra has stars of David juxtaposed to create a similar checkered pattern, as well as Jewish symbols like the menorah, along with the phrase Am Yisrael Chai.
The resemblance to the kaffiyeh is not accidental.
The kaffiyeh is widely seen today as a symbol of Palestinian identity and resistance, but it did not always carry that meaning.
According to Vogelsang, “The kaffiyeh is basically regarded as a 19th-century development worn by farmers in Syria,” she said. “The Jordanian army later adopted it as part of their uniforms.”
Vogelsang says its political symbolism developed in the 20th century, particularly through its association with Palestinian nationalism and figures such as PLO leader Yasser Arafat, who popularized the black-and-white kaffiyeh widely worn today.
Some say the patterns on the Palestinian black-and-white kaffiyeh represent different aspects of Palestinian culture. The criss-cross lines represent the Palestinian ties to the Mediterranean Sea because of their resemblance to fishnets; the black stripes symbolize trade routes through Palestine; and the curved lines are said to symbolize olive trees.
But Vogelsang and other experts say that this symbolism is a modern interpretation of older patterns. “They didn’t have these meanings. The Palestinian community has given them these meanings,” she said.
Patterns like checks and stripes were often used for garments in the Middle East, not because of any particular symbolism, but because “they are just an easy, convenient design to make,” said Vogelsang. Both Jews and Muslims used whichever fabrics were locally available, often checkered and striped patterns commonly associated with the modern-day kaffiyeh.
In a similar way, Rochman’s sudra takes on explicit political meaning through the inclusion of the phrase Am Yisrael Chai, popularized in the 1960s as a rallying cry for Soviet Jewry and now widely used at pro-Israel demonstrations. In that sense, his garment does not just revive a historical practice, but imbues it with ideological significance.
“Being a Zionist outwardly was kind of seen as excessive before Oct. 7, but after Oct. 7 it became something that was cool again,” Rochman said, adding that interest in — and sales of — his sudras increased following the attacks and the war in Gaza that followed.
I asked Rochman if he’s ever worried about being mistaken for wearing a kaffiyeh or accused of cultural appropriation. Dozens of Reddit threads are dedicated to the topic online. In the Jubilee video, one Palestinian activist tells him, “Are you going to pretend that the kaffiyeh you’re wearing is not a culturally appropriated kaffiyeh? And you just added the Hebrew and all of that to it.”
But he is not particularly bothered by either accusation.
“I look at it as just an opportunity to tell that person, whether a Jew or not a Jew, that doesn’t know anything about a part of Jewish culture, who we are and what we are.”
And while Rochman’s main goal is to help younger generations of Jews understand a part of their history that has faded, he hopes that more Jews wearing the sudra will also foster a greater understanding of Jewish history in the Middle East.
“We need to know where we’re from,” Rochman said. “And if it helps us connect with other Middle Eastern peoples, that’s amazing too.”
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