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In Jerusalem neighborhoods bound together by terror, anger and trepidation about what comes next
JERUSALEM (JTA) — Time stops on Shabbat in Jerusalem, for the living and the dead.
Up the stairs in an apartment on the main road in the Neve Yaakov neighborhood in the city’s northeast, past hallway portraits of Sephardic rabbis, the Mizrahi family was not taking visitors on Saturday. “This is not the right time,” a woman who opened the apartment door said.
A Palestinian gunman gunned down Eli and Natali Mizrahi on Friday night. Now the couple was in a morgue awaiting burial. There are no Jewish funerals on Shabbat. They would be buried after nightfall.
The gunman killed seven people Friday night, in the worst terrorist attack in Jerusalem in over a decade.
A day earlier, Israeli troops killed nine people, including two civilians, in a raid in the northern West Bank city of Jenin that Israeli officials said was aimed at preempting a major terrorist attack; a 10th died later. A day later, a 13-year-old Palestinian shot and wounded an Israeli father and son outside Jerusalem’s Old City walls amid a scattering of further incidents.
Jerusalem, the country, the region are on edge. Prime Minister Benjamin Netanyahu announced new measures aimed at curbing the violence, targeting families of terrorists. Police arrested 42 people in connection with the Neve Yaakov attack. Bill Burns, the CIA boss, is on his way to Israel to consult with Netanyahu about how to keep the region from blowing up.
On Friday night, around 8 p.m., in the middle of the Sabbath evening meal, Eli Mizrahi, 48, ran downstairs as soon as he heard the gunfire. His father, Shimon, asked him not to go, the Times of Israel reported. Eli’s wife of two years, Natali, 45, followed her husband.
Eli Mizrahi spoke to the gunman, who shot him and Natali dead.
On Saturday, Neve Yaakov residents stood in groups on the street in the long shadows cast by the winter sun, gossiping, trying to piece together details from second hand reports; Shabbat forbade them from turning on the radio or TV or checking their phones.
“We sat here in the living room and suddenly I heard shooting,” said Sara Gablayev, 76, who lives on the ground floor, below the Mizrahis. “I ran to the window and saw two people falling. Then I saw some running and I shouted, ‘What happened?’ He said two more people were killed down the street.”
Family and friends of Eli and Natali Mizrahi, who were killed in a shooting attack in Jerusalem, mourn during their funeral in Bet Shemesh, jan. 28, 2023. (Amir Levy/Getty Images)
It was Friday evening, as Shabbat services were ending. Kheiri Al-Qam, 21, drove his car down Neve Yaakov Boulevard, shooting civilians, seemingly aiming at whomever he could reach.
He murdered the Mizrahis. He murdered Rafael Ben Eliahu, 56, who worked for the post office, and who left a widow and three children. He murdered Asher Natan, who was 14. He murdered Shaul Hai, 68, a sexton at one synagogue who was entering another to attend a Torah lesson. He murdered Irina Korlova, a Ukrainian caregiving worker. He murdered Ilya Sosansky, 26.
“The terrorist killed three people at the entrance to the synagogue and left three others with various injuries,” said Chanoch Reem, a volunteer first responder with United Hatzalah who lives next to the synagogue Hai was entering and who rushed to the scene when he heard the commotion. “He then drove away while continuing to shoot passersby.”
In a release, United Hatzalah quoted another of its first responders, Yosef Deshet, who was in the synagogue when Al-Qam opened fire. “When I heard the gunshots begin I took cover on the floor under a table with my son,” he said. “Immediately after the shooting ended, I ran to my house nearby to bring my son back to safety and to grab my medical trauma kit and bulletproof vest.”
Al-Qam drove his car to a junction that connects roads to Neve Yaakov and Bet Hanina, a Palestinian neighborhood. There, he exchanged fire with Israeli troops, and was killed.
On Saturday, in Ras al-Amud, an eastern Jerusalem neighborhood seven miles south of Neve Yaakov, Israeli troops surrounded the six-story building where Al-Qam lived with his extended family. Before dawn, troops bound men and boys to one another by the wrists and led them out. Neighborhood Palestinian youths grouped together on a nearby stairway watched the soldiers.
One of the young Palestinian men watching the troops said they were in wait-and-see mode.
“Maybe they’ll demolish the house. Maybe it will be a surprise,” he said. “It’s a crazy government now. Any decision is possible.”
Netanyahu’s government, just weeks old, is the most right-wing in Israel’s history. His public security minister, Itamar Ben-Gvir, was weaned on the teachings of Meir Kahane, the racist rabbi assassinated in 1990, and has called for loosening rules of engagement with the Palestinians.
Ben-Gvir the lawyer represented Jewish Israelis who were accused of violence against Palestinians. In a detail that underscored the entwined fates of the two neighborhoods, one of those whose innocence he helped obtain was Haim Perlman, arrested in 2010 on suspicion of having murdered another Kheiri Al-Qam — the Neve Yaakov attacker’s grandfather. Perlman was never charged.
Ben-Gvir the provocateur with a criminal record made his name acts aimed at forcing the government rightward, accusing it of weakness. On Friday night Ben-Gvir the government minister traveled to Neve Yaakov, and now the anger, the pushback, the pleas to do something, anything were aimed at him.
Israeli security and emergency forces at the scene of a shooting attack in Neve Yaakov, Jerusalem, Jan. 27, 2023. (Olivier Fitoussi/Flash90)
“It’s on your watch!” said one man, caught on video shouting at Ben-Gvir. “Let’s see what you do now!”
The next day, Saturday, the residents chattered with one another on Neve Yaakov Boulevard trying to make sense of the night before. Neve Yaakov, a neighborhood built after Israel captured eastern Jerusalem in the 1967 Six-Day War, is surrounded by Palestinian neighborhoods and the separation wall between Jerusalem looms near.
“We live down the street so we don’t know what happened,” said Miriam Reuven, who was standing on a traffic island with her three granddaughters. “We came to get more information. I don’t feel safe here anymore.”
Some residents shooed away reporters: It was Shabbat, after all. Shimon Yisrael sought them out. He was showing a French camera crew the bullet in his ground-floor window.
“He came with a pistol to my face,” he said of Al-Qam. “I was outside, he wanted to shoot me and I went into the house and he shot at the window. He wanted to kill me.”
He knows what to do with Al-Qam’s family, which is likely to receive benefits that the Palestinian Authority gives to the families of Palestinians killed or imprisoned over their role in attacking Israelis. “Destroy their house,” Yisrael said. “Deport the whole family to Syria, to ISIS, they’ll slaughter them over there.”
In Ras Al Amud, the youths outside Al-Qam’s building said his father, Musa, is at prayers at a mosque a few doors down.
At the mosque, men were gathered in a courtyard, drinking the bitter coffee typically served at funerals. Except there is no funeral. Israeli authorities are holding Khairi Al-Qam’s body.
Musa Al-Qam whose son, Khairi, murdered seven Israelis and was killed, mourns in a mosque in Jerusalem, Jan. 28, 2023. (Orly Halpern)
Musa Al-Qam came out of the mosque to meet a reporter in the courtyard. His voice was toneless.
“Today is a wedding. It’s a celebration,” he said of his son’s death. “We don’t need to cry. Everything that happens is from God.”
Men hugged him. He stiffened.
His hands are calloused. He explained that he has worked for years in construction. He has eight children, four boys and four girls. The youngest are twins, he said, and for the first time, he smiled.
“The soldiers told me my son is a fighter,” he said. “My son is not from any movement. I don’t know what happened to his mind. The occupation kills boys before they are men.”
A few hours later, Netanyahu’s office issued a release: The security cabinet had ordered his apartment building sealed ahead of its destruction.
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Long Island school district pays $125K to settle lawsuit over erased pro-Palestinian student art
(JTA) — A Long Island school district agreed to pay a $125,000 settlement to a former student whose pro-Palestinian artwork was painted over in a high school parking lot.
The lawsuit stemmed from a September 2024 incident at Half Hollow Hills High School West, which permitted seniors to decorate their campus parking spots. A Muslim-American student, who was a senior at the time, painted a watermelon featuring a keffiyeh pattern alongside her name in Arabic and the phrase “Peace be upon you” on her space.
At the time, protests against the war in Gaza were at a peak, and the watermelon and keffiyeh, the traditional Palestinian headscarf, are both widely used symbols of Palestinian solidarity. The school painted over the artwork after it drew outcry from some Jewish parents in the district, determining that it had run afoul of the district’s rules barring political designs.
“For the school district, neutrality is the single most important issue when it comes to limiting speech,” the Half Hollow Hills School District’s attorney, Jacob Feldman, said at a school board meeting at the time, according to a contemporaneous Newsday report.
The student, who has not been identified publicly, testified at that meeting last year. “I was told by my principal that the watermelon was being interpreted as antisemitic by anonymous adults,” she said, according to the Newsday footage. “I feel deeply offended that the word antisemitic was used to describe a piece of my artwork.”
In March 2025, the New York chapter of the Council on American-Islamic Relations filed a lawsuit on behalf of the student alongside Stoll, Glickman & Bellina LLP, alleging that the district had violated her free speech rights and caused her emotional distress.
“The whitewash of Plaintiff’s pro-Palestinian speech was not to prevent substantial disruption of any school activity or threatened harm to the rights of others, as Half Hollow permitted and even amplified speech on other equally, even more, controversial issues,” the lawsuit stated, according to the Associated Press.
In court filings, Steven Stern, an attorney appointed by the district’s insurance provider, wrote that the watermelon image “symbolized anti-Semitic hate speech,” arguing that the district should be able to dictate art allowed in the parking lot.
“Any student, teacher, or member of the public could have driven into the parking lot and reasonably understood the school was endorsing a political message — or worse, anti-Semitic hate speech — by allowing it,” Stern wrote, according to Newsday.
The settlement, which was approved by the Half Hollow Hills school board at a meeting on April 21, will be paid by the district’s insurance carrier, according to Superintendent John O’Farrell.
In a statement obtained by Newsday, O’Farrell said that students were no longer allowed to paint their parking spaces “following the incident and the disruption it caused.”
The lawsuit was not the first time that the school district had courted controversy over Israel-related issues. Last year, the district drew scrutiny after a study guide distributed to some 10th graders described Zionism as “an example of extreme nationalism,” prompting condemnation from Rep. Elise Stefanik.
Christina John, a staff attorney for the New York chapter of the Council on American-Islamic Relations, which filed the lawsuit alongside Stoll, Glickman & Bellina LLP, welcomed the outcome in a statement.
“This settlement sends a clear message that viewpoint discrimination and the censorship of Palestinian expression cannot be justified under the guise of neutrality,” John said. “No student should be interrogated, silenced, or punished for peacefully expressing their identity or solidarity with oppressed people.”
The post Long Island school district pays $125K to settle lawsuit over erased pro-Palestinian student art appeared first on The Forward.
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Assad Regime Remnants on the Ground in Lebanon Helping Hezbollah
Hezbollah fighters walk near a military tank in Western Qalamoun, Syria, Aug. 23, 2017. Photo: REUTERS/Omar Sanadiki
Senior officers from the former Assad regime in Syria are currently in neighboring Lebanon helping the terrorist group Hezbollah, raising tensions between Damascus and Beirut as the two governments seek to deepen their fragile cooperation.
The extensive coordination between Iran-backed Hezbollah and remnants of Assad’s security apparatus, which was also supported by the Iranian regime until its fall, has fueled fears of an emerging dynamic that could undermine Syria’s new government and deepen regional instability.
Last week, Lebanese Prime Minister Nawaf Salam met with Syrian President Ahmed al-Sharaa in Damascus as the two countries work to expand bilateral cooperation and engagement, with talks centered in part on former Syrian regime figures in Lebanon amid fears of emerging forces that could destabilize the new government.
Following the fall of long-time Syrian dictator Bashar al-Assad in December 2024, many officials in his regime are believed to have fled to or sought refuge in Lebanon, a development that has intensified diplomatic friction and security tensions between Damascus and Beirut.
Hundreds of pro-Assad military and intelligence officers and other security officials had reportedly entered the country through illegal border crossings in the Bekaa Valley in eastern Lebanon and via northern border regions.
In an interview with Saudi broadcaster Al Arabiya, Salam dismissed claims that most senior Assad-era officials have sought refuge in the country, while reaffirming the government’s commitment to help preserve Syria’s security interests.
“Most are in Russia and other countries, with just a small number still on Lebanese soil. But the government will work to ensure Beirut is not used as a base to undermine Damascus or to facilitate any political or military activity against it,” the Lebanese leader said.
During last week’s talks, Lebanese and Syrian officials agreed that any extradition of anti-regime forces would proceed under a joint legal framework to be coordinated through the justice and interior ministries in both countries.
The Syrian government has urged Lebanese authorities to arrest and extradite former Assad-era officers amid fears they are joining forces with Hezbollah and allied Alawite networks, where they have reportedly found refuge as part of a renewed effort to destabilize the country.
“We will not allow anyone on Lebanese soil to act against the Syrian government,” a Lebanese security source told Al Arabiya. “Lebanon will never serve as a platform for remnants of the former regime or militias operating against Arab states.”
Last year, al-Sharaa became Damascus’s president after leading the rebel campaign that ousted Assad, whose Iran-backed rule had strained ties with the Arab world during the nearly 14-year Syrian war, with an offensive spearheaded by al-Sharaa’s Islamist Hayat Tahrir al-Sham (HTS) group, a former al-Qaeda affiliate.
After years of intervening in Syria’s civil war to support Assad, the Lebanese terrorist group Hezbollah significantly expanded its political and military influence across the country as Iran’s chief proxy force.
However, the fall of Assad’s regime cut off Hezbollah’s key overland supply corridor through Syria, dealing a major setback to Iran’s “Axis of Resistance” and disrupting one of the group’s most vital strategic lifelines.
According to intelligence assessments, Assad regime supporters who fled into Lebanon have not simply gone into exile but are believed to have formed an organized network described by Syrian officials as the “operational brain” of Assad’s army on Lebanese territory, according to Arab and Israeli reports.
More than 200 former officers and senior figures from Assad’s military and intelligence apparatus have reportedly taken refuge in Hezbollah strongholds and heavily Alawite areas in northern Lebanon, where, Syrian officials warn, they are working to preserve the military infrastructure and strategic assets of the Iran-backed Shiite axis.
Arab media networks report that Hezbollah has provided former regime officers with protection and safe houses in exchange for intelligence expertise and operational support, aimed at helping establish armed cells and Alawite militias inside Lebanon.
Recently, Syrian authorities identified a covert Hezbollah-linked network allegedly plotting attacks against senior figures in the new Syrian government, with Damascus suspecting exiled Assad-era officers based in Lebanon are playing a central role in efforts to undermine the country’s stability.
Last week, Syria stopped a Hezbollah terrorist cell that was plotting to assassinate senior government officials, according to the Syrian Interior Ministry. With raids at multiple locations, Syrian security forces made 11 arrests and seized a cache of weaponry.
In April, the same Interior Ministry announced five arrests in another assassination attempt plotted by Hezbollah. The terrorists targeted Rabbi Michael Khoury in Damascus, with authorities identifying a woman who attempted to plant an explosive outside his home. The suspects later confessed to authorities they had drones supplied by Hezbollah they intended to use in an attack.
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1912 Yiddish operetta tackles class conflict and women’s rights
One of the smash hits of New York’s thriving Yiddish theater scene in the early 20th century grappled with socio-political issues that still resonate 100-plus years later. It’s coming back for a very limited run and you don’t have to speak Yiddish to enjoy it.
The production — a concert of songs from the 1912 Yiddish operetta Khantshe in Amerike — will be performed twice this month, first at Bard College in Annandale-on-Hudson, New York and then at the YIVO Institute for Jewish Research in Manhattan.
The protagonist, Khantshe, is a young working-class woman who dresses as a man, working as a chauffeur for a nouveau-riche immigrant family. Khantshe flirts with and romances the women she works for — mother and daughter alike. The operetta grapples with class conflict, women’s rights, gender fluidity and cars.
The performances, made possible by material reconstructed from archival documents, will feature students from Bard accompanied by piano. There will be no dialogue; instead the singers will deliver brief plot summaries in English before each song. A translation of the lyrics will be included in a booklet for the audience, who will also be able to follow along watching English supertitles.
The operetta first opened on Dec. 31, 1912 at Sarah Adler’s Novelty Theatre in Williamsburg, Brooklyn and was a runaway hit. It was mounted in Warsaw just six months after the New York premiere.
“This is one of the shows that were in dialogue with all of the political and social issues that people were talking about,” said Alex Weiser, director of public programs at YIVO and a member of the trio that reconstructed the performance materials. “They were made because the masses needed the cultural material in their language that spoke to the specificity of their milieu.”
Khantshe in Amerike was also a turning point in the career of both its composer, Joseph Rumshinsky, and its star, Bessie Thomashefsky. The previous year she had left her renowned husband Boris Thomashefsky, the titan of the Yiddish stage, known as a compulsive philanderer.
At the height of their influence, the Thomashefskys owned theaters in and out of New York, published their own magazine, The Yiddish Stage and wrote columns in the popular Yiddish newspapers of the day. When Boris Thomashefsky died in 1939, some 30,000 people lined the streets of the Lower East Side for his funeral.
“This show was a star vehicle for Bessie when she first left Boris,” notes Weiser. “They were a power couple and this was a really important turning point in her career. She left him, she went out on her own and there was a big question: ‘Is this it for her?’”
The angry, wily, rebellious and militantly feminist character that Bessie Thomashefsky portrayed became the prototype for a series of heroines she played going forward. They were tough, brassy, usually working-class fighters, endowed with chutzpah.
Bessie Thomashefsky also produced the operetta.
The musical was a watershed moment for Rumshinsky, as well. He went on to dominate the American Yiddish musical for the rest of the decade. It marked the first time that “American rhythm” had been incorporated in Yiddish music, a euphemism for acknowledging the influence of African-American music on the genre.
“Nothing had ever happened like that in Yiddish theater before,” said Ronald Robboy, who was part of the team that reconstructed the performance material. “Yiddish theater then quickly started incorporating elements of Tin Pan Alley. It also became interestingly more self-consciously Jewish, as smarter and better educated composers learned how to manipulate Jewish modal material, the scales that came from liturgical music and klezmer music. So the music was at once more American and at the same time more skillfully Jewish in its self-identity.”
Robboy’s connection to the material is a lengthy one. For five years he served as researcher for the Thomashefsky Project, an homage to the legacy of Boris and Bessie Thomashefsky instigated by their grandson, the late conductor Michael Tilson Thomas. The culmination of the project occurred in April 2005 with the premiere of The Thomashefskys: Music and Memories of a Life in the Yiddish Theater at Carnegie Hall. A recording of a subsequent performance in Miami Beach aired on the PBS series Great Performances in 2012.
Robboy worked with Weiser and Max Friedman, a law student in Memphis, to turn a number of archival documents into the printed matter needed to do the Khantshe performance. In 2023 the team reconstructed Rumshinsky’s Shir-hashirim operetta.
The documents for Khantshe came from YIVO and the American Jewish Historical Society, among other sources. They included a copy of the libretto that had been published as a bootleg in Warsaw.
Friedman got obsessed with Yiddish while studying for a master’s degree in music composition at Brandeis. For his master’s thesis he set to music sound recordings of Yiddish poets H. Leivick, Yankev Glatshteyn, Kadia Molodovsky, and Rokhl H. Korn reading their own work.
The last musical number in Khantshe in Amerike has the protagonist singing about herself. Soon the song Khantshe was played whenever Bessie Thomashefsky walked into restaurants and social gatherings. Tilson Thomas often played it as she made her triumphant entrance into the family living room.
Khantshe in Amerike will be performed on Thursday, May 14, in the Bitó Conservatory Building at Bard College from 7 – 8:30 p.m.
It will also be performed at YIVO on Monday May 18, at 7 p.m., as part of Carnegie Hall’s United in Sound: America at 250 festival. Admission is $15, $10 for YIVO members and students. Registration is required for the free livestream on Zoom.
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