Uncategorized
In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn
(JTA) — Throughout his career, actor Adam Goldberg has been associated with iconic Jewish roles, from the hero in the kitschy 2003 action comedy “The Hebrew Hammer” to a Jewish soldier in Steven Spielberg’s Oscar winner “Saving Private Ryan.”
But for his latest role, on CBS crime procedural “The Equalizer,” Goldberg didn’t know his character had Jewish ancestry until recently, even though the show is in its third season.
On Sunday night, “The Equalizer” will air an episode called “Never Again,” in which a wave of hate crimes strikes Midwood, a heavily Jewish neighborhood in Brooklyn. These incidents hit close to home for Harry Keshegian, Goldberg’s character, a computer expert and Brooklyn native who is part of the show’s team of vigilante justice-seekers. (The series, which is set in New York and stars Queen Latifah, is a reboot of the show from the 1980s, which also spawned a series of films starring Denzel Washington.)
The Harry character has long been established as being of Armenian-American heritage. But for this episode, co-showrunner Adam Glass decided to add to Harry’s backstory, giving the character a Jewish mother as well as a complicated relationship with that side of his faith.
This comes to the forefront when the hate crimes, including vandalism and antisemitic threats, start to pile up. “Growing up with a Jewish mom and Armenian dad, I can’t say I knew where I stood in the community,” Harry says during the episode. “But I definitely know where I stand on hate crimes.”
Harry later describes himself as “someone who’s got a history of genocide on both sides of my family.” And like a lot of Jewish Americans, he was of the belief, at least until recently, that antisemitism in everyday life was mostly a problem of the past.
In dealing with a rabbi (played in the episode by veteran Jewish actor Richard Masur), who tries to react to the horrific events with humor, Harry gets some surprising answers about his family’s past and reconnects, to some degree, with his mother’s faith.
The episode was co-written by Glass and Ora Yashar, who are two of several Jewish writers on the show’s staff.
In working on the show, “we’re really lucky and fortunate that we not only get to entertain, but we get sort of tackle… subject matters that are in the news, and, unfortunately, are part of our society,” Glass told the Jewish Telegraphic Agency. “And obviously antisemitism is one of them.”
Goldberg, 52, whose extensive list of credits over the last 30 years also includes “Dazed and Confused” and a memorable guest arc on “Friends,” told JTA that, earlier in his career, he might not have been as comfortable with this sort of storyline, since it’s subject matter that he has explored before in other high-profile Jewish roles. In 2017, he attempted to put together a crowdfunding campaign to produce a “Hebrew Hammer” sequel inspired by the spike in online antisemitism at the time.
Adam Goldberg in character in a video promoting a crowdfunding effort for a planned sequel to “The Hebrew Hammer.” (Screenshot from YouTube)
“Given just the unbelievable horrific uptick in hate crimes at large, and antisemitism in particular, it just felt like certainly my duty to go there, and also just keep it as grounded as possible,” he said.
The episode was shot at a synagogue in Brooklyn — for security reasons, the team’s publicist would not identify which one — and the team consulted with a rabbi about getting the Jewish touches right.
“I think one of the things that we wanted to just be mindful of is when we’re actually in a synagogue that we were getting things correct,” Yashar said. At the same time, she added, they wanted to get right the way Harry would behave, as someone who hadn’t been inside a synagogue or the Jewish community for many years.
“I found myself being much more sort of moved [and] affected by it than maybe I thought I would,” Goldberg said. “Particularly having explored this terrain in the past.”
Goldberg, like his character, has one Jewish and one non-Jewish parent; he describes his mother as a “hardcore disavowed Catholic.” He went to Jewish day school in Los Angeles from first through sixth grades, and like his character Harry, he drifted away from Jewish education prior to having a bar mitzvah.
“I certainly thought of myself as a Jewish person,” Goldberg said. “I think this is the thing which I grappled with, and I think many Jewish people grappled with — which is how they see themselves, and where they fit in in a world where people have so many different ideas about what it is to be a Jewish person.”
“Grappling with all that as an actor has made that all the more confusing, how to balance all of that,” he added.
Goldberg said he has gotten mostly positive reactions over the years from people who recognize him from his Jewish roles. But he’s mindful of the idea of being typecast as a “neurotic Jew” or “nice Jewish boy,” both of which he sees as tropes. And the reactions he has gotten have not always been as positive.
“I think in many ways I’ve been sort of forced, and then sort of proudly have come to own my Jewish identity,” he said, “and in the last several years and I’ve been on the receiving end of just an incredible amount of hate on social media.” Goldberg added that he has a photo album on his phone titled “Nazis,” featuring “screenshots of just the most horrific shit you can imagine.”
In “Saving Private Ryan,” Goldberg’s Jewish soldier character taunted Nazi prisoners by waving his Jewish star at them. Around that time, his name was featured on a white supremacist website, which in the late 1990s was a single page.
“I had no idea how bad shit was until the internet,” Goldberg said. “And how bad it’s gotten [in real life] since the internet.”
The two Jewish writers of the episode come from very different backgrounds. While Glass is an Ashkenazi Jew from New York, Yashar comes from an Iranian Jewish family.
“When I was growing up, I was told, ‘They’re white until they know you’re Jewish, don’t wear your Star of David,’” Glass said, echoing a comment by Harry on the show. “Those were things my bubbe [grandmother in Yiddish] said to me. And now I’m telling my kids the same things my bubbe said to me, unfortunately.”
A comic book store also features in the episode’s plot and is a nod to Glass’ other career: In addition to his work in television, Glass is a prolific author of comic books and graphic novels, having authored more than 150. He takes credit for putting Harley Quinn in the Suicide Squad DC comic series.
“I’m in two Jewish businesses,” Glass joked. “The comic book business, and the Hollywood business. Being creative is something that we as a people have always done.”
Yashar, who previously worked on the Netflix series “Atypical,” describes herself in her Twitter bio as “Iranian/Persian/OY Veyish.”
“One of the big things for this episode was that we can’t fight hate alone,” she said. “All marginalized communities, we all need to come together. Being a woman, being Iranian, and being Jewish, you know just my whole life experience has just been teaching me that all along.”
—
The post In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn appeared first on Jewish Telegraphic Agency.
Uncategorized
Eli Sharabi’s ‘Hostage’ memoir named Jewish book of the year
(JTA) — Eli Sharabi’s memoir “Hostage,” recounting his experience in Hamas captivity after the Oct. 7, 2023 attack, has been named Book of the Year by the National Jewish Book Awards, organizers announced Wednesday.
The awards, presented by the Jewish Book Council and considered among the most prestigious honors in Jewish literature, recognize outstanding English-language books of Jewish interest across dozens of categories. Founded in 1950, the program is the longest-running North American awards initiative devoted to Jewish books.
Sharabi’s memoir, which details his abduction from Kibbutz Be’eri and the more than year he spent in captivity, became a bestseller in Israel and was later released in English in the United States.
“This recognition means so much to me, not only personally, but for the memory of my family and all those we lost,” Sharabi said in a statement. “’Hostage’ is my testimony, a story of my survival, written so others could bear witness. I hope it helps ensure that what happened is never forgotten.”
Other major winners reflect the breadth of contemporary Jewish writing, spanning scholarship, fiction, memoir and children’s literature.
In American Jewish studies, Pamela S. Nadell won for “Antisemitism, an American Tradition,” a look at the forms antisemitism took in the country from the early Dutch settlers to the present day. The Russian-born journalist Julia Ioffe took the autobiography and memoir prize for “Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy.” The book blends memoir, journalism and history to examine modern Russia through the lens of women’s experiences.
Jack Fairweather’s “The Prosecutor: One Man’s Battle to Bring Nazis to Justice,” the story of a Jewish judge and Holocaust survivor from Stuttgart who pursued Nazi perpetrators in post-war Germany, won the biography award.
Fiction honors went to Allison Epstein for “Fagin the Thief,” a retelling of the Dickens novel “Oliver Twist” from the perspective of its Jewish antihero, and Zeeva Bukai received the debut fiction prize for “The Anatomy of Exile,” about the multigenerational echoes of a secret love affair between an Israeli Jewish woman and a Palestinian poet.
The Hebrew fiction in translation category recognized “Dog,” by Yishay Ishi Ron, translated by Yardenne Greenspan, which also earned a selection in the book club category. The novella’s protagonist is an Israeli combat veteran haunted by his service in one of the Gaza campaigns prior to Oct. 7.
This year’s awards arrive as the Jewish discourse has been reshaped by the aftermath of Oct. 7, a global surge in antisemitism and the polarizing debate over Israel that followed. Last year’s winner for book of the year, “10/7: 100 Human Stories” by Lee Yaron, was also an account of the attacks and their aftermath.
Jewish anxieties in light of Oct. 7 are the subject of Sarah Hurwitz’s “As A Jew: Reclaiming Our Story From Those Who Blame, Shame, and Try to Erase Us,” which won in the contemporary Jewish life and practice category. Hurwitz, a speechwriter in the Obama administration, provides a primer on Jewish history, texts and practices in order to counter what she calls misinformation among Jews, their allies and their critics.
“Especially amid rising antisemitism and Jewish authors facing increased scrutiny, Jewish books have the power to create and sustain community,” said Naomi Firestone-Teeter, CEO of Jewish Book Council, in a statement announcing the winners.
In “Hostage,” Sharabi writes about the terror of his abduction and the daily struggle to survive after Hamas fighters stormed Kibbutz Be’eri. He would spend 491 days in captivity, much of it in tunnels beneath Gaza, before being released on Feb. 8, 2025, as part of a negotiated deal. Throughout the ordeal, Sharabi clung to the hope of rescue, writing: ‘I refuse to let myself drown in pain. I am surviving. I am a hostage. In the heart of Gaza. A stranger in a strange land. In the home of a Hamas-supporting family. And I’m getting out of here. I have to. I’m getting out of here. I’m coming home.”
Other nonfiction winners included Elissa Bemporad’s “Jews in the Soviet Union: A History: Revolution, Civil War, and New Ways of Life, 1917–1930, Volume 1,” which won in history; Anna Hájková’s “People Without History are Dust: Queer Desire in the Holocaust,” honored in Holocaust studies alongside translator William Ross Jones; and Tobias Schiff’s “Return to the Place I Never Left,” which won the Holocaust memoir award, with Dani James recognized for translation.
Awards recognizing contemporary Jewish thought and scholarship included Lawrence Grossman’s “Living in Both Worlds: Modern Orthodox Judaism in the United States, 1945–2025,” and Debra Kaplan and Elisheva Carlebach’s “A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe,” which won multiple prizes, including scholarship and women’s studies.
In children’s and young readers’ categories, Alison Goldberg’s “The Remembering Candle,” illustrated by Selina Alko, won for children’s picture book; Janice Shapiro’s “Honoria: A Fortuitous Friendship” took the prize for middle grade literature; and Eugene Yelchin’s graphic memoir “I Wish I Didn’t Have to Tell You This” won in young adult literature.
Other winners include Miriam Udel’s “Modern Jewish Worldmaking Through Yiddish Children’s Literature,” which won in education and Jewish identity; Raegan Steinberg, Alexandre Cohen and Evelyne Eng’s “Arthurs: Home of the Nosh,” honored in food writing and cookbooks; Ariella Aïsha Azoulay’s “Golden Threads,” which won for Sephardic culture; Elizabeth E. Imber’s “Uncertain Empire,” for writing based on archival material; and Aharon Shabtai’s “Requiem & Other Poems,” translated by Peter Cole, which won the poetry award.
The winners will be honored at an awards ceremony in New York next month hoisted by the entertainer Jonah Platt. At the ceremony, journalist Sam Feedman will be presented with the council’s Mentorship Award, named in honor of Carolyn Starman Hessel, longtime former director of the JBC. Freedman, a former New York Times reporter and professor at the Columbia Journalism School, taught a popular course that helped over 100 students turn their ideas into books, including “When They Come for Us, We’ll Be Gone: The Epic Struggle to Save Soviet Jewry,” Gal Beckerman’s 2010 history of the Soviet Jewry movement.
“Sam Freedman changed my life as a writer,” Beckerman said in a statement. “He believed in me before I believed in myself, pushed me to take my work seriously, and opened doors I didn’t even know existed. With tough love and deep generosity, he guided me through the daunting process of writing a book as if it were his own. What he did for me, he did for dozens of writers.”
The post Eli Sharabi’s ‘Hostage’ memoir named Jewish book of the year appeared first on The Forward.
Uncategorized
Andorra’s tiny Jewish community reels after local carnival features mock execution of Israeli effigy
(JTA) — An annual festival in Andorra drew condemnation from the country’s small Jewish community after an effigy bearing the Israeli flag was staged in a mock trial and then hung and shot.
The incident was part of the traditional Catalan festival Carnestoltes, which occurs yearly before Lent, the 40-day period that precedes Easter. At Monday’s festival in Andorra, where a mock king is typically tried and burned, organizers instead used an effigy wearing blue with the Israeli flag painted on its face.
During the festivities, the Israeli effigy was symbolically tried, hung, shot and burned, according to social media posts and a report in the Israeli outlet YNet.
ABERRANTE muestra de antisemitismo en Andorra durante el carnaval. pic.twitter.com/GeIdF635wd
— Dani Lerer (@danilerer) February 16, 2026
The incident drew outcry from the microstate’s tiny Jewish community, which only just got its first full-time rabbi, a Chabad emissary, in the last two years.
“This is a ritual they perform every year as part of carnival, where they mock many things,” Jewish Andorra resident Esther Pujol told YNet. “This time they dressed the effigy in the colors of the Israeli flag, with a Star of David on its face. They put it on trial, sentenced it to death and carried out the sentence by shooting and burning it. It is completely unacceptable.”
Pujol told the outlet that it was the first time she had seen the festival include anti-Israel or antisemitic elements, and that she had contacted Andorran lawmakers to express her outrage. The mayor of Encamp, the city where the incident took place, and local politicians took part in the ceremony, according to YNet.
The European Jewish Congress also decried the display in a post on X, writing that the mock-execution was a “deeply disturbing act that risks normalizing antisemitism and incitement.”
“This incident requires unequivocal condemnation, full clarification of responsibilities and concrete measures to ensure that antisemitism is never tolerated in public celebrations or institutions in Andorra or anywhere in Europe,” the post continued.
Other Lent festivities have also been the site of antisemitism in recent years, with Belgian celebrations in 2019 featuring antisemitic caricatures and a Spanish parade in 2020 featuring a Holocaust-themed display.
The incident marks a rare instance of open turmoil for Jews in Andorra, which is nestled between France and Spain in the Pyrenees mountains. While France and Spain have seen widespread pro-Palestinian protests and antisemitic incidents in recent years, Andorra has largely avoided similar tensions.
In September, Andorra formally announced its recognition of Palestinian statehood alongside a host of other European nations during the United Nations General Assembly in New York City.
But local Jews have also sought to remain under the radar, considering that Andorra officially prohibits non-Catholic houses of worship. The Jewish community calls their gathering place a community center rather than a synagogue. In 2023, Andorra’s parliament elected a Jewish lawmaker for the first time.
The post Andorra’s tiny Jewish community reels after local carnival features mock execution of Israeli effigy appeared first on The Forward.
Uncategorized
British woman who removed an Israeli hostage poster from a memorial site is convicted of theft
(JTA) — A British woman who is married to a Jewish anti-Zionist activist has been convicted of theft in connection with a 2024 incident in which she removed an Israeli hostage poster and threw it in the trash.
Fiona Monro, 58, of Brighton, England, was found guilty of theft, but not convicted of criminal damage for charges stemming from a February 2024 incident in which she took a large laminated poster of Israeli hostage Tzachi Idan and disposed of it.
A relative of Idan who lives in a neighboring town, Howe, returned the poster to the memorial site after Monro threw it away. A week later, Monro also wrote the phrase “Pray for the 30,000 murdered Palestinians” on the memorial but was acquitted of charges related to the vandalism, according to Brighton and Hove News.
The incident came at a time when Israeli hostage posters were being vandalized frequently by activists across the globe who said they were protesting the war in Gaza. The war began when Hamas attacked Israel on Oct. 7, 2023, killing about 1,200 people and taking about 250 hostages. Idan was killed in Hamas captivity and his remains were returned to Israel a year ago during a negotiated ceasefire.
“This crime was one out of 50 times the memorial was vandalised and it took two years to get justice. But it is possible to get a win,” Heidi Bachram, one of the memorial’s organizers, told the Jewish News following Monro’s convict. “We cannot let hateful people get away with attacking us.”
Monro told police that the memorial located in Brighton’s Palmeira Square “did not represent the Jewish community,” citing her marriage to the prominent activist Tony Greenstein. Greenstein was expelled from Great Britain’s Labour Party in 2018 over his social media comments about Israel, which his party deemed antisemitic.
“The board was clearly there to justify the genocide that was happening,” Monro said in the police interview. “A large laminated board with a photograph of a hostage was highly inflammatory to many people in that community clearly found it very upsetting to have that constantly thrust in our face daily.”
After Monro’s lawyer, Hamish McCallum, requested that the jury consider whether it was proportionate to convict her on the basis she was exercising her right to express her political views, Judge Stephen Mooney rejected the proposal.
“This is not therefore a case of the state seeking to prosecute the defendant disproportionately for expressing her own views or otherwise interfering with her rights,” said Mooney. “It is a case of the state prosecuting the defendant for putting her views above those of others and causing them wholly unnecessary distress by so doing.”
Mooney gave Monro an 18-month conditional discharge and ordered her to pay $1,637 in prosecution costs.
The post British woman who removed an Israeli hostage poster from a memorial site is convicted of theft appeared first on The Forward.