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In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn
(JTA) — Throughout his career, actor Adam Goldberg has been associated with iconic Jewish roles, from the hero in the kitschy 2003 action comedy “The Hebrew Hammer” to a Jewish soldier in Steven Spielberg’s Oscar winner “Saving Private Ryan.”
But for his latest role, on CBS crime procedural “The Equalizer,” Goldberg didn’t know his character had Jewish ancestry until recently, even though the show is in its third season.
On Sunday night, “The Equalizer” will air an episode called “Never Again,” in which a wave of hate crimes strikes Midwood, a heavily Jewish neighborhood in Brooklyn. These incidents hit close to home for Harry Keshegian, Goldberg’s character, a computer expert and Brooklyn native who is part of the show’s team of vigilante justice-seekers. (The series, which is set in New York and stars Queen Latifah, is a reboot of the show from the 1980s, which also spawned a series of films starring Denzel Washington.)
The Harry character has long been established as being of Armenian-American heritage. But for this episode, co-showrunner Adam Glass decided to add to Harry’s backstory, giving the character a Jewish mother as well as a complicated relationship with that side of his faith.
This comes to the forefront when the hate crimes, including vandalism and antisemitic threats, start to pile up. “Growing up with a Jewish mom and Armenian dad, I can’t say I knew where I stood in the community,” Harry says during the episode. “But I definitely know where I stand on hate crimes.”
Harry later describes himself as “someone who’s got a history of genocide on both sides of my family.” And like a lot of Jewish Americans, he was of the belief, at least until recently, that antisemitism in everyday life was mostly a problem of the past.
In dealing with a rabbi (played in the episode by veteran Jewish actor Richard Masur), who tries to react to the horrific events with humor, Harry gets some surprising answers about his family’s past and reconnects, to some degree, with his mother’s faith.
The episode was co-written by Glass and Ora Yashar, who are two of several Jewish writers on the show’s staff.
In working on the show, “we’re really lucky and fortunate that we not only get to entertain, but we get sort of tackle… subject matters that are in the news, and, unfortunately, are part of our society,” Glass told the Jewish Telegraphic Agency. “And obviously antisemitism is one of them.”
Goldberg, 52, whose extensive list of credits over the last 30 years also includes “Dazed and Confused” and a memorable guest arc on “Friends,” told JTA that, earlier in his career, he might not have been as comfortable with this sort of storyline, since it’s subject matter that he has explored before in other high-profile Jewish roles. In 2017, he attempted to put together a crowdfunding campaign to produce a “Hebrew Hammer” sequel inspired by the spike in online antisemitism at the time.
Adam Goldberg in character in a video promoting a crowdfunding effort for a planned sequel to “The Hebrew Hammer.” (Screenshot from YouTube)
“Given just the unbelievable horrific uptick in hate crimes at large, and antisemitism in particular, it just felt like certainly my duty to go there, and also just keep it as grounded as possible,” he said.
The episode was shot at a synagogue in Brooklyn — for security reasons, the team’s publicist would not identify which one — and the team consulted with a rabbi about getting the Jewish touches right.
“I think one of the things that we wanted to just be mindful of is when we’re actually in a synagogue that we were getting things correct,” Yashar said. At the same time, she added, they wanted to get right the way Harry would behave, as someone who hadn’t been inside a synagogue or the Jewish community for many years.
“I found myself being much more sort of moved [and] affected by it than maybe I thought I would,” Goldberg said. “Particularly having explored this terrain in the past.”
Goldberg, like his character, has one Jewish and one non-Jewish parent; he describes his mother as a “hardcore disavowed Catholic.” He went to Jewish day school in Los Angeles from first through sixth grades, and like his character Harry, he drifted away from Jewish education prior to having a bar mitzvah.
“I certainly thought of myself as a Jewish person,” Goldberg said. “I think this is the thing which I grappled with, and I think many Jewish people grappled with — which is how they see themselves, and where they fit in in a world where people have so many different ideas about what it is to be a Jewish person.”
“Grappling with all that as an actor has made that all the more confusing, how to balance all of that,” he added.
Goldberg said he has gotten mostly positive reactions over the years from people who recognize him from his Jewish roles. But he’s mindful of the idea of being typecast as a “neurotic Jew” or “nice Jewish boy,” both of which he sees as tropes. And the reactions he has gotten have not always been as positive.
“I think in many ways I’ve been sort of forced, and then sort of proudly have come to own my Jewish identity,” he said, “and in the last several years and I’ve been on the receiving end of just an incredible amount of hate on social media.” Goldberg added that he has a photo album on his phone titled “Nazis,” featuring “screenshots of just the most horrific shit you can imagine.”
In “Saving Private Ryan,” Goldberg’s Jewish soldier character taunted Nazi prisoners by waving his Jewish star at them. Around that time, his name was featured on a white supremacist website, which in the late 1990s was a single page.
“I had no idea how bad shit was until the internet,” Goldberg said. “And how bad it’s gotten [in real life] since the internet.”
The two Jewish writers of the episode come from very different backgrounds. While Glass is an Ashkenazi Jew from New York, Yashar comes from an Iranian Jewish family.
“When I was growing up, I was told, ‘They’re white until they know you’re Jewish, don’t wear your Star of David,’” Glass said, echoing a comment by Harry on the show. “Those were things my bubbe [grandmother in Yiddish] said to me. And now I’m telling my kids the same things my bubbe said to me, unfortunately.”
A comic book store also features in the episode’s plot and is a nod to Glass’ other career: In addition to his work in television, Glass is a prolific author of comic books and graphic novels, having authored more than 150. He takes credit for putting Harley Quinn in the Suicide Squad DC comic series.
“I’m in two Jewish businesses,” Glass joked. “The comic book business, and the Hollywood business. Being creative is something that we as a people have always done.”
Yashar, who previously worked on the Netflix series “Atypical,” describes herself in her Twitter bio as “Iranian/Persian/OY Veyish.”
“One of the big things for this episode was that we can’t fight hate alone,” she said. “All marginalized communities, we all need to come together. Being a woman, being Iranian, and being Jewish, you know just my whole life experience has just been teaching me that all along.”
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One of America’s first Jewish farms was nearly lost to history. Now these Brooklyn parents are risking everything to keep their family’s legacy alive.
The 350-square-foot Brooklyn apartment where Malya and William Levin live with their four children is barely big enough for their family, much less their ambitions. From this compressed space, they’re reaching for something vast — the revival of one of America’s first Jewish farms, built by William’s ancestors in rural South Jersey.
Their quixotic quest is larger than acreage; it’s continuity, in a time and place where nothing stays rooted for long. It’s a tight staging ground for an unusually wide dream.
“We aren’t just trying to save land,” Malya said, their toddler Julius perched on her lap. “We are trying to save the story.”
The story she’s referring to reaches back to 1882, when 43 Jewish families fled pogroms in Russia and the Pale of Settlement. They carried what they could — and what they couldn’t bear to leave behind.
Backed by Baron de Hirsch and other Jewish benefactors who believed farming could offer both refuge and respectability, they were sent not to the teeming tenements of Manhattan but to a thousand acres of pine forest and sandy soil.
It was a bold wager: Eastern European Jews, often caricatured in their home countries as “unproductive,” could instead be seen growing their own food as capable, contributing citizens. Those same Jewish immigrants — tailors, peddlers, clerks — could become farmers, rooted and self-reliant, all trying to prove that Jews could stand on American land and make it yield.
“It’s almost a completely different story than we’re used to hearing,” said Adrienne Krone, a religious studies professor at Allegheny College and the author of Free-Range Religion. “We’re used to the Lower East Side and factories and crowded apartments, and what was happening in these farming communities was almost the exact opposite.”
Around the same time, dozens of such Jewish agricultural colonies were established across the United States, including in Louisiana, Utah, and both Dakotas. Yiddish-speaking socialists established a similar settlement, Happyville, in South Carolina.
In New Jersey, they called their 1,000-acre settlement the Alliance Colony.
What began as tents and barracks grew into a rural Jewish community of hundreds of families: homes, vineyards, chicken farms, a school, three synagogues, and a mikvah. The colonists built a tobacco factory that failed, and a button factory that didn’t. Reinvention wasn’t strategy so much as muscle memory.
Among the colony’s early leaders was William’s great-great-grandfather, Moses Bayuk. His generation carved Alliance out of wild ground: clearing land, organizing the community, building the institutions that held it together.
After World War II, a second wave of immigrants arrived in the region — Holocaust survivors who settled in nearby Vineland and Pittsgrove and built successful chicken farms. For decades they sustained a thriving Jewish agricultural center across South Jersey.
But by the 1970s, most families had moved into city jobs. The Jewish presence waned. The land quieted.
What led them back to the farm
For William and Malya, the draw toward Alliance was never just historical. It was personal.
Malya, 41, grew up in New Jersey steeped in Jewish text and memory. She is the daughter of Rabbi Arthur Kurzweil, the noted author whose career has long focused on Jewish continuity. Her childhood was Orthodox, threaded with rituals that made the past feel close enough to touch.
William, 54, arrived at Jewish life differently. He didn’t grow up religious. His first real brush with Judaism came through, of all things, animation: In the early 2000s, before the days of YouTube and social media, he was making viral Jewish videos that somehow found their way across the internet. Several, including a cartoon in which a robot meets 50 Cent and raps about the Ten Plagues, reached millions.
“I didn’t even know what the word frum meant until Frumster hired me,” he said of the Orthodox dating site. “They paid me in a Frumster.com membership.”
It worked.
He met Malya at a Jewish singles event in 2009. They married the next summer, on Tu B’Av, known as the Jewish festival of love.
“We both had a penchant for offbeat stuff,” Malya said. “Neither of us wanted to be accountants and move to the suburbs on Long Island.”
That sensibility carried them to Sukkahfest 2014 at the Isabella Freedman Jewish Retreat Center in Connecticut, where they witnessed a modern Jewish farming movement that wove land, ritual, ecology and community into a single experience.
“It was beautiful and intoxicating,” William said.
“All these young Jews were so into farming,” Malya added. “And we were like: Wait, we have the first Jewish farm.”
Their cramped apartment in Brooklyn feels like the furthest thing from this expansive ideal. A desk presses into a couch, the couch brushes against the mattress where William and Malya sleep. In the lone bedroom, their four children climb into a handmade Jenga-tower of bunk beds.
William opens a cigar box filled with brittle letters from Alliance’s earliest families — the kind of fragile paper that survives only because someone keeps choosing to protect it. For the couple, preserving the land has always meant preserving the story stitched through it.
The idea gained force. The place that kept resurfacing was the 85 acres William’s extended family still owned in the old Alliance Colony, land that had never fully slipped from their hands.
So the couple, an animator and an elder justice attorney, did something audacious: They spent their life savings to buy it back.
When the vision met reality
Their vision was expansive. They imagined retreats, Shabbatons, Jewish holidays at the farm, a hybrid life where city and country sat side by side. But figuring out what the land could actually do required trying almost everything.
They planted organic vegetables and heirloom crops. Built raised beds. Experimented with fruit trees. Started a micro-vineyard. (“Who doesn’t want wine tasting on a kosher vineyard in a historic Jewish farm?” Malya asked.) They considered raising geese, then heritage chicken breeds with old-sounding names. Partnered with local growers. Applied for grants. Taught programs on Jewish agricultural history.
Some ideas lived a season. Some never made it out of the notebook. They tried all these things because not trying felt like betrayal.
They fielded proposals — some compelling, some outlandish. A solar company wanted to cover their fields with panels. A hemp grower pitched them on the green rush. One man wanted to install cryptocurrency servers in the barn, a futuristic-sounding plan that fizzled when William learned the man was tied to a dubious investment scheme.
The Levins were not just fighting weeds and property taxes. They were fighting the economics that hollowed out rural America; the cultural drift that carried Jews away from small towns; the logistical strain of raising four children while holding two demanding jobs.
“We weren’t trying to be homesteaders,” Malya said. “We were trying to find something sustainable that didn’t require uprooting our whole life in Brooklyn.”
Their approach — try, fail, adjust, try again — echoed the original colonists. “Honestly, it’s what we’re doing,” Malya said. “Throwing these things against the wall and seeing what sticks, just like they did.” Reinvention has always been part of Jewish life here, as it is for many small communities trying to stay alive.
Some things they tried did stick.
Descendants began returning for regular Alliance reunions, gatherings that grew each year. Young Jews from the city arrived curious about Jewish farming. And as activity grew, the synagogue — which has hosted High Holiday services continuously since 1889 — flickered back to life, hosting monthly Shabbat services.
A visit to the farm
Driving to the site of the Alliance Colony 60 miles west of Atlantic City, the landscape dissolves into fields of corn, hay and soybeans. The road straightens, the sky widens, and then the white wooden synagogue appears. Tall, narrow, arched windows, still standing after 136 years.
Howard Jaffe is waiting on the steps.
He is 70, with a long white beard, a ponytail, and a gold hoop earring. He looks like a Jewish Santa Claus who once sold jewelry at Grateful Dead concerts — which, as it happens, he did.
His grandfather prayed in this sanctuary. Howard has made it his mission to maintain it. “This place raised me,” he says, and swings the door open. “I guess now I raise it.”
The building is neither grand nor fragile. It simply persists. Inside, the sanctuary offers the cool hush of old buildings: sunlight slanting across pews, floorboards worn to a soft gloss by generations of feet from farmers, factory workers, and families.
He walks upstairs to the women’s gallery, a reminder of the building’s Orthodox roots. From here, the sanctuary stretches below like a diorama. Then Howard opens a small doorway into the attic, a low, sloping space where traveling rabbis once slept, the rafters forming a rib cage of wood.
The Alliance Cemetery, 20 acres across the road, tells the story more plainly than any archive. The early graves belong to the colonists who cleared the land; the later ones to the survivors who arrived after the war and tried to build something new.
Howard stops to brush leaves from one stone. Names repeat across the rows: Gershal, Shiff, Brotman — the same names that mark the roads nearby. Some headstones tilt like old teeth; others sink into the earth as if tired of holding their stories upright. A few mark children. Many bear Hebrew inscriptions weathered thin by rain and time.
Deeper in, on a small rise, stands the cemetery’s most arresting structure: a large Holocaust memorial carved with the names of camps: Auschwitz. Buchenwald. Dachau. Treblinka.
It was built in the 1990s, by Irving and Esther Raab, who met in Auschwitz and immigrated to the area after the war. It’s where they built a successful kosher poultry business, at one point employing 12 butchers. Howard worked for them for a stretch, managing the killing room.
Its heavy stone rises among wooden farmhouses built by immigrants who had fled an earlier era of violence. It’s a reminder that the colony, like so much of American Jewish life, was shaped both by those who fled Europe in the 1880s and those who survived it in the 1940s.
Today, thanks to the Levins’ efforts and a new documentary about Alliance, Howard finds himself giving more tours than he has in years — to school groups, descendants, even curious Mennonites.
The work of reanimation
To the left of the cemetery stands a bright mural, painted last summer, which retells the colony’s story in bold colors. A shtetl burning. A steamship crowded with families. A wide field waiting for them. The present looking back at the past, asking what it still requires.
The last panel centers on William’s own lineage. In vivid purples stands Moses Bayuk holding a cluster of grapes from the Alliance vineyards — grapes that Welch’s once bought from this very farm.
The mural is not decoration. It is instruction: a reminder of how the story began, painted so it cannot be forgotten by whoever comes next.
Past the mural stands William’s grandparents’ home, which had long sat empty. But the bones were good: the clean lines of midcentury design, a peaceful view of fields, the kind of quiet that city families crave.
So the Levins renovated it.
They’ve now opened it as a kosher Airbnb, a place where Jewish families could spend Shabbat, celebrate holidays, or simply breathe outside the city without worrying about kitchen logistics. It wasn’t the centerpiece of their vision, but it became a steady foothold — a way to bring people onto the land, reconnect them with Alliance, and slowly rebuild around the place.
When the Levins go down to Alliance, they line up events — a tour, a talk, a small gathering — that fold into their monthly visits. The point isn’t profit. It’s presence.
For Krone, the professor who studies Jewish agricultural communities, what the Levins are doing at Alliance is not a resurrection. It’s a reanimation.
“Alliance is unique in that they have this historic connection,” she said. “They’re part of a contemporary movement of Jews reconnecting to agriculture, but they’re doing it in a place where there has been that connection before, and they’re very intentional about that.”
In her view, the Levins have already begun shifting the trajectory.
“I think they’ve reinvigorated it,” she said. “They’re growing food through collaborations, hosting events, drawing descendants back at regular reunions, keeping the synagogue active. The community that’s forming around them — that’s already the project.”
In a world where Jewish stories often end with what was lost, Alliance is a rare one still asking what might yet be found.
When William and Malya talk about Alliance now, they sound like hopeful realists with a mortgage. The early, expansive dream has settled into something steadier — less about rebuilding a vanished colony and more about tending what remains so it can keep growing.
“We really like our life in Brooklyn, but we also really like having this other place that is meaningful,” Malya said. “It’s rare for Jewish kids in America to have a place where their family has six generations of history.”
Alliance has always been an exercise in reinvention: first by the colonists, then by the survivors, and now by a family trying to reconcile two very different forms of Jewish life. The Levins move between the noise of one life and the quiet persistence of another.
They are not trying to rebuild the past. They’re trying to keep it from disappearing. And in doing so, they’ve carved out a place where Jewish life, in all its improvisation and resilience, can still take root.
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Liberal Zionist groups criticize Trump administration’s travel ban on those with Palestinian Authority passports
(JTA) — The Trump administration has extended its travel ban to Palestinian Authority passport holders amid a crackdown on legal immigration and travel.
The White House said the ben was needed because “several U.S.-designated terrorist groups operate actively in the West Bank or Gaza Strip and have murdered American citizens.”
“Also, the recent war in these areas likely resulted in compromised vetting and screening abilities,” the announcement continued. “In light of these factors, and considering the weak or nonexistent control exercised over these areas by the PA, individuals attempting to travel on PA-issued or endorsed travel documents cannot currently be properly vetted and approved for entry into the United States.”
The ban formalizes a practice revealed this fall when the United States declined to issue visas to Palestinian officials, including Palestinian Authority President Mahmoud Abbas, to attend the United Nations General Assembly. It includes waivers for certain cases, including athletes traveling to compete in the Olympics or World Cup.
The expansion of the travel ban was condemned by several liberal-leaning Jewish groups, including J Street, a liberal Zionist advocacy and lobby group.
“At a time when the Trump administration claims that it is working to advance the second phase of the Gaza ceasefire deal, its decision to bar Palestinian travel to the US is both deeply damaging and counterproductive,” said Adina Vogel-Ayalon, J Street’s vice president and chief of staff, in a statement. “Rather than advancing stability, this policy further delegitimizes and weakens the Palestinian Authority at the very moment when US policy should be focused on strengthening its capacity to sideline Hamas, improve governance, and help stabilize and secure Gaza and the West Bank.”
Hadar Susskind, the president and CEO of New Jewish Narrative, a progressive Zionist Jewish organization, also criticized the ban.
“We urge the administration to reverse these restrictions and to pursue security policies that are targeted, evidence-based, and consistent with human rights,” said Susskind in a statement. “True security is built through inclusion, engagement, and justice—not through walls or racist bans.”
The White House announced the ban on travelers with P.A. passports on Tuesday along with similar prohibitions on nationals from Burkina Faso, Mali, Niger, South Sudan and Syria.
The countries join 12 others whose passport-holders were barred from entering the United States starting in June, which included Afghanistan, Myanmar, Chad, the Republic of Congo, Equatorial Guinea, Eritrea, Haiti, Iran, Libya, Somalia, Sudan and Yemen.
“AMERICA FIRST SECURITY 🇺🇸,” wrote the White House in a post on X. “President Donald J. Trump just signed a new Proclamation, STRENGTHENING our borders & national security with data-driven restrictions on high-risk countries with severe deficiencies in screening & vetting.”
The new additions come as the White House continues to impose severe restrictions on immigration following the shooting of two National Guard members by a suspect who is an Afghan national last month.
Last week, the Trump administration also rolled out new draft regulations that would require travelers from Israel and dozens of other countries to provide five years of social media history for entry to the United States.
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Richmond mayor facing resignation calls over posts calling Sydney massacre ‘false flag’
Bay Area Jewish leaders are calling for the resignation of Richmond Mayor Eduardo Martinez after he re-shared multiple LinkedIn posts that called Sunday’s massacre of Jewish people in Sydney an Israeli “false flag attack.”
Martinez, who was elected by the city just north of Berkeley in 2023, also shared posts claiming that “the root cause of antisemitism is the behavior of Israel and Israelis.”
Martinez has since removed the posts from his account and apologized for sharing them “without thinking” — but he did not disavow the false flag conspiracy theory about the attack. He clarified only that “we know that antisemitism was here before the creation of the state of Israel.”
“As I’ve said many times before, we should not conflate Zionism with Judaism,” Martinez wrote on LinkedIn. “They are two separate beliefs.”
He later added, “I want to assure everyone that these postings are my opinions (or my mistakes) and mine only. They are not statements from my office or the city of Richmond. If I make a mistake, that mistake is mine only. Once again, I apologize for posting in haste without full understanding of the posting.”
He did not discuss the attack, which killed 15 people and injured dozens.
The Jewish Community Relations Council of the Bay Area was outraged by Martinez’s online activity and left cold by his apology. It called for his resignation Thursday in a statement posted to JCRC social media.
“These actions reflect a consistent and deeply troubling disregard for the safety and dignity of Jewish people,” the organization wrote on Instagram. “They erode public trust and send a chilling message to Jewish residents that they are neither protected nor respected by their own mayor.”
The local chapter of the Anti-Defamation League, ADL Central Pacific, also condemned the post.
“There’s no excuse for an elected leader to be amplifying warped antisemitic conspiracy theories that seek to blame the victim,” ADL regional director Marc Levine wrote in a statement to J. The Jewish News of Northern California. “The Australian community has already faced enough tragedy over the last few days. We hope Mayor Martinez will reconsider his hurtful words, which have absolutely no place in public discourse.”
The Forward has reached out to Martinez for comment.
Martinez’s LinkedIn posts were the latest in what local leaders say is a slew of antisemitic incidents during the progressive’s tenure. In 2023, just weeks after the Oct. 7 attacks, Martinez
Martinez, a former schoolteacher, posts regularly about the Israeli-Palestinian conflict on LinkedIn, sometimes multiple times per day.
In August, speaking at the People’s Conference for Palestine in Detroit, Martinez likened the Oct. 7 attack to someone snapping after being bullied on the playground, J. reported, adding that whether he supported Hamas was “complicated.”
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