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In long-isolated Australia, festivals bring out Jewish celebrants in Sydney and Melbourne
When things finally began returning to normal in Australia after nearly three years under one of the world’s strictest Covid protocols, Australian Jews didn’t hesitate to celebrate.
In November, Jews with the roots in the former Soviet Union who live in Australia heralded their heritage with a pair of long-awaited festivals in the country’s two biggest cities, Nov. 6 in Sydney and Nov. 13 in Melbourne. Each event attracted about 200 people. Limmud FSU Australia hosted both festivals in close partnership with the Zionist Federation of Australia or ZFA, marking the FSU Jewish community’s first in-person, large-scale events since 2018.
“For a while, we couldn’t travel more than 5 kilometers from our homes,” said Ukrainian-born Inna Polura, who worked logistics for Limmud FSU’s first Sydney festival back in 2015 and now volunteers at the Sydney Jewish Museum. “This last event was very successful, and at least 50 kids attended. We see a huge potential here.”
Moscow-born real estate agent Elena Sladkova, 25, added, “Finally we were able to do it, and this was one of the best festivals our community has seen in a very long time.”
About a quarter of Australia’s 120,000 Jews were born in the former Soviet Union or are children of immigrants from the former USSR. Limmud FSU organizes gatherings all over the world to strengthen Jewish identity and a sense of Jewish community among Jews with roots in the USSR.
At the Limmud festivals in Australia, which were held in both English and Russian, representatives of three nonprofit groups — the Blue Peony Foundation, the Svoboda Alliance and the Russian-Speaking Jewish Community Association — shared tips on how to assist Ukrainians suffering from the war that has devastated their country.
The Sydney event, held at New South Wales University, featured such presenters as Amir Maimon, Israel’s new ambassador to Australia; Leon Goltsman, Waverley Councillor for Bondi Ward, Sydney; Ron Weiser, former president of the ZFA; Diana Ulitsky of the social service agency JewishCare NSW; and Rabbi Yehoram Ulman of the Sydney Beth Din. The Melbourne event took place at the Crowne Promenade Conference Centre, with such prominent speakers as MP David Southwick, deputy Victorian Liberal Party leader; and Sebastian Inwentarz, ZFA Birthright’s Australia director.
Some of the festivals’ sessions focused on uniquely Australian themes, such as Professor Ludmila Stern’s history lecture on the World War II-era prosecution of two elderly Ukrainians and a German in the Australian city of Adelaide for atrocities against Jews. Jeremy Jones, director of international and community affairs at the Australia/Israel & Jewish Affairs Council, spoke of local efforts to secure the emigration of Soviet Jews to Australia in the 1970s and ’80s. In Melbourne, Simon Holloway, head of education at the Melbourne Holocaust Museum, spoke on the dramatic emergence of Holocaust research in the former Soviet Union.
There were plenty of lighter sessions among the three dozen or so at each festival. At the Melbourne event, Orthodox psychotherapist Miriam Dolnikov talked about myths and facts about Orthodox sex. Rabbi and chef David Trakhtman spoke about “spiritual gastronomy.”
Volunteers, like these ones in Melbourne, are an indispensable part of those who organize Limmud FSU conferences. (Yuri Peress, PY-PHOTO)
In between sessions, entertainment was provided by the Russian School Lider Dance Ensemble as well as students from the AMS Music Centre and VulgarGrad, a seven-piece, Melbourne-based band that plays unique funk and punk renditions of traditional folk songs from the former Soviet Union. A special performance was held in Sydney by Ukraine-born Israeli singer Vladi Balyberg, and both events featured a unique concert by a prominent Israeli actor and singer, Vladimir Friedman. There were also workshops on challah baking and martial arts for kids.
“The last three years have shown that everything in the world can change overnight. But the fact that Limmud FSU continues to work and be active is priceless,” said Marina Rozenberg Koritny, head of the World Zionist Organization’s Aliyah Promotion Department. “This organization does wonderful, significant work in Jewish education in the Diaspora, and continues to remind us all the time that we are all one people.”
This year alone, Limmud FSU has held festivals in New Jersey; Niagara Falls, Canada; Baku, Azerbaijan, and Boston. A Dec. 1-3 gathering in Tiberias, Israel, was the year’s biggest event, with some 1,100 participants.
“It has been a long time since we last gathered in Australia,” said Limmud FSU founder Chaim Chesler. “But the post-Covid Australian Jewish community, whose roots lie in the countries of the FSU, is just as vibrant and hungry for community and learning opportunities as before. We are delighted to return.”
Events for children were part of the Limmud FSU conference in Sydney, Austrlia, on Nov. 6, 2022. (Veda Kucko)
Among Limmud FSU Australia’s key supporters are the Conference on Jewish Material Claims against Germany, the ZFA, the World Zionist Organization, Genesis Philanthropy Group, the Jewish National Fund-Keren Kayemet LeIsrael and Wilf Family Foundations. Since Limmud FSU’s first conference in 2006, the group has hosted more than 80 events worldwide, drawing over 80,000 participants. The group’s co-founder is Sandra Cahn; Matthew Bronfman is its chairman; and Aaron Frenkel is president.
“I think the best way to expand your network is by volunteering and participating in the community, and that’s why I’m involved with Limmud,” said Russia-born Maria Gelvan, 38, who coordinated the activities of the 28 volunteers at the Melbourne festival. “It’s an absolutely amazing opportunity for unifying the Jewish community.”
Luiza Levenfus, 44, who immigrated to Israel from the former Soviet republic of Azerbaijan at age 12 before moving to Melbourne when she was about 20, says Jewish identity is at risk in Australia’s multicultural society.
“There is a big risk of losing our connection to Judaism,” Levenfus said. “I feel like my kids don’t understand the Jewish side of things, even though their mom is Jewish and their dad is half-Jewish and half-Russian — especially in the suburb where we live.”
That’s why taking the time to go to the Limmud FSU festival was so important, she said.
“People there get me. I don’t have to explain to them why I have tears when I hear Hebrew songs,” Levenfus said. “We’re all on the same page.”
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The Knicks won on 6/13. Jewish fans think that’s more than a coincidence.
(JTA) — For some Jewish fans of the New York Knicks, the most salient number related to the team’s NBA championship win on Saturday was not 94, the team’s final score, or 53, the number of years since the last title. It was 613.
The number is meaningful in Jewish tradition because it signifies the number of commandments, or mitzvot, outlined in the Torah.
For years, the number has hung from the rafters at Madison Square Garden — a reference to the number of lifetime wins notched by Red Holzman, the Jewish coach who led the Knicks during their previous championship runs, in 1970 and 1973.
On Saturday, it also became the date that the Knicks’ championship dry spell was broken: June 13, or 6/13.
For some Jews watching, the confluence of 613’s was evidence of divine intervention in the Knicks’ title win.
“Today is 6/13. There are 613 commandments in the Torah. Tonight, the Knicks are the champions. 🧡🩵,” tweeted Simone Weichselbaum, a native New Yorker. “I rest my case. 🏆”
Yossi Farro, who has made a name online by posting pictures of himself aiding Jewish celebrities, including athletes, in applying prayer phylacteries, tweeted an image showcasing the 613s in Knicks lore. “Faith. History. Legacy,” he wrote. “Amazing how sometimes everything comes full circle.”
Some online Jewish commentators found even more to read into the date. Moshe Spern, a New York City educator and activist, noted that not only is 613 significant in Jewish tradition, but 26, the rest of the date, also resonated. “And 26 is the gematria of Hashems name,” he tweeted, using a Hebrew name for God and referring to the kabbalistic practice of assigning numerical value to letters and their combinations. He concluded, “Today is a miracle!!”
Jewish Knicks diehards were talking about the 613 tie-in well before the date breaking the championship dry streak was revealed.
The Manhattan psychologist to the stars Ike Hershkopf, who would later be accused of abusing his power in a 2019 podcast, told the New York Jewish Week in 1998 that he had informed Holzman about how meaningful his lifetime achievement was.
“I wrote a letter telling him that 613 is the single most special number in the Jewish religion, signifying the number of commandments that an observant Jew observes,” Herschkopf said. “I told him the highest praise that one could give to a Jew is to say he is a 613 man. … Subsequently he told me that he was so taken with this that he not only framed the letter but sent out copies to his friends.”
Red Holzman, coach of the New York Knicks, shown on the sidelines during game action against Philadelphia 76ers, March 5, 1977. (Getty Images)
Last week, Rabbi Justin Pines, the chief executive officer of the Jewish Broadcasting Service, noted the Holzman banner in a broadcast. “Coincidence?” he asked. “Or a divine reminder hanging right over the court?” (The championship win unfolded in Texas at the home arena of the San Antonio spurs.)
Even those who satirize Jews online got in on the action on Saturday night.
“The Knicks won on 6/13. 613 is the number of Jewish commandments,” tweeted a parody account ostensibly attributed to a fake rabbi that often goads antisemites online. “And you’re telling me the Mossad didn’t have to do with Jew York winning the finals??”
For OG Anunoby, the Knicks’ forward who scored the game-winning putback in game four, the date of the victory had its own significance: It was the seventh anniversary of his first NBA title, with the Toronto Raptors.
“It’s a great day — what’s it, June 13th?” he said during a postgame press conference. “Yeah, June 13th is an amazing day.”
Not everyone appreciated the numerical reading between the lines, saying that there was more to marvel at in the Knicks’ win. In the leadup to the championship, and under siege in New York City.
“Guys stop giving divrei Torah about the date being 613 and the Knicks winning. There’s no connection between the number of mitzvot, today’s English date and a basketball team. Y’all are far-fetched,” tweeted a New York woman who goes by the Jewish Meme Queen online.
“You know what’s actually inspiring?” she continued. “The Knicks working their butts off to win. The sacrifices their families made for this moment. NYC coming together despite our differences.”
This article originally appeared on JTA.org.
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Trump announces deal with Iran is ‘now complete’
(JTA) — President Donald Trump announced Sunday that a deal to end the war with Iran and reopen the Strait of Hormuz is “now complete.”
“Congratulations to all! I hereby fully authorize the toll free opening of the Strait of Hormuz, and, simultaneously herewith, authorize the immediate removal of the United States Naval blockade,” Trump wrote in a post on Truth Social. “Ships of the World, start your engines. Let the oil flow!”
Pakistani Prime Minister Shehbaz Sharif, who has played a key mediating role in talks between the U.S. and Iran, also announced that a deal had been reached minutes before Trump made his post, adding that an official signing ceremony would take place Friday in Switzerland.
“Both sides have declared the immediate and permanent termination of military operations on all fronts, including in Lebanon,” Sharif wrote in a post on X.
The announcement comes more than three months since Israel and the U.S. launched its joint strikes on Iran in February. While the deal’s details have not yet been publicly announced, it is expected to extend a ceasefire between Iran and the U.S. for 60 days, during which the countries will negotiate a broader agreement addressing Iran’s nuclear program.
Israeli Prime Minister Benjamin “Bibi” Netanyahu did not immediately put out a statement following the announcement, but earlier Sunday he had posted a message on X celebrating Trump’s birthday.
Also earlier Sunday, Israel launched strikes on Hezbollah targets in Beirut, prompting Iran to vow retaliation and drawing a sharp rebuke from Trump, who said the strikes had “delayed the signing by a few hours.”
“Why did Bibi have to do a f–cking attack? I was so pissed off. I let him know. He has no fucking judgement. I let him know that,” Trump told Axios Sunday.
This article originally appeared on JTA.org.
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Jane Yolen, children’s book author whose ‘The Devil’s Arithmetic’ became a Holocaust classic, dies at 87
(JTA) — Jane Yolen was already an award-winning author and illustrator of more than 100 titles for young readers when her editor suggested she write a Jewish children’s book.
At first, she resisted the idea. Sure, she was Jewish. But she didn’t grow up in a religiously observant family, and she insisted she didn’t know enough about Judaism to take on the project.
Finally, she relented. Drawing on a spark of an idea about a Holocaust time-travel fantasy, Yolen turned in the first draft of what would become “The Devil’s Arithmetic,” her 1988 young adult novel. “I thought, ‘OK, I’m going to try this,’” Yolen recalled to the Jewish Telegraphic Agency years later.
The book won immediate acclaim and garnered multiple awards. Today, it’s seen as a classic of the genre — and one that remains caught up in banned-book lists.
For Yolen, who died Thursday at 87 in her home in Western Massachusetts, “The Devil’s Arithmetic” became her signature title. Still in print, the book was also made into an Emmy Award-winning Showtime feature starring Kirsten Dunst. It was the cornerstone of a titanic legacy in children’s literature, her family said in a statement.
“It is with profound sadness that I, along with my brothers, Adam Stemple, and Jason Stemple, share the news of our mother, Jane Yolen’s passing,” her daughter Heidi Stemple wrote on Facebook, adding that Yolen had “passed gently with no pain or stress” and her family by her side, reading one of her books to her.
Yolen was born on Feb. 11, 1939, in New York City. Her father was a journalist and her mother was a psychiatric social worker until Yolen was born.
An alumna of Smith College, where she won poetry and journalism awards, she worked first as an editor in New York City, writing at her breaks and time off. Her first published book, “Pirates in Petticoats,” a nonfiction work about women on the high seas, was published when she was 22.
She soon pivoted to children’s literature, becoming one of the most prolific authors in the genre. She went on to publish 450 children’s books, including more Jewish titles, and was known as “the Hans Christian Andersen of America.” She won the prestigious Caldecott Medal for her 1987 picture book, “Owl Moon,” and her “How Do Dinosaurs …” series is a staple in many preschool classrooms. (It includes one Jewish title: “How Do Dinosaurs Say Happy Chanukah?” Her 450th title was published just this year, her children said.
But it was “The Devil’s Arithmetic,” scholars have said, that cemented her legacy as a leading author for young Jews. The novel was a trailblazer for its blending of time-travel with historical veracity, according to the late Norman H. Finkelstein, a National Jewish Book award winner who was a children’s librarian himself.
“It was a different Holocaust book,” Finkelstein told JTA in 2018, on the occasion of the title’s 30th anniversary. “It was not strictly factual, it was not a memoir. Jane did a superb job in taking the story of the Holocaust down to a level that ordinary American kids could understand. The characters were realistic, not paper cutouts.”
Other titles of hers included “Meet Me at the Well: The Girls and Women of the Bible,” with Barbara Diamond Goldin, and “Jewish Fairy Tale Feasts,” with her daughter Heidi, who developed and illustrated the hands-on recipes.
Yolen relished the collaborations with her daughter. They lived next door to each other, along with Stemple’s family, with two grandchildren who were taste-testers of Stemple’s recipes.
“Jane was a treasure, and it is difficult to think of the world of books — indeed the world itself – without her,” Richard Michelson, an award-winning author of Jewish children’s books and Yolen’s friend and neighbor, wrote on Facebook. Describing her as a cherished mentor of younger writers, he added, “Jane created classics as if it were as easy as breathing.”
While often assigned in schools as part of lessons on the Holocaust, Yolen’s titles are not without controversy. In 2025 a Texas school district, using artificial intelligence, flagged “The Devil’s Arithmetic” for removal as a title containing “DEI,” or diversity, equity and inclusion content. The book became one of several well known Holocaust titles to be pulled from schools in the last few years.
Though she had initially resisted the idea of being a Holocaust author, Yolen would go on to publish a trilogy of unconventional young-adult novels about the subject. She incorporated elements of “Sleeping Beauty” into 1992’s “Briar Rose.” “Mapping the Bones” followed in 2018 as a riff on “Hansel and Gretel.”
“Whenever we think of the Holocaust, we think of remembering,” Yolen told JTA in that same 2018 interview. “We think of never forgetting. Soon all we will have are the stories.”
In addition to her children, Yolen is survived by six grandchildren. Her husband, David Stemple, to whom she was married for 44 years, died in 2006.
This article originally appeared on JTA.org.
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