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In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn

(JTA) — Throughout his career, actor Adam Goldberg has been associated with iconic Jewish roles, from the hero in the kitschy 2003 action comedy “The Hebrew Hammer” to a Jewish soldier in Steven Spielberg’s Oscar winner “Saving Private Ryan.”

But for his latest role, on CBS crime procedural “The Equalizer,” Goldberg didn’t know his character had Jewish ancestry until recently, even though the show is in its third season. 

On Sunday night, “The Equalizer” will air an episode called “Never Again,” in which a wave of hate crimes strikes Midwood, a heavily Jewish neighborhood in Brooklyn. These incidents hit close to home for Harry Keshegian, Goldberg’s character, a computer expert and Brooklyn native who is part of the show’s team of vigilante justice-seekers. (The series, which is set in New York and stars Queen Latifah, is a reboot of the show from the 1980s, which also spawned a series of films starring Denzel Washington.)

The Harry character has long been established as being of Armenian-American heritage. But for this episode, co-showrunner Adam Glass decided to add to Harry’s backstory, giving the character a Jewish mother as well as a complicated relationship with that side of his faith.

This comes to the forefront when the hate crimes, including vandalism and antisemitic threats, start to pile up. “Growing up with a Jewish mom and Armenian dad, I can’t say I knew where I stood in the community,” Harry says during the episode. “But I definitely know where I stand on hate crimes.”

Harry later describes himself as “someone who’s got a history of genocide on both sides of my family.” And like a lot of Jewish Americans, he was of the belief, at least until recently, that antisemitism in everyday life was mostly a problem of the past.

In dealing with a rabbi (played in the episode by veteran Jewish actor Richard Masur), who tries to react to the horrific events with humor, Harry gets some surprising answers about his family’s past and reconnects, to some degree, with his mother’s faith.

The episode was co-written by Glass and Ora Yashar, who are two of several Jewish writers on the show’s staff.

In working on the show, “we’re really lucky and fortunate that we not only get to entertain, but we get sort of tackle… subject matters that are in the news, and, unfortunately, are part of our society,” Glass told the Jewish Telegraphic Agency. “And obviously antisemitism is one of them.” 

Goldberg, 52, whose extensive list of credits over the last 30 years also includes “Dazed and Confused” and a memorable guest arc on “Friends,” told JTA that, earlier in his career, he might not have been as comfortable with this sort of storyline, since it’s subject matter that he has explored before in other high-profile Jewish roles. In 2017, he attempted to put together a crowdfunding campaign to produce a “Hebrew Hammer” sequel inspired by the spike in online antisemitism at the time.

Adam Goldberg in character in a video promoting a crowdfunding effort for a planned sequel to “The Hebrew Hammer.” (Screenshot from YouTube)

“Given just the unbelievable horrific uptick in hate crimes at large, and antisemitism in particular, it just felt like certainly my duty to go there, and also just keep it as grounded as possible,” he said. 

The episode was shot at a synagogue in Brooklyn — for security reasons, the team’s publicist would not identify which one — and the team consulted with a rabbi about getting the Jewish touches right. 

“I think one of the things that we wanted to just be mindful of is when we’re actually in a synagogue that we were getting things correct,” Yashar said. At the same time, she added, they wanted to get right the way Harry would behave, as someone who hadn’t been inside a synagogue or the Jewish community for many years. 

“I found myself being much more sort of moved [and] affected by it than maybe I thought I would,” Goldberg said. “Particularly having explored this terrain in the past.”

Goldberg, like his character, has one Jewish and one non-Jewish parent; he describes his mother as a “hardcore disavowed Catholic.” He went to Jewish day school in Los Angeles from first through sixth grades, and like his character Harry, he drifted away from Jewish education prior to having a bar mitzvah. 

“I certainly thought of myself as a Jewish person,” Goldberg said. “I think this is the thing which I grappled with, and I think many Jewish people grappled with — which is how they see themselves, and where they fit in in a world where people have so many different ideas about what it is to be a Jewish person.” 

“Grappling with all that as an actor has made that all the more confusing, how to balance all of that,” he added. 

Goldberg said he has gotten mostly positive reactions over the years from people who recognize him from his Jewish roles. But he’s mindful of the idea of being typecast as a “neurotic Jew” or “nice Jewish boy,” both of which he sees as tropes. And the reactions he has gotten have not always been as positive. 

“I think in many ways I’ve been sort of forced, and then sort of proudly have come to own my Jewish identity,” he said, “and in the last several years and I’ve been on the receiving end of just an incredible amount of hate on social media.” Goldberg added that he has a photo album on his phone titled “Nazis,” featuring “screenshots of just the most horrific shit you can imagine.” 

In “Saving Private Ryan,” Goldberg’s Jewish soldier character taunted Nazi prisoners by waving his Jewish star at them. Around that time, his name was featured on a white supremacist website, which in the late 1990s was a single page. 

“I had no idea how bad shit was until the internet,” Goldberg said. “And how bad it’s gotten [in real life] since the internet.” 

The two Jewish writers of the episode come from very different backgrounds. While Glass is an Ashkenazi Jew from New York, Yashar comes from an Iranian Jewish family. 

“When I was growing up, I was told, ‘They’re white until they know you’re Jewish, don’t wear your Star of David,’” Glass said, echoing a comment by Harry on the show. “Those were things my bubbe [grandmother in Yiddish] said to me. And now I’m telling my kids the same things my bubbe said to me, unfortunately.” 

A comic book store also features in the episode’s plot and is a nod to Glass’ other career: In addition to his work in television, Glass is a prolific author of comic books and graphic novels, having authored more than 150. He takes credit for putting Harley Quinn in the Suicide Squad DC comic series. 

“I’m in two Jewish businesses,” Glass joked. “The comic book business, and the Hollywood business. Being creative is something that we as a people have always done.” 

Yashar, who previously worked on the Netflix series “Atypical,” describes herself in her Twitter bio as “Iranian/Persian/OY Veyish.”

“One of the big things for this episode was that we can’t fight hate alone,” she said. “All marginalized communities, we all need to come together. Being a woman, being Iranian, and being Jewish, you know just my whole life experience has just been teaching me that all along.” 


The post In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn appeared first on Jewish Telegraphic Agency.

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Pro-Israel Group Issues Slate of Democratic Endorsements in US Congressional Races

Supporters of Democratic Majority for Israel. Photo: Screenshot

A leading pro-Israel Democratic organization is stepping into a series of competitive US House primaries, aiming to bolster candidates who it says can both defend the US–Israel alliance and help Democrats reclaim the majority in 2026.

The Democratic Majority for Israel’s political action committee, DMFI PAC, on Thursday unveiled its first slate of endorsements this 2026 election cycle, targeting nearly a dozen open-seat and battleground contests across the country. The move underscores how support for Israel remains a defining issue within a party navigating internal divisions over Middle East policy.

Among the most closely watched races are several swing districts seen as pivotal to Democratic hopes of flipping the House from Republican control. In Colorado’s 8th District, state lawmaker Shannon Bird secured the group’s backing. In Pennsylvania, endorsements went to Scranton Mayor Paige Cognetti in the 8th District and former television anchor Janelle Stelson in the 10th.

The PAC also threw support behind former Rep. Elaine Luria in Virginia’s 2nd District, a perennial battleground seat, and Texas candidate Johnny Garcia in the 35th District.

In addition to those high-profile contests, the organization endorsed a group of candidates running in open or crowded Democratic primaries, including Cook County Commissioner Donna Miller in Illinois, former Rep. Melissa Bean also in Illinois, Maryland candidate Adrian Boafo, Michigan state Sen. Jeremy Moss, New York contender Cait Conley, and New Hampshire Democrat Maura Sullivan.

DMFI leaders say the endorsements reflect a dual strategy: reinforcing Democratic support for Israel as a key democratic ally in a volatile region, while elevating candidates viewed as broadly electable in general elections. The group argues that backing Israel’s security and right to defend itself against terrorist threats is consistent with Democratic values and national security priorities.

“These endorsements reflect our belief that supporting Israel and winning elections go hand in hand,” said Kathy Manning, former congresswoman and DMFI PAC board member. “The US–Israel relationship has long been a bipartisan pillar of American foreign policy because it’s critical to our security and intelligence capabilities – and it remains a view shared by the majority of Democratic voters. DMFI PAC is proud to support candidates who reflect those values and who can help strengthen the Democratic caucus in Congress.”

The announcement comes as debates over US policy toward Israel and Gaza continue to animate Democratic primaries. While some progressive lawmakers have pushed for new conditions on US aid and have condemned Israel’s military operations in Gaza, pro-Israel advocates maintain that steadfast support for Israel strengthens both American strategic interests and the party’s standing with moderate and swing voters.

In the two years following the Hamas-led Oct. 7, 2023, massacre in Israel, the relationship between the Jewish state and the Democratic Party has deteriorated dramatically. Overwhelming numbers of Democrats indicate a negative perception of Israel in polling. Moreover, recent surveys have shown a supermajority of Democrats claim that Israel has committed a “genocide” in Gaza, a narrative that Israel vehemently rejects and of which there is little substantiation.

Further, the cratering support for Israel among Democratic voters has caused many liberal politicians to distance themselves from Israel-aligned organizations such as DMFI and AIPAC, the preeminent pro-Israel lobbying group in the US.

“Winning back the House requires Democrats to nominate candidates who can build broad coalitions and win in November,” said Brian Romick, chair of DMFI PAC. “These endorsements reflect that reality. DMFI PAC is the only organization focused on electing Democrats to the majority while also ensuring pro-Israel Democrats can win in competitive primary and general elections.”

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Dear internet: Having Jews in movies isn’t ‘Zionist propaganda’

There’s a joke in Blazing Saddles, about an event that took place several thousand years ago, that maybe hasn’t aged so well.

It’s in the scene where Harvey Korman’s conniving Attorney General Hedley Lamarr brainstorms plans to clear away the town of Rock Ridge. Lamarr’s lackey Taggart, played by Slim Pickens, makes a modest proposal: “We’ll kill the firstborn male child in every household.”

Lamarr considers the idea, before dismissing it. “Too Jewish,” he says.

When I heard that quip in a recent rewatch with my girlfriend (her first time), I saw a new reason why you couldn’t make the film today: Modern audiences, particularly those amateur critics itching to sound off online, seem to have more fluency in blood libels about Jews than the Passover narrative Mel Brooks and Co. were riffing on. For those who think the Epstein files contain damning proof of elites eating babies, “too Jewish” might seem like an admission. For the many more who look upon Zion as the source of the world’s ills, a misreading of the gag would likely go viral.

True, Blazing Saddles was made in 1974, well before the recent carnage in Gaza. But I could imagine the rejoinders — “Israel has been killing kids since 1948!”

I put the “too Jewish” joke out of mind for a bit. I decided I was overstating just how wrong people on the internet could be. And then I encountered a post on X. It was responding to a screenshot from Marty Supreme, where the title character presents his mother with a chunk of the pyramids. “We built that,” he says.

“This is Zionist propaganda,” an eagle-eyed netizen wrote, to the tune of nearly 96,000 likes, 11,000 reposts and 7 million views. The self-professed “archeology (sic) major” took the occasion to correct this humorous expression of the collosal self-regard of an antihero ping-pong hustler with proof that this particular Wonder of the World was the work of well-respected Egyptian craftsmen and so (somehow) invalidates the Jewish national project.

Someone else said the film, which nowhere mentions Israel, was Zionist. A Letterboxd review is terse in its description: “if the spiritually Israeli term was a movie.”

This failure to grasp Jewish references that have their own ontology — or the desire to graft more recent ones onto them — is becoming a theme.

Last year, The Brutalist, was mired in a debate about whether or not its subplot about the newly formed Jewish state was an endorsement or indictment of national ambitions in the Levant. (In entering this particular fray, most missed the point: Recent survivors of the Holocaust discussed and argued about Israel, some moved there, others didn’t and a film can present this reality without offering a judgment either way.)

When I see these takes, I beat my chest as if performing viddui over the death of media literacy.

As a critic for a Jewish publication, whose remit is to read deeply into even the most tenuous of Jewish subtexts, this pains me. Not because I myself have offended (though perhaps I have), but because I take the work seriously and try my hardest not to impose on art something that just isn’t there. I’m reminded of Freud’s famous remark: “Sometimes a cigar is a phallic metaphor for Jewish domination on stolen Palestinian land.”

Sorry, that wasn’t it at all, was it?

What the terminally online crowd often mean to say when they shout “Zionist propaganda” is “there are Jews in this!” It’s not a great way to interpret art, and it undermines the legitimacy of the argument that anti-Zionism is not antisemitism. But a film need not even have Jews in it for some to claim it’s really about Israel.

My colleagues and I have written about how Dune, Superman, and Zootopia 2 have been seized by the internet as part of the monomyth of Israeli villainy. When people make these connections, they may believe they’re thinking deeply, but they’re really just reaching for the nearest headline or playing to their own biases.

This insistence on Israel as the ultimate Big Bad reminds me of a remark made by Denise Gough, an actor in the Star Wars series Andor (another property said to be about Israel-Palestine, even though the creator Tony Gilroy mentioned numerous historical inspirations, most directly the Wannsee Conference). In an interview, Gough said a fan sent her a Star Wars analogy, which she said she only half understood.

The fan argued that just as the Death Star, a planet-destroying weapon, has an Achilles’ heel in its exhaust port, that when fired at explodes the whole thing, the conflicts of the world have a focal point in Palestine from which the architecture of oppression can be demolished.

“If we can free Palestine,” Gough concluded, “it explodes everything.” “Everything,” here, being unrelated atrocities in Sudan, Congo and Nigeria.

Let’s leave aside the fact that Gough, an actor in a Star Wars property, is somehow unfamiliar with the most iconic scene in the franchise, and what that level of research might connote for her understanding of the dynamics of the Middle East.

What she is really demonstrating, when she mentions other countries rocked by violence, is something much scarier: how the conspiratorial, magical thinking that all wrongs lead back to Israel — and that everything is a metaphor for it — echoes tropes of Jewish control and is ultimately an excuse for an exclusive fixation. Turn off the targeting computer that acknowledges complexity. Use the force, Denise! Get rid of the Zionist entity, every other crisis will sort itself out!

And so, I worry that Jewish stories — or even jokes — will stop being seen outside of a context of Israel’s actions and that metaphors and allegory will lose their elasticity, all looping back to a unified theory of evil Jews. Not for everyone, but for enough people to make a difference.

The Jewish story is textured, complex and anything but unified. Marty Supreme, The Brutalist and Blazing Saddles, each make this case. Those who see only one narrative not only miss the plot, they miss out on what good art does best.

The post Dear internet: Having Jews in movies isn’t ‘Zionist propaganda’ appeared first on The Forward.

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France Moves to Criminalize Anti-Zionism Amid Surging Wave of Antisemitism Targeting Jews, Israelis

French Prime Minister Sebastien Lecornu delivers a speech at the National Assembly in Paris, France, Jan. 20, 2026. Photo: REUTERS/Sarah Meyssonnier

The French government is moving to criminalize anti-Zionism in a sweeping bid to confront a deepening surge in antisemitism targeting Jews and Israelis across the country, as officials warn of a growing climate of fear and intimidation nationwide.

Speaking at the annual gathering of the Representative Council of Jewish Institutions of France (CRIF), the main representative body of French Jews, Prime Minister Sébastien Lecornu announced that the government would introduce a bill criminalizing anti-Zionist expressions, signaling a move to tackle antisemitism in all its forms, not just traditional manifestations.

“To define oneself as anti-Zionist is to question Israel’s right to exist. It’s a call for the destruction of an entire people under the guise of ideology,” the French leader said.

“There is a difference between legitimate criticism of the Israeli government and rejecting the very existence of the Jewish state. This ‘blurring’ must stop,” he continued.

“Calling for the destruction of the State of Israel is calling to endanger the lives of a people and cannot be tolerated any longer,” Lecornu added. “Hatred of Jews is hatred of the Republic and a stain on France.”

The European Jewish Congress (EJC) commended Lecornu’s announcement, praising him “for his clear and principled commitment to criminalize calls for the destruction of any state, including Israel.”

During the ceremony, CRIF president Yonathan Arfi warned that Jewish communities in France are under mounting threat, stressing the urgent need for action against the country’s rising antisemitism.

“Antisemitism knows no truce. The conflict in the Middle East has acted as a catalyst. But the hatred growing in our country is a French problem, and there is no reason to expect a rapid decline,” Arfi said.

In April, the French government is expected to endorse a private bill proposed by Jewish Member of Parliament Caroline Yadan, who represents French citizens abroad — including thousands living in Israel — with backing from right-wing parties likely ensuring the majority needed to pass the legislation.

Yadan explained that the bill is designed to combat emerging forms of antisemitism, emphasizing the urgent need for stronger legal measures to protect Jewish communities in France.

“This is a clear statement: Our Republic will not become accustomed, will not look the other way, and will never abandon the Jews of France,” the French lawmaker said.

Like most countries across Europe and the broader Western world, France has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

According to the French Interior Ministry’s annual report on anti-religious acts, antisemitism in France remained alarmingly high last year, with 1,320 incidents recorded across the country.

Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases, the report warned that antisemitism remains “historically high,” with more than 3.5 attacks occurring every day.

The most recent figure of total antisemitic incidents represents a 21 percent decline from 2023’s record high of 1,676 incidents, but a 203 percent increase from the 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.

Even though Jews make up less than 1 percent of France’s population, they accounted for 53 percent of all religiously motivated crimes last year.

Between 2022 and 2025, antisemitic attacks across France quadrupled, leaving the Jewish community more exposed than ever.

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