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In ‘Coexistence, My Ass!’ the anxiety of an Israeli influencer

There are plenty of funny lines in Coexistence, My Ass! but make no mistake, this is not a comedy. As director Amber Fares follows Israeli comedian and peace activist Noam Shuster Eliassi from her excited 2019 arrival at Harvard on a stand-up and peace-building fellowship (who knew such a thing existed?!) through escalating political and pandemic problems to her anguish at the war in Gaza, the documentary is nothing less than a tragedy.

Shuster Eliassi leapt to fame in early 2019 with “Dubai Dubai,”a song of “peace and love” in the wake of the Abraham Accords which celebrated Arabs (“especially when they are 4000 miles away”). It was satire, in Arabic, on Israeli television (Shuster Eliassi also speaks Farsi). She was poking fun at Israel’s peace with UAE’s millionaires while both sides ignored “those who suffered the Nakba.” She properly went viral across the region, though, when she jokingly proposed marriage to Saudi Crown Prince Mohammed bin Salman on an Arabic-language program of the Israeli news channel i24. Arabic news outlets and social media were not sure what to make of it but Israeli and western news outlets knew that the furor and fluster were newsworthy.

Shuster Eliassi notes in Coexistence that her movement to comedy vindicated her decision to move away from more serious peace-building. ”20 years of peace activism, I influence 20 people. One joke about dictators, 20 million people saw it!” If she wanted to achieve her dream of peace in the Middle East, maybe she was right to use the power of social media to amplify her gift of making people laugh.

Filmed over five of the bleakest years for believers in democracy and equality in Israel, Coexistence also follows Shuster Eliassi from hope to despair. After COVID, Fares made a short documentary about Shuster Eliassi for the New Yorker – “How One Woman Is Using Comedy To Speak Up About Palestinian Rights.” From that moment of hope though, Benjamin Netanyahu’s anti-democratic push, Oct. 7, and the Israel Gaza War render the 2021 film obsolete.

The title Coexistence, My Ass! changes its significance through the movie. Initially, Shuster Eliassi scoffs at “coexistence” as a risible minimum aim, one so boring it puts her to sleep. By the end of the movie in 2024, when extremists on both sides have succeeded in destroying trust in humanity and any hope for peace, even that low bar seems unattainable. The phrase – also the name of Shuster Eliassi’s standup show — is Coexistence, My Ass! because “coexistence” no longer even seems possible.

As a child of Romanian and Iranian parents in Neve Shalom/Wahat as-Salam (Oasis of Peace), Shuster Eliassi grew up in a particular limelight. Set up as a cooperative village where Israeli Jews, Muslims and Christians could live together, the small settlement of about 60 families was a regular stop for American peacebuilding luminaries. The documentary features archival footage of Jane Fonda speaking there in 2002 as well as a young Shuster Eliassi handing flowers to Hillary Clinton in 1998.

Before her current film, director Amber Fares was best known for the documentary ‘Speed Sisters.’ Courtesy of Amber Fares

When the first IDF soldier from Neve Shalom gets killed, news crews come to the village and end up interviewing Shuster Eliassi, then a grade school student who had known him and looked up to him. Even as a young woman, Shuster Eliassi is able to voice her pain without becoming embroiled in the conflict. Indeed, one of the film’s most compelling arguments for something more than coexistence is her best friend from home Ranin, an Arab. When Shuster Eliassi breaks her leg in an accident, Ranin pushes her wheelchair up a hill. They joke about Arabs and Jews (“How is it that the Arabs always end up serving the Jews?” Ranin asks.) They speak in Hebrew and Arabic, and argue about which language should come first in the name of their home, Wahat al-Salam/Neve Shalom. They are a visible embodiment of how easy it is to have an Arab-Jewish family, of how coexistence could be the least possible problem.

We see Shuster Eliassi perform in 2018 at East Jerusalem’s 1001 Laughs Palestine Comedy Festival. There she assures the uncertain audience that her set is short, with a joke about the Occupation: “I’m only staying for 7 minutes, not 70 years.” She adds that she stole the joke from the Palestinian-American emcee Amer Zahr.  “But it’s mine now, God promised it to me!” she says. The crowd seems to love it.

Five years later, though, the atmosphere is much more tense. While the troubles had been escalating throughout 2023, Oct. 7 was a rupture, and Shuster Eliassi finds herself stuck between her communities. We see her called to condemn the people who committed the atrocities on Oct. 7 and also to condemn the government that is about to retaliate. She is aghast that there seems to be no time for her to mourn the human lives that were lost.

Fares, best known for Speed Sisters, her documentary about the first all-female car-racing team of Palestinian drivers in the West Bank, captures the ratcheted-up post-COVID tempo. When Arabs and Jews are stuck, COVID-infected, in “Corona Hotel,” they live happily together, it’s only with the chance of an Arab-Israeli peace that excludes the (Iranians and) Palestinians that Hamas starts serious sabotage. Its rocket attacks, intercepted by the Iron Dome, change the feeling in Israel.

Instead of a country moving slowly towards coexistence and peace, Israeli news shows “Arabs being attacked live on TV.” An aggressive, shirtless, tattooed young Jewish skinhead is shown saying, “We came out to fight the Arabs. To show them they can’t just shoot rockets at us… If need be, we’ll kill them. If need be, we’ll murder them.” The sequence cuts to Jewish Israelis lynching an Arab.

Furthermore, as pro-Democracy, anti-Netanyahu protests continue, the Occupation remains off the agenda. An older man, maybe from her parents’ generation, labels Shuster Eliassi an “enemy” of Israel for calling to end the occupation at a protest against the Israeli government.

Vivian Silver, one of the people killed in the Gaza envelope on Oct. 7, was a lifetime peace activist. She was a friend of my friends and a friend of Shuster Eliassi. At her funeral we see her son talking to Shuster Eliassi. “She didn’t work for peace so that when they come, they’ll spare her,” he says of his mother “She worked so there’d be no reason for them to come.” It’s a position that is no longer tenable.

Ultimately, Coexistence, My Ass! isn’t about solutions, because it’s not naïve enough to pretend that there are any. It isn’t about both sides, although heaven knows there is plenty of blame to go around. It’s about staring with Shuster Eliassi down the line of peace and seeing massive objects fall across it. It’s not cathartic. It’s honest. And sometimes, honesty is the most radical thing a film can offer.

The post In ‘Coexistence, My Ass!’ the anxiety of an Israeli influencer appeared first on The Forward.

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Israeli restaurants are hiding their identity. New York magazine won’t say why

I walked into Jerusalem Chicken restaurant because someone told me it served the best maqluba this side of Jerusalem — all within a few minutes of LAX.

Outside, the well-lit sign said, “Palestinian Chicken Eatery,” which, because I’d seen the Curb Your Enthusiasm “Palestinian Chicken” episode about a dozen  times, already had me smiling. Then I stepped inside.

Across from a deli counter filled with platters of rice and roasted vegetables was a cardboard sign: “End US Funding of Israel. Defend Palestine. End the Cycle of Genocide.”

This was 2022. Genocide seemed like an especially scurrilous charge, but it was their restaurant. I could yell, scream, protest, vandalize the place or call for a boycott. The young man behind the counter served me a leg and a thigh roasted dark, fragrant with sumac, clove and cinnamon. I ate.

Call me crazy but that’s what I demand of restaurants: Good food, clean kitchens and kind service. But, it seems, when it comes to Israeli restaurants, a different standard applies.

Somewhere toward the end of her long New York magazine feature on Middle Eastern food in New York City, Madeleine Leung Coleman points out that Israeli restaurants are increasingly labeling themselves as Middle Eastern or Levantine rather than Israeli.

“There could be many reasons why,” she writes. “Perhaps there’s a fear of being targeted. Or they’re second-guessing if they should call their food ‘Israeli’ at all.”

I’m going to offer a third choice: Perhaps it’s because of articles like hers.

The disappearing ‘Israeli’ restaurant

Coleman understates the actual violence against Israeli and Jewish-owned restaurants (and, oddly, against Palestinian restaurants). She implies that Israeli restaurants serve food that is somehow stolen from Arab cultures. She blurs the distinction between Israeli restaurateurs and the actions of a government 7,000 miles away. In short, she reinforces the stigma she purports to describe. It’s a case study in journalism-as-activism, for which innocent restaurateurs and diners will pay the bill.

Photo by Rob Eshman

Her piece, “When Eating Out Is Political,” charts the evolution of Middle Eastern food in the city from turn-of-the-century market stalls, falafel stands and halal carts to its current incarnation in high-end, often Michelin-starred chef-driven restaurants.

The core argument is that Israeli restaurants became trendy by appropriating  Palestinian, Mizrachi and North African dishes while Arab, Iranian and North African restaurants languished as cheap, “outer-borough” places, and especially post-9/11 hid their identities behind a vague “Mediterranean” label.

Since Oct. 7, 2023, and growing protest against Israel, the stigma has reversed. Palestinian, Syrian and Iranian restaurants have flourished with cheffy food, and owning their particularist labels, while Israeli restaurants have had to hide their identity.

It’s true that Middle Eastern cuisines are having their moment in New York, and Coleman’s descriptions of the “delicate, hand-shaped beef dumplings” at the Syrian restaurant Huda or the wild mallow “topped with twists of fried onion and salty black olives” at the Palestinian restaurant Tanoreen in Brooklyn make it clear that these chefs, whether Palestinian, Syrian or Iranian, should be celebrated.

But the celebration is tainted with bias and ignorance when it comes to all things Israeli.

From Moshe’s Falafel to Solomonov

First, the history. By Coleman’s recounting, Israeli restaurants swooped in to success and instant “It” status sometime in the early aughts.

“We were told this was the flavor profile of this young country,” she writes, “which was so richly funded and supported by our own.”

I’m not sure what American aid to Israel has to do with the efforts of early chefs like Einat Admony and Michael Solomonov, but that sentence shows how Coleman condemns talented individual chefs for somehow being complicit in … foreign aid decisions?

She’s also wrong on the timeline. Israeli food came to America the same way Arab food did, with immigrant sweat and no guarantees of success. Moshe Mizrachi, an Israeli of Syrian origin, opened his falafel restaurant in Manhattan in 1981. It failed. He reincarnated it as a cart, and four decades later it’s an institution.

The food these Israelis brought with them wasn’t, as Coleman writes, Arab dishes or food their grandmothers made — her attempt to dismiss Israeli food as either stolen or copied.

She might have mentioned that over half of Israel’s population has origins in the greater Middle East and North Africa. Falafel, hummus, stuffed vegetables, shakshouka and all the glorious ingredients that go into them were part of their traditions too. What was a Jewish chef from Iraq supposed to cook, lox and cream cheese?

From shattah to schnitzel

Israelis also ate what Palestinians ate, and learned to cook it. This is how every culture’s foodways evolve — including that of Palestinians.

In the 15th century, Christopher Columbus brought chile peppers back from the Americas, after wreaking havoc on the native populations. Those chiles give Palestinian shattah sauce its heart and heat. The “most traditional Palestinian dish,” according to cookbook author Reem Kassis, is maftool, a pebbly couscous that likely arrived via the Berbers, whose own history of subjugation, rebellion and assimilation with the Muslim invaders is, to say the least, fraught. Schnitzel is now a popular Palestinian dish, likely adopted from Ashkenazi immigrants.

Cultures exchange food, like they do music, fashion and language. None of this is to say Israelis haven’t ignored or downplayed the Palestinian contribution to their cuisine, or used food as a political or economic weapon — most unconscionably in Gaza itself. But the Israeli chefs most associated with the New Israel Cuisine are usually the first to point all that out.

“I don’t think there’s enough understanding how deeply rooted Israeli food, as it’s cooked at the moment and seen all over the world, is actually based on Palestinian cooking,” the chef and author Yotam Ottolenghi told me in a 2022 interview.

Credit where credit is due. But the only reason to question an Israeli cook’s right to do what cooks throughout history have done is if you question Israel’s existence itself.

‘The land mass currently called Israel’

And Coleman clues us in that she leans that way.

She repeatedly refers to Israel’s attack on Gaza as a genocide. Many genocide experts and international bodies have concluded it is. Many others, including the International Court of Justice, have not, something a fair journalist would point out.

And then there is the strange way she describes an image on the menu of the Palestinian restaurant Ayat as “a cheerful tourist-style map in which the land mass currently called Israel is titled ‘Discover Palestine.’”

Even the progressive watchdog site Mediaite called that “bizarre.” Just as bizarre is her explanation for why chefs are less likely to publicize their connection to Israel.

“In the last few years,” she writes, “some Israeli restaurants have been vandalized, spray-painted with notices that accuse them of co-signing the Israeli government’s project. This may be one reason why some are staying silent.”

Here’s a better reason:

  • In February 2022, vandals sprayed “F– Jews” on the wall of Miriam’s restaurant in Brooklyn.
  • In December 2023 anti-Israel protesters surrounded Goldie’s, Michael Solomonov’s falafel restaurant in Philadelphia, vandalizing it and chanting, “Long live the intifada!”
  • In February 2024 a masked man took a baseball bat to the windows of Rothschild TLV on Manhattan’s Upper East Side.
  • In July 2025, intruders broke into a Melbourne, Australia Israeli restaurant, threw chairs and shattered windows while people were eating.
  • In August 2025, intruders ransacked Manny’s restaurant in San Francisco and spray-painted “F- Manny’s” and “Die Zionist” on the walls.

There’s more, but you get the idea. It isn’t a few kids with spray cans: it’s open season on Israeli and Jewish-owned restaurants. At least three Palestinian restaurants have been vandalized as well, as well as Kanaan in Berlin, which is owned by an Israeli Jew and a Palestinian. If every Israeli restaurant is complicit in the worst behaviors of the Israeli government, is Jerusalem Chicken collaborating with Hamas?

Israeli restaurants aren’t Med-washing their names because they’re reckoning or apologetic. They’re hiding because the violence against them is getting worse, for patently absurd reasons. Coleman could have written that story, not one where victims did something to deserve it.

The post Israeli restaurants are hiding their identity. New York magazine won’t say why appeared first on The Forward.

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Trump just used journalists as human shields — Jewish ethics has thoughts about that

Everyone has been talking about The Odyssey this summer. So much so that, apparently, the president of the United States felt the need to act out a famous piece of Greek mythology, namely the story of the Trojan horse. When an Iranian assassination threat in July seemed credible enough, the Secret Service spirited Trump off of Air Force One in a catering truck after a NATO summit in Ankara, Turkey.

The plane then took off as usual, loaded with top government officials including Secretary of State Marco Rubio and Treasury Secretary Scott Bessent, as well as the usual cast of aides and journalists who often accompany the president. Most believed they were on the plane with Trump, and weren’t aware of any threat. And had Iran actually attacked, and Air Force One been shot out of the sky, they would have gone down in the president’s place.

It is not unheard of for presidents to change plans suddenly for safety reasons, or otherwise use some amount of subterfuge to obscure their location; when Bill Clinton flew to Pakistan, for example, there were several decoy planes. But it is highly unusual for the plan to involve risking numerous other people, including civilians. Several journalists have accused Trump, who has long picked fights with the press, of using the media as an expendable human shield.

Much has been made, particularly in the Jewish world, of the idea of human shields, particularly because Hamas is often accused of the practice. Human shields can refer to putting civilians in harm’s way as part of a military strategy, or using them as decoys or to protect soldiers. (Hamas purportedly has used civilian sites such as hospitals or schools to protect their weapons stores and headquarters.)

There are numerous stories in Jewish texts in which innocent lives are sacrificed for ulterior motives, and the perpetrators are roundly condemned. King David sends his general Uriah to the frontlines so he will die and never realize that David had slept with his wife; God sends the prophet Nathan to rebuke David for his selfishness and Batsheva loses the pregnancy as punishment. When Simon and Levi destroy Shechem in retribution for the rape of their sister Dina, the patriarch Jacob censures their actions.

Though there is plenty of warfare in the Bible, and God at times orders the destruction of entire cities or groups, most Jewish sages interpret this to only apply to combatants because other commandments, such as to leave the gates of a besieged city open to allow people to flee, instruct that innocent civilians must be protected.

Beyond general ethics, the laws of war laid out in the Geneva Convention protect civilians and forbid the destruction of pivotal resources such as hospitals. But the strategy is, in many ways, a successful one precisely because it is so contemptible; everyone agrees that killing civilians not involved in war is morally wrong, which means that there is an international uproar if combatants do kill civilians to get to an enemy stronghold.

The U.S. and Israel both hold themselves apart operating uniquely moral armies — ones that follow the laws of war and protect civilians. Both nations publicly boast of fighting only necessary, noble wars. Reality, however, often differs. During the Iraq and Afghanistan wars, tens of thousands of American soldiers were discharged for misconduct. And after Oct. 7, Israel also began using human shields, forcing Palestinian civilians to go ahead of Israeli soldiers to check for traps or mines.

When Trump landed, the White House press pool asked him, on the tarmac, what the threat was, and whether the journalists and aides on board the original plane were in danger. Trump responded that he simply did what the Secret Service told him to; “I get a lot of threats,” he said, and said he believed that the plane he actually flew on — a plane no one knew he was on — was in more danger than Air Force One.

But it’s clear to everyone else — including many members of the media who were on the plane — that the civilians left on the plane targeted by the Iranian threat were human shields. Trump may have long defamed the media, but putting them knowingly in harm’s way is still a bad look. Such a bad look that, after The New York Times reported on Trump’s planes, FBI agents went to the journalists’ homes to subpoena them for their reporting.

Thankfully, neither plane was shot down. But that doesn’t make Trump’s decision to protect himself any more moral.

The post Trump just used journalists as human shields — Jewish ethics has thoughts about that appeared first on The Forward.

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Apple pays $150k to settle federal antisemitism lawsuit

(JTA) — Apple has agreed to pay $150,000 to settle a federal lawsuit alleging that the company failed to accommodate a Jewish employee’s observance of Shabbat, and later fired him after he complained of religious discrimination.

The lawsuit, which was filed by the U.S. Equal Employment Opportunity Commission in September 2025, accused Apple of discriminating against Tyler Steele, a longtime employee of one of its stores in Reston, Virginia.

Steele converted to Judaism in the spring of 2023, and while his manager initially approved his request not to be scheduled on Fridays and Saturdays due to his observance of Shabbat, another manager that replaced the previous one later rescinded the accommodation.

According to the complaint, Steele’s new manager, Anthony Dosch, denied his requests to have the days off in September 2023, allegedly telling him that month that he “could become a rules Nazi with regards to our policies.”

Days after Hamas’ Oct. 7, 2023, attacks on Israel, Dosch also warned Steele not to get into politics or debates about the conflict at work, and a month later issued him a misconduct warning claiming that Steele had body odor that violated the store’s policies.

The EEOC alleged that Steele later complained to Apple officials in November 2023 about antisemitic behavior and the denial of his religious accommodation. Steele was fired from the store in January 2024, after reminding Dosch that he could not work on a Friday the following month for religious reasons.

“Employees should not have to violate their religious beliefs to keep their jobs or live in fear of retribution because they requested an accommodation,” EEOC Philadelphia Regional Attorney Debra Lawrence said in a statement at the time the lawsuit was filed.

In its lawsuit, the EEOC accused Apple of religious discrimination and retaliation in violation of Title VII of the Civil Rights Act of 1964.

Apple and the EEOC unveiled the settlement in an Aug. 7 filing in federal court in Virginia, nearly a year after the initial complaint.

Apple denied the allegations and did not admit wrongdoing as part of the settlement, which required the company to award Steele $80,000 in back pay and $70,000 in compensatory damages and interest.

Under the settlement, the company will also be required to update its religious accommodation policies and conduct trainings with some employees in its Virginia operations within 90 days.

This article originally appeared on JTA.org.

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