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In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn
(JTA) — Throughout his career, actor Adam Goldberg has been associated with iconic Jewish roles, from the hero in the kitschy 2003 action comedy “The Hebrew Hammer” to a Jewish soldier in Steven Spielberg’s Oscar winner “Saving Private Ryan.”
But for his latest role, on CBS crime procedural “The Equalizer,” Goldberg didn’t know his character had Jewish ancestry until recently, even though the show is in its third season.
On Sunday night, “The Equalizer” will air an episode called “Never Again,” in which a wave of hate crimes strikes Midwood, a heavily Jewish neighborhood in Brooklyn. These incidents hit close to home for Harry Keshegian, Goldberg’s character, a computer expert and Brooklyn native who is part of the show’s team of vigilante justice-seekers. (The series, which is set in New York and stars Queen Latifah, is a reboot of the show from the 1980s, which also spawned a series of films starring Denzel Washington.)
The Harry character has long been established as being of Armenian-American heritage. But for this episode, co-showrunner Adam Glass decided to add to Harry’s backstory, giving the character a Jewish mother as well as a complicated relationship with that side of his faith.
This comes to the forefront when the hate crimes, including vandalism and antisemitic threats, start to pile up. “Growing up with a Jewish mom and Armenian dad, I can’t say I knew where I stood in the community,” Harry says during the episode. “But I definitely know where I stand on hate crimes.”
Harry later describes himself as “someone who’s got a history of genocide on both sides of my family.” And like a lot of Jewish Americans, he was of the belief, at least until recently, that antisemitism in everyday life was mostly a problem of the past.
In dealing with a rabbi (played in the episode by veteran Jewish actor Richard Masur), who tries to react to the horrific events with humor, Harry gets some surprising answers about his family’s past and reconnects, to some degree, with his mother’s faith.
The episode was co-written by Glass and Ora Yashar, who are two of several Jewish writers on the show’s staff.
In working on the show, “we’re really lucky and fortunate that we not only get to entertain, but we get sort of tackle… subject matters that are in the news, and, unfortunately, are part of our society,” Glass told the Jewish Telegraphic Agency. “And obviously antisemitism is one of them.”
Goldberg, 52, whose extensive list of credits over the last 30 years also includes “Dazed and Confused” and a memorable guest arc on “Friends,” told JTA that, earlier in his career, he might not have been as comfortable with this sort of storyline, since it’s subject matter that he has explored before in other high-profile Jewish roles. In 2017, he attempted to put together a crowdfunding campaign to produce a “Hebrew Hammer” sequel inspired by the spike in online antisemitism at the time.
Adam Goldberg in character in a video promoting a crowdfunding effort for a planned sequel to “The Hebrew Hammer.” (Screenshot from YouTube)
“Given just the unbelievable horrific uptick in hate crimes at large, and antisemitism in particular, it just felt like certainly my duty to go there, and also just keep it as grounded as possible,” he said.
The episode was shot at a synagogue in Brooklyn — for security reasons, the team’s publicist would not identify which one — and the team consulted with a rabbi about getting the Jewish touches right.
“I think one of the things that we wanted to just be mindful of is when we’re actually in a synagogue that we were getting things correct,” Yashar said. At the same time, she added, they wanted to get right the way Harry would behave, as someone who hadn’t been inside a synagogue or the Jewish community for many years.
“I found myself being much more sort of moved [and] affected by it than maybe I thought I would,” Goldberg said. “Particularly having explored this terrain in the past.”
Goldberg, like his character, has one Jewish and one non-Jewish parent; he describes his mother as a “hardcore disavowed Catholic.” He went to Jewish day school in Los Angeles from first through sixth grades, and like his character Harry, he drifted away from Jewish education prior to having a bar mitzvah.
“I certainly thought of myself as a Jewish person,” Goldberg said. “I think this is the thing which I grappled with, and I think many Jewish people grappled with — which is how they see themselves, and where they fit in in a world where people have so many different ideas about what it is to be a Jewish person.”
“Grappling with all that as an actor has made that all the more confusing, how to balance all of that,” he added.
Goldberg said he has gotten mostly positive reactions over the years from people who recognize him from his Jewish roles. But he’s mindful of the idea of being typecast as a “neurotic Jew” or “nice Jewish boy,” both of which he sees as tropes. And the reactions he has gotten have not always been as positive.
“I think in many ways I’ve been sort of forced, and then sort of proudly have come to own my Jewish identity,” he said, “and in the last several years and I’ve been on the receiving end of just an incredible amount of hate on social media.” Goldberg added that he has a photo album on his phone titled “Nazis,” featuring “screenshots of just the most horrific shit you can imagine.”
In “Saving Private Ryan,” Goldberg’s Jewish soldier character taunted Nazi prisoners by waving his Jewish star at them. Around that time, his name was featured on a white supremacist website, which in the late 1990s was a single page.
“I had no idea how bad shit was until the internet,” Goldberg said. “And how bad it’s gotten [in real life] since the internet.”
The two Jewish writers of the episode come from very different backgrounds. While Glass is an Ashkenazi Jew from New York, Yashar comes from an Iranian Jewish family.
“When I was growing up, I was told, ‘They’re white until they know you’re Jewish, don’t wear your Star of David,’” Glass said, echoing a comment by Harry on the show. “Those were things my bubbe [grandmother in Yiddish] said to me. And now I’m telling my kids the same things my bubbe said to me, unfortunately.”
A comic book store also features in the episode’s plot and is a nod to Glass’ other career: In addition to his work in television, Glass is a prolific author of comic books and graphic novels, having authored more than 150. He takes credit for putting Harley Quinn in the Suicide Squad DC comic series.
“I’m in two Jewish businesses,” Glass joked. “The comic book business, and the Hollywood business. Being creative is something that we as a people have always done.”
Yashar, who previously worked on the Netflix series “Atypical,” describes herself in her Twitter bio as “Iranian/Persian/OY Veyish.”
“One of the big things for this episode was that we can’t fight hate alone,” she said. “All marginalized communities, we all need to come together. Being a woman, being Iranian, and being Jewish, you know just my whole life experience has just been teaching me that all along.”
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The post In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn appeared first on Jewish Telegraphic Agency.
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Hundreds rally at United Nations to urge world leaders to address antisemitism
(JTA) — Hundreds of members of New York’s Jewish community competed against stand-still traffic, security details and dozens of black SUVs Wednesday night to reach Dag Hammarskjöld Plaza near the United Nations.
Their plea? For world leaders at the global body’s annual General Assembly to take antisemitic violence seriously.
“This week world leaders are gathered in our city, right down the street at the United Nations, to discuss global challenges,” Eric Goldstein, CEO of the UJA-Federation of New York, said in his opening remarks. “But we know that they are not addressing the rampant proliferation of antisemitism across the world.”
Organized by UJA and the Jewish Community Relations Council of New York, the evening rally featured a number of interfaith speakers, as well as survivors of various antisemitic hate crimes around the world from Nova to Bondi Beach.
Devorah Halberstam, whose son Ari was murdered on the Brooklyn Bridge in 1994 in a terror attack, gave an impassioned speech, imploring world leaders to “tell your people: Take this message back to your countries. Antisemitism must stop. Not tomorrow. Not when it becomes politically expedient. Right now.”
A number of speakers Wednesday night criticized New York City Mayor Zohran Mamdani, questioning whether he could truly be a mayor to New York City’s Jews who fundamentally disagree with him on Israel. Others, like Anti-Defamation League CEO Jonathan Greenblatt called out a more general “deliberate passivity in the face of antisemitism,” likening it to complicity.
Also speaking Wednesday was George Zamot, a UPS driver who intervened in July’s stabbing attack on the Upper West Side, in which a Jewish man and an Asian man were injured.
While some speakers focused on the dangers of antisemitism, a few addressed moments of community that resulted from such terrible events.
In a display of unity, Nova music festival survivor Shalev Biton gave remarks while also translating the remarks of Younes Alkarnawi, the Bedouin man who saved his life.
The rally’s audience dwindled as the evening wore on, and a small group of counterprotestors from the anti-Zionist group Neturei Karta became increasingly loud.
The demonstration follows recent public gatherings addressing antisemitism in New York City, including a contentious prayer vigil held by two Orthodox Jewish day schools outside the mayor’s home of Gracie Mansion last week.
It also marks a pivot toward more community advocacy within the scope of UJA’s work. (70 Faces Media, the parent company of the Jewish Telegraphic Agency and New York Jewish Week, receives UJA funding.)
In an interview earlier this week with eJewishPhilanthropy, UJA’s executive vice president for community strategy and external relations Hindy Poupko called the Wednesday evening rally “an attempt to ensure that our narrative doesn’t get drowned out during this U.N. week.”
This article originally appeared on JTA.org.
The post Hundreds rally at United Nations to urge world leaders to address antisemitism appeared first on The Forward.
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How Russian and Austrian politics gave rise to modern Yiddish literature
פֿון װאַנען האָט זיך גענומען די מאָדערנע ליטעראַטור אױף ייִדיש און העברעיִש? ביז הײַנט האָט מען געהאַלטן, אַז זי איז געװען אַ פּועל־יוצא פֿון דער השׂכּלה־אידעאָלאָגיע, װאָסער ציל איז געװען צו דערציִען די ייִדישע מאַסן אינעם גײַסט פֿון דער אײראָפּעיִשער אױפֿקלערונג־קולטור.
עופֿר דינעס (קאָלאַמביע־אוניװערסיטעט) האַלט, אַז אַ װיכטיקע ראָלע אין דער אַנטוויקלונג פֿון דער מאָדערנער ליטעראַטור בײַ ייִדן האָט געשפּילט די נײַע קאָלאָניאַלע פּאָליטיק פֿון די רוסישע און עסטרײַכישע אימפּעריעס נאָך די צעטײלונגען פֿון פּױלן סוף־18טן יאָרהונדערט.
אונטער דער אַלטער פּױלישער מאַכט האָבן ייִדישע יחידים ניט געהאַט קײן דירעקטן שײכות צו דער מלוכה. די קהילות האָבן זיך געפֿירט לױט זײערע אײגענע תּקנות און מנהגים, און זײער קאָלעקטיװער פֿאָרשטײער פֿאַר דער מלוכה איז געװען דער װעד ארבע ארצות (די פֿאַרװאַלטונג פֿון פֿיר לענדער).
די נײַע אימפּעריאַלע מלוכות האָבן אָפּגעשאַפֿן דעם דאָזיקן רעזשים און גענומען אײַנפֿירן אַלגעמײנע געזעץ־געבונג פֿאַר אַלע אונטערטאַנער זײערע, ייִדן בתוכם. דינעסעס בוך באַשרײַבט ווי אַזוי די משׂכּילים האָבן גענומען אױף זיך די אױפֿגאַבע צו דערקלערן די דאָזיקע פּאָליטיק פֿאַר די ייִדישע מאַסן דורך זײערע ליטעראַרישע װערק.
דאָס קעפּל פֿון דינערס בוך לאָזט זיך ניט גענױ איבערזעצן אױף ייִדיש. דאָס ענגלישע װאָרט fiction האָט צװײ פֿאַרשײדענע באַטײַטן: בעלעטריסטיק און פֿיקציע, און זײ בײדע באַלאַנגען צו דעם מײן פֿונעם קעפּל: “די בעלעטריסטיק/פֿיקציע פֿון דער מלוכה“.
דורך זײערע בעלעטריסטישע װערק, האַלט דינעס, האָבן די משׂכּילישע מחברים געשאַפֿן אַן אידעאַליזירטן אימאַזש, אַ „פֿיקציע“, פֿון דער גוטװיליקער מלוכישער מאַכט, װאָס זאָרגט זיך װעגן דעם װױלזײַן פֿון אַלע אירע אונטערטאַנער.
די דאָזיקע פּאָזיציע האָט פֿאָרמולירט ישׂראל אַקסענפֿעלד (1787־1866) אין „דאָס שטערנטיכל“, דעם ערשטן ייִדישן ראָמאַן: „דאָס פּױלישע ביטערע אָנגעבלאָזענע גדלות, די פּױלישע גאװה איז בײַם רוס ניטאָ. אַ רוס, אַז ער קען זיך מיט אַ ייִדן און האָט מיט אים עטלעכע מאָל צו טאָן, רופֿט ער אים ׳בראַט׳’ [ברודער]. אַפֿילו דער פֿאַקטאָר [קאָמיסיאָנער], אַז ער [דער ייִד] דינט אים געטרײַ, האָט ער אים ליב.“
דינעסעס העלדן זײַנען פֿאַרשײדענע פֿיגורן. אײניקע זײַנען באַרימט, װי דער „זײדע“ פֿון דער ייִדישער ליטעראַטור, שלום־יעקבֿ אַבראַמאָװיטש (מענדעלע מוכר ספֿרים); דער גאַליציאַנער משׂכּיל יוסף פּערל און רבי נחמן פֿון בראַצלעװ.
אַנדערע זײַנען שוין כּמעט פֿאַרגעסן געװאָרן, װי דער העברעיִשער דיכטער משה אלחנן — דער מחבר פֿון צװײ העברעיִשע לױבגעזאַנגען. אײן שיר איז געװען געװידמעט דעם פּױלישן קעניג און דער צװײטער — דעם רוסישן צאַר. אַ צווייטער בײַשפּיל איז דער עסטרײַכישער באַאַמטער יאָהאַן עדואַרד זאַק, דער פֿאַרפֿאַסער פֿון אַ סאַטירישן ראָמאַן, װאָס מאַכט חוזק פֿון די גאַליציאַנער חסידים.
עס איז גוט באַקאַנט, אַז די משׂכּילים, בפֿרט דער טאַרנעפּאָלער סוחר יוסף פּערל, האָבן אין זײערע סאַטירישע חיבורים אױסגעלאַכט די חסידים..
אָבער מיט דער צײַט האָט פּערל דערזען, אַז דאָס איז ניט גענוג פֿאַר באַקעמפֿן די השפּעה פֿון חסידות. ער האָט זיך גענומען מסרן זײ צו די עסטרײַכישע אינסטאַנצן דורך זײַנע ליטעראַרישע װערק. װײַזט אױס, אַז די עסטרײַכישע פּאָליצײ האָט געהאַט מומחים, װאָס האָבן געקענט לײענען ייִדיש און העברעיִש.
להיפּוך צו די משׂכּילים, זײַנען די חסידים ניט געװען אײַנשטימיק אין זײער באַצי צו דער רוסישער אימפּעריע. דער גרעסטער אָנהענגער פֿון רוסלאַנד איז געװען דער גרינדער פֿונעם חב״ד, ר׳ שניאור זלמן פֿון ליאַדי. ער האָט געהאַלטן, אַז די קאָנסערװאַטיװע רוסישע פּאָליטיק העלפֿט באַשיצן ייִדישקײט קעגן די נײַע מערבֿדיקע אידעען.
ר׳ נחמן פֿון בראַצלעװ האָט געהאַט אַן אַנדער דעה. כּסדר האַלט מען זײַנע סיפּורי־מעשׂיות פֿאַר מיסטישע אַלעגאָריעס. אַ סך פֿון זײ דערצײלן װעגן אַ מלך און זײַן מלוכה. אַלעגאָריש טײַטשט מען דאָס אױס װי דער רבונו של עולם און די באַשאַפֿענע װעלט זײַנע.
אָבער דינעס לײענט די דאָזיקע מעשׂיות דורך אַ היסטאָרישן פּאָליטישן שפּאַקטיװ. ער האַלט, אַז צו מאָל איז דער מלך טאַקע פּשוט אַ קעניג און זײַן קעניגרײַך איז אַן עכטע מלוכה.
ר׳ נחמנס קריטיק פֿון דער נײַער אימפּעריאַלער פּאָליטיק איז ספּעציעל בולט אין דער „מעשׂה ממלך שגזר שמד“ („מעשׂה װעגן אַ קעניג װאָס האָט באַפֿוילן שמד“), װאָס מאָלט אױס אַ דעספּאָטישן מאָנאַרך.
דורך זײַנע אַלעגאָריעס האָט ר׳ נחמן געפּרוּװט דערקלערן זײַנע חסידים, אַז די נײַע רוסישע בעלי־בתּים זײַנען אױסן מװתּר צו זײַן די אױטאָנאָמיע, װאָס די ייִדישע קהילות האָבן גענאָסן אונטער דער פּױלישער מאַכט.
ר׳ נחמנס כּװנה, האַלט דינעס, איז געװען צו באַשיצן ייִדן פֿון דער נײַער מאַכט. צוליב דעם האָט ער ספּעציעל אױסגעקליבן די שטאָט בראַצלעװ (בראַסלעװ) אין פּאָדאָליע פֿאַר זײַן רעזידענץ, װײַל דאָס איז געװען אַן אַדמיניסטראַטיװער קרײַז־צענטער.
ר׳ נחמן האָט געהאָפֿט, אַז בראַצלעװ װעט זײַן „די פֿאַבריק פֿון ייִדישקײט“, און אַזױ אַרום „װעט די גאַנצע װעלט ווערן בראַסלאַװער חסידים“. די דאָזיקע װערטער האָט פֿאַרשריבן זײַן געטרײַער תּלמיד ר׳ נתן שטײנהאַרץ.
דינעס איז אַ געניטער דערצײלער. אױף די זײַטן פֿון זײַן בוך טרעפֿן זיך פּױלישע פּריצים, רוסישע מיליטער־לײַט, עסטרײַכישע פּאָליצײ און כּל־מיני ייִדן: משׂכּילים, חסידים, משומדים. ער אַנטפּלעקט פֿאַרכאַפּנדיקע פּרטים און אומשטאַנדן, װאָס לאָזן אױף ס׳נײַ אױסטײַטשן ליטעראַרישע טעקסטן.
סוף־18טן און אָנהײב־19טן יאָרהונדערט איז געװען אַ שטורעמדיקע תּקופֿה איבער גאַנץ אײראָפּע. די צעטײלונגען פֿון פּױלן און דערנאָך די מלחמות קעגן נאַפּאָלעאָנישן פֿראַנקרײַך האָבן שטאַרק געענדערט די פּאָליטישע מאַפּע פֿון מיטל־ און מזרח־אײראָפּע.
די דאָזיקע דראַמאַטישע געשעענישן האָבן פֿאַרטיפֿט דעם שפּאַלט אינעם פּױלישן ייִדנטום. די העכערע שיכטן, פֿאַרמעגלעכע שטאָטישע בעלי־בתּים, האָבן לרובֿ געשטיצט די נײַע פּאָליטיק און געצױגן נוצן פֿון דער לעגאַלער אָרדענונג אין רוסלאַנד און עסטרײַך.
אָבער די אָרעמע שטעטלדיקע מאַסן, בפֿרט חסידים, האָבן חושד געווען, אַז די נײַע מאַכט מאַכט וועט זיך אַרײַנמישן אין זײער עסקים כּדי אָפּצוציִען ייִדן פֿון ייִדישקײט.
בײדע צדדים האָבן גענומען פֿאַרשפּרײטן זײערע אידעען דורך ליטעראַרישע טעקסטן אין פֿאַרשײדענע זשאַנערס, אַזעלכע װי מעשׂיות, לידער, ראָמאַנען און סאַטירישע פּאַמפֿלעטן. און פֿון אָט די דאָזיקע װיכּוחים איז אױסגעװאַקסן די מאָדערנע צװײ־שפּראַכיקע ייִדישע ליטעראַטור.
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2 top Iranian officials to face trial in absentia over deadly 1994 attack on Argentinian Jewish center
(JTA) — Two senior officials at the heart of Iran’s military and national security establishment are among the eight people set to face trial in absentia over their alleged roles in the 1994 terrorist bombing of the AMIA Jewish community center in Buenos Aires.
Argentine Federal Judge Daniel Rafecas issued the 648-page ruling Monday, formally processing the suspects and ordering an asset freeze of up to $500 million for each of them. The ruling attributes different roles to the suspects, ranging from senior Iranian officials who allegedly made and facilitated the decision to carry out the attack to individuals accused of providing diplomatic and operational support.
Ahmad Vahidi, the current commander-in-chief of Iran’s Islamic Revolutionary Guard Corps, and Mohsen Rezaei, secretary of Iran’s Supreme National Security Council, are among seven Iranian citizens and one Lebanese national formally charged in the case.
The other defendants are former Iranian intelligence minister Ali Fallahian; former foreign minister Ali Akbar Velayati; former Iranian diplomat Hadi Soleimanpour; former cultural attaché in Buenos Aires Mohsen Rabbani; former embassy official Ahmad Reza Asghari; and alleged Hezbollah operative Salman Raouf Salman, also known as Samuel Salman El Reda.
The judge charged the defendants with aggravated homicide and injuries motivated by racial or religious hatred. He classified the bombing as both a crime against humanity and an act of genocide.
The July 18, 1994 bombing of the AMIA building killed 85 people and injured over 300, remaining the deadliest terrorist attack in Argentine history.
The ruling was handed down after almost seven months of Iran’s war with the U.S. and Israel, with the Islamic Republic’s nuclear program at the center of international debate.
Argentine President Javier Milei, known for his pro-Israel views, noted the prosecution in his remarks Wednesday at the annual U.N. General Assembly, and placed it in the context of the threat he said Iran poses to the West.
“We have also made a geopolitical choice: We have aligned ourselves unequivocally with the West, with the United States and with Israel — countries with which we share a deep affinity of values and strategic complementarity,” he said. “That is why we condemn the Iranian regime’s attacks on the State of Israel, we have designated Iran’s Revolutionary Guard as a terrorist organization, and continue to seek justice for the two attacks carried out on Argentine soil in 1992 and 1994.”
The indictments followed a unanimous ruling also on Monday by the federal appeals court upholding the constitutionality of applying Argentina’s trial-in-absentia law to the AMIA case. The legislation, enacted in 2025, allows proceedings involving terrorism and crimes against humanity to continue when defendants deliberately evade Argentine justice.
The Jewish umbrella organization DAIA welcomed the decision. “Thirty-two years after the bombing of the AMIA-DAIA building, Argentina’s courts have taken a major step in the pursuit of truth and justice,” it said in a post on X. The post featured photos of the suspects formally charged by an Argentine judge under the headline “Historic Event.”
AMIA in a statement posted Tuesday said the decision marks “a decisive milestone in establishing the truth about the worst terrorist attack suffered by our country.” The trial date has not yet been set, but experts quoted by Argentine media estimate that it will take place next year. It would be the first trial in absentia in Argentina’s history.
This article originally appeared on JTA.org.
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